Asha Daniels' Lawsuit
Asha Daniels' Lawsuit
Asha Daniels' Lawsuit
223819)
1 efilings@westcoasttriallawyers.com
2 Ronald L. Zambrano (State Bar No. 255613)
ron@westcoasttriallawyers.com
3 WEST COAST EMPLOYMENT LAWYERS, APLC
1147 South Hope Street
4 Los Angeles, California 90015
Telephone: (213) 927-3700
5
Facsimile: (213) 927-3701
6
Attorneys for Plaintiff,
7 ASHA DANIELS
11
ASHA DANIELS, an Individual; CASE NO.:
12
COMPLAINT FOR DAMAGES
13
Plaintiff, (1) FEHA HOSTILE WORK ENVIRONMENT : SEXUAL
14 HARASSMENT;
v.
15 (2) FEHA FAILURE TO PREVENT AND/OR REMEDY
BIG GRRRL BIG TOURING, INC, a HOSTILE WORK ENVIRONMENT SEXUAL
16 Delaware Corporation; MELISSA HARASSMENT;
24 (9) ASSAULT.
25
28
1
1 Plaintiff, ASHA DANIELS (hereinafter referred to as, “DANIELS” or “Plaintiff”), an
2 Individual, in her complaint against Defendants, BIG GRRRL BIG TOURING, INC., a Delaware
9 INTRODUCTION
10
12 decision, and regulatory laws. Plaintiff was an employee of Defendants, BGBT and LIZZO
13 at all times herein mentioned. Defendant NOMURA was the supervising agent for BGBT
15
16 2. Plaintiff alleged that California statutory, decisional, and regulatory laws prohibit the
17 conduct by Defendants herein alleged, and therefore Plaintiff has an entitlement to monetary
18 relief on the basis that Defendants violated such statutes, decisional law, and regulations.
19
21
22 3. Jurisdiction is proper in this court by virtue of the California statutes, decisional law, and
23 regulations, and the local rules under the Los Angeles County Superior Court Rules.
24
25 4. Venue in this Court is proper in that Defendant LIZZO is a resident of the City of Los
27 //
28 //
4 PARTIES
6 6. At all times herein mentioned, Plaintiff DANIELS is and has been a resident of the City of
9 7. Defendant BGBT is and at all times herein mentioned has been a Delaware Corporation,
10 with the capacity to sue and to be sued, and doing business, with a principal place of business
12
13 8. Defendant LIZZO is and at all times herein mentioned has been an individual residing in
14 Los Angeles County, California with the capacity to sue and to be sued.
15
16 9. Defendant NOMURA is and at all times herein mentioned has been an individual residing
17 in Los Angeles County, California with the capacity to sue and to be sued.
18
19 10. Defendant GUGLIOTA is and at all times herein mentioned has been an individual residing
20 in Los Angeles County, California with the capacity to sue and to be sued.
21
22 11. Plaintiff is informed and believes and thereon alleges that each of the Defendants herein
23 were at all times the agent, employee, or representative of each remaining Defendant and
24 were at all times herein acting within and outside the scope and purpose of said agency and
25 employment. Plaintiff further alleges that as to each Defendant, whether named, or referred
27 adopted, directed, substantially participated in, and/or approved the acts, errors, or
3 unknown to Plaintiff who therefore sues these Defendants by such fictitious names. Plaintiff
4 will request leave of court to amend this Complaint to allege their true names and capacities
7 FACTUAL ALLEGATIONS
9 13. In or about September 2022, Plaintiff designed custom pieces for the dancers on LIZZO’s
10 tour.
11
12 14. In or about January of 2023, Defendant NOMURA contacted Plaintiff and requested that
13 Plaintiff join LIZZO’s tour. NOMURA was LIZZO’s Wardrobe Manager and was
14 Plaintiff’s primary point of contact representing LIZZO’s management team. Since Plaintiff
15 designed custom pieces for the tour, NOMURA reasoned Plaintiff would be the best
16 individual to assure the dancers’ clothing is altered and repaired correctly during the tour.
17 Plaintiff rearranged her schedule, canceling her fashion show and missing out on other work
19
20 15. Plaintiff was looking forward to working with LIZZO and her team because of the values
21 LIZZO portrays in public, i.e., a healthy, diverse environment with virtues of respect and
23 believes the following experiences of degradation, forced physical labor, denial of medical
24 care, sexual harassment, and racial harassment were allowed to take place by LIZZO’s
26 //
27 //
28 //
2 to NOMURA, who was Plaintiff’s supervisor for the entirety of her employment with
3 LIZZO’s tour.
5 17. The disappointing reality of working on LIZZO’s tour sunk in at the get-go. Plaintiff often
6 worked seven (7) days a week, from approximately 6:00 a.m. to 2:00 a.m., and was
8 others were constantly monitored and policed by NOMURA. Even during the rare,
9 designated days off, Plaintiff was pressured to always work while she was on the tour.
10 Plaintiff is informed and believes this directive came from LIZZO’s management.
11
12 18. Adding to the uncomfortable environment of LIZZO’s tour, Plaintiff was specifically
13 instructed to never interact with LIZZO herself because LIZZO would be jealous. Plaintiff
14 was instructed to “tone it down” if she was ever to interact with LIZZO - specifically
15 referencing not to dress attractively in front of LIZZO. NOMURA shared that one time
16 LIZZO was bothered NOMURA was seen by LIZZO’s boyfriend, and became very upset
17 and jealous towards NOMURA. NOMURA explained that LIZZO would get upset the
18 same way with Plaintiff if Plaintiff interacted with LIZZO and/or LIZZO’s boyfriend.
19
20 19. Almost immediately, Plaintiff was introduced to the culture of racism and bullying on
21 LIZZO’s tour. Plaintiff witnessed LIZZO’s approximately ten (10) background dancers
22 (including Arianna Davis, Crystal Williams and Noelle Rodriguez) being forced to change
23 in and out of their clothing in small, tight, changing areas during all the shows with little to
24 no privacy whatsoever. Members of LIZZO’s stage crew, primarily white males, would
25 lewdly gawk, sneer, and giggle while watching the dancers rush through their outfit-
26 changes.
27 //
28 //
2 accommodations and tools Black female performers would need on tour. However,
3 NOMURA merely laughed at the dancers’ poor accommodations, and “advised” Plaintiff
4 not to alert anyone else about the issue or try to fix the issue. Plaintiff would later learn
5 details that led her to believe this was a set up to humiliate, degrade, alienate, and, in some
8 21. Often, the background dancers would directly inform Plaintiff when they would rip their
9 fishnet stockings or other dance gear while dancing. The first time this happened, Plaintiff
10 provided the dancer with an additional pair of stockings since there was a fully stocked
11 inventory of fishnet stockings. However, Plaintiff was scolded by LIZZO’s management for
12 giving the dancer additional stockings and instructed her not to do so again. Plaintiff was
13 also specifically instructed to not give certain dancers panties, mirrors, or items they would
15
16 22. Additionally, throughout the entirety of her employment, Plaintiff was forced to hear racist
17 and fatphobic comments from NOMURA. Plaintiff witnessed NOMURA mock both LIZZO
18 & LIZZO’s background dancers on multiple occasions. NOMURA would imitate the
20 NOMURA would also refer to Black women on the tour as “dumb,” “useless,” and “fat”.
21
22 23. Plaintiff, a Black woman, was offended by NOMURA’s disgusting comments. Plaintiff told
23 NOMURA directly her comments and imitations were offensive, especially in a work
24 setting. NOMURA ignored Plaintiff’s concerns much like Plaintiff’s prior concerns of the
26
27 24. In or around mid-February of 2023, Plaintiff and NOMURA were transporting a heavy rack
28 of clothing, when NOMURA rolled the rack over Plaintiff’s foot. Plaintiff stopped and
2 NOMURA proceeded to shove Plaintiff into the rack of clothing, while asserting Plaintiff
3 should not make excuses about her foot and must help NOMURA transport the clothing.
