Balajitelefilms 181001052043
Balajitelefilms 181001052043
Balajitelefilms 181001052043
Company Overview
BSE Code 532382
Balaji Telefilms Limited is in Media & BSE Symbol BALAJITELE
Entertainment sector and it is in film production,
distribution & entertainment industry. BTL was Key Highlights
incorporated in 1994 as a private limited Latest Date 17 Sept 2018
company and became listed in the year 2000. Latest Price (Rs.) 106.5
BTL produces Television serial content, Movies 52 Week High (Rs.) 181
and digital content.
52 week low (Rs.) 102
BTL has produced 18000 hours of Television Face Value (Rs.) 2
content since its inception. BTL has produced Market Cap. (Rs. in Cr.) 1112
some of the best television serials in the country Net Worth (Rs. in Cr.) 853
including the famous K series of daily soap: TTM EPS (Rs.) -4.61
‘Kyunki Saas Bhi Kabhi Bahu Thi', ‘Kahani
PE Ratio (x) 0
Ghar Ghar Ki' and more recently created
‘Naagin-1', ‘Naagin-2' a weekend fiction based PB Ratio (x) 1.34
programming. EV/ EBITDA (x) -31.01
Market Cap./ Sales (x) 3.19
Segment Summary
Shareholding Pattern
The company operates in 3 segments. Promoters 33%
FII 18%
1. TV Serial Production DII 35%
The backbone of the company is their TV serial Non-Institutional 14%
production business. BTL is in this business
from the incorporation of the company in 1994. The returns from the TV Business are
steady because the company operates on a cost-plus model, whereby company adds profit
to the whole cost of production and bill that to the broadcaster.
2. Movie Production
The company started movie production in 2001. Movie production business is highly
risky because it requires high investment initially in creating movie and revenue
generation at the release of a movie is not fixed. To decrease risk, the company prefers
pre-sale of distribution rights, satellite rights and music rights.
The TV industry grew from Rs.59,400 Cr. in 2016 to Rs.66,000 Cr. in 2017, a growth
of 11%. In Rs. 66,000 Cr., Advertising revenue is 40% at Rs.26,700 Cr. While
Distribution revenue is 60% at Rs. 39,300 Cr.
The number of license private satellite non-news channels reached 488.
As per BARC (Broadcast Audience Research Council) India 2018 report, India
currently boasts 298 million homes, of which 197 million homes have a TV set,
having an opportunity of almost 100 million more TV sets in the country.
No. of TV viewing individuals grew by 7.2% to 836 million from the previous year's
figure of 780 Million. TV remains the most effective platform for both content
creators and advertisers to reach their audience.
In 2017, 39% of revenue came from other than domestic theatricals, which includes
Overseas theatricals, broadcast rights, Digital/ OTT rights, in-cinema advertising.
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Balaji Telefilms Limited
OTT Industry
Over The Top (OTT) is a term used to refer to content providers that distribute
streaming media as a standalone product directly to consumers over the internet
bypassing telecommunication, multi-channel television and broadcast television
platform that traditionally act as a controller or distributor of such content.
OTT video market in India growing at a CAGR of around 23%, revealed data from
PWC. OTT video revenue in India has been pegged at Rs 2000 Cr. in 2017,
according to PWC report. It is expected to reach Rs. 5600 Cr. by 2022. More than 30
OTT players are in India.
OTT Players spent Rs. 1000 Cr. last year for rights of Hindi movies and Rs.680 Cr.
for Hollywood movies. FICCI & EY Report digital/OTT rights currently make up
5.5% of films overall revenue. Rs.2500-3300 Cr. has been committed to creating
original content over 3-5 years across the 30 OTTs in India according to a Deloitte
report.
Online video viewing audience is expected to grow to 50 Cr. viewers by 2020 from
25 Cr. (Currently) in 2017, a 2X growth driven by increase in mobile penetration,
internet speeds, the advent of 4G and falling data charges.
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Balaji Telefilms Limited
At June 2018, 42.5 Cr. wireless broadband subscribers (Mobile internet users) in
India which is around 33% of Indian population.
