D-4000 MANw

D-4000 Digital Audio Console
TECHNICAL MANUAL
600 Industrial Drive, New Bern, North Carolina, USA 28562

D-4000 Digital Audio Console Technical Manual - 1st Edition
©2002 Wheatstone Corporation
WHEATSTONE CORPORATION
600 Industrial Drive
New Bern, North Carolina 28562
tel 252-638-7000 / fax 252-637-1285
D-4000 / Feb 02
ATTENTION
Attention!
F ederal Communications Commission (FCC)
Compliance Notice:
Radio F requency Notice
Frequency
NOTE: This equipment has been tested and found to comply with the
limits for a Class A digital device, pursuant to Part 15 of the FCC rules. These
limits are designed to provide reasonable protection against harmful
interference when the equipment is operated in a commercial environment.
This equipment, generates, uses and can radiate radio frequency energy
and, if not installed and used in accordance with the instruction manual,
may cause harmful interference to radio communications. Operation of this
equipment in a residential area is likely to cause harmful interference in
which case the user will be required to correct the interference at his own
expense.
This is Class A product. In a domestic environment,

this product may cause radio interference, in which case,
! the user may be required to take appropriate measures.
This equipment must be installed and wired properly in order to assure

compliance with FCC regulations.
Caution! Any modifications not expressly approved in writing by

Wheatstone could void the user's authority to operate this equipment.
D-4000 / Oct 2003

R E A D ME !
EXTRACTOR TOOLS
Module Removal Tools
Your Wheatstone D-4000 audio console is equipped with two

"module extractor tools" which are mounted underneath the
console armrest, to the far right (just above and to the left of
the righthand mainframe headphone jack).
Main module faceplates are held into the console mainframe by two
mounting screws (top and bottom). When removed the screws leave
specially threaded holes that accept the two extractor tools.
To remove a module faceplate from the mainframe:
Remove the front top and bottom mounting screws. Remove the extractor
tools from underneath the armrest, and screw each tool into a module
faceplate mounting hole. Use only four or five turns (do not over-insert; you
may damage the threaded mainframe hole underneath). Using the extractor
tools as handles, pull the module straight up out of the mainframe.
CONTENTS
D-4000 Technical Manual

Table of Contents
Chapter 1 – Installation and Power
Countertop Mounting ................................................................. 1-2
Clearances .............................................................................................................. 1-2
System Ground .......................................................................... 1-2

Power Supplies .......................................................................... 1-4
Power Supply Cable Pinout .................................................................................... 1-5
Failsafe Dual Redundant Supply ............................................................................ 1-6
Energizing ............................................................................................................... 1-6
Audio and Control Wiring .......................................................... 1-7

The Insulation Displacement Connector System ................................................... 1-7
Connection Procedures .......................................................................................... 1-8
Digital Connections ................................................................................................. 1-8
Analog Insert Points ................................................................................................ 1-8
Unbalanced Connections ....................................................................................... 1-8
Wiring Procedure - Double Connection to One Pin ................................................ 1-9
Chapter 2 - Mono Mic Inputs

Module Overview ........................................................................ 2-2
Internal Programming Options ................................................. 2-3
Insert Bypass .......................................................................................................... 2-3
Phantom Power ...................................................................................................... 2-3
Mutes ...................................................................................................................... 2-3
Timer Restart .......................................................................................................... 2-3
Tallies ...................................................................................................................... 2-4
Utility Bus Pre-Fader .............................................................................................. 2-4
Talkback .................................................................................................................. 2-4
Superphone Output Assign .................................................................................... 2-5
Hook-ups ..................................................................................... 2-5

AUDIO CONNECTIONS ......................................................................................... 2-5
CONTROL CONNECTIONS ................................................................................... 2-6
Remote ON & OFF ................................................................................................. 2-6
Talkback to Control Room ...................................................................................... 2-6
On Tally ................................................................................................................... 2-7
Off Tally ................................................................................................................... 2-7
DB Connector Pinout Drawing .................................................. 2-8
D-4000 / Feb
Oct 03
02 page Contents – 1
CONTENTS
Chapter 3 - Stereo Line Inputs

Module Overview ........................................................................... 3-2
Internal Programming Options ....................................................3-3
Mutes ........................................................................................................................ 3-3
Timer Restart ............................................................................................................ 3-3
Cue Dropout .............................................................................................................. 3-3
Local/Ready .............................................................................................................. 3-3
Utility Bus Pre-Fader ................................................................................................ 3-4
Tallies ........................................................................................................................ 3-4
Superphone Output Assign ...................................................................................... 3-4
On/OFF — Constant vs. Pulse ................................................................................. 3-4
Normal vs. EFS ......................................................................................................... 3-5
Hook-ups ........................................................................................3-5
ANALOG AUDIO CONNECTIONS ........................................................................... 3-5
DIGITAL AUDIO CONNECTIONS ............................................................................ 3-6
CONTROL CONNECTIONS ..................................................................................... 3-6
Remote ON & OFF ................................................................................................... 3-6
On Tally ..................................................................................................................... 3-7
External START & STOP ......................................................................................... 3-7
Ready ........................................................................................................................ 3-7
DB Connector Pinout Drawings

ADC analog version .................................................................................................. 3-8
SRC digital version ................................................................................................... 3-9
Chapter 4 - Output Modules

Module Overview ........................................................................... 4-2
Insert Bypass ............................................................................................................ 4-3
Hook-ups ........................................................................................4-3
Master Output Module A (PGM and AUX)
Upper DB-25 Connector — Analog Audio ......................................................... 4-3
Lower DB-25 Connector — Digital Outputs ....................................................... 4-4
Master Output Module B (AUD and UTIL)
Upper DB-25 Connector — Analog Audio ......................................................... 4-4
Lower DB-25 Connector — Digital Outputs ....................................................... 4-4

Master Output A ........................................................................................................ 4-5
Master Output B ........................................................................................................ 4-6
Chapter 5 - Control Room Module

Module Overview ........................................................................... 5-2
Cue Interrupt ............................................................................................................. 5-3
Cue Mute .................................................................................................................. 5-3
Mono Cue ................................................................................................................. 5-3
D-4000 / Feb 02 page Contents – 2

CONTENTS
Hook-ups ........................................................................................5-4
Upper DB-25 Connector — AUDIO .......................................................................... 5-4
Upper DB-25 Connector — CONTROL .................................................................... 5-4
On-Air Tally ......................................................................................................... 5-4
Lower DB-25 Connector — AUDIO .......................................................................... 5-5
DB Connector Pinout Drawing ..................................................... 5-6
Chapter 6 - Studio Control Module