5 25. Due to being shoved, Plaintiff lost her balance and rolled her ankle. The following day,
6 Plaintiff came to work in “croc” shoes which minimized the pain. When NOMURA noticed
7 the Plaintiff’s orthopedic shoes, she demanded Plaintiff to change into tennis shoes. Plaintiff
8 explained her ankle was swollen and injured after the rack incident, and that it was painful
9 to walk in tennis shoes. However, NOMURA forced Plaintiff to wear the painful tennis
11
12 26. Before agreeing to the tour, Plaintiff was explicitly promised that she would not have to
13 perform physically demanding duties. This made the demand to change shoes unreasonable
14 and caused unnecessary, compounded injury to Plaintiff. Not only was Plaintiff denied
15 medical treatment (on this occasion and others) but was also forced to be on her feet the
16 majority of the day and denied any rest – even after rolling her ankle. Despite LIZZO’s
17 team knowing of the injury, Plaintiff was forced to sleep in a top bunk without a ladder,
18 even after requesting an accommodation be made. This caused her to reinjure her ankle
19 constantly. In addition, while being forced to help with loading heavy cases, Plaintiff broke
20 2 acrylic nails past the nail bed resulting in open, bleeding wounds and was expected to
22
23 27. On several occasions, NOMURA made statements and/or took physical actions to threaten
24 Plaintiff and the entire crew: (1) she threatened Plaintiff and others that she would “kill a
25 bitch” and “stab a bitch” when she could not find her medication. (2) she shoved a crew
26 member in retaliation for revealing she was threatening to quit. (3) NOMURA snatched food
27 out of a local worker’s hand for merely attempting to take an assigned break. (4) she
28 expressed that she would “kill a bitch if it came down to it” if anyone threatened her job.
2 LIZZO’s Tour Manager, even requested Plaintiff to record NOMURA without her
3 knowledge, which Plaintiff did not do as it was both unethical and possibly unlawful.
5 28. Compounding the disillusionment with LIZZO’s tour, Plaintiff also endured sexual
6 harassment by LIZZO’s team. Specifically, there was a group chat of over 30+ people from
7 the BGBT team, which included LIZZO tour management and Plaintiff. In the group
8 message, a backstage manager sent a photo graphically depicting male genitalia. No one
9 from LIZZO’s management team addressed this graphic sexual imagery in the workplace
12
13 29. As another example of this, when the tour got to Amsterdam, Plaintiff witnessed NOMURA,
14 crew, and LIZZO’s management openly discussing hiring sex workers for lewd sex acts,
15 attending sex shows, and buying hard drugs. Plaintiff felt pressured to join such activities
16 and found a way to secure one of her few days off to escape.
17
18 30. Enough was enough. Despite being instructed not to speak with management, Plaintiff
19 bravely decided to come forward. Later in the month of February 2023, Plaintiff informed
20 GUGLIOTTA of the widespread racial and sexual harassment taking place on the tour.
21 Specifically, Plaintiff told GUGLIOTTA that the Black dancers were being mocked,
22 objectified, and denied accommodations by the stage crew and NOMURA. Plaintiff also
23 told GUGLIOTTA that she and her local teams were victims of NOMURA’s verbal and
25 explained she believes NOMURA’s behavior was racially motivated, and stated, “It’s not
26 lost on me that I’m one of the only Black women working behind the scenes and I feel like
28 //
2 because she believed LIZZO would not tolerate racist bullying towards her dancers or the
3 few Black women that worked behind the scenes on her tour. Women who, after all, look
4 just like LIZZO. Plaintiff is informed and believes GUGLIOTTA did, in fact, relay to
5 LIZZO Plaintiff’s reports of racism and mistreatment towards herself and the dancers.
8 32. The toxic work environment continued without change. LIZZO’s team ultimately fired
9 Plaintiff without notice or reason. Plaintiff was later informed by GUGLIOTTA that
11 and acknowledged that although management was aware of NOMURA’s behavior, she
12 would be too hard to replace and NOMURA “wanted [Plaintiff] gone” for speaking up.
13 Throughout the tour, Plaintiff received positive feedback for her designs and other work
15
16 33. In fact, The Big Grrls and tour musicians requested a meeting with management to dispute
17 Plaintiff’s firing and their request was denied. Plaintiff was abruptly fired before her contract
19
20 34. Earlier on the day Plaintiff was fired, she suffered an allergic reaction that she notified both
21 NOMURA and LIZZO's management about. Plaintiff was denied medical care, was yelled
22 at for taking time to even look for medicine, and was pressured by NOMURA to keep
23 working or be sent home. Despite the industry standard to have a medical team available at
25
26 35. Audaciously, LIZZO’s Management has since requested further design work from Plaintiff.
27 //
28 //
2 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour
3 from the racist and sexualized environments; she continues to suffer ongoing anxiety and
4 PTSD after the tour; and she suffers from migraines and migraine-induced eye twitch and
7 37. Prior to filing this Complaint, Plaintiff fulfilled any legal requirement or exhausted any
8 administrative remedy imposed on her by having filed the substance of the claims alleged
9 herein with the California Civil Rights Department and has received a Right to Sue Letter,
10 dated September 18, 2023. Therefore, Plaintiff has substantially complied with all
11 requirements for the filing of this Complaint and has timely exhausted her administrative
12 remedies.
13
17
18 38. Plaintiff incorporates all paragraphs above as though fully set forth herein.
19
20 39. The conduct of Defendants LIZZO, BGBT, GUGLIOTTA and NORMURA created a
21 hostile work environment for Plaintiff, making the conditions of their employment
22 intolerable in direct contravention of various statutes and state law decisions, including but
23 not limited to California Government Code §12940(h) and (j). Plaintiff was subjected to a
24 hostile work environment due to, including but not limited to, Defendants’ repeated
26
27 40. Such harassment was so severe or pervasive that it altered the terms and conditions of
28 Plaintiff’s employment, creating a hostile, abusive work environment and making Plaintiff’s
4 41. On or about February 14, 2023, Plaintiff began working on LIZZO’s tour.
6 42. The disappointing reality of working on LIZZO’s tour sunk in at the get-go. Plaintiff was
7 specifically instructed to never interact with LIZZO herself because LIZZO would be
8 jealous. Plaintiff was instructed to “tone it down” if she was ever to interact with LIZZO -
9 specifically referencing not to dress attractively in front of LIZZO. NOMURA shared that
10 one time LIZZO was bothered NOMURA was seen by LIZZO’s boyfriend, and became
11 very upset and jealous towards NOMURA. NOMURA explained that LIZZO would get
12 upset the same way with Plaintiff if Plaintiff interacted with LIZZO and/or LIZZO’s
13 boyfriend.
14
15 43. Compounding the disillusionment with LIZZO’s tour, Plaintiff endured sexual harassment
16 by LIZZO’s team. Specifically, there was a group chat of over 30+ people from the BGBT
17 team, which included LIZZO tour management and Plaintiff. In the group message, a
18 backstage manager sent a photo graphically depicting male genitalia. No one from LIZZO’s
19 management team addressed this graphic sexual imagery in the workplace appropriately.
22
23 44. As another example of this, when the tour got to Amsterdam, Plaintiff witnessed NOMURA,
24 crew, and LIZZO’s management openly discussing hiring sex workers for lewd sex acts,
25 attending sex shows, and buying hard drugs. Plaintiff felt pressured to join such activities
26 and found a way to secure one of her few days off to escape.