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Balaji Telefilms Limited
Business Segments
1. TV Serial Business
BTL accounts for 16% of India's prime time GEC TV (General Entertainment channels)
rating. In India, prime times occur at 8 PM to 10.30 PM. Present serials on the air in
prime time include ‘Kumkum Bhagya', ‘Kundali Bhagya', ‘Dil Hi Toh Hai' and ‘Naagin'
and out of 6 serials in air 4 serials are in Primetime.
Since inception, about 18000 hrs. of production and more than 150 shows across
numerous languages (Hindi, Tamil, Telugu, Kannada, Malayalam) has been created by
the company.
Revenue from TV serial segment growing at 16% CAGR and EBIT growing at 26%
CAGR. Average realization per hour grew by 13% and reach to Rs. 33 Lac in FY 2018
from Rs. 29 lac in FY 2017.
In the TV serial segment, the company earns by selling content to the broadcaster. The
company follows a cost-plus model. So according to model, the company adds his profit
margin on the cost incurred by the company to produce content and then bill it to the
broadcaster.
TV serial production is providing steady income and it is around 75% of the revenue of
BTL. Minimal capital expenditure is required in near future.
BTL follows a strategy of launching high cost and high impacted initial episodes. The
cost moderate as the show stabilizes.
Compare to weekday shows revenue contribution of weekend shows are less.
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Balaji Telefilms Limited
Total 36 movies produced till now. Some of its past movies include ‘Shootout at
Lokhandwala', ‘Ragini MMS', ‘Once Upon A Time In Mumbai', ‘Kya Cool He Hum',
‘The Dirty Picture'.
The company has planned 3 movie releases in FY 2019, ‘Veere di wedding', ‘Mental hai
kya' and ‘Lailla Majanu'. Rs.60 Cr. was been committed in terms of production cost and
further Rs.15 Cr. take for Promotion & advertisement. The company already locked in
60% to 65% revenue for all 3 movies. It should be from the pre-selling of distribution
rights, satellite rights, Music rights. The company have to recover only 35% of the Box
office.
The movie business was making losses continuously in the previous 5 years except in FY
2018. Accumulated losses are more than Rs. 100 Cr.
It has borrowed Rs.227 Cr. (inclusive of interest) from holding company. Holding
company has given a loan at 6% interest rate. Rs 128 Cr. is borrowed in FY 2016.
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Balaji Telefilms Limited
Major Expenses in Film Production (Rs. In Cr.)
% of total Avg. Cost for
Expenses FY 2016 FY2017 Total exp one film
Total Cost of film produce 114 108 222 100% 44.4
Artist, Director & other
technician fees 25 34 59 26% 12
Shooting & location Exp 11 15 26 12% 5
Line Production cost 52 10 62 28% 12
Marketing & Distribution Exp 9 33 42 19% 8
Remaining 17 16 33 15%
The Total cost of film 114 108 222 100%
3. ALT Balaji
ALT Balaji platform launched with 6 original shows (5 in Hindi & 1 in Tamil) in April
2017. It was incorporated in July 2015 as a wholly owned subsidiary company of BTL.
The Company is in the B2C digital content business and will operate a subscription-based
video on demand (SVOD) over the top (OTT) platform.
Through the digital vertical, the company aim to create IP ownership and exploit new
avenues of monetization. They are working towards building a strong and valuable B2C
brand that will take the company to its next level of growth. It is to leverage the group's
position and creative abilities in television and film content.
Management intends to invest Rs300 to Rs.400 Cr. in ALT Balaji. The focus is on
original and never seen before original content.
Management is hoping that by FY 2020, revenue split is equally between TV, Movie and
Digital and By FY 2025, they expect ALT digital to be bigger than both their TV &
Movie businesses.
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Balaji Telefilms Limited
A. Content of ALT Balaji
Content made is targeted towards urban Indians and Indian Diaspora. More than 150
hours of original content streaming on ALT Balaji.
Average 3 shows are launched in every quarter. The management plans to do 24 shows in
FY 2019 and cost will be about Rs.110 Cr. Length of the season will be 12-16 shows of
22 minutes each episode and doing more season 2. Season 2 coming in this year for ‘Dev
DD', ‘Ragini MMS', ‘The Test case'.