Module Overview ........................................................................... 6-2
External Talkback Mute/Dim ..................................................................................... 6-3
Studio Dim ................................................................................................................ 6-3
Hook-ups ........................................................................................6-4
Upper DB-25 Connector — AUDIO .......................................................................... 6-4
Upper DB-25 Connector — CONTROL .................................................................... 6-4
Tally 2 and Tally 3 ............................................................................................... 6-4
Lower DB-25 Connector — AUDIO .......................................................................... 6-5
Chapter 7 - Meter Output Module

Module Overview ........................................................................... 7-2
Hook-ups ........................................................................................7-3
Chapter 8 - CPU and DSP Modules

Module Overview ........................................................................... 8-2
AES Clock Sync ........................................................................................................ 8-2
Chapter 9 - Superphone Input Module

Module Overview ........................................................................... 9-2
Caller Set-Ups .......................................................................................................... 9-2
Automatic Features ................................................................................................... 9-3
Inputs and Outputs ................................................................................................... 9-3
Internal Programming Options - Main PCB ................................ 9-4

Output Assign Switch Enable ................................................................................... 9-4
Mutes ........................................................................................................................ 9-4
Timer Restart ............................................................................................................ 9-4
Tallies ........................................................................................................................ 9-4
Cue Dropout .............................................................................................................. 9-5
Gain Trimpots ........................................................................................................... 9-5
D-4000 / Feb 02 page Contents – 3

CONTENTS
Internal Programming Options - Piggyback PCB ...................... 9-5

External In ................................................................................................................. 9-5
Cue Pre/Post ............................................................................................................ 9-5
Gain Trimpots ........................................................................................................... 9-5
Hook-ups ........................................................................................9-6
AUDIO CONNECTIONS (Upper DB-25) .................................................................. 9-6
AUDIO and CONTROL CONNECTIONS (Lower DB-25) ........................................ 9-6
Chapter 10 - Line Preselector Module

Overview .......................................................................................10-2
Internal Programming Options ................................................... 10-3
LSR-500 (drawing) ........................................................................ 10-3
Hook-ups – LSD-4 ........................................................................ 10-3
Hook-ups – LSR-500 .................................................................... 10-3
Analog Audio Inputs ................................................................................................. 10-3
Digital Audio Inputs .................................................................................................. 10-4
Analog Outputs ........................................................................................................ 10-5
Digital Outputs ......................................................................................................... 10-5
DB Connector Pinout Drawing (LSD-4) ...................................... 10-6

DB Connector Pinout Drawing (LSR-500) .................................. 10-7
Chapter 11 - Line Preselector Module-Analog

Module Overview .......................................................................... 11-2
Hook-ups .......................................................................................11-3
Audio Inputs ............................................................................................................. 11-3
Outputs .................................................................................................................... 11-4
DB Connector Pinout Drawing (LSA-4) ...................................... 11-5
Chapter 12 - Tape Remote Module

Module Overview .......................................................................... 12-2
DB Connector Pinout Drawing
START/STOP Function Control ........................................................................... 12-3
Full-Function Control ............................................................................................ 12-4
Chapter 13 - Router Controller Module

Module Overview .......................................................................... 13-2
XY Controller Settings ............................................................................................. 13-3
Feb 02
D-4000 / Jun 02 page Contents – 4
CONTENTS
Setting an XY Controller Termination .................................................................. 13-3

Setting an XY Controller Address ........................................................................ 13-3
Receiver and Transmitter Switching .................................................................... 13-3
XY Controller RS-485 Connections ......................................................................... 13-3
Cable Wiring ........................................................................................................ 13-4
Typical RS-485 Cable Specifications .................................................................. 13-4
Console RS-485 Cable Pinout ............................................................................ 13-4
Hook-ups .......................................................................................13-5
Upper DB-25 Connector - RS-485/RS-232 Serial Port ........................................... 13-5
Lower DB-25 Connector - RS-485 Serial Port ........................................................ 13-5
DB Connector Pinout Drawing .................................................... 13-6
Chapter 14 - Meterbridge and Clock

Overview .......................................................................................14-2
Replacement Parts ....................................................................... 14-2
Digital Timer ................................................................................. 14-2
Console Clock .............................................................................. 14-3
Controls .................................................................................................................... 14-3
Setting the Time ....................................................................................................... 14-3
Capacitor Backup .................................................................................................... 14-3
Operational Modes .................................................................................................. 14-3
Clock/Timer (CLK-55)
Schematic ................................................................................................................ 14-5
Load Sheet ............................................................................................................... 14-7
Chapter 15 - I/O Schematic Drawings
Mono Mic Input Module Schematic (MMD-4) ......................................................... 15-2

Stereo Line Input Module Schematic (SLD-4) ........................................................ 15-5
Digital Stereo Line Input Card Schematic (SRC-500) ............................................ 15-7
Analog Stereo Line Input Card Schematic (SLADC-600) ...................................... 15-8
Output Module Schematic (OMD-4) ....................................................................... 15-9
Control Room Module Schematic (CRD-4) ........................................................... 15-11
Studio Control Module Schematic (SCD-4) ........................................................... 15-15
Superphone Module Schematic (SPD-4) ............................................................... 15-18
Superphone Analog Card Schematic (SPNA-600) ................................................ 15-20
Digital/Audio Line Select Rackmount Schematic (LSR-500) ................................ 15-21
Analog Line Select Schematic (LSA-4) .................................................................. 15-24
Tape Remote Module Schematic (TRD-4) ............................................................. 15-25
Appendix - Replacement Parts List

Replacement Parts List ............................................................... A-2
Feb 05
D-4000 / Jan 02 page Contents – 5
INSTALLATION and POWER
Installation and Power

Chapter Contents
Countertop Mounting ................................................................. 1-2
Clearances .............................................................................................................. 1-2
System Ground .......................................................................... 1-2

Power Supplies .......................................................................... 1-4
Power Supply Cable Pinout .................................................................................... 1-5
Failsafe Dual Redundant Supply ............................................................................ 1-6
Energizing ............................................................................................................... 1-6
Audio and Control Wiring .......................................................... 1-7

