Esec - Advanced Manual Bit Ten 1 - 1H PDF

ADVANCED
MANUAL
rev. 1.1h
audison.com
ADVANCED MANUAL / bit Ten /
Index
1. PRODUCT DESCRIPTION - PRECAUTIONARY NOTES ...................................................................................................03
2. PACKAGING CONTENTS.........................................................................................................................................................03
3. bit Ten AND DRC INSTALLATION.........................................................................................................................................04
4. CONNECTION PANELS - DESCRIPTION ............................................................................................................................05
4.1 Multipolar connector.......................................................................................................................................................05
4.2 Input signals ....................................................................................................................................................................06
4.3 Output signals .................................................................................................................................................................07
4.4 Inputs - remote control outputs and power supply .................................................................................................07
4.5 Controls and settings ....................................................................................................................................................08
5. CONNECTIONS.........................................................................................................................................................................09
5.1 Power supply and remote turn on................................................................................................................................09
5.2 How to turn the bit Ten on / off....................................................................................................................................09
5.3 Personal computer and Digital Remote Control (DRC)...........................................................................................10
5.4 High-Level input signals................................................................................................................................................10
5.5 Low-Level input signals.................................................................................................................................................11
5.6 Connection with hands-free phone kit .......................................................................................................................11
5.7 Output signals .................................................................................................................................................................12
6. HOW TO SETUP THE bit Ten WITHOUT A PC....................................................................................................................13
6.1 How to calibrate the MASTER Front-Rear input sensitivity....................................................................................13
6.2 Source de-equalization..................................................................................................................................................14
6.3 Amplifiers sensitivity calibration..................................................................................................................................16
6.4 How to calibrate the PHONE and AUX IN INPUT sensitivities................................................................................16
7. bit Ten SOFTWARE AND DRIVERS INSTALLATION / UNINSTALLATION GUIDE.......................................................17
7.1 PC Software installation guide......................................................................................................................................17
7.2 Drivers installation guide...............................................................................................................................................19
7.3 bit Ten software uninstall..............................................................................................................................................20
8. bit Ten INSTALLATION GUIDE USING A PC.......................................................................................................................21
8.1 Selecting the MASTER (Front / Rear) inputs and outputs - TARGET Mode........................................................21
8.2 OFFLINE mode.................................................................................................................................................................28
8.3 Adjusting acoustic reproduction..................................................................................................................................29
8.4 Device info........................................................................................................................................................................29
8.5 FILE main menu...............................................................................................................................................................30
8.6 CONFIG main menu .......................................................................................................................................................31
8.7 SELECTED INPUT............................................................................................................................................................32
8.8 CHANNEL MAP................................................................................................................................................................32
8.9 SELECT CHANNEL..........................................................................................................................................................32
8.10 FILTER SETTINGS.........................................................................................................................................................33
8.11 Set Distance and Delay................................................................................................................................................35
8.12 Graphic equalizer..........................................................................................................................................................37
8.13 Output level.....................................................................................................................................................................38
8.14 Memory...........................................................................................................................................................................39
9. TROUBLESHOOTING...............................................................................................................................................................40
9.1 Synchronization with a PC.............................................................................................................................................40
9.2 Background noise............................................................................................................................................................40
9.3 Firmware upgrade...........................................................................................................................................................40
9.4 RESCUE MODE.................................................................................................................................................................43
10. DRC - DIGITAL REMOTE CONTROL ....................................................................................................................................44
10.1 Phone call.......................................................................................................................................................................45
10.2 SEL button - functions.................................................................................................................................................45
10.3 Bypassing the DRC.......................................................................................................................................................45
10.4 DRC firmware upgrade................................................................................................................................................46
11. bit Ten ACCESSORIES ............................................................................................................................................................47
11.1 DRC cable extension kit...............................................................................................................................................47
12. TECHNICAL SPECIFICATIONS .............................................................................................................................................48
2
ADVANCED MANUAL / bit Ten / 1/2
1. PRODUCT DESCRIPTION / PRECAUTIONARY NOTES

The bit Ten is a digital signal processor essential to maximize the acoustic performance of your car audio system.
It consists of a 32-bit DSP processor and 24-bit AD and DA converters.
It can connect to any factory system, even in vehicles featuring an integrated audio processor, since, thanks to the
de-equalization function, the bit Ten will send back a linear signal.
It features 7 signal inputs: 4 Hi-Level, 1 Aux Stereo, 1 Phone and provides 5 PRE OUT analog outputs.
Each output channel has a 31-band equalizer available. It also features a 66-frequency electronic crossover as
well as BUTTERWORTH or LINKWITZ filters with 6-24 dB slopes and a digital time delay line. The user can select
adjustments that allow him or her to interact with the bit Ten through a remote control device called DRC.
WARNING: 1- a PC provided with Windows XP, Windows Vista, Windows 7 or Windows 8 operating system,1.5 GHz
minimum processor speed, 1 GB RAM minimum memory and a graphics card with a minimum
resolution of 1024 x 600 pixels are required to install the software and setup the .
2- Before connecting your bit Ten, carefully read this manual. Improper connections may cause damage to
the bit Ten or to the speakers in the car audio system.
2. PACKAGING CONTENTS
- bit Ten - Signal Interface Processor
- Power supply cable / Remote / Inputs
- 3.0 m / 118.11” USB cable
- 4 of 4.2 x 20 mm self-tapping,
cross-head fixing screws
- CD ROM with:
bit Ten 1.0 software
This advanced manual (.pdf format)
Test tracks
- Quick start guide
- Warranty
OPTIONAL:
- DRC (Digital Remote Control) control panel
- 2 fixing brackets with 2.9 x 6.5 mm

self-tapping, cross-head screws
- 4.5 m / 177.16” DRC - AC Link cable
3
ADVANCED MANUAL / bit Ten / 3
3. bit Ten D and DRC INSTALLATION
External dimensions
121 mm / 4.76”
121 mm / 4.76”
121 mm / 4.76”
191 mm / 7.51”
191 mm / 7.51”
191 mm / 7.51”
34 mm / 1,33”
34 mm / 1,33”
34 mm / 1,33”
Mounting dimensions
How to install
80 mm / 3.14”
80 mm / 3.14”
4,2x20mm / 0,16”x0,78”
80 mm / 3.14”
183.6 mm / 7.22”
183.6 mm / 7.22”
183.6 mm / 7.22”
DRC (optional)
How to install the DRC
35 mm / 1.38” Ø 2 mm / 1/8”
Warning: do not use aggressive

68 mm / 2.68”
50 mm / 2”
cleaning agents or abrasive cloth

3.5 mm / 0.14”
to clean the display. Simply use a
13.5 mm / 0.53”
6 mm / 0.23”
soft cotton cloth lightly damped
16 mm / 0.63”
17 mm / 0.67”
with water.
90 mm / 3.54”
43.5 mm / 1.71”
12.5 mm / 0.49”
4
4. CONNECTION PANELS – DESCRIPTION
4.1 MULTIPOLAR CONNECTOR

The bit Ten comes with a 20 multipolar interface for input signals, power supply and various control
connections.
1: violet
2: gray
3: white
4: green
5: red
6: pink
7: brown
8: N.C.
9: blue
10: cyan (light blue)
11: violet
12: gray
13: white
14: green
15: red
16: pink
17: orange
18: yellow
19: N.C.
20: black
5
4.2 INPUT SIGNALS
1
1: violet
2: gray
3: white
2
4: green
11: violet
12: gray
13: white
14: green
6: pink
16: pink 3
17: orange
1. AUX IN L - R; auxiliary low-level stereo input.

The bit Ten comes with an auxiliary stereo signal input to connect an external source, mp3 player, audio
sources. Input sensitivity is adjustable from 0.6 to 5 V RMS.
2. INPUTS; RL - FL - FR - RR. Hi-level MASTER inputs (SPEAKERS).

The bit Ten comes with 4 HI-LEVEL signal inputs to connect amplified signal cables coming from the main
analog source. The USS is integrated to handle headunits with a speaker load detection circuit. Input sensitivity
is adjustable from 2 to 15 V RMS.
Remark: if a low-level output source (PRE OUT) with output signal equal or greater than 2 V RMS is available, you can
connect it to the high-level MASTER inputs (SPEAKERS).
Sensitivity is increased by adjusting the IN LEVEL controls (see 8.1.2 - 8.1.9).
3. PHONE; input for phone hands-free kits.

IN + - : connect the audio output cables coming from the hands-free kit system in use. Input sensitivity is
adjustable from 2 to 15 V RMS.
MUTE: connect the hands-free kit remote mute control (MUTE / PHONE MUTE). This control works by
earthing the terminal. 18: yellow
Remark: the PHONE MUTE terminal can be used also to enable the AUX input (see 8.6.5). 20: black
In this case the PHONE input won’t be active.
5: red
15: red
6
9: blue
10: cyan (light blue)

1: violet ADVANCED MANUAL / bit Ten / 4
2: gray
3: white
4: green
11: violet
4.3 OUTPUT SIGNALS
12: gray
1. FRONT L-R, REAR L-R, SUB OUTPUTS;
Low-level analog signal. 13: white
Connection for RCA cables14:going
greento the system
amplifiers. SUB output is provided with
CONSTANT BASS (when varying 6: pink the fader,
the SUB volume does not change). (see 5.7).
16: pink
17: orange
4.4 INPUTS – REMOTE CONTROL OUTPUTS AND POWER SUPPLY
5 6
1
18: yellow
POWER SUPPLY
20: black
5: red
15: red
2 REMOTE
9: blue
10: cyan (light blue) 3