Till March 2018, Rs 100 Cr. has been spent on content. The company ended up making
18 original shows, 3 kid shows until March 2018. For Hindi content, the spending of Rs
60 lac per hour is done and for Non-Hindi it is not more than Rs15 Lac per hour.
70% of the produced content is outsourced. The test case series produced by ‘Endemlo
Shine India', Bose: Dead/ Alive produced by ‘Big Synergy Media'.
Content also dubbed in 6 regional languages viz. Tamil, Telugu, Malayalam, Arabic,
Bahasa Indonesia, Bahasa Malaysia. Dubbing in Sinhala for Sri-Lanka, and Bengali will
be available before Sept 2018.
Management says that they will probably end this year with 24 new shows taking the
library to anywhere between 40 and 45 shows across two financial years. The company
currently have 50 concepts under various stages of development out of which 11 are on
the floor of production and 39 are in the writing stage.
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Balaji Telefilms Limited
B. Subscription Base
( Subscriptions in Million)
Revenue in FY 2018 is Rs. 6.8 Cr. from nil in FY 2017 because ALT Balaji was launched
in April 2017. Management estimates that revenue in FY 2019 will be around Rs 85 Cr.
in FY 2019.
Company follow SVOD ( Subscription based Video On Demand), model. In this model,
company charge subscription fees to users and earn revenue. The company established
ALT Balaji application on which user need to subscribe for a period and he could watch
all the content there for that period.
There are about 30 Million Indian abroad who could consume ALT Balaji original
content. By dubbing content in foreign local languages like Bahasa Malaysia, Bahasa
Indonesia, Sinhala in Sri-lanka, company plans to target the foreign local public to
consume ALT Balaji content.
Management says that 60% to 70% of the value is generated by Telecom. partners.
D. Partnerships
Through partnership companies, BTL can reach to customers of partners and by that, the
company can save on marketing expense for reaching to the mass public.
The partnership works on a revenue share basis, so typically a partner's revenue share
model can range anywhere from 1.5% to 30% revenue sharing. In case, of a large deal
involving more than 5 Lac customers, the ARPU ( Average Revenue per User) varies
depending on volume.
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Balaji Telefilms Limited
Type Partners
OEM Micromax phone, Sony TV
Telecom. Vodafone, Airtel, Reliance Jio
ISP / DTH Act Fibernet
Payment Partners Paytm, Mobikwik, PayU, UPI, Paypal
Streaming Partners Amazon fire TV, Yupp TV, Roku, Apple TV
OEM Partners
Telecom. Partnership
At now 80% of traffic on ALT Balaji is of Telecom. subscriber and 70% of the revenues
are generated by Telecom. subscribers.
All content of ALT Balaji is available on telecom. app. Telecom. subscribers need to use
Telecom. app for watching content. Content is coming from ALT Balaji server only.
If the customer watches content on the Telecom. app for the certain number of seconds
that person is billed to the company at a certain rate and this billing is done on a monthly
rate bases. Monthly ARPU (Average revenue per user) is in double-digit but what exactly
the rate is not disclosed but management said that Telecom. user ARPU is around Rs.15.
Telecom. partnerships providing content of ALT Balaji free to their customer on Telecom.
app and on behalf of their customer Telecom. partners pay to ALT Balaji. Management
said that ARPU will not be at the same rate if Telecom. partners not giving free content to
Telecom. subscriber.
To subscribe ALT Balaji subscription, a customer of ACT Fibernet can visit ACT Fibernet
website and select ALT Balaji as value added service. Through this customer can pay a
unified bill every month.
Currently, ACT Fibernet is giving 1-month free subscription of ALT Balaji and then
Rs.35 per month.
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Balaji Telefilms Limited
Payment Partners: Through this partnership, the company gives payment options to
subscribers.
E. International Market
In FY 2019 company focus is in the International market to get connected with about 200
Million users who are having internet connection in Indonesia by dubbing existing
content in Bahasa and also Bahasa Malaysia.
F. Future Prospects
In FY 2019, cash burn will be Rs.165 Cr. out of which content will be about Rs.110 Cr.
Revenue target for FY 2019 is Rs.85 Cr. with 5 million subscribers at ARPU is Rs 20.