The Insulation Displacement Connector System ................................................... 1-7
Connection Procedures .......................................................................................... 1-8
Digital Connections ................................................................................................. 1-8
Analog Insert Points ................................................................................................ 1-8
Unbalanced Connections (analog audio) ............................................................... 1-8
Wiring Procedure - Double Connection to One Pin ................................................ 1-9
D-4000
D-4000 // Oct
Feb03
02 page 1 – 1
Installation and Power
Countertop Mounting
The D-4000 digital audio console is designed for countertop drop-
in mounting. Console placement should avoid proximity to any elec-
tromagnetic fields, such as large power transformers, motors, and
fluorescent lighting fixtures. The required cut-out width is determined
by the actual number of mainframe positions. The formula is:
(console positions X 1.508”) + 1.375” = cut-out width
Example: (32 x 1.508) = 48.256, and 48.256 + 1.375 = 49.631.
Rounding this off we arrive at 49 5/8” for a cut-out width.
Cut-out front-to-back dimension is always 18 5/8”. The front of the
console will extend approximately one inch forward of the cut-out. The
console’s wooden sidepieces will extend about 7/8” on either side of
the cut-out width.
Clearances
Note the two module extractor tools (black thumbwheel screws)
mounted in the front surface of console’s lower mainframe pan (just
above and to the left of the righthand headphone jack). These must be !
removed before lowering the console into its cutout!
Once in place the console mainframe pan will extend approxi-
mately 5 1/2 inches below the countertop surface. Note the hinged
meterbridge will require 8 1/2” above the countertop surface to open
freely. When fully open the meterbridge will extend 5 1/2” behind the
rear line of the cut-out. When closed, the meterbridge will extend
2 1/2” behind this rear cut-out line and 6 1/4” above the countertop
surface.
Do not connect the D-4000 console to its power supply (and do not
connect the power supply to the AC power line) until instructed to do
so.
System Ground
The first step is to ground the console.
Note that as supplied from the factory, console rackmount power
supply common, audio ground, and the D-4000 mainframe are con-
nected together at the console, but are NOT connected to electrical
ground and the chassis of the power supply. Safety requirements
dictate that a positive connection from the console mainframe to
D-4000 / Feb 02 page 1 – 2

MIC PANEL
EFFECTS RACK
GND
CONSOLE DEVICE 1
DEVICE 2
2-TRACK
etc.
MULTI-TRACK DEVICE N
Tie the console ground lug

terminal strip to the system
AC BREAKER
earth ground. Tie every piece
HIGH POWER of equipment in the entire
BOX EQUIPMENT RACK
HEAVY audio system to the console
POWER COMPANY (#4 or #6) ground lug terminal strip.
EARTH GROUND COPPER CONSOLE POWER SUPPLY
WIRE
CONTROL ROOM POWER AMP
COPPER ROD
STUDIO POWER AMP
OTHER
3–5 ft.
SOIL
3-wire ground or separate wire run from chassis
TYPICAL SYSTEM
GROUNDING SCHEME
electrical ground be made in the completed installation. Use one of the

grounding lugs on the bottom of the mainframe to establish your
system ground. The grounding lug terminal strip may be found at the
rear of the console, along the bottom edge of the mainframe pan directly
under the rightmost mainframe slots (to the lower left if you are looking
at the rear of the console).
The system ground serves two important purposes:
(1) It provides a zero signal reference point for the entire audio system;
(2) It assures safety from electrical shock.
There exist two terms that one encounters in a discussion of ground:
(A) EARTH GROUND, which is usually a heavy copper rod driven into the
soil adjacent to the building (around 6 feet down) or a connection to the copper
water pipes leading into the building. Either is acceptable (unless, of course,
the water pipe is made of plastic).
(B) THE POWER COMPANY EARTH CONDUCTOR that enters the
building at the power line breaker box; this conductor should be (and is often
by code) tied to the above-mentioned earth ground at one point. This point is
the SYSTEM EARTH GROUND.
D-4000 / Feb 02 page 1 – 3

TIE THE CONSOLE GROUND LUG TERMINAL STRIP TO THE

SYSTEM EARTH GROUND. TIE EVERY PIECE OF EQUIPMENT IN
THE ENTIRE AUDIO SYSTEM TO THE CONSOLE GROUND LUG
TERMINAL STRIP. If the system earth ground point is inaccessible, tie
the console ground terminal strip to the power company earth conductor
at the main breaker box (see drawing "Typical Grounding Scheme" on
previous page).
Each piece of equipment should be connected by its own ground wire
(usually the round third pin on the AC cord). This means that every AC
outlet must have a separate conductor run to the console ground lug
terminal strip; the outlets cannot be daisy-chained as is normally encoun-
tered in commercial and residential AC systems. Any equipment not
supplied with 3-wire AC cables must have individual ground wires (16
gauge or larger) connected to their chassis grounds and then run to the
console ground lug terminal strip.
Further Grounding Details

Check all equipment to be absolutely certain that each unit is power
transformer isolated from the AC mains to prevent safety hazards.
It is assumed that in each piece of audio equipment the audio ground
and the chassis are tied together at some point. Any piece of equipment
lacking a grounded chassis is likely to be prone to interference problems.
Locate all unbalanced audio equipment in the same rack if possible, to
minimize chassis ground potential differences. It may also be helpful to
insulate each piece of unbalanced equipment from its mounting rails in the
rack by means of nylon 10-32 screws and insulating washers between rails
and faceplates.
Once the system is properly grounded, proceed with the console

power supply installation and connection (next section).
Power Supplies
The D-4000 console is powered by a Wheatstone Model SPS-180R If failsafe redundant sup-
rackmount power supply or an SPS-180 power supply installed in a plies have been ordered,
you will be installing two
Wheatstone Model PSR rackmount unit. Each of the units occupies two SPS-180 power supplies
19” wide rack spaces (total height 3-1/2”). The PSR unit houses up to four in the PSR unit.
SPS-180 power supply units.
Note the power supply (supplies) should be mounted in an equipment
rack within fifteen feet of the console (but no closer than 3 feet). Avoid
locating any high gain equipment (such as phono preamps, tape recorders,
etc.) too near the rackmount supplies, to avoid magnetic interference into
that equipment.
D-4000 Feb04
D-4000 / Jun 02 page 1 – 4
Front view of the SPS-180R rackmount power supply Front view of the PSR rackmount power supply
Rear view of the SPS-180R rackmount power supply Rear view of the SPS-180 unit
This power supply contains high voltage circuits that are hazardous and potentially
harmful. Under no circumstances should the metal cover be removed! If you have a
problem with the power supply, the SPS-180R or SPS-180 unit must be returned to
Wheatstone Corporation for repair.
Once the supply is rackmounted, it should be connected to the console using the factory
supplied cable. The console’s two power supply connectors are located at the rear of the
console, one at each end of the meterbridge bottom pan. If you are using two SPS-180
supplies (failsafe option) one supply will connect to each console connector; otherwise
only one connector will be used (it does not matter which one). Note that the power supply
cable’s 10-pin female connector has to be rotated until its locating pins match the male
connectors on the console. Do not force a connector on; it attaches easily when properly
aligned. Connect the cable(s) first to the console, then to the rear of the rackmount power
supply.
Console
End
Power Supply
End
PS Cable Pinout
PIN PIN
VIO 1 Phantom E VIO