7: brown
4
1. POWER SUPPLY.
+BATT 12V: positive connection terminal for car 12V power supply.
-BATT: power supply negative connection terminal (GND).
WARNING: make sure the connection polarity is as indicated on the terminals. A misconnection
may result in damage to the bit Ten. After applying power, wait at least 10 seconds
before turning the bit Ten on.
2. REMOTE IN-OUT.
REM IN: input to turn on the processor remotely along with the audio signal Remote Out.
REM OUT: output to turn on other devices / amplifiers connected after the processor.
From the REMOTE-IN signal, the processor only takes 1 second to supply the signal to the REM OUT output.
The 130-mA output current capability can also drive an automotive relay (making sure it doesn’t exceed 130 mA).
WARNING: the bit Ten must be switched on before any amplifiers are turned on.
The system sources Remote Out must be connected to the product REM IN, and the product REM OUT
is then to be connected to the Remote In of other devices / amplifiers.
7
3. KEY MEM: to turn the processor on and off when the vehicle ignition is turned on / off.
Remark: this signal is memory-dependent: if the processor was turned off by a car sub-key connected to the
KEY MEM, it will turn on again by turning the ignition key. If the processor was turned off by a different method
(e.g. DRC) while the KEY MEM was still active, it will not turn on again through the KEY MEM and you will have to
turn it on through either the DRC or REM IN.
4. MUTE IN: to mute the bit Ten outputs when starting the engine by connecting the terminal to the starter turn-on
input or other devices. This control works by jumping the terminal to 12V.
Remark: the MUTE IN terminal can be used to enable the AUX IN input (see 8.6.5). In this case the output mute function,
set by default, will be disabled.
5. DRC: DRC (Digital Remote Control) connection to configure the processor.
6. USB: USB (type B) connection plug, to connect the processor to a PC and manage its functions through the bit Ten
software. The connection standard is USB 1.1 / 2.0 compatible.
4.5 CONTROLS AND SETTINGS
3 2
1
6 5 4
1. IN level: IN level: Input signals adjustments.
By turning the dials counter-clockwise, sensitivity decreases; by turning them clockwise, it increases. This setting
is important for an optimal signal / noise ratio (see 8.1 - 8.2).
2. CLIP: input clipping detector (see 8.1 - 8.2).
If the LED lights up, it indicates clipping on the selected input.
3. DE-EQ CHECK: when lit, meaning comes from its state (see 8.1).
• LED ON: a de-equalization curve has been recorded.
• LED Flasching: you are performing a de-equalization analysis of the MASTER main input signal (see 8.1 - 8.2).
4. DE-EQ SET: button to begin analysis or de-equalization functions during system calibration without using a PC
(see 8.1).
5. SPEAKER TURN ON: switch OFF does not allow turning the device on from the MASTER high-level main input
(see 4.2.2 - 5.4). switch ON allows turning the device on from the MASTER high-level main input (see 5.4).
6. INPUT: select SPEAKER when using high level inputs coming from the main analog source (USS activates
automatically). Select PRE when using low level inputs (Pre out) coming from the main analog source.
WARNING: in case of use of the low level inputs (PRE out) the INPUT selector must be strictly set to PRE
otherwise the signal could be distorted or absent.
7. UPGRADE MODE: switch ON allows updating in RESCUE MODE (see 9.4), and the POWER LED will start flashing.
8
5 CONNECTIONS
5.1 POWER SUPPLY AND REMOTE TURN ON
WARNING: to power the device, use 1 mm2 (16 AWG) cables.
REM IN REM OUT REM IN
Blue REM OUT
Red REM IN REMOTE OUT
Cyan (light blue) KEY MEM
Yellow +BATT 12V

1 mm2 - 16 AWG
+ -
Fuse Holder 12V
Black -BATT Not Provided
Suggested Fuse
T1A-delayed Battery Ground
Ground
Remark: the bit Ten is internally protected by a fuse-resistor

soldered on its printed circuit board. To replace it contact
a service centre. Using an external fuse is recommended,
though it is not required.
5.2 HOW TO TURN THE bit Ten ON / OFF

The bit Ten is on when the POWER ON LED lights up in blue. It can be turned on / off in the following ways:
1. Push the DRC main control switch (to turn on). Keep the DRC main control knob pressed (to shut down).
In this case, no other connections Remote In / KEY MEM are required, but they can coexist (see 11).
2. Connecting one of the Remote In plugs using a signal coming from one source.
The KEY MEM connection is not required, but it can coexist.
3. Through the KEY MEM. This method is memory-dependent (see 4.4.3).
4. Through the MASTER (INPUT FL) input. The AUTO TURN ON (ART) function is enabled by connecting an
amplified head unit output to the INPUT FL input channel. This function can be disabled by moving the
SPEAKER TURN ON switch to OFF (see 4 - 4.5).
5. Automatically through the hands-free phone kit (see 5.6) during its use.
6. Connecting either of the two MUTE IN / PHONE MUTE terminals, properly set to automatically enable the
AUX IN input (see 8.6.5).
9
5.3 PERSONAL COMPUTER AND DIGITAL REMOTE CONTROL (DRC)
(optional) NO
USB cable
(provided)
OK
DRC/ACLink cable
(provied)
5.4 HIGH-LEVEL INPUT SIGNALS
1. SPEAKERS IN HI-LEVEL STEREO FRONT+REAR 2. SPEAKERS IN HI-LEVEL MULTICHANNEL

(see 8.1) (see 8.2)
* *
FRONT REAR FRONT HI FRONT LOW
MAX: 4 AMPLIFIED
CHANNELS
AMPLIFIED RADIO DECK OEM - ORIGINAL AMPLIFIER SOURCE
*
To disable the Speaker Turn on function on the Front Left channel, move the indicated switch to the left to “OFF” position.
10
5.5 LOW-LEVEL INPUT SIGNALS
AUX IN L/R: Auxiliary analog stereo signal.

Sensitivity is adjustable from 0.6 to 5 V RMS.
MP3 PLAYER PRE OUT

RADIO DECK
AUXILIARY STEREO AUXILIARY STEREO

PREAMPLIFIER SOURCE PREAMPLIFIER SOURCE
5.6 CONNECTION WITH HANDS-FREE PHONE KIT
PHONE +/- Input compatible with the hands-free kit speaker

output (see 4.2.3).
Sensitivity adjustable from 2 to 15 V RMS.
PHONE MUTE: bit Ten ON. This gives priority to the phone
conversation, allowing you to resume audio reproduction
when the phone call is finished.
PHONE MUTE: bit Ten OFF. This turns the bit Ten on. When
a phone call is received, the ring tone is audible after around
5 seconds. Once the phone call is finished, the bit Ten turns off.
Nota: the PHONE MUTE terminal can be used to enable the

AUX IN input (see 8.6.5). In this case the user won’t be able
Pink: PHONE +
to interface with the hands-free kit through the bit Ten.
0 1 234...
C ALL
Pink: PHONE -
Orange: PHONE MUTE
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5.7 OUTPUT SIGNALS
OUTPUT TO AN AMPLIFIER’S SYSTEM
Example of a Front Rear + Sub amplifier’s system, connected with the default settings (see 8.1).
FRONT REAR SUB
FRONT REAR SUB
DRC (optional)
DRC (optional)
Some SUB amplifiers

inputs need RCA split.
Example of a 2-way active Front + Sub

amplifier’s system (see 8.2).
FRONT WF FRONT TW SUB
FRONT WF FRONT TW SUB
DRC (optional)
Some SUB amplifiers

inputs need RCA split.
DRC (optional)
12
6. HOW TO SETUP THE bit Ten WITHOUT A PC

The bit Ten can be used without a PC.
In this case, you can mainly use only the DE-EQ (de-equalization) function to eliminate any pre-existing equalization
in the audio system, usually installed as standard by the car manufacturer.
The device will store the following default settings:
1. Front and Rear stereo broadband inputs;

2. Phone input with automatic switching when a call is received;
3. AUX input that can be selected if the DRC is available;
4. Front and Rear stereo broadband outputs;
5. Mono Lo-pass filtered SUB output at 150Hz / 12dB Oct.
WARNING: All outputs have no equalization or time delays. If you wish to use the Rear output,
you will have to connect the head unit Rear outputs to the bit Ten input.
6.1 HOW TO CALIBRATE THE MASTER FRONT-REAR INPUT SENSITIVITY
1. Connect the head unit speaker outputs to the bit Ten high-level input (see 4.2).
Before turning on the system, make sure the amplifiers RCA plugs are disconnected from the bit Ten
to avoid speaker damage during the calibration procedure.
The input calibration procedure must be performed with the ignition turned on. In this case, the car voltage is
about 14.0 Volts. The head unit will provide an undistorted output signal at higher volume.
2. Make sure that the IN Level knobs for the inputs used (L / R Front, L / R Rear, Phone, Aux IN L-R) are set to
minimum sensitivity as in the figure (position -).
3. Turn on the device and play track 1 of the CD supplied with the bit Ten.

• Set all tone controls to zero (flat).
• Set balance and fader to center.
• Adjust the head unit volume to the maximum undistorted output level.
• If the head unit provides an adjustable equalizer, make sure that the controls are set to zero (flat).
WARNING: the head unit level must be elevated to the maximum undistorted level. If the head unit distortion level
can not be tested in advance, bring the volume to approximately 80% of its maximum. If the head unit output
level is set too low, the device will produce ground noise (hissing sound) when playing music tracks.
This is due to the low signal / noise ratio provided by the bit Ten input head unit. If you have this problem after
you calibrated the amplifiers sensitivity (see 7.3), increase the head unit volume and repeat the bit Ten
calibration procedure as detailed in the following chapter 6.4.
Head unit input-level instrument check. CLIP

You will need an oscilloscope for this instrument check.
• Connect the head unit output to the oscilloscope.
• Play track 1 of the bit Ten CD.
• Set tone, fader and balance controls and the equalizer (if any) to zero (flat).
• Turn on the car.
• Adjust the volume control so that the oscilloscope shows
a sine wave with slightly cut peaks, as shown in the figure. CLIP
• Note the volume used by the head unit. It must be left in this position for the following operations.
13
4. How to IN LEVEL calibrate the MASTER inputs.

This procedure is delicate and requires particular attention. Improper execution can invalidate the final acoustic
results. The bit Ten outputs must be disconnected from the amplifiers.
• While playing track 1 of the CD, turn the first knob towards the highest sensitivity (position +).
• When the orange LED lights up or flashes, stop turning and go back slightly until the LED turns off.
• It is normal for the LED to flash briefly; this indicates correct sensitivity calibration.
• Repeat the procedure for the other 3 Front / Rear knobs.
• Note the calibration level used by the head unit volume control.
WARNING: According to the input signal used, check that the INPUT selector is in the correct position (see sect. 4.5.6)
Audio systems installed as standard by car manufacturers often come with equalized outputs.
This means that the response curve is not flat and the difference between the highest and the lowest level
can reach 6 dB. By calibrating the device so that the LED never lights up, the bit Ten sensitivity may be
suboptimal (low) and you may experience noise (whistle) on the speakers. A few quick LED flashes indicate
only a small distortion when handling maximum peaks (very occasional) of music tracks.
If the source is not equalized, response is flat and the LEDs will always be on or always off. In this case,
calibrating is easy because you will simply need to adjust the knobs so that the LEDs turn off just below the
point they turn on.
6.2 SOURCE DE-EQUALIZATION
Source de-equalization (De-Eq) is only required if the source is equalized.