The break-even target is at 0.8 Cr. subscribers at ARPU of RS.20 and So, top-line will be
at around Rs160 Cr. at the end of FY 2020.
Subscription charges are Rs 100 for the quarter, Rs.180 for 6 months and Rs 300 for Year.
With one Subscription 5 user can log in. A subscriber can also download videos.
H. Peers Comparison
More than 30 OTT players exist in India. OTT players can be differentiated in many
categories which are described below.
I) Business Model
No.of
Type Players
SVOD 9
AVOD 6
SVOD & AVOD 4
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Balaji Telefilms Limited
Indian International
ALT Balaji Netflix
Spuul Amazon
Hotstar Viu
Sony Liv Eros Now
VOOT HooQ
ZEE5
No.of
Type Players
Original 1
Library 3
Both 8
No.of
Type Players
Shows 9
Movies 10
Sports 2
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Balaji Telefilms Limited
V) Peer companies Subscription charges & facilities
Subscription charges
Name Remark
Monthly Yearly
Quarterly Rs.100 & Rs.180 half
ALT Balaji - 300 yearly and 5 log-in in 1
Subscription.
Rs. 299 per year plan for Only All
HOTSTAR 199 999
sports. Single subscription
30 days free trial available. 2
Amazon Prime 129 999
log-in are available
1 log-in is available but with
premium package of Rs.650-2 log
Netflix 500 - in and of Rs.800-4 log-in is
allowed. First month free
subscription allowed
Many content is free while for
Zee5 99 499 premium content subscription is
required. Single subscription
Hotstar is leading with the highest subscription, Hotstar has a big library of TV serial &
movies and many sports covered live. 80% of content is given free and earning on the
base of advertising and 20% premium content for which subscription is required. VOOT
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Balaji Telefilms Limited
is providing content totally free. So the trend seems is Indian public like free content and
not ready to pay for the subscription.
While Amazon has the highest monthly active subscription in SVOD model 11 million.
Amazon service includes prime video, prime music, and fastest delivery of packages.
Amazon Prime
Amazon market cap is Rs.70 lac Cr. ($ 1 trillion). Amazon acquired digital telecasting
rights for more than 2 dozen films for its OTT platform. Amazon Prime Video has
committed the largest stake through an investment of Rs 2,000 Cr. to acquire the rights of
Bollywood films and produce local original content. Amazon Prime Video will end the
year with six originals including ‘Breathe’, ‘Inside Edge’, and its comedy reality series
‘Comicstaan’. In 2019, the company will produce ten new originals.
Netflix
Netflix Indian library has 4706 titles. Netflix earmarked about Rs.500-600 Cr. spent on
Indian original shows and plan is to produce 8 to 10 Indian origin feature films per year.
Netflix is not currently available in mainland China. Netflix CEO says that the next 100
million users could be from India. Netflix monthly paid subscriber is between 3 lac to 5
lac. Netflix cannot enter to China market because of government restriction and because
of that second highest population is in India so they could invest a heavy amount to
capture the Indian market.
Hotstar
HOTSTAR application has 50,000 Hrs of TV Content and movies across 8 languages and
every major sport covered live. Hotstar owns streaming rights to the vast majority of
cricket tournaments played in India and by the Indian cricket team. In India, Hotstar
stands No.1 on subscriber base with 75 Million subscribers. Hotstar launched SVOD
service in US and Canada at a monthly charge of $10.
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Balaji Telefilms Limited
Zee5
Zee5 has a plan to make 90 original shows in FY 2019. It was launched on Feb 2018.
18 shows are launched. Most of the content is converted into regional languages. It also
has a large collection of movies & TV serials.
VOOT
VOOT is a digital arm of Viacom 18. Total 12 Hindi and English originals shows & all
colour channels, MTV; 35000 Hrs of content. It has the largest Kid's content. It
completely works on AVOD model. VOOT content is completely free for watching.
No
. Reliance Jio Airtel Vodafone
1 Arre Eros Now Netflix
2 ALT Balaji HOOQ Amazon prime
3 Amazon
Eros Now Prime ALT Balaji
4 VB ALT Balaji Arre
5 Dice Media Eros Now
6 Cheers Hooq
7 Hungama play
8 Yupp TV
9 Ditto TV
On Airtel TV app, prepaid and postpaid costumers of Airtel have ALT Balaji and most
content is free till 30 December 2018. One year Amazon prime free subscription is
available to Airtel postpaid plan of Rs.499 and more..