GRN Digital Ground D GRN
2
BRN Digital Ground F BRN
3
Power Supply End Digital+ Console End
YEL 4 H YEL
8-pin Connector 10-pin Connector
Digital+ Female
Male ORG 5 G ORG
Analog Ground
BLK 6 A BLK
-V in
BLU 7 C BLU
+V in
RED 8 B RED
D-4000 / Jun
D-4000 Feb04
02 page 1 – 5
Note each power supply is fitted with a 3-wire grounded AC cord that The power feed recom-
should be plugged into a "clean" AC power source, that is, an AC source mended in the text is of-
ten installed and referred
that feeds only the control room audio gear. This source should be a to in studios as an “iso-
separate feed from those powering lighting, air-conditioning, or any other lated AC ground” outlet.
It is usually orange in
non-audio machinery. The third pin ground wire of the AC source should color.
be tied to the central system ground point. Note that while the AC power
cord ground wire terminates at the power supply chassis, it does NOT
connect to the D-4000 console common; the console itself must be
grounded separately. (See previous section, "System Ground".)
Failsafe Dual Redundant Supply

Wheatstone failsafe power supply systems use two SPS-180 power
supplies for each piece of powered equipment. Though either is capable of
running a full load on its own, in failsafe operation both units run in
tandem: if one fails, the other takes over, assuring uninterrupted operation.
In order for failsafe systems to perform as designed, always have
BOTH supplies powered up and connected to their associated equipment.
Energizing
Assuming the D-4000 console mainframe is properly placed and
grounded, and its SPS-180R or PSR power supply correctly rackmounted
and connected to the console, you may now energize the rackmount power
supply by plugging it into the AC mains. The console's VU meters will
illuminate and individual module switches will assume factory default
settings.
Note: To de-energize the console, unplug the rackmount power supply’s
AC cord from the AC mains. Never de-energize the console by discon-
necting the cable that connects the console and power supply together.
Once you have verified proper power-up, unplug the rackmount power
supplies to de-energize the console. You may now proceed to wire up audio
and control connections.
D-4000 Feb04
D-4000 / Jun 02 page 1 – 6
Audio and Control Wiring

All audio and control I/O connections to the D-4000 console are made
through multipin DB-25 connectors located on the bottom of the console.
The Insulation Displacement Connector System

The I/O wiring interface system is based on insulation displacement
technology. A special AMP wiring tool is included with each console; it is
auto-indexing, and allows individual wire connections to be positively made
with a single squeeze of the tool's trigger. The trigger action is ratchet
controlled, and will not release until a full connection is made. Once released,
the multipin connector held in the tool's jaw automatically indexes to the next
connector pin. The technology is such that no stripping, soldering or tinning of
The AMP tool insulation dis-

placement connector system.
Note the right angle hood with
self-locking tabs. The tool,
multipin connectors (with gold
plated pins) and latching
hoods are supplied with each
console.
wire ends is required; all that is needed is for the wires destined for the
connector be snub cut and laid out in order (although tubing should be used on
bare drain wires). An empty DB-25 (or in the case of the optional LSR-500
rackmount line switcher, a DB-9) connector is inserted into the tool, indexed
to the first pin, and the wires are inserted one by one into the jaw and the trigger
squeezed. In this way a single multipin connector can be completely wired up
in a minute or two.
In the event of a wiring error, connector pins may easily be removed from
the shell with the wire still attached, and inserted into the correct position.
Observe the side of the connector, with the metal part down. You will see a row
of "Vees"—simply press the top of the vee together with a scribe or other sharp
instrument; this will unlock the pin from the shell, and it can be removed and
inserted into the correct position. Spread the vee apart to lock the pin in the new
position. It should never be necessary to discard a connector due to a wiring
error.
Note that mating hoods for each connector are also supplied with the
console. These have locking screws that hold the connectors securely to the
bottom of the console mainframe.
D-4000
D-4000 // Oct
Feb03
02 page 1 – 7
Connection Procedures
As supplied from the factory, the console requires no logic connections
to function. Therefore an orderly installation begins with the audio wiring.
Note this manual is organized by module type (inputs, outputs, monitor
modules, etc.); each chapter contains detailed wiring instructions for its
module type. Proceed through the manual, chapter by chapter, until all
modules have been wired to suit your particular installation requirements.
Once proper audio operation is verified, go back to each individual chapter
and proceed with control wiring.
Digital Audio Connections

CABLE - All AES/EBU input and output digital audio connections are
balanced and should be made using a high quality digital audio cable. Be
sure to select a digital audio cable with an integral drain wire of the same
wire gauge (AWG) as the twisted pair. Typical AES/EBU digital audio
cable has a very low characteristic capacitance per ft (pF/ft), and a nominal
impedance of 110Ω. High quality digital audio cable offers better signal
transmission performance versus typical analog audio cable, especially
over long cable runs. Check the cable manufactures data sheet to be sure
the cable you plan to use will work in your application.
CONNECTORS - All AES/EBU connections are made with the
supplied DB-25 male mating connectors. These crimp style connectors are
the insulation displacement type and will accept wire gauge 24 - 22AWG.
Analog Insert Points

Certain module signals have insert patch points in their signal chains
to allow outboard audio processing. These include MONO MIC INPUTS
(MMD-4) and OUTPUT MODULES (OMD-4).
Normally these points are internally bridged at the factory (via PCB-
mounted programming switches) prior to shipment. If you intend to use
outboard signal loops at these points, you must reprogram these switches.
See pages 2-3 (mic inputs) and 4-3 (output modules) for details.
Unbalanced Connections (analog audio)