OEM sources (installed as standard by the car manufacturer) often have a high output level (speaker output) with
preset equalization that can not be deleted.
By replacing the factory audio system (speakers and / or amplifiers), this equalization is harmful.
The bit Ten has an automatic procedure to verify equalization and, if present, can eliminate it.
1. Equalization analysis: setting the source.

To run this procedure, follow the instructions as listed below:
• Disconnect the bit Ten RCA outputs (Front, Rear and Sub) if they are connected to the amplifiers.
• Set all tone and equalizer controls to zero (0).
• Set balance and fader to center (0).
• Don’t change or reset the volume of the input sensitivity calibration (see 6.1.3).
If the calibration volume is lost, to find it simply proceed again as described in paragraphs 6.1.1 - 6.1.3 and verify that
the IN LEVEL LEDs flash occasionally.
The DRC can display the calibration level, if your system has it (see 10.2).
14
2. De-equalization analysis: setting the bit Ten.
• Push the DE-EQ SET button and check the DE-EQ CHECK LED following the instructions in the following image.
DE-EQ SET
DE-EQ SET : ANALYZING

DE-EQ CHECK LED
0,5 sec
END : ANALYZING
NEED DE-EQ * DE-EQ CHECK LED NO NEED DE-EQ *
0,5 sec
END
ABORT DE-EQ PROCESS
NEED DE-EQ NO NEED DE-EQ
LED OFF
ABORT
DE-EQ IN PROGRESS DE-EQ PROCESS
END
5 sec 1 sec
DE-EQ OK LED ON OUTLED OFF PROCESS

OF DE-EQ
DE-EQ IN PROGRESS
MEMORY CANCEL LED OFF NO DE-EQ
END
5 sec 1 sec
DE-EQ OK 5 sec LED ON OUT OF DE-EQ PROCESS
• The DE-EQ LED turns on to show that you recorded a de-equalization curve, otherwise it will be off.
• If the DE-EQ CHECK LEDMEMORY
on the bitCANCEL LED
Ten is on, you can run theOFF NO DE-EQ
de-equalization procedure again.
The new data will erase the ones previously stored.
After performing the de-equalization and completing the audio system setup, it is advisable to restart the
system, to make sure that the de-equalization works correctly.
5 sec
*Important: Confirm or abort the de-equalization process within 5 minutes, otherwise the bit Ten will automatically
reset and turn off.
15
6.3 AMPLIFIERS SENSITIVITY CALIBRATION
Once the bit Ten input calibration or de-equalization (if any) procedures are complete, you can calibrate amplifiers
sensitivity.
• Set the amplifiers crossover filters as desired and then connect them to the speakers.
• Connect the bit Ten PRE outputs (Front - Rear - Sub outputs) to the amplifiers inputs using high quality RCA cables.
• Set the amplifiers sensitivity of the various channels to about 4.0 Volts.
1. Amplifiers sensitivity calibration by listening.
• Place the head unit volume where the bit Ten inputs were calibrated and play a highly dynamic track.
• Work on the amplifiers sensitivity controls slowly bringing them to higher sensitivity (less than 4.0 Volts).
Once the first distortion symptoms show you should stop. This is easier if you work on one channel (stereo)
at a time by disconnecting the other channels / amplifiers inputs.
• Once the amplifiers are calibrated, reconnect all the system channels and, if necessary, reduce the sensitivity
(back to 4.0 Volts) of those channels that may have excessive volume.
2. Amplifiers sensitivity instrument calibration.
For instrument analysis, you will need an oscilloscope.

• Disconnect all speakers from the amplifiers if already connected.
• Play track 1 of the bit Ten CD. All source controls must be flat (0).
The volume control should be placed on the bit Ten input calibration level.
• Connect the oscilloscope to an amplifier output channel. CLIP
The video will display a sine wave with variable frequency (sweep).
• Turn the sensitivity control in both directions until the sine wave looks
slightly cut at both ends.
• Repeat for each amplifier channel.
• Reconnect the speakers and insert a CD with a music track.
Reduce the sensitivity (by turning the knob toward 4.0 Volts)
of those channels that may have excessive volume. CLIP
6.4 HOW TO CALIBRATE THE PHONE AND AUX IN INPUT SENSITIVITIES
Once the system is calibrated and fully working through the Front / Rear inputs, you can calibrate the PHONE and AUX
IN inputs.
- PHONE: to use this input you need to connect a phone hands-free kit (see 5.6).
Make a phone call, speak loudly and adjust the IN Level / PHONE knob until the LED flashes sporadically.
- AUX IN: to use this input you need to install the DRC (optional).
Through the DRC select AUX (see 10).
- If a source with a CD player is connected to the AUX input, disconnect the bit Ten outputs from the amplifiers
and proceed as detailed in chapters 6.1.3 - 6.1.4.
- If the source to be connected to the AUX IN input has no CD player (e.g. mp3 player), you can calibrate by listening.
A - Connect the bit Ten RCA inputs (AUX IN) to the head unit output.
B - Play a music track.
C - Turn the IN Level / AUX knobs until the first distortion symptoms appear. Check if the IN Level / AUX LEDs
flash occasionally.
16
7. bit Ten SOFTWARE AND DRIVERS INSTALLATION / UNINSTALLATION

GUIDE
7.1 PC SOFTWARE INSTALLATION GUIDE
1. Insert the “bit Ten Setup CD 1.0” CD-ROM into the CD player of the PC you are going to use.
2. Windows XP: select My Computer from the Windows START menu;
Windows Vista: select Computer from the Windows START menu;
Windows 7: select Computer from the Windows START menu;
Windows 8: click on the DESKTOP icon;
Windows XP Windows Vista Windows 7 Windows 8
3. Windows XP: right-click the “bit Ten Setup CD 1.0” CD icon and click Explore;
Windows Vista: right-click the “bit Ten Setup CD 1.0” CD icon and click Explore;
Windows 7: right-click the “bit Ten Setup CD 1.0” CD icon and click Open;
Windows 8: double click on the Computer icon.
4. Windows XP: double click the Setup icon;

Windows Vista: double click the Setup icon;
Windows 7: double click the Setup icon;
Windows 8: select the CD ROM drive an double click on setup icon
17
5. Windows XP: select NEXT to continue with the installation, CANCEL to interrupt it;
Windows Vista: select NEXT to continue with the installation, CANCEL to interrupt it;
Windows 7: select NEXT to continue with the installation, CANCEL to interrupt it;
Windows 8: select NEXT to go on with the installation, CANCEL to interrupt it;
6. Windows XP: select I Agree and then NEXT;

Windows Vista: select I Agree and then NEXT;
Windows 7: select I Agree and then NEXT.
Windows 8: select I Agree and then NEXT;
7. Windows XP: select;

- Everyone if you have system administrator privileges, so that, once installed, the program can be used
by anyone who uses that PC;
- Just me if you want that, once installed, the program can only be used by yourself as a single system
user. Then click NEXT.
Windows Vista: select
Windows 7: select
Windows 8: select
- Everyone if you have the system administrator privileges, so, once installed, the program can be used
- Just me if you want that, once installed, the program can only be used by yourself as single system user.
Then click on NEXT;
18
8. Windows XP: complete the installation procedure, then click CLOSE to exit the installation;
Windows Vista: complete the installation procedure, then click CLOSE to exit the installation;
Windows 7: complete the installation procedure, then click CLOSE to exit the installation:
Windows 8: go on and complete the installation procedure, then click on CLOSE to exit the installation;
7.2 DRIVERS INSTALLATION GUIDE

1. Turn the bit Ten on.
2. Connect the USB cable to the appropriate port on the bit Ten and to an available USB slot on the PC.

WARNING When connecting a PC laptop via USB cable to the bit Ten while the device is turned on, the laptop
has to work with its own battery and stay disconnected from the mains adapter (external power supply).
Once the connection between the PC laptop and the bit Ten is established, you can immediately connect
the computer, if necessary, to the mains adapter.
3. Windows XP: the PC will recognize the bit Ten interface and will automatically install the driver;
Windows XP Windows XP
Windows Vista: the PC will recognize the bit Ten interface and will automatically install the driver;
Windows Vista Windows Vista
Windows 7: the PC will recognize the bit Ten interface and will automatically install the driver;
Windows 7 Windows 7
4. The peripheral device has been installed correctly and is ready for use.
Remark: The bit Ten uses HID drivers already integrated in Windows. For this reason, they are not included on the
CD and will always install automatically.
19
7.3 bit Ten SOFTWARE UNINSTALL
Procedure 1
To uninstall the bit Ten PC software you can
use the link listed on the following menu:
Start / All Programs / bit Ten / uninstall.
Procedure 2
To uninstall the bit Ten PC software you can also
follow the standard procedure:
Start / Control Panel / Applications Installation / bit Ten / uninstall.
20
8. bit Ten INSTALLATION GUIDE USING A PC.

To configure the bit Ten inputs, outputs, equalizations and time delays, the processor must be connected to a PC
after calibrating the input levels. At that point, you need to have in mind the system you want to realize, since from this
moment if you want to change any of the settings, you will have to go through the guided procedure all over again.
More specifically the guided procedure will ask for:
- What kinds of specialization the main inputs channels use. The guided procedure changes according to your selection.
- Which auxiliary inputs will be used (e.g. AUX and / or PHONE).
- Which kind of signals will be allocated to the different outputs (e.g. Front Left, Center or Subwoofer etc.).
- Which speakers you are using for your system (e.g. 2-way Front, Front / Rear, Sub etc.).
- If the system features passive crossovers to manage speaker groups (e.g. 2-way system with active mid-low).
During this procedure, you should disconnect the bit Ten output RCA plugs to the amplifiers.
8.1 SELECTING THE MASTER (FRONT / REAR) INPUTS AND OUTPUTS - TARGET MODE
1. Connect the head unit speaker outputs to the bit Ten high-level input (see 4.2).
Before turning on the system, make sure the amplifier’s RCA plugs are disconnected from the bit Ten
to avoid speaker damage during the calibration procedure.
The input calibration procedure must be performed with the ignition turned on. In this case, the car voltage is
about 14.0 volts. The head unit will provide an undistorted output signal at higher volume.
2. Make sure that the IN Level knobs for the inputs used (L / R Front, L / R Rear, Phone, Aux IN L-R) are set to
minimum sensitivity as in the figure (position -).
3. Turn on the bit Ten and connect the USB cable to a PC. After installing the bit Ten software, start it by clicking the
icon previously created on the PC desktop.
The first screen shown is the start page where you need to choose among three operational modes:
2 - TARGET: bit Ten D setup

- OFFLINE bit Ten: demo mode bit Ten (sel)
- OFFLINE bit Ten D: demo mode bit Ten D (sel)
- RESCUE MODE: Firmware upgrade
1 recovery (sel)
Select the Target (1) start mode on the drop-down menu, then double click (2) on the bit Ten image
or press ENTER.
21
4. If synchronization is successful, a dialog box will show the data exchange between processor and software.
Wait a few seconds and, finally, confirm by clicking the OK button.
At this point you need to have in mind the system you want to realize beforehand, since from this moment if you
want to change any of the settings you will have to go through the guided procedure all over again.
More specifically the guided procedure will ask for:
- Which auxiliary inputs will be used (e.g. AUX PHONE).
- Which kind of signals will be allocated to the main inputs (e.g. Front Left or Front Right etc.).
- Which speakers you are using for your system (e.g. 2-way Front + Sub etc.).
- If the system features passive crossovers managing speaker groups (e.g. 2-way system with active mid-low).
5. Click the Config menu and select I/O Configuration Wizard.