Vodafone is also giving free access of content in Vodafone play to there prepaid and
postpaid customers but Netflix & Amazon prime content is not on Vodafone play but they
have postpaid plans through which they give a free subscription of Amazon Prime and
Netflix. A subscriber of Vodafone red plan of Rs.399 and above get Amazon prime
subscription for 12 months and plan of Rs.999 and above get Netflix and Amazon both
1-year subscription.
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Balaji Telefilms Limited
Chayabani Balaji
Entertainment Private Ltd.
Creator & producer of Bengali content
Marinating films private
Creator of Intellectual property rights & producer of
limited
reality shows & events
Event Media LLP
Creating promotional and other entertainment related events
BOLT
Chhayabani Marinating Event Media Total
Media
Incorporated 2013 2016 2016 2015
Ownership 100% 50% 99.87% 51%
Capital Invested (Rs. in Cr.) 0.05 1.88 9.24 0.005 11.18
Loan by Parent Company 2.86 0 0 0.88 3.74
Total Revenue (Rs in Cr.) 20 8 31.49 11 70.49
Total Profit/ Loss (Rs. in Cr.) -2 -1.31 -6.07 -0.72 -10.1
ROCE -69% -70% -66% -81% -68%
Merged in Exit from
Present Status Exist Exist
BTL Partnership
5. Other Ventures
A) Brand EK
It is comprising of women Indian ethnic wear and excusite jewellary which is
available online space & through TV shopping network. The range ensembles the
designs worn by TV celebrities on the popular TV shows.
Leverage social media such as Twitter, Facebook and Instagram to increase visibility
of the brand.
B) Hoonur
It launched in FY 2010. It is a platform for media professionals & entertainment consumers
used in both online & mobile space.
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Balaji Telefilms Limited
Key Management
Joining Industry
Name Designation Past experience
BTL Experiance
Grey Group India, HMV (now Saregama
Sunil Lulla Group CEO 2018 30 Years Ltd.), MTV India, Sony Entertainment, The
Time Group
Group COO,
Nachiket BBC, Walt Disney (India), Fox Television
ALT Balaji 2015
Pantvaidya CEO studio, Sony Entertainment,
ALT Balaji
Sunil Nair COO
2015 11 Years Nautanki Tv, Star India
Manav ALT Balaji
2017 15 Years Askme.com
Sethi CMO
Positive Aspects
1. TV Business of BTL is giving stable revenue and working on cost plus model.
2. ALT Balaji have Telecom. Partnerships, who are giving content free of cost to their
customers, which is helping to reach mass audience and cut down the marketing expenses.
It also contributes 70% of revenue of the ALT Balaji.
3. Reliance Industry hold 24.9% stake in company and having two board seats. Because
of this probability of improvement in management efficiency and integrity.
Risk Factors
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Balaji Telefilms Limited
subscribers cannot download content but on Vodafone Play app., but in reality it can be
downloaded.
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Financial Information
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Balaji Telefilms Limited
Common size Profit & Loss Account
FY 2015 FY 2016 FY 2017 FY 2018
Total Income 100 100 100 100
Expenses
Cost of production & acquition 83 72 76 75
Marketing & distribution 0 0 8 13
Employee Benefit Exp. 4 6 6 7
Depreciation 2 3 3 4
Other Exp. 8 13 9 13
Total Exp. 97 94 103 112
PBT 2 6 -3 -14
PAT 1 5 -7 -11
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Balaji Telefilms Limited
Valuation
1. Telecom. Subscribers
Assumption 1. At present awareness of content of ALT Balaji is available free to the
users in India through Telecom. networks but it will going to increase in next 2 years.
Assumption 2. Young population is more familiar with video content on mobile and most
content is also created for them. So it is assumed that 40% percentage of youth will watch
at least 1 show in 10 to 12 shows produced in year.
2. Indian Diaspora
Assumption1. NRI public would like to see Indian content and subscription charges are
reasonable for them. It is assumed that NRI public would like to see at least 1 show he
like and for that they subscribe for 1 month.
