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    Nocturno1 Trasncripcion

    Uploaded by

    Sarely Cruz glez
    The document is a musical score for a nocturne for two violins and piano. It contains musical notation across five staffs with notes, rhythms, dynamics and expressive markings for the two violins and piano. The piece is in 4/4 time and is marked andante cantabile, directing the performers to play it in a singing and flowing manner.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Nocturno1 Trasncripcion

    Uploaded by

    Sarely Cruz glez
    245 views6 pages
    The document is a musical score for a nocturne for two violins and piano. It contains musical notation across five staffs with notes, rhythms, dynamics and expressive markings for the two violins and piano. The piece is in 4/4 time and is marked andante cantabile, directing the performers to play it in a singing and flowing manner.

    Original Title

    Nocturno1 trasncripcion

    Copyright

    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    The document is a musical score for a nocturne for two violins and piano. It contains musical notation across five staffs with notes, rhythms, dynamics and expressive markings for the two violins and piano. The piece is in 4/4 time and is marked andante cantabile, directing the performers to play it in a singing and flowing manner.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    245 views6 pages

    Nocturno1 Trasncripcion

    Uploaded by

    Sarely Cruz glez
    The document is a musical score for a nocturne for two violins and piano. It contains musical notation across five staffs with notes, rhythms, dynamics and expressive markings for the two violins and piano. The piece is in 4/4 time and is marked andante cantabile, directing the performers to play it in a singing and flowing manner.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 6
    At a glance
    Powered by AI
    The text provides musical notation for a piece called 'Music by Vaja Azarashvili for two Violins and Piano'. It includes notes, tempo and dynamics markings across multiple pages.

    The text is musical notation for a nocturne played by two violins and piano.

    The instruments featured in the piece are two violins and piano.

    Nocturne

    for two Violins and Piano


    Music by Vaja Azarashvili

      Andante cantabile   
     
    Argelia Sarely de la cruz Glez

    Violín I

      
      
      
    Violín II


                    
                  
    Andante Cantabile

    
      
    Piano 

    4     


                   
    4

     
          
          
             
               
    4

           
        
    4

      
       

    8        
       
    1


    

        
                
       
    8

    


                  
    

                        
    1

       
    8

       

    8

     
    

      
    12             
          


                
        
    12

       
                    

      
     
                
       
    12

      
       
      
     

         
    16 
                
      
    2


             
                    
    16


                   

              
                          
    16
    2


            
    

     
     
    

               
    20 

            
        
    20

             
                            
      
    20

           
            
     
      
      

    -2-
    23                 

    3

    

               
       

    23

        
    

     
                                       
                  
    23 3

       
       
      
    

       

                     
    27   

        
           
      
    27

            
                                       
                      
    27

         
       
      
    
                    
               
    31

       
             
                
    31

     
                             
                            
    31

         
    
        
    -3-
     34   
      
               
      
    4


    

        

       
           
      
    34


     4 
                
       
              
               
             
              
    34

           
        
    

       
    

    38                   


        

        
             
        
    38

         

                        


                              
       
    38

       
          
       
      

       

     
                
      
    42
    5

     

                 
     
     
    42

                         


                     
       
    42 5

        
          

       
    42

    -4-
    47                
        

           

        
    


    cresc.

          
     
    47

    
    cresc.

      

    

    


     
    

    

    
      

    

    

    
      

    
    

     
    
    
    47

        
      
    

       
    cresc.

      
           
             
     
        
    poco rit. a tempo


    51
    6

       
      
    

          
              

       
    51

    

                       


       
    
    
    
    
                        
    a tempo
    poco rit.


    51 6

       
       
      
    

     
    

                    


    55

            
        
    
    55

                              
              
                         
    55

         
     
       

    

    -5-
           
    59            
           
    7

            

      
       
         
          
    59

                     

                   


               
    59 7

        
        

        

    Meno mosso
              
        
    rit.
    63


    

       
            
     

    63

       
    

        
                   
    rit.

    
    Meno Mosso


    63
    
    
    
    

    


    

           
         
    Sva bassa 

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