MariSilva SeferHaBahirThe

SEFER HA-BAHIR
The Ultimate Guide to Understanding the

Bahir and Its Influence on Kabbalah and Jewish
Mysticism
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1
Introduction
While minimal in content, the Sefer ha-Bahir is one pillar of Kabbalis-
tic thought.
Through the centuries, scholars have debated authorship; the book
is really a collection of writings. Conglomerated, glossed, and redacted,
the Sefer ha-Bahir is accredited to multiple authors whose contribu-
tions to the book consist of disparate fragments, collected to follow the
book's theme – Creation and the role of the Hebrew Alphabet in that
Creation. But that's not the only theory at work when you're talking
about this ancient – or not so ancient book. Its mysteries have prompt-
ed much conflicting scholarship.
Those reading will most likely know Sefer ha-Bahir's most enduring
legacy is that of the sefirot. These ten emissaries were first described in
this book, and its Kabbalistic colleague, the Sefer Yetzirah. But it's here
we find the locus classicus of the Etz Chaim – the Tree of Life – formed
of the ten sefirot, each of which represents an attribute of God (a des-
ignation which followed the introduction of the sefirot in this book),
Sefer ha-Bahir applies a midrashic, mystical interpretation to the Gen-
esis Creation narrative.
Consisting of 140 passages arranged and presented by scholar Ger-
shom Scholem, Sefer ha-Bahir has driven centuries of study and com-
mentary. The book itself is an exegetical roadmap to the Creation nar-
rative found in Genesis, the first of the five books of the Torah.
As you read, I'll share with you the deep mysteries of this book, the
sages, scribes, and scholars who form part of its long history and its in-
fluence on both Jewish Mysticism and Rabbinical Judaism over many
centuries.
To pursue these mysteries is to find the core truths driving Kabbal-
istic thought and study. At the center of those truths is Creation itself
and where humanity stands in the Created Order.
2
SEFER HA-BAHIR: THE ULTIMATE GUIDE TO
UNDERSTANDING THE BAHIR AND ITS INFLUENCE ON
KABBALAH AND JEWISH MYSTICISM 3
Now, let's journey into one of the Kabbalah's most anciently-rooted

and formative texts – the Sefer ha-Bahir – the Book of Brilliance.
A friendly note to readers: All Biblical quotations are taken from
the Oxford New Revised Standard Version. Translation of passages
from Sefer ha-Bahir is attributable to Aryeh Kaplan's magisterial trans-
lation. It's also worth noting that chapter and verse divisions may vary
between Hebrew and English in various translations of the Hebrew
Scriptures.
Chapter One: Fragments of Brilliance
The truth about the Sefer ha-Bahir is that it's more like an unfinished
puzzle than a book. Consisting of fragmentary parables, loosely
arranged under themes relating to Creation, the Sefer ha-Bahir is a
mystery in many respects, confounding scholars and sages until the pre-
sent day. First published in 1176 in Provence, France, a medieval center
of Kabbalistic thought and study, Sefer ha-Bahir continues to inform
Kabbalah as a whole. The literature addressing the contents of Sefer ha-
Bahir and the sefirot is voluminous, produced over many centuries.
Sefer ha-Bahir is, in fact, the acknowledged locus classicus or orig-
inal text of the idea of the sefirot and the Etz Chaim or Tree of Life.
But the mystical attributes of what's vaguely described in the book were
formed years later. And so, the Sefer ha-Bahir seeded a mystical move-
ment within Judaism that continues to grow in multifarious ways, even
in the present day and even outsides the bounds of Judaism itself.
That almost two millennia of influence attributable to such a frac-
tured book, with parables that sometimes end mid-sentence, speaks of
Sefer ha-Bahir's enduring power. While physically, the text is rather
limited compared to other works in the Kabbalistic canon, religiously,
philosophical, and intellectually, it's incredibly rich.
Its position as an ancient text, which serves as a support for an old
tradition of mysticism within Judaism, is also deeply important, cultur-
ally. In the context of Judaism, the Sefer ha-Bahir has created bridges
and incursions in the Jewish religious world, which have transformed
the community.
For all these reasons, we'll discuss in this chapter the text's journey
toward purported dating and agreed-upon authorship. (My diplomatic
way of saying there are differences of opinion.)
4
Ancient or Not So Ancient

Dating the Sefer ha-Bahir is a topic of dispute, but the majority opinion
of secular scholars is that it was produced early in the 13th Century and
written by many authors.
But Nachmanides (1194 – 1270 CE) was the first known scholar
to name Nehunya ben HaKanah (1st Century, otherwise unknown) as
the book's author. Nachmanides also wrote of Sefer ha-Bahir as "the
Midrash R. Nehunya ben HaKanaha," referred to in the former's famed
Torah commentary in its opening line.
Nachmanides (known by the acronym RAMBan) was a respected
scholar in the Middle Ages from the Sephardic or Spanish wing of Ju-
daism, so his opinion has erred on the side of religious scholarship.
For this book, I suggest you take neither of those dates (obviously
affecting authorship) as gospel, forming your opinions as we discuss Se-
fer ha-Bahir further. This suggestion is made in the spirit of the subject,
which is part of Kabbalah – a mystical discipline that encourages indi-
vidual scholarship and exploration, based on the writings of the sages
and the Holy books of Judaism. Making up your own mind and choos-
ing your interpretative framework is, no doubt, part of the reason you're
here.
The Name
"Now, no one can look on the light when it is bright in the skies when the
wind has passed and cleared them."
Job 37:21
The English translation of Sefer ha-Bahir is "The Book of Bril-
liance." Brilliance may be translated in many ways from the original He-
brew, including "illumination" or simply "light."
In the Job passage, "the light when it is bright in the skies" is the
brilliance of God. But the passage tells us that its intensity is unbearable
to that point that "no one can look." It speaks of clouds, alluding to
6 MARI SILVA
a concealed brilliance that may not be looked upon. This is the same
veiled God encountered by Moses in the cleft of the rock (Exodus
33:22).
And it's within the ten sefirot that the full brilliance of God, un-
obscured by clouds, is concealed. The metaphor speaks to an unwritten
truth to guide readers to a fuller understanding of that brilliance in the
sefirot.
Acting as God's ambassadors to humanity, the sefirot bear within
them the whole truth of God's attributes, held within metaphysical
worlds that interact to create. The sefirot's emergence in the Sefer ha-
Bahir is its dominant theme – a hidden God reaching out to humanity.
And so, Sefer ha-Bahir is named to reflect the brilliance of God,
accessibility to God through the intellect, the interpretation of and re-
flection on the sefirot and their significance, the Hebrew alphabet, and
its role in the Created Order.
The Text
It was originally Israeli scholar Gershom Scholem (1997 – 1982) who
divided Sefer ha-Bahir into 140 distinct passages as a series of parables/
pericopes/portions of text.
Gershom Scholem, originally from Germany, was one of the fore-
most scholars of Kabbalah but was never a member of the communities
which were most pivotal to its development – the Hassidim. Specifi-
cally, Scholem was a secularist who emigrated to Israel and pursued his
fascination with Kabbalah and its voluminous canon. We'll talk more
about him later.
Written in Hebrew and Aramaic, the intention of the work is
midrashic. Midrash is an exegetical tradition in Jewish scholarship, us-
ing comparative sources to arrive at an interpretation. In this instance,
the text being examined is the Genesis Creation narrative.
Sefer ha-Bahir re-visions the Creation narrative, seeing it through
mystical eyes. Drilling down through the text to the layers of meaning
that lay beneath it, the book redefines the intention of the scripture
portions employed, using a distinct lens.
Meaning in the text is attached not only to the phonetic features of
the Hebrew letters and the meaning of the words they form, but it’s al-
so attached to the shape of the letters and space which accommodates
them. It's further attached to vowel pointings and cantillations (which
indicate emphasis for sung prayer).
Structure
Gershom Scholem's 140 passages are parables that serve as commen-
taries, addressing specific portions of the Creation narrative in Genesis.
Consisting of five distinct sections, the parables in each section
don't always address the topic at hand but rather roughly adhere to a
theme. These are:
One Creation narrative commentary

Two The Hebrew alphabet cast as Creation's substance
Three The sefirot and the seven voices
Four Etz Chaim (the model of the ten sefirot)
Five The soul's mysteries; summation
One of the primary differences between Sefer ha Bahir and Sefer

Yetzirah, thematically, is found in both of the sefirot descriptions. Sefer
Yetzirah is primarily focused on the sefirot in numerical terms. Sefer
ha-Bahir is more focused on their role in Creation as God's attributes
and their operation in concert with the Hebrew alphabet. The two
books merely apply different criteria in their interpretation, with the
same goal – revealing God's brilliance through the sefirot, bearing with-
in them God's attributes. The concealed brilliance of God is accessible
through the sefirot to the student who apprehends their mysteries.
In the next section, we'll explore the complex history of the book.
8 MARI SILVA
Folklore and Critical Study

Whether we choose to accept it or not, folklore almost always develops
from a grain of historical truth. Folklore may either further illuminate
certain realities or obscure them by distorting the facts.
With Sefer ha-Bahir, there may be more to the folkloric assertions
about the book than there appears to be when held up against secular/
critical scholarship.
Kabbalists – those who study and apply Kabbalistic principles - are
most likely to cleave to the argument in favor of 1st Century author-
ship (R. Nehunya). The Medieval Kabbalists, like Nachmanides, as dis-
cussed above, were clear that the book was received by them as dis-
parate pieces of a whole. These were said to have been discovered, piece
by piece. As we've read, this claim is well-supported by the fragmentary
nature of the text.
Critical, secular study of the Sefer ha-Bahir has concluded that the
book was written in the 13th Century, attributing it to Isaac the Blind
(circa 1160 – 1235) or possibly to students of his, among other scribes.
Modern scholarship rejects this claim, acknowledging an older ori-
gin for the book, with its genesis in Sefer Raza Rabba.
No longer extant in its entirety, Ronit Meroz has dated at parts of
Sefer ha-Bahir to 10th Century Babylon. Applying a critical linguistic
approach, Meroz has stated that the use of Babylonian pointing indi-
cates vowels used during that time, which later became extinct, is found
in the Sefer ha-Bahir. She recognized that other parts of the book re-
flected language usage in Provence, France, during the 12th Century.
Ronit Meroz, Professor of Jewish Philosophy and Talmud at the
University of Jerusalem, is joined by scholars Gershom Scholem and
Moshe Idel in her hypothesis of the ancient origins of Sefer ha-Bahir.
These two scholars also conclude this based on the similarities between
the book's contents and writings emanating from the First Century's
Jewish Gnosticism. I will talk about that a little later.
For now, it's important to note that what is indicated by the schol-
arship is that both folklore and critical secular scholarship are some-
what vindicated. While there is no definitive answer, it's clear that the
ancient influence of earlier works expressing Jewish Mysticism's early
manifestations is present in Sefer ha-Bahir. But in the tradition of Holy
Writings, there are often multiple contributors over long periods.
The Great Secret

Sefer Raza Rabba – Book of the Great Secret – no longer exists. Still,
the book is mentioned throughout the 9th, 10th, and 11th centuries by
Babylonian sages and in the works of Daniel al-Qumisi (died 946), the
Karaite sage of Jerusalem.
In the tradition of Merkavah Mysticism (100 BCE – 1000 CE), the
book expounds on the Merkavah (Chariot) described in the Book of
Ezekiel and contains a great deal of magical content. The book also in-
cludes the naming of demons, angels, and gematria (assigning numeri-
cal values to letters to gain deeper meanings in the text).
Considered a midrashic work in the Merkavah tradition, the book
is mentioned in a commentary by Moshe ha-Darshan, a 13th Century
sage of Narbonne, calling the book "Ha Sod ha Gadol" – the Great Se-
cret.
As I've said earlier, Raza Rabba no longer exists in its original form
or forms. It's believed that there was more than one version of the book
in circulation at one time. But it lives on in its intimate link to the later
Sefer ha-Bahir.
Themes and ideas in the Raza Rabba were further developed in Se-
fer ha-Bahir, including the ten sefirot. While appearing in Raza Rabba,
the sefirot only remains a fragment of what was written by whoever was
responsible for compiling the book. There is no indication of any de-
velopment of the sefirot's symbolic significance, but the link between
them is there. Raza Rabba became a literary resource for critical editing
10 MARI SILVA
to Sefer ha-Bahir, over time, drawing on its serial appearances in the

writings of the Babylonian sages and ha-Darshan.
Key Scholarship
Sefer ha-Bahir is best described as a collection of miniature sermons,
delivered by sages familiar to readers with a few apocryphal figures
thrown in by contributors.
The passages, as arranged by Gershom Scholem, consist of a variety
of layers of contributions added through the ages. Scholem argued for
the text's Gnostic origin, with the earliest portions of the text written
in the Ancient Near East or derived from Ancient Near Eastern writ-
ings.
Scholem further pointed to contributions emanating from Ger-
many and suggested that the latest additions came from the late 12th
Century. Specifically, he attributed these to writers in Languedoc, in
the south of France.
Scholem's hypothesis on authorship and dating for Sefer ha-Bahir
is increasingly accepted as accurate by contemporary scholars. Howev-
er, Moshe Idel contends that Scholem's appeal to the text's Gnostic ori-
gin was more likely to derive from later channels of thought in Judaism.
Also, Scholem's assertion that part of the book originated in Germany
is gaining scholarly influence.
Haviva Pedaya, of Ben-Gurion University in Jerusalem, has also
explored the interplay between Hellenistic and Jewish thought as a
subtext in Sefer ha-Bahir, pointing to the melting pot of philosophies
in the Ancient Near East, which likely influenced the book's authors
through time. The continuing influence of Hellenism through the Mid-
dle Ages highlights the necessity to consider Sefer ha-Bahir as, at least
partially, a product of the confluence of mysticism and philosophy.
Using the words "tohu" and "bohu" in the text (found in Genesis
1:2, meaning "formless" and “void”) is a clue to the question of Hel-
lenistic influence, specifically, that of Neo-Platonist thought in the
question of matter and how it was manipulated at Creation. We'll talk

about this feature of Bahir near the end of this book.
As you can see from this chapter's information, what we know as
Sefer ha-Bahir is not really a book. Many speculate that the "book" was
thrown to the wind and then given to the sages, who re-assembled it –
in the wrong order.
But what matters about the Sefir ha-Bahir is its position as the first
exposition on the "10 utterances" – the sefirot themselves, character-
ized as linguistic realities. The latter part of the book is where these are
discussed at length.
The King
A feature of the Sefer ha-Bahir, which is of interest, is using an analogy
to underline the lesson being taught. To make its parables coherent,
analogous figures like the King, his daughter, and servants of the Royal
Household and places like the palace gardens are used.
These analogous representations are used as expository devices for
the Hebrew Scripture portion that accompanies each parable and then
the parable itself. The King and his household are used by the author(s)
of Sefer ha-Bahir to illuminate a central truth in the related text, which
forms the paragraph/parable.
These analogous figures are often used playfully, but their purpose
is to illuminate this scribe's intention by creating a visual that penetrates
the meaning of what's being presented.
To illustrate the purpose of the analogous figures, let's look at Para-
graph 16 in Section I of the Sefer ha-Bahir. (NB: Rabbi Rahumai has
been placed in quotations, as he is unknown beyond this work and
in the Zohar. While he may have existed, it's not known whether this
parable is attributable to him or not. Some rabbinical personalities in
Sefer ha-Bahir are fictitious; others, like its pseudepigraphic author,
Nehunya ben HaKanah, were known and acknowledged sages).
12 MARI SILVA
In this paragraph, "Rabbi Rahumai" states that light existed before

Creation, providing a pretext in Psalm 97:2, namely, "Cloud and gloom
surround Him," linking it to Genesis 1:3, "And God said, 'let there be
light' and there was light."
"Rabbi Rahumai" then employs the persona of the King who
yearned intensely for a son. The King, seeing a beautiful crown, buys
it for the yet-to-be-born son. When he's asked how he knows that his
yet unconceived son will be worthy of it, the King says, "Be still. This is
what arises in thought."
The figure of the King is used as an example of God's longing for
Creation, so strong that the inspiration of light arrives before Creation,
just as the crown for the King's longed-for son expresses his yearning.
His exhortation to those who question the purchase of the Crown for
a yet-unborn son who may prove unworthy is to "be still." The King's
thought is presented as an inspiration, just as God's thought at Cre-
ation was driven by the same.
By employing Hebrew Scripture and calling on characters like the
King, the author tells a story that illuminates a much larger truth about
God's longing for Creation.
Our next chapter will discuss the sefirot, what they are and who
this mysterious Adam Kadmon fellow might be.
Chapter Two: Ten Utterances That
Created the World
In Sefer ha-Bahir, we first encounter the sefirot being described as em-
anations of God, but in a very different way than they are described in
the Sefer Yetzirah. Unlike the Sefer Yetzirah, there is no numeric value
assigned to them. Rather, each sefirah corresponds to a stage in the Bib-
lical Creation narrative and an associated Biblical character. That does
not imply the presence of gematria in the text of Bahir, but that pres-
ence is not nearly as potent as it is in Yetzirah.
The ten utterances represent instances in the Genesis narrative of
Creation featuring the phrase "And God said." All 10 of these occur in
the first chapter of the Book, between verses 3 and 30 (Genesis 1:3, 1:6,
1:9, 1:11, 1:14-15, 1:20, 1:26, 1:28, 1:29-30).
Just as there are ten fingers on human hands and ten toes on human
feet, there are ten utterances that wrought Creation from the depths of
the Creator's Divine Will. And just as there are ten utterances, there
are ten sefirot emanating from the same source. In every stage and every
creative utterance, there are the sefirot, revealing to us the essential na-
ture of God.
It's in Sefer ha-Bahir that we also find the first representation of the
sefirot as Etz Chaim. The Tree of Life serves as a visual organization
of God's attributes, positioning each attribute in the tree, where they're
arranged to the right, left, and down the center of this graphic device.
But the Tree of Life has a second identity – that of Adam Kadmon
or Primordial Man. This is not the Adam in the Bible. Adam Kadmon
serves as a human-shaped representation of creaturely humanity, em-
bodying its most ideal representation and God's unsullied intention for
the Created Order.
Also found in Sefer ha-Bahir is the nascent idea of tzimtzum (con-
traction), which first appeared in the Kabbalistic tradition in the
13
14 MARI SILVA
Tikkunei ha-Zohar or Rectifications (also translated as "repairs") of the

Zohar (1558). It contains a formula for repairing a broken Creation, in
which God is concealed from what has been created. We'll talk more
about that shortly but, for the purposes of this chapter, let's examine
the ten sefirot from the standpoint of Kabbalah as a whole.
Meet the Sefirot

The sefirot are not only God's ambassadors. "Ambassadors" is some-
thing of a shallow description, in truth.
The sefirot might be described as conduits through which the Di-
vine energy flows, but even that would fail to convey the mystery of
what the sefirot are. Before we meet them in person, it's necessary to
understand the intention of the sefirot and the purpose they serve in
Kabbalah.
Each of the ten sefirot interacting within the framework of Etz
Chaim encompasses a Divine attribute. So, perhaps the most conve-
nient way to describe the sefirot is "emanations." Arranged in the Tree
of Life in columns with three on the left, three on the right, and three
down the center, the sefirot are conjoined and interdependent and in-
teractive, while separately encompassing an essential trait of God.
As the tree of life stood in the middle of the Creation narrative's
Garden of Eden (Genesis 2:9), so the Tree of Life stands in the middle
of Kabbalah and its spiritual methodology for approaching God. Ac-
cording to the truths revealed in the sefirot and their creative interac-
tion, Etz Chaim is the way to God. But that's not the whole truth.
The eternal Tree is God, undivided and singular, presented in a for-
mat that explains the reality we stand before, in our unknowing state.
The sefirot are the fruit of the Holy One, available only to those willing
to go out on a limb to (reverently) partake.
Let's meet the sefirot, starting on the left side of the tree. You'll
note a corresponding part of the human body listed next to the English
translation for each sefirot's Hebrew name.
Binah – Understanding – left brain

