Asha Daniels' Lawsuit

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Neama Rahmani (State Bar No.

223819)
1 efilings@westcoasttriallawyers.com
2 Ronald L. Zambrano (State Bar No. 255613)
ron@westcoasttriallawyers.com
3 WEST COAST EMPLOYMENT LAWYERS, APLC
1147 South Hope Street
4 Los Angeles, California 90015
Telephone: (213) 927-3700
5
Facsimile: (213) 927-3701
6
Attorneys for Plaintiff,
7 ASHA DANIELS

9 SUPERIOR COURT OF THE STATE OF CALIFORNIA

10 FOR THE COUNTY OF LOS ANGELES

11
ASHA DANIELS, an Individual; CASE NO.:
12
COMPLAINT FOR DAMAGES
13
Plaintiff, (1) FEHA HOSTILE WORK ENVIRONMENT : SEXUAL
14 HARASSMENT;
v.
15 (2) FEHA FAILURE TO PREVENT AND/OR REMEDY
BIG GRRRL BIG TOURING, INC, a HOSTILE WORK ENVIRONMENT SEXUAL
16 Delaware Corporation; MELISSA HARASSMENT;

17 JEFFERSON (aka “LIZZO”), as an (3) FEHA RACIAL HARASSMENT;


Individual; AMANDA NOMURA, as an
18 Individual, and DOES 1 through 10, (4) FEHA DISABILITY DISCRIMINATION;
inclusive,
19 (5) FAILURE TO ACCOMMODATE IN VIOLATION OF FEHA;

20 Defendants. (6) FAILURE TO ENGAGE IN THE INTERACTIVE PROCESS IN


VIOLATION OF FEHA;
21
(7) RETALIATION IN VIOLATION OF FEHA;
22
(8) RETALIATION IN VIOLATION OF LABOR CODE §§
23 1102.5 AND 6310; AND

24 (9) ASSAULT.

25

26 DEMAND FOR JURY TRIAL


27

28

1
1 Plaintiff, ASHA DANIELS (hereinafter referred to as, “DANIELS” or “Plaintiff”), an

2 Individual, in her complaint against Defendants, BIG GRRRL BIG TOURING, INC., a Delaware

3 Corporation (hereinafter referred to as, “BGBT” or “Defendant”), MELISSA JEFFERSON

4 (professionally known and hereinafter referred to as, “LIZZO” or “Defendant”), an Individual,

5 AMANDA NOMURA (hereinafter referred to as, “NOMURA” or “Defendant), and CARLINA

6 GUGLIOTTA (hereinafter referred to as, “GUGLIOTTA”), (collectively referred to as

7 “Defendants”), respectfully alleges, avers, and complains as follows:

9 INTRODUCTION

10

11 1. This is an action brought by the Plaintiff, DANIES, pursuant to California statutory,

12 decision, and regulatory laws. Plaintiff was an employee of Defendants, BGBT and LIZZO

13 at all times herein mentioned. Defendant NOMURA was the supervising agent for BGBT

14 and LIZZO at all times herein mentioned.

15

16 2. Plaintiff alleged that California statutory, decisional, and regulatory laws prohibit the

17 conduct by Defendants herein alleged, and therefore Plaintiff has an entitlement to monetary

18 relief on the basis that Defendants violated such statutes, decisional law, and regulations.

19

20 JURISIDICTION AND VENUE

21

22 3. Jurisdiction is proper in this court by virtue of the California statutes, decisional law, and

23 regulations, and the local rules under the Los Angeles County Superior Court Rules.

24

25 4. Venue in this Court is proper in that Defendant LIZZO is a resident of the City of Los

26 Angeles, County of Los Angeles, State of California.

27 //

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


2
1 5. Venue is this Court is also proper in that Defendant NOMURA is a resident of the City of

2 Los Angeles, County of Los Angeles, State of California.

4 PARTIES

6 6. At all times herein mentioned, Plaintiff DANIELS is and has been a resident of the City of

7 New York, State of New York.

9 7. Defendant BGBT is and at all times herein mentioned has been a Delaware Corporation,

10 with the capacity to sue and to be sued, and doing business, with a principal place of business

11 located at 1013 Centre Road, Suite 403s, Wilmington, Delaware 19805.

12

13 8. Defendant LIZZO is and at all times herein mentioned has been an individual residing in

14 Los Angeles County, California with the capacity to sue and to be sued.

15

16 9. Defendant NOMURA is and at all times herein mentioned has been an individual residing

17 in Los Angeles County, California with the capacity to sue and to be sued.

18
19 10. Defendant GUGLIOTA is and at all times herein mentioned has been an individual residing

20 in Los Angeles County, California with the capacity to sue and to be sued.

21

22 11. Plaintiff is informed and believes and thereon alleges that each of the Defendants herein

23 were at all times the agent, employee, or representative of each remaining Defendant and

24 were at all times herein acting within and outside the scope and purpose of said agency and

25 employment. Plaintiff further alleges that as to each Defendant, whether named, or referred

26 to as a fictitious name, said Defendants supervised, ratified, controlled, acquiesced in,

27 adopted, directed, substantially participated in, and/or approved the acts, errors, or

28 omissions, of each remaining Defendant.

COMPLAINT AND DEMAND FOR JURY TRIAL


3
1 12. The true names and capacities of the Defendants named herein as DOES 1 through 10,

2 inclusive, whether individual, corporate, partnership, association, or otherwise, are

3 unknown to Plaintiff who therefore sues these Defendants by such fictitious names. Plaintiff

4 will request leave of court to amend this Complaint to allege their true names and capacities

5 at such time as they are ascertained.

7 FACTUAL ALLEGATIONS

9 13. In or about September 2022, Plaintiff designed custom pieces for the dancers on LIZZO’s

10 tour.

11

12 14. In or about January of 2023, Defendant NOMURA contacted Plaintiff and requested that

13 Plaintiff join LIZZO’s tour. NOMURA was LIZZO’s Wardrobe Manager and was

14 Plaintiff’s primary point of contact representing LIZZO’s management team. Since Plaintiff

15 designed custom pieces for the tour, NOMURA reasoned Plaintiff would be the best

16 individual to assure the dancers’ clothing is altered and repaired correctly during the tour.

17 Plaintiff rearranged her schedule, canceling her fashion show and missing out on other work

18 opportunities to accept joining LIZZO’s tour as a favor to NOMURA.

19

20 15. Plaintiff was looking forward to working with LIZZO and her team because of the values

21 LIZZO portrays in public, i.e., a healthy, diverse environment with virtues of respect and

22 empowerment of women. Unfortunately, the opposite turned out to be true. Plaintiff

23 believes the following experiences of degradation, forced physical labor, denial of medical

24 care, sexual harassment, and racial harassment were allowed to take place by LIZZO’s

25 management without consequence because she is a Black woman.

26 //

27 //

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


4
1 16. On or about February 14, 2023, Plaintiff began working on LIZZO’s tour. Plaintiff reported

2 to NOMURA, who was Plaintiff’s supervisor for the entirety of her employment with

3 LIZZO’s tour.

5 17. The disappointing reality of working on LIZZO’s tour sunk in at the get-go. Plaintiff often

6 worked seven (7) days a week, from approximately 6:00 a.m. to 2:00 a.m., and was

7 frequently denied breaks by NOMURA. Plaintiff’s movement and communication with

8 others were constantly monitored and policed by NOMURA. Even during the rare,

9 designated days off, Plaintiff was pressured to always work while she was on the tour.

10 Plaintiff is informed and believes this directive came from LIZZO’s management.

11

12 18. Adding to the uncomfortable environment of LIZZO’s tour, Plaintiff was specifically

13 instructed to never interact with LIZZO herself because LIZZO would be jealous. Plaintiff

14 was instructed to “tone it down” if she was ever to interact with LIZZO - specifically

15 referencing not to dress attractively in front of LIZZO. NOMURA shared that one time

16 LIZZO was bothered NOMURA was seen by LIZZO’s boyfriend, and became very upset

17 and jealous towards NOMURA. NOMURA explained that LIZZO would get upset the

18 same way with Plaintiff if Plaintiff interacted with LIZZO and/or LIZZO’s boyfriend.

19

20 19. Almost immediately, Plaintiff was introduced to the culture of racism and bullying on

21 LIZZO’s tour. Plaintiff witnessed LIZZO’s approximately ten (10) background dancers

22 (including Arianna Davis, Crystal Williams and Noelle Rodriguez) being forced to change

23 in and out of their clothing in small, tight, changing areas during all the shows with little to

24 no privacy whatsoever. Members of LIZZO’s stage crew, primarily white males, would

25 lewdly gawk, sneer, and giggle while watching the dancers rush through their outfit-

26 changes.

27 //

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


5
1 20. Plaintiff expressed concern to NOMURA about utter lack of privacy and necessary

2 accommodations and tools Black female performers would need on tour. However,

3 NOMURA merely laughed at the dancers’ poor accommodations, and “advised” Plaintiff

4 not to alert anyone else about the issue or try to fix the issue. Plaintiff would later learn

5 details that led her to believe this was a set up to humiliate, degrade, alienate, and, in some

6 cases, fire, the Black female performers.

8 21. Often, the background dancers would directly inform Plaintiff when they would rip their

9 fishnet stockings or other dance gear while dancing. The first time this happened, Plaintiff

10 provided the dancer with an additional pair of stockings since there was a fully stocked

11 inventory of fishnet stockings. However, Plaintiff was scolded by LIZZO’s management for

12 giving the dancer additional stockings and instructed her not to do so again. Plaintiff was

13 also specifically instructed to not give certain dancers panties, mirrors, or items they would

14 need and ask for, despite those items being stocked.

15

16 22. Additionally, throughout the entirety of her employment, Plaintiff was forced to hear racist

17 and fatphobic comments from NOMURA. Plaintiff witnessed NOMURA mock both LIZZO

18 & LIZZO’s background dancers on multiple occasions. NOMURA would imitate the

19 dancers and LIZZO by doing an offensive stereotypical impression of a Black woman.