Assumption 2. NRI in US, UK & Canada is 78 Lac out of which assuming only 4% will
subscribe for one month. In other countries NRI are 222 lac out of which assuming only
4.5% will subscribe.
Indian Diaspora (as per Wikipedia December 2017 report) 300 lac
NRI in US, UK & Canada 78 Lacs
Estimating subscribe for 1 month in year 3 lacs
Revenue generated at Rs70 subscription charge ( $ 1) 2 Cr.
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Balaji Telefilms Limited
NRI in Other countries 222 Lacs
Estimating subscribe for 1 month 10 Lacs
Revenue generated at Rs.30 subscription charge 3 Cr.
Total revenue generated 5 Cr.
Note- Subscription charges for developed countries is $ 1 while for other countries it
taken at similar rate of India.
3. Foreign Subscribers
1. Production cost
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Balaji Telefilms Limited
2. Other cost ( in Cr.)
Estimated FY 2018
Empyee cost 15 14.2
Marketing Expenses 30 42
Legal & professional charges 5 8.5
Rent including lease rent 1.3 1.3
Digital space charges 1.8 1.8
Software expense 0.5 1.8
License & hosting fees 3.4 3.4
Director sitting fees 0.09 0.09
Other Miscelleneous 0.5 2.22
Total cost 57.60 75.30
TV business Segment
Assumption: Expected Revenue growth rate in FY 2019E & FY 2020E is taken at
CAGR of 16% and EBIT margin of 25% in FY 2019 and 27% in FY 2020.
Segment Rs.
Commission programming EBIT 113 Cr.
ALT Balaji EBIT 110 Cr.
Total EBIT 223 Cr.
Depreciation 19 Cr.
EBITDA 241 Cr.
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Balaji Telefilms Limited
Equity shares of company in FY 2020 on EV/EBITDA basis
EV/EBITDA EV/EBITDA
10X 8X
EBITDA 241 Cr. 241 Cr.
EV 2410 Cr. 1928 Cr.
Market cap 2388 Cr. 1906 Cr.
No. Of shares 10.11 Cr. 10.11 Cr.
Share Price 236 188
Particulars Amount
EBIT 223 Cr.
Less: Tax @ 30% 67 Cr.
PAT 156 Cr.
EPS 15.43
P/E 15
Share Price 231
1. Telecom. Subscribers
Assumption: It is possible that assumptions in Base case scenario not work out in that
proportion so on conservative basis decrease percentage of watching population.
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Balaji Telefilms Limited
2. Indian Diaspora
Assumption: It is possible that NRI public have many options to view Indian content and
decrease in subscription so on conservative bases around 50% decrease in subscribers.
Indian Diaspora (as per Wikipedia December 2017 report) 300 lac
NRI in US, UK & Canada 78 Lac
Estimating subscribe for 1 month 1 lac
Revenue generated at Rs70 subscription charge ( $ 1) 0.70 Cr.
NRI in Other countries 222 Lac
Estimating subscribe for 1 month 5 Lac
Revenue generated at Rs.30 subscription charge 1.5 Cr.
Total revenue generated 2.2 Cr.
Note- Subscription charges for developed countries is $ 1 while for other countries it
taken at similar rate of India.
3. Foreign Subscribers
Assumption: It is possible that foreign population may not respond as described in Base
case scenario. So on conservative basis decrease subscribers to 10 lac.
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Balaji Telefilms Limited
Expenses of ALT Balaji
Production cost
Per Hour production cost 60 lac
Episodes in 1 show 16 episodes
Frequency of 1 episode 22 minutes
Hours of production of 1 Show 5.87 hour
Cost of 1 show production 3.52 Cr.
Shows in 1 year 12
Cost of content production 42 Cr.
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Balaji Telefilms Limited
In FY 2020 estimated EBITDA of Balaji Telefilms
Segment Rs.
Commission programming EBIT 96 Cr.
ALT Balaji EBIT 0
Total EBIT 96Cr.
Depreciation 19 Cr.
EBITDA 115 Cr.
EV/EBITDA EV/EBITDA
10X 8X
EBITDA 115 Cr. 115 Cr.
EV 1150 Cr. 920 Cr.