Gevurah – Might – left arm, hands, fingers
Hod – Splendor – left leg, foot, toes
On the central axis of the tree, we find:
Keter – Crown - skull

Tiferet – Beauty - torso
Yesod – Foundation – sex organ
Malchut/Shekhinah – Kingdom/Divine Presence - mouth
Finally, on the right side, from the top:
Chochmah – Wisdom – right brain

Chesed – Lovingkindness – right arm, hands, fingers
Netzach – Victory – right leg, foot, toes
The arrangement of these Divine emanations, personified by the se-

firot, follow three axes running parallel to each other, vertically. In He-
brew, these are called kavim. Each axis represents a sphere or character-
ization of Divine activity.
Running between the sefirot's three axes is tzinorot. These are the
actual conduits of the interaction between the ten emanations. These
conduits run the creative power of the Divine, enabling energy beyond
human understanding to operate and express itself.
The sefirot, which connects directly to their tzinorot, suggest com-
mon types of activities between implicated contact points, creating a
dynamic, energetic Tree unlimited in its power and potential to reveal
the Divine.
But as we've touched on earlier, Etz Chaim also represents the form
of Adam Kadmon – Primordial Man. And so, the Tree of Life is re-vi-
sioned in Sefer ha-Bahir and its cousin text, the Sefer Yetzirah, as a liv-
ing expression of God's attributes. Thus, the sefirot are part of a con-
16 MARI SILVA
struct that reveals God to humanity and resurrects God's intentions in

creating humanity – like a giant so close to God as to be distinguished
from Creation itself. In the section below about Adam Kadmon, we'll
explore Primordial Man's anthropomorphized concept and its place in
Kabbalah.
The intention of the Sefer ha-Bahir's representation of the sefirot is
to associate them with the stages of the Divine's efforts in Creation. Be-
cause Creation exists as a direct expression of God's internal landscape,
it's only the culmination of that process revealed in the physical world
we perceive. Before the Creation of this world, the final stage of the
process, there were others, all both transcending and inherent to the fi-
nal product.
The sefirot are a living organism, described variously but im-
mutability dynamic. A sole organism rife with spiritual meaning and
Divine reason, the sefirot permeate reality at every level.
More than just emissaries, the sefirot are the cloudless day on which
it becomes uniquely possible to recognize God's attributes alive in the
Creation our human bodies are part of. Etz Chaim is more than a
graphic representation. It's a detailed model of God's intimate relation-
ship with the Created Order and humanity's role in that relationship.
Adam Kadmon
Primordial Man is a central theme in understanding Kabbalistic
thought, especially about the sefirot and their centrality as a nexus of
God's interaction with humanity.
Adam Kadmon stands as an icon of the Adam of the Garden –
both not the Adam of the Garden and a semiotic representation of him,
simultaneously. This tension between "is" or "is not" is familiar when
discussing Kabbalah. But the same is true of most theology, in which
the idea of tension is a recurring theme. For example, the fact that God
is both transcendent and immanent is similarly counter-intuitive but
integral to the whole in Judaism, Christianity, and Islam.
Adam Kadmon is more than just an icon. The figure of a man,

when seen in the model of Etz Chaim, corresponds, in its constituent
parts, to the sefirot, as noted above. Again, humanity is centered, but
with the attributes of God imposed upon its creaturely body, via the
metaphysical proxy of Adam Kadmon.
One of Sefer ha-Bahir's most compelling themes is that of Creation
and the role of language, vowel pointings, and cantillations in that Cre-
ation. In the same tradition of linguistic mysticism as Sefer Yetzirah,
the book chooses the Hebrew language as an active agent in Creation,
standing as the eternal, creative Word of God. We'll be discussing this
theme later in this volume.
The Kabbalistic model of Creation has become, through the mag-
isterial writing of Isaac Luria (1534 – 1572 CE), a complex and sys-
tematic undertaking, seeking to apprehend the motivations of a God
most consider inscrutable. Part of Luria's model of Creation was a spir-
itual cataclysm, occasioned by what we can only assume is one of God's
greatest disappointments – the Adam of the Garden.
And so, Adam Kadmon is an icon of Adam, an errant child of the
garden, metaphysically existing as a higher version of himself in a realm
near the concealed God far from the Garden defiled by his decision to
take a bite of that notorious apple.
In the Beginning
"Rabbi Nehunyah ben HaKanah said: One verse (Job 37:21) states, "And
now they do not see the light, it is brilliant (Bahir) in the skies... [round
about God in terrible majesty]."
Another verse, however, (Psalm 18:12), states, "He made darkness
His hiding place." It is also written (Psalm 97:2), "Cloud and gloom sur-
round Him." This is an apparent contradiction.
A third verse comes and reconciles the two. It is written (Psalm
139:12), "Even darkness is not dark to You. The night shines like daylight
and darkness are the same."
18 MARI SILVA
The passage above is the first in Sefer ha-Bahir's treatment of the

Genesis Creation narrative, and to move on to our next chapter, which
will describe the role of Primordial Man in the Kabbalistic model of
Creation following Luria, we need to examine what's being said here.
While the passage is notable, being framed as a saying from the
pseudepigraphic First Century author of the book, Nehunya ben
HaKanah, what's most interesting about it is the seeds of later interpre-
tation by Isaac Luria and his student Chaim Vital (1542 – 1620 CE),
among others.
Beginning with a (previously quoted) passage from the Book of
Job, which roots Sefer ha-Bahir's name in the Bible, the passage moves
on to the concealment of God (tzimtzum, which we'll discuss shortly)
and finally, a reconciliation of the two apparently competing visions of
the Divine expressed in the two preceding verses, in which "darkness
and light are the same" to God.
Again, the theme of tension arises with God defined as both too
brilliant and glorious to behold but simultaneously concealed in dark-
ness, far from any scrutiny. And the passage, whomever it's attributable
to, is the basis for later Kabbalistic thought regarding the concealment
of God in the process of Creation. The Divine is both shown forth in
brilliance and concealed in darkness.
And in this, we can begin to see what service the sefirot, united in
Etz Chaim/Adam Kadmon, perform for the Divine. Acting as the light
of God, God may maintain both contact and concealment in Holy
"isolation."
As we can see in the Psalm 18 quote, the concealment of God is in
the Bible, then brought into Sefer ha-Bahir. As we move into reading
about the Kabbalistic explanation of Creation and how it all came to
be, it's useful to note the seeds of the idea of tzimtzum planted in the
Bible itself.
But how did God come to be concealed? Why did God "contract"
into metaphysical "isolation"?
This question is key to understanding the sefirot and their intimacy

with the Creator.
So, let's start at the beginning – the very beginning – of the Genesis
Creation narrative.
"In the beginning, when God created the heavens and the earth, the
earth was a formless void and darkness covered the face of the deep, while
a wind from God swept over the face of the waters."
Genesis 1: 1 – 2
Genesis presents God as a wind, sweeping over the watery darkness
of Creation's potential - a "formless void."
In the original Hebrew of the passage, the words for "formless void"
are "tohu wa bohu." The phrase is also found in Isaiah 34:11, translating
as "Primordial chaos." The word "tohu" is found throughout the Book
of Isaiah, usually meaning "vanity." "Bohu," however, is only seen in 3
places in the Hebrew Scriptures. The third instance is seen in Jeremiah
4:23, translating as "waste and void."
The phrase, when examined, hints at materiality, which presents it-
self as potential. It is not yet "something." It is "something-in-waiting."
Tohu wa bohu is the raw, lifeless material that awaits the enlivening
hand of the Creator. Sefer ha-Bahir dwells on both that formless void
and its role in the process of Creation.
5th Century BCE Greek philosopher, Parmenides, stated "ex nihi-
lo nihil fit" – "from nothing, nothing comes." If the vision of Genesis
is correct, then so was the Ancient Greek. Because Primordial Chaos
was not "nothing." Rather, it was matter awaiting an organizing force to
make sense of it.
What's striking about the opening scene in the Drama of Creation
described in Genesis is the absence of myth. There is no elaboration on
why God is moving over the waters or why the "wind from God" would
move over the waters of Chaos to enliven them. This speaks to the un-
limited agency of an unknowable Creator, making the passage unusual
20 MARI SILVA
in its Ancient Near Eastern setting, which was teeming with such nar-
ratives of how the universe came to be.
Enuma Elish (1750 BCE, Sumeria) and other regional Creation
narratives involve an element of the fantastical. For example, Enuma
Elish describes the elevation of the god, Marduk, to the leadership of
the Sumerian Pantheon. In the Genesis Creation story, there is only the
wind of God and Primordial Chaos. No motivation is stated. There are
no other Gods. There is just the One God and the raw stuff that will,
by God's hand, become the Created Order.
Not by cleaving the evil Tiamat in two does the God of Genesis cre-
ate rivers and mountains. The God of Genesis merely speaks Creation
into being by way of the ten utterances.
There is a matter-of-fact quality to the story of Creation in Genesis.
While quietly dramatic, there is no cleaving of a Primordial Snake God-
dess or drama in which one god arises to reign over a teeming pan-
theon of others. It's merely a quiet story of wind and water, darkness
and formless chaos, waiting to be born as "something."
And in this quiet tale, God's words and breath figure as the creative
agents. Breath forces the words from the mouth of the Holy One,
bringing into being all that is, formed by a will that gives life through
the spoken word.
And in the Kabbalah's elaboration on the simplicity of Genesis's de-
scription of Creation, we see one of the primary concerns of Sefer ha-
Bahir – the primacy of the Hebrew language as the instigating force ac-
tive in God's magnum opus.
But before we can talk about the Hebrew language's creative power,
we need to take a walk through the Kabbalah's complex elaboration
on the Creation narrative. In it, God is hidden away in the darkness to
make space for has "arisen in thought" and then been wrought.
At the center of Creation's treatment by Kabbalah is the figure of
Adam Kadmon. More than just a model of Primordial Man, Adam
Kadmon is a world unto himself. But why are there two Adams?
What happened that created the need for an anthropomorphized

icon, standing as a world unto itself ?
To answer that question, we return to the Garden of Eden and the
man placed in that Garden. We all know what Adam did to be cast out.
But do we know that Adam, created from the stuff of the earth,
dropped the ball? Let's find out about the real sin of Adam and discover
how it led to a battle, through time, for the errant soul of humanity.
Chapter Three: A Monkey Wrench in the
Works of God
"So God created humankind in his image, in the image of God he created
them, male and female he created them."
Genesis 1:27
Being created "in the image of God" – B'tzelem Elohim – is no
laughing matter. But in the verse above, in which God does precisely
that, we're not talking about the way things look.
We're talking about an ontological reality. The ontology describes
the essential nature of things and their place in reality – including the
essential nature of the human-animal and its place in Creation.
The creation of humanity in the image of God implies stewardship
as stated in Genesis 1:26, in which God gives humanity "dominion"
over everything from birds to livestock to "creeping things."
In Christianity, the word "dominion" has been interpreted to align
with unlimited power due to the translation of verse 28's instruction to
humanity to "...fill the earth and subdue it". But what does "dominion"
mean when one has been created in the image of God?
Psalm 8:6 relates, "You have given them dominion over the works
of your hands; you have put all things under their feet."
Humanity being placed in such a position due to having been made
in the image of God almost sounds as though the human-animal has
been created to stand in place of God, but this is a presumptuous inter-
pretation of Primordial Man's role in the Created Order.
Rather, as the image of God in Creation, humanity's role is one of
stewardship. Just as a Border Collie herds the sheep on behalf of the
farmer, humanity herds the vast Creation's denizens on behalf of God.
This is the ontological work of humanity, just as sheep are the ontolog-
ical work of the Border collie.
22
For God to tell Primordial Humanity it has been made in the im-
age of God – a God we can't see to check for a resemblance to us -
speaks to the arrangement as a partnership. God has no hands. Humans
have those. And if humans are made in an inscrutable, ineffable image,
then "the image of God" is found in the Divine attributes, which the
Created Order not only reflects but contains, in every conceivable de-
tail and fiber.
But the problem with humanity being made in the image of God is
that the trust inherent in having taken a decision to do so seems to have
been misplaced.
"So when the woman saw that the tree was good for food, and that it
was a delight to the eyes, and that the tree was to be desired to make one
wise, she took of its fruit and ate; and she also gave some to her husband,
who was with her, and he ate."
Genesis 3:6
And he ate.
Adam ate of the Tree of the Knowledge of Good and Evil, so falling
from grace in the eyes of God.
But is that the true cataclysm in this narrative? Is the fact that
Adam ate the fruit of the tree the true cause of the chasm between God
and humanity?
Not according to the Kabbalah's treatment of the Creation narra-
tive.
Ideal Adam
Isaac Luria is easily the most influential of all the Kabbalistic sages, also
recognized by the name "Ha'ARI HaKadosh (the Holy Lion) or simply,
ARI, as well as ARIzel.
Father of Kabbalah as we know it today, ARI wrote little, but his
teachings were widely disseminated via the passion and devotion of his
students. From Safed, his influence continued to spread until Luria's
24 MARI SILVA
interpretation of Creation became synonymous with that accepted by

Kabbalists everywhere.
And it's this one which interests us. Because in Luria's vision of Cre-
ation, Adam of the Garden is made whole in the spiritualized Adam
Kadmon – an ideal version of the creaturely "problem child," Adam.
Elevated from his failed status in Creation, Adam is restored to the
idealized state in which the Divine was inspired to create him, becom-
ing the Kabbalistic figure, Adam Kadmon. Just as God's ten utterances
resulted in Creation, God's inspiration sparked the Creation of a part-
ner to tend it.
But there was more to Adam's mission on earth than watering
plants and feeding animals. His mission was tikkun – repair. And what
was he to repair?
Adam was to repair the shattered pieces of clay vessels, scattered
abroad on the Divine's perfect Creation – the kelipot. Exploding in the
darkness of the cosmos, the shattering of these vessels released into Cre-
ation all that was to have been contained within them.
Before Adam reached out for that apple he'd been expressly warned
not to eat, he'd been given all he required to pick up the pieces of those
shattered, scattered vessels. He'd been part of a Divine plan to repair
the damage. Having been made in God's image – the Divine template
of Adam Kadmon transposed to the Created Order – he'd been put in
place as God's hands.
And in that Creation, tikkun had already been accomplished. For
God, that seems to have been the whole point, according to Kabbalah.
So, when Adam bit into that juicy, forbidden apple, he created a
catastrophe in Creation. The Covenant with the Creator was ruptured.
What had been so recently healed was, in a single bite, again wounded.
With that single action, Adam undid the tikkun for which his very ex-
istence had been pre-destined.
The clue to the importance of humanity in the great scheme of Cre-
ation is in its being fashioned "in the image of God." But Kabbalah tells
us that the image's impression of the human-animal is much more pro-

found. What's been impressed upon us, through the ideal Adam, are
the very attributes of our Creator. In Adam Kadmon, our sublime ex-
emplar, the Light of the Limitless is contained and mediated.
There is a consubstantiality in the relationship between Adam and
the Divine, which transcends parental analogies. Adam's Creation is in-
tentional, with a specific purpose in mind for the creature, formed as
a realized inspiration of God's plan for Creation. Bearing the image of
God is not about body parts. Rather, bearing the image of God is about
intention and fidelity to the plan.
Like the King with his crown for an unborn son, God believed in
his inspiration.
And this explains why Adam Kadmon's body is Etz Chaim. The
Tree of Life provides not just food but the full realization of God's in-
tention – that Creation should be nourished by an agent of the Divine
just as the Tree nourishes that agent.
Etz Chaim, being the graphic depiction of the sefirot, is also the
graphic depiction of Adam Kadmon – his body. That body consists of
the attributes of God contained in the sefirot and continually interact-
ing to show the glory of the Divine in Creation, following the intention
of the Creator.
As Adam Kadmon's body is the metaphysical bearer of the sefirot,
he's transcended by their agency. And by the agency of the sefirot, hu-
manity is given access to an image of both the Divine and an idealized
version of themselves in this, the most complex and transcendent of all
God's inspirations.
A Being of Light
Adam Kadmon, while an anthropomorphized figure (said by some to
also embody Torah), is not analogous to the Adam of the Garden.
Rather, Adam Kadmon is the Divine's inspired notion of a partner – a
reflection of God's glory – that acts on earth to realize Creation's plan.
26 MARI SILVA
Integral to the figure of Adam Kadmon is the fullness of God's Divine

breath imparted at Creation and all it contained.
In Etz Chaim, Adam Kadmon is borne into Creation surreptitious-
ly – in disguise. The ten sefirot, their activity is expressing the attrib-
utes and intentions of God as impressed upon incarnated Adam, ren-
der both the Creator and the Created visible in their most compelling
manifestations.
With the failure of humanity to follow through, Adam Kadmon
remains in place. There is no concurrent dissipation of the dream of an
ideal Adam. The physical teeth of God's partner in the project of tikkun
sinking into the apple bear no relation to his idealized metaphysical
prototype. That dream lives and not only in God's image but as an en-
tire world unto itself.
Constructed of light and conducting light to lower realms, con-
cluding in the Created Order, Adam Kadmon's position is near the Di-
vine itself, just as the inspiration is from the very mind and heart of the
Creator. Denied his creaturely partner, God's prototype of that dream
remains ever near, working with the imagination that created it, bear-
ing and diffusing the Divine Light at the Creator's will.
As metaphysical reality and a world unto himself, Adam Kadmon
sits nearest the Limitless, serving as a conduit of the Divine Brilliance
and as its home. There is a profound longing in the figure of this ideal
Adam, embodying the dreams of God for Creation and humanity as a
steward.
Adam Kadmon's figure stands as the fullness of the human soul's
potential and its purest form as the "image of God." Inextricably linked
to its Source, Adam Kadmon also bears within its metaphysical reality
– the essence of humanity's collective soul. This is the ideal of the puri-
fied soul, perfected and operating in unimpeded unity with the will of
the Creator.
Yeshida is also aspirational. In Adam Kadmon, the ideal man and
God's intention for humanity, yeshida is the state of the human soul
usually ascribed to martyrs and those who sacrifice themselves for the
sake of others. And this is the state of Adam Kadmon, the human soul's
metaphysical prototype. This is the figure of the human being fully re-
alized.
This is the human that God created and put in the Garden. And
while Eve is forever tarnished for plucking and then passing the forbid-
den fruit to Adam, urging him to eat of it, she is forever exonerated
by the fact that God's Covenant was made with Adam. Getting evicted
from the Garden seems rather a mild punishment when you think
about the chain reaction of dodging his intended purpose and mission
- embodying and accomplishing tikkun.
Adam was the monkey wrench in the works of God's intentions for
the Created Order. And all it takes is one monkey wrench in the works
to bring everything to a grinding halt.
613 Mitzvot
The 613 mitzvot, mystically remembered as having been transmitted
to Moses at Mt. Sinai, stand as a spiritual means for pursuing the work
of tikkun. While modernism applies to the idea of tikkun in Judaism
and in those Christian and Muslim circles in which it's discussed, this
is not the intent of tikkun. In the modernist expression of what is es-
sentially a mystical concept, relating directly to Creation, acts directed
toward solving a public challenge (poverty, homelessness, violence) are
deemed tikkun.
But such acts relate to the material world and conditions prevail-
ing. In the Kabbalistic model, Tikkun refers to spiritual matters and the
mystical project of repairing the relationship between God and human-
ity, thus healing the Created Order.
In this model, the 613 mitzvot -commandments – and their satis-
faction by believers - are the heart and soul of tikkun olam (healing the
world/Creation).
28 MARI SILVA
These laws prescribe both "dos" and "don'ts." In the "don't" column
are found 365 mitzvot, corresponding to the number of days in the
year. In the "do" column are found 248 mitzvot. These correspond to
the number of organs and bones in the human body.
So, the "dos" – the positive actions prescribed by the Law of Moses
– are equal to the number of internal organs and bones that comprise
the human body. This implies the value of the Divinely created human
body and its holiness. In the Kabbalistic model, the light in the meta-
physical body of Adam Kadmon has a parallel in the carnal spirituality
of the positive mitzvot, numbered to speak of created humanity's sanc-
tified status in the Created Order.
You may be wondering if the 10 Commandments of the Bible form
a part of the 613 mitzvot comprising the Law of Moses. The answer to
that question is "only two."
These are the first two Commandments, heard issuing from the
mouth of God by Moses, and so they are included. The same mouth
which had by ten utterances, "spoken" Creation into being, relayed
these two Commandments to the Prophet at Sinai. These are the two
Commandments relating directly to God's relationship with the Exiled
Israelites – that they should "have no other gods before me" (Exodus
20:3) and that they should not "make...an idol" (Exodus 20:4a). The
other 611 mitzvot are contained in the Books of Torah.
The practices of "Orthodox" or "right thinking" Jews are defined
by the satisfaction of the 613 mitzvot. The rationale is not carceral or
punitive. The rationale for centering the mitzvot is tikkun. Further, liv-
ing by these commandments creates a constant awareness in communi-
ties who chose to do so of the presence, omnipotence, and omniscience
of God.
Secular observers may deem these practices arcane and rigid, but by
recognizing their role in terms of tikkun, the wisdom of these practices
within their religious context is discernible.
Ohr Ein Sof