ANALOG INPUTS — Wire to the console with typical shielded two
conductor cable (like Belden 9451), just as if you were connecting a
balanced source. At the unbalanced source machine’s output, connect the
black wire (“LO”) to the shield. If the machine has a -10 dBu output, don’t
hesitate to turn module input gain as high as is needed.
ANALOG OUTPUTS — D-4000 consoles use a balanced output
circuit which behaves exactly like the secondary of a high-quality trans-
former, with no center tap—this output is both balanced and floating.
Either the “HI” or “LO” side of the output should be strapped to ground,
with the output taken from the other side. (Normally you’d strap “LO” to
ground, and take “HI” to feed your unbalanced equipment.)
D-4000
D-4000 // Oct
Feb03
02 page 1 – 8
Wiring Procedure - Double Connection to One Pin

ref: DB-25 male multi-pin connector
Most audio equipment machine interfaces (as well as Wheatstone consoles) use
subminiature D-type connectors. Sometimes the interfaces require making two connec-
tions to a single DB pin. If the wiring has been set up using punchblocks, this is not a
problem; however, for situations where direct machine-to-console wiring is used, Wheat-
stone recommends the following procedure:
1) Connect the first wire to the desired pin as you normally would.
2) Note connector pins may easily be removed from the DB-25 shell with the wire still
attached: Hold the connector with the metal part down and observe its side. You
will see a row of "Vees"—simply press the top of the selected vee together with a
scribe or other sharp instrument; this will unlock the pin from the shell, allowing
it to be removed.
3) With the pin removed, strip out a short section of insulation from the connected
wire and wrap and solder the second wire to the first as shown above.
4) A short piece of heatshrink tubing (pictured here before being slid into place)
completes the connection.
5) Re-insert the pin into the DB-25 shell, spreading the vee apart to lock it in place.
D-4000
D-4000 // Oct
Feb03
02 page 1 – 9
MONO MIC INPUT
Mono Mic Input (MMD-4)

Chapter Contents
Module Overview ........................................................................ 2-2
Insert Bypass .......................................................................................................... 2-3
Phantom Power ...................................................................................................... 2-3
Mutes ...................................................................................................................... 2-3
Timer Restart .......................................................................................................... 2-3
Tallies ...................................................................................................................... 2-4
Talkback .................................................................................................................. 2-4
Hook-ups ..................................................................................... 2-5

AUDIO CONNECTIONS ......................................................................................... 2-5
Remote ON & OFF ................................................................................................. 2-6
Talkback to Control Room ...................................................................................... 2-6
On Tally ................................................................................................................... 2-7
Off Tally ................................................................................................................... 2-7
D-4000 / Feb 02 page 2 – 1

MONO MIC INPUT
Mono Mic Input (MMD-4)

Module Overview
MMD-4 modules are for microphone input signals (-50dBu nomi-
nal). Each module accepts two mono sources: A and B, switched at the
top of the module. Phantom power is available at both input ports; it
may be selectively activated by an internal dipswitch (the factory
default is OFF). Recessed front panel multi-turn trimpots (range
38dB) adjust input levels.
Example: with a microphone input of –60dBm @150Ω at the port, gain
trim can set levels from -22dBu to +16dBu (note maximum preamp gain is
+76dB).
An insert point (+4dBu balanced) is provided: it is post-trim, pre-
pan and may be internally bypassed, which is the factory default
setting.
Output switches assign the selected source signal to any combina-
tion of the console’s four stereo outputs: PGM (program), AUD
(audition), AUX (auxiliary) and/or UTL (utility). When the module is
assigned to PGM and turned ON, a red “Air” LED illuminates just
above the output assign switches.
The rotary PAN control pans the module’s monophonic signal
right and left within the assigned stereo output fields.
Level is set by a long-throw fader. The fader can be optionally
equipped with an EFS (“European fader start”) style bottom-of-travel
switch which will automatically activate the module’s channel ON
and OFF switches when the fader is run up and down.
The channel ON (red) and OFF (yellow) switches are at the bottom
of the module. In addition to being controlled remotely, these can also
be programmed (via internal PCB-mounted dipswitches) to perform
a variety of console control functions, including control room and
studio mutes, talkbacks, tallies, and timer restart.
All audio and control input and output signals are made via two
multi-pin DB-25 connectors mounted in the bottom of the console’s
mainframe, directly underneath each individual module.
D-4000 / Feb 02 page 2 – 2

MONO MIC INPUT
Internal Programming Options

All internal programming is made via printed circuit board (PCB)
mounted switches on the module’s main card. With the exception of insert
bypass, which is a single-throw slide switch, all programming is via 4-
position dipswitches (total six).
For the purposes of this manual, we will assume you are holding the
removed module upright, component side towards you, with gold-plated
card fingers to the left and the module faceplate to the right. This will
enable you to read the control legends silkscreened next to each program-
ming switch. Note when a dipswitch position is thrown to the right
(towards the module’s faceplate) it is ON.
Insert Bypass
SW7 (a double throw double pole slide switch right next to the card’s
short upper row of gold fingers) will click the module’s insert point in and
out of the audio signal chain. Note again that the factory default is “insert
bypassed”. In other words, when shipped from the factory SW7 is thrown
in the direction of the silkscreened arrow on the PCB (to the left). To use
the insert point (see “Audio Connections” page 2-5), throw the switch to
the right, towards the module faceplate.
Phantom Power
Four-position dipswitch SW1 (upper right corner of card) turns phan-
Note the factory default
tom power on and off for the module’s two microphone input ports. setting for phantom power
Dipswitch position 1 activates phantom power for microphone A is OFF.
Dipswitch position 2 activates phantom power for microphone B
Mutes
When a microphone is live in a room, that room’s monitor speakers
must be muted to prevent feedback. The D-4000 console has three mute
control lines: control room, studio one and studio two. Each of these may
be activated by either an A or B microphone input. The first three positions
of dipswitches SW3 and SW4 (to the left of the fader) program these
muting functions:
SW3 position 1 mutes the control room when mic A is live*
SW3 position 2 mutes studio one when mic A is live
SW3 position 3 mutes studio two when mic A is live
?
*factory default setting
SW4 position 1 mutes the control room when mic B is live

SW4 position 2 mutes studio one when mic B is live
SW4 position 3 mutes studio two when mic B is live
Timer Restart
When the module is turned ON, the console’s digital timer can be
programmed to automatically reset to zero and begin counting up.
SW3 position 4 activates timer restart when mic A is turned ON
SW4 position 4 activates timer restart when mic B is turned ON
D-4000 / Feb 02 page 2 – 3

MONO MIC INPUT
Tallies
Turning the module ON can activate a remote tally indicator. There are Remote tallies are
three tally control lines: on-air, tally 2 and tally 3. The first three positions hooked-up to the console
at the Control Room mod-
of dipswitch SW6 (to the left of the fader) program these functions: ule (CRD-4)
SW6 position 1 activates the on-air tally control line* *factory default setting
SW6 position 2 activates tally 2
SW6 position 3 activates tally 3
Utility Bus Pre-Fader