27 //
28 //
2 forward. Later in the month of February 2023, Plaintiff informed Gugliotta of the
3 widespread racial and sexual harassment taking place on the tour. Specifically, Plaintiff told
4 Gugliotta that the Black dancers were being mocked, objectified, and denied
5 accommodations by the stage crew and NOMURA. Plaintiff also told Gugliotta that she and
6 her local teams were victims of NOMURA’s verbal and physical abuse, racist comments,
9 46. Plaintiff is informed and believes Gugliotta did, in fact, relay to LIZZO Plaintiff’s reports
10 of racism and mistreatment towards herself and the dancers. Gugliotta reassured Plaintiff
12
13 47. The toxic work environment continued without change. LIZZO’s team ultimately fired
15
16 48. Due to the racist and sexualized work environment, and also the unreasonable physical
17 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour
18 from the racist and sexualized environments; she continues to suffer ongoing Anxiety and
19 PTSD after the tour; she suffers from migraines and migraine-induced eye twitch and ocular
21
22 49. As a direct and legal result of Defendants’ conduct, and each of them, Plaintiff has suffered
23 and continues to suffer general, consequential, and special damages, including but not
25 physical sickness, as well as emotional distress, plus medical expenses, future medical
26 expenses, and attorneys’ fees, all to her damage in an amount according to proof.
27 //
28 //
2 distress, anxiety, pain and suffering, physical injuries, physical sickness, medical expenses,
3 future medical expenses, attorneys’ fees, and other damages to be determined at trial
4 according to proof.
6 51. Said actions justify the imposition of punitive damages in that Defendants committed the
7 acts alleged herein maliciously, fraudulently and oppressively, with the wrongful intention
8 of injuring Plaintiff, from an improper and evil motive amounting to malice, and in
9 conscious disregard of Plaintiff’s rights. Based upon the foregoing, Plaintiff is entitled to
10 recover punitive damages from Defendants, and each of them, in an amount according to
11 proof.
12
17
18 52. Plaintiff incorporates all paragraphs above as though fully set forth herein.
19
20 53. Plaintiff was subjected to harassment on the bases of her sex as alleged in more detail above.
21 Such conduct is prohibited by the Fair Employment and Housing Act (FEHA), Cal. Gov.
23
24 54. Under the FEHA, an employer is strictly liable for the harassing conduct of its agents and
25 supervisors. (Fisher v. San Pedro Peninsula Hospital (1989) 214 Cal.App.3d 590). FEHA
26 also requires employers to take all reasonable steps necessary to prevent unlawful
28 //
2 Plaintiff’s manager, NORMURA, was in the group message that received the sexually
3 explicit image of male genitalia. Furthermore, Plaintiff informed the lead management of
4 the LIZZO and BGBT tour, Gugliotta, that she felt sexually harassed by the image in the
5 group message. Lastly, the sexually charged environment of the BGBT tour was not a secret
6 to LIZZO, her management team, or the background dancers, who have already come
7 forward in a separate lawsuit to voice their experience of the sexually hostile work
8 environment.
10 56. Plaintiff endured sexual harassment by LIZZO’s team. Specifically, there was a group chat
11 of over 30+ people from the BGBT team, which included LIZZO tour management and
12 Plaintiff. In the group message, a backstage manager sent a photo graphically depicting male
13 genitalia. No one from LIZZO’s management team addressed this graphic sexual imagery
16
17 57. As another example of this, when the tour got to Amsterdam, Plaintiff witnessed NOMURA,
18 crew, and LIZZO’s management openly discussing hiring sex workers for lewd sex acts,
19 attending sex shows, and buying hard drugs. Plaintiff felt pressured to join such activities
20 and found a way to secure one of her few days off to escape.
21
22 58. Despite being instructed to not speak with management, Plaintiff bravely decided to come
23 forward. Later in the month of February 2023, Plaintiff informed Gugliotta of the
24 widespread racial and sexual harassment taking place on the tour. Specifically, Plaintiff told
25 Gugliotta that the Black dancers were being mocked, objectified, and denied
26 accommodations by the stage crew and NOMURA. Plaintiff also told Gugliotta that she and
27 her local teams were victims of NOMURA’s verbal and physical abuse, racist comments,
2 of racism and mistreatment towards herself and the dancers. Gugliotta reassured Plaintiff
5 60. The toxic work environment continued without change. LIZZO’s team ultimately fired
8 61. Due to the racist and sexualized work environment, and also the unreasonable physical
9 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour
10 from the racist and sexualized environments; she continues to suffer ongoing Anxiety and
11 PTSD after the tour; she suffers from migraines and migraine-induced eye twitch and ocular
13
14 62. Defendants failed to take immediate and appropriate corrective action to stop the
15 harassment.
16
17 63. As a direct and legal result of Defendants’ conduct, and each of them, Plaintiff has suffered
18 and continues to suffer general, consequential, and special damages, including but not
20 physical sickness, as well as emotional distress, plus medical expenses, future medical
21 expenses, and attorneys’ fees (including expert costs), all to her damage in the amount
22 according to proof.
23
24 64. As a proximate result of Defendants’ conduct, Plaintiff has also suffered severe emotional
25 distress, anxiety, pain and suffering, physical injuries, physical sickness, medical expenses,
26 future medical expenses, attorneys’ fees, and other damages to be determined at trial
27 according to proof.
28 //
2 acts alleged herein maliciously, fraudulently and oppressively, with the wrongful intention
3 of injuring Plaintiff, from an improper and evil motives amounting to malice, and in
4 conscious disregard of Plaintiff’s rights. Defendants had notice and knowledge of the
5 sexually hostile work environment that Plaintiff faced but failed to take reasonable steps to
6 prevent such conduct. Based upon the foregoing, Plaintiff is entitled to recover punitive
12
13 66. Plaintiff incorporates all paragraphs above as though fully set forth herein.
14
15 67. The conduct of Defendant BGBT created a hostile work environment for Plaintiff, making
16 the conditions of her employment intolerable in direct contravention of various statutes and
17 state law decisions, including but not limited to California Government Code §12940(h) and
18 (j). Plaintiff was subjected to a hostile work environment due to, including but not limited
20
21 68. On or about February 14, 2023, Plaintiff began working on LIZZO’s tour. Plaintiff reported
22 to NOMURA, who was Plaintiff’s supervisor for the entirety of her employment with
23 LIZZO’s tour.
24
25 69. Almost immediately, Plaintiff was introduced to the culture of racism and bullying on
26 LIZZO’s tour. Plaintiff witnessed LIZZO’s approximately ten (10) background dancers
27 (including Arianna Davis, Crystal Williams and Noelle Rodriguez) being forced to change
28 in and out of their clothing in small, tight, changing areas during all the shows with little to
2 lewdly gawk, sneer, and giggle while watching the dancers rush through their outfit-
3 changes.
5 70. Plaintiff expressed concern to NOMURA about utter lack of privacy and necessary
6 accommodations and tools Black female performers would need on tour. However,
7 NOMURA merely laughed at the dancers’ poor accommodations, and “advised” Plaintiff
8 not to alert anyone else about the issue or try to fix the issue. Plaintiff would later learn
9 details that led her to believe this was a set up to humiliate, degrade, alienate, and, in some
11
12 71. Often, the background dancers would directly inform Plaintiff when they would rip their
13 fishnet stockings or other dance gear while dancing. The first time this happened, Plaintiff
14 provided the dancer with an additional pair of stockings since there was a fully stocked
15 inventory of fishnet stockings. However, Plaintiff was scolded by LIZZO’s management for
16 giving the dancer additional stockings and instructed her not to do so again. Plaintiff was
17 also specifically instructed to not give certain dancers panties, mirrors, or items they would
19
20 72. Additionally, throughout the entirety of her employment, Plaintiff was forced to hear racist
21 and fatphobic comments from NOMURA. Plaintiff witnessed NOMURA mock both LIZZO
22 & LIZZO’s background dancers on multiple occasions. NOMURA would imitate the
24 NOMURA would also refer to Black women on the tour as “dumb,” “useless,” and “fat”.
25
26 73. Plaintiff, a Black woman, was offended by NOMURA’s disgusting comments. Plaintiff told
27 NOMURA directly her comments and imitations were offensive, especially in a work
28
4 74. Despite being instructed to not speak with management, Plaintiff bravely decided to come
5 forward. Later in the month of February 2023, Plaintiff informed Gugliotta of the
6 widespread racial and sexual harassment taking place on the tour. Specifically, Plaintiff told
7 Gugliotta that the Black dancers were being mocked, objectified, and denied
8 accommodations by the stage crew and NOMURA. Plaintiff also told Gugliotta that she and
9 her local teams were victims of NOMURA’s verbal and physical abuse, racist comments,
11 behavior was racially motivated, and stated, “It’s not lost on me that I’m one of the only
12 Black women working behind the scenes and I feel like [NOMURA] is treating me like I’m
13 a slave.”