20 NOMURA would also refer to Black women on the tour as “dumb,” “useless,” and “fat”.

21

22 23. Plaintiff, a Black woman, was offended by NOMURA’s disgusting comments. Plaintiff told

23 NOMURA directly her comments and imitations were offensive, especially in a work

24 setting. NOMURA ignored Plaintiff’s concerns much like Plaintiff’s prior concerns of the

25 lack of privacy and accommodations for the dancers.

26
27 24. In or around mid-February of 2023, Plaintiff and NOMURA were transporting a heavy rack

28 of clothing, when NOMURA rolled the rack over Plaintiff’s foot. Plaintiff stopped and

COMPLAINT AND DEMAND FOR JURY TRIAL


6
1 informed NOMURA she needed to sit down, as her foot was in serious pain. Shockingly,

2 NOMURA proceeded to shove Plaintiff into the rack of clothing, while asserting Plaintiff

3 should not make excuses about her foot and must help NOMURA transport the clothing.

5 25. Due to being shoved, Plaintiff lost her balance and rolled her ankle. The following day,

6 Plaintiff came to work in “croc” shoes which minimized the pain. When NOMURA noticed

7 the Plaintiff’s orthopedic shoes, she demanded Plaintiff to change into tennis shoes. Plaintiff

8 explained her ankle was swollen and injured after the rack incident, and that it was painful

9 to walk in tennis shoes. However, NOMURA forced Plaintiff to wear the painful tennis

10 shoes so that she could move heavy cases while injured.

11

12 26. Before agreeing to the tour, Plaintiff was explicitly promised that she would not have to

13 perform physically demanding duties. This made the demand to change shoes unreasonable

14 and caused unnecessary, compounded injury to Plaintiff. Not only was Plaintiff denied

15 medical treatment (on this occasion and others) but was also forced to be on her feet the

16 majority of the day and denied any rest – even after rolling her ankle. Despite LIZZO’s

17 team knowing of the injury, Plaintiff was forced to sleep in a top bunk without a ladder,

18 even after requesting an accommodation be made. This caused her to reinjure her ankle

19 constantly. In addition, while being forced to help with loading heavy cases, Plaintiff broke

20 2 acrylic nails past the nail bed resulting in open, bleeding wounds and was expected to

21 continue with physical labor without medical treatment.

22

23 27. On several occasions, NOMURA made statements and/or took physical actions to threaten

24 Plaintiff and the entire crew: (1) she threatened Plaintiff and others that she would “kill a

25 bitch” and “stab a bitch” when she could not find her medication. (2) she shoved a crew

26 member in retaliation for revealing she was threatening to quit. (3) NOMURA snatched food

27 out of a local worker’s hand for merely attempting to take an assigned break. (4) she

28 expressed that she would “kill a bitch if it came down to it” if anyone threatened her job.

COMPLAINT AND DEMAND FOR JURY TRIAL


7
1 LIZZO’s Management was well aware of this pattern of behavior. Defendant GUGLIOTTA,

2 LIZZO’s Tour Manager, even requested Plaintiff to record NOMURA without her

3 knowledge, which Plaintiff did not do as it was both unethical and possibly unlawful.

5 28. Compounding the disillusionment with LIZZO’s tour, Plaintiff also endured sexual

6 harassment by LIZZO’s team. Specifically, there was a group chat of over 30+ people from

7 the BGBT team, which included LIZZO tour management and Plaintiff. In the group

8 message, a backstage manager sent a photo graphically depicting male genitalia. No one

9 from LIZZO’s management team addressed this graphic sexual imagery in the workplace

10 appropriately. Instead, LIZZO’s management found the image to be comical, further

11 encouraging an unsafe, sexually charged workplace culture.

12

13 29. As another example of this, when the tour got to Amsterdam, Plaintiff witnessed NOMURA,

14 crew, and LIZZO’s management openly discussing hiring sex workers for lewd sex acts,

15 attending sex shows, and buying hard drugs. Plaintiff felt pressured to join such activities

16 and found a way to secure one of her few days off to escape.

17

18 30. Enough was enough. Despite being instructed not to speak with management, Plaintiff

19 bravely decided to come forward. Later in the month of February 2023, Plaintiff informed

20 GUGLIOTTA of the widespread racial and sexual harassment taking place on the tour.

21 Specifically, Plaintiff told GUGLIOTTA that the Black dancers were being mocked,

22 objectified, and denied accommodations by the stage crew and NOMURA. Plaintiff also

23 told GUGLIOTTA that she and her local teams were victims of NOMURA’s verbal and

24 physical abuse, racist comments, bullying, and withholding of accommodations. Plaintiff

25 explained she believes NOMURA’s behavior was racially motivated, and stated, “It’s not

26 lost on me that I’m one of the only Black women working behind the scenes and I feel like

27 [NOMURA] is treating me like I’m a slave.”

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


8
1 31. Plaintiff expected Gugliotta to inform LIZZO of what was happening on LIZZO’s team

2 because she believed LIZZO would not tolerate racist bullying towards her dancers or the

3 few Black women that worked behind the scenes on her tour. Women who, after all, look

4 just like LIZZO. Plaintiff is informed and believes GUGLIOTTA did, in fact, relay to

5 LIZZO Plaintiff’s reports of racism and mistreatment towards herself and the dancers.

6 GUGLIOTTA reassured Plaintiff that bullying would not be tolerated.

8 32. The toxic work environment continued without change. LIZZO’s team ultimately fired

9 Plaintiff without notice or reason. Plaintiff was later informed by GUGLIOTTA that

10 “everyone knows [NOMURA] is crazy.” GUGLIOTTA apologized to Plaintiff several times

11 and acknowledged that although management was aware of NOMURA’s behavior, she

12 would be too hard to replace and NOMURA “wanted [Plaintiff] gone” for speaking up.

13 Throughout the tour, Plaintiff received positive feedback for her designs and other work

14 from performers, local crews, Gugliotta, and even NOMURA herself.

15

16 33. In fact, The Big Grrls and tour musicians requested a meeting with management to dispute

17 Plaintiff’s firing and their request was denied. Plaintiff was abruptly fired before her contract

18 was set to end and put on a March 6, 2023 flight home.

19

20 34. Earlier on the day Plaintiff was fired, she suffered an allergic reaction that she notified both

21 NOMURA and LIZZO's management about. Plaintiff was denied medical care, was yelled

22 at for taking time to even look for medicine, and was pressured by NOMURA to keep

23 working or be sent home. Despite the industry standard to have a medical team available at

24 least by phone, no medical attention was ever provided.

25

26 35. Audaciously, LIZZO’s Management has since requested further design work from Plaintiff.

27 //

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


9
1 36. Due to the racist and sexualized work environment, and also the unreasonable physical

2 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour

3 from the racist and sexualized environments; she continues to suffer ongoing anxiety and

4 PTSD after the tour; and she suffers from migraines and migraine-induced eye twitch and

5 ocular distortions, brain fog, and fatigue.

7 37. Prior to filing this Complaint, Plaintiff fulfilled any legal requirement or exhausted any

8 administrative remedy imposed on her by having filed the substance of the claims alleged

9 herein with the California Civil Rights Department and has received a Right to Sue Letter,

10 dated September 18, 2023. Therefore, Plaintiff has substantially complied with all

11 requirements for the filing of this Complaint and has timely exhausted her administrative

12 remedies.

13

14 FIRST CAUSE OF ACTION

15 (FEHA Hostile Work Environment – Sexual Harassment)

16 (Plaintiff Against All Defendants)

17

18 38. Plaintiff incorporates all paragraphs above as though fully set forth herein.

19

20 39. The conduct of Defendants LIZZO, BGBT, GUGLIOTTA and NORMURA created a

21 hostile work environment for Plaintiff, making the conditions of their employment

22 intolerable in direct contravention of various statutes and state law decisions, including but

23 not limited to California Government Code §12940(h) and (j). Plaintiff was subjected to a

24 hostile work environment due to, including but not limited to, Defendants’ repeated

25 exposure of Plaintiff to nudity in their employee group message.

26
27 40. Such harassment was so severe or pervasive that it altered the terms and conditions of

28 Plaintiff’s employment, creating a hostile, abusive work environment and making Plaintiff’s

COMPLAINT AND DEMAND FOR JURY TRIAL


10
1 working conditions intolerable. Said harassment was sufficiently extreme and pervasive to

2 amount to a change in the terms and conditions of’ Plaintiff’s employment.

4 41. On or about February 14, 2023, Plaintiff began working on LIZZO’s tour.

6 42. The disappointing reality of working on LIZZO’s tour sunk in at the get-go. Plaintiff was

7 specifically instructed to never interact with LIZZO herself because LIZZO would be

8 jealous. Plaintiff was instructed to “tone it down” if she was ever to interact with LIZZO -

9 specifically referencing not to dress attractively in front of LIZZO. NOMURA shared that

10 one time LIZZO was bothered NOMURA was seen by LIZZO’s boyfriend, and became

11 very upset and jealous towards NOMURA. NOMURA explained that LIZZO would get

12 upset the same way with Plaintiff if Plaintiff interacted with LIZZO and/or LIZZO’s

13 boyfriend.

14

15 43. Compounding the disillusionment with LIZZO’s tour, Plaintiff endured sexual harassment

16 by LIZZO’s team. Specifically, there was a group chat of over 30+ people from the BGBT

17 team, which included LIZZO tour management and Plaintiff. In the group message, a

18 backstage manager sent a photo graphically depicting male genitalia. No one from LIZZO’s

19 management team addressed this graphic sexual imagery in the workplace appropriately.

20 Instead, LIZZO’s management found the image to be comical, further encouraging an

21 unsafe, sexually charged workplace culture.

22

23 44. As another example of this, when the tour got to Amsterdam, Plaintiff witnessed NOMURA,

24 crew, and LIZZO’s management openly discussing hiring sex workers for lewd sex acts,

25 attending sex shows, and buying hard drugs. Plaintiff felt pressured to join such activities

26 and found a way to secure one of her few days off to escape.