Press NEXT to continue configuration.
Press CANCEL to exit.
6. Select the inputs.

Select among the auxiliary inputs, AUX, PHONE, those that will be used.
You can change this setting later on by selecting Config / External Source on the software main menu.
Press BACK to go back to the previous step.

Press NEXT to go ahead with the setup procedure.
Press CANCEL to exit the procedure.
22
7. How to setup the Master high-level main inputs.

You can assign any processor input channel the identifying name of the signal coming from the source.
The available names are: FL (Front Left Full); FR (Front Right Full); RL (Rear Left Full); RR (Rear Right Full); FLTW
(Front Left Tweeter); FRTW (Front Right Tweeter); FLW (Front Left Woofer); FRW (Front Right Woofer); Sub L
(Sub Left); Sub R (Sub Right).
The bit Ten will use these names to reconstruct a full range signal coming from an OEM source with a dedicated
multi-channel amplifier and assign the corresponding signal to the respective analog output.
Press BACK to go back to the previous step. IN HI-LEVEL

Press NEXT to go ahead with the setup procedure. wires
FL ± /FR ± /RL ± /RR ±
FL ± /FR ±
FL ± (TWL) /FR ± (TWR) /FL ± (WL) /FR ± (WR)
FL ± /FR ± /RL ± (Sub L) /RR ± (Sub R)
8. Setting the source.

- Turn on the system and play track 1 of the CD supplied with the bit Ten.
- Set all tone controls to zero (flat).
- Set balance and fader to center.
- Adjust the head unit volume to the maximum undistorted output level.
- If the source provides an adjustable equalizer, make sure that all controls
are set to zero (flat).

WARNING the head unit level must be elevated to the maximum undistorted level. If the head unit distortion level
can not be tested in advance, bring the volume to approximately 80% of its maximum. If the head unit
output level is set too low, the device will produce ground noise (hissing sound) when playing music
tracks. This is due to the low signal / noise ratio provided by the bit Ten input head unit.
If you have this problem, after you calibrate the amplifiers sensitivity (see 8.1.21), increase the head unit
volume and repeat the bit Ten calibration procedure as detailed in the following chapter 9.
Head unit input-level instrument check.

You will need an oscilloscope for this instrument check.
CLIP
- Connect the head unit output to the oscilloscope.
- Play track 1 of the bit Ten CD.
- Set tone, fader and balance controls and
the equalizer (if any) to zero (flat).
- Turn on the car.
- Adjust the volume control so that the oscilloscope shows
a sine wave with slightly cut peaks, as shown in the figure. CLIP
- Note the volume used by the head unit. It must be left in this position
for the following operations.
23
9. How to calibrate the bit Ten IN Level inputs.

This procedure is delicate and requires particular attention. Improper execution can invalidate the final acoustic results.
The bit Ten outputs must be disconnected from the amplifiers.
• While playing track 1 of the CD, turn the first knob towards the highest sensitivity (position +).
• When the orange LED lights up or flashes, stop turning and go back slightly until the LED turns off.
• It is normal for the LED to flash briefly; this indicate correct sensitivity calibration.
• Repeat the procedure for the other 3 Front / Rear knobs.
• Note the calibration level used by the head unit volume control.
WARNING: According to the input signal used, check that the INPUT selector is in the correct position (see sect. 4.5.6)

WARNING: audio systems installed as standard by car manufacturers often come with equalized outputs.
This means that the response curve is not flat and the difference between the highest and the lowest
level can reach 6 dB. By calibrating the device so that the LED never lights up, the bit Ten sensitivity may
be suboptimal (low) and you may experience noise (whistle) on the speakers. A few quick LED flashes
indicate only a small distortion when handling maximum peaks (very occasional) of music tracks.
If the source is not equalized, response is flat and the LEDs will always be on or always off. In this case,
calibrating is easy because you will simply need to adjust the knobs so that the LEDs turn off just below
the point they turn on.
10. How to select the speakers available in the system.

Speakers can be selected just by clicking on them.
If the left tweeter, left midrange or left woofer are selected, the software
provides the ability to automatically also activate the right tweeter, right
midrange or right woofer. Once started, this choice sets the dedicated
crossover type and frequencies with default settings. If you do not use
passive crossover filters, each speaker corresponds to an output channel.
The bit Ten has 5 output channels; not using passive crossover filters
allows you to pilot 5 amplified channels. Of course you can select more
than 5 speakers, in which case the system will help implement passive
crossovers.

24
11. How to select passive crossovers for speaker groups.

You can set if passive crossovers exist that manage speaker functional groups.
Eg.: if the audio system has passive crossovers, the software will ask you to set
them, otherwise press NEXT. A 2 or 3-way passive crossover only takes a
single channel. If the sum of crossovers and / or speakers exceeds 5 output
channels, the software won’t allow you to continue. Recheck the crossover
setting or, by BACK, the speaker configuration.
WARNING: a coaxial speaker should be considered
a Tweeter + Woofer + 2-way Crossover.

12. Processor outputs (Ch1÷Ch5) allocation.

The bit Ten features 5 output channels. The software will automatically assign a
number from 1 to 5 to each crossover or speaker.
The numbers match the corresponding output channels (e.g. 3=CH3).
With DEFAULT settings, you will have: CH1=Front L; CH2=Front R; CH3= Rear L;
CH4= Rear R; CH5= Sub.
Automatic numbering can be adjusted using the cursors next to the numbers.
In case a number is repeated or incorrect an error message will be shown.
To then check if the channel number and the actual name (e.g. 3=CH3 -> Rear L)
are consistent, open the CHANNEL MAP (see. 8.8).
13. Source equalization analysis.

Source de-equalization (De-Eq) is only required if the source is equalized.
OEM sources (installed as standard by the car manufacturer) often have a high output
level (speaker output) with preset equalization that can not be deleted.
By replacing the factory audio system (speakers and / or amplifiers), this equalization
is harmful.
The bit Ten has an automatic procedure to verify equalization and, if present,
can eliminate it.

14. Equalization analysis: setting the source.

To run this procedure, follow the instructions as listed below:
• Disconnect all the bit Ten RCA outputs (Front, Rear, Sub) if already connected
to the amplifiers.
• Set all tone and equalizer controls to zero (0).
• Set balance and fader to center (0).
If the calibration volume is lost, to find it simply proceed again as described in
paragraphs 8.1.8 - 8.1.9 and verify that the IN LEVEL LEDs flash occasionally.
The DRC can display the calibration level, if your system has it (see 10.2).

25
15. Once analysis has completed, the following messages could be

displayed:
- Head unit is equalized: The head unit is equalized,
so we recommend to de-equalize the signal afterwards.
- Head unit is not equalized: The head unit is not equalized,
so you don’t need to de-equalize the signal afterwards.
After performing the de-equalization and completing the audio
system setup, it is advisable to finalize the product and restart
the system, to make sure that the de-equalization works correctly.
16. Source de-equalization.

Press NEXT to go ahead with the de-equalization.
Press SKIP to skip the de-equalization procedure and proceed to point 19.
Important: confirm or skip the de-equalization process within 5 minutes, otherwise

the bit Ten will automatically reset and turn off.
17. Running the de-equalization procedure.

If you decide to run the procedure, follow the instructions as listed below:
- Play track 2 of the bit Ten Setup CD (press Play);
- Set all source tone controls to zero (0);
- Set source balance and fader to center (0);
- Don’t change the source volume level previously
set through the input calibration.
Press NEXT to go ahead with the de-equalization.
18. Through a real-time progress bar and specific messages, the software shows
how the procedure is being executed.
Once the procedure is complete, you will see “Press Next to Continue”.

19. System configuration successfully completed.

Stop playing the Test track, remove the supplied
Setup CD from the CD player of your head unit and then click OK.
Once the de-equalization is complete, the bit Ten DE-EQ CHECK LED will turn on
indicating that you have recorded a curve. If you were to repeat the
de-equalization, new data will replace the previous ones.
To clear the memory and turn the DE-EQ CHECK LED off see 6.1.2.
26
20. Software Startup.

The settings selected during the guided procedure are transferred to
the processor main memory.
Once this operation is complete, a message confirming that the update
has been done will be displayed.
Press OK.
We recommend that you finalize the product and avoid losing data stored
during calibration (see 8.5.3) with the FINALIZE TO bit Ten function, from the
main FILE menu.
21. Amplifiers sensitivity calibration.

Once the bit Ten input calibration or De-Equalization (if any) procedures are complete, you can calibrate
amplifier’s sensitivity. If you proceed according to the following procedure, you will achieve the best acoustics
results, also eliminating any possible background noise.
1. Connect the different amplifiers channels to the speakers.

2. Connect the bit Ten PRE outputs (OUTPUT: Front - Rear - Sub / CHI -> CH5) to the amplifiers inputs using
high quality RCA cables.
3. Set the amplifiers sensitivity of the various channels to about 4.0 Volts.
Then proceed according to either of the two following procedures:
A. Amplifiers sensitivity calibration by listening.

