Engleza Cls A 12 A B Var
Engleza Cls A 12 A B Var
Engleza Cls A 12 A B Var
1. According to the first paragraph, what makes the history of reading a fascinating story?
2. What is a possible definition of reading according to the second paragraph?
3. Why was being a scribe in ancient Mesopotamia such an accomplishment?
4. Why would the “dear reader” explicitly addressed in the writings around 2300 BCE be
considered “absent”?
B. Choose the synonym for the words given below, according to their meaning in the text.
6 points
1. squiggles: a. squirms b. scrawls c. wiggles d. graffiti
2. versatile: a. functional b. compatible c. convertible d. many-sided
3. awe: a. esteem b. admiration c. horror d. distress
2. Back then, people believed the patterns made by the wandering feet of birds were messages
from the gods, waiting to be deciphered.
The patterns made by the wandering feet of birds _______________________________the
gods, waiting to be deciphered.
3. As the ancient writers discovered their power to make and alter myth and history, the first works
of literature were written.
It was the discovery _______________________________ the ancient writers write the first
works of literature.
II. Use the word given in brackets to form a word that fits in each gap. 10 points
I suppose, though, that I was lucky in other ways. In 1989, when I turned sixty-five, I should have,
according to various (1) _________ (GOVERN) regulations and so forth, been asked to retire, or
at least accepted the position of director emeritus. Such a (2) _______ (DEMOTE) would have
left me somewhat emasculated but still able to (3) _________ (PART) in the daily life of the lab.
But to my surprise, there was no letter from some (4) _________ (BUREAUCRACY) reminding
me of the imminent (5) ______ (DIMINISH) of responsibilities and inviting my retirement. I was, it
seemed, an (6) ______ (EXCEPT). Not that it would have bothered me (7) ________
(TERRIBLE), had I been asked to (8) ________ (ADHESION) to the rules. By that time, after all,
I scarcely needed NIH’s name or (19) __________ (ASSOCIATE) to support me; had they
insisted on holding me to the same standards they did everyone else, I would have accepted one
of the offers from Johns Hopkins or Georgetown that were extended to me (10) ______
(ANNUAL).
Umberto Pelizzari was about 25 metres beneath an azure Sardinian sea when he spotted an ideal
place to moor the boat. Taking the anchor with his bare hands, he fastened it sturdily to the
bottom, then surfaced slowly, calmly preserving the only air he had with him – that in his lungs --
and scissoring the powerful legs that had borne him scores of times up from other, more profound
reaches of the deep.
Pelizzari, one of the world’s best-known free-divers, had students waiting for him on the boat off
the northern point of this island, due west of the glamorous Emerald Coast. Watching him secure
their anchor in this unconventional way, they saw little reason to be afraid. Having broken nearly
all the world records in breath-hold diving in the 1990’s, Pelizzari now wanted to share the magic,
self-control and dizzying excitement of penetrating the depth and solitude of the ocean with little
more than a mask, fins, some weights and sheer force of will.
Until recently, free-diving, or apnea, had been dominated by a relatively elite, competitive
community of iron-lung athletes. These masters of the underwater universe seemeed to defy the
constraints of physics by descending thousands of metres, using no breathing apparatus
whatsoever. Up to the 1960’s, scientists had thought the chest would collapse at depths greater
than 38 metres. Today, Pelizzari would consider that a dip in the pool. He is among only a handful
of people on the planet able to sink to inky, silent reaches of more than 150 metres on a lungful
of air. At those levels, he says, the heart can slow to seven to nine beats per minute from an
average of 70 for a person at rest, while the atmospheric pressure compresses the lungs to the
size of a grapefruit. I wondered what could possibly be the allure? ’It’s not about being Superman,’
Pelizzari said, shielding his eyes from the bright Sardinian sun. ’Relaxation and concentration are
the most important parts of my method.’
This meditative emphasis is, it turns out, somewhat unique in free-diving, a sport that is sometimes
punctuated by daredevils driven to outdo each other and organisations that reward them for
setting new records. Since retiring from competition in 2001, Pelizzari has set about developing
an education method that instead places a premium on security, relaxation and strong sensations.
’If your only other experience in water was with a snorkel on the surface for ten minutes, and you
are instead able to snorkel under water at ten metres for one minute – and relax while doing so –
you are going to have a great time,’ said Glenn Venghaus, an instructor on one of Pelizzari’s
courses.
I found this approach difficult to follow when I tried free-diving in Sardinia’s blue waters. Seeing
free-diver friends far beneath the waves, playing with an octopus hidden in a fantastic granite
cave, or swimming among clouds of tiny black fish – I wanted to do the same. Yet the thought of
not having enough breath to resurface, and the fear that my eardrums would pop under the
pressure preoccupied me so much that I had trouble seeing how anyone could find pleasure from
diving deep. I did manage it in the end, though. With each dive on a single breath I went deeper,
eventually making it to 13.3 metres – my emotional equivalent of Pelizzari’s 150 metres. My
reward was to experience a serenity I had never known in deep water, and the exhilaration of
discovering that I could rest in the depths without fear.
I. For each question decide which answer (A, B, C or D) fits best according to the text. 10 points
1. In the first paragraph, what does the writer observe about Pelizzari?
A. the time it took him to find a suitable place to secure the anchor
B. the depth he managed to reach when underwater
C. the speed at which he moved through the water using just his legs
D. the ease with which he controlled the amount of air he used
2. According to the text, why did the students see little reason to feel afraid?
A. They were unaware of the dangers free-diving might entail.
B. They were aware of Pelizzari’s competence.
C. They knew Pelizzari would follow the rules.
D. They had brought the right equipment with them.
3. What contrast is made between Pelizzari’s technique and other forms of free-diving?
A. His technique makes free-diving more demanding physically.
B. It takes longer to get to the deepest levels using his technique.
C. Individuals are less competitive when using his technique.
D. There are fewer opportunities to practise his technique.
4. What difficulty did the writer have when she first went free-diving?
A. She ran out of breath after a short time.
B. Her apprehension made enjoyment impossible.
C. She was put off by watching others doing it.
D. Her eardrums were badly affected by being underwater.
5. What does the writer mean by “my emotional equivalent” in the last paragraph?
A. She felt she had reached a level she was proud of.
B. She felt upset that she could go no further.
C. She felt an exhilaration she had not anticipated.
D. She felt inadequate compared to Pelizzari.
II. Starting from the text above, write an essay reflecting on water. (250-280 words)
50 points