27 //

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


11
1 45. Despite being instructed to not speak with management, Plaintiff bravely decided to come

2 forward. Later in the month of February 2023, Plaintiff informed Gugliotta of the

3 widespread racial and sexual harassment taking place on the tour. Specifically, Plaintiff told

4 Gugliotta that the Black dancers were being mocked, objectified, and denied

5 accommodations by the stage crew and NOMURA. Plaintiff also told Gugliotta that she and

6 her local teams were victims of NOMURA’s verbal and physical abuse, racist comments,

7 bullying, and withholding of accommodations.

9 46. Plaintiff is informed and believes Gugliotta did, in fact, relay to LIZZO Plaintiff’s reports

10 of racism and mistreatment towards herself and the dancers. Gugliotta reassured Plaintiff

11 that bullying would not be tolerated.

12

13 47. The toxic work environment continued without change. LIZZO’s team ultimately fired

14 Plaintiff without notice or reason.

15

16 48. Due to the racist and sexualized work environment, and also the unreasonable physical

17 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour

18 from the racist and sexualized environments; she continues to suffer ongoing Anxiety and

19 PTSD after the tour; she suffers from migraines and migraine-induced eye twitch and ocular

20 distortions, brain fog, and fatigue.

21

22 49. As a direct and legal result of Defendants’ conduct, and each of them, Plaintiff has suffered

23 and continues to suffer general, consequential, and special damages, including but not

24 limited to substantial losses in earnings, other employment benefits, physical injuries,

25 physical sickness, as well as emotional distress, plus medical expenses, future medical

26 expenses, and attorneys’ fees, all to her damage in an amount according to proof.

27 //

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


12
1 50. As a proximate result of Defendants’ conduct, Plaintiff has also suffered severe emotional

2 distress, anxiety, pain and suffering, physical injuries, physical sickness, medical expenses,

3 future medical expenses, attorneys’ fees, and other damages to be determined at trial

4 according to proof.

6 51. Said actions justify the imposition of punitive damages in that Defendants committed the

7 acts alleged herein maliciously, fraudulently and oppressively, with the wrongful intention

8 of injuring Plaintiff, from an improper and evil motive amounting to malice, and in

9 conscious disregard of Plaintiff’s rights. Based upon the foregoing, Plaintiff is entitled to

10 recover punitive damages from Defendants, and each of them, in an amount according to

11 proof.

12

13 SECOND CAUSE OF ACTION

14 (FEHA Failure to Prevent and/or Remedy

15 Hostile Work Environment Sexual Harassment)

16 (Plaintiff Against All Defendants)

17

18 52. Plaintiff incorporates all paragraphs above as though fully set forth herein.

19

20 53. Plaintiff was subjected to harassment on the bases of her sex as alleged in more detail above.

21 Such conduct is prohibited by the Fair Employment and Housing Act (FEHA), Cal. Gov.

22 Code §12940, subdivisions (j) and (k).

23

24 54. Under the FEHA, an employer is strictly liable for the harassing conduct of its agents and

25 supervisors. (Fisher v. San Pedro Peninsula Hospital (1989) 214 Cal.App.3d 590). FEHA

26 also requires employers to take all reasonable steps necessary to prevent unlawful

27 harassment from occurring (Gov. code §12940(j), (k)).

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


13
1 55. Defendants, and each of them, knew of the harassing conduct that Plaintiff endured, for

2 Plaintiff’s manager, NORMURA, was in the group message that received the sexually

3 explicit image of male genitalia. Furthermore, Plaintiff informed the lead management of

4 the LIZZO and BGBT tour, Gugliotta, that she felt sexually harassed by the image in the

5 group message. Lastly, the sexually charged environment of the BGBT tour was not a secret

6 to LIZZO, her management team, or the background dancers, who have already come

7 forward in a separate lawsuit to voice their experience of the sexually hostile work

8 environment.

10 56. Plaintiff endured sexual harassment by LIZZO’s team. Specifically, there was a group chat

11 of over 30+ people from the BGBT team, which included LIZZO tour management and

12 Plaintiff. In the group message, a backstage manager sent a photo graphically depicting male

13 genitalia. No one from LIZZO’s management team addressed this graphic sexual imagery

14 in the workplace appropriately. Instead, LIZZO’s management found the image to be

15 comical, further encouraging an unsafe, sexually charged workplace culture.

16

17 57. As another example of this, when the tour got to Amsterdam, Plaintiff witnessed NOMURA,

18 crew, and LIZZO’s management openly discussing hiring sex workers for lewd sex acts,

19 attending sex shows, and buying hard drugs. Plaintiff felt pressured to join such activities

20 and found a way to secure one of her few days off to escape.

21

22 58. Despite being instructed to not speak with management, Plaintiff bravely decided to come

23 forward. Later in the month of February 2023, Plaintiff informed Gugliotta of the

24 widespread racial and sexual harassment taking place on the tour. Specifically, Plaintiff told

25 Gugliotta that the Black dancers were being mocked, objectified, and denied

26 accommodations by the stage crew and NOMURA. Plaintiff also told Gugliotta that she and

27 her local teams were victims of NOMURA’s verbal and physical abuse, racist comments,

28 bullying, and withholding of accommodations.

COMPLAINT AND DEMAND FOR JURY TRIAL


14
1 59. Plaintiff is informed and believes Gugliotta did, in fact, relay to LIZZO Plaintiff’s reports

2 of racism and mistreatment towards herself and the dancers. Gugliotta reassured Plaintiff

3 that bullying would not be tolerated.

5 60. The toxic work environment continued without change. LIZZO’s team ultimately fired

6 Plaintiff without notice or reason.

8 61. Due to the racist and sexualized work environment, and also the unreasonable physical

9 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour

10 from the racist and sexualized environments; she continues to suffer ongoing Anxiety and

11 PTSD after the tour; she suffers from migraines and migraine-induced eye twitch and ocular

12 distortions, brain fog, and fatigue.

13

14 62. Defendants failed to take immediate and appropriate corrective action to stop the

15 harassment.

16

17 63. As a direct and legal result of Defendants’ conduct, and each of them, Plaintiff has suffered

18 and continues to suffer general, consequential, and special damages, including but not

19 limited to substantial losses in earnings, other employment benefits, physical injuries,

20 physical sickness, as well as emotional distress, plus medical expenses, future medical

21 expenses, and attorneys’ fees (including expert costs), all to her damage in the amount

22 according to proof.

23

24 64. As a proximate result of Defendants’ conduct, Plaintiff has also suffered severe emotional

25 distress, anxiety, pain and suffering, physical injuries, physical sickness, medical expenses,

26 future medical expenses, attorneys’ fees, and other damages to be determined at trial

27 according to proof.

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


15
1 65. Said actions justify the imposition of punitive damages in that Defendants committed the

2 acts alleged herein maliciously, fraudulently and oppressively, with the wrongful intention

3 of injuring Plaintiff, from an improper and evil motives amounting to malice, and in

4 conscious disregard of Plaintiff’s rights. Defendants had notice and knowledge of the

5 sexually hostile work environment that Plaintiff faced but failed to take reasonable steps to

6 prevent such conduct. Based upon the foregoing, Plaintiff is entitled to recover punitive

7 damages from Defendants, and each of them, in an amount according to proof.

9 THIRD CAUSE OF ACTION

10 (FEHA Racial Harassment)

11 (Plaintiff Against Defendant All Defendants)

12

13 66. Plaintiff incorporates all paragraphs above as though fully set forth herein.

14

15 67. The conduct of Defendant BGBT created a hostile work environment for Plaintiff, making

16 the conditions of her employment intolerable in direct contravention of various statutes and

17 state law decisions, including but not limited to California Government Code §12940(h) and

18 (j). Plaintiff was subjected to a hostile work environment due to, including but not limited

19 to, Defendant NORMURA’s racists comments.

20

21 68. On or about February 14, 2023, Plaintiff began working on LIZZO’s tour. Plaintiff reported

22 to NOMURA, who was Plaintiff’s supervisor for the entirety of her employment with

23 LIZZO’s tour.

24

25 69. Almost immediately, Plaintiff was introduced to the culture of racism and bullying on

26 LIZZO’s tour. Plaintiff witnessed LIZZO’s approximately ten (10) background dancers

27 (including Arianna Davis, Crystal Williams and Noelle Rodriguez) being forced to change

28 in and out of their clothing in small, tight, changing areas during all the shows with little to

COMPLAINT AND DEMAND FOR JURY TRIAL


16
1 no privacy whatsoever. Members of LIZZO’s stage crew, primarily white males, would

2 lewdly gawk, sneer, and giggle while watching the dancers rush through their outfit-

3 changes.

5 70. Plaintiff expressed concern to NOMURA about utter lack of privacy and necessary

6 accommodations and tools Black female performers would need on tour. However,

7 NOMURA merely laughed at the dancers’ poor accommodations, and “advised” Plaintiff

8 not to alert anyone else about the issue or try to fix the issue. Plaintiff would later learn

9 details that led her to believe this was a set up to humiliate, degrade, alienate, and, in some

10 cases, fire, the Black female performers.

11

12 71. Often, the background dancers would directly inform Plaintiff when they would rip their

13 fishnet stockings or other dance gear while dancing. The first time this happened, Plaintiff

14 provided the dancer with an additional pair of stockings since there was a fully stocked

15 inventory of fishnet stockings. However, Plaintiff was scolded by LIZZO’s management for

16 giving the dancer additional stockings and instructed her not to do so again. Plaintiff was

17 also specifically instructed to not give certain dancers panties, mirrors, or items they would

18 need and ask for, despite those items being stocked.

19

20 72. Additionally, throughout the entirety of her employment, Plaintiff was forced to hear racist

21 and fatphobic comments from NOMURA. Plaintiff witnessed NOMURA mock both LIZZO

22 & LIZZO’s background dancers on multiple occasions. NOMURA would imitate the

23 dancers and LIZZO by doing an offensive stereotypical impression of a Black woman.

