Caie Igcse First Language English 0500 Theory v3
Caie Igcse First Language English 0500 Theory v3
Caie Igcse First Language English 0500 Theory v3
ORG
CAIE IGCSE
FIRST LANGUAGE
ENGLISH
SUMMARIZED NOTES ON THE THEORY SYLLABUS
CAIE IGCSE FIRST LANGUAGE ENGLISH
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1. You must show that you grasp the clear meanings. 2.4. Key Vocabulary
2. You must show that you grasp underlying attitudes
Mood: Mainly to do with the emotion the character is
and meanings.
3. You must choose the information you use carefully feeling internally.
Tone: The way the text/narrator sounds. Ex: The narrator
and only for those purposes.
can sound frightened. We know this because of other
The total mark awarded for the Writer’s Effect question is techniques used in the writing that lets us know that the
15. 10 marks for the content of your answer and 5 for narrator is frightened.
your style of writing. Atmosphere: The feeling caused by the environment
around the narrator. It can be influenced by the objects
within the setting. Ex: When the principal reprimanded the
2.2. What to do While Reading the Text?
student in a stern tone, the atmosphere was suffocating
for the student. The student can react with a frightened
Things to think about while reading the text:
tone.
1. What did the author write about? Find the meaning
and the purpose of the text. 2.5. DOs and DONTs
2. How have they done it? Look for figurative devices
used to create an effect in order to achieve the DOs
meaning or purpose of the text.
3. Why have they done it? What was the writer’s intention 1. First, explain the explicit meaning of the phrase then
in including those particular phrases in the text? How the implicit meaning tries looking for connotations,
did the author want you to feel? etc.
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2. Select diverse selections so that you don’t repeat has the same consonant sound several times, giving a
explanations/ don’t choose phrases that have a similar rhythmic impression.
effect.
3. Use technical terms correctly though they aren’t Example: Mike likes his new bike.
required.
6. Anaphora: whenever a particular word or phrase is
4. Search for the type of sentence and see if there is
repeated at the start of clauses or phrases.
repetition and see what effect the syntax plays.
7. **__Epistrophe: __**a repetition of a phrase or word
5. Look for synonyms for the word created before the
at the end of subsequent sentences.
exam. Some synonyms could be designed or
8. Euphemism: an alternative term or phrase that is used
portrayed.
in place of potentially rude or improper ones.
DONTs
Example: “Passed away” instead of “died”.
1. Don’t make general comments like stating that the
9. Hyperbole: statements that are over-exaggerated
writer has used great imagery.
(sometimes to a level at which it is inhumane) or
2. The following phrase “the writer created an effect of…”
overly stressed.
should be avoided as it is not recommended for the
effect to be stated explicitly, sometimes it is Example: I walked a million miles to get here.
unavoidable.
10. Onomatopoeia: a phrase that describes a sound by
imitating that sound
2.6. Common Linguistic Devices
Example: “Pitter-patter”
1. Alliteration: the occurrence of the same letter or
sound at the start of words that are near together or 11. Personification: to give human-like qualities to non-
adjacent. living things or abstract ideas
Example: She is a shining star. Example: The color blue can be associated with sadness.
Example 2: “As I tread through the forest, I brushed past
2. Simile: expressions that describe one shrubs, leaves biting at my ankles as I stepped over the
person/thing/attribute to another gnarled roots snaked around the forest floor.”
person/thing/attribute typically using the words “like” → Here, adjectives with negative connotations are used to
or “as”. create a dark atmosphere. “Biting” suggests the leaves are
sharp and dangerous, and the adjective “snaked” is less
Example: Shine like a star
positive than “swirled” or “twisted” which adds to this
3. Pathetic Fallacy: when the writer describes the natural atmosphere.
world as though it had feelings.
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5. Strong Voice - what is the purpose of the 3. With a clear plan, there is no need to rush; therefore,
writing? you can focus on using good handwriting and ensuring
that all the mechanics of spelling, punctuation and
3.2. Annotating the Text sentence structure can be applied correctly.
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What sounds can you hear in the Second person: This narrative voice implies that the
location? Are there any distinct scents? reader is the protagonist or a character in the novel, and
3. Focal points can be created by “zooming” into that the events are taking place to them.
aspects of the scene.
1. For the “nest” prompt, this may be Identifier: “You”
describing the bird who made the nest,
Third Person Omniscient: All knowing perspective of the
or the shape, color etc of the eggs.
story. The narrator about thoughts and situations of every
3. Writing the response:
character in the story.
1. Be wary of descriptions or movements that
Third Person Limited: The narrator only knows the
turn into plot. Using present tense may help
thoughts and feelings of a single character.
keep the writing “in a moment”.
1. A good way to think about descriptive Identifier of third person POV: “He/She/They”
writing is like describing a picture, Dual narration: You can write the story from multiple
painting or at most, a live photo. The viewpoints by making sections for different narrators/
character, previous actions or future characters to voice their opinions.
actions of characters within the frame
aren’t captured and shouldn’t be
5.3. Story Openings & Narrative Hooks
written.