• Place the head unit volume where the bit Ten inputs were calibrated and play a highly dynamic track.
• Work on the amplifiers sensitivity controls slowly bringing them to higher sensitivity (less than 4.0 Volts).
Once the first distortion symptoms show you should stop. This is easier if you work on one channel
(stereo) at a time by disconnecting the other channels / amplifiers inputs.
• Once the amplifiers are calibrated, reconnect all the system channels and, if necessary, reduce the
sensitivity (back to 4.0 volts) of those channels that may have excessive volume.
B. Amplifiers sensitivity instrument calibration.

For instrument analysis, you will need an oscilloscope.
• Disconnect all speakers from the amplifiers if already connected.
• Play track 1 of the bit Ten CD. All source controls must be flat (0).
The volume control should be placed on the bit Ten input calibration level.
• Connect the oscilloscope to an amplifier output channel. The video will display a sine wave with variable
frequency (sweep).
CLIP
• Turn the sensitivity control in both directions until the sine
wave looks slightly cut at both ends.
• Repeat for each amplifier channel.

• Reconnect the speakers and insert a CD with a music track.
Reduce the sensitivity (by turning the knob toward 4.0 volts)
of those channels that may have excessive volume. CLIP
4. The flattening of the functional groups acoustic intensity obtained through the amplifiers sensitivity
calibration is an approximate adjustment. The bit Ten applies the standard settings by default. After the
acoustic settings described in the following paragraphs are performed, you will be able to refine the
functional groups acoustic flattening by acting on the bit Ten outputs (see 8.13).
27
22. How to calibrate the Phone and Aux Ininput sensitivity.

Once the system is calibrated and fully working through the Front / Rear inputs, you can calibrate the PHONE
and AUX IN inputs.
- PHONE: to use this input you need to connect a phone hands-free kit (see 5.6).
Make a phone call, speak loudly and adjust the IN Level / PHONE knob until the LED flashes sporadically.
- AUX IN: to use this input you need to install the DRC (optional).
Through the DRC select AUX (see 10).
- If a source with a CD player is connected to the AUX input, disconnect the bit Ten outputs from the
amplifiers and proceed as detailed in chapters 6.1.3 - 6.1.4.
- If the source to be connected to the AUX IN input has no CD player (e.g. mp3 player), you can calibrate by
listening.
A - Connect the bit Ten RCA inputs (AUX IN) to the head unit output.
B - Play a music track.
C - Turn the IN Level / AUX knobs until the first distortion symptoms appear. Check if the IN Level / AUX LEDs
flash occasionally.
8.2 OFFLINE MODE

In this mode, even if the bit Ten processor is connected to the PC, it does not interact with the software.
The OFFLINE mode (see 8.1.3) can be used to work on the software without connecting the bit Ten to the PC to get
familiar with the multiple processor functions or to save settings that can be used later (see 8.5.1).
The software is pre-set to start with a FRONT +REAR + SUB multi-amplified system.
To set a new “virtual” system, and so to change the inputs and select the outputs, you need to select the function I/O
Configuration Wizard in the Config window of the software main menu. Follow the same instructions as those for the
TARGET mode (see 8.1.5).
Here is how the bit Ten software appears when started in OFFLINE mode.
28
8.3 ADJUSTING ACOUSTIC REPRODUCTION
The following chapters detail the system adjustments and acoustic tuning features.
WARNING: we recommend that you do not modify the settings of your bit Ten to explore its features.
Take your time to get familiar with the possibilities this software offers.
If you decide to leave the amplifiers connected to the bit Ten, remember to perform the adjustments keeping
the general volume at a level that does not damage the speakers in your system.
3 11
2 4 1
7
6
8 10
5 9
8.4 DEVICE INFO 1

This window indicates whether the bit Ten is correctly connected to the PC and the DRC.
It also shows the device Firmware version.
8.5 “FILE” MAIN MENU 2

1
2
Clicking the File tab, a drop-down menu appears 3
with the entries shown in the image: 4
5
6
7
8
9
10
1. Load Setup: the entire bit Ten configuration is loaded from a

previously saved file (e.g. “bitTenConfig.dip”).
This feature is available both in TARGET and in OFF LINE mode.
In TARGET mode, this lets you load all the settings that have
been previously saved. This is useful if you want to
resume all the settings you previously selected to install
another bit Ten with the same settings.
Output levels calibration and de-equalization, if any, must be repeated.
In OFFLINE mode, this lets you view the features you previously saved.
29
2. Save Setup: saves the entire bit Ten configuration in a file

(e.g. “bitTenConfig.dip”) that you can load again to
the bit Ten a second time through the Load Setup function.
This feature is available both in TARGET and in OFF LINE modes.
3. FINALlZE to bit Ten: loads all the parameters selected while

configuring the bit Ten into the internal memory, allowing it to
work without being connected to a PC.
When selecting the Finalize to bit Ten function, the software
notifies you that the data previously saved to the bit Ten will be overwritten.
- Click YES to load the data.
- Click NO to interrupt the process.
WARNING: before disconnecting the bit Ten from the PC or each time that you exit the PC Software after
modifying the system configuration, always run the Finalize to bit Ten procedure. If you do not follow these
instructions, all data entered will be lost and the device will use the previous settings.
4 Synchronize: PC -> bit Ten, PC <- bit Ten

These functions synchronize the PC with the bit Ten.
If a dialog box like the one on the right appears, it means that for some reason
communication between the PC and the bit Ten has been interrupted.
To restore the communication, click:
• PC -> bit Ten. The PC loads into the bit Ten the settings
that have been selected so far.
• PC <- bit Ten. The PC loads the settings
that have been previously stored in the bit Ten.

WARNING: this operation cannot guarantee that data are always retrieved.
If, once you run it, the operation is not successful, you need to:
1. exit the bit Ten software;
2. turn the bit Ten off;
3. turn the bit Ten on;
4. launch the bit Ten software again.
Synchronization will be restored but the selected settings will be lost.
5 Check for updates: connects to the web site

http://update.audison.eu and checks if any software / firmware updates to the bit Ten
and DRC are available, in order to update the devices you are using (see 9.3 - 10.4).
To perform this operation, your PC has to be connected to the internet.
6. Update Firmware: select to update the bit Ten firmware (see 10.3).
7. Reset Default Answer: restores the display of warning messages if they have been
disabled by checking “Don’t show me again”.
8. Restore Factory Defaults: entirely resets the bit Ten back to its default settings,
cancelling all data previously saved in the processor.
9. Credits: shows information about the bit Ten software in use.
10. Exit: exits the PC software.
30
8.6 “CONFIG” MAIN MENU 3

If you click on the Config tab, a drop-down menu appears listing the entries shown in the 1
image on the right: 2
3
4
1. I/O Configuration Wizard: sets up the system and puts the bit Ten in the required 5
6
conditions (see 8.1.5). 7
2. Working Mode - Standard Expert: the software can work in two modes, acting on the
crossover filter.
• Standard: simplified mode with some restrictions easing the use of the software (see 8.10).
• Expert: does not have any restrictions in the use of the software (see 8.10).
We suggest to try and use the software in Expert mode; if it is too difficult,
change to Standard mode.
WARNING: When you change from one mode to the other, the filters are restored to
their defaults.
3. Current Input Type: shows the specialization assigned to the MASTER inputs.
4. Start up/Shutdown delays: allows you to change the bit Ten turn on / off time settings.
• StartUp Time: is the delay between turning the device on and audio output.
Every amplifier exhibits, while turning on, its own delay before being operational. If you
set Startup Time to a value greater than or equal to the longest of these delays, the
entire audio system will be synchronized.
• Shutdown time: is the delay between turning the REMOTE OUT signal off for the
amplifiers and turning the bit Ten off. It is generally not necessary to change this
parameter, but can be decreased if your amplifiers produce a “Bump” when shut down.
5. Mute In / Phone Mute settings: allows you to specialize the “MUTE IN / PHONE MUTE”
terminals (default settings) for the AUX input to be automatically selected. If you choose
to use the “MUTE IN” terminal, it will be active if you apply + 12V to it. If you choose to
use the “PHONE MUTE” terminal, instead, it will be active if you apply GND to it.
According to the chosen setting modification, the corresponding default function will be
disabled.
6. External source: provides the ability to enable or disable auxiliary sources selected or
left out of the I/O configuration Wizard (see 8.1.4).
7. Help: activating it by clicking on “Active”, it allows to display the context messages

regarding the software section in use. Different languages connected to the context
messages can be selected from a drop-down menu.
31
8.7 SELECTED INPUT 4

The Selected Input window shows the source that is active while the
bit Ten is connected to the PC. You can select the desired source by
clicking it. Once the bit Ten has been disconnected from the PC, you
can select the bit Ten input source through the DRC (see 10 ).
8.8 CHANNEL MAP 5

This window displays the names given to the output channels.
When this window is active, you can manage each channel that, once selected,
will be highlighted.
Press the CTRL key and click another channel to select and highlight it as well.
The filter curve will appear on the graph at the same time.
Multiple selection is only allowed for functional groups, except for the
Subwoofer that can be selected with any group.
E.g. Front Left Full can be selected with Subwoofer but not with Rear Left Full.
If you want to check the Rear + Subwoofer system, you have to de-select the
Front system.
The software only allows you to work on a single channel and will display the
word EDIT in red next to the corresponding channel.
In particular, the graph will display a red line for only the electrical response of
the crossover corresponding to the editing channel, a blue line for the overall
electrical response of all selected channels, taking into account the crossover
filters and equalizations, and a green line for the final result.
To act on another channel and keep your selection, click to the right
of the desired channel, where the EDIT column is.
The CHANNEL MAP window also lets you silence each channel by clicking
on the word MUTE to the left of the desired channel.
If MUTE is on, the word gets highlighted in green.
You can also select a channel as shown in the image next
to the following chapter 8.9.
8.9 SELECT CHANNEL 6

This window is active. You can click the speakers or the
speaker system to manage each single channel that, once selected,
will be shown highlighted. If you keep the CTRL key pressed and click
on another channel, this other channel will be selected and highlighted
as well, similarly to what happens with the Channel Map (see 8.8).
Listening point visual indicator

The Select Channel window includes this function as well (shown in green).
Four points are pre-set: driver, passenger, front center and
rear center for the corresponding passengers.
This indication acts only and exclusively as a reference for the
digital delay automated calculation (see 8.11). If delays are set
according to the “driver” position and then you want to optimize
the system also for the “passenger” position, you need to set
the distances through the specific menu (see 8.11) again, as the
system doesn’t update them automatically.
If used together with the presets (see 8.14), it is useful to
try different setups according to the different listening points.
32
8.10 FILTER SETTINGS 7