14
15 75. Plaintiff expected Gugliotta to inform LIZZO of what was happening on LIZZO’s team
16 because she believed LIZZO would not tolerate racist bullying towards her dancers or the
17 few Black women that worked behind the scenes on her tour. Women who, after all, look
18 just like LIZZO. Plaintiff is informed and believes GUGLIOTTA did, in fact, relay to
19 LIZZO Plaintiff’s reports of racism and mistreatment towards herself and the dancers.
21
22 76. The toxic work environment continued without change. LIZZO’s team ultimately fired
23 Plaintiff without notice or reason. Plaintiff was later informed by GUGLIOTTA that
25 and acknowledged that although management was aware of NOMURA’s behavior, she
26 would be too hard to replace and NOMURA “wanted [Plaintiff] gone” for speaking up.
27 Throughout the tour, Plaintiff received positive feedback for her designs and other work
2 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour
3 from the racist and sexualized environments; she continues to suffer ongoing Anxiety and
4 PTSD after the tour; she suffers from migraines and migraine-induced eye twitch and ocular
7 78. Such discrimination and harassment were so severe or pervasive that it altered the terms and
9 making her working conditions intolerable. Said discrimination and harassment was a
10 regular occurrence and sufficiently extreme to amount to a change in the terms and
12
13 79. As a direct and legal result of Defendants’ conduct, and each of them, Plaintiff has suffered
14 and continues to suffer general, consequential, and special damages, including but not
16 physical sickness, as well as emotional distress, plus medical expenses, future medical
17 expenses, and attorneys’ fees, all to her damage in an amount according to proof.
18
19 80. As a proximate result of Defendants’ conduct, Plaintiff has also suffered severe emotional
20 distress, anxiety, pain and suffering, physical injuries, physical sickness, medical expenses,
21 future medical expenses, attorneys’ fees, and other damages to be determined at trial
22 according to proof.
23
24 81. Said actions justify the imposition of punitive damages in that Defendants committed the
25 acts alleged herein maliciously, fraudulently and oppressively, with the wrongful intention
26 of injuring Plaintiff, from an improper and evil motive amounting to malice, and in
27 conscious disregard of Plaintiff’s rights. Based upon the foregoing, Plaintiff is entitled to
28
2 proof.
8 82. Plaintiff incorporates all paragraphs above as though fully set forth herein.
10 83. At all times mentioned in this complaint, Defendants regularly employed five or more
12 12926(d).
13
14 84. This cause of action is brought pursuant to the FEHA, Gov. Code § 12940(a), prohibiting
17
18 85. In or around mid-February of 2023, Plaintiff and NOMURA were transporting a heavy rack
19 of clothing, when NOMURA rolled the rack over Plaintiff’s foot. Plaintiff stopped and
20 informed NOMURA she needed to sit down, as her foot was in serious pain. Shockingly,
21 NOMURA proceeded to shove Plaintiff into the rack of clothing, while asserting Plaintiff
22 should not make excuses about her foot and must help NOMURA transport the clothing.
23
24 86. Due to being shoved, Plaintiff lost her balance and rolled her ankle. The following day,
25 Plaintiff came to work in “croc” shoes which minimized the pain. When NOMURA noticed
26 the Plaintiff’s orthopedic shoes, she demanded Plaintiff to change into tennis shoes. Plaintiff
27 explained her ankle was swollen and injured after the rack incident, and that it was painful
28 to walk in tennis shoes. However, NOMURA forced Plaintiff to wear the painful tennis
3 87. Before agreeing to the tour, Plaintiff was explicitly promised that she would not have to
4 perform physically demanding duties. This made the demand to change shoes unreasonable
5 and caused unnecessary, compounded injury to Plaintiff. Not only was Plaintiff denied
6 medical treatment (on this occasion and others), but was also forced to be on her feet the
7 majority of the day and denied any rest – even after rolling her ankle. Despite LIZZO’s
8 team knowing of the injury, Plaintiff was forced to sleep in a top bunk without a ladder,
9 even after requesting an accommodation be made. This caused her to reinjure her ankle
10 constantly. In addition, while being forced to help with loading heavy cases, Plaintiff broke
11 2 acrylic nails past the nail bed resulting in open, bleeding wounds and was expected to
13
14 88. Later in the month of February 2023, Plaintiff informed GUGLIOTTA of the widespread
15 racial and sexual harassment taking place on the tour. Specifically, Plaintiff told
16 GUGLIOTTA that the Black dancers were being mocked, objectified, and denied
17 accommodations by the stage crew and NOMURA. Plaintiff also told GUGLIOTTA that
18 she and her local teams were victims of NOMURA’s verbal and physical abuse, racist
20 NOMURA’s behavior was racially motivated, and stated, “It’s not lost on me that I’m one
21 of the only Black women working behind the scenes and I feel like [NOMURA] is treating
23
24 89. Plaintiff expected GUGLIOTTA to inform LIZZO of what was happening on LIZZO’s team
25 because she believed LIZZO would not tolerate racist bullying towards her dancers or the
26 few Black women that worked behind the scenes on her tour. Women who, after all, look
27 just like LIZZO. Plaintiff is informed and believes GUGLIOTTA did, in fact, relay to
28 LIZZO Plaintiff’s reports of racism and mistreatment towards herself and the dancers.
3 90. The toxic work environment continued without change. LIZZO’s team ultimately fired
4 Plaintiff without notice or reason. Plaintiff was later informed by GUGLIOTTA that
6 and acknowledged that although management was aware of NOMURA’s behavior, she
7 would be too hard to replace and NOMURA “wanted [Plaintiff] gone” for speaking up.
8 Throughout the tour, Plaintiff received positive feedback for her designs and other work
10
11 91. The day Plaintiff was fired, she suffered an allergic reaction that she notified both
12 NOMURA and LIZZO's management about. Plaintiff was denied medical care, was yelled
13 at by NOMURA for taking a break to find medicine, and was pressured by NOMURA to
14 keep working or be sent home. Despite the industry standard to have a medical team
16
17 92. Due to the racist and sexualized work environment, and also the unreasonable physical
18 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour
19 from the racist and sexualized environments; she continues to suffer ongoing Anxiety and
20 PTSD after the tour; she suffers from migraines and migraine-induced eye twitch and ocular
22
23 93. Defendants were on notice of Plaintiff’s disability, for NOMURA, the Wardrobe Manager
24 of Defendants was the one who caused Plaintiff’s injury and subsequent disability. In
25 addition to injuring Plaintiff, NOMURA prohibited Plaintiff from wearing shoes that would
27 //
28 //
2 Plaintiff’s disability, was at least in part in retaliation for Plaintiff elaborating on her
3 disability.
5 95. But for Plaintiff’s disability, Defendants would not have taken adverse employment actions.
