Evening

Aria
  
V. Neugasimov

               
           
                                
          
   


    
          

           

9

                  
      


 

             
       
 
  
14


   

            
    

3 3



 
     
             
      
18

                       

            
3 3

                 

            
23

             

  
 
   
     

 
         


  
        
    

        
28

              
                  
   
 
        

       

 
33

                      
                  
 
3 3 3


3

Vitalij Neugasimov, 2021

                              
             

39

              
                      
3 3


3 3


 
          
                  
44

           
            
3 3 3 3 3

 

        

   
                                
    
47

      
            
    
a piacere quasi cadenza




            
        
51

   
  

rit.

2 Vitalij Neugasimov, 2021