Scribd Logo
Upload

Welcome to Scribd!

  • 263 views

    Fountain in The Rain William Glock

    Uploaded by

    Omar Sandoval
    The document is a musical score titled "Fountain in the Rain" composed by William Gillock. It contains musical notation using symbols to indicate elements like tempo, dynamics, and the interplay between the right and left hands. The piece starts calmly but builds in complexity, speed, and volume, depicting the sounds of a fountain and rain through a cadenza-like section before returning to a calm ending.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Fountain in The Rain William Glock

    Uploaded by

    Omar Sandoval
    263 views4 pages
    The document is a musical score titled "Fountain in the Rain" composed by William Gillock. It contains musical notation using symbols to indicate elements like tempo, dynamics, and the interplay between the right and left hands. The piece starts calmly but builds in complexity, speed, and volume, depicting the sounds of a fountain and rain through a cadenza-like section before returning to a calm ending.

    Original Description:

    Piano piece

    Original Title

    Fountain_in_the_rain__William_Glock

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    The document is a musical score titled "Fountain in the Rain" composed by William Gillock. It contains musical notation using symbols to indicate elements like tempo, dynamics, and the interplay between the right and left hands. The piece starts calmly but builds in complexity, speed, and volume, depicting the sounds of a fountain and rain through a cadenza-like section before returning to a calm ending.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    263 views4 pages

    Fountain in The Rain William Glock

    Uploaded by

    Omar Sandoval
    The document is a musical score titled "Fountain in the Rain" composed by William Gillock. It contains musical notation using symbols to indicate elements like tempo, dynamics, and the interplay between the right and left hands. The piece starts calmly but builds in complexity, speed, and volume, depicting the sounds of a fountain and rain through a cadenza-like section before returning to a calm ending.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 4

    Fountain

    in the Rain
    ⾬中的喷泉
    William Gillock

                                      
    = 88

     
       
         
     


     
    portamento

                                    
    3
    soft pedal


        
     
       

                          
       
    5


      
      
        
      
      

        
               
               
       
    7

       
     
       
       

                                    
    9

     
      
            
     

                                


    11

      
          
      
      
                                  
    2

    
    13

     
       
        
      
            
                    
    15

      
       
        
     

     
     
     

              
                  

       
    Allegretto

     
    17

       
           
    R.H.


    L.H.
    L.H. accellerating and



    cadenza - like

      
                           
     

                
       
    19

         downward
      
    growing louder splashing

      
       
           
               

        
     
    21

        
            
            
    downward

       

    = 88

        
       
         
    in time

    
     

      
    24

          
      
    

    
     R.H.  

       
        
    
      
    L.H.
    L.H.  
    3

                     


      

               
    26

          
        

        
    

         
    calmly

    
     
    

      
    
    as at first

              
       
                            
       
    29

     
            
                   
     

    

       
                      
                   
    32

     
       
    L.H.

          
    


       
    a little louder

      
    L.H. very softly
    sweetly

     
      
       
                          


    35

     
    
     
          
    L.H.

     
     
    L.H.

        
     
     
                    
                 
      

      
    37

      
    L.H. L.H.

          
    L.H.

           
    L.H.


    holding back
                      
                      
    4 Allegro = 88

     

      
    40

     

    accellerating R.H.

             
    L.H.

       
    

     
    

        

    You might also like