Ohr Ein Sof is the Light of the Divine. This is the light spoken of in the
first chapter, where we discovered Sefer ha-Bahir's name in Job 37:21.
This is the Light "no one can look on," without the mediating veil
of cloud cover. Speaking to the splendor of the Divine and the inacces-
sibility of direct contact, the verse explains to us why the Light of the
Divine may be experienced only under that veil of cloud cover or per-
haps in the cleft of a rock, as Moses once did. Too blindingly brilliant
for human eyes, we need a pinhole camera to observe the ultimate illu-
mination.
And it's that brilliance the Sefer ha-Bahir seeks to point the way to,
in its fractured way. Through the efforts of Isaac Luria and his student,
Chaim Vital, we understand the Ohr Ein Sof as an unbearable radiance
that the naked eye can't view.
Chaim Vital, in his text, Etz Chaim (1573), explains the diffusion
of the Ohr Ein Sof into Creation as a type of transformation to "created
light." While it's not explained whether this transformation is material
or merely a trick with mirrors, Vital posited that we could know the
light of God only through the veil of matter.
Transformed to creaturely light, the Light of the Divine moves
among us, disguised as God's own intentionally uttered creation, in or-
der not to blind us with its brilliance. By appearing incognito in the
Created Order and as a created phenomenon, Ohr Ein Sof reduces it-
self to the status of what its source has created. No longer emanating
from the Divine itself, we're able to view it as it hides in plain sight.
We've already touched on tzimtzum, the concealment of God,
reading about how the theme arises in Sefer ha-Bahir. Next, we'll read
about how the God of glory stoops to conquer by hiding in the dark-
ness, leaving the sefirot to speak eternal truths to Creation.
Chapter Four: Greta Garbo and an
Experiment Gone Wrong
"What is the meaning of 'from eternity (me-Olam)?" This means that it
must be concealed (he-elam) from the world.
Sefer ha-Bahir, Section I, 10b
Eternity, as I'm sure we can all agree, is a long time. But how long
is "long" and what is time, especially when we're discussing something
which can't be measured – not unlike the Divine; the Limitless?
The word "eternity" ascribes an arbitrary nature to time. The word
also implies that time is stripped of its meaning, having been subsumed
under a greater one.
From the Latin "aeternitatum," the original meaning of "eternity"
was "enduring" or "permanent." Eternity was described by Aristotle
(384 – 322 BCE) as an "unmoved mover." And in the Sefer ha-Bahir
and the Kabbalistic model of Creation, it stands as the foundation to,
that mover is hidden from view.
Like the Wizard of Oz, God is concealed. But as stated in the verse
portion of Sefer ha-Bahir shown above, God is eternity itself – an eter-
nity which "must be concealed from the world."
So concealed, the Divine, having contracted into a space beyond
Creation, sends out the Light of the Limitless, disguised as creaturely
light. This action limits both the Source of the Light and the Light it-
self, but that's far from the end of the story of tzimtzum.
As we've read in the previous chapter, Ohr Ein Sof becomes a crea-
ture of the Divine from which it emanates, to conceal the full glory
of God that "no one can look on." Similarly, the Divine Source of that
light, Ein Sof (the Limitless), contracts, becoming "less than" to make
space for the Creation that inspiration has provoked.
References to the word "tzimtzum" do not exist in the text. Rather,
these were developed later, primarily in the mind of Isaac Luria, who
30
teased out the themes from foundational Kabbalistic texts like Sefer ha-
Bahir and Sefer Yetzirah and the Tikkunei ha-Zohar to arrive at a mys-
tical interpretation of the Genesis Creation narrative.
As we've seen in the portions of Sefer ha-Bahir that we've examined
so far, the author(s) of the book employed the midrashic technique
of comparative interpretation (exegesis) to illuminate the Genesis Cre-
ation tale, drawing on the fullness of the Hebrew Scriptures from the
Prophets to the Proverbs and Psalms. This work was continued and
elaborated on through time until it grew up to become the full flower-
ing of Kabbalistic, mystical interpretation.
We see in the verse featured at the head of this chapter concealment
and how eternity (in truth, God) must be hidden, even though the ful-
ly-realized concept of tzimtzum was yet to come, with the nascent tz-
imtzum motifs of Sefer ha-Bahir teeming with questions.
Emanating in Concealment
Isaac Luria's revolutionary treatment of the Sefer ha-Bahir, Sefer Yetzi-
rah, and the Zohar integrated these texts' contents to create a coherent
treatment of the Genesis Creation narrative, which mentioned several
questions left unanswered in the original text. This became the back-
bone of Kabbalistic thought, primarily embodied in 4 key concepts:
Tzimtzum – The concealment/contraction of God
Shevirat ha Kelim - The shattering of the vessels
Tikkun – The repair of Creation through the repair of the

Divine/Human partnership
Parzufim – The realignment of the sefirot toward the repair

of Creation
32 MARI SILVA
Of these four concepts or themes, we'll treat the first three in this
book to avoid any confusion about the mission we're on, which is to
more fully appreciate Sefer ha-Bahir and its place in the canon of Kab-
balah.
A discussion of the parzufim is more properly cited in a book about
the Zohar, as that's where this 4th concept originates, later developed
by Luria as part of his Kabbalistic construct of Creation.
Tzimtzum
According to Luria, it's in tzimtzum, a sudden action based on an in-
stinct of God – that tension between omnipotence and humility is
seen. God is hidden and limited, temporarily abdicating from "Limit-
lessness," as Ein Sof – although God continues to be Ein Sof, God is
suddenly Greta Garbo, "wanting to be alone."
But when we consider the nature of the Divine from the standpoint
of immanence, the decision to keep a low profile makes perfect sense.
Imagine that God is all there is, save for the chaos that existed before
Creation.
Imagine that the "tohu wa bohu" of that primordial chaos could
become something only by virtue of its relationship to that Creator.
"Formless and void" may sound like nothing, but when the immanence
of God is in the creative spirit, it becomes. Ayin, which translates as "I
am becoming," is in the Kabbalistic model – the something that's in the
process of becoming something more – the statuses do not imply non-
existence. What they imply is a potential awaiting activation.
In a model of pre-existing immanence (God is present in all mat-
ter), transcendence is chosen. God, by an act of his own choosing, con-
tracts from a status of infusing all Creation with the Divine Presence to
hiding out, peeping between the blinds to make sure we're on track for
the tikkun part of the festivities.
And while that sounds dire, there's much more to the story and to
God's Grand Design.
Shevirot ha Kelim
"There was spoilage for the sake of fixing and destruction for the sake of re-
building."
Isaac Luria
In the concept of the Shevirot ha Kelim, we meet the primordial
form of the sefirot. When Ein Sof attempted to conceal Ohr Ein Sof
in those clay containers ("kelipot"), the clay proved unequal to the task,
shattering and spilling their contents over all Creation, together with
their shards. The Shevirah or "shattering" was like an experiment gone
horribly wrong; a golem run amok.
In the form we see the sefirot here, they're unstable archetypes of
themselves. Not yet united in the form of the Tree of Life, they're un-
linked, independent entities that don't communicate and thus, shatter.
The shattering occurs in the "formless void" of tohu wa bohu, and
the kelipot, those clay containers, are infected by sitra achra (evil).
While the Light of the Limitless is rained down upon Creation, so are
these infected shards, bearing within them the stuff of the void, tainted
with evil. The effect of the juxtaposition between the Light of the Lim-
itless and the kelipot is compelling – and yet another instance of the
tension between apparent opposites or competitors.
As the question is frequently asked regarding the fruit of the Tree
of Good and Evil, we must ask if Luria was not explaining something
important about Creation in the quote above. Was the Shevirah "de-
struction for the sake of rebuilding"? Was Adam's fall? It's a worthy
point of reflection for those of us theologically inclined.
The tension between good and evil co-existing in Creation through
the agency of the kelipot is "spoilage for the sake of fixing," though. Be-
cause if there were no evil, no perilous way of the world offered to us,
then how could it be said we choose goodness. We wouldn't have any
choice but to be the ideal product God had intended to create all along.
We would not have the gift of free will – the ability to choose for
ourselves which road we'll take through this wild world. Without the
34 MARI SILVA
challenge of evil, there is no refining in the fire. There is no choice to be

made.
And so, free will is living in the presence of evil and not choosing
it. Having blown up something rather important in the lab, the Creator
has provided us with a unique proposal – busted shards or Light of the
Limitless. Busted shards of clay pots are easy enough to pick up and run
off with. The Light of the Limitless, not so much. That takes character
and the way of Adam Kadmon and those 613 mitzvot in the Kabbalis-
tic model.
As the kelipot chatter, Holy Sparks – nitzotzot – are released into
Creation. It's up to humanity to seek them instead of choosing to pick
up those tainted shards. In Kabbalah, these Holy Sparks are sought
in the performance of mitzvot. We choose to either adhere to the
ephemeral nitzotzot or the material shards of kelipot, infected by sitra
achra.
This is the Kabbalah's narrative of tikkun, born in the shattering of
the vessels. We repair the damage done to Creation by completing the
work started in the Creation of Adam.
Tikkun
Contrary to the contemporary concept of tikkun, the Kabbalistic idea
of this Lurianic concept is a materialized spirituality. While the con-
temporary idea posits the restoration of Creation through service to
one's neighbor in Creation, the Kabbalistic idea turns to physical acts
rooted in the performance of mitzvot. While the goal is similar, the
approach is distinctly different. And that approach is defined by Ha-
lakhah ( Jewish Law).
Primordial Man, as we've read, was the realization of tikkun in
God's original place. Adam Kadmon is a transcendent representation
of the Garden's Adam but in his ideal, metaphysical form.
Isaac Luria believed that the work of tikkun was achieved in cre-
ating Adam – Primordial Man. But his conception of Adam Kadmon
was the figure of Adam as a spiritual being of light and the direct con-
duit of that light.
Adam dropped the ball – well, the apple – leaving tikkun not only
unrealized but unraveled.
The breaking of the vessels is like a metaphor for Adam's disobedi-
ence in the Garden. God's hopes in Adam had been dashed. His Cre-
ation had let him down spectacularly. Similarly, the Divine's hopes for
the kelipot as vessels of Ohr Ein Sof was a crushing disappointment.
But isn't it true that, in both instances, God must have known? This
takes us back to the quotation from Luria above. Both the shattering
of the vessels and Adam's bit of the apple created a catastrophe in Cre-
ation.
Was this catastrophe planned? Because without evil, there would
be no free will. But free will caused the rupture, to begin with. Adam
chose to disobey, unraveling the healing of Creation in the process.
And the nitzotzot, having been released, are the Holy Sparks that
emanate from the metaphysical body of Adam Kadmon, laden with the
Light of the Limitless. This is our divine legacy, just as tikkun is.
Sometimes an experiment that has gone wrong shows scientists the
way forward. They learn from the experience. But in the case of the She-
virot ha Kelim, it's not the scientist who must learn but those on behalf
of whom the experiment was performed.
And Adam, an inspiration from the mind of God, springing forth
as a sacred image, was both a monkey wrench in the works of God and
an essential component. On Adam and his descendants, embodied in
the prototypical Adam Kadmon, hang the Created Order's health, in
the mystical work of tikkun, Isaac Luria's Kabbalistic formula for a re-
stored Creation.
In our next chapter, we'll be discussing the Second Section of Sefer
ha-Bahir, the Hebrew Alphabet. Because of Sefer ha-Bahir's nature –
fragmentary and most likely produced by many authors over many pe-
36 MARI SILVA
riods and settings – it's most useful to discuss its contents as part of the
tradition of linguistic mysticism in wider Kabbalah.
Let's turn next, then, to the alphabet and the mystical significance
of Hebrew characters, vowel pointings, and choral cantillations.
Chapter Five: The Language of Creation
"Why is the letter Aleph at the beginning? Because it was before every-
thing, even the Torah."
Sefer ha-Bahir, Section II, 17
One of the most prominent and pervasive features in Sefer ha-
Bahir is that of linguistic mysticism. There is an entire section in the
book – Section II, Alphabet – dedicated to mystically positioning the
Hebrew language's individual characters.
There is some reference to principles of gematria in the text, but
these are secondary to mystical references to the Hebrew language as an
agent of Creation, its letters acting as the fabric of Creation itself while
co-creating it with God. In this sense, the Hebrew language is the Lan-
guage of Creation and the Language of God.
Through this section in Sefer ha-Bahir, we're treated to mystical
conceptualizations of the alphabet, describing letters like Gimel in a
highly physical manner, almost as one might an animal, with the letter
having a tail. We also learn that the letter Bet follows Aleph because
Aleph was first.
Groucho Marx might have written that one!
One of the most striking features of this section is the description
of Aleph Yud and Shin's letters. Aleph is described as the head ("it was
before everything"), Yod is described as "second to it,” and Shin is de-
scribed as including "all the world."
And here, we meet Adam in the Sefer ha-Bahir, in the guise of
the Hebrew letters. The Hebrew letters Aleph, Yud, and Shin, spell the
word "‫ – "איש‬the Hebrew word for "man."
The Sefer ha-Bahir's mystical descriptions of Aleph and Shin's let-
ters reveal the position of the prototype for Primordial Man in the
writer's imagination, later reflected in other Kabbalistic writings. Aleph
"was before everything," including Torah. This is the sequence of events
37
38 MARI SILVA
we've been discussing throughout our explorations of the Creation nar-

rative in the Kabbalistic model.
But the letter shin is the kicker in this sequence of letters, as it holds
within it the totality of Creation.
With its three prongs, the letter shin resembles the graphic depic-
tion of fire, its appearance commonly representing the "Fire of Torah."
It is semiotic unto itself but a specific and potent one, readily intelligi-
ble to those who see it. Whether you know what the letter sounds like
or not, you recognize the semiotic of the flames ascending.
With yud "second to" Aleph, sandwiched between it and Shin, the
Hebrew character mostly commonly used to indicate the Holy Name
of God (considered too Holy to speak or write by many), the yud push-
es Aleph forward, the world coming up on the rear flank.
Reading Sefer ha-Bahir, the reader is variously confounded and en-
thralled. The sages quoted in the book disagree, talk at cross purposes
– or seem to - and intersperse their remarks with wildly varied themes
from the Creation narrative.
But the Hebrew alphabet's placement in the lofty position of God's
creative agent is a feature, not just of Sefer ha-Bahir but of Sefer Yetzi-
rah and the Zohar. These books, specifically, form a thematic and con-
ceptual spine for Kabbalah and the thinking of ARI. Linguistic mysti-
cism lives in the scroll tucked in the Golem of Prague's mouth and the
ten utterances themselves. It lives, also, in the mysticism of vowel point-
ings, omitted from modern Hebrew but very much a part of the lan-
guage's liturgical and devotional form.
And the alphabet crops up throughout Sefer ha-Bahir, outside the
bounds of its designated section, making it an urgent and dominant
theme in the text, demanding a discussion of its place in the greater tra-
dition of linguistic mysticism in Judaism - Kabbalistic Judaism, espe-
cially.
In the voluptuous tradition of Jewish linguistic mysticism, the

word becomes the flesh of the earth and all that is in it, as it issues from
the Creator's mouth.
Speaking Creation
The Hebrew language's prominence in the Creation narrative is evi-
dent in the ten utterances that provoked God's magnum opus. But lan-
guage has a much more complex role to play in the realm of Jewish
Mysticism.
Gershom Scholem has written of the "reification of language,"
which is an apt description of linguistic mysticism. In Kabbalah, as in
the Torah itself, the Hebrew language holds a special place, and that
place is reified ("enfleshed") as a living part of Creation.
In Sefer, ha-Bahir are found several examples of early gematria, but
little indication is given about numeric values or formulas. The linguis-
tic mysticism of the Genesis Creation narrative is not of the same depth
or systematic nature as that of the Kabbalah. This came to be developed
in the late 13th Century by Abraham Abulafia (1240 – circa 1291),
who utilized the alphabet to aid in meditation toward the enlighten-
ment of the soul.
Abulafia is considered the father of the tradition of linguistic mys-
ticism in Kabbalah. By combining letters randomly, he eventually cre-
ated a system of combining them. This led to a key component of Arti-
ficial Intelligence, called the Science of Language.
Abulafia's mission was not only to penetrate the Hebrew canon
texts by rearranging letters in specific texts but to contemplate them,
using a specific form of religious meditation.
His explorations led him to produce books, which were essentially
compilations of proverbs constructed from his linguistic system's re-
sults. He considered these prophetic due to his mystical deployment of
Hebrew characters.
40 MARI SILVA
This is how sages like Abulafia laid bare the "inner soul" of the texts
of Torah by calling on the Hebrew language to lead them to unseen
truths held within the letters' formations and sounds.
Towards the end of his life, Abulafia develops a theory of the Mes-
siah and the redemption of Creation rooted in his mystical linguistic
theories. He saw the return of the Messiah and Creation's healing in
terms of the intellectual processes of devotion. The coming of the Mes-
siah and tikkun could be achieved only through the exertions of the
faithful. And even though Abulafia was considered something of a
heretic, he was also a strong proponent in sharing Kabbalah widely due
to his unusual methodologies. Further, he offered Judaism a new means
of interpreting Messianic hope as participatory and collaborative. But
perhaps, he just clarified an old idea that already existed and got lost
along the way.
Living Stones
An Israeli historical philosopher of Jewish Mysticism, Moshe Idel, con-
nects the destruction of the First and Second Temples to Scholem's
reification of language. In losing the Temples, Judaism suffered two of
its most painful losses.
Completed in 957 BCE, the First Temple was destroyed by the
Babylonians in 586 BCE. Following the Babylonian Empire's fall in
537 BCE, the new Temple began construction the following year. (NB:
this date is not considered definitive). In 70 CE, the Second Temple
was destroyed during the Siege of Jerusalem by the Romans. Tradition
holds that both Temples were destroyed on the same day of the year –
Tisha B'Av, the ninth day of the month of Av in the Hebrew Calendar,
which falls in July or August in the more commonly used Gregorian
calendar.
Considered the most mournful day in the Hebrew Liturgical Cal-
endar, Tish B'Av is also an occasion to remember other egregious
wounds to the Jewish people, from the massacres of entire villages dur-
ing the many Crusades which occurred in Medieval Europe to the