Dipswitch SW6 position 4, when activated, will cause the module
signal assigned to the console’s UTL output to be tapped before the fader
and the channel ON/OFF switches.
Talkback
Typically, one of the console’s MMD-4 input modules will be used for
the control room (CR) console operator’s microphone. The fourth position
of dipswitch SW1 allows that microphone to also function as a talkback
mic. It places the signal (post-insert, pre-pan, pre-fader, pre-on/off) onto
the console’s talkback bus. When the console operator presses a switch on
the console’s SCD-4 Studio Control module, the talkback bus (which is
carrying his microphone signal) will interrupt the regular monitor signal
being fed to the studio and talent will hear his voice through the studio
monitor speakers.
In order for the studio to reply to the console operator, the MMD-4
module controlling the studio’s microphone signal must be routed to the
console’s cue bus, where it can interrupt the regular control room monitor
feed and be heard by the operator. This is accomplished by a user-supplied
switch in the studio. The switch provides a momentary closure between the
module’s lower DB-25 connector “TB to CR A” or “TB to CR B” control
pins and Digital Ground (see page 2-6 for wiring details). As long as this
closure is maintained (i.e., as long as talent holds down the studio button)
the module’s (post-insert, pre-pan, pre-fader, pre-on/off) signal will be
placed on the console’s Cue bus. Simultaneously, the module’s regular
output will be muted (i.e., Cough will be activated) so the talkback signal
doesn’t go out over the air.
It is also desirable to mute the studio monitor speakers during talkback
operations, not only to reduce ambient noise (i.e., the regular studio
monitor signal) but also to prevent potential feedback if both the operator
and the studio talent press their respective buttons at the same time.
Dipswitch SW5 programs the appropriate muting:
Dipswitch position 1 mutes studio one when microphone A is live
Dipswitch position 2 mutes studio two when microphone A is live
Dipswitch position 3 mutes studio one when microphone B is live
Dipswitch position 4 mutes studio two when microphone B is live
D-4000 / Feb 02 page 2 – 4

MONO MIC INPUT
Superphone Output Assign

MMD-4 output assign switches can slave off the console’s SPD-4
superphone telephone input module output assign switches. Note this feature only
Example: you are running a call-in show with three studio guests, each with works for turning assign
switches ON; they will not
his own microphone and MMD-4 input module. You set up the caller and are turn OFF from the
ready to go live. By pre-programming your studio guests’ mic inputs to follow superphone module—this
the superphone module’s output assign switch (or switches), all you need do is must be done manually.
press the PGM assign button on the phone module, PGM assign switches on
guest inputs will simultaneously be activated. Thus, the entire segment can go
live with the press of one button.
Dipswitch SW2 on the MMD-4 module (to the left of the fader) will
slave selected output assign switches to follow superphone output assign
control pulses:
Dipswitch position 1 links the PGM switch
Dipswitch position 2 links the AUD switch
Dipswitch position 3 links the AUX switch
Dipswitch position 4 links the UTL switch
In order for this feature to work, an associated dipswitch on the
superphone module PCB (SW1) must be programmed as well (see page 9-
4).
Hook-Ups
As stated before, all user wiring to and from MMD-4 modules takes
place at DB-25 multi-pin connectors mounted directly beneath each
module on the console mainframe’s bottom pan. There are two connectors
per module: the upper one (towards the console meterbridge) handles
audio signals; the lower (near the console armrest) control signals. A
pinout drawing on page 2-8 shows all wiring connections at a glance.
Audio Connections (upper DB-25)

These include A and B mic inputs, and insert in and out. The mic input
level is nominally -50dBu. Insert points are +4dBu balanced in and out. All
signals are analog mono.
Pin 25 – Mic A In SH
Pin 24 – Mic A In HI
Pin 12 – Mic A In LO
Pin 11 – Mic B In SH
Pin 10 – Mic B In HI
Pin 23 – Mic B In LO
Pin 16 – Insert Out SH
Pin 15 – Insert Out HI Typical DB-25
connector
Pin 3 – Insert Out LO
Pin 2 – Insert In SH
Pin 1 – Insert In HI
Pin 14 – Insert In LO
Note the insert points are normally bypassed by PCB-mounted slide
switch SW7 (see page 2-3). Regardless of this switch setting, the Insert Out
pins may be used as a channel direct output if desired.
D-4000 / Feb 02 page 2 – 5
MONO MIC INPUT
Control Connections (lower DB-25)

These include remote on and off, cough, talkback and tally functions.
Note each function is available twice, for both A and B source ports,
allowing it to follow the module's A/B mic selector switch.
Pin 1 – Cough A
Pin 2 – Off Tally A
Pin 3 - Remote Off A
Pin 4 – Digital Ground
Pin 5 – +5V Digital
Pin 7 – Cough B
Pin 8 – Off Tally B
Pin 9 – Remote Off B
Pin 13 – Audio Ground
Pin 14 – TB to CR A
Pin 15 – On Tally A Typical DB-25
Pin 16 – Remote On A connector
Pin 20 – TB to CR B
Pin 21 – On Tally B
Pin 22 – Remote On B
To Turn the Module ON & OFF from a Remote Location

REMOTE ON — Activates the module’s channel ON switch. Provide
a momentary closure between Pin 16 (Remote On A) or Pin 22 (Remote
On B) and Digital Ground (Pins 4, 10, 17 or 23). This will latch the module
ON. (User-supplied momentary contact switch required.)
REMOTE OFF — Activates the module’s channel OFF switch.
Provide a momentary closure between Pin 3 (Remote Off A) or Pin 9
(Remote Off B) and Digital Ground (Pins 4, 10, 17 or 23). This will latch
the module OFF. (User-supplied momentary contact switch required.)
COUGH — Temporarily Mutes the module. Provide a closure be-
tween Pin 1 (Cough A) or Pin 7 (Cough B) and Digital Ground (Pins 4, 10,
17 or 23). This will turn the module OFF. Note this is a non-latching mode;
the module will turn ON again as soon as the closure stops. (User-supplied
momentary contact switch required.)
Talkback to Control Room
If an MMD-4 module is being used for a studio microphone, these ports
allow talkback from that studio to the console operator. Provide a closure
between Pin 14 (TB MIC A to CR) or Pin 20 (TB MIC B to CR) and Digital See also “Talkback” sec-
Ground (Pins 4, 10, 17 or 23). This will cause two things to happen: (1) the tion earlier in this chapter,
(page 2-4).
module’s pre fader signal is sent to the console’s Cue bus, where it may be
heard by the console operator, and (2) the module’s Cough function is
activated, muting the module’s post fader signal and preventing the TB
D-4000 / Feb 02 page 2 – 6