7 96. As a direct and legal result of Defendants’ conduct, Plaintiff has suffered and continues to
8 suffer substantial losses of wages, salary, benefits and additional amounts of money that
9 Plaintiff would have received if Defendants had not discriminated against her, as alleged
10 above. As a result of such discrimination and consequent harm, Plaintiff has suffered such
12 pursuant to California Civil Code § 3287 and/or § 3288 and/or any other provision of law
14
15 97. As the further legal result of Defendants’ conduct, Plaintiff has been harmed in that she has
17 status in the positions previously held by her, all to her damage in an amount according to
18 proof.
19
20 98. The above-cited conduct of Defendants was done with malice, fraud and oppression, and in
22 intentionally and in conscious disregard of her rights discriminated against Plaintiff because
23 of her disability. Plaintiff is thus entitled to recover punitive damages from Defendants in
25
26 99. As the result of Defendants’ discriminatory acts as alleged herein, Plaintiff is entitled to
27 reasonable attorney’s fees and costs of suit as provided by FEHA, Gov. Code § 12965(b).
28 //
5 100. Plaintiff incorporates all paragraphs above as though fully set forth herein.
7 101. Defendants have an affirmative duty under FEHA to reasonably accommodate disabled
8 workers. Such a duty arises regardless of whether the employee requested any
11 245).
12
13 102. On or about February 14, 2023, Plaintiff began working on LIZZO’s tour. Plaintiff reported
14 to NOMURA, who was Plaintiff’s supervisor for the entirety of her employment with
15 LIZZO’s tour.
16
17 103. In or around mid-February of 2023, Plaintiff and NOMURA were transporting a heavy rack
18 of clothing, when NOMURA rolled the rack over Plaintiff’s foot. Plaintiff stopped and
19 informed NOMURA she needed to sit down, as her foot was in serious pain. Shockingly,
20 NOMURA proceeded to shove Plaintiff into the rack of clothing, while asserting Plaintiff
21 should not make excuses about her foot and must help NOMURA transport the clothing.
22
23 104. Due to being shoved, Plaintiff lost her balance and rolled her ankle. The following day,
24 Plaintiff came to work in “croc” shoes which minimized the pain. When NOMURA noticed
25 the Plaintiff’s orthopedic shoes, she demanded Plaintiff to change into tennis shoes. Plaintiff
26 explained her ankle was swollen and injured after the rack incident, and that it was painful
27 to walk in tennis shoes. However, NOMURA forced Plaintiff to wear the painful tennis
2 perform physically demanding duties. This made the demand to change shoes unreasonable
3 and caused unnecessary, compounded injury to Plaintiff. Not only was Plaintiff denied
4 medical treatment (on this occasion and others), but was also forced to be on her feet the
5 majority of the day and denied any rest – even after rolling her ankle. Despite LIZZO’s
6 team knowing of the injury, Plaintiff was forced to sleep in a top bunk without a ladder,
7 even after requesting an accommodation be made. This caused her to reinjure her ankle
8 constantly. In addition, while being forced to help with loading heavy cases, Plaintiff broke
9 2 acrylic nails past the nail bed resulting in open, bleeding wounds and was expected to
11
12 106. Later in the month of February 2023, Plaintiff informed GUGLIOTTA of the widespread
13 racial and sexual harassment taking place on the tour. Specifically, Plaintiff told
14 GUGLIOTTA that the Black dancers were being mocked, objectified, and denied
15 accommodations by the stage crew and NOMURA. Plaintiff also told GUGLIOTTA that
16 she and her local teams were victims of NOMURA’s verbal and physical abuse, racist
18 NOMURA’s behavior was racially motivated, and stated, “It’s not lost on me that I’m one
19 of the only Black women working behind the scenes and I feel like [NOMURA] is treating
21
22 107. Plaintiff expected GUGLIOTTA to inform LIZZO of what was happening on LIZZO’s team
23 because she believed LIZZO would not tolerate racist bullying towards her dancers or the
24 few Black women that worked behind the scenes on her tour. Women who, after all, look
25 just like LIZZO. Plaintiff is informed and believes GUGLIOTTA did, in fact, relay to
26 LIZZO Plaintiff’s reports of racism and mistreatment towards herself and the dancers.
28 //
2 Plaintiff without notice or reason. Plaintiff was later informed by GUGLIOTTA that
4 and acknowledged that although management was aware of NOMURA’s behavior, she
5 would be too hard to replace and NOMURA “wanted [Plaintiff] gone” for speaking up.
6 Throughout the tour, Plaintiff received positive feedback for her designs and other work
9 109. The day Plaintiff was fired, she suffered an allergic reaction that she notified both
10 NOMURA and LIZZO's management about. Plaintiff was denied medical care, was yelled
11 at by NOMURA for taking a break to find medicine, and was pressured by NOMURA to
12 keep working or be sent home. Despite the industry standard to have a medical team
14
15 110. Due to the racist and sexualized work environment, and also the unreasonable physical
16 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour
17 from the racist and sexualized environments; she continues to suffer ongoing Anxiety and
18 PTSD after the tour; she suffers from migraines and migraine-induced eye twitch and ocular
20
21 111. Defendants were aware of Plaintiff’s disability, set forth above because, NOMURA, the
22 Wardrobe Manager of Defendants was the one who caused Plaintiff’s injury and subsequent
25
26 112. As a direct and legal result of Defendants’ failure to accommodate Plaintiff’s disability,
27 Plaintiff has suffered and continues to suffer general, consequential, and special damages,
28 including but not limited to substantial losses in earnings, other employment benefits,
2 future medical expenses, and attorneys’ fees all to her damage in an amount according to
3 proof.
5 113. Said discrimination and/or refusal to accommodate was wrongful and justifies the
8 accommodate Plaintiff, acted maliciously, fraudulently, and oppressively, with the wrongful
9 intention of injuring Plaintiff. Defendant acted with an evil purpose, in an intentional and
10 deliberate manner, in violation of Plaintiff’s civil rights and/or with conscious disregard of
11 Plaintiff’s rights. Based upon the foregoing, Plaintiff is entitled to recover punitive damages
13
17
18 114. Plaintiff incorporates all paragraphs above as though fully set forth herein.
19
20 115. Plaintiff, at all relevant times herein, suffered from a FEHA protected disability.
21
22 116. Defendants were aware of Plaintiff’s disability, set forth above because, NOMURA, the
23 Wardrobe Manager of Defendants was the one who caused Plaintiff’s injury and subsequent
25 shoes that would accommodate her disability, without engaging in a proper interactive
27 //
28 //
2 Defendants caused the breakdown of the interactive process with Plaintiff when they refused
5 terminated her employment. Despite the fact that Defendant NORMURA caused Plaintiff’s
6 disability, Defendants did not engage in a timely, good faith interactive process with
9 118. As a direct and legal result of Defendants’ conduct, and each of them, Plaintiff has suffered
10 and continues to suffer general, consequential, and special damages, including but not
12 physical sickness, as well as emotional distress, plus medical expenses, future medical
13 expenses, and attorneys’ fees, all to her damages in an amount according to proof.
14
15 119. As a further legal result of Defendants’ conduct, Plaintiff has been harmed in that she has
17 status in the positions previously held by her, those she would have held, all to her damage
19
20 120. Said actions justify the imposition of punitive damages in that Defendants committed the
21 acts alleged herein maliciously, fraudulently, and oppressively, with the wrongful intention
22 of injuring Plaintiff, from an improper and evil motive amounting to malice, and in
23 conscious disregard of Plaintiff’s rights. Based upon the foregoing, Plaintiff is entitled to
24 recover punitive damages from Defendants, and each of them, in an amount according to
25 proof.
26 //
27 //
28 //
5 121. Plaintiff incorporates all paragraphs above as though fully set forth herein.
7 122. At all times herein mentioned in this complaint, Defendants regularly employed five or more
8 persons, bringing Defendants within the provisions of the FEHA Gov. Code, § 12926(d).
