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    Thehills: Arranged by Peter Buka Transcribed by Dovenaz 115

    Uploaded by

    Polina Malysheva
    The document contains musical notation for a piece called "The Hills". It consists of multiple lines of musical staff notation showing the melody, rhythm, and instrumentation for the song over its duration. The notation uses symbols like notes, rests, and time signatures to represent the elements of the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Thehills: Arranged by Peter Buka Transcribed by Dovenaz 115

    Uploaded by

    Polina Malysheva
    45 views4 pages
    The document contains musical notation for a piece called "The Hills". It consists of multiple lines of musical staff notation showing the melody, rhythm, and instrumentation for the song over its duration. The notation uses symbols like notes, rests, and time signatures to represent the elements of the music.

    Original Title

    Untitled

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    The document contains musical notation for a piece called "The Hills". It consists of multiple lines of musical staff notation showing the melody, rhythm, and instrumentation for the song over its duration. The notation uses symbols like notes, rests, and time signatures to represent the elements of the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    45 views4 pages

    Thehills: Arranged by Peter Buka Transcribed by Dovenaz 115

    Uploaded by

    Polina Malysheva
    The document contains musical notation for a piece called "The Hills". It consists of multiple lines of musical staff notation showing the melody, rhythm, and instrumentation for the song over its duration. The notation uses symbols like notes, rests, and time signatures to represent the elements of the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 4

    TheHills

    Arranged by Peter Buka


    Transcribed by Dovenaz

     
                                   
      
      
     =115

                  
          
    


                                       
     
    7

         
        
            
     

        
       
    
              
    

    12

                  
          
     

                       
          

          

    17

        
                  

                 
    

                                     
                              
    21

     
                  
                 
         
        
                          
            
    24

      
                        
             
               
            

     
              
          

    28

      
                  
                
                   
                        

      
    31

      
      
    3

                
    


                
                 
                            

    35

     
        
       
      

                      
          

    40

          
                
        

                 
                
    43

                       
            
     
    2
                
                   
    46

                     

           
    3

      

        
                  
             

    49

                       
     
              
     
             
       
         
             
    52

                 
       
       
                
        
               
    54

               
            
        
           
                            

    56

                 
                
                 

         
                     
            
      
     
    58

                   
          

                       
    
    3
            
                
     
         
     
    61

           
                  
             

                   
                    
    
    63

                 
                
       
           
                           
    

    65

         
                     
    


          

                                      
      
    69


                
    Rit.

       

                

    73

     
     

       

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