The bit Ten has five crossover filters, one per each output channel.
Each filter allows you to set the parameters of a single output channel.
1. Xover L/R Link: modifications applied to one of the channels (right or left) will also
automatically be applied to the other one. To do so, click on the blue flashing light.
Xover L/R Link affects all Filter Setting adjustments except Set Distance (Delay).
2. Invert Phase: inverts the phase of the channel under examination by 180°.
This can be done by selecting the green light which will turn on. This can be useful to
solve phase alignment problems among the different filtered channels.
3. Filter Type: lets you select the different types of filters that can be assigned to channels:
- Full Range
- Low Pass
- High Pass
- Band Pass
In STANDARD mode: STANDARD MODE

According to the speaker or speaker system selected during FILTER
setup, suitable filter types will be available. TYPE
-> Full Range Low Pass High Pass Band Pass
E.g. for the Front Woofer only Low Pass or Band Pass will be Tweeter x x
available. For the Front Mid-Hi only High Pass and Band Pass Midrange x
will be available, etc. Woofer x x
Mid-Hi x x
Subwoofer x x
Full x x x x
In EXPERT mode:
Every speaker system selected has every filter type available. EXPERT MODE
FILTER
TYPE
-> Full Range Low Pass High Pass Band Pass
Tweeter x x x x
Midrange x x x x
Woofer x x x x
Mid-Hi x x x x
Subwoofer x x x x
Full x x x x
WARNING: in EXPERT mode, pay due attention to the filter
selection. Speakers have mechanical limits that must
not be exceeded, otherwise they could lead to permanent
damage. When you select a filter, some optimized cut-off
frequencies are set by default to avoid breaking the speakers.
E.g. if you select Low Pass for a tweeter, the default frequency is
suitable for a woofer but not for the tweeter, which may be damaged.
4. Filter Model: lets you select the type of filter to be applied.

- Linkwitz (default)
- Butterworth
When launching the bit Ten software, it suggests Linkwitz as the standard filter model for
the speaker or speaker group connected to the corresponding channel.
To apply the opposite (Left / Right), turn the Xover L/R Link on.
If you modify the model to Butterworth, the change will be applied to both.
33
5. Cut-off frequencies
- Hi-P Hz 10 ÷ 20000: filter High-Pass
- Lo-P Hz 10 ÷ 20000: filter Low-Pass
If you select the Band-Pass filter, both Hi-P Hz and

Lo-P Hz boxes will be available to set the band frequency.
You can select the cut-off frequency by:
- clicking on the corresponding drop-down menu, selecting the frequency
range that includes the value to be set, and then the actual value;
- clicking on the corresponding drop-down menu, selecting the frequency
range and then moving from value to value with the arrow keys (up / down)
on the PC keyboard;
- clicking on the corresponding drop-down menu and then moving from value to
value with a mouse featuring a rotating scroll wheel.
In STANDARD mode the crossing frequency for speakers

of the same front is bound with a -3 dB crossover.
E.g. If you change the Front Woofer low pass cut-off frequency, the Front Mid-Hi hi-pass cut-off frequency will
also automatically change. If you change the Subwoofer low-pass cut-off frequency, instead, the Front Woofer hi-
pass cut-off frequency won’t change.
In EXPERT mode the crossing frequency for speakers of the

same front is free, meaning that cut-offs can be created with a
value other than -3 dB.
6. Filter slope
- Hi-P Slope 12/24 dB/Oct (Linkwitz) 6/12/18/24dB/Oct (Butterworth)
- Lo-P Slope 12/24 dB/Oct (Linkwitz) 6/12/18/24 dB/Oct (Butterworth)
When starting the bit Ten software, it offers Linkwitz with 12 dB/Oct. slope.
Eg.If you select Band Pass as filter type, the slope will be applied to both hi-pass
and low-pass as the default slope, but it is also possible to unbind them.
The crossover filter response corresponding to the selected channel is displayed on the graph by a red curve, as in
the examples below.
Eg.: Band Pass
Crossover Frequency 80 - 2000 Hz @ 12 dB/Oct. Crossover Frequency 80 Hz @ 6 dB/Oct. Hi-pass

2000 Hz @ 24dB/Oct. Low-pass
Crossover Frequency 80 - 2000 Hz @ 24 dB/Oct. Crossover Frequency 80 Hz @ 24 dB/Oct. Hi-pass

2000 Hz @ 6 dB/Oct. Low-pass
34
8.11 SET DISTANCE AND DELAY 8
This setting automatically calculates the time speaker sound takes to get to the
listener’s ear (Fig. 1).
Preliminary Remarks
Sound moves through the air at a speed of 343 mt/sec (1.125 ft/sec) at a
temperature of 20°C (68°F). If you know the distance from the sound emission
point, you can then calculate the time sound takes to get to the listener’s ear.
If you set the distances of the different speakers in your system, the bit Ten
will automatically change them into time (ms - milliseconds). It does not
assign a delay (0.0 ms) to the farthest speaker (usually the Subwoofer)
but progressively growing delays as much as the other speakers get closer
to the listening point, in order for all the emission points to reach the listening
point at the same time.
Fig. 1
SET DISTANCE
Lets you set the distance between the speaker and the listening point. Choose cm (centimeters) or in (inches).
The Set Distance boxes can be set using the cursors or by typing the numbers on the keyboard.
DELAY ms/default
Displays the time in ms (milliseconds) calculated according to the distance.
DELAY ms/fine set

The bit Ten time delays also let you perform manual fine-adjustment.
Preliminary Remarks
Fine Set and Phase Delay
Delay assignment according to distance calculation is theoretical. That is, small variations need to be applied due
to small errors in distance measurement, back-wave reflections inside the car compartment and, mainly, the
speaker phase problem.
Two speakers reproducing two areas of frequency close to each other (e.g. Woofer and Midrange) will
simultaneously reproduce in their crossing area, at attenuated level, the same frequencies. Due to the different
nature of the speakers, they will show a difference in phase that, for a short frequency interval, works like a time
delay. By using Fine Set you can partly correct these problems of Phase Delay.
By using Fine Set you can change the automatically set time delay.
This delay adds to (+ x.xx) or is deducted from (- x.xx) the value of the delay
shown in the Delay / Default window, and does not change the value
automatically calculated.
Assigning a positive value (+ x.xx) with Fine Delay means increasing the delay
of that speaker and thereby takes it closer to the listening point.
Likewise, assigning a negative value (- x.xx) means decreasing the speaker
delay and therefore moves it further away from the listening point.
Fig. 2
In order for you to see how much Fine Set has been manually changed,
both delay values are shown. To see the result applied to the output, you
have to add the values shown in the Delay / Default and Delay / Fine
Set boxes. A negative value (decreasing the delay) can not be assigned
to the farthest speaker; it can only be assigned to the other speakers as
they are all already delayed compared to the farthest one. If you try and
give a negative value to the farthest speaker, an alert message will appear (Fig. 2).
When using Fine Set, the letters Fds will be shown in green on the corresponding Fig. 3
channel of the Channel Map (Fig.3).
35
Example of setting the time delay (Fig.4):

1. Choose the system listening point.
To identify the listening point, choose an ideal point located at the
center of the listener’s (driver or passenger) head.
For the front center and rear center points choose an intermediate
point between the two (left / right) listeners.
2. Measure the distance between each speaker or group of speakers
and the listening point in a straight line (“as the crow flies”).
For each speaker choose the center of the mobile membrane as
the emission point.
For groups of speakers choose an intermediate point between
them. It will then be possible to perform fine tuning by using the
Fine Set function. (fig.6)
3. Select the channel related to the speaker under examination on
the Channel Map and enter the respective distance value in the
Set Distance box of the Filter Settings menu. (fig.5)
4. Repeat step 3 for each channel.
5. Perform all time delays settings, start playing music and select
the Fine Set box. As you move it positive or negative (except for
the Subwoofer in Fig.6 since it is the farthest speaker), you will find Fig. 4
the best time alignment and correct acoustic scene.
It is advisable to listen to different types of music (percussion,
melodic, etc.) for a comprehensive evaluation of different musical
instruments (space stability.
6. Once the time alignment procedure is complete, you can work
on the output equalizer (see 8.12), to optimize the system response in
accordance with level alignment of different frequencies.
Remark: measurements for the above operations can also be taken by

using a spectrum analyzer with an appropriate microphone.
The results must be assessed with final refining listening tests.
WARNING: if, once you have set the distances for the “driver”
listening point, you click on the “passenger” listening point,
Fig. 5
the bit Ten won’t re-calculate the delays for the new
reference point because the buttons available in the
SELECT A CHANNEL diagram are merely descriptive.
Their only purpose is to remind you that you have set the
delays for that listening point!
Fig.6
36
8.12 GRAPHIC EQUALIZER 9
The bit Ten software features a 31-band, ± 12 dB graphic

equalizer for each system channel.
In compliance with ISO requirements, frequencies are
equally spaced at 1/3 Oct. from 20 to 20 kHz.
The equalizer works according to the functioning mode
chosen. So we have:
- one equalizer for the Front.
- one equalizer for the Rear. Fig.1
- one equalizer for the Subwoofer.
Eg.: if examining the system described so far there would be:
- one equalizer for the Front Mid-Tweeter.
- one equalizer for the Front Woofer.
- one equalizer for the Subwoofer.
In order to set an equalization curve, you just have to select the
channel you want to equalize from the Channel Map menu and left-
click the slider you want to set with the mouse.
To shape an equalization curve, you just have to right-click the first
slider on the left of the equalizer and move the equalizer sliders
towards the right, shaping the curve as you like (see Fig. 1).
The graphic equalizer features five specific functions to ease

adjustments (see Fig. 2).
1. Select ALL once an equalization curve has been set, this
provides the ability to move all the cursors at the same time.
2. Flat, brings all the cursors back to the 0 dB position; 5
3. EQ L/R Link when active, applies the equalization curve to
both the right and the left channel simultaneously.
4. EQ Off when active, provides the ability to disable the
1
equalizer to check its effect without losing its settings.
5. One Select button for each equalizable band, providing the
ability to move all the selected cursors all together. 2
4 Fig.2
Remark: in order to display more clearly the set equalization curve,

the vertical axis (dB) can be increased or decreased by moving
up/down the cursor on the right of the equalization curve graph
(Fig. 3). By default the graph visualization range is set at ± 12dB
Fig.3
Example of visualization with magnifier function ± 3dB
Example of visualization with magnifier function ± 24dB
37
8.13 OUTPUT LEVEL 10
This section details the output levels of the bit Ten channels as displayed by the software. Please note the
description of each of the points marked with numbers in the image below.
1 5 7
6
4
2
1 By acting on one of the sliders belongings to the output channels, you can adjust the output level
(-40÷0 dB) for each channel. The sliders activate according to the output SETUP.
This area shows the output level of each single channel (-40÷0 dB),
2
compared to its slider position.
WARNING: the CH6, CH7, CH8 output channels are only available in the digital I/O of the bit Ten D.
If you click the Mute button, you can mute the corresponding output channels.
3
If you click the Mute button again, output will resume
If you click the Link button, you can simultaneously adjust all the bit Ten output levels. If you click the Link
4
button again, the function will be disabled.
5 By clicking on the “Solo” button the output channels, with the exception of the activated one, will be muted.