24 NOMURA would also refer to Black women on the tour as “dumb,” “useless,” and “fat”.

25

26 73. Plaintiff, a Black woman, was offended by NOMURA’s disgusting comments. Plaintiff told

27 NOMURA directly her comments and imitations were offensive, especially in a work

28

COMPLAINT AND DEMAND FOR JURY TRIAL


17
1 setting. NOMURA ignored Plaintiff’s concerns much like Plaintiff’s prior concerns of the

2 lack of privacy and accommodations for the dancers.

4 74. Despite being instructed to not speak with management, Plaintiff bravely decided to come

5 forward. Later in the month of February 2023, Plaintiff informed Gugliotta of the

6 widespread racial and sexual harassment taking place on the tour. Specifically, Plaintiff told

7 Gugliotta that the Black dancers were being mocked, objectified, and denied

8 accommodations by the stage crew and NOMURA. Plaintiff also told Gugliotta that she and

9 her local teams were victims of NOMURA’s verbal and physical abuse, racist comments,

10 bullying, and withholding of accommodations. Plaintiff explained she believes NOMURA’s

11 behavior was racially motivated, and stated, “It’s not lost on me that I’m one of the only

12 Black women working behind the scenes and I feel like [NOMURA] is treating me like I’m

13 a slave.”

14

15 75. Plaintiff expected Gugliotta to inform LIZZO of what was happening on LIZZO’s team

16 because she believed LIZZO would not tolerate racist bullying towards her dancers or the

17 few Black women that worked behind the scenes on her tour. Women who, after all, look

18 just like LIZZO. Plaintiff is informed and believes GUGLIOTTA did, in fact, relay to

19 LIZZO Plaintiff’s reports of racism and mistreatment towards herself and the dancers.

20 GUGLIOTTA reassured Plaintiff that bullying would not be tolerated.

21

22 76. The toxic work environment continued without change. LIZZO’s team ultimately fired

23 Plaintiff without notice or reason. Plaintiff was later informed by GUGLIOTTA that

24 “everyone knows [NOMURA] is crazy.” GUGLIOTTA apologized to Plaintiff several times

25 and acknowledged that although management was aware of NOMURA’s behavior, she

26 would be too hard to replace and NOMURA “wanted [Plaintiff] gone” for speaking up.

27 Throughout the tour, Plaintiff received positive feedback for her designs and other work

28 from performers, local crews, GUGLIOTTA, and even NOMURA herself.

COMPLAINT AND DEMAND FOR JURY TRIAL


18
1 77. Due to the racist and sexualized work environment, and also the unreasonable physical

2 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour

3 from the racist and sexualized environments; she continues to suffer ongoing Anxiety and

4 PTSD after the tour; she suffers from migraines and migraine-induced eye twitch and ocular

5 distortions, brain fog, and fatigue.

7 78. Such discrimination and harassment were so severe or pervasive that it altered the terms and

8 conditions of Plaintiff’s employment, creating a hostile, abusive work environment and

9 making her working conditions intolerable. Said discrimination and harassment was a

10 regular occurrence and sufficiently extreme to amount to a change in the terms and

11 conditions of Plaintiff’s employment.

12

13 79. As a direct and legal result of Defendants’ conduct, and each of them, Plaintiff has suffered

14 and continues to suffer general, consequential, and special damages, including but not

15 limited to substantial losses in earnings, other employment benefits, physical injuries,

16 physical sickness, as well as emotional distress, plus medical expenses, future medical

17 expenses, and attorneys’ fees, all to her damage in an amount according to proof.

18
19 80. As a proximate result of Defendants’ conduct, Plaintiff has also suffered severe emotional

20 distress, anxiety, pain and suffering, physical injuries, physical sickness, medical expenses,

21 future medical expenses, attorneys’ fees, and other damages to be determined at trial

22 according to proof.

23

24 81. Said actions justify the imposition of punitive damages in that Defendants committed the

25 acts alleged herein maliciously, fraudulently and oppressively, with the wrongful intention

26 of injuring Plaintiff, from an improper and evil motive amounting to malice, and in

27 conscious disregard of Plaintiff’s rights. Based upon the foregoing, Plaintiff is entitled to

28

COMPLAINT AND DEMAND FOR JURY TRIAL


19
1 recover punitive damages from Defendants, and each of them, in an amount according to

2 proof.

4 FOURTH CAUSE OF ACTION

5 (FEHA Disability Discrimination)

6 (Plaintiff Against All Defendants)

8 82. Plaintiff incorporates all paragraphs above as though fully set forth herein.

10 83. At all times mentioned in this complaint, Defendants regularly employed five or more

11 persons, bringing Defendants within the provisions of FEHA, Government Code, §

12 12926(d).

13

14 84. This cause of action is brought pursuant to the FEHA, Gov. Code § 12940(a), prohibiting

15 the termination of an employee, such as Plaintiff, from employment or to discriminate

16 against an employee, such as Plaintiff, on the basis of the employee's disability.

17

18 85. In or around mid-February of 2023, Plaintiff and NOMURA were transporting a heavy rack

19 of clothing, when NOMURA rolled the rack over Plaintiff’s foot. Plaintiff stopped and

20 informed NOMURA she needed to sit down, as her foot was in serious pain. Shockingly,

21 NOMURA proceeded to shove Plaintiff into the rack of clothing, while asserting Plaintiff

22 should not make excuses about her foot and must help NOMURA transport the clothing.

23

24 86. Due to being shoved, Plaintiff lost her balance and rolled her ankle. The following day,

25 Plaintiff came to work in “croc” shoes which minimized the pain. When NOMURA noticed

26 the Plaintiff’s orthopedic shoes, she demanded Plaintiff to change into tennis shoes. Plaintiff

27 explained her ankle was swollen and injured after the rack incident, and that it was painful

28 to walk in tennis shoes. However, NOMURA forced Plaintiff to wear the painful tennis

COMPLAINT AND DEMAND FOR JURY TRIAL


20
1 shoes so that she could move heavy cases while injured.

3 87. Before agreeing to the tour, Plaintiff was explicitly promised that she would not have to

4 perform physically demanding duties. This made the demand to change shoes unreasonable

5 and caused unnecessary, compounded injury to Plaintiff. Not only was Plaintiff denied

6 medical treatment (on this occasion and others), but was also forced to be on her feet the

7 majority of the day and denied any rest – even after rolling her ankle. Despite LIZZO’s

8 team knowing of the injury, Plaintiff was forced to sleep in a top bunk without a ladder,

9 even after requesting an accommodation be made. This caused her to reinjure her ankle

10 constantly. In addition, while being forced to help with loading heavy cases, Plaintiff broke

11 2 acrylic nails past the nail bed resulting in open, bleeding wounds and was expected to

12 continue with physical labor without medical treatment.

13

14 88. Later in the month of February 2023, Plaintiff informed GUGLIOTTA of the widespread

15 racial and sexual harassment taking place on the tour. Specifically, Plaintiff told

16 GUGLIOTTA that the Black dancers were being mocked, objectified, and denied

17 accommodations by the stage crew and NOMURA. Plaintiff also told GUGLIOTTA that

18 she and her local teams were victims of NOMURA’s verbal and physical abuse, racist

19 comments, bullying, and withholding of accommodations. Plaintiff explained she believes

20 NOMURA’s behavior was racially motivated, and stated, “It’s not lost on me that I’m one

21 of the only Black women working behind the scenes and I feel like [NOMURA] is treating

22 me like I’m a slave.”

23

24 89. Plaintiff expected GUGLIOTTA to inform LIZZO of what was happening on LIZZO’s team

25 because she believed LIZZO would not tolerate racist bullying towards her dancers or the

26 few Black women that worked behind the scenes on her tour. Women who, after all, look

27 just like LIZZO. Plaintiff is informed and believes GUGLIOTTA did, in fact, relay to

28 LIZZO Plaintiff’s reports of racism and mistreatment towards herself and the dancers.

COMPLAINT AND DEMAND FOR JURY TRIAL


21
1 GUGLIOTTA reassured Plaintiff that bullying would not be tolerated.

3 90. The toxic work environment continued without change. LIZZO’s team ultimately fired

4 Plaintiff without notice or reason. Plaintiff was later informed by GUGLIOTTA that

5 “everyone knows [NOMURA] is crazy.” GUGLIOTTA apologized to Plaintiff several times

6 and acknowledged that although management was aware of NOMURA’s behavior, she

7 would be too hard to replace and NOMURA “wanted [Plaintiff] gone” for speaking up.

8 Throughout the tour, Plaintiff received positive feedback for her designs and other work

9 from performers, local crews, GUGLIOTTA, and even NOMURA herself.

10

11 91. The day Plaintiff was fired, she suffered an allergic reaction that she notified both

12 NOMURA and LIZZO's management about. Plaintiff was denied medical care, was yelled

13 at by NOMURA for taking a break to find medicine, and was pressured by NOMURA to

14 keep working or be sent home. Despite the industry standard to have a medical team

15 available at least by phone, no medical attention was ever provided.

16

17 92. Due to the racist and sexualized work environment, and also the unreasonable physical

18 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour

19 from the racist and sexualized environments; she continues to suffer ongoing Anxiety and

20 PTSD after the tour; she suffers from migraines and migraine-induced eye twitch and ocular

21 distortions, brain fog, and fatigue.

22

23 93. Defendants were on notice of Plaintiff’s disability, for NOMURA, the Wardrobe Manager

24 of Defendants was the one who caused Plaintiff’s injury and subsequent disability. In

25 addition to injuring Plaintiff, NOMURA prohibited Plaintiff from wearing shoes that would

26 accommodate her disability.

27 //

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


22
1 94. Defendants’ adverse actions, including, but not limited to, their failure to accommodate

2 Plaintiff’s disability, was at least in part in retaliation for Plaintiff elaborating on her

3 disability.

5 95. But for Plaintiff’s disability, Defendants would not have taken adverse employment actions.