Holocaust.
The Temple itself was constructed to replace the Tent of Meeting
used by the Israelites in Sinai, which sheltered the tablets bearing the
Ten Commandments. Contained in the Ark of the Covenant, both the
broken set of tablets – and the one that remained whole – echo the ten
utterances of the Divine in the work of Creation. The Tent of Meet-
ing and the Temple, which replaced it, is identified as physical symbols
of the Jewish People's connection to and relationship with God, having
housed the Covenant made in the desert.
Now lost to history as they once stood, monuments to a people's
spiritual chronology, there is nothing that can replace them or any of
the religious articles they once housed. The two Temples (in reality,
one) not only incarnate the relationship but stand in doleful witness –
ghostly and immaterial – to the harassment of the Jews through time.
The Temple will not be rebuilt. It will not be rebuilt of stone, in any
case. The Temple will be built in the hearts of the people, and the let-
ters of the Hebrew alphabet are the stones which will build it - laid one
on top of the other, in the form of the ideal Adam and guided by the
mitzvot.
At least, this is how Moshe Idel conceptualizes the linguistic mysti-
cism of Judaism, generally and Kabbalah, specifically.
No matter who the next power is to attack the Israelites, this new
Temple cannot be laid siege to, sacked, or destroyed. This new Temple
is inviolable and incorruptible. It has been built in the heart of the stuff
of Creation – the Hebrew alphabet.
The intense reverence for language and the written word, which is
such an integral part of Judaism, is the basis for its reification. In ex-
amining the Creation narrative and, specifically, the ten utterances by
which Creation came to be, it's easy to follow the thematic thread, com-
plex as it is.
42 MARI SILVA
Divine thought became Divine speech, forming words combined

with letters. These, issuing from the mouth of God, took on the role
of creative agents, building with God the Creation that, in tzimtzum,
space was made for.
So, why create humanity? Why create an ideal version of humanity,
to act as a cosmic partner to the process, with the Adam of the Garden,
designed as the creaturely realization of that partner?
Who else has the powers of speech? Besides God, only humanity.
And so, the intimate relationship between God and Primordial
Man takes on an even deeper meaning in a shared language, material-
ized as home, a gift from God, and as God's glory shown forth in a new
and diverse way.
The living stones are shared between the Divine and Primordial
Man, extending to all human life. The letters, the sounds the Divine
speech releases to bring Creation into being, the words and the shared
aspect of language, have all co-created – not with that Divine but as
part of it. Gifted also to Primordial Man, it's that complex of linguistic
mysticism that holds together Creation as a Divine Covenant.
God creates. Then, God shares, using the same breath which helped
form the ten utterances to breathe life (Ruach – the Divine breath of
God) into the mud doll, Adam. The intimacy of the mystical role of
language in the Creation narrative and the linguistic mysticism of Kab-
balah presents the idea of language as a creative force and a unifying
one.
As a pretext for tikkun, the spiritualized and reified Hebrew lan-
guage is inescapable. It is woven into Creation in every possible crevice,
fiber, and cell. Language became part of humanity the moment God
breathed life into the mud doll, in the freshness of a new Creation, con-
structed by Hebrew letters, conformed to the Divine Will.
In Sefer ha-Bahir's linguistic mysticism and other Kabbalistic writ-
ings, we find a personified language, providing us with all we need to
mend the broken relationship between God and humanity. It's the in-
carnate voice of God in the living stones of Hebrew characters that

point the way toward the light released at Shevirot ha Kelim and away
from the shards of the tainted vessels which once contained it.
With no more resort to the Temple's ritual sacrifices, Idel's theory
has prayer standing in the place of that ancient means with which to
find favor with God. Prayer is language. And language is the vehicle of
tikkun.
Once God created all that uses language, so the praying community
deploys the same creative power to mend what has been rent asunder.
This faithful re-creation of the work of the Divine at Creation thus be-
comes a shared project. Placing the living stones one on top of each oth-
er in community and with intention, the prayerful People reconstructs
an inviolable Temple of the Spirit, impervious to all human mischief.
Prayer, interpretation, liturgy, the Holy Letters themselves – all
these are agents of tikkun, in the realm of Kabbalah's linguistic mysti-
cism. Language, as the Divinely gifted tool, is formed to the Will of the
Creator. It rises like incense to the concealed God, healing Creation as
it drifts upward and pleasing the Limitless, limited for our sakes in tz-
imtzum.
Hebrew – Mother Language

That Hebrew is spoken today by only about 9 million people fails to
recognize the tremendous impact it's had on the languages we speak
today. This impact is commensurate with that of Latin and Ancient
Greek.
The Lashon HaKodesh, or holy language, lay extinct as a living,
public language for 2,000 years. Finally revived only 150 years ago, it
lurked in Holy Books and Torah scrolls and in the prayers of the faith-
ful. It never died. It just hid between the pages of books and in the
prayers of Jews.
Much of the devaluation of the Hebrew language's influence on
Western Civilization is due to the compartmentalization of cultures ex-
44 MARI SILVA
isting in the Ancient Near East. This is primarily due to the ascension
of Christianity, which emphasizes the primacy of Greece and Rome.
This emphasis ignores the establishment of monotheism as a norm
in Western Civilization, the contribution of Judeo-Christian ethics to
laws within that context, and the alphabet (alphabet) itself. Part of the
problem is the annexation of regional cultures by the Roman Empire
and identifying these cultures as "Western" due to that process of an-
nexation.
We've already touched on Hellenism's heavy influence on Jewish
thought, which endured until at least the 11th Century. It's probably
impossible to discuss Judaism or other religiously-motivated cultural
expressions of the region and time without noting a great deal of cross-
pollination. The Ancient Near East was a melting pot created by waves
of invasions, sieges, and Imperial colonization.
But Hebrew is considered by many to be the Mother of all lan-
guages. This is true in Judaism due to its mystical role in Creation,
whether through Genesis or the Kabbalistic writings about it.
Whether this can be proven linguistically or only spiritually, the
Hebrew language, which finds its closest living relative in Arabic, has a
graphic quality that lends itself to mystical pursuits.
Elegant – and at times, even expository – the letter shin, for exam-
ple, with its three prongs, resembling tongues of flame – the Hebrew
alphabet letters have an almost ferocious quality in their classical form.
They attract while frustrating those looking at them who cannot inter-
pret what their entrancing forms mean.
Originally existing as a system called "abjad," the Hebrew alphabet
consisted of only consonants, with the letters aleph, hey, vav, and yud
acting as mediators to create vowels by forming combinations with oth-
er letters.
But niqqud, the Hebrew linguistic system of "pointings," creates
vowel sounds in this language of consonants. Pointings usually appear
below the consonant, with one exception of a pointing written above

the consonant and two freestanding vowels.
Most modern Hebrew omits pointings, using ktiv male – without
pointings. Pointings are usually reserved for children's books (as they're
learning) and Holy texts (as pointings have meaning and are consid-
ered traditional). But the niqqud system only goes back to about 600
CE, when it began to be added to existing Bibles by the Masoretes.
These scribes' work continued until the early part of the 15th Century
– a period of more than 700 hundred years.
The Masoretes of Tiberias developed the system of pointings used
today. The Masoretes developed the system of cantillation, indicating
cadence for chanting/singing Holy Scripture and as for punctuation.
We'll talk more about them in the next section.
But cantillations in Hebrew texts also serve an interpretative role.
Cantillations are used to mark Bible verses into what amount the-
matic chunks. This effect is often achieved using signs indicating that
certain words should become a single, impactful phrase. In this usage,
cantillation signs most resemble modern punctuation.
Cantillation signs also help in determining the emphasis in any giv-
en word toward correct pronunciation.
When applied to music, cantillation signs create a chant of Scrip-
ture, also emphasizing the syllables in individual words as a type of
rhythmic device while following the correct pronunciation and empha-
sis.
Deeper
“He said to them: Come and hear the fine points regarding the vowel
points found in the Torah of Moses.”
Sefer ha-Bahir, Section IV, 42
While we recognize the spiritual aspect of the letters of the Hebrew
alphabet, what do the pointings and cantillations mean in this mystical
scheme?
46 MARI SILVA
Niqqud is considered to have a deeper meaning than even the let-

ters. In Kabbalah, the pointings and cantillations are viewed as having
the same function of the soul to the body. They express the inner truth
of the letters. Providing a pleasing shape to the language, the niqqud
almost serves the Divine breath's purpose in the otherwise rigid, forth-
right world of consonants, enlivening them with their full nature and
purpose.
The Kabbalists believe that the soul is the life of the living body and
that the niqqud corresponds to that corporeal purpose by providing the
same function to the Hebrew alphabet.
While innovation in the life of the language, appearing only after
the Common Era, it's clear that the niqqud has found a role in the lin-
guistic mysticism of Kabbalah, enlivening and enriching it with yet an-
other layer of esoteric meaning. While not extant for millennia and
now banished to sacred texts and easy reading volumes for youngsters,
the markings which define holy writings have their own esoteric mean-
ing, sharing it with the alphabet in a rich dance of graphic representa-
tions celebrating Creation.
As unseen as the human soul is to the greater world, the pointings
and cantillations in sacred Hebrew texts bear traces of essential mean-
ing. They accompany the letters they adhere to, bearing Creation's bur-
den, as they join in the dance.
And in Sefer ha-Bahir, references to pointings and cantillations in-
dicate later glosses to the text, as these didn't appear in the Hebrew lan-
guage until the 7th Century CE, as stated above. But with Sefer ha-
Bahir, this fractured product of multiple hands and many ages, that is
no surprise.
The Masoretes
Centered in Tiberius, Jerusalem, and even in Babylonia, the Masoretes
were groups of scribes working together to create a system that could
universalize pronunciation and grammar in the Hebrew Scriptures. To
do this, they created diacritical notes – the pointings and cantillations

we're talking about. These markings acted as learned recommendations
about how the text was to be said or sung.
Known as the "keepers of tradition," the Masoretes systematically
and arduously created a universal system to standardize pronuncia-
tions. This was a sacred and much-needed undertaking due to the na-
ture of an adqab language. A string of consonants might express more
than one meaning; more than one thought.
The work of the Masoretes in creating the system of pointings
and cantillations was interactive, demanding these learned scholars and
scribes engage with the text and allow it to speak. In this is the true
mystical nature of the niqqud.
Imagine the human intellect meeting the text as it stood to give it
a voice that might be understood in precisely the same way by whoever
might read it. The ambiguity of a language consisting solely of conso-
nants was overcome by these 7th to 10th Century scribes and their life's
work – to give the Hebrew Scriptures their true voice.
Maybe I'm too romantic for my own good, but doesn't that sound
rather like tikkun to you? Not to imply that the Hebrew language is
broken. Rather, it suggests that dedicated human hands enhanced the
Hebrew Scriptures and their Holy Language's clarity. They were en-
hanced to be more readily understood through the intellectual and
spiritual magic of cantillations and pointings.
As ARI once said, "There was spoilage for the sake of fixing." Per-
haps this is true of the Hebrew language. Perhaps it's true of that bro-
ken set of tablets carried through the desert in the Ark of the Covenant.
In God's world, things are broken for good reason. As humanity is
called to address that brokenness, it re-learns the lessons it was once cre-
ated knowing. All of it rejected for the sake of a snack.
Whatever the truth is, it must be acknowledged that the tremen-
dous accomplishment of the Masoretes is to be recognized as a service
to the Hebrew language. That accomplishment was pursued for over
48 MARI SILVA
700 years. This level of devotion to Scripture's integrity, involving innu-

merable scholars and scribes and resulting in a standardized text, seems
almost mythical. But it happened. And because of that devotion, the
Hebrew language, while changing in modern times in its popular, Is-
raeli form – as all languages do – maintained its integrity over two mil-
lennia of not being uttered in conversation as a living language.
In our next chapter, we'll be revisiting the sefirot, described in Sefer
ha-Bahir, which has seven voices and three sayings. Let's find out what's
intended by this claim.
Chapter Six: The Seven Voices and the
Sefirot
"It is the glory of God to conceal things."
Proverbs 25: 2a
Just when you thought you knew as much as you would ever know
about the sefirot, along comes Sefer ha-Bahir to prove you wrong.
Its treatment of the sefirot and what they mean to the Creation nar-
rative is of great interest, as in this work, they take on the role of Divine
speech.
Section II of the Sefer ha-Bahir is entitled 'The Seven Voices and
the Sefirot.' I'm sure several of you are asking why there are only seven
voices and not ten. The answer – there are also three sayings that corre-
spond to the sefirot in the text's model. These are called amarim.
Let's get started on the Sefer ha-Bahir vision of the sefirot by
drilling down to the seven voices' origin.
Seeing Voices
A hymn of praise for the God of Creation, Psalm 29 relates the power
and glory of the voice of the Creator, repeating seven times the phrase,
"The voice of the LORD." These are the seven voices "all the people
saw," according to Sefer ha-Bahir, at Mt. Horeb (Exodus 20: 18-19).
What the people saw at Mt. Horeb was a theophany – a manifes-
tation of God in "thunder and lightning, the sound of the trumpet and
the mountain smoking" (Exodus 20: 18a). In the NRSV, the word "wit-
nessed" refers to the thunder and lightning, smoke, and trumpet expe-
rienced by the people.
But in the original Hebrew, the phrase used translates as "they saw
the voices." Many translations of this verse are similar to that seen in the
NRSV. The phenomenon of theophany is witnessed or perceived, but
49
50 MARI SILVA
the spectacle is referred to by its constituent parts. All those parts are
creaturely phenomena, in the eyes of the onlooker.
There is a quality to the description that signals what it is, even if
the Hebrew translations fail to capture the supernatural nature of what
the people witnessed, perceived, or saw.
Can you see a sound? Air horns, gunshots, fireworks, and other ex-
traordinary aural manifestations can all seem that way, sometimes. But
we're talking about an entirely different kind of seeing - and hearing - in
the Exodus verse.
In the presence of the Holy One, so near and yet so far, the people
are terrified. That the God they're entering into Covenant with might
be so extravagant in manifesting Divine Glory has them shaking in
their boots. They have seen but what they have seen has no form. Their
senses have been scrambled by the mystical theophany of God, in cele-
bration of Covenant and as a display of Divine Power.
Theophany amounts to a direct experience of God and a manifesta-
tion of Divine Power. The idea is the Ancient Hebrew version of "shock
and awe." The people experience theophany as a spectacle, intended
to make it clear which side their bread is buttered on and further, to
make abundantly clear the consequences of dropping that bread on the
ground, butter side down.
You probably wouldn't want to meet a God who made such a
shockingly visible racket, and neither did the people wandering around
with Moses in the Sinai. They stood far away as Moses entered the bil-
lowing, cacophonous cloud which concealed the frightening – and in-
ordinately loud – God of Israel.
Synesthesia is one way of seeing how it was that the creaturely sens-
es of the Israelites were scrambled. This condition leads to concurrent
experiences of sensory phenomena in disparate senses – for example,
you see something that you hear. You hear something that you see. So,
what's being said in the original Hebrew is that people experienced
what might be called mystical or spiritual synesthesia as a reaction to

the theophany they were experiencing.
Sefer ha-Bahir takes this one step further, saying that the people
did, indeed, see God in witnessing the "thunder and lightning." In the
Hebrew original, the word hakolot is used, which is "thunders." This
is explained in Shemot Rabbah 5:9, which references Rabbi Yochanan
ben Zakkai's (1st Century CE) theory that the sound of God's voice
was heard in all the languages of the earth, creating a type of thunder.
"Thunders" is pointed out as the sound made by the Divine Voice si-
multaneously transmitting the guidelines of the Covenant to the peo-
ple in all extant languages. According to Rabbi Yochanan, these were
70 in number.
But Sefer ha-Bahir also points out (in stanza 47) that in Deuteron-
omy 4:15, Moses tells the people that they "saw no form" when God
spoke to them at Horeb "out of the fire." The same stanza reminds read-
ers that in Deuteronomy 4:12, "a voice of words you heard."
The stanza employs the King's analogous figure again, suggesting
that it continues to be audible when the King's voice is far away. So,
while there is a separation between God and the theophany provoked
by God, there's a parallel sensory experience in witnesses to it that both
conceals and reveals the Divine source of the spectacle.
The seven voices are the manifestation of God at Mt. Horeb,
demonstrating Divine Power. In casting the sefirot as the seven voices,
Sefer ha-Bahir directly relates them to the voice of God – a voice which
emanates in 70 languages simultaneously, creating "thunders."
The voice/voices emanate(s) from the Divine just as the sefirot do
and just as the seven voices of David's hymn of praise, Psalm 29, do.
What's being intimated is the presence of the sefirot in all the works
of God, beginning with creation and continuing at Mt. Horeb, as ex-
pressed in Psalm 29:3, "The voice of the LORD is over the waters;
the God of glory thunders, the LORD, over mighty waters," just as
"God swept over the face of the waters" in Genesis 1: 2. The same verse
52 MARI SILVA
reminds us that "The voice of the LORD is powerful, the voice the
LORD is full of majesty."
And so, the seven voices, speaking to the majesty of the Divine,
stand as emanations, in whatever situation they're found. Both emanat-
ing from the Divine and intrinsically part of whatever God is, the se-
firot were born on the Divine breath in Sefer ha-Bahir, processing the
Holy One's attributes into Creation and to all who live in its precincts.
The Amarim
In the second half of stanza 49, we meet the three amarim or sayings.
Again, these are derived from the Hebrew Scriptures and explained in
the text.
The scriptures implicated in the discernment of the amarim are
found in stanza 49, beginning with Deuteronomy 26: 18, "Today the
LORD has obtained your agreement: to be his treasured people, as he
promised you, and to keep his commandments."
Proverbs 4: 7 follows in the text, saying, "The beginning of wisdom
is this: get wisdom, and whatever else you get, get insight."
Job 32: 8 follows, which says, "But truly it is the spirit in a mortal,
the breath of the Almighty, that makes for understanding."
Stanza 49 of Section III ends with a summation of the information
in the three Hebrew Scripture verses, saying, "As the old man said to the
child, "What is hidden from you, do not seek, and what is concealed
from you, do not probe. Where you have authority, seek to understand,
but you have nothing to do with mysteries."
This is a paraphrase from the Book of Sirach, which appears in the
Deuterocanonical or Apocryphal books. To clarify the thought, the
scripture concerned (Sirach 3: 21-23) reads:
"Neither seek what is too difficult for you nor investigate what is
beyond your power. Reflect upon what you have been commanded, for
what is hidden is not your concern. Do not meddle in matters that are
beyond you, for more than you can understand has been shown you."
Beginning with a timely reminder that God has ordained Israel as