By manually clicking on the “Solo” button this function will be disabled.
By
6 using the Volume slider, you can adjust the general system volume (-60÷0 dB).
By using the Sub Volume slider, you can adjust the Subwoofer output level (-12÷0 dB), if the system
7
features a Subwoofer.
Remark: if installation includes a mono Subwoofer, the sensitivity Amplifiers Sensitivity (Volts)
of its dedicated amplifier needs to be increased by +3 dB
compared to the rest of the amplifiers (see the “Amplifiers Front / Rear 1.0 2.0 3.0 4.0
Sensivity” chart). This empirical method takes many factors into Sub (+3 dB) 0.7 1.4 2.1 2.8
account and provides a better adjustment of the “Sub Level”.
WARNING: the output level adjustment as detailed in 2 affects the system signal / noise ratio
(whistle / background hiss).
We recommend that you always set the bit Ten output level high and the amplifiers sensitivity low, so that the
amplifiers will be less affected by noises / background hisses.
Unfortunately, a too high output level introduces clipping on the processor outputs, especially if equalizations
with high gain are applied. We therefore recommend that you proceed as follows:
a- Set the amplifiers sensitivity level at the minimum (3-4 V RMS). If you have not already done it ( see 8.1.21).
b- Balance the emission level of the system channels by moving the cursors 1 paying attention to maintain
a mid level centered at around -20 dB. Turn the output volume to an acceptable listening volume level.
38
c - Set the desired output equalizations (see 8.12).

d - Insert a CD with a highly dynamic track.
e - Select the Link function 4 , move the cursor and increase the output channels level until possible clipping
occurs; in this case move the cursor back at least 2-3 dB (check the value on one of the displays 2 ).
f - Increase the Volume 6 to the maximum undistorted level taking it close to “0” dB.
g - In case the signal is highly distorted with the Volume at “0” dB, you will have to decrease the output
levels 2 . If, on the contrary, no distortion occurs, you will have to increase the amplifiers sensitivity until the
first distortion symptoms show: by doing this, you will make the most of the available undistorted signal.
Ramark: this procedure leads you to set the system at “zero dB undistorted”. This is not always the best solution,
since a loss in dynamic range may occur, if you listen to a track that has been registered at a lower level or with lower
dynamic range than the track used for the setup. So a good compromise needs to be found, depending on the listener.
8.14 MEMORY 11
The bit Ten uses memory A by default for the system’s
configuration;
however, it also offers the possibility to store and recall two
memories (A, B). By pressing the MEMORY button on the main
menu, different
functions are available for the featured presets.
The following features are available:
- Load All Presets: loads both memories (A/B) from a file
previously saved (.prs format).
- Save All Presets: - saves both memories (A/B) in a file
that can be recalled (.prs format).
- Load Current Preset: loads a memory previously saved
(.pro format) by overwriting the memory you are working on.
- Save Current Preset: saves the memory you are working
on in a file that can be recalled (.pro format).
- Copy Preset From: copies the content of one memory into
the current memory.
- Current Preset Default: restores the crossover and
equalization default values that would be proposed at the end
of the setup procedure.
The following data are stored in each memory:

- the filter settings for each channel;
- the time delay settings for each channel;
- the equalization settings for each channel;
- the output levels of each channel;
- listening point markers.
We recommend that you copy the parameters entered in the
memory you are using into the memory that is not being used.
These memories can be recalled through the DRC. If some
memories are not stored, they will contain the default settings.
39
9. TROUBLESHOOTING
9.1 SYNCHRONIZATION WITH A PC

1. bit Ten functioning problems
- If, while tuning the system with a laptop PC, the bit Ten shows some problems functioning, try to disconnect
the laptop PC power supply cable. This way, with the laptop PC working on battery power, you avoid a
possible voltage difference in USB ground between car ground (bit Ten) and earth (PC).
2. The bit Ten does not connect to the PC software

- If, while tuning the system with a laptop PC, the bit Ten is switched off and then on again, the connection
is lost and the software can not “finalize” the selected setup. If you don’t want to lose the modifications and
setup previously selected, proceed as per the following steps:
a- save the setup as a file on the PC using the function FILE / SAVE SETUP;
b- exit the software;
c- turn on the bit Ten;
d- launch the software again;
e- load the setup file again using the function FILE / LOAD SETUP.
3. The bit Ten does not respond

If, while tuning the system with a laptop PC, the bit Ten does not respond, proceed as per the following steps:
a- turn the bit Ten off with the DRC knob, disconnect the Remote IN, or disconnect the power supply cable for
a few seconds;
b- save the setup as a file on the PC using the function FILE / SAVE SETUP;
c- exit the software;
d- turn on the bit Ten;
e- launch the software again;
f- load the setup file again using the function FILE / LOAD SETUP.
4. Settings not stored

In order to successfully complete the bit Ten setup and not lose the work done, remember to store the selected
settings. Select File from the main software menu via the PC and then choose Finalize to bit Ten.
9.2 BACKGROUND NOISE

Loud whistle / background hiss.
In case a loud whistle / background hiss can be heard, it may be necessary to repeat the input sensitivity setup and
/ or to rectify the output levels adjustment. For more information, see sections 8.1.2 - 8.1.13 in this manual.
9.3 FIRMWARE UPGRADE

In case product UPGRADES are available online, proceed as follows:
- Save the previous setup (in case you want to open it in OFFLINE mode);
- Unplug the bit Ten RCA plugs to the amplifiers.
- Restart the bit Ten PC software and select TARGET mode.
1. Select FILE from the PC main software menu and

then choose Check for Updates.
40
2. Select Check for Updates; the internet browser installed in your PC

will open and automatically search for the URL:
http://update.audison.eu;
WARNING: you have to manually download the files from the

above website. The method to access the software may differ
from the one described here. Please, always follow the instructions
you find on the website.
3. Once the website page has opened, click on the LINK (red arrow).
.
4. To access the Download Area where the updated versions of Installation

Guide, Advanced Manual, Software and Firmware are available for
download, you have to enter the word bitten in both the LOGIN
and PASSWORD box.
5. Look for the most updated file showing the word Firmware followed
by four numbers and click its icon to start the download.
When requested, save the file to your PC.
6. Select Update Firmware; the software will ask you to select the file
that you just downloaded from the Download Area or that you previously
saved in your PC.
WARNING: to ensure the Firmware is updated correctly, disconnect,

if any, the terminals for the hands-free kit in use from the bit Ten
PHONE inputs.
The bit Ten firmware update procedure requires particular attention.
So, it must be performed under the best possible conditions:
if the firmware update is launched but prematurely interrupted
(for example, because the PC locks up, or a supply voltage drop
occurs to the bit Ten, or the USB accidentally disconnects
during the update), you may have to reprogram the bit Ten in Rescue Mode
(see 9.4). In extreme cases, you may have to contact our Customer Service
for further support as bit Ten reprogramming may be necessary.
41
7. Before starting the bit Ten update, the software will present the following
warnings:
- do not disconnect the bit Ten from the PC;
- do not disconnect the bit Ten from power supply;
- temporarily disable the PC stand-by and energy saving features;
- temporarily disable the PC screen saver;
- close all running applications;
- temporarily disable anti-virus and anti-spyware systems.
8. Once you have clicked OK, the Firmware update starts. The updating
process will last from 30 seconds to 1 minute with the green progress
bar showing correct advancement.
WARNING: during the updating process the progress bar could stop
for few seconds. Do not interrupt the process in any way.
.
9. Once the update has been successfully completed, the window on the
right will appear. To use the bit Ten again, you have to exit the PC software
and the bit Ten will turn off.
10. Start the bit Ten again and launch the PC software in TARGET mode.
If the bit Ten firmware update has completed correctly, the dialog
box will show the following indications:
- new bit Ten firmware version.
11. Repeat the bit Ten calibration procedure (see 7.1 - 8.1).
42
9.4 RESCUE MODE

If, when launching the bit Ten PC software the “bit Ten Warning”
window appears, you can choose between the following two ways
to proceed:
A -
Use a previous version of the PC software.
E.g. if you are using PC software v.1.0, open v.0.9;
B - Update the bit Ten firmware. In this case you will have to
proceed as follows:
- Save the previous setup (in case you want to open it
in OFFLINE mode);
- Unplug the bit Ten from the amplifiers;
- Turn the bit Ten off, disconnect the power supply;
- Set the UPGRADE MODE to ON (see 4.5.6);
- Reconnect the power supply and turn the bit Ten on;
- Restart the bit Ten PC software and select RESCUE MODE.
- The screenshot on the right shows the Boot Loader version

currently installed on the processor, which allows you to access
the menu for the update.
- Proceed as detailed in 9.3.1
C -
When the update procedure is complete disconnect the
power supply connector, set the switch “UPGRADE MODE”
to “OFF”position.
D - Reconnect the power supply and turn the bit Ten on;
- Restart the bit Ten PC software.
If the bit Ten firmware update is completed correctly, the
dialogue window will display:
- new bit Ten Firmware version.
E - Repeat the product calibration operations (see sec. 8.1).
43
10. DRC - DIGITAL REMOTE CONTROL
The DRC is the bit Ten remote control system. It is a microprocessor digital system that also controls and monitors
the amplifiers equipped with the ACLink bus control, if present.
When it is turned on the first time, the display will show the firmware version installed in the DRC.
When the bit Ten is setup through the PC, the DRC can stay connected but its display will show the message
“PC control - DRC is disabled”.
The DRC features are:

- bit Ten power on / off;
- Main volume control;
- Subwoofer volume control;
- Front / Rear fader control;
- Set sources selection;
- Memory selection.
DRC CONTROL FROM PC
TURN
bit Ten ON
Press Shortly
bit Ten OFF