7 96. As a direct and legal result of Defendants’ conduct, Plaintiff has suffered and continues to

8 suffer substantial losses of wages, salary, benefits and additional amounts of money that

9 Plaintiff would have received if Defendants had not discriminated against her, as alleged

10 above. As a result of such discrimination and consequent harm, Plaintiff has suffered such

11 damages in an amount according to proof. Plaintiff claims such amounts as damages

12 pursuant to California Civil Code § 3287 and/or § 3288 and/or any other provision of law

13 providing for prejudgment interest.

14

15 97. As the further legal result of Defendants’ conduct, Plaintiff has been harmed in that she has

16 suffered the intangible loss of such employment-related opportunities as experience and

17 status in the positions previously held by her, all to her damage in an amount according to

18 proof.

19

20 98. The above-cited conduct of Defendants was done with malice, fraud and oppression, and in

21 reckless disregard of Plaintiff’s rights under the FEHA. Defendants consciously,

22 intentionally and in conscious disregard of her rights discriminated against Plaintiff because

23 of her disability. Plaintiff is thus entitled to recover punitive damages from Defendants in

24 an amount according to proof.

25

26 99. As the result of Defendants’ discriminatory acts as alleged herein, Plaintiff is entitled to

27 reasonable attorney’s fees and costs of suit as provided by FEHA, Gov. Code § 12965(b).

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


23
1 FIFTH CAUSE OF ACTION

2 Failure to Accommodate in Violation of FEHA

3 (Plaintiff Against All Defendants)

5 100. Plaintiff incorporates all paragraphs above as though fully set forth herein.

7 101. Defendants have an affirmative duty under FEHA to reasonably accommodate disabled

8 workers. Such a duty arises regardless of whether the employee requested any

9 accommodation, for FEHA entitles disabled employees to preferential consideration in

10 reassignment of existing employees. (Jensen v. Wells Fargo Bank (2000) 85 Cal.App.4th

11 245).

12

13 102. On or about February 14, 2023, Plaintiff began working on LIZZO’s tour. Plaintiff reported

14 to NOMURA, who was Plaintiff’s supervisor for the entirety of her employment with

15 LIZZO’s tour.

16

17 103. In or around mid-February of 2023, Plaintiff and NOMURA were transporting a heavy rack

18 of clothing, when NOMURA rolled the rack over Plaintiff’s foot. Plaintiff stopped and

19 informed NOMURA she needed to sit down, as her foot was in serious pain. Shockingly,

20 NOMURA proceeded to shove Plaintiff into the rack of clothing, while asserting Plaintiff

21 should not make excuses about her foot and must help NOMURA transport the clothing.

22

23 104. Due to being shoved, Plaintiff lost her balance and rolled her ankle. The following day,

24 Plaintiff came to work in “croc” shoes which minimized the pain. When NOMURA noticed

25 the Plaintiff’s orthopedic shoes, she demanded Plaintiff to change into tennis shoes. Plaintiff

26 explained her ankle was swollen and injured after the rack incident, and that it was painful

27 to walk in tennis shoes. However, NOMURA forced Plaintiff to wear the painful tennis

28 shoes so that she could move heavy cases while injured.

COMPLAINT AND DEMAND FOR JURY TRIAL


24
1 105. Before agreeing to the tour, Plaintiff was explicitly promised that she would not have to

2 perform physically demanding duties. This made the demand to change shoes unreasonable

3 and caused unnecessary, compounded injury to Plaintiff. Not only was Plaintiff denied

4 medical treatment (on this occasion and others), but was also forced to be on her feet the

5 majority of the day and denied any rest – even after rolling her ankle. Despite LIZZO’s

6 team knowing of the injury, Plaintiff was forced to sleep in a top bunk without a ladder,

7 even after requesting an accommodation be made. This caused her to reinjure her ankle

8 constantly. In addition, while being forced to help with loading heavy cases, Plaintiff broke

9 2 acrylic nails past the nail bed resulting in open, bleeding wounds and was expected to

10 continue with physical labor without medical treatment.

11

12 106. Later in the month of February 2023, Plaintiff informed GUGLIOTTA of the widespread

13 racial and sexual harassment taking place on the tour. Specifically, Plaintiff told

14 GUGLIOTTA that the Black dancers were being mocked, objectified, and denied

15 accommodations by the stage crew and NOMURA. Plaintiff also told GUGLIOTTA that

16 she and her local teams were victims of NOMURA’s verbal and physical abuse, racist

17 comments, bullying, and withholding of accommodations. Plaintiff explained she believes

18 NOMURA’s behavior was racially motivated, and stated, “It’s not lost on me that I’m one

19 of the only Black women working behind the scenes and I feel like [NOMURA] is treating

20 me like I’m a slave.”

21

22 107. Plaintiff expected GUGLIOTTA to inform LIZZO of what was happening on LIZZO’s team

23 because she believed LIZZO would not tolerate racist bullying towards her dancers or the

24 few Black women that worked behind the scenes on her tour. Women who, after all, look

25 just like LIZZO. Plaintiff is informed and believes GUGLIOTTA did, in fact, relay to

26 LIZZO Plaintiff’s reports of racism and mistreatment towards herself and the dancers.

27 GUGLIOTTA reassured Plaintiff that bullying would not be tolerated.

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


25
1 108. The toxic work environment continued without change. LIZZO’s team ultimately fired

2 Plaintiff without notice or reason. Plaintiff was later informed by GUGLIOTTA that

3 “everyone knows [NOMURA] is crazy.” GUGLIOTTA apologized to Plaintiff several times

4 and acknowledged that although management was aware of NOMURA’s behavior, she

5 would be too hard to replace and NOMURA “wanted [Plaintiff] gone” for speaking up.

6 Throughout the tour, Plaintiff received positive feedback for her designs and other work

7 from performers, local crews, GUGLIOTTA, and even NOMURA herself.

9 109. The day Plaintiff was fired, she suffered an allergic reaction that she notified both

10 NOMURA and LIZZO's management about. Plaintiff was denied medical care, was yelled

11 at by NOMURA for taking a break to find medicine, and was pressured by NOMURA to

12 keep working or be sent home. Despite the industry standard to have a medical team

13 available at least by phone, no medical attention was ever provided.

14

15 110. Due to the racist and sexualized work environment, and also the unreasonable physical

16 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour

17 from the racist and sexualized environments; she continues to suffer ongoing Anxiety and

18 PTSD after the tour; she suffers from migraines and migraine-induced eye twitch and ocular

19 distortions, brain fog, and fatigue.

20

21 111. Defendants were aware of Plaintiff’s disability, set forth above because, NOMURA, the

22 Wardrobe Manager of Defendants was the one who caused Plaintiff’s injury and subsequent

23 disability. In addition to injuring Plaintiff, NOMURA prohibited Plaintiff from wearing

24 shoes that would accommodate her disability.

25

26 112. As a direct and legal result of Defendants’ failure to accommodate Plaintiff’s disability,

27 Plaintiff has suffered and continues to suffer general, consequential, and special damages,

28 including but not limited to substantial losses in earnings, other employment benefits,

COMPLAINT AND DEMAND FOR JURY TRIAL


26
1 physical injuries, physical sickness, as well as emotional distress, plus medical expenses,

2 future medical expenses, and attorneys’ fees all to her damage in an amount according to

3 proof.

5 113. Said discrimination and/or refusal to accommodate was wrongful and justifies the

6 imposition of punitive damages, for refusing to accommodate Plaintiff’s need to wear

7 comfortable shoes was against public policy. Defendants intentionally failed to

8 accommodate Plaintiff, acted maliciously, fraudulently, and oppressively, with the wrongful

9 intention of injuring Plaintiff. Defendant acted with an evil purpose, in an intentional and

10 deliberate manner, in violation of Plaintiff’s civil rights and/or with conscious disregard of

11 Plaintiff’s rights. Based upon the foregoing, Plaintiff is entitled to recover punitive damages

12 in an amount according to proof from Defendants and each of them.

13

14 SIXTH CAUSE OF ACTION

15 Failure to Engage in the Interactive Process

16 (Plaintiff Against All Defendants)

17

18 114. Plaintiff incorporates all paragraphs above as though fully set forth herein.

19

20 115. Plaintiff, at all relevant times herein, suffered from a FEHA protected disability.

21

22 116. Defendants were aware of Plaintiff’s disability, set forth above because, NOMURA, the

23 Wardrobe Manager of Defendants was the one who caused Plaintiff’s injury and subsequent

24 disability. In addition to injuring Plaintiff, NOMURA prohibited Plaintiff from wearing

25 shoes that would accommodate her disability, without engaging in a proper interactive

26 process before doing so.

27 //

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


27
1 117. Plaintiff did not cause the breakdown of the interactive process with Defendants. Rather,

2 Defendants caused the breakdown of the interactive process with Plaintiff when they refused

3 to provide Plaintiff accommodations for her disability. Instead of accommodating her,

4 Defendant refused to allow Plaintiff to wear comfortable shoes, then subsequently

5 terminated her employment. Despite the fact that Defendant NORMURA caused Plaintiff’s

6 disability, Defendants did not engage in a timely, good faith interactive process with

7 Plaintiff to find an accommodation for her disability.

9 118. As a direct and legal result of Defendants’ conduct, and each of them, Plaintiff has suffered

10 and continues to suffer general, consequential, and special damages, including but not

11 limited to substantial losses in earnings, other employment benefits, physical injuries,

12 physical sickness, as well as emotional distress, plus medical expenses, future medical

13 expenses, and attorneys’ fees, all to her damages in an amount according to proof.

14

15 119. As a further legal result of Defendants’ conduct, Plaintiff has been harmed in that she has

16 suffered the intangible loss of such employment-related opportunities as experience and

17 status in the positions previously held by her, those she would have held, all to her damage

18 in an amount according to proof.

19

20 120. Said actions justify the imposition of punitive damages in that Defendants committed the

21 acts alleged herein maliciously, fraudulently, and oppressively, with the wrongful intention

22 of injuring Plaintiff, from an improper and evil motive amounting to malice, and in

23 conscious disregard of Plaintiff’s rights. Based upon the foregoing, Plaintiff is entitled to

24 recover punitive damages from Defendants, and each of them, in an amount according to

25 proof.