10 123. This cause of action is brought pursuant to FEHA, Gov. Code § 12940(h) preventing
12 Plaintiff, for exercising her rights protected under FEHA, such as requesting an
14 discrimination.
15
16 124. Defendants’ adverse actions, including, but not limited to, Plaintiff’s termination, and failure
17 to accommodate, were at least in part, in retaliation for Plaintiff’s disability, her complaints
19
20 125. On or about February 14, 2023, Plaintiff began working on LIZZO’s tour. Plaintiff reported
21 to NOMURA, who was Plaintiff’s supervisor for the entirety of her employment with
22 LIZZO’s tour.
23
24 126. The disappointing reality of working on LIZZO’s tour sunk in at the get-go. Plaintiff often
25 worked seven (7) days a week, from approximately 6:00 a.m. to 2:00 a.m., and was
27 others were constantly monitored and policed by NOMURA. Even during the rare,
28 designated days off, Plaintiff was pressured to always work while she was on the tour.
3 127. Adding to the uncomfortable environment of LIZZO’s tour, Plaintiff was specifically
4 instructed to never interact with LIZZO herself because LIZZO would be jealous. Plaintiff
5 was instructed to “tone it down” if she was ever to interact with LIZZO - specifically
6 referencing not to dress attractively in front of LIZZO. NOMURA shared that one time
7 LIZZO was bothered NOMURA was seen by LIZZO’s boyfriend, and became very upset
8 and jealous towards NOMURA. NOMURA explained that LIZZO would get upset the
9 same way with Plaintiff if Plaintiff interacted with LIZZO and/or LIZZO’s boyfriend.
10
11 128. Almost immediately, Plaintiff was introduced to the culture of racism and bullying on
12 LIZZO’s tour. Plaintiff witnessed LIZZO’s approximately ten (10) background dancers
13 (including Arianna Davis, Crystal Williams and Noelle Rodriguez) being forced to change
14 in and out of their clothing in small, tight, changing areas during all the shows with little to
15 no privacy whatsoever. Members of LIZZO’s stage crew, primarily white males, would
16 lewdly gawk, sneer, and giggle while watching the dancers rush through their outfit-
17 changes.
18
19 129. Plaintiff expressed concern to NOMURA about utter lack of privacy and necessary
20 accommodations and tools Black female performers would need on tour. However,
21 NOMURA merely laughed at the dancers’ poor accommodations, and “advised” Plaintiff
22 not to alert anyone else about the issue or try to fix the issue. Plaintiff would later learn
23 details that led her to believe this was a set up to humiliate, degrade, alienate, and, in some
25
26 130. Often, the background dancers would directly inform Plaintiff when they would rip their
27 fishnet stockings or other dance gear while dancing. The first time this happened, Plaintiff
28 provided the dancer with an additional pair of stockings since there was a fully stocked
2 giving the dancer additional stockings and instructed her not to do so again. Plaintiff was
3 also specifically instructed to not give certain dancers panties, mirrors, or items they would
6 131. Additionally, throughout the entirety of her employment, Plaintiff was forced to hear racist
7 and fatphobic comments from NOMURA. Plaintiff witnessed NOMURA mock both LIZZO
8 & LIZZO’s background dancers on multiple occasions. NOMURA would imitate the
10 NOMURA would also refer to Black women on the tour as “dumb,” “useless,” and “fat”.
11
12 132. Plaintiff, a Black woman, was offended by NOMURA’s disgusting comments. Plaintiff told
13 NOMURA directly her comments and imitations were offensive, especially in a work
14 setting. NOMURA ignored Plaintiff’s concerns much like Plaintiff’s prior concerns of the
16
17 133. In or around mid-February of 2023, Plaintiff and NOMURA were transporting a heavy rack
18 of clothing, when NOMURA rolled the rack over Plaintiff’s foot. Plaintiff stopped and
19 informed NOMURA she needed to sit down, as her foot was in serious pain. Shockingly,
20 NOMURA proceeded to shove Plaintiff into the rack of clothing, while asserting Plaintiff
21 should not make excuses about her foot and must help NOMURA transport the clothing.
22
23 134. Due to being shoved, Plaintiff lost her balance and rolled her ankle. The following day,
24 Plaintiff came to work in “croc” shoes which minimized the pain. When NOMURA noticed
25 the Plaintiff’s orthopedic shoes, she demanded Plaintiff to change into tennis shoes. Plaintiff
26 explained her ankle was swollen and injured after the rack incident, and that it was painful
27 to walk in tennis shoes. However, NOMURA forced Plaintiff to wear the painful tennis
2 perform physically demanding duties. This made the demand to change shoes unreasonable
3 and caused unnecessary, compounded injury to Plaintiff. Not only was Plaintiff denied
4 medical treatment (on this occasion and others), but was also forced to be on her feet the
5 majority of the day and denied any rest – even after rolling her ankle. Despite LIZZO’s
6 team knowing of the injury, Plaintiff was forced to sleep in a top bunk without a ladder,
7 even after requesting an accommodation be made. This caused her to reinjure her ankle
8 constantly. In addition, while being forced to help with loading heavy cases, Plaintiff broke
9 2 acrylic nails past the nail bed resulting in open, bleeding wounds and was expected to
11
12 136. On several occasions, NOMURA made statements and/or took physical actions to threaten
13 Plaintiff and the entire crew: (1) NOMURA threatened Plaintiff and others that she would
14 “kill a bitch” and “stab a bitch” when she could not find her medication. (2) NOMURA
15 shoved a crew member in retaliation for revealing she was threatening to quit. (3) NOMURA
16 snatched food out of a local worker’s hand for merely attempting to take an assigned break.
17 (4) NOMURA expressed that she would “kill a bitch if it came down to it” if anyone
18 threatened her job. LIZZO’s Management was well aware of this pattern of behavior.
20 requested Plaintiff to record NOMURA without her knowledge, which Plaintiff did not do
22
23 137. Compounding the disillusionment with LIZZO’s tour, Plaintiff also endured sexual
24 harassment by LIZZO’s team. Specifically, there was a group chat of over 30+ people from
25 the BGBT team, which included LIZZO tour management and Plaintiff. In the group
26 message, a backstage manager sent a photo graphically depicting male genitalia. No one
27 from LIZZO’s management team addressed this graphic sexual imagery in the workplace
3 138. As another example of this, when the tour got to Amsterdam, Plaintiff witnessed NOMURA,
4 crew, and LIZZO’s management openly discussing hiring sex workers for lewd sex acts,
5 attending sex shows, and buying hard drugs. Plaintiff felt pressured to join such activities
6 and found a way to secure one of her few days off to escape.
8 139. Enough was enough. Despite being instructed to not speak with management, Plaintiff
9 bravely decided to come forward. Later in the month of February 2023, Plaintiff informed
10 GUGLIOTTA of the widespread racial and sexual harassment taking place on the tour.
11 Specifically, Plaintiff told GUGLIOTTA that the Black dancers were being mocked,
12 objectified, and denied accommodations by the stage crew and NOMURA. Plaintiff also
13 told GUGLIOTTA that she and her local teams were victims of NOMURA’s verbal and
15 explained she believes NOMURA’s behavior was racially motivated, and stated, “It’s not
16 lost on me that I’m one of the only Black women working behind the scenes and I feel like
18
19 140. Plaintiff expected GUGLIOTTA to inform LIZZO of what was happening on LIZZO’s team
20 because she believed LIZZO would not tolerate racist bullying towards her dancers or the
21 few Black women that worked behind the scenes on her tour. Women who, after all, look
22 just like LIZZO. Plaintiff is informed and believes GUGLIOTTA did, in fact, relay to
23 LIZZO Plaintiff’s reports of racism and mistreatment towards herself and the dancers.
25
26 141. The toxic work environment continued without change. LIZZO’s team ultimately fired
27 Plaintiff without notice or reason. Plaintiff was later informed by GUGLIOTTA that
2 would be too hard to replace and NOMURA “wanted [Plaintiff] gone” for speaking up.
