This poem describes the horrors of warfare during World War I. In 3 sentences: The speaker describes soldiers stumbling through mud and gas attacks, exhausted and injured with many having lost their boots. He vividly recalls seeing a man drowning in green smoke and fire during a gas attack, an image that haunts his dreams. The poem powerfully argues against glorifying war, saying it is not sweet and honorable to die for your country as many claimed, based on the obscene realities soldiers faced.
This poem describes the horrors of warfare during World War I. In 3 sentences: The speaker describes soldiers stumbling through mud and gas attacks, exhausted and injured with many having lost their boots. He vividly recalls seeing a man drowning in green smoke and fire during a gas attack, an image that haunts his dreams. The poem powerfully argues against glorifying war, saying it is not sweet and honorable to die for your country as many claimed, based on the obscene realities soldiers faced.
This poem describes the horrors of warfare during World War I. In 3 sentences: The speaker describes soldiers stumbling through mud and gas attacks, exhausted and injured with many having lost their boots. He vividly recalls seeing a man drowning in green smoke and fire during a gas attack, an image that haunts his dreams. The poem powerfully argues against glorifying war, saying it is not sweet and honorable to die for your country as many claimed, based on the obscene realities soldiers faced.
This poem describes the horrors of warfare during World War I. In 3 sentences: The speaker describes soldiers stumbling through mud and gas attacks, exhausted and injured with many having lost their boots. He vividly recalls seeing a man drowning in green smoke and fire during a gas attack, an image that haunts his dreams. The poem powerfully argues against glorifying war, saying it is not sweet and honorable to die for your country as many claimed, based on the obscene realities soldiers faced.
Nothing but bones, The sad effect of sadder groans: Thy mouth was open, but thou couldst not sing.
For we considered thee as at some six
Or ten years hence, After the loss of life and sense, Flesh being turned to dust, and bones to sticks.
We looked on this side of thee, shooting short;
Where we did find The shells of fledge souls left behind, Dry dust, which sheds no tears, but may extort.
But since our Savior’s death did put some blood
Into thy face, Thou art grown fair and full of grace, Much in request, much sought for as a good.
For we do now behold thee gay and glad,
As at Doomsday; When souls shall wear their new array, And all thy bones with beauty shall be clad.
Therefore we can go die as sleep, and trust
Half that we have Unto an honest faithful grave; Making our pillows either down, or dust. Lament for Zenocrate by Christopher Marlowe
Black is the beauty of the brightest day,
The golden belle of heaven's eternal fire, That danced with glory on the silver waves, Now wants the fuel that inflamed his beams: And all with faintness and for foul disgrace, He binds his temples with a frowning cloud, Ready to darken earth with endless night: Zenocrate that gave him light and life, Whose eyes shot fire from their ivory bowers, And tempered every soul with lively heat, Now by the malice of the angry skies, Whose jealousy admits no second mate, Draws in the comfort of her latest breath All dazzled with the hellish mists of death. Now walk the angels on the walls of heaven, As sentinels to warn th'immortal souls, To entertain divine Zenocrate. Apollo, Cynthia, and the ceaseless lamps That gently looked upon this loathsome earth, Shine downwards now no more, but deck the heavens To entertain divine Zenocrate. The crystal springs whose taste illuminates Refined eyes with an eternal sight, Like tried silver runs through Paradise To entertain divine Zenocrate. The Cherubins and holy Seraphins That sing and play before the King of Kings, Use all their voices and their instruments To entertain divine Zenocrate. And in this sweet and curious harmony, The God that tunes this music to our souls, Holds out his hand in highest majesty To entertain divine Zenocrate. Then let some holy trance convey my thoughts, Up to the palace of th'imperial heaven: That this my life may be as short to me As are the days of sweet Zenocrate. Sonnet 29: When, in Disgrace with Fortune and Men’s Eyes by William Shakespeare
When, in disgrace with fortune and men’s eyes,
I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possessed, Desiring this man’s art and that man’s scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, (Like to the lark at break of day arising From sullen earth) sings hymns at heaven’s gate; For thy sweet love remembered such wealth brings That then I scorn to change my state with kings. Dulce et Decorum Est by Wilfred Owen
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs, And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots, But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of gas-shells dropping softly behind.
Gas! GAS! Quick, boys!—An ecstasy of fumbling
Fitting the clumsy helmets just in time, But someone still was yelling out and stumbling And flound’ring like a man in fire or lime.— Dim through the misty panes and thick green light, As under a green sea, I saw him drowning.
In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams, you too could pace
Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,— My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.
(Modern American Literature) Pynchon, Thomas - Smith, Evans Lansing - Pynchon, Thomas - Thomas Pynchon and The Postmodern Mythology of The Underworld-Peter Lang Publishing Inc (2013) PDF
(Modern American Literature) Pynchon, Thomas - Smith, Evans Lansing - Pynchon, Thomas - Thomas Pynchon and The Postmodern Mythology of The Underworld-Peter Lang Publishing Inc (2013) PDF