his chosen (treasured) people, the people are reminded of the Divine
Covenant they've entered, delineated by the mitzvot (command-
ments). The work of humanity in approaching the Divine toward rec-
onciliation is also circumscribed by the three sayings, which are
summed up in the metaphor of the old man and the child.
Within that framework, Proverbs 4: 7 advises that humanity is to
"get wisdom," but that wisdom must be supported by insight to have
meaning. The verse implies that the getting of wisdom is just the be-
ginning, with insight guiding the obtained ability to understand. This
implies that insight is the foundation of wisdom and its intellectual
launch pad.
Finally, we find in Job 32:8 that humanity's ability to understand
exists only by virtue of the Divine breath that animated it at Creation.
It is the Ruach borne in each human that enlivens the human intellect
– not the individual's intellectual virtue. In this model, the human in-
tellect is a gift extended to the mud doll in the Garden by the Creator's
breath.
These three sayings – that humans (Israel, specifically) are bound in
an everlasting Covenant with God, that getting wisdom is part of that
Covenant, guided by insight, and finally, that it's by the grace of the Di-
vine breath that humans can "understand."
Wisdom in Sefer ha-Bahir, framed as a gift which we're obliged
to employ, is also limited in the human intellect, as described in the
metaphor of the old man and the child. The paraphrase of Sirach clari-
fies that, while the Covenant between God and humanity is to be lived
out in pursuit of wisdom and understanding that “more than (we) can
understand has been shown (us)
As created beings, our intellects are limited. We are not the Divine
Creator. However, we bear in us the image of God through the animat-
ing Divine breath.
54 MARI SILVA
But what is meant by that final phrase in the old man/child para-
ble?
If you'll recall, Adam was created with all he needed to know in-
fused in him. He was, in fact, the realization of tikkun at Creation.
More than he could understand had been shown him. By breaking faith
and partaking of the forbidden fruit, Adam broke tikkun, and the ves-
sels shattered, littering Creation with the pollution of evil.
And so, the three sayings point to tikkun as the work of the sefirot,
beyond being the voice of God. They are not only the voices of Psalm
29, as described by David; they are the living Covenant, as well as emis-
saries and guides in the elevation of humanity to its full spiritual poten-
tial. While the operation of the sefirot as emanations of God is unlim-
ited, humanity's is not. Originally limitless, embodying healing and the
Created Order's stewardship, Adam, the finished product, took a nose-
dive, leaving the rest of mystical Israel to clean up the shevirot ha kelim.
Within our creaturely framework, humanity has much to con-
tribute. In essence, the sefirot in Sefer ha-Bahir are operating as the sev-
en voices. But they also take on a didactic role in the three sayings, re-
minding mystical Israel of its agreement with God, urging the faithful
to obtain wisdom accompanied by insight, then reminding them that
their intellects are limited by the fall of Adam but retained by the grace
of the Divine breath.
Hester Panim
In this section of Sefer ha-Bahir, the sefirot take on their role as both
voices of God and teachers. As emanations of the Divine, they are
teaching us the way toward tikkun.
I started this chapter with part of a verse from the Book of Proverbs
to highlight the idea of concealment extant in the Seven Voices and
the sefirot. This theme is important in Jewish mystical thought, as we've
seen in the Bible texts above, which tie the section together.
Concealment is a recurring theme throughout the Hebrew Scrip-

tures. In Christianity, the concealment of God appears on the day fol-
lowing the Crucifixion of Christ. Roman Catholics and Anglicans/
Episcopalians believe that Christ descended to Hell before his resur-
rection to release the souls of the righteous. On this day, God is said
to have been "concealed." The altars of these denominations' churches
are stripped bare on Maundy Thursday (Agony in the Garden in the
Gospel of John) and remain unadorned until the Holy Saturday mass,
timed to celebrate the Resurrection for midnight on Saturday/Sunday
when Christ is resurrected.
But in Jewish Mysticism, tzimtzum is the home of this concealed
God, awaiting Creation's healing. In this model, the sefirot process God
into Creation, speaking tikkun into being the voices and teachers of
God.
And Sefer ha-Bahir is a primary source for this cosmology of break-
ing, concealment, and pursuing wisdom as a necessary tool of tikkun.
While the role it presents the sefirot in is not the well-developed, sys-
tematic explanation we see in later Kabbalah, the nature of the sefirot
in this primary form is the basis for later development.
Before we leave this discussion, let's look at the full text of Proverbs
25:2, which reads, "It is the glory of God to conceal things, but the glo-
ry of kings is to search things out."
Let's illuminate this text with Deuteronomy 29:29, which reads,
"The secret things belong to the LORD our God, but the revealed
things belong to us and our children forever, to observe all the words of
this law."
While Sefer ha-Bahir draws on the texts of Hebrew Scripture to
illustrate humanity's purpose in God's Creation, it applies an esoteric
context. Reminding readers, on the one hand, to seek wisdom ("to ob-
serve all the words of this law") it also warns of creaturely overreach and
that God is concealed to be sought but not necessarily known in the
fullness of all God is ("seek what is too difficult for you").
56 MARI SILVA
The hester panim, the hidden face of God, is not what is being
sought. As the people at Mt. Horeb discovered, it was hidden for a
good reason, being a terrible and awe-inspiring reality. But the wisdom
to understand and adhere to the Covenant is what humanity has been
enjoined to perform. And while Jewish Mysticism seeks the hester pan-
im, it does so through the satisfaction of the mitzvot.
In concert with the seven voices and the amarim that adhere to
them, the sefirot reveals only what we need to know to "get wisdom." In
that wisdom is the way to tikkun and the hester panim.
And if we scratch the Sefer ha-Bahir in the right place – which is
this section - we see that it's repeating the ancient direction of Proverbs
1: 7, namely that "The fear of the LORD is the beginning of knowl-
edge; fools despise wisdom and instruction."
In other words, if you know what's good for you, you'll "get wis-
dom," toe the line and understand your human limitations in the face
of a fearsome Deity.
Chapter Seven: The Name Game
"You shall not make wrongful use of the name of the LORD your God, for
the LORD will not acquit anyone who misuses his name."
Exodus 20: 7
Prominent in Sefer ha-Bahir is the Tetragrammaton (YHVH) as
the name of God. This is the Name employed throughout the Hebrew
Scriptures, occurring in every book of that canon, save Esther and Ec-
clesiastes. There is only one possible instance in the Song of Solomon in
the Apocrypha, but this is most likely translated simply as "yah," which
differs from the Tetragrammaton.
While "yah" might be considered shorthand for YHVH, it is not
the ineffable name any more convincingly than when it's cryptically ex-
pressed as the letter yud or the letters yud and hey. Shorthand for God
in writing and speech is to satisfy the Holy Name concept is too holy to
either record or speak. This Jewish practice follows not only the Com-
mandment that God's Name should not be taken in vain but reminds
the faithful of the holiness of God. It's instructive to think of the Tetra-
grammaton in these intramural terms when talking about the Name of
God and the theme of the complete "otherness of the Divine Creator."
It should be noted, following our discussion of concealment and
the hester panim, that the absence of the Tetragrammaton in the Book
of Esther furthers the theme of God's concealment in that narrative.
Esther's story describes the salvation of the Jewish people from
a genocide at the hands of the Persians. In the end, Esther becomes
Queen and saves her people. This is the origin story of the Festival of
Purim. But what's unique about the book is the apparent absence of the
Tetragrammaton.
The truth, though, is something entirely different. The Holy Name
is there. It's just not there in its usual format. It is expressed in the text
of Esther via Hebrew acrostics. The acrostic form is not found in most
languages, usually occurring in either English or German.
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58 MARI SILVA
An acrostic uses a formula in which either the first or last letters of

a four-word phrase are used to compose a word that otherwise isn't seen
in any given text – YHVH. There are four instances of the Tetragram-
maton in the Book of Esther, spelling the Holy Name both backward
and forward (Esther 1:17; 1:20; 5:4; 5:13; and 7:.7).
This device highlights the theme of God's concealment and the
role of humanity in seeking reconciliation with God through fervently
seeking the Divine.
And with Esther, in the Persian world into which she and other
Jews had assimilated, reconciliation was surely needed. It was that very
secularized and assimilated expression of Judaism that the Israelites
were warned of in Deuteronomy 31: 18, which says, "On that day I will
surely hide my face on account of all the evil they have done by turning
to other gods."
Even in Esther's name, we find the concealed God, as Hebrew
scholars understand it, to be a way of disguising the phrase "haster astir
panai" or "concealed God."
And so, the Holy Name is cleverly hidden in Esther, but it's in the
text for those who are equipped to "get wisdom."
The hidden God as a central theme in the Exodus narrative has
been indelibly impressed upon and actively developed in Kabbalistic
traditions. The Sefer ha-Bahir's Biblically rooted parables are thus
served as a mystical exegesis that illuminates Torah, standing as its soul.
The Tetragrammaton in Sefer ha-Bahir

YHVH appears in the text of Sefer ha-Bahir 19 times, but there are
several interpretations of what the Holy Name conveys in that setting,
with four presenting as critical.
In the first of these, the Holy Name is presented as a means for be-
lievers to be guided in prayer, leading their devotions toward tikkun.
In the second, YHVH is aligned with one of the sefirot. This is usually
tiferet/beauty, at the center of Etz Chaim, rendering the Holy Name a
didactic device and, thus, a key facet of Divinity (remembering the se-
firot's teaching role as emanations of God, in the amarim). The third
interpretation present in the work is that of a roadmap to the sefirot,
investing each letter of the Tetragrammaton with a specific purpose. Fi-
nally, YHVH is interpreted as being the fullness of the Torah, opening
the Holy Name to a world of interpretative possibilities.
When these four interpretations are united, the Tetragrammaton
stands as a graphic depiction of the Divine, representing, defining, and
expressing the ineffability of God, only penetrable by way of devotion.
Historical and Biblical Context

Following the Exile in Babylon (6th Century BCE), but more precisely,
starting in the 3rd Century BCE, the name "Yahweh" stopped being
used. While this name continues to be associated with the Tetragram-
maton in some religious circles (namely conservative Christian ones),
the proper pronunciation, according to the later Masoretic vowel
pointings, would have been "yeh vey").
At this point in the Hebrew people's story, Judaism was flourishing,
spreading outward and becoming less localized. To acknowledge this
reality, the name Elohim began to be used. This was a rejection of
henotheism (the belief that one god is better than other gods in the
region) and a resounding endorsement of monotheism – even though
"Elohim" is a plural name. Perhaps it's the plurality, though; that's the
point. In the plurality is the majesty and grandeur of God.
The word also co-opts the Canaanite usage, describing their system
of multiple deities arranged in a hierarchical pantheon. The intimation
is that the God of Israel is the One True God, subsuming all other gods
within the reality of the Only God.
But the origin of the Divine Name, YHVH, is rooted in Scripture,
namely, Exodus 3: 13 – 15, in which Moses asks God his name. The re-
sponse reflects ineffability when God replies, from within the flames of
the burning bush in verse 14: "I AM WHO I AM."
60 MARI SILVA
Related to the Hebrew verb "to be," the Tetragrammaton encom-

passes past, present, and future, containing all three tenses of the verb:
Present: "ho-vey"
Past: "hay-ya"
Future: "yay-hay-yay"
By claiming for the Divine the limitless expanse of time itself, the
transcendence of God is highlighted. God encompasses and contains
within Godhead time's vastness as definitions. In his meeting with
Moses, God has refused to be named in the conventional way we regard
names. Rather, the Divine has beat around the burning bush by telling
Moses that God is, God was, and God will be.
That ineffability also reflects the Ancients' idea that naming some-
thing or someone changed the power dynamic. God's naming of the
sun and moon in the Genesis Creation story (Genesis 1: 16 – 18) is no-
table due to the pagan practice of worshiping these heavenly bodies as
deities. In naming them "greater light" and "lesser light," these creaturely
elements are put in their places in a new Creation.
In refusing to be defined by a name but by time itself, God makes
it clear in this superficial-sounding avoidance tactic that the question is
impudent. God doesn't answer questions that creatures in God's Cre-
ation shouldn't be asked – at least not yet. And God is time itself, be-
yond being bound to any name. Names, in the traditional sense, are not
for the Divine. They're for creatures.
Evidence of the Tetragrammaton's circulation as early as 850 BCE
is shown in the Moabite Stone. This artifact was found near the Dead
Sea and recounted the victories of the Moabite King, Mesha, against
the Israelites.
Because of the nature of the encounter in which God was revealed
to Moses in the burning bush, the Holy Name in the form of the Tetra-
grammaton became associated with God's ineffability and humanity's
delicacy in the face of that "unknowableness." God will not be pinned
down, and so, to honor that "evasiveness," Jews used the letters "vav hey"
or "vav" or sometimes, just a dot to indicate the Divine Name. Too holy
be written and too fearsome to be spoken aloud, YHVH's sacred na-
ture is acknowledged in refraining from speaking or writing it.
In prayer and worship, "Adonai" (another plural name, meaning
"my Lords" is substituted, while in daily life, "ha shem" (literally, the
name) is used. This practice applies, not just to the Tetragrammaton,
but to all the seven names of God: Eloah (God), El (God), Shaddai
(Almighty), Tzevaot (of hosts), and Ehyeh (I am).
The Explicit Name

The Explicit Name of God is discussed in Sefer ha-Bahir in stanza 111,
in Section 5, Mysteries of the Soul. In Hebrew, Shem ha Mephorash,
the Explicit Name, is a term forwarded by the Tannaitic scribes, the
Tannaim.
Tannaim meanings, "repeaters" or "teachers." These were the early
sages who formulated the texts of the Mishnah, from 10 through 220
CE. What's intended is that God's hidden name in Kabbalah is explicit
in its power and inviolability.
Here is where the Sefer ha-Bahir gets numerical. The name may
have 4, 12, 22, 42, or 72 letters. The Tetragrammaton is, of course, the
4-letter name, while the 12-letter, 22-letter, and 42-letter names are
much less clear and prominent.
Maimonides' interpretation of Shem ha Mephorash was that it ap-
plied only to YHVH. And the 12-letter variant comprises three men-
tions of the Tetragrammaton in the Aaronic or Priestly Blessing/Bene-
diction (see below).
The 22-letter version is seen in the Sefer Raziel haMalakh (Book of
the Angel Raziel, 13th Century), but not interpreted, with the translit-
erated name reading "Anaktim Pastam Paspasim Dionsim." This variant
is mysterious but has precedents in the Geonic period (late 6th Cen-
tury – mid-11th Century CE) of the Babylonian scribes. This means
62 MARI SILVA
it predates the Book of the Angel Raziel. Regardless, there is no agree-

ment on the language it's derived from.
Ha Gaon (939 – 1038 CE) wrote of the 42-letter version of the
Name, saying there is no direction (through pointings) about pronun-
ciation. But the general agreement on this variant is that it was pro-
duced by combining the opening 42 letters of the Book of Genesis.
This variant is also found in Sefer Raziel ha Malakh.
The 72-fold name is the flashiest of the variants of the Explicit
Name, having once been employed by Moses to part the Red Sea (Ex-
odus 14: 19 – 21), according to a variety of Kabbalists. This version of
the Name is also prominent in Sefer Raziel.
This version of the name is intended to be read as a boustrophedon
(text which reads left to right, then right to the left in alternating lines).
Read in this manner; the Explicit Name is said to have the power to ex-
orcise demons, heal, prevent catastrophes, and dispatch one's enemies,
if necessary.
The name is also an amulet of protection, as seen in Exodus 28:
36 – 38, when the name of God was sealed on Aaron's forehead, as he
was created a priest or Cohen. In this amulet was the protection of the
people of Israel, with Aaron taking "on himself any guilt incurred in
the holy offering that the Israelites consecrate as their sacred donations"
(Exodus 28: 38a). Through this act, the name is concurrently placed on
the people of Israel, as stated in Numbers 6: 27, "So they shall put my
name on the Israelites, and I will bless them."
In this manner, Aaron becomes the scapegoat of Leviticus 16: 6 –
9, taking responsibility for the collective errors of the people, yet pro-
tected in that role by the Holy Name.
The text of Sefer ha-Bahir then refers to the Aaronic Blessing in
Numbers 6: 24-26, "The LORD bless you and keep you, the LORD
make his face to shine upon you, and be gracious to you; the LORD lift
up his countenance upon on you – and give you peace."
The stanza refers to Numbers 6:27, in which the Holy Name is

placed upon Israel as a blessing. In the Aaronic Blessing are three in-
stances of the Tetragrammaton, each having four letters and adding up
to 12 to form the 12-letter variant of the Name.
And of these 12 letters, in Stanza 112, appear 12 Holy Names, each
of them for 1 of the 12 Tribes of Israel. There follows a description of
the Tribes as "12 rods", playing on the fact that the root for the word
"shevet," in Hebrew, is the same for both "tribe" and "rod."
What's in a Name?
"The Tao that can be told is not the eternal Tao; the name that can be
named is not the eternal name."
Tao Te Ching, verse 1
Meaning "way," Tao (also "Dao) is central to many Asian philoso-
phies, especially in China. While it might seem odd to you that we're
suddenly discussing Tao and the contents of the Tao Te-Ching, the par-
allels to the Hebrew concept of the Holy Name should be apparent.
While Sefer ha-Bahir and the Kabbalah of which it's the founda-
tion have traditionally stood slightly toward the fringe of Judaism, it's
clear that the revelations of Kabbalistic thinking have found their way
home in many sectors of modern Judaism. But the mysticism of a God
who will not be named extends to cultures around the world.
And the name YHWH – a refusal to be bound by a name – is an
example in this global, mystical tradition. Sefer ha-Bahir is part of that
tradition of illuminating the darkness – even in its name. The brilliance
of Sefer ha-Bahir can be seen in its cryptic style – expository in some
ways and secretive in others. Intended for the eyes only of those pre-
pared to penetrate its lessons, it's most certainly not an easy read. But
the concepts expressed in its exploration of Shem ha Mephoresh and
the Tetragrammaton are worth the effort.
The parables of the Bahir piece together and further flesh out the
texts of Hebrew Scripture, realizing an expanded lexicon for the origi-
64 MARI SILVA
nal scribes and a more complex lens through which to see the story of
God's name.
In the story of Moses asking God's name, we see an innocent crea-
ture not yet accustomed to god's being completely beyond human
thought. While we can approach the cloud, most of us are unwilling to
enter it. And perhaps that hesitancy is some unknown inner knowledge
of God's refusal to be named or fully known.
Chapter Eight: More on the Sefirot
"The LORD, the LORD, a God merciful and gracious."
Exodus 34: 6
In Section IV of Sefer ha-Bahir, the book again turns to the Sefirot
to further instruct on their nature and work in Creation. We'll start
with an examination of the relationship between wisdom and glory.
Wisdom is a major theme in Sefer ha-Bahir, with the word and expla-
nations of its meaning appearing throughout.
The section begins with a discussion of the verse from Exodus
above, describing God's mercy and graciousness.
The discussion then turns to Isaiah 6:3, "Holy, Holy, Holy is the
LORD of hosts; the whole earth is full of his glory."
The text of the Bahir then breaks the words "Holy, Holy, Holy"
down:
• The first "Holy" represents the Crown (Keter).