2. Structure the description so it flows. Choices
1. Scene-settings
may be by:
2. In Medias Res
1. Each paragraph zooms into a different
3. Mystery/Mysterious opening
part of the picture, e.g. tree canopies
4. Dialogue
[with x, y, x elements] and then the next
5. Third/First person narrator speaking to the reader
paragraph is about the river bank.
6. Questions
2. Each paragraph concentrates on a
7. Bold statements
sense, e.g. smell, then sight, then touch.
3. Specific, precise vocabulary enhances imagery.
A “pink” box leaves a lot to be interpreted. A 5.4. Story Endings
“fuschia box” is different from a “a maroon
box”. 1. Abrupt ending
2. Plot twist
3. Circular narration: The story comes back to how it all
5. Narrative Writing started.
4. “Happily-Ever-After”/Resolved
5. Cliff hanger
5.1. Narrative Writing 6. Implied/Open ending
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the continual signal fire, the boys lose hope and turn viciously
5.6. Narrative Techniques
against one another. It appears that all is lost until a navy ship
Backstory- Provide background information of the arrives and rescues the guys.
character Mac Guffin- When the whole story is centered around an
Foreshadowing- Hinting events that are yet to happen in ordinary object
the story
Ex: It is used in the movie Titanic. The Heart of the Ocean is
Ex: A common phrase used to foreshadow a negative event is emphasized not because it aids the plot to move forward, but
“I have a bad feeling about this.” is used to open and close the movie.
Tip: Use literary devices like Pathetic Fallacy, Imagery,
Chekhov’s Gun- A seemingly irrelevant object/person
extended metaphors
responsible for plot development
Ex: The knowledge that Katniss’ had about the poisonous 5.7. Characterisation
plants, because it is a significant character trait that helped
her trick the Capitol into taking Peeta and herself would Characterization is the representation of a character's
survive the Hunger games. features, motives, and personality in a narrative.
Direct
Flashback- When you alter the time sequence of the
The author directly describes the characteristics of a
narrative (interrupt the chronology of the narrative) to
character.
take the reader back to a scene that happened before the
Indirect
story began or a past event in the character’s life. This
Rather than explicitly describing a character's attributes, an
technique helpful in developing characterization.
author portrays the character as he or she travels through
Ex: The opening line of The Great Gatsby by F.Scott Fitzgerald the world, leaving the reader to deduce the character's
occurs in flashback. qualities from his or her actions through indirect
characterization.
Frame Story- A story within a story
Thoughts of the character
Ex: . The story of Frankenstein contains the story of a The actions of the character
creature, and the story of the creature briefly contains the Word choice of the character including dialect
story of the family with which he has been living. The appearance of the character
The actions and mannerisms of the character
In Medias Res- Beginning the story in middle of some The character's interactions with others (and how others
action react to the character)
Ex: This technique is usually used in films. This opening can Why?
be seen in the tv show Breaking Bad. Characterization is an important component of writing a
novel or short story because it allows you to understand your
Plot twist
characters and how their personalities and perspectives can
Red Herring- diverting attention from a significant object.
help push the storyline forward.
Essentially it is misleading or a false clue.
Ex: Harry Potter regards Sirius Black as a dangerous criminal 5.8. How to Build Tension?
and murderer. Slowly, Harry discovers that this man
murdered his parents and is pursuing him to do the job. When 1. Create conflict to characters (external or internal)
Harry eventually meets Black, he discovers that Sirius is not a 2. If your protagonist is unable to attain his or her goal,
murderer at all. keep escalating the stakes or the impact of the
repercussions.
Unreliable narration- bias in narration
3. Dramatic Irony: when the audience knows something
Ticking clock scenario- time limit for characters to
that the protagonist doesn’t
successfully complete their mission
Ex: In RUN LOLA RUN (a film) Lola has only 20 minutes to 5.9. Highlights from the Examiner's
deliver 100,000 German Marks in order to save her
boyfriend’s life.
Report
Ex: In William Golding's Lord of the Flies, the abandoned boys 1. Usage of short sentences to create surprise or
spend the whole novel both establishing and tearing down emphasis.
their fragile civilization. When rescue does not arrive despite 2. Usage of subordinate clauses to begin a sentence.
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3. Detailed description of the atmosphere then zooming 1. Your story should use only one tense that should be
in on a character or two (using each paragraph as a past tense. Unless you're using narrative techniques
different camera)- zooming in or out. such as flashbacks or others.
4. Pathetic fallacy 2. Making a plan starting from the resolution to the
5. Circular narration exposition is a good idea.
6. Usage of extended metaphors 3. Try to limit your coverage to one or two major events.
7. Plot twists A short story cannot have numerous occurrences.
4. Collect a few dialogue tags before hand to use.
What don’t examiners like? 5. Don't use first person narration if you character is
going to die at the ending.
1. Lack of planning that results in a bad/incomplete
6. Do not end your story by saying it was all a dream.
ending.
7. Create a plot that is adaptable to a variety of prompts.
2. They do not recommend taking extra pages.
You can also design characters ahead of time.
3. Do not use incorrect punctuation, especially comma
8. Try to focus your story on a particular theme such as,
splicing.
loss, friendship etc.
4. Make sure that the synonyms you use for a common
word fit the context.
5.10. Tips
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CAIE IGCSE
First Language English