This document provides a brief guide to the pronunciation of spells in the magical language of "lingua praestantia" as used by the Colleges of Magic. It details the 10 core vowel sounds and 30 core consonant sounds used in spellcasting. However, over the centuries various dialects and spellings have emerged, creating inconsistencies that make learning new spells dangerous. A single mispronounced sound could have catastrophic consequences by releasing uncontrolled magical energy. Extreme precision is required when casting spells.
This document provides a brief guide to the pronunciation of spells in the magical language of "lingua praestantia" as used by the Colleges of Magic. It details the 10 core vowel sounds and 30 core consonant sounds used in spellcasting. However, over the centuries various dialects and spellings have emerged, creating inconsistencies that make learning new spells dangerous. A single mispronounced sound could have catastrophic consequences by releasing uncontrolled magical energy. Extreme precision is required when casting spells.
This document provides a brief guide to the pronunciation of spells in the magical language of "lingua praestantia" as used by the Colleges of Magic. It details the 10 core vowel sounds and 30 core consonant sounds used in spellcasting. However, over the centuries various dialects and spellings have emerged, creating inconsistencies that make learning new spells dangerous. A single mispronounced sound could have catastrophic consequences by releasing uncontrolled magical energy. Extreme precision is required when casting spells.
This document provides a brief guide to the pronunciation of spells in the magical language of "lingua praestantia" as used by the Colleges of Magic. It details the 10 core vowel sounds and 30 core consonant sounds used in spellcasting. However, over the centuries various dialects and spellings have emerged, creating inconsistencies that make learning new spells dangerous. A single mispronounced sound could have catastrophic consequences by releasing uncontrolled magical energy. Extreme precision is required when casting spells.
lingua praestantia In which the author provides a brief guide to the pronunciation of spells as recorded by the Colleges of Magic
Magick, or lingua praestantia, is the tonal language used by the
Colleges of Magic to form the infinite potential of the Common Vowels metaphysical aethyr into quantifiable effects in physical reality. The lingua preastantia officially uses 33 vowel sounds with 33 modifying When spoken by someone with an affinity for the Winds of diacritics. However, most curriculum spells taught by the Colleges of Magic Magic, lingua praestantia forms order from Chaos and manifests only use 10 core vowel sounds, as this was deemed the simplest way of the material from the immaterial. teaching magic to Humans by Loremaster Yrtle. The following details these 10 sounds and provides the most common letters and diacritics used to The explanation for why the Winds of Magic are drawn to the record them in grimoires. It also provides pronunciation examples from the words of the lingua praestantia, then crystalise into reality around Emperor’s Reikspiel – other dialects may pronounce the words differently. them, is a matter of much debate in the Colleges. What is certain Letters Pronunciation Articulation is that the chaotic potential of the aethyr can be shaped by /a/ batter, land, nap open front unrounded ‘channelling’. Channelling is the focussed shaping of local Winds /ɑ/ /ä/ bath, hard, last open back unrounded of Magic with the will, much like water can be gathered and /o/ not, top, watch open back rounded directed with a syphon. This concentrated magical power can /ʌ/ /å/ but, love, one near-open central then be manifested with a ‘spell’, a precise sequence of sounds that /e/ bed, intend, went open-mid front unrounded forms magic into a chosen pattern in the Mortal Realms. /œ/ /ö/ Bögenhafen, Söll open-mid front rounded /ɜ/ /i/ bird, heard, turn open-mid central unrounded However, the words of magic are extremely dangerous. A /ɔ/ /aw/ law, not, yawn open-mid back rounded mispronounced incantation combined with magical energy can have /u/ /ô/ /oo/ good, fruit, too near-close back rounded dangerous