MONO MIC INPUT
signal from going out over other assigned busses (i.e., “live”). This non-
latching condition continues until the closure is released. (Requires user-
supplied momentary action talkback switch at the studio microphone
location.)
On Tally
Lets the module’s channel ON switch control an on-air light or other
“microphone on” indicator at a remote location. This control function
provides a continuous closure between Pin 15 (On Tally A) or Pin 21 (On
Tally B) and Digital Ground (Pins 4, 10, 17 or 23) whenever the module’s
channel ON switch is activated.
This closure can be used to control an externally powered tally light We recommend a series
resistor between the LED
that requires a continuous closure to function. Or an external tally light and +5V digital when you
(i.e., LED) can be powered from the input module by connecting the are powering the external
tally from the console; a
external LED to +5V Digital (Pins 5 or 11) and the A or B On Tally ports. value of 220Ω (1/4W 5%)
In either case, current should not exceed 30 milliamps. is suggested.
Off Tally
Identical to “On Tally” (preceding) only this function keys off the
module’s channel OFF switch. Off Tally A is Pin 2; Off Tally B is Pin 8.
D-4000 / Feb 02 page 2 – 7

MONO MIC INPUT
MMD-4 Mono Mic Input

DB Connector Pinouts
13 AUDIO GROUND
MIC A IN SH 25
12 MIC A IN LO
MIC A IN HI 24
11 MIC B IN SH
MIC B IN LO 23
10 MIC B IN HI
AUDIO GROUND 22
9 N/C
N/C 21
ANALOG 8 AUDIO GROUND
N/C 20
I/O PORTS 7 N/C
AUDIO GROUND 19
(Upper DB-25) 6 N/C
N/C 18
5 AUDIO GROUND
N/C 17
4 N/C
INSERT OUT SH 16
3 INSERT OUT LO
INSERT OUT HI 15
2 INSERT IN SH
INSERT IN LO 14
1 INSERT IN HI
13 AUDIO GROUND
N/C 25
12 N/C
N/C 24
11 +5V DIGITAL
DIGITAL GROUND 23
REMOTE ON B 10 DIGITAL GROUND
22
9 REMOTE OFF B
ON TALLY B 21
8 OFF TALLY B LOGIC
TB TO CR B 20 I/O PORTS
7 COUGH B
N/C 19 (Lower DB-25)
6 N/C
N/C 18
5 +5V DIGITAL
DIGITAL GROUND 17
4 DIGITAL GROUND
REMOTE ON A 16
3 REMOTE OFF A
ON TALLY A 15
2 OFF TALLY A
TB TO CR A 14
1 COUGH A
D-4000 / Feb 02 page 2 – 8

STEREO LINE INPUT
Stereo Line Input (SLD-4)

Chapter Contents
Module Overview ........................................................................ 3-2
Mutes ...................................................................................................................... 3-3
Timer Restart .......................................................................................................... 3-3
Cue Dropout ............................................................................................................ 3-3
Local/Ready ............................................................................................................ 3-3
Tallies ...................................................................................................................... 3-4
On/OFF — Constant vs. Pulse ............................................................................... 3-4
Normal vs. EFS ....................................................................................................... 3-5
Hook-ups ..................................................................................... 3-5

ANALOG AUDIO CONNECTIONS ......................................................................... 3-5
DIGITAL AUDIO CONNECTIONS .......................................................................... 3-6
Remote ON & OFF ................................................................................................. 3-6
On Tally ................................................................................................................... 3-7
External START & STOP ....................................................................................... 3-7
Ready ...................................................................................................................... 3-7

ADC analog version ................................................................................................ 3-8
SRC digital version ................................................................................................. 3-9
D-4000 / Feb 02 page 3 – 1

STEREO LINE INPUT
Stereo Line Input (SLD-4)

Module Overview
SLD-4 modules are for stereo line input signals. They are available in
two different versions:
The ADC (analog-to-digital converter) version accepts +4dBu balanced
analog input signals. It has L/R front panel input gain trimpots and uses an
SLADC-600 piggyback card at the input stage of the module.
The SRC (sample rate converter) version accepts digital (AES) inputs. It
uses an SRC-500 piggyback input card and has no front panel gain trims. The
factory default digital format is AES.
Each module accepts two stereo sources: A and B, switched at the top
of the module. The MODE SELECTION enables the module to operate
in stereo, mono, left only, or right only. The MODE button illuminates red
when set to STEREO; MONO (L+R to both channels), LEFT to both
channels, and RIGHT to both channels. Being electronic, mode selection
is lossless and click-free. When in MONO mode automatic gain compen-
sation occurs to offset mono summation.
Output switches assign the selected source signal to any combination
of the console’s four stereo outputs: PGM (program), AUD (audition),
AUX (auxiliary) and/or UTL (utility). When the module is assigned to
PGM and turned ON, a red “Air” LED illuminates just above the output
assign switches.
A CUE switch places the module’s signal on the console’s stereo cue
bus, where it may be heard on the meterbridge mounted cue speakers and/
or as an interrupt to the console operator’s headphones and control room
monitor speakers. The various cue interrupt modes are programmed at the
console’s CRD-4 (Control Room) module via internal PCB-mounted
dipswitches (see page 5-3).
Level is set by a long-throw fader. The fader can be optionally
equipped with an EFS (“European fader start”) style bottom-of-travel
switch which will automatically activate the module’s channel ON and
OFF switches when the fader is run up and down. Any functions these
switches have been programmed to perform (see immediately following)
will also take place when this happens.
Channel ON (red) and OFF (yellow) switches are at the bottom of the
module. In addition to being controlled remotely, these can also be
programmed (via internal PCB-mounted dipswitches) to perform a
variety of functions, including starting and stopping external source
machines, activating control room and studio mutes, external tallies, and
timer restart. The OFF switch’s LED can be controlled by an external
source machine to act as a “ready” indicator.
All audio and control input and output signals are made via two multi-
pin DB-25 connectors mounted in the bottom of the console’s mainframe,
directly underneath each individual module.
D-4000 / Feb 02 page 3 – 2