26 //

27 //

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


28
1 SEVENTH CAUSE OF ACTION

2 Retaliation in Violation of FEHA

3 (Plaintiff Against All Defendants)

5 121. Plaintiff incorporates all paragraphs above as though fully set forth herein.

7 122. At all times herein mentioned in this complaint, Defendants regularly employed five or more

8 persons, bringing Defendants within the provisions of the FEHA Gov. Code, § 12926(d).

10 123. This cause of action is brought pursuant to FEHA, Gov. Code § 12940(h) preventing

11 Defendants from discharging or otherwise discriminating against employees, such as

12 Plaintiff, for exercising her rights protected under FEHA, such as requesting an

13 accommodation for a disability and/or complaining of sexual harassment, and/or racial

14 discrimination.

15

16 124. Defendants’ adverse actions, including, but not limited to, Plaintiff’s termination, and failure

17 to accommodate, were at least in part, in retaliation for Plaintiff’s disability, her complaints

18 about sexual harassment, and her complaints about racial discrimination.

19

20 125. On or about February 14, 2023, Plaintiff began working on LIZZO’s tour. Plaintiff reported

21 to NOMURA, who was Plaintiff’s supervisor for the entirety of her employment with

22 LIZZO’s tour.

23

24 126. The disappointing reality of working on LIZZO’s tour sunk in at the get-go. Plaintiff often

25 worked seven (7) days a week, from approximately 6:00 a.m. to 2:00 a.m., and was

26 frequently denied breaks by NOMURA. Plaintiff’s movement and communication with

27 others were constantly monitored and policed by NOMURA. Even during the rare,

28 designated days off, Plaintiff was pressured to always work while she was on the tour.

COMPLAINT AND DEMAND FOR JURY TRIAL


29
1 Plaintiff is informed and believes this directive came from LIZZO’s management.

3 127. Adding to the uncomfortable environment of LIZZO’s tour, Plaintiff was specifically

4 instructed to never interact with LIZZO herself because LIZZO would be jealous. Plaintiff

5 was instructed to “tone it down” if she was ever to interact with LIZZO - specifically

6 referencing not to dress attractively in front of LIZZO. NOMURA shared that one time

7 LIZZO was bothered NOMURA was seen by LIZZO’s boyfriend, and became very upset

8 and jealous towards NOMURA. NOMURA explained that LIZZO would get upset the

9 same way with Plaintiff if Plaintiff interacted with LIZZO and/or LIZZO’s boyfriend.

10

11 128. Almost immediately, Plaintiff was introduced to the culture of racism and bullying on

12 LIZZO’s tour. Plaintiff witnessed LIZZO’s approximately ten (10) background dancers

13 (including Arianna Davis, Crystal Williams and Noelle Rodriguez) being forced to change

14 in and out of their clothing in small, tight, changing areas during all the shows with little to

15 no privacy whatsoever. Members of LIZZO’s stage crew, primarily white males, would

16 lewdly gawk, sneer, and giggle while watching the dancers rush through their outfit-

17 changes.

18
19 129. Plaintiff expressed concern to NOMURA about utter lack of privacy and necessary

20 accommodations and tools Black female performers would need on tour. However,

21 NOMURA merely laughed at the dancers’ poor accommodations, and “advised” Plaintiff

22 not to alert anyone else about the issue or try to fix the issue. Plaintiff would later learn

23 details that led her to believe this was a set up to humiliate, degrade, alienate, and, in some

24 cases, fire, the Black female performers.

25

26 130. Often, the background dancers would directly inform Plaintiff when they would rip their

27 fishnet stockings or other dance gear while dancing. The first time this happened, Plaintiff

28 provided the dancer with an additional pair of stockings since there was a fully stocked

COMPLAINT AND DEMAND FOR JURY TRIAL


30
1 inventory of fishnet stockings. However, Plaintiff was scolded by LIZZO’s management for

2 giving the dancer additional stockings and instructed her not to do so again. Plaintiff was

3 also specifically instructed to not give certain dancers panties, mirrors, or items they would

4 need and ask for, despite those items being stocked.

6 131. Additionally, throughout the entirety of her employment, Plaintiff was forced to hear racist

7 and fatphobic comments from NOMURA. Plaintiff witnessed NOMURA mock both LIZZO

8 & LIZZO’s background dancers on multiple occasions. NOMURA would imitate the

9 dancers and LIZZO by doing an offensive stereotypical impression of a Black woman.

10 NOMURA would also refer to Black women on the tour as “dumb,” “useless,” and “fat”.

11

12 132. Plaintiff, a Black woman, was offended by NOMURA’s disgusting comments. Plaintiff told

13 NOMURA directly her comments and imitations were offensive, especially in a work

14 setting. NOMURA ignored Plaintiff’s concerns much like Plaintiff’s prior concerns of the

15 lack of privacy and accommodations for the dancers.

16

17 133. In or around mid-February of 2023, Plaintiff and NOMURA were transporting a heavy rack

18 of clothing, when NOMURA rolled the rack over Plaintiff’s foot. Plaintiff stopped and

19 informed NOMURA she needed to sit down, as her foot was in serious pain. Shockingly,

20 NOMURA proceeded to shove Plaintiff into the rack of clothing, while asserting Plaintiff

21 should not make excuses about her foot and must help NOMURA transport the clothing.

22

23 134. Due to being shoved, Plaintiff lost her balance and rolled her ankle. The following day,

24 Plaintiff came to work in “croc” shoes which minimized the pain. When NOMURA noticed

25 the Plaintiff’s orthopedic shoes, she demanded Plaintiff to change into tennis shoes. Plaintiff

26 explained her ankle was swollen and injured after the rack incident, and that it was painful

27 to walk in tennis shoes. However, NOMURA forced Plaintiff to wear the painful tennis

28 shoes so that she could move heavy cases while injured.

COMPLAINT AND DEMAND FOR JURY TRIAL


31
1 135. Before agreeing to the tour, Plaintiff was explicitly promised that she would not have to

2 perform physically demanding duties. This made the demand to change shoes unreasonable

3 and caused unnecessary, compounded injury to Plaintiff. Not only was Plaintiff denied

4 medical treatment (on this occasion and others), but was also forced to be on her feet the

5 majority of the day and denied any rest – even after rolling her ankle. Despite LIZZO’s

6 team knowing of the injury, Plaintiff was forced to sleep in a top bunk without a ladder,

7 even after requesting an accommodation be made. This caused her to reinjure her ankle

8 constantly. In addition, while being forced to help with loading heavy cases, Plaintiff broke

9 2 acrylic nails past the nail bed resulting in open, bleeding wounds and was expected to

10 continue with physical labor without medical treatment.

11

12 136. On several occasions, NOMURA made statements and/or took physical actions to threaten

13 Plaintiff and the entire crew: (1) NOMURA threatened Plaintiff and others that she would

14 “kill a bitch” and “stab a bitch” when she could not find her medication. (2) NOMURA

15 shoved a crew member in retaliation for revealing she was threatening to quit. (3) NOMURA

16 snatched food out of a local worker’s hand for merely attempting to take an assigned break.

17 (4) NOMURA expressed that she would “kill a bitch if it came down to it” if anyone

18 threatened her job. LIZZO’s Management was well aware of this pattern of behavior.

19 Carlina GUGLIOTTA (hereinafter, “GUGLIOTTA”), LIZZO’s Tour Manager, even

20 requested Plaintiff to record NOMURA without her knowledge, which Plaintiff did not do

21 as it was both unethical and possibly unlawful.

22

23 137. Compounding the disillusionment with LIZZO’s tour, Plaintiff also endured sexual

24 harassment by LIZZO’s team. Specifically, there was a group chat of over 30+ people from

25 the BGBT team, which included LIZZO tour management and Plaintiff. In the group

26 message, a backstage manager sent a photo graphically depicting male genitalia. No one

27 from LIZZO’s management team addressed this graphic sexual imagery in the workplace

28 appropriately. Instead, LIZZO’s management found the image to be comical, further

COMPLAINT AND DEMAND FOR JURY TRIAL


32
1 encouraging an unsafe, sexually charged workplace culture.

3 138. As another example of this, when the tour got to Amsterdam, Plaintiff witnessed NOMURA,

4 crew, and LIZZO’s management openly discussing hiring sex workers for lewd sex acts,

5 attending sex shows, and buying hard drugs. Plaintiff felt pressured to join such activities

6 and found a way to secure one of her few days off to escape.

8 139. Enough was enough. Despite being instructed to not speak with management, Plaintiff

9 bravely decided to come forward. Later in the month of February 2023, Plaintiff informed

10 GUGLIOTTA of the widespread racial and sexual harassment taking place on the tour.

11 Specifically, Plaintiff told GUGLIOTTA that the Black dancers were being mocked,

12 objectified, and denied accommodations by the stage crew and NOMURA. Plaintiff also

13 told GUGLIOTTA that she and her local teams were victims of NOMURA’s verbal and

14 physical abuse, racist comments, bullying, and withholding of accommodations. Plaintiff

15 explained she believes NOMURA’s behavior was racially motivated, and stated, “It’s not

16 lost on me that I’m one of the only Black women working behind the scenes and I feel like

17 [NOMURA] is treating me like I’m a slave.”

18
19 140. Plaintiff expected GUGLIOTTA to inform LIZZO of what was happening on LIZZO’s team

20 because she believed LIZZO would not tolerate racist bullying towards her dancers or the

21 few Black women that worked behind the scenes on her tour. Women who, after all, look

22 just like LIZZO. Plaintiff is informed and believes GUGLIOTTA did, in fact, relay to

23 LIZZO Plaintiff’s reports of racism and mistreatment towards herself and the dancers.

24 GUGLIOTTA reassured Plaintiff that bullying would not be tolerated.

25

26 141. The toxic work environment continued without change. LIZZO’s team ultimately fired

27 Plaintiff without notice or reason. Plaintiff was later informed by GUGLIOTTA that

28 “everyone knows [NOMURA] is crazy.” GUGLIOTTA apologized to Plaintiff several times

COMPLAINT AND DEMAND FOR JURY TRIAL


33
1 and acknowledged that although management was aware of NOMURA’s behavior, she

2 would be too hard to replace and NOMURA “wanted [Plaintiff] gone” for speaking up.