Market cap 1128 Cr. 898 Cr.
No. Of shares 10.11 Cr. 10.11 Cr.
Share Price 111 89
Particulars Amount
EBIT 96 Cr.
Less: Tax @ 30% 28.8 Cr.
PAT 67.2 Cr.
EPS 6.64
P/E 15
Share Price 100
Conclusion
TV business of the company is growing at a stable rate and has high growth potential in
ALT Balaji venture. Key management player have good industry experience and good
qualification. Promoter holding has decreased from 47% to 33% but Reliance Industries
holds 24.9% stake in company and has 2 board of director seats. Company after ALT
Balaji Venture launch in FY 2018 started Con-call at every quarterly result.
Competition is high in OTT Market in India but because of Telecom. Partnership, viewers
can watch these shows free of cost and company gets reasonably paid by Telecom.
partners. So it seems that the company could get high Telecom. subscriptions. Other than
this, India diaspora and foreign market are also reasonable sources of revenue.
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Balaji Telefilms Limited
So it seems that company could get benefit of growing OTT Market and have increasing
TV business revenue.
In coming 3 to 4 years, company could improve its top-line and bottom-line and get good
valuation and we could see increase in Balaji Telefilms Limited share price.
Disclaimer
I am not a SEBI registered Research Analyst. No recommendations are given for the
company discussed in the report. I do not hold any share of the company, neither am I a
beneficiary to any shares of the company.
Sources
1. Annual reports
2. Con-calls
3. Investor Presentation
4. Articles for OTT platform
5. TRAI website
6. Census India website
References
1. Sunil Lulla you tube video-"creation of MTV concept"- Listening for ideas - Sunil
Lulla | Prism Talks
2. You Tube-Key Note Address: OTT TV Market Evolution in India by Sunir Nair, COO
ALT Balaji- published in June, 2017
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Balaji Telefilms Limited
Annexure I
Original Shows details
1. ALT Balaji
Avg.
Frequency (IN
No Name of the show Episodes MINUTE)
1 HUM 12 20
2 GANDI BAAT 4 35
3 RAGINI MMS 12 24
4 DEV DD 11 22
5 HAQ SE 20 20
6 KEHNE KO HUMSAFAR HAIN 15 24
7 THE TEST CASE 10 24
8 CLASS OF 2017 20 18
9 KARRLE TU BHI MAHOBAAT-SEASON 1 15 26
10 KARRLE TU BHI MAHOBAAT-SEASON 2 14 23
11 BOSE 9 22
12 BEWAFA SI WAFAA 10 23
13 ROMIL AND JUGAL 10 22
14 GALTI SE MIS-TECK 10 5
15 BOYGIRI 10 22
16 CYBER SQUARE 10 25
17 FOUR PLAY 6 22
18 PM SELFIWALI 7 21
19 PAMMI AUNTY 10 4
20 SEEING IS NOT BELIEVING- Tamil Language 16 20
21 DHIMANER DINKAAL- Bengali Language 10 20
2. Amazon Prime
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3. Netflix
Release Frequency
Name Genre Language episodes
Date (in minutes)
Love per Romantic
square foot Feb 2018 comedy Hindi Movie 133
4 Short
Lust stories June 2018 Anthology Film Hindi movie 120
July
Sacred Games 2018 Thriller Hindi 8 60
4 Hotstar
Frequency
Release
Name Genre Language Episode (in
Date
Minutes)
Sarabhai Vs
Sarabhai May 2017 Comedy Hindi 10 24
News
Tanhaiya Feb 2017 Comedy Hindi 9 22
As I m Tamil,
suffering from Romantic Telugu,
pyaar June 17 comedy Hindi 10 20
Hindi &
Cineplay Movies Regional 19 Movies
5. Zee5
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6. VOOT
Frequency
Name episodes
( In Minute)
Kaisi yeh yariya 13 20-30
Time out 6 24-34
Stupid Man smart
9 22-32
phone
Yo ke hua Bro 5 20-28
Untag 7 18-26
It’s not that simple 7 20-26
Shadi boys 8 20-30
Badman 4 19-24
Soadies 6 10-13
Sinskari 1 13
Feet up with the star 1 1
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