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    Il Lamento Di Tristano & La Rotta: Anonymous, XIV Century

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    ubs rc
    This document is a 14th century anonymous Italian text that describes the Lament of Tristan and the Rout. It is written as a poetic text with musical notation. The text tells the story of Tristan's lament after being separated from Isolde and describes a battle known as the Rout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Il Lamento Di Tristano & La Rotta: Anonymous, XIV Century

    Uploaded by

    ubs rc
    31 views1 page
    This document is a 14th century anonymous Italian text that describes the Lament of Tristan and the Rout. It is written as a poetic text with musical notation. The text tells the story of Tristan's lament after being separated from Isolde and describes a battle known as the Rout.

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    © © All Rights Reserved

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    This document is a 14th century anonymous Italian text that describes the Lament of Tristan and the Rout. It is written as a poetic text with musical notation. The text tells the story of Tristan's lament after being separated from Isolde and describes a battle known as the Rout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    31 views1 page

    Il Lamento Di Tristano & La Rotta: Anonymous, XIV Century

    Uploaded by

    ubs rc
    This document is a 14th century anonymous Italian text that describes the Lament of Tristan and the Rout. It is written as a poetic text with musical notation. The text tells the story of Tristan's lament after being separated from Isolde and describes a battle known as the Rout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    Il

    Lamento di Tristano & La Rotta


    Anonymous, XIVth century

     
                               
      
    5  
                                           
     
    1.

    10 2. 
       
                      
     
                 
    1.

    16 2.
                 
           

    20          
                        
          
    1.


    24
    
                     
    2.

    La Rotta
    Anonymous, XIVth century

      
      
          
           
            
    1. 2.

    7  
      
          
            
           
    1. 2.

    14

       
                          
             
    1. 2.

    partiturasflautadoce@gmail.com
    Roninho Aguiar 2022

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