3 Throughout the tour, Plaintiff received positive feedback for her designs and other work
6 142. In fact, The Big Grrls and tour musicians requested a meeting with management to dispute
7 Plaintiff’s firing and their request was denied. Plaintiff was abruptly fired before her contract
10 143. The day Plaintiff was fired, she suffered an allergic reaction that she notified both
11 NOMURA and LIZZO's management about. Plaintiff was denied medical care, was yelled
12 at by NOMURA for taking a break to find medicine, and was pressured by NOMURA to
13 keep working or be sent home. Despite the industry standard to have a medical team
15
16 144. Due to the racist and sexualized work environment, and also the unreasonable physical
17 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour
18 from the racist and sexualized environments; she continues to suffer ongoing Anxiety and
19 PTSD after the tour; she suffers from migraines and migraine-induced eye twitch and ocular
21
22 145. As a direct and legal result of Defendants’ conduct, and each of them, Plaintiff has suffered
23 and continues to suffer general, consequential, and special damages, including but not
25 physical sickness, as well as emotional distress, plus medical expenses, future medical
26 expenses, and attorneys’ fees, all to her damage in an amount according to proof.
27 //
28 //
3 status in the positions previously held by her, those she would have held, all to her damage
6 147. As a proximate result of Defendants’ conduct, Plaintiff has also suffered severe emotional
7 distress, anxiety, pain and suffering, physical injuries, physical sickness, medical expenses,
8 future medical expenses, attorneys’ fees, and other damages to be determined in an amount
9 according to proof.
10
11 148. Said actions justify the imposition of punitive damages in that Defendants committed the
12 acts alleged herein maliciously, fraudulently, and oppressively, with the wrongful intention
13 of injuring Plaintiff, from an improper and evil motive amount to malice, and in conscious
14 disregard of Plaintiff’s rights. Defendants had notice and knowledge of the harassment,
15 discrimination, and Plaintiff’s disability but failed to take reasonable steps to prevent such
16 conduct. Based upon the foregoing, Plaintiff is entitled to recover punitive damages from
18
19 EIGHTH CAUSE OF ACTION
22
23 149. Plaintiff incorporates all paragraphs above as though fully set forth herein.
24
25 150. At all times herein mentioned in this Complaint, California Labor Code §§ 1102.5 and 6310
26 was in full force and effect and binding on Defendants and Defendants were subject to its
27 terms. Defendants wrongfully retaliated against Plaintiff for reasons and in a manner
28 contrary to public policy, on a pre-textual basis, because of her complaints about workplace
3 151. Pursuant to California Labor Code § 1102.5, subdivision (c), and California Labor Code §
4 6310, subdivision (b), an employer, or any person acting on behalf of the employer, shall
5 not retaliate against an employee for refusing to participate in an activity that would result
9 152. On or about February 14, 2023, Plaintiff began working on LIZZO’s tour. Plaintiff reported
10 to NOMURA, who was Plaintiff’s supervisor for the entirety of her employment with
11 LIZZO’s tour.
12
13 153. The disappointing reality of working on LIZZO’s tour sunk in at the get-go. Plaintiff often
14 worked seven (7) days a week, from approximately 6:00 a.m. to 2:00 a.m., and was
16 others were constantly monitored and policed by NOMURA. Even during the rare,
17 designated days off, Plaintiff was pressured to always work while she was on the tour.
18 Plaintiff is informed and believes this directive came from LIZZO’s management.
19
20 154. Adding to the uncomfortable environment of LIZZO’s tour, Plaintiff was specifically
21 instructed to never interact with LIZZO herself because LIZZO would be jealous. Plaintiff
22 was instructed to “tone it down” if she was ever to interact with LIZZO - specifically
23 referencing not to dress attractively in front of LIZZO. NOMURA shared that one time
24 LIZZO was bothered NOMURA was seen by LIZZO’s boyfriend, and became very upset
25 and jealous towards NOMURA. NOMURA explained that LIZZO would get upset the
26 same way with Plaintiff if Plaintiff interacted with LIZZO and/or LIZZO’s boyfriend.
27 //
28 //
2 LIZZO’s tour. Plaintiff witnessed LIZZO’s approximately ten (10) background dancers
3 (including Arianna Davis, Crystal Williams and Noelle Rodriguez) being forced to change
4 in and out of their clothing in small, tight, changing areas during all the shows with little to
5 no privacy whatsoever. Members of LIZZO’s stage crew, primarily white males, would
6 lewdly gawk, sneer, and giggle while watching the dancers rush through their outfit-
7 changes.
9 156. Plaintiff expressed concern to NOMURA about utter lack of privacy and necessary
10 accommodations and tools Black female performers would need on tour. However,
11 NOMURA merely laughed at the dancers’ poor accommodations, and “advised” Plaintiff
12 not to alert anyone else about the issue or try to fix the issue. Plaintiff would later learn
13 details that led her to believe this was a set up to humiliate, degrade, alienate, and, in some
15
16 157. Often, the background dancers would directly inform Plaintiff when they would rip their
17 fishnet stockings or other dance gear while dancing. The first time this happened, Plaintiff
18 provided the dancer with an additional pair of stockings since there was a fully stocked
19 inventory of fishnet stockings. However, Plaintiff was scolded by LIZZO’s management for
20 giving the dancer additional stockings and instructed her not to do so again. Plaintiff was
21 also specifically instructed to not give certain dancers panties, mirrors, or items they would
23
24 158. Additionally, throughout the entirety of her employment, Plaintiff was forced to hear racist
25 and fatphobic comments from NOMURA. Plaintiff witnessed NOMURA mock both LIZZO
26 & LIZZO’s background dancers on multiple occasions. NOMURA would imitate the
28 NOMURA would also refer to Black women on the tour as “dumb,” “useless,” and “fat”.
2 NOMURA directly her comments and imitations were offensive, especially in a work
3 setting. NOMURA ignored Plaintiff’s concerns much like Plaintiff’s prior concerns of the
6 160. In or around mid-February of 2023, Plaintiff and NOMURA were transporting a heavy rack
7 of clothing, when NOMURA rolled the rack over Plaintiff’s foot. Plaintiff stopped and
8 informed NOMURA she needed to sit down, as her foot was in serious pain. Shockingly,
9 NOMURA proceeded to shove Plaintiff into the rack of clothing, while asserting Plaintiff
10 should not make excuses about her foot and must help NOMURA transport the clothing.
11
12 161. Due to being shoved, Plaintiff lost her balance and rolled her ankle. The following day,
13 Plaintiff came to work in “croc” shoes which minimized the pain. When NOMURA noticed
14 the Plaintiff’s orthopedic shoes, she demanded Plaintiff to change into tennis shoes. Plaintiff
15 explained her ankle was swollen and injured after the rack incident, and that it was painful
16 to walk in tennis shoes. However, NOMURA forced Plaintiff to wear the painful tennis
18
19 162. Before agreeing to the tour, Plaintiff was explicitly promised that she would not have to
20 perform physically demanding duties. This made the demand to change shoes unreasonable
21 and caused unnecessary, compounded injury to Plaintiff. Not only was Plaintiff denied
22 medical treatment (on this occasion and others), but was also forced to be on her feet the
23 majority of the day and denied any rest – even after rolling her ankle. Despite LIZZO’s
24 team knowing of the injury, Plaintiff was forced to sleep in a top bunk without a ladder,
25 even after requesting an accommodation be made. This caused her to reinjure her ankle
26 constantly. In addition, while being forced to help with loading heavy cases, Plaintiff broke
27 2 acrylic nails past the nail bed resulting in open, bleeding wounds and was expected to
2 Plaintiff and the entire crew: (1) NOMURA threatened Plaintiff and others that she would
3 “kill a bitch” and “stab a bitch” when she could not find her medication. (2) NOMURA
4 shoved a crew member in retaliation for revealing she was threatening to quit. (3) NOMURA
5 snatched food out of a local worker’s hand for merely attempting to take an assigned break.