• The second "Holy" is "the root of the Tree" – Foundation
(Yesod).
• The third "Holy" is "attached and unified in them all" – the
sefirot.
• The status of the third "Holy" is then clarified in another story
about the analogous King.
The explanation employs the figures of sons and grandsons, saying

that when the King's grandsons are doing what the King wants them to
do, he gives them whatever they want through their sons. But when the
grandsons aren't following orders, he stops providing for the grandsons.
In this analogy, we can see that God is the father of the "sons" (se-
firot) and the grandsons (Covenanted humanity). When humans don't
do the Creator's will, only the sefirot are fed with the attributes and
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66 MARI SILVA
voices of God and the Divine mandate to seek wisdom (up to a certain
point) via the amarim.
Section IV, named the ten Sephirot, is by no means a challenge to
the Seven Voices Section. Rather, it's an embellishment, offering a fur-
ther interpretative channel by employing different metaphors and con-
nections to scripture. It should also be remembered that various writers
contributed to Sefer ha-Bahir over an expanse of time and text.
The concept of glory is explored at length in this section as part of
a Mishnaic examination of Isaiah 6:3. The initial phase of that glory's
meaning is that of Creation on the first day, casting Creation as parallel
to the Land of Israel.
Glory is then characterized as "wisdom," following Proverbs 3: 35,
which reads (in the original Hebrew, while the English word "honor" is
used in the NRSV, which is a Hebrew synonym) "The wise will inherit
glory."
Here, we should consider the properties of glory and its stated re-
lationship to wisdom. In this section, Sefer ha-Bahir's authors chose to
incarnate glory as a woman in the service of a master with many sons.
Her sons visit and are told they can't see her at that moment.
But they bless her, wherever she is. Having been invested with the
wisdom of the "mother" (cast as an analogy to glory), they accept that
they will see her when the time comes, as they humbly (and wisely)
accept that their understanding is limited, so glory is not available to
them – yet.
Wisdom and glory are intimately related, recurring throughout
the Sefir ha-Bahir in numerous ways. Because we're talking about a
foundational text for Kabbalah and because the sefirot are central to
that canon, it's important to remember that Sefer ha-Bahir is fragmen-
tary and disjointed. The document we encounter in the Aryeh Kaplan
translation is that same disjointed document, and so, the discussion of
the sefirot in relation to other Biblical principles and "magic" numbers,
punctuated by numerous parallels and analogies, may seem unfamiliar.
But the themes of wisdom and glory are pivotal to this work and the
Hebrew Scripture presented in its pages, and so, we'll discuss these at-
tributes to further illuminate the philosophical standpoint of the text.
Defining Glory Through Wisdom

The Hebrew Scriptures speak extensively of the Glory of God. In He-
brew, glory is "kavod," with "honor" as a synonym, together with "re-
spect" and "majesty." But the word has also been translated as meaning
"weight" or "heaviness."
Divine Glory can be a lot of things – whatever it will be. It can
be Ezekiel's chariot and the smoke and cacophony of Mt. Horeb or
Moses before the burning bush. It can be as undramatic as a sensation
of wholeness or gratitude. God's glory, then, might well be in the kind
of wisdom instructed by the three amarim.
Glory is humanity's perspective on God's manifestation and revela-
tion in the Created Order. The birth of a child, a tsunami, a rainbow, a
seagull. All these are manifestations, but the truth about God's glory is
that something unusual is usually going on.
Smoke! Trumpets! Fire! Flaming bushes that talk! Now, those are
manifestations!
And so is wisdom. Wisdom in the human mind is a mysterious
demonstration of the uniqueness of the brains with which we've been
gifted. These brains can do incredible things, as evidenced in the story
of the Sefer ha-Bahir. Humans had Biblical interpretations and Kabbal-
istic angles they wanted to share with other faithful people, and so they
wrote about them, growing their spiritual understanding as they did.
Later generations built on and subsumed the original, less-developed
ideas, building a massive complex of religious, philosophical thought
on its very bare-bones, reifying its complex themes, and filling in its
many blanks.
68 MARI SILVA
And now, you're sitting here reading about it. You're reading a book
about other books, drilling down to see what you can derive from its
themes to grow your knowledge or spirituality or term paper.
Are you ignoring the magical formula of the Amarim? Are you get-
ting greedy about "getting wisdom?" No. You're fulfilling a role that's
always been intended for you since before the Creation of Primordial
Man, metaphysically embodied by mystical Adam Kadmon, the pro-
totype of humanity's full flowering. According to Kabbalah, if you're
reading this, you're probably smart enough to know your limits – espe-
cially if you've read the other two books in this series.
Glory is wisdom, as wisdom is glory. Processing from the heart
of God as the sefirah, Chochmah, wisdom also represents the right
brain in the human body; the Etz Chaim/Adam Kadmon. And while
the Kabbalists of the earliest layer of Jewish Mysticism could not have
known this, nor those of the Middle Ages or even the 18th Century,
they might be surprised to know that the right brain is the artistic, cre-
ative side of the brain. It's the left brain that governs items like logic,
linear thinking, and computation.
But wisdom can't be described as any of those functions, much less
solely associated with the empirical. Wisdom is something much more
than that, so what can we derive from wisdom being associated with the
brain's right side and the creative bent associated with it?
First, we must understand that the right brain also governs intu-
ition and imagination. Right-brained thinkers are more willing to lis-
ten to what their inner voice says about whatever the world presents
to them. They're also more willing to apply an imaginative response to
problems and challenges.
Wisdom and intelligence are closely related. It's probably most
proper to say that intelligence is where wisdom finds its potential. But
intelligence is, by no means, the sum total of wisdom.
Wisdom is the glory of minds that utilize more than the usual 10%
capacity most humans employ during their lifetimes. Wisdom is intel-
lect processed through more than one filter, which confronts truths
with boldness, enquiring, learning, and applying a growth model to the
intellectual riches most of us call on so parsimoniously.
Wisdom is glory when intentionally and devotedly pursued, espe-
cially when that wisdom is directed toward tikkun. When wisdom in-
creases, the manifestation of God's Glory increases. There is a cosmic
connection between these two realities – one creaturely, the other Di-
vine – which amounts to a partnership. This was intended for Adam in
the Garden.
We're all familiar with the story at this point. Wisdom, though, is a
story still being told by the cleanup crew, refreshed each day in its pur-
suit by the Glory of God indwelling limited human wisdom toward the
healing of a cherished relationship.
Defining Wisdom Through the Glory

Wisdom is a creative agent in both the right brain sense and that of
tikkun. Repairs are part of any system. Corrections are needed to en-
sure that the integrity of the structure is not threatened. Tension is em-
ployed to keep everything in its place, but in Olam Habah, the World
to Come, all tension is resolved.
We've read that the right brain is adept in artistic expression and
imagination. The right brain is also more capable of seeing the big
picture. Its position on the right side of Etz Chaim, as the sefirah
Chochmah, reminds us that Kaballah is mysticism and mysticism often
and, with pleasure, defies traditional ideas about how to do things and
how to think about things. While not prescriptive, mysticism is persua-
sive and rooted in the same traditions that reject it. Sufism is anoth-
er example of how mysticism's soulful viewpoints threaten institutional
forces in the religious traditions from which it springs.
But the wisdom of the Kabbalists is not limited to one hemisphere
of the brain. Rich in intricacy, rooted in Tradition, and steeped in the-
ological exploration, the intellectual rigor of the Kabbalists is not to be
70 MARI SILVA
ignored, as the left side of the brain is actively working in concert with
the right.
Many people can expand their capabilities to encompass both sides
of the brain. However, the Kabbalists have synthesized their thinking
to a remarkable degree, creating a voluminous library of theological
and philosophical legacy which stands as a glorious example of wis-
dom.
The Kabbalists, dedicating their efforts with one goal in mind –
tikkun – created their cosmology by applying the unified brain, just as
the sefirot are "attached and unified" in the third "Holy" of Isaiah 6:3.
In this grand scheme of unification through agents like the sefirot
and their scribes, the Kabbalists – grandsons of the King – present the
unified, holistic thinking of the sages, including the authors of Sefer ha-
Habir, as a materialization of God's Glory, via the Divinely created hu-
man mind. These are the heirs of glory, described in Proverbs 3: 35.
And in the world of Kabbalah, what is the ultimate manifestation
of God's Glory?
It is the repair of Creation – the final healing of God's relationship
with humanity, in tikkun, facilitated by wisdom.
10 Commandments and 613 Mitzvot

"Aaron lifted his hands toward the people and blessed them, and he came
down after sacrificing the sin offering, the burnt offering, and the offering
of wellbeing."
Leviticus 9: 22
At the beginning of Section IV, this verse is examined, with the
question posed as to why Aaron raises his hands. The response points
out that his two hands, like ours, have five fingers each, for a total of ten
– equivalent in number to the sefirot.
And further, equivalent to the number of Commandments given
to Moses. The text in Section IV explains that the number of letters in
the 10 Commandments is 613, equivalent to the number of mitzvot.
It states that all the Hebrew alphabet letters are also present in the Ten
Commandments, except the letter Tet.
This is explained by Tet's identification with the human stomach,
which has no equivalent in the sefirot. In this, the writers of Sefer ha-
Bahir identify the Commandments given to Moses with the ten sefirot
and with the human body.
The next question the text poses is why the sefirot were given this
name. The explanation states that Psalm 19: 1 is the reason for that
name, as it reads, "The heavens are telling the glory of God." The inti-
mation is that the sefirot are doing the same.
The word for "telling" (or declare) is me-saprim in the text, most
likely to serve the writer's purpose, which is to identify the sefirot as
God's Glory in Creation. As emanations of the Divine, the "ten sefirot
of nothingness" or the "10 ineffable sefirot", as described in Sefer Yetzi-
rah, are not separate from God. They are how humans discern God in
Creation.
In stanza 138, we again encounter raising hands to heaven with the
10 Commandments and the ten sefirot. In this instance, Moses raises
his hands (Exodus 17: 11). The text explains that when he does so, "Is-
rael prevails," with Israel described as an "Attribute" and further, "the
Torah of Truth."
The Torah of Truth is explained in the text in relation to mystical
– and physical – Israel as one of the "10 sayings" on which the world
stands, with the ten fingers of two hands, uplifted to heaven, paralleling
the ten sayings (remembering, of course, the ten utterances by which
Creation was brought into being by the voice and will of God).
When Moses and Aaron (the first priest) raised their hands to
heaven, they called on those ten utterances or sayings for the sake of
Israel. For without victory for Israel over its enemies, the Torah of
Truth (Israel) could not stand, and if Israel could not stand, Creation
couldn't, either.
72 MARI SILVA
The Ten Sayings

In stanza 141, the question, "What are the ten sayings?" is posed, fol-
lowed by a lengthy exposition on the utterances, aka the sefirot.
Let's journey through this Section of Sefer Ha-Bahir to discover a
uniquely Mishnaic way of talking about the sefirot.
The first saying is corresponded to the Crown (Keter), with its peo-
ple cast as Israel. Citing Psalm 100: 3, the writer of this stanza points to
the spelling of the word "we" in verse, "Know that the LORD his God.
It is he that made us, and we are his", with "we" being spelled lamed
aleph. It's explained that lamed aleph could mean "to Aleph," meaning
that the people are God's (with God cast as Aleph, the first letter of the
Hebrew alphabet).
The second of the sayings is Wisdom (Chochmah), explained
helped by Proverbs 8:22, "The LORD created me at the beginning of
his work, the first of his acts of long ago." Next, it cites Psalm 111: 10,
"The fear of the LORD is the beginning of wisdom."
Wisdom is cited as the first of God's acts, corresponding roughly
to Adam Kadmon's model as the repository of God's Ideal Primordial
Man. But in Psalm 111, it's a fear of the Divine that's located as the site
from which wisdom grows.
This ties in with the idea of limiting the human capacity for wis-
dom. Knowing our limitations as creatures is key to healing the rela-
tionship with God. There's a strong element here of toeing the line
drawn in the sands of the desert at Sinai – that we are to stop at under-
standing things that are "too difficult for us," leaving them to the ineffa-
ble mind of the concealed God to sort out.
Next, the text moves on to the third saying, which is unnamed as a
sefirot but described as a "quarry." The text relates that from this quar-
ry, "all the letters of Torah" were carved and that Torah is the rock on
which the faithful stand – the Divine.
The fourth saying is chesed (lovingkindness), which is mentioned

near the end of the stanza but is described as "the charity of God," with
chesed characterized as "kindness."
Another unnamed sefirot/saying occurs in the instance of the 5th
of these, in stanza 145, with the themes of fire and angels. This saying is
explicitly described as "the great fire of the Blessed Holy One." One can
assume this represents Hod (Glory) but lacks a positive identifier.
Still, the writer's reference to Deuteronomy 18:16 leaves little
doubt: "This is what you requested of the LORD your God at Horeb
on the day of the assembly when you said, 'If I hear the voice of the
LORD my God any more, or ever again see this great fire, I will die.'"
This can only refer to the sefirah Hod. As we've said earlier in this
book, it was the Mt. Horeb theophany which caused the people to
"see" voices. Terrified, they huddled together, senses scrambled into a
fine mush by God's confounding Glory, sending Moses into the Cloud
alone.
Within this fearsome glory are the Chayot ha-Kadesh – the An-
gels, to the right and the Seraphim (Angels of fire) to the left. These are
the highest of the high in the Hebrew angelic hierarchy, fully present
to God's Glory. The text then gets to the point – the fear.
God's Glory is not a gentle thing. It is fiery, and it has enforcers de-
voted to praising the Divine and serving it. This is explained employing
Ezekiel 1:18, "Their rims were tall and awesome, for the rims of all four
were full of eyes all around."
God's Glory has eyes – lots and lots of eyes. This is a description of
the Merkabah (Chariot) in which Elijah ascended to Heaven. A sym-
bol of God's Glory, a reminder to readers of the awe-inspiring Chariot,
is inserted into the text by way of illustration.
I'd imagine that if I were to see a wheel embedded with eyes that I
would probably never sleep again. I would be afraid. I would begin wis-
dom because I would not want to know anything more about that char-
iot or to see it ever again, fearing I might die if I did. Just like the peo-
74 MARI SILVA
ple at Mt. Horeb, I would gladly send Moses into that Cloud all alone,
never to see whatever fearsome sight or hear whatever nerve-shredding
sound the Almighty might be hiding in there. Chariot wheels embed-
ded with eyes are just the tip of the iceberg with such a fearsome God!
At the sixth saying, things get murky again. Stanza 146 describes
it as "the Throne of Glory, crowned, included, praised and hailed." It
says that the sixth saying is Olam Haba/the World to Come, referenc-
ing wisdom as the saying's home.
The text then cites Genesis 1:3 and the creation of light, describing
two different lights – one commanded and one created, distinguishing
between the creative command and the finished product.
One of these two lights was stored away by the Creator "for the
righteous in the World to Come," referencing Psalm 31.20, "In the shel-
ter of your presence you hide them from human plots; you hold them
safe under your shelter from contentious tongues." So, this primor-
dial utterance commanding light was too much for humans to behold.
From the mind of God, the thought of the light, borne into the nascent
Creative Order on Divine Breath, is the pure form of the finished prod-
uct. In direct contact with humanity, that light is unbearable, just as it
was at Mt. Horeb. Fearsome and mindboggling, only the righteous will
see it in Olam Haba.
Reading through the description of the sixth saying, we come to
the 32 paths of wisdom. These are intimately related to the sefirot, as
the 22 letters of the Hebrew alphabet and the ten utterances by which
Creation came to be, as described in Sefer Yetzirah.
In Sefer ha-Bahir, the 32 paths of wisdom are described as the
goodness of Creation, given as a gift to humanity, citing Proverbs 4:
2, "...for I give you good precepts, do not forsake my teaching". In
other words, the raw material is there, but humanity must, to realize its
Covenant with the Divine, dig for it. This is referred to in the text as
Oral Torah, described as a "treasury" (perhaps the "quarry" mentioned
above).
So, the Glory of God is fire and light, shared to the Created Order
in a diluted form, while the undiluted form awaits the ascension of the
righteous to the World to Come, as the 32 pathways lead us toward
its Divine precincts, shovels in hand. Again, wisdom and glory are de-
lineated and continually underlined in the Sefer ha-Bahir, making the
conflation unavoidable.
Following a lengthy discussion of the necessity of suffering to the
estate of righteousness, we come, finally to the seventh saying.
Again, there are no sefirot explicitly named, but the saying is de-
scribed as first "Aravot" and then, as "Shamayim," both translated as
"heaven" in the text. But in Hebrew, "Aravot" is a willow branch, as-
sociated with the Festival of Sukkot, celebrating God's protection in
the Sinai desert (also called the Feast of Tabernacles or Booths), ref-
erencing the Wilderness Experience and Covenant, again. Shamayim
is part of the three-part cosmology of Judaism, identified as "heaven,"
with eretz as the earth and Sheol as the underworld.
The text then describes the seventh saying as the "same" as the sixth.
In other words, the same as the glory/wisdom that is God's alone, even-
tually to be shared with the righteous alone, in Olam Haba. The text
next relates that the seventh saying is both the same as the sixth and
separate, as it relates to us that Holiness is among us. The seventh saying
is then located by the text in the east as the seed of Israel, with Isaiah
43: 5 cited, as it reads, "I will bring your offspring from the east." The
Cloud of Mt. Horeb, no longer visible, continues in its presence among
the Israelites.
We finally arrive at the Eighth Saying in stanza 168. Again, there is
no mention of a sefirot, but the text centers on the human body, and
the Covenant of Circumcision is usually accomplished on a baby boy's
8th day of life.
There follows an explanation of the "8 directions in man", which
are:
76 MARI SILVA
• "Right and left hands

• Right and left legs
• The head, the body, and the Covenant as arbiter
• And his wife, who is his mate."
In Sefer ha-Bahir's model, the Covenant mediates between the

head and the body, creating a consubstantiality Sartre might have en-
vied: a supernatural pineal gland of sorts. It further adds Primordial Eve
in the form of the wife as part of man's body. This can be seen as a dis-
couraging reminder of the position of women through most of histo-
ry, but in terms of this book, it's supported exegetically with Genesis 2:
24, "Therefore, a man leaves his father and his mother and clings to his
wife, and they become one flesh."
These eight parts of a man's body are then held up as paralleling the
practice of circumcising baby boys on the 8th day, anthropomorphizing
the Covenant, and co-opting the female sex, both now parts of man's
body, to arrive at 8.
When we arrive at the 9th Saying, we discover that again, there is
no corresponding sefirah and that it's combined, in the text, with the
10th. The effect is the feeling that someone was more interested in an-
other aspect of the text, did not wish to hazard an embellishment of
another writer's work, ran out of gas, or possibly that the text was some-
how garbled or reconstructed over time.
But the Section continues (with possibly another writer taking the
wheel) to expand on the two final sayings, referring to them as "two
wheels." Netzach (Victory) then enters the discussion, with the "Victo-
ry of Victories described as "the end of the Divine Presence" in stanza
170. This points to Shekinah, the sefirah of Divine Presence, existing
in the flesh of the earth, feeding Etz Chaim with its emanation of con-
cealed Glory.
But what is meant by the Victory of Victories being "the end of the
Divine Presence"? The Divine Presence, as an emanation of God, is not
required in the World to Come as a sefirah or as a saying, for the need

for emanations expires at its genesis.
The Divine Presence is now the fullness of that light we spoke of
earlier, held apart through time for only the righteous to enjoy in Olam
Haba.
Chapter Ten: Modern Scholarship and
Kabbalah's Relationship to Physics
"The purpose of life is learning. The purpose of learning is to grasp the Di-
vine."
Abraham Abulafia
As we've touched on in the last chapter, all we know about Kab-
balah and its canon is handed down through generations of scribes and
scholars. These are the minds that connected the disparate dots of the
ages and gifted humanity with the rich legacies of Jewish Mysticism and
Judaism itself.
But in the story of the Sefer ha-Bahir and public consciousness
about it in modern times, two of these scholars stand out. These were
Gershom Scholem, once one of the world's foremost authorities on
Jewish Mysticism, and Aryeh Kaplan (1934 – 1983): author of Sefer
ha-Bahir's translation we've used throughout this journey of discovery,
encountering the major themes of this fascinating text.
If you're finding interest in this book, then I highly recommend the
work of these modern scholars, both of whom contributed so lavishly
to Sefer ha-Bahir's study and dissemination beyond its intended audi-
ence. Their contributions, I hope, will be of interest.
Gershom Scholem
While not all concur with Scholem's hypotheses or methodology, no
one can say that he is not a giant of Jewish religious scholarship, espe-
cially in the realm of Kabbalah. His Major Trends in Jewish Mysticism
(1941) has enjoyed three printings and was re-published in 2011. To
this day, the work stands as a comprehensive, unchallenged masterpiece
of Kabbalah scholarship, tracing its roots from antiquity through 18th
Century Ashkenazi Hassidism.
78
Gershom Scholem was a prolific writer about Kabbalah, penning