3 Throughout the tour, Plaintiff received positive feedback for her designs and other work

4 from performers, local crews, GUGLIOTTA, and even NOMURA herself.

6 142. In fact, The Big Grrls and tour musicians requested a meeting with management to dispute

7 Plaintiff’s firing and their request was denied. Plaintiff was abruptly fired before her contract

8 was set to end and put on a March 6, 2023 flight home.

10 143. The day Plaintiff was fired, she suffered an allergic reaction that she notified both

11 NOMURA and LIZZO's management about. Plaintiff was denied medical care, was yelled

12 at by NOMURA for taking a break to find medicine, and was pressured by NOMURA to

13 keep working or be sent home. Despite the industry standard to have a medical team

14 available at least by phone, no medical attention was ever provided.

15

16 144. Due to the racist and sexualized work environment, and also the unreasonable physical

17 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour

18 from the racist and sexualized environments; she continues to suffer ongoing Anxiety and

19 PTSD after the tour; she suffers from migraines and migraine-induced eye twitch and ocular

20 distortions, brain fog, and fatigue.

21

22 145. As a direct and legal result of Defendants’ conduct, and each of them, Plaintiff has suffered

23 and continues to suffer general, consequential, and special damages, including but not

24 limited to substantial losses in earnings, other employment benefits, physical injuries,

25 physical sickness, as well as emotional distress, plus medical expenses, future medical

26 expenses, and attorneys’ fees, all to her damage in an amount according to proof.

27 //

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


34
1 146. As a further legal result of Defendants’ conduct, Plaintiff has been harmed in that she has

2 suffered the intangible loss of such employment-related opportunities as experience and

3 status in the positions previously held by her, those she would have held, all to her damage

4 in an amount according to proof.

6 147. As a proximate result of Defendants’ conduct, Plaintiff has also suffered severe emotional

7 distress, anxiety, pain and suffering, physical injuries, physical sickness, medical expenses,

8 future medical expenses, attorneys’ fees, and other damages to be determined in an amount

9 according to proof.

10

11 148. Said actions justify the imposition of punitive damages in that Defendants committed the

12 acts alleged herein maliciously, fraudulently, and oppressively, with the wrongful intention

13 of injuring Plaintiff, from an improper and evil motive amount to malice, and in conscious

14 disregard of Plaintiff’s rights. Defendants had notice and knowledge of the harassment,

15 discrimination, and Plaintiff’s disability but failed to take reasonable steps to prevent such

16 conduct. Based upon the foregoing, Plaintiff is entitled to recover punitive damages from

17 Defendants, and each of them, in an amount according to proof.

18
19 EIGHTH CAUSE OF ACTION

20 Retaliation in Violation of California Labor Code §§ 1102.5 and 6310

21 (Plaintiff Against All Defendants)

22

23 149. Plaintiff incorporates all paragraphs above as though fully set forth herein.

24

25 150. At all times herein mentioned in this Complaint, California Labor Code §§ 1102.5 and 6310

26 was in full force and effect and binding on Defendants and Defendants were subject to its

27 terms. Defendants wrongfully retaliated against Plaintiff for reasons and in a manner

28 contrary to public policy, on a pre-textual basis, because of her complaints about workplace

COMPLAINT AND DEMAND FOR JURY TRIAL


35
1 harassment and discrimination, as herein above alleged.

3 151. Pursuant to California Labor Code § 1102.5, subdivision (c), and California Labor Code §

4 6310, subdivision (b), an employer, or any person acting on behalf of the employer, shall

5 not retaliate against an employee for refusing to participate in an activity that would result

6 in violation of state or federal statute, or a violation of or noncompliance with a local, state,

7 or federal rule or regulation.

9 152. On or about February 14, 2023, Plaintiff began working on LIZZO’s tour. Plaintiff reported

10 to NOMURA, who was Plaintiff’s supervisor for the entirety of her employment with

11 LIZZO’s tour.

12

13 153. The disappointing reality of working on LIZZO’s tour sunk in at the get-go. Plaintiff often

14 worked seven (7) days a week, from approximately 6:00 a.m. to 2:00 a.m., and was

15 frequently denied breaks by NOMURA. Plaintiff’s movement and communication with

16 others were constantly monitored and policed by NOMURA. Even during the rare,

17 designated days off, Plaintiff was pressured to always work while she was on the tour.

18 Plaintiff is informed and believes this directive came from LIZZO’s management.

19

20 154. Adding to the uncomfortable environment of LIZZO’s tour, Plaintiff was specifically

21 instructed to never interact with LIZZO herself because LIZZO would be jealous. Plaintiff

22 was instructed to “tone it down” if she was ever to interact with LIZZO - specifically

23 referencing not to dress attractively in front of LIZZO. NOMURA shared that one time

24 LIZZO was bothered NOMURA was seen by LIZZO’s boyfriend, and became very upset

25 and jealous towards NOMURA. NOMURA explained that LIZZO would get upset the

26 same way with Plaintiff if Plaintiff interacted with LIZZO and/or LIZZO’s boyfriend.

27 //

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


36
1 155. Almost immediately, Plaintiff was introduced to the culture of racism and bullying on

2 LIZZO’s tour. Plaintiff witnessed LIZZO’s approximately ten (10) background dancers

3 (including Arianna Davis, Crystal Williams and Noelle Rodriguez) being forced to change

4 in and out of their clothing in small, tight, changing areas during all the shows with little to

5 no privacy whatsoever. Members of LIZZO’s stage crew, primarily white males, would

6 lewdly gawk, sneer, and giggle while watching the dancers rush through their outfit-

7 changes.

9 156. Plaintiff expressed concern to NOMURA about utter lack of privacy and necessary

10 accommodations and tools Black female performers would need on tour. However,

11 NOMURA merely laughed at the dancers’ poor accommodations, and “advised” Plaintiff

12 not to alert anyone else about the issue or try to fix the issue. Plaintiff would later learn

13 details that led her to believe this was a set up to humiliate, degrade, alienate, and, in some

14 cases, fire, the Black female performers.

15

16 157. Often, the background dancers would directly inform Plaintiff when they would rip their

17 fishnet stockings or other dance gear while dancing. The first time this happened, Plaintiff

18 provided the dancer with an additional pair of stockings since there was a fully stocked

19 inventory of fishnet stockings. However, Plaintiff was scolded by LIZZO’s management for

20 giving the dancer additional stockings and instructed her not to do so again. Plaintiff was

21 also specifically instructed to not give certain dancers panties, mirrors, or items they would

22 need and ask for, despite those items being stocked.

23

24 158. Additionally, throughout the entirety of her employment, Plaintiff was forced to hear racist

25 and fatphobic comments from NOMURA. Plaintiff witnessed NOMURA mock both LIZZO

26 & LIZZO’s background dancers on multiple occasions. NOMURA would imitate the

27 dancers and LIZZO by doing an offensive stereotypical impression of a Black woman.

28 NOMURA would also refer to Black women on the tour as “dumb,” “useless,” and “fat”.

COMPLAINT AND DEMAND FOR JURY TRIAL


37
1 159. Plaintiff, a Black woman, was offended by NOMURA’s disgusting comments. Plaintiff told

2 NOMURA directly her comments and imitations were offensive, especially in a work

3 setting. NOMURA ignored Plaintiff’s concerns much like Plaintiff’s prior concerns of the

4 lack of privacy and accommodations for the dancers.

6 160. In or around mid-February of 2023, Plaintiff and NOMURA were transporting a heavy rack

7 of clothing, when NOMURA rolled the rack over Plaintiff’s foot. Plaintiff stopped and

8 informed NOMURA she needed to sit down, as her foot was in serious pain. Shockingly,

9 NOMURA proceeded to shove Plaintiff into the rack of clothing, while asserting Plaintiff

10 should not make excuses about her foot and must help NOMURA transport the clothing.

11

12 161. Due to being shoved, Plaintiff lost her balance and rolled her ankle. The following day,

13 Plaintiff came to work in “croc” shoes which minimized the pain. When NOMURA noticed

14 the Plaintiff’s orthopedic shoes, she demanded Plaintiff to change into tennis shoes. Plaintiff

15 explained her ankle was swollen and injured after the rack incident, and that it was painful

16 to walk in tennis shoes. However, NOMURA forced Plaintiff to wear the painful tennis

17 shoes so that she could move heavy cases while injured.

18
19 162. Before agreeing to the tour, Plaintiff was explicitly promised that she would not have to

20 perform physically demanding duties. This made the demand to change shoes unreasonable

21 and caused unnecessary, compounded injury to Plaintiff. Not only was Plaintiff denied

22 medical treatment (on this occasion and others), but was also forced to be on her feet the

23 majority of the day and denied any rest – even after rolling her ankle. Despite LIZZO’s

24 team knowing of the injury, Plaintiff was forced to sleep in a top bunk without a ladder,

25 even after requesting an accommodation be made. This caused her to reinjure her ankle

26 constantly. In addition, while being forced to help with loading heavy cases, Plaintiff broke

27 2 acrylic nails past the nail bed resulting in open, bleeding wounds and was expected to

28 continue with physical labor without medical treatment.

COMPLAINT AND DEMAND FOR JURY TRIAL


38
1 163. On several occasions, NOMURA made statements and/or took physical actions to threaten

2 Plaintiff and the entire crew: (1) NOMURA threatened Plaintiff and others that she would

3 “kill a bitch” and “stab a bitch” when she could not find her medication. (2) NOMURA

4 shoved a crew member in retaliation for revealing she was threatening to quit. (3) NOMURA

5 snatched food out of a local worker’s hand for merely attempting to take an assigned break.

6 (4) NOMURA expressed that she would “kill a bitch if it came down to it” if anyone

7 threatened her job. LIZZO’s Management was well aware of this pattern of behavior.