Volume control Press for 2 seconds
Default function
PRESS
1 2 3 4
1 Volume can be adjusted either by turning
Select the main knob or pressing button 1 and then
the Input. MAIN SCREEN turning the knob. The volume range goes from
-60 (min.) to 0 dB (max.).
PRESS PRESS
2 To access the Right / Left balance push

button 2 and turn the knob to adjust it.
PRESS
BACK TO MASTER
3 To access the Front / Rear fader push button 3

and turn the knob to adjust it.
4 Independent volume for the Subwoofer only

acts if a channel named Subwoofer has been
set during setup. Press button 4 and turn the
knob for an adjustment from -MUTE (min.)
to 0 dB (from -11.5 to 0 dB at 0.5 steps).
44
10.1 PHONE CALL

The PHONE input can not be selected as a normal source because
it activates exclusively when an external hands-free phone kit sends
the MUTE impulse when receiving a phone call. The DRC display will
show the message bit Ten - PHONE CALL. The bit Ten will set the
source selected in that moment to mute, reproducing the signal
coming from the PHONE input. During the phone call, the volume
can be adjusted through the DRC knob.
10.2 SEL BUTTON - FUNCTIONS
By pressing the SEL button you can access:
- DSP Memory: A/B memories (saved through software) PRESS
can be recalled and loaded into the processor (bit Ten).
PRESS
- DSP Settings: lets you go back to

the head unit volume level used when
the bit Ten was calibrated.
Select YES, insert the CD Setup Track 1
in your CD player and adjust the
head unit volume so that the display
will show the message GOOD.
PRESS
- Brightness: to adapt the DRC to the light conditions inside

the car, you can adjust the display and red switch brightness.
10.3 BYPASSING THE DRC
You can bypass the DRC from the system to adjust the listening volume through the head unit and the steering
wheel if featured.
The following conditions are required to bypass the DRC:

- you do not use the AUX input.
- you do not use the memories.
45
10.4 DRC FIRMWARE UPGRADE

If, when launching the bit Ten PC software, the “bit Ten Warning” window pops up, it means that the DRC Firmware
needs to be updated.
Important Remark
1. The steps of this upgrade must be performed strictly FOLLOWING THE SEQUENCE here, exactly as per the
chronological order indicated in this document.
2. The firmware upgrade should be performed with care, following the warnings listed in the DRC firmware
upgrade section of this document, to avoid damaging the product.
3. In order for the DRC to be upgraded, it must be connected to a bit Ten.
Preliminary steps:
1. Create a new folder (named for example: DRC upgrade) on the PC Desktop, or wherever you prefer.
2. Download from http://update.audison.eu the zipped folder called, for example,
“DRC_upgrade_firmware V1 90.zip” and save it in the folder you have just created.
3. Open the zipped folder “DRC_upgrade_firmware_V1_90.zip” using suitable software
(for example WinZip or “Compressed folders” Windows utility if available in your PC),
and save the file you find inside it (“DRC_upgrade_firmware_V1.90.exe”).
Remark: the firmware update procedure requires particular attention. So, it must be performed under the best possible
conditions: if the firmware upgrade is launched but prematurely interrupted (for example because the PC
locks up, or a supply voltage drop occurs to the bit Ten, or the USB accidentally disconnects during the
firmware upgrade), you might need to contact our Customer Service for further support as DRC
reprogramming may be necessary.
1. Connect the PC to the audio system where the DRC is

installed (bit Ten) using a USB cable.

2. Supply power and turn on the bit Ten, so that the DRC is on.
3. Launch the program “DRC_upgrade_V1_90.exe”.
4. Select bit Ten and then click OK.

- disable anti-virus software.
Click YES.

5. The PC is synchronized with the DRC. Then click on:
- DRC Upgrade Vxxx to update the device.
- Quit: to exit.
6. A warning pop-up dialog box will appear,

indicating that you have to:
- close all running programs;
- disable any screen saver;
- disable energy saving modes;
- disable any anti-virus software.
Click YES.
7. Wait until the upgrade procedure is complete.
8.
A pop-up dialog box showing the message Upgrade completed
will appear. Click OK.
9. Click Quit to close the DRC Upgrade Software.
46
11. bit Ten ACCESSORIES
11.1 DRC CABLE EXTENSION KIT
This kit is composed of a cable and adapter allowing 2 m / 78.74” additional extension of the cable supplied
with the DRC.
This extension is necessary in installations on particularly long vehicles such as large SUVs.
The total length of the supplied cable with the extension is equal to 6.5 m / 225.90”.
CONNECTION PATTERN:
2 m / 78,74” DRC cable extension RJ12
RJ12 female / female adapter
DRC / ACLink cable 4,5 m / 177,16”
47
12. TECHNICAL SPECIFICATIONS

POWER SUPPLY
Voltage 11 ÷ 15 VDC
Idling current 0.4 A
Switched off without DRC 2.5 mA
Switched off with DRC 4 mA
Remote IN voltage 7 ÷ 15 VDC (1.3 mA)
Remote OUT voltage 12 VDC (130 mA)

SIGNAL STAGE
Distortion - THD @ 1 kHz, 1V RMS Output 0.005 %
Bandwith @ -3 dB 10 ÷ 22k Hz
S/N Ratio @ A weighted
Master Input 95 dBA
AUX Input 96 dBA
Channel Separation @ 1 kHz 85 dB
Input sensivity (Speaker In) 2 ÷ 15 V RMS
Input sensivity (AUX In) 0.6 ÷ 5 V RMS
Input sensivity (PHONE) 2 ÷ 15 V RMS
Input impedance (Speaker In) 2.2 kΩ
Input impedance (AUX) 15 kΩ
Input impedance (PHONE) 2.2 kΩ
Max Output Level (RMS) @ 0.1% THD 4 V RMS

INPUT STAGE
High Level (Speaker) FL - FR - RL - RR, Phone IN
Low Level (Pre) AUX IN

OUTPUT STAGE
Low Level Pre (default) FRONT L/R, REAR L/R, SUB

CONNECTION
From / To Personal Computer 1 x USB / B (1.1/2.0)

CROSSOVER N.5 (one each output channel)
Filter Type Full / High Pass / Low Pass / Band Pass
Filter mode and slope Linkwitz @ 12 / 24 dB
Butterworth @ 6 / 12 / 18 / 24 dB
Crossover frequency 68 steps @ 20 ÷ 20k Hz
Phase control 0° ÷ 180°

EQUALIZER
On Hi-Levels input (Speaker In) Automatic De-Equalization
On Outputs N.5 Graphic: ±12 dB @ 31 Band ISO 1/3 Oct. 20 ÷ 20k Hz

TIME ALIGNMENT
Distance 0 ÷ 510 cm / 0 ÷ 200.8 inch
Delay 0 ÷ 15 ms
Step 0.08 ms; 2.8 cm / 1.1 inch
Fine set 0.02 ms; 0.7 cm / 0.27 inch
SIZE
W (Width) x H (Height) x D (Depth) mm/inch 191 x 34 x 131 / 7.51” x 1.33” x 4.76”
Weight kg/lb 0.6 / 1.322
48
All specifications subject to change without notice
audison.com
PART OF ELETTROMEDIA
62018 Potenza Picena (MC) Italy
T +39 0733 870 870 - F +39 0733 870 880
www.elettromedia.it

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ADVANCED

1. PRODUCT DESCRIPTION / PRECAUTIONARY NOTES

- Power supply cable / Remote / Inputs

- 3.0 m / 118.11” USB cable

- Quick start guide

- DRC (Digital Remote Control) control panel

- 2 fixing brackets with 2.9 x 6.5 mm

- 4.5 m / 177.16” DRC - AC Link cable

3. bit Ten D and DRC INSTALLATION

Warning: do not use aggressive

cleaning agents or abrasive cloth

4. CONNECTION PANELS – DESCRIPTION

4.1 MULTIPOLAR CONNECTOR

10: cyan (light blue)

4.2 INPUT SIGNALS

1. AUX IN L - R; auxiliary low-level stereo input.

2. INPUTS; RL - FL - FR - RR. Hi-level MASTER inputs (SPEAKERS).

3. PHONE; input for phone hands-free kits.

10: cyan (light blue)

4.4 INPUTS – REMOTE CONTROL OUTPUTS AND POWER SUPPLY

10: cyan (light blue) 3

4.5 CONTROLS AND SETTINGS

5.1 POWER SUPPLY AND REMOTE TURN ON

WARNING: to power the device, use 1 mm2 (16 AWG) cables.

REM IN REM OUT REM IN

Blue REM OUT

Red REM IN REMOTE OUT

Cyan (light blue) KEY MEM

Yellow +BATT 12V

Remark: the bit Ten is internally protected by a fuse-resistor

5.2 HOW TO TURN THE bit Ten ON / OFF

3. Through the KEY MEM. This method is memory-dependent (see 4.4.3).

5.3 PERSONAL COMPUTER AND DIGITAL REMOTE CONTROL (DRC)

5.4 HIGH-LEVEL INPUT SIGNALS

1. SPEAKERS IN HI-LEVEL STEREO FRONT+REAR 2. SPEAKERS IN HI-LEVEL MULTICHANNEL

AMPLIFIED RADIO DECK OEM - ORIGINAL AMPLIFIER SOURCE

5.5 LOW-LEVEL INPUT SIGNALS

AUX IN L/R: Auxiliary analog stereo signal.

MP3 PLAYER PRE OUT

AUXILIARY STEREO AUXILIARY STEREO

5.6 CONNECTION WITH HANDS-FREE PHONE KIT

PHONE +/- Input compatible with the hands-free kit speaker

Nota: the PHONE MUTE terminal can be used to enable the

Orange: PHONE MUTE

5.7 OUTPUT SIGNALS

OUTPUT TO AN AMPLIFIER’S SYSTEM

FRONT REAR SUB

FRONT REAR SUB

Some SUB amplifiers

Example of a 2-way active Front + Sub

FRONT WF FRONT TW SUB

FRONT WF FRONT TW SUB

Some SUB amplifiers

6. HOW TO SETUP THE bit Ten WITHOUT A PC

1. Front and Rear stereo broadband inputs;

6.1 HOW TO CALIBRATE THE MASTER FRONT-REAR INPUT SENSITIVITY

Head unit input-level instrument check. CLIP

4. How to IN LEVEL calibrate the MASTER inputs.

6.2 SOURCE DE-EQUALIZATION