40 books and 700 articles in his lifetime. Martin Buber once described
him as one who had "created a whole academic discipline" – namely, the
study of Kabbalah, for motivations other than Faith.
Scholem's interest in the Sefer ha-Bahir was first signaled by his
doctoral thesis about the book in 1922. In 1923, his father's publishing
house released the young Scholem's book on the subject. In his doctoral
studies, Scholem decided that his life's work would be the Kabbalah.
He believed that Kabbalah could spark a major revival in Judaism due
to its intricate expositions about humanity's relationship with God, es-
pecially Jewish humanity.
Scholem's German-language exploration of the Bahir came with
copious footnotes, referencing Kabbalistic masters who'd quoted the
text. Clearly, Scholem had read and absorbed much of the Kabbalistic
literature available to him.
In 1928, Scholem authored an article expanding on his earlier
work, linking Provence and Spain to developing the mystical move-
ment, which had its apex in the Zohar. Then, in 1948, he published The
Beginning of the Kabbalah. He continued to expand and correct this
book over many years, never satisfied with his work's integrity.
Scholem saw Kabbalah as arising from religion (its history and
study) rather than as a work of pure philosophy, despite his secular ori-
entation. As we noted in the book in this series addressing Sefer Yet-
zirah, it's indisputable that Kabbalistic history movements have drawn
their spiritual parallels from Jewish history, regardless of the content
that might be seen as philosophical influences or incursions. Of par-
ticular interest is Scholem's hypothesis that the Lurianic model of Cre-
ation – an apocalyptic shattering - was a response to the Spanish Ex-
pulsion of 1492. The impact of Jewish history on Kabbalah, Scholem
rightly pointed out, influenced its development, giving birth to con-
cepts like Shevirot ha Kelim. As the Jewish presence in Spain was shat-
tered, so was the universe at Creation.
80 MARI SILVA
Scholem's contention concerning Luria's Creation model led the

scholar to coin the term "historiosophy": the conjunction of meta-
physics with history. The idea has penetrated scholarly circles in many
disciplines, including the study of the European Holocaust. Applying a
philosophy of history through a metaphysical lens is a tremendous con-
tribution to numerous fields of scholarship.
With this approach came the contention that Sefer ha-Bahir was a
link, joining together Early Jewish Mysticism and the later doctrine of
emanations of the Divine in the form of the sefirot. Part of Scholem's
hypothesis is concerned with the Gnostics – a sect existing in the An-
cient Near East, not only in Judaism but in the Pagan and Christian re-
ligions starting in the 1st Century, as evidenced in related writings.
Acknowledging Sefer ha-Bahir's Ancient origins, possibly rooted in
Raza Rabba, Scholem posited a Gnostic element in the book's genesis
while acknowledging that the bulk of Sefer ha-Bahir's development oc-
curred in the Middle Ages, in various contexts.
And it's clear that Scholem was correct in his assessment of Kabbal-
ah as an enlivening agent for a renewed Jewish spirituality. However,
I'm not sure he'd be pleased to see Kabbalah Centers springing up from
LA to Warsaw, for that is not the Kabbalah of the sages and scholars.
But Kabbalah has penetrated Judaism at heart in recent decades, en-
riching the practice of millions of Jews.
Lately, the Kabbalah's influence, especially among the younger gen-
erations, has led to developing yet another discipline of academic study,
growing from the one established by Scholem – the modernization of
Kabbalah. This development suggests that Kabbalah has already taken
root outside its usual home – that of the Hassidim. As Gershom Sc-
holem suggested, Kabbalah has set a fire of renewed spirituality among
modern Jews.
The Kabbalah of Gershom Scholem is the source of something. He
knew that. While not a traditional Jew in the Orthodox sense, it's clear
that Scholem's interest in Kabbalah was not purely academic. In Kab-
balah, he saw a flame that could catch fire, providing modern Jews with
a connection to their history that was profound, spiritual, and almost
enfleshed, in its presence among them and kinship with them.
Aryeh Kaplan
As I've made readers aware, this volume draws on Aryeh Kaplan's trans-
lation of Sefer ha-Bahir. A master of both physics and Kabbalah, Aryeh
Kaplan is also remembered as one of the driving forces behind the baal
teshuvah movement through his written work, which means "master of
repentance," in the late 1950s/1960s movement called Jews to Tradi-
tional Jewish Orthodoxy.
Rather the antithesis of Gershom Scholem, Aryeh Kaplan was an
Orthodox rabbi. But like Scholem, he was a prolific author, calling Jews
to his version of holiness. Kaplan also wrote three books about Jew-
ish meditation, as a proponent and practitioner, among an impressive
canon of works numbering over 50 books, addressing Hebrew Scrip-
ture, Jewish Mysticism, and Jewish liturgical subjects and translations.
One of his most popular books, even today, is the one he wrote
about Sefer ha-Bahir (1957). Another is his book about the Sefer Yetzi-
rah (1997). Much like Gershom Scholem, his scholarship on Sefer ha-
Bahir is famed for its contribution to the study of the book. He was in-
strumental in greatly increasing interest in both Bahir and Yetzirah and
contributed to the enlivening presence of Kabbalah in our contempo-
rary world, even beyond Judaism.
An ardent teacher, his ability to clarify and illuminate texts is ap-
parent in the translation of Sefer ha-Bahir we've been using in this
book. Aryah Kaplan made a book that mystified those who encoun-
tered it for centuries accessible to English speakers. And while Sefer
ha-Bahir is esoteric literature in every possible sense, Kaplan's work has
helped to make sense of it, as Scholem's has.
Perhaps there was a common purpose between the two, in some
mysterious way. With Scholem suggesting and advancing that Kabbal-
82 MARI SILVA
ah might enliven modern Judaism and Kaplan calling Jews to Ortho-

doxy, the methodologies and desired outcomes diverged, but the spir-
it in which each Kabbalah Master approached his life's work seems the
same. For both, Kabbalah was a consuming passion, as it has been for a
long line of scribes and scholars in the great tradition of Jewish Mysti-
cism. While these two Kabbalah Masters belong to the mid-20th Cen-
tury, an eruption of such ardor in the Modern Era is significant. The
20th Century's extreme rationalism and insistence on empiricism also
made it the Century of Genocide for Jews, manifesting in the apoca-
lyptic horror of the Holocaust. In the ardor of Scholem and Kaplan is a
desire to find a coherent response to tortured rationalizations for geno-
cide and humanity that had descended into the abyss.
Kabbalah and its Masters found a balance between the two hemi-
spheres of the brain, providing a full-throated response to the Modern
Era's rationalism. With Kabbalah and its mystical approach to Creation
and humanity's role in it, it's arguable this elusive balance finds a home
in Kabbalah. While there's little to suggest this philosophical equilibri-
um has influenced world events, it might be said, in Kabbalistic terms,
that tikkun has a friend in the growing influence of Kabbalah.
Aryeh Kaplan started his life as a physicist, leaving that calling for
another – to be a traditional Orthodox rabbi. Just as Scholem con-
sciously decided that Kabbalah would be his life's work, Kaplan chose
the passion of Kabbalah. While the two lived out their devotion to
the idea of a Jewish Renaissance driven by Kabbalistic principles in
markedly different ways, the results moved Jewish Mysticism forward
with decidedly different motivations. And in moving it forward, it
seems that another Kabbalistic subgroup of academic study has been
founded.
Kaplan's early life as a physicist is of great interest in any Jewish
Mysticism discussion due to his modern role in enlarging its canon
and influence. In recent times, Kabbalah's presence has been felt in the
realm of science, with parallels being drawn between its descriptions of
Creation and Physics. This development has generated even more in-
terest in books like Sefer ha-Bahir and may hold the key to re-aligning
humanity's thinking as we move forward in the 21st Century.
The Kabbalah of Physics

Whether you're interested in Physics or not, Physics is interested in
you, as its purpose is to study and understand nature. More precisely,
Physics' mission is to interpret the properties and behaviors of matter
as it moves through time and space in its exchanges with energy.
Is this not reminiscent of the Kabbalistic exploration of time and
space, with the discussion of "created light" versus "light in the process
of being created"? Whether you think so or not, science has latched on-
to what is increasingly being perceived as a parallel between the two
realms in terms of the interplay between matter and energy.
In both systems of thought and interpretation, energy and matter
are unified – part of the same complex. They are not, as has been ad-
vanced in the distant past, separate realities that may be transformed
one into the other but are both parts of a unified and inviolable whole.
The radical dualism between the two was the problem Descartes
(1596 – 1650) was attempting to rectify in his Letter to the Learned
Doctors of the Sorbonne. In Descartes' case, the matter in question was
that of the body in relation to the "mind/soul," attempting to recon-
cile matter with energy while claiming a distinct ontology for both. The
work of Renee Descartes, in this regard, is universally recognized as
having moved the question of material's consubstantiality with the spir-
itual/emotional forward, despite the dualistic premise advanced. But
in stating that, "To perceive a mode (mind/soul) apart from its sub-
stance requires an intellectual abstraction." Descartes exposes the prob-
lem with dualism as advanced in his work.
But the science of the 21st Century understands the universe as a
unity. This is also the Kabbalistic conception of matter and spirit/mind
– as an inviolable unity. Moving parts are integral to the whole, and in
84 MARI SILVA
this model, the mind/soul is one with the body, just as the concealed
God is one with Creation. While unseen and immaterial, God creates
and interacts with matter by various means – speech, light, theophany,
dreams, and visions. The human mind is rooted in the same Divine/sci-
entific template.
As Einstein explained in his Special Theory of Relativity, matter,
and energy are exchangeable, one with the other. In complete unity,
they share a source. They are the same, exchanging properties and be-
haviors as required by existing conditions. This reality precludes the
need for "transformation."
Quantum Electrodynamics has reconciled the Theory of Special
Relativity with Quantum Physics, contending that the entire universe
is in the process of continual evolution. In this model, energy and mat-
ter are destroyed spontaneously with their creation.
Does any of this remind readers of the Breaking of the Vessels (She-
virot ha kelim)?
The matter-energy duality of Einstein's Theory is the central tenet
of Jewish Mysticism – that all that exists, whether material or ener-
getic/spiritual/intellectual, is part of a whole and indivisible from its
source and ontology. While free to exchange and interact, the material
and the energetic are manifestations of the same overarching reality
– this is the precise contention at the heart of Kabbalah – that all is
Divinely inspired and created, thus unified and manifesting diversely.
What may appear to be separate and yet, exists as an aspect or feature
of the whole might as well be called an emanation. The sefirot, for ex-
ample, exist independently and yet operates collaboratively. As emana-
tions of the Divine, there is no separation between their Divine source
and them, as the sefirot emanate the Divine properties and attributes
into Creation.
While concealed, the Divine is ever emanating into Creation the
light of Ohr Ein Sof hiding in plain sight as "created light." Cloaked and
limited, the Light of the Limitless comes to us as part of our material

world while yet Divine. Matter and energy united in perfect purpose.
There is no "observer" and "observed" in the Quantum Physics/
Kabbalistic viewpoint. In observing, the observer has a material impact
on the observed, as the observation's energetic influence is material. En-
ergy and material being of the same stuff, there is no identification of
one or the other without a challenge to the system's unity.
That humanity's actions have both a material and "immaterial" im-
pact on the world around it is analogous to the idea of tikkun as the
response to the brokenness of Creation. While all exist in integrity, it's
clear that this principle, in both Physics and Kabbalah, bears out in the
real world. The most obvious example is the effect on the physical envi-
ronment of our actions (androgenic climate change, extinction events,
catastrophic weather events). These actions have a physical basis, but
they're rooted in a spiritual or philosophical vacuum. This vacuum typ-
ifies the Modern Era, which remains adhered to Descartes and an ear-
lier understanding of matter and energy as two separate things. Just as
matter and energy are not two separate things, humanity and Creation
are not.
And there is a commensurate impact on the human spirit/intellect.
As the world reacts to humanity's poor stewardship, humanity either
doubles down and becomes even more abusive or falls into a depressive
state. In either instance, the spiritual and intellectual faculties are com-
promised. On the one hand, that aware person sees Creation under
stress and knows that she's at least partially responsible. Real-world in-
dicators of humanity's impending extinction (COVID-19 and other
pandemic events in the 21st Century) are depressing, triggering exis-
tential anxiety. But the cognitive dissonance inherent in acknowledg-
ing climate change and the demand it makes for humanity to change
is met with a wall of denial to prevent it from infiltrating the minds of
those too fragile to accommodate it.
86 MARI SILVA
Jewish Mysticism calls the practitioner to action. Built into the

model is humanity's role as both partners in Creation and key to its
healing. Whether the action is rooted in prayer and the satisfaction of
the mitzvot or the popular conception of tikkun as the healing of injus-
tice through righteous acts, actions have a decisive impact on the mate-
rial and spiritual world. The healing of one is the healing of the other.
The healing of Creation is the healing of humanity.
Because, while independent, they are made of the same stuff. The
breath that enlivened the mud doll is that of the Creator, divinely an-
imating humans with the very exhalations of the concealed, creating
God. Even the mud from which that humble doll was once formed by
the hand of the Creator signals sacredness: formed of the dirt of the
earth, recently created by the same imaginative force.
In this emerging discipline of the Kabbalah as a parallel to Physics,
new scholarship is continually being produced. One such notable
scholar in this nascent tradition is Eduard Shyfrin.
The author of the book, From Infinity to Man, Shyfrin joins an
innumerable procession of sages, scholars, academics, and Holy Men.
Once a Soviet metallurgist, Shyfrin is today an observant Jew and a fol-
lower of Kabbalah, making teshuvah (a return to Jewish Orthodoxy)
and discovering a renewed and vibrant Jewish faith, illuminated by
Kabbalah's mysticism.
Like the academic intellectual turned Kabbalah Master, Gershom
Scholem and the physicist turn rabbi and Kabbalah Master, Aryeh Ka-
plan, Shyfrin bring together worlds unaccustomed to collaboration,
uniting and illuminating them for humanity hungry for revelation.
Chapter Eleven: The End of Neo-
Platonism and the Divine Presence
"The word beginning (Reshit) is nothing other than wisdom."
Sefer ha-Habir, Section I, stanza 3
The Sefer ha-Bahir has been one of the most influential works in
the development of Kabbalah over many centuries. With the Sefer Yet-
zirah and the Zohar, the Bahir stands as a cornerstone in the canon of
Kabbalistic writings.
Any Kabbalistic work of any import contains at least one quotation
from its pages. Nachmanides cited it as an authoritative source in his
Torah commentary. Through time, this fragmentary book, passing
through the hands of multiple scribes, is one of the most influential
and foundational works of Kabbalah. It was Gershom Scholem himself
who identified Sefer ha-Bahir as the first of all Kabbalistic works to pre-
sent the symbolism of later Kabbalah.
In its descriptions of the sefirot alone, Sefer ha-Bahir provides a
central theme for later Kabbalistic sages, including Luria himself. Influ-
enced by the contemporary misfortunes of Jews in distant Spain from
his home in Safed, Israel, Luria drew on the Spanish Expulsion, finding
in it a unifying moment to illustrate the hope implicit in the Shevirot
ha Kelim – eventual healing in tikkun.
But the sefirot of Sefer ha-Bahir are not the sefirot of Yetzirah
and later Kabbalah. In this book, they're not described as emanations.
They're described as powers or as hypostasis - the immutable, underly-
ing reality of all things. In this instance, that reality is the Divine. It's in
Sefer Yetzirah that we see the characterization of the sefirot as emana-
tions, although both works share the idea of the 32 paths of wisdom,
more fulsomely delineated in Yetzirah.
Because we've just talked about Physics and the Kabbalah, now is
an opportune time to turn to the Hellenistic ideas expressed in the text
87
88 MARI SILVA
of Sefer ha-Bahir. In the Ancient Near East, cross-pollination of reli-

gious and philosophical ideas was inevitable. In this cauldron of com-
peting for cultural/spiritual identities and belief systems (because spiri-
tual systems and culture were synonymous in these societies) and intel-
lectual ideas, there was no chance of ideas being untainted by those of
one's neighbors.
But is it a "taint" or stain, or is it a normal interchange of ideas
that find common ground between them? One religion's "syncretism"
(the incursion of one religion's claims into another) is another religion's
growth.
For this purpose, I'd like to present the work of Abraham bar Hiyya
la-Nasi (1070 to c. 1136). This Medieval Barcelona Kabbalist was also
a philosopher, astrologer, and mathematician. He's believed to be the
person responsible for transmitting the Arabic system of algebra to the
Christians of Europe. His best-known book, Hibbur ha Meshihah ve-
ha-Tishboret, about algebra, and practical geometry, containing the
first known example of the quadratic equation.
It's helpful to understand that Tishboret influenced Leonardo Fi-
bonacci's thinking as you read more about this Spanish Kabbalist, one
of the most influential of his time and in the matter of Sefer ha-Bahir, a
contributing author.
Before exploring bar Hiyya's work in the Sefer ha-Bahir, we'll turn
toward the Greeks to refresh our understanding of the Neo-Platonic
idea of "forms" and how they influenced the sage's thinking.
Forms vs. Matter

Neo-Platonism was a Platonic revival that prompted a school of
thought. It was more a popular way of thinking than a system of
thought or philosophical school. While it's tracked to the 5th century
CE in terms of documents, its influence has been tremendous on Ju-
daism, Christianity, and Islam. If you scratch these Three Monotheis-
tics in the right place, you'll find a distinct scent of Neo-Platonism.
Derived from Plato and Aristotle (who disagreed on the theory of

forms in key aspects), the theory of forms casts the material as muta-
ble (subject to change) and ideas (forms) as immutable (not subject to
change). This means that ideas are the substance and unchangeable re-
ality of all we know. And all we know in the material world is just a rea-
sonable facsimile of its true and incorruptible form.
The bubbling stewpot of Ancient Near Eastern ideas was the ideal
birthplace for an intellectual process to be applied to thinking about
the big questions. Neo-Platonism, a catchall of a range of religious and
cultural ideas, reflects the region's cross-cultural vitality in that time.
Philo was a Jewish Hellenist who saw Judaism through the lens of
Plato, Stoicism, and other Greek influences. Philo believed that only an
ecstatic experience could reveal God's true nature to the believer, while
Christians like Justin Martyr sought to forward a synthesis of Platon-
ism with Christianity.
In Plato, there is also a rejection of matter in favor of ideas/forms.
This is expressed in Early Christianity in figures like Origen (who cas-
trated himself to be less subject to his body's urges) and Augustine, who
wished, in his Confessions, that he could eat food as he would medi-
cine – taking it only when necessary. Food interrupted the more im-
portant matters at hand – those of the spirit and forms.
Abraham bar Hiyya and Sefer ha-Bahir

Gershom Scholem first noticed distinct similarities between the ap-
proach in bar Hiyya's Hegyon ha-Nefesh (Contemplation of the Soul)
and the description of the creation process in Section I of Sefer ha-
Bahir. The common denominator, of course, is far beyond writing style.
What was prominent in Scholem's discovery was the Neo-Platonist
thought evident in both texts.
Pivotal is "tohu wa bohu" (Formless and void). In Sefer ha-Bahir
and bar Hiyya's Tishboret, from the formless and void matter and form
both come to be. Lifeless and amorphous, tohu wa bohu is animated
90 MARI SILVA
by the hand of the Divine. In this action, according to a Neo-Platonist

reading of the text, form and matter are combined as necessary facilita-
tion of Creation.
In stanza 11 of Section I of Sefer ha-Bahir, we read, "He created
Desolation (Bohu) and placed it in Peace, and He created Chaos (To-
hu) and placed it in Evil."
Here, we see that the formless and void splits into matter and form,
with Bohu adopting form (the Divine element of Creation) and Tohu
adopting matter (chaos).
This is also an attempt to reconcile items in the Hebrew Scriptures
like Isaiah 45: 7, which reads, "I form light and create darkness, I make
weal and create woe; I the LORD do all these things." By explaining
their dual presence as a cosmic synergetic event, forms and matter
unite, redeeming matter. But there is a further explanation of this event
in stanza 14.
Light is used as an example of something which exists because it
was created. But of darkness, Sefer ha-Bahir says, "...there was no mak-
ing, only separation and set aside."
This refers to Genesis 1:4b, which reads, "And God separated the
light from the darkness." What's being implied is that darkness is like
a divider in a three-ring binder. It separates things. It doesn't have the
same meaning as the rest of the created order.
The sense is that Neo-Platonic thinking not only somewhat demo-
nizes matter but fails to give God the benefit of the doubt with the
presence of evil in Creation. This element of the discussion of matter
and form undermines later Kabbalah, which defines the presence of evil
almost as a means for humanity to redeem itself. It also ignores that a
God who creates evil and good is unquestionably omnipotent and in-
effable, beyond feeble human reasoning.
Just as there is no perception of light without a perception of dark-
ness, there is no perception of evil without good. As we discussed
briefly in the second chapter of this book, the theme of tension is a re-
curring one in Kabbalah and most discussion of monotheistic religions.