8 Carlina GUGLIOTTA (hereinafter, “GUGLIOTTA”), LIZZO’s Tour Manager, even

9 requested Plaintiff to record NOMURA without her knowledge, which Plaintiff did not do

10 as it was both unethical and possibly unlawful.

11

12 164. Compounding the disillusionment with LIZZO’s tour, Plaintiff also endured sexual

13 harassment by LIZZO’s team. Specifically, there was a group chat of over 30+ people from

14 the BGBT team, which included LIZZO tour management and Plaintiff. In the group

15 message, a backstage manager sent a photo graphically depicting male genitalia. No one

16 from LIZZO’s management team addressed this graphic sexual imagery in the workplace

17 appropriately. Instead, LIZZO’s management found the image to be comical, further

18 encouraging an unsafe, sexually charged workplace culture.

19

20 165. As another example of this, when the tour got to Amsterdam, Plaintiff witnessed NOMURA,

21 crew, and LIZZO’s management openly discussing hiring sex workers for lewd sex acts,

22 attending sex shows, and buying hard drugs. Plaintiff felt pressured to join such activities

23 and found a way to secure one of her few days off to escape.

24

25 166. Enough was enough. Despite being instructed to not speak with management, Plaintiff

26 bravely decided to come forward. Later in the month of February 2023, Plaintiff informed

27 GUGLIOTTA of the widespread racial and sexual harassment taking place on the tour.

28 Specifically, Plaintiff told GUGLIOTTA that the Black dancers were being mocked,

COMPLAINT AND DEMAND FOR JURY TRIAL


39
1 objectified, and denied accommodations by the stage crew and NOMURA. Plaintiff also

2 told GUGLIOTTA that she and her local teams were victims of NOMURA’s verbal and

3 physical abuse, racist comments, bullying, and withholding of accommodations. Plaintiff

4 explained she believes NOMURA’s behavior was racially motivated, and stated, “It’s not

5 lost on me that I’m one of the only Black women working behind the scenes and I feel like

6 [NOMURA] is treating me like I’m a slave.”

8 167. Plaintiff expected GUGLIOTTA to inform LIZZO of what was happening on LIZZO’s team

9 because she believed LIZZO would not tolerate racist bullying towards her dancers or the

10 few Black women that worked behind the scenes on her tour. Women who, after all, look

11 just like LIZZO. Plaintiff is informed and believes GUGLIOTTA did, in fact, relay to

12 LIZZO Plaintiff’s reports of racism and mistreatment towards herself and the dancers.

13 GUGLIOTTA reassured Plaintiff that bullying would not be tolerated.

14

15 168. The toxic work environment continued without change. LIZZO’s team ultimately fired

16 Plaintiff without notice or reason. Plaintiff was later informed by GUGLIOTTA that

17 “everyone knows [NOMURA] is crazy.” GUGLIOTTA apologized to Plaintiff several times

18 and acknowledged that although management was aware of NOMURA’s behavior, she

19 would be too hard to replace and NOMURA “wanted [Plaintiff] gone” for speaking up.

20 Throughout the tour, Plaintiff received positive feedback for her designs and other work

21 from performers, local crews, GUGLIOTTA, and even NOMURA herself.

22

23 169. In fact, The Big Grrls and tour musicians requested a meeting with management to dispute

24 Plaintiff’s firing and their request was denied. Plaintiff was abruptly fired before her contract

25 was set to end and put on a March 6, 2023 flight home.

26
27 170. The day Plaintiff was fired, she suffered an allergic reaction that she notified both

28 NOMURA and LIZZO's management about. Plaintiff was denied medical care, was yelled

COMPLAINT AND DEMAND FOR JURY TRIAL


40
1 at by NOMURA for taking a break to find medicine, and was pressured by NOMURA to

2 keep working or be sent home. Despite the industry standard to have a medical team

3 available at least by phone, no medical attention was ever provided.

5 171. Due to the racist and sexualized work environment, and also the unreasonable physical

6 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour

7 from the racist and sexualized environments; she continues to suffer ongoing Anxiety and

8 PTSD after the tour; she suffers from migraines and migraine-induced eye twitch and ocular

9 distortions, brain fog, and fatigue.

10

11 172. Said retaliation was and is in violation of § §1102.5 and 6310. of the Labor Code because

12 the actual reason for terminating Plaintiff was for her complaints of Defendants’ illegal

13 activities, specifically, Defendants’ sexual and racial harssment.

14

15 173. As a direct and legal result of Defendants’ retaliatory actions against Plaintiff for her

16 protected activity herein referenced, Plaintiff has suffered and continues to suffer general,

17 consequential, and special damages, including but not limited to substantial losses in

18 earnings, other employment benefits, physical injuries, physical sickness, as well as

19 emotional distress, plus medical expenses, future medical expenses, and attorneys’ fees, all

20 to her damage in an amount according to proof.

21 //

22 //

23 //

24 //

25 //

26 //

27 //

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


41
1 NINTH CAUSE OF ACTION

2 Assault

3 (Plaintiff Against Defendant NOMURA)

5 174. Plaintiff incorporates all paragraphs above as though fully set forth herein.

7 175. On or about February 14, 2023, Plaintiff began working on LIZZO’s tour. Plaintiff

8 reported to NOMURA, who was Plaintiff’s supervisor for the entirety of her employment

9 with LIZZO’s tour.

10

11 176. In or around mid-February of 2023, Plaintiff and NOMURA were transporting a heavy

12 rack of clothing, when NOMURA rolled the rack over Plaintiff’s foot. Plaintiff stopped

13 and informed NOMURA she needed to sit down, as her foot was in serious

14 pain. Shockingly, NOMURA proceeded to shove Plaintiff into the rack of clothing, while

15 asserting Plaintiff should not make excuses about her foot and must help NOMURA

16 transport the clothing.

17

18 177. Due to being shoved, Plaintiff lost her balance and rolled her ankle. The following day,

19 Plaintiff came to work in “croc” shoes which minimized the pain. When NOMURA

20 noticed the Plaintiff’s orthopedic shoes, she demanded Plaintiff to change into tennis

21 shoes. Plaintiff explained her ankle was swollen and injured after the rack incident, and

22 that it was painful to walk in tennis shoes. However, NOMURA forced Plaintiff to wear

23 the painful tennis shoes so that she could move heavy cases while injured.

24

25 178. On several occasions, NOMURA made statements and/or took physical actions to threaten

26 Plaintiff and the entire crew: (1) NOMURA threatened Plaintiff and others that she would

27 “kill a bitch” and “stab a bitch” when she could not find her medication. (2) NOMURA

28 shoved a crew member in retaliation for revealing she was threatening to quit. (3)

COMPLAINT AND DEMAND FOR JURY TRIAL


42
1 NOMURA snatched food out of a local worker’s hand for merely attempting to take an

2 assigned break. (4) NOMURA expressed that she would “kill a bitch if it came down to

3 it” if anyone threatened her job. LIZZO’s Management was well aware of this pattern of

4 behavior. Carlina GUGLIOTTA (hereinafter, “GUGLIOTTA”), LIZZO’s Tour Manager,

5 even requested Plaintiff to record NOMURA without her knowledge, which Plaintiff did

6 not do as it was both unethical and possibly unlawful.

8 179. Defendant NOMURA committed these acts during the course and scope of her capacity

9 as manager/supervising agent of BGBT and LIZZO.

10

11 180. In doing the acts as alleged above, NOMURA intended to cause or to place Plaintiff in

12 apprehension of harmful and offensive bodily contact.

13

14 181. In fact, as alleged above, NOMURA made contact with Plaintiff’s person.

15

16 182. As a direct result of NOMURA’s actions, Plaintiff was placed in great apprehension of

17 harmful contact to her person.

18
19 183. At no time did Plaintiff consent to being contacted by NOMURA.

20

21 184. As a proximate result of the acts of NOMURA as alleged above, Plaintiff feared for her

22 safety and was injured. This fear caused and continues to cause Plaintiff severe emotional

23 distress. As a result of these injuries, Plaintiff have suffered general damages.

24

25 185. Plaintiff is informed and believes that the aforesaid acts directed towards her were carried

26 out with a conscious disregard for her right to be free from tortious behavior, such as to

27 constitute oppression, fraud, and/or malice pursuant to California Civil Code § 3294,

28 entitling Plaintiff to punitive damages in an amount appropriate to punish and deter

COMPLAINT AND DEMAND FOR JURY TRIAL


43
1 Defendant NOMURA from engaging in this type of behavior.

3 PRAYER

5 1. For damages according to proof, including unpaid wages, loss of earnings, deferred

6 compensation, and other employment benefits;

8 2. For general damages, including but not limited to emotional distress, according to

9 proof;

10

11 3. For other special damages according to proof, including but not limited to

12 reasonable medical expenses;

13

14 4. For punitive damages according to proof;

15

16 5. For prejudgment interest on lost wages and benefits;

17

18 6. For costs incurred by Plaintiff, including reasonable attorneys’ fees and costs of

19 suit, in obtaining the benefits due to Plaintiff and for violations of Plaintiff’s civil rights through

20 the Fair Employment and Housing Act and Labor Code § 1102.5(j), as set forth above; and

21

22 7. For such other and further relief as the court deems just and proper.

23 //

24 //

25 //

26 //

27 //

28 //

COMPLAINT AND DEMAND FOR JURY TRIAL


44
1 Dated: September 19, 2023 WEST COAST EMPLOYMENT LAWYERS, APLC
2

4 By:
Ronald Zambrano, Esq.
5 Attorney for Plaintiff,
ASHA DANIELS
6

8 DEMAND FOR JURY TRIAL


9

10 Plaintiff hereby respectfully demands a jury trial.


11

12

13 Dated: September 19, 2023 WEST COAST EMPLOYMENT LAWYERS, APLC


14

15

16
By:
17 Ronald Zambrano, Esq.
Attorney for Plaintiff,
18 ASHA DANIELS
19

20

21

22

23

24

25

26
27

28

COMPLAINT AND DEMAND FOR JURY TRIAL


45

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