and unpredictable consequences. So, spells must be perfectly /i/ /œ/ /ee/ beater, lee, tea close front unrounded intoned when cast, whether they are recited from memory or read from a grimoire. To make this possible, lingua praestantia is a highly precise Common Consonants language, with every letter of every word accurately recording a single The lingua praestantia included 30 consonants when it was formulated for comprehensible unit of sound. Where it may be fine for Reikspiel to the Colleges of Magic by Loremaster Teclis. However, two centuries of use the letter ‘c’ in different ways according to context, with words such further study have added many more sounds and letters to this, all of as can, celestial, church, or abscess using a ‘c’ to make a [k], [s], [tʃ], or a which can be used to create new spells or modify existing ones. The silent sound, that is unacceptable for accurately recording and reciting examples below list the 30 core consonants used by Magick, and also spells. In Magick, every letter must be attached to a single sound and show some of the letters used in grimoires to record them. only that sound to minimise the chances for catastrophic error. Letters Pronunciation Articulation /m/ mill, stomach, tom voiced, bilabial nasal Even the smallest of mispronunciations can release the channelled /n/ north, onto, win voiced alveolar nasal power needed for a spell, much like water can flow through the /ŋ/ /ng/ function, ink, sing voiced velar nasal smallest of cracks. To avoid this, most spellcasters read and reread /p/ peasant, ripe, sip voiceless bilabial stop their spells, repeating the precise formulation of sounds within /b/ battle, jibe, nib voiced bilabial stop /t/ tall, utter, wont voiceless alveolar stop their minds until the spells are memorised. However, this isn’t /d/ dare, feeder, led voiced alveolar stop always as easy as it could be. /k/ cut, factor, hack voiceless velar stop Two hundred years of magical advancement and linguistic drift have /g/ great, ligament, nag voiced velar stop /q/ (Talabheim) back voiceless uvular stop left the lingua praestantia in a volatile position. New letters and /ʔ/ /’/ (Altdorf) butter glottal stop corresponding sounds have been added to its alphabet, different wizards /tʃ/ /ç/ /ch/ chit, fetcher, hitch voiceless postalveolar affricate have recorded the language in different ways, and old forms have /c/ /dʒ/ /j/ jewel, ledger, podge voiced postalveolar affricate slipped from favour as new methods rise. Today, the Magick used by /s/ sap, tassle, yes voiceless alveolar fricative the eight Colleges of Magic is splintered, with competing versions of /z/ zap, possess, faze voiced alveolar fricative the language vying for prominence and different wizards determined /ʃ/ /§/ /sh/ shaman, usher, wish voiceless postalveolar fricative that their way of doing things is best. /ʒ/ /j/ casual, leisure, vision voiced postalveolar fricative /f/ frenzy, gift, laugh voiceless labiodental fricative Modern Magick uses an alphabetic system of phonetic notation /v/ vim, haver, salve voiced labiodental fricative drawn from Classical, but no two Colleges can agree what is the best /þ/ /θ/ /ø/ /th/ thin, trothed, wroth voiceless dental fricative way to do this. There are many variations on how Magick is recorded /ð/ /th/ their, bather, with voiced dental fricative /x/ broch, och!, loch voiceless velar fricative in grimoires, and this can make studying new spells precarious work. /h/ hate, behind, hut voiceless glottal fricative Because of the different way Magick letters are used, a simple spell /y/ /j/ usual, tune, yard voiced palatal approximant recorded as jakhinor could be pronounced in several different ways, /ɾ/ /r/ red, worry, voiced alveolar tap including ‘Jak-hin-or’, ‘Yoo-ahkeen-or’, or ‘Djaak-een-or’. Given a /r/ (Nordland) rot, far voiced alveolar trill single mistake in pronunciation could lead to the death of the wizard /l/ black, led, little voiced alveolar lateral approximant attempting to cast the spell, its easy to see why many wizards are /ɫ/ /l/ lull, real, sell velarised alveolar lateral approximant unwilling to use any grimoire except their own. /w/ wall, walk, weep voiced labial-velar approximant /ʍ/ (Nordland) whine voiceless labial-velar fricative