6 (4) NOMURA expressed that she would “kill a bitch if it came down to it” if anyone
7 threatened her job. LIZZO’s Management was well aware of this pattern of behavior.
9 requested Plaintiff to record NOMURA without her knowledge, which Plaintiff did not do
11
12 164. Compounding the disillusionment with LIZZO’s tour, Plaintiff also endured sexual
13 harassment by LIZZO’s team. Specifically, there was a group chat of over 30+ people from
14 the BGBT team, which included LIZZO tour management and Plaintiff. In the group
15 message, a backstage manager sent a photo graphically depicting male genitalia. No one
16 from LIZZO’s management team addressed this graphic sexual imagery in the workplace
19
20 165. As another example of this, when the tour got to Amsterdam, Plaintiff witnessed NOMURA,
21 crew, and LIZZO’s management openly discussing hiring sex workers for lewd sex acts,
22 attending sex shows, and buying hard drugs. Plaintiff felt pressured to join such activities
23 and found a way to secure one of her few days off to escape.
24
25 166. Enough was enough. Despite being instructed to not speak with management, Plaintiff
26 bravely decided to come forward. Later in the month of February 2023, Plaintiff informed
27 GUGLIOTTA of the widespread racial and sexual harassment taking place on the tour.
28 Specifically, Plaintiff told GUGLIOTTA that the Black dancers were being mocked,
2 told GUGLIOTTA that she and her local teams were victims of NOMURA’s verbal and
4 explained she believes NOMURA’s behavior was racially motivated, and stated, “It’s not
5 lost on me that I’m one of the only Black women working behind the scenes and I feel like
8 167. Plaintiff expected GUGLIOTTA to inform LIZZO of what was happening on LIZZO’s team
9 because she believed LIZZO would not tolerate racist bullying towards her dancers or the
10 few Black women that worked behind the scenes on her tour. Women who, after all, look
11 just like LIZZO. Plaintiff is informed and believes GUGLIOTTA did, in fact, relay to
12 LIZZO Plaintiff’s reports of racism and mistreatment towards herself and the dancers.
14
15 168. The toxic work environment continued without change. LIZZO’s team ultimately fired
16 Plaintiff without notice or reason. Plaintiff was later informed by GUGLIOTTA that
18 and acknowledged that although management was aware of NOMURA’s behavior, she
19 would be too hard to replace and NOMURA “wanted [Plaintiff] gone” for speaking up.
20 Throughout the tour, Plaintiff received positive feedback for her designs and other work
22
23 169. In fact, The Big Grrls and tour musicians requested a meeting with management to dispute
24 Plaintiff’s firing and their request was denied. Plaintiff was abruptly fired before her contract
26
27 170. The day Plaintiff was fired, she suffered an allergic reaction that she notified both
28 NOMURA and LIZZO's management about. Plaintiff was denied medical care, was yelled
2 keep working or be sent home. Despite the industry standard to have a medical team
5 171. Due to the racist and sexualized work environment, and also the unreasonable physical
6 requirements of the Plaintiff, she suffered constant anxiety and panic attacks during the tour
7 from the racist and sexualized environments; she continues to suffer ongoing Anxiety and
8 PTSD after the tour; she suffers from migraines and migraine-induced eye twitch and ocular
10
11 172. Said retaliation was and is in violation of § §1102.5 and 6310. of the Labor Code because
12 the actual reason for terminating Plaintiff was for her complaints of Defendants’ illegal
14
15 173. As a direct and legal result of Defendants’ retaliatory actions against Plaintiff for her
16 protected activity herein referenced, Plaintiff has suffered and continues to suffer general,
17 consequential, and special damages, including but not limited to substantial losses in
19 emotional distress, plus medical expenses, future medical expenses, and attorneys’ fees, all
21 //
22 //
23 //
24 //
25 //
26 //
27 //
28 //
2 Assault
5 174. Plaintiff incorporates all paragraphs above as though fully set forth herein.
7 175. On or about February 14, 2023, Plaintiff began working on LIZZO’s tour. Plaintiff
8 reported to NOMURA, who was Plaintiff’s supervisor for the entirety of her employment
10
11 176. In or around mid-February of 2023, Plaintiff and NOMURA were transporting a heavy
12 rack of clothing, when NOMURA rolled the rack over Plaintiff’s foot. Plaintiff stopped
13 and informed NOMURA she needed to sit down, as her foot was in serious
14 pain. Shockingly, NOMURA proceeded to shove Plaintiff into the rack of clothing, while
15 asserting Plaintiff should not make excuses about her foot and must help NOMURA
17
18 177. Due to being shoved, Plaintiff lost her balance and rolled her ankle. The following day,
19 Plaintiff came to work in “croc” shoes which minimized the pain. When NOMURA
20 noticed the Plaintiff’s orthopedic shoes, she demanded Plaintiff to change into tennis
21 shoes. Plaintiff explained her ankle was swollen and injured after the rack incident, and
22 that it was painful to walk in tennis shoes. However, NOMURA forced Plaintiff to wear
23 the painful tennis shoes so that she could move heavy cases while injured.
24
25 178. On several occasions, NOMURA made statements and/or took physical actions to threaten
26 Plaintiff and the entire crew: (1) NOMURA threatened Plaintiff and others that she would
27 “kill a bitch” and “stab a bitch” when she could not find her medication. (2) NOMURA
28 shoved a crew member in retaliation for revealing she was threatening to quit. (3)
2 assigned break. (4) NOMURA expressed that she would “kill a bitch if it came down to
3 it” if anyone threatened her job. LIZZO’s Management was well aware of this pattern of
5 even requested Plaintiff to record NOMURA without her knowledge, which Plaintiff did
8 179. Defendant NOMURA committed these acts during the course and scope of her capacity
10
11 180. In doing the acts as alleged above, NOMURA intended to cause or to place Plaintiff in
13
14 181. In fact, as alleged above, NOMURA made contact with Plaintiff’s person.
15
16 182. As a direct result of NOMURA’s actions, Plaintiff was placed in great apprehension of
18
19 183. At no time did Plaintiff consent to being contacted by NOMURA.
20
21 184. As a proximate result of the acts of NOMURA as alleged above, Plaintiff feared for her
22 safety and was injured. This fear caused and continues to cause Plaintiff severe emotional
24
25 185. Plaintiff is informed and believes that the aforesaid acts directed towards her were carried
26 out with a conscious disregard for her right to be free from tortious behavior, such as to
27 constitute oppression, fraud, and/or malice pursuant to California Civil Code § 3294,
3 PRAYER
5 1. For damages according to proof, including unpaid wages, loss of earnings, deferred
8 2. For general damages, including but not limited to emotional distress, according to
9 proof;
10
11 3. For other special damages according to proof, including but not limited to
13
15
17
18 6. For costs incurred by Plaintiff, including reasonable attorneys’ fees and costs of
19 suit, in obtaining the benefits due to Plaintiff and for violations of Plaintiff’s civil rights through
20 the Fair Employment and Housing Act and Labor Code § 1102.5(j), as set forth above; and
21
22 7. For such other and further relief as the court deems just and proper.
23 //
24 //
25 //
26 //
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4 By:
Ronald Zambrano, Esq.
5 Attorney for Plaintiff,
ASHA DANIELS
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By:
17 Ronald Zambrano, Esq.
Attorney for Plaintiff,
18 ASHA DANIELS
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