That tension – between good and evil - provides humanity with choic-
es or free will. The same tension presents us with a God who is both
immanent and transcendent, simultaneously.
What's been developed from this Neo-Platonist means of describ-
ing the Creation event is a process of the Neo-Platonist thinking pre-
sent in Sefer ha-Bahir and other Medieval Kabbalistic works being sub-
sumed under the mother Tradition itself. Luria's conception of the She-
virot ha-Kelim is a vision of Creation rooted in both Scriptural Tradi-
tion and contemporary and Ancient Jewish history. In every shattering
of the Jewish people, there is Luria's grand model and plan for redemp-
tion and healing.
And this model and plan meshes with modern Physics so tidily.
As Kabbalistic thinking has developed, the Hellenistic whispers in its
pages stand in witness to an age of intellectual growth that moved from
the Ancient Near East to Europe and beyond. And as Kabbalah has
gained influence, it comes to the wider world as its own highly devel-
oped system of internal criticism and questioning.
The story of Abraham bar Hiyya is yet another way the Sefer ha-
Bahir tells us a long and fascinating story of intellectual and religious
currents interacting and fusing as part of an epic journey of becoming
something.
Next, we need to discuss a key distinguishing feature of the Sefer
ha-Bahir that we can't leave our exploration of the text without talking
about – the role of Shekhinah. That role is that of the Divine Presence
in Creation.
Shekhinah, Divine Presence

Only mentioned in Bahir by name once in Section V, stanza 75, the
idea of Shekhinah is discussed in the text as the Divine Presence and
associated with wisdom and tzedakah (righteousness). Again, wisdom
92 MARI SILVA
is associated with glory, represented by the indwelling Presence of the

Divine.
We encounter Shekhinah in Bahir as follows: "The first 'righteous-
ness' is literal righteousness (Tzedek). This is the Divine Presence (i.e.,
Shekinah). It is thus written (Isaiah 1:21), "Righteousness dwells in it."
But before we can penetrate the verse and its place in the Bahir, let's
find out a little more about whom we're discussing.
The word is taken from the Hebrew root meaning "dwell, settle or
inhabit." Implied is the idea of a place for God and God's creatures to
live. With Shekinah, the word refers to God, specifically. Shekinah is al-
so interpreted as the Holy Spirit of God in Judaism (Ruach ha-kodesh).
The word is also interpreted to mean a "manifestation of God's glory."
The name first appears in the Targum (the Aramaic language ver-
sion of the Hebrew Scriptures), which began to be transcribed in the
middle of the 1st Century CE as "Shakinta." The name Shekhinah also
appears in the Talmudic and Midrashic sources.
Regarding the sefirot, Shekhinah is associated with the sefirah,
Malchut, which is set at the base of Etz Chaim. The indwelling Shekhi-
nah/Divine Presence is represented, like Malchut/Kingdom, as being
both parts of and set apart from the Tree of Life.
As associated with Malchut, Shekhinah is the temporary manifes-
tation of God's glory, as the concealed God awaits our efforts toward
tikkun. This stopgap glory is a glimpse of the Divine and a preview of
the main attraction. Both emanative sefirah and the manifestation of
the Divine in Creation, Shekhinah is more than a ray of created light.
Shekhinah is much more like the scent of a good perfume being detect-
ed with delight long after the wearer has left the room.
Returning to our stanza from Sefer ha-Bahir, we encounter Shekhi-
nah as "literal righteousness" or the "first righteousness." When we
come across the Divine Presence next in the text, in stanza 169, we read,
"The end of the Divine Presence of the Blessed Holy One is under His
feet. Thus, it is written (Isaiah 66:1), "The heaven is My throne, and the
earth is the hassock for My feet."
Malchut/Shekhinah is in the earth that the Etz Chaim is planted
in. The glory and presence of God nurture the Tree of Life from the
earth's very core. God's Kingdom is "the hassock" for the feet of a tran-
scendent God, immanent via emanation and the power of a holistic,
unified Deity.
Shekhinah, the Universal Mother

The Kabbalistic story of Shekhinah tells the tale of a universal mother,
sent on a mission to gather the sparks – the stray nitzotzot – that show-
ered Creation at the Breaking of the Vessels. Like a mother hen, Shekhi-
nah comes to pick the light out of the cracks in Creation so we can start
putting it all back together again.
Shekhinah is the hope of repair in the Divine Presence, only here
until we can get our act together. As Shekhinah partners with we poor
slobs in this grand design into which a monkey wrench was thrown, the
universal mother gathers lost sparks, enlivening Creation to generate its
intended potential.
Much is made of the feminization of Shekhinah, as though God
had biological sex. This anthropomorphization has led to many theo-
logical and exegetical explorations in search of the meaning of a "femi-
nized" God. In the matter of adhering biological sex to God, I submit
Isaiah 55:8-9, which reads, "For my thoughts are not your thoughts,
nor are your ways my ways, says the LORD. For as the heavens are
higher than the earth, so are my ways higher than your ways and my
thoughts than your thoughts."
In other words, God is completely "other." The Divine may not be
described – or named in the same way that the created are described
and named. If God is unknowable and beyond our complete and confi-
dent understanding, then how does applying a creaturely, biological sex
class to God even enter the discussion?
94 MARI SILVA
And so, Shekhinah may be depicted as a universal mother. Shekhi-

nah may also be depicted as a mechanic with bulging muscles and a
mustache. Shekhinah maybe a border collie, sniffing after lost sparks.
But Shekhinah is not a square peg, a round hole, or a side of fries.
Shekhinah is whatever Shekhinah will be, and so, for this book, I will
studiously ignore all appeals to a sexed God, regardless of God's assign-
ment as male, throughout recorded history.
If God is beyond the restrictions of the human intellect and of be-
ing named, as we've discovered it is the case, then God is also beyond
the limitations of the human body.
Shekhinah may be characterized as both mother and father and
neither. God being completely "other" precludes the anthropomor-
phization of whatever God was, is, or will be.
But Shekhinah is crucial to the story being told in the Bahir. The
Divine Presence in the Created Order mentioned so peripherally in the
text is more pivotal to the narrative of Creation's healing than any sexed
label could ever illuminate.
So, let's return to the text of Sefer ha-Bahir to discover more.
The Victory of Victories

In stanza 170, we again find a reference to Neo-Platonist forms in the
"7 Holy Forms". To explain the Divine Presence, the writer of this stan-
za refers again to the human body and its seven parts (with the 8th be-
ing the wife) as representing these "Holy Forms" (as discussed in Chap-
ter 8 of this book). The Covenant of Circumcision, as you'll recall, me-
diates in the human body between the head and the rest of the body. In
the 248 "positive" commandments, we also find the organs and bones
of the human body, as described in stanza 168.
At the end of stanza 169, the text refers to the "victory of victories"
or netzach netzachim, in Hebrew. The sefirah, Netzach/Victory, at the
base of the column on the right-hand side of Etz Chaim, holds the key
to understanding the import of this stanza and its relationship to the

Divine Presence/Shekhinah.
Netzach may also be translated as "eternity" or "perpetuity." So,
what the writer is talking about is something very decisive and final.
The word also translates as "strength" or endurance, as found in the He-
brew Scriptures, from the word root nun tsady het. This adds an ele-
ment of tension to the narrative, as the end of the Divine Presence is
what's being discussed.
At the conclusion of stanza 171, we find the "Holy, Holy, Holy" of
Isaiah 6:3, which ends with the phrase, "the whole earth is full of his
glory."
The text describes a three-fold Presence, following Isaiah's words,
saying that "victory is one" and "victories is two," for a total of three.
But the point is that the Divine Presence exists in the Divine realms as
much as it does in the Created Order. God is omnipresent, omniscient
and omnipotent, and undivided. There is no difference, ontologically,
between the Divine Presence and the Divine. They are the same, locat-
ed variously.
The Divine Presence is again equated to wisdom in stanza 171, as
"light that was derived from the first light, which is wisdom" and that "it
also surrounds all things," using the Isaiah portion as evidentiary, scrip-
tural support.
The text then expounds on the nature of the seven Holy Forms, de-
scribing a King and his seven sons, whom he instructs to sit one above
the other. The son asked to sit at the bottom, furthest from the King,
complains that he would prefer to be near his father. But the King says,
"I will surround you and see you all day." This passage equates the King
to God and the 8 "parts" of the human body, as discussed in chapter 8
and in the Divine Presence.
The Divine Presence is described in this stanza as a direct analog of
God, available to the Created Order and "surrounding all things," mak-
ing it possible for Creation to be full of God's glory.
96 MARI SILVA
The key to Shekhinah and the "victory of victories" is found near

the end of stanza 169, in words "The end of the Divine Presence of the
Blessed Holy One is under His feet, referencing Isaiah 66: 1, as dis-
cussed earlier in this chapter.
Creation becomes at footstool for the Divine, once again at home
in the Creation wrought by the ten utterances. The Divine Presence
"under His feet," ending the necessity for the Divine Presence in cre-
ation, as Daddy has come home.
The victory of victories in the final and holistic healing of Creation,
with God's Presence, made total and visible through the realization of
tikkun.
The wisdom of "first, literal righteousness," which is the sole
province of the Divine, has made itself at home in Creation, putting up
its feet, reconciled to itself in the fullness of a Divine Creator whose vi-
sion for this masterpiece has finally materialized.
But What About Netzach?

As the sefirah of victory, Netzach stands at the bottom of the "pillar of
mercy," as the right-hand side of the Tree of Life is sometimes called.
What's special about that position?
This position in Etz Chaim places Netzach in the role of "facilita-
tor." Netzach is there to do something important on behalf of the Di-
vine. At the top of the Tree, including on the right side, are specific at-
tributes of God's Divine Will. In these attributes are God's desires for
the human creature.
As I've pointed out above, the meaning of the word "netzach" ex-
tends to "strength." It might also be interpreted as "patience." Paying at-
tention to these interpretations renders Netzach a helper that provides
humanity with its own will – to endure and persevere until the "victo-
ry of victories" is realized. Opposite Hod/Glory on the Tree, Netzach
portrays the right leg/foot, while Hod portrays the left lower extremi-
ties.
Encompassing righteousness as a feature of God's glory, Hod works

with Netzach to achieve the victory all Creation groans toward, the
two sefirah moving the whole project forward.
The "victory of victories" (netzach netzachim) refers to the en-
durance/perseverance required to reach the reality of eternity – anoth-
er definition of this Hebrew word. How do you define endurance or
perseverance?
If you're running in a foot race, endurance refers to your ability to
finish the race and to maintain performance throughout. In this in-
stance, the race is tikkun, and the prize is eternity – an eternity lived
out in the Divine Presence truly and fulsomely present in Creation.
The realization of tikkun, in the satisfaction of God's Covenantal rela-
tionship with humanity via Mystical Israel, is held in the satisfaction of
the contents of the Covenant – the ten commandments and the 613
mitzvot.
Netzach, in the world of Kabbalah, represents the endurance re-
quired to work toward a distant goal. It shines in the distance, urging
us forward. And Shekhinah's departure from Creation does not mean
that God has left us. It means that the concealed God is at last revealed,
feet up and satisfied with the (finally) completed work.
Throughout Sefer ha-Bahir, the Divine Presence, while scantly pre-
sent explicitly, is ever-present in the text. Described as the "first, literal
righteousness" and as the ground from which wisdom springs. This is
God's "stunt double" indwelling the Created Order as the source of the
Divine's dreams for us. Here to witness to the Glory of God (in wis-
dom and righteousness), Shekhinah stands as the benchmark sefirah.
For when Shekhinah leaves, the Divine arrives.
In the satisfaction of tikkun - the healing of the relationship be-
tween God and humanity - the Divine Presence withdraws, as it is no
longer required in that role. With Creation Ordered as it was always
intended to be, there is no more need for the stunt double. The protag-
98 MARI SILVA
onist has walked on the set and the director, at that moment, calls out,
"that's a wrap."
Standing as a symbol of Mystical Israel, Shekhinah encompasses
all God's dreams for humanity, related to the healing of a relationship
blown out of the water with just one bite from an apple. Shattering ves-
sels are recovered and repaired, and the Divine comes home, settling
into the throne of the Created Order, feet comfortably set on the foot-
stool of the earth.
As the credits roll, all is good in the newly revealed Light of the
Limitless - finally returned from a long and painful exile, Olam Haba
having been brilliantly achieved.
Conclusion
As you have seen, Sefer ha-Bahir is a wonder of ancient influence, Me-
dieval scholarship, and modern interpretation, its strangeness less inac-
cessible than once believed. For that, we can be grateful to the work of
countless Jewish scholars, scribes, and Kabbalah Masters, Gershom Sc-
holem, and Aryeh Kaplan among them.
I hope this exploration of the Sefer ha-Bahir has increased your un-
derstanding of both the book and the long path of development taken
by Kabbalah and Jewish Mysticism over the thousands of years the Jew-
ish religion has existed.
Jewish Mysticism and the literature it has gifted the world with
over centuries is undoubtedly one of the original mystical movements.
Unquestionably, its presence may be read in the Hebrew Scriptures,
where bones dance and people see voices and hear visions from a
mountain on fire with the presence of God. But I know that mysticism
is an organic phenomenon, emanating from the human spirit in com-
munion with the great "I AM" (WAS, WILL BE).
And in that sense, the Sefer ha-Bahir reflects a vibrant, mystical tra-
dition in Judaism, resulting not just from the contemplation of the He-
brew Scripture and accompanying literature but from the proximity to
philosophical movements in the Ancient Near East. The influence of
these movements continues in the Great Three Monotheists in numer-
ous ways, with Sefer ha-Bahir being only one example. And the exam-
ple demonstrates how that effect is possible, with the ideas in the book
linking the ancient to the Medieval worlds.
For that reason, the document discussed in this book has tremen-
dous value. Sefer ha-Bahir is both a spiritual treatise, fractured by time
but representing a genesis of systematic thinking and as an example of
the power of ideas to transform as time and cultures pass away. It's in
that transformation that the very spirit of wisdom is found. Wisdom
is transformative, evolving intelligence, lives, society, and history. Wis-
99
100 MARI SILVA
dom is a glory that reflects the Light of the Limitless. Wisdom can be
as collective as it is individual.
In the Bahir, we discover both manifestations of wisdom, the syn-
thesis of creaturely nature with Divine breath – matter and energy, ex-
changing and creating. Over time, the text's collective creation only
highlights the individual contributions in its esoteric parables and
shifting viewpoints, all straining toward that one conclusion – that all
are redeemable.
I have been honored to share the story of Sefer ha-Bahir with you
and hope it has increased your interest in the world of Jewish Mysti-
cism and Kabbalah.
With that thought, I offer the Aaronic Blessing, as we part.
"The LORD bless you and keep you; the LORD make his face to shine
upon you, and be gracious to you; the LORD lift up his countenance upon
you, and give you peace."
Here’s another book by Mari Silva that
you might like
1. https://www.amazon.com/gp/product/B08X2M91NS
101
102 MARI SILVA
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References
Arnoff, S.H., (n.d), The Concealed Face of God, New York, NY.
Ben, E., & Halevi, S. (1994). ADAM AND THE KABBALISTIC TREE Red
Wheel Weiser
Dan, J. (1987). THE ENIGMATIC BOOK BAHIR. JSTOR Gershom Scholem
and the Mystical Dimension of Jewish History, New York University Press
https://www.jstor.org/stable/j.ctt9qg6m5.7?seq=1#metadata_info_tab_contents
Dubov, N.D., (n.d), Kelipot and Sitra Achra, Brooklyn
Hoffman, E., (n.d), The Hebrew Alphabet: A Mystical Journey. (n.d.). My Jewish
Learning
https://www.myjewishlearning.com/article/the-hebrew-alphabet-a-mystical-
journey/
Kaplan, A., 2001, The Bahir Illumination, Newburyport, MA, Red Wheel Weis-
er
Metzger, B.M., Murphy, R.E., 1991, The New Oxford Annotated Bible, New Re-
vised Standard Version, New York, NY, Oxford University Press
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SEFER HA-BAHIR

The Ultimate Guide to Understanding the

Now, let's journey into one of the Kabbalah's most anciently-rooted

Ancient or Not So Ancient

One Creation narrative commentary

One of the primary differences between Sefer ha Bahir and Sefer

Folklore and Critical Study

The Great Secret

to Sefer ha-Bahir, over time, drawing on its serial appearances in the

question of matter and how it was manipulated at Creation. We'll talk

In this paragraph, "Rabbi Rahumai" states that light existed before

Tikkunei ha-Zohar or Rectifications (also translated as "repairs") of the

Meet the Sefirot

Binah – Understanding – left brain

On the central axis of the tree, we find:

Keter – Crown - skull

Finally, on the right side, from the top:

Chochmah – Wisdom – right brain

The arrangement of these Divine emanations, personified by the se-

struct that reveals God to humanity and resurrects God's intentions in

Adam Kadmon is more than just an icon. The figure of a man,

The passage above is the first in Sefer ha-Bahir's treatment of the

This question is key to understanding the sefirot and their intimacy

What happened that created the need for an anthropomorphized

interpretation of Creation became synonymous with that accepted by

us that the image's impression of the human-animal is much more pro-

Integral to the figure of Adam Kadmon is the fullness of God's Divine

Ohr Ein Sof

Tzimtzum – The concealment/contraction of God

Shevirat ha Kelim - The shattering of the vessels

Tikkun – The repair of Creation through the repair of the

Parzufim – The realignment of the sefirot toward the repair

challenge of evil, there is no refining in the fire. There is no choice to be

we've been discussing throughout our explorations of the Creation nar-

In the voluptuous tradition of Jewish linguistic mysticism, the

ing the many Crusades which occurred in Medieval Europe to the

Divine thought became Divine speech, forming words combined

carnate voice of God in the living stones of Hebrew characters that

Hebrew – Mother Language

below the consonant, with one exception of a pointing written above

Niqqud is considered to have a deeper meaning than even the let-

do this, they created diacritical notes – the pointings and cantillations

700 years. This level of devotion to Scripture's integrity, involving innu-

what might be called mystical or spiritual synesthesia as a reaction to

Beginning with a timely reminder that God has ordained Israel as

Concealment is a recurring theme throughout the Hebrew Scrip-

An acrostic uses a formula in which either the first or last letters of

The Tetragrammaton in Sefer ha-Bahir

Historical and Biblical Context

Related to the Hebrew verb "to be," the Tetragrammaton encom-

The Explicit Name

it predates the Book of the Angel Raziel. Regardless, there is no agree-

The stanza refers to Numbers 6:27, in which the Holy Name is

• The first "Holy" represents the Crown (Keter).

The explanation employs the figures of sons and grandsons, saying

Defining Glory Through Wisdom

Defining Wisdom Through the Glory

10 Commandments and 613 Mitzvot

The Ten Sayings