STEREO LINE INPUT

All internal programming is made via PCB mounted switches on the
module’s two printed circuit boards.
For the purposes of this manual, we will assume you are holding the re-
moved module upright, component side towards you, with gold-plated card
fingers to the left and the module faceplate to the right. This will enable you to
read the control legends silkscreened next to each programming switch. Note
when a dipswitch position is thrown to the right (towards the module’s face-
plate) it is ON.
Mutes
Like MMD-4 inputs, SLD-4 modules can be programmed to mute
studio speakers when it’s channel ON switch is pressed. The D-4000
console has three mute control lines: control room, studio one and studio
two. Each of these may be activated by either an A or B input source. The
first three positions of dipswitches SW3 and SW4 (to the left of the fader)
program these muting functions:
SW3 position 1 mutes the control room when source A is ON
SW3 position 2 mutes studio one when source A is ON
SW3 position 3 mutes studio two when source A is ON
SW4 position 1 mutes the control room when source B is ON
SW4 position 2 mutes studio one when source B is ON
SW4 position 3 mutes studio two when source B is ON
Timer Restart
SW3 position 4 activates timer restart when source A is turned ON* *factory default setting
SW4 position 4 activates timer restart when source B is turned ON
Cue Dropout
Dipswitch SW5 position 1, when activated, will cause the module’s
CUE function to be de-activated whenever the channel ON switch is
pressed. This is the factory default setting.
Local/Ready
?
The module’s channel OFF switch normally has its LED indicator
controlled by the switch itself (“local”). This is the factory default setting.
However, should you wish to have the LED function as a “ready” light for
an external source machine, dipswitch SW5 position 2, when thrown to the
left (away from the faceplate) passes control to opto-isolated A and B
“ready” ports on the module’s lower DB-25 connector, where a simple
closure will activate the OFF switch LED. As long as the closure is
maintained, the LED will be lit.
D-4000 / Feb 02 page 3 – 3

STEREO LINE INPUT
Utility Bus Pre-Fader

Dipswitch SW5 position 4, when activated, will cause the module
signal assigned to the console’s UTL output to be tapped before the fader
and the channel ON/OFF switches.
Tallies
Turning the module ON can activate a remote tally indicator. There
are three tally control lines: on-air, tally 2 and tally 3. The first three
positions of dipswitch SW6 (to the left of the fader) program these
functions:
Remote tallies are
SW6 position 1 activates the on-air tally control line hooked-up to the console
SW6 position 2 activates tally 2 at the Control Room and
SW6 position 3 activates tally 3 Studio modules (see
pages 5-4 and 6-4).
Superphone Output Assign

Like MMD-4 modules, SLD-4 output assign switches can be con-
trolled by the console’s SPD-4 superphone module.
Dipswitch SW2 (to the left of the fader on the module’s main PCB)
will slave selected output assign switches to follow superphone output
assign switch control pulses:
Note this feature only
Dipswitch position 1 links the PGM switch works for turning assign
Dipswitch position 2 links the AUD switch switches ON; they will not
Dipswitch position 3 links the AUX switch turn OFF from the
superphone module—this
Dipswitch position 4 links the UTL switch must be done manually.
In order for this feature to work, an associated dipswitch on the
superphone module PCB (SW1) must be programmed as well (see page
9-4).
Remote ON/OFF — Constant vs. Pulse

Slide switch SW7, located just to the right of the main PCB’s upper
card fingers, allows you to correct for differing source machine ON/OFF
control signals to the SLD-4 module. When set to CONST (“up”), the
module will work with most standard source machines. Occasionally, The factory default set-
however, the source machine, because of the way it is designed, will send ting for SW7 is PULSE
(down)
overly long control closures to the module’s remote ON and OFF ports—
closures so long that they will hang up the module’s ON/OFF logic. When
this kind of problem manifests itself, setting SW7 to PULSE (“down”)
will convert the closures to pulses before they get to the channel ON/OFF
switch logic.
Example: SW7 is set to default CONST (constant). The external source
machine reaches end-of-play and sends a five second (or longer) OFF signal to
the module, effectively holding it in an Off state. You press the module ON
switch but nothing happens—because the OFF switch is locked up. With SW7
set to PULSE this type of problem is eliminated; the module is turned off and
left immediately ready for further control input.
D-4000 / Feb 02 page 3 – 4

STEREO LINE INPUT
Remote START/STOP – Normal vs. EFS

Slide switch SW1 (mounted on the main PCB just to the left of the top
of the module’s fader) affects the way channel ON/OFF switches send
control signals to START and STOP remote source machines.
When SW1 is set to NORMAL (“up”) whenever the channel ON The factory default set-
switch is pressed a single pulse closure takes place at the A and B START ting is NORMAL.
ports. When the OFF switch is subsequently pressed, a single pulse closure
takes place at the A and B STOP ports.
When set to EFS ON (“down”) a “European fader start” type of
constant closure is activated: whenever the channel ON switch is pressed
momentarily a constant closure is initiated at the module’s A and B
START control ports. When the channel OFF switch is subsequently
pressed, that closure is broken.
If an SLD-4 module has been equipped with an optional EFS-type
fader with a bottom-of-travel switch, it is best to set SW1 to EFS ON.
While no harm will result to any circuitry or hardware if an EFS fader is
used with SW1 set to NORMAL, the end result will be an extremely short
control pulse at the module’s START/STOP control ports—a pulse so short that
it may not be detected by all source machines.
Hook-Ups
As stated before, all user wiring to and from SLD-4 modules takes
place at DB-25 multi-pin connectors mounted directly beneath each
module on the console mainframe’s bottom pan. There are two connectors
per module: the upper one (towards the console meterbridge) handles
audio inputs; the lower (near the console armrest) control signals. Pinout
drawings on pages 3-8 and 3-9 show all wiring connections at a glance.
ADC Module Version (Analog)

These include A and B source inputs; level is +4dBu balanced.
Pin 25 – Line A In Lt SH
Pin 24 – Line A In Lt HI
Pin 12 – Line A In Lt LO
Pin 11 – Line A In Rt SH
Pin 10 – Line A In Rt HI
Pin 23 – Line A In Rt LO
Pin 22 – Line B In Lt SH
Pin 21 – Line B In Lt HI Typical DB-25
connector
Pin 9 – Line B In Lt LO
Pin 8 – Line B In Rt SH
Pin 7 – Line B In Rt HI
Pin 20 – Line B In Rt LO
D-4000 / Feb 02 page 3 – 5

STEREO LINE INPUT
SRC Module Version (Digital)

These include A and B source inputs.
In passing, the three 4-
Pin 25 – Line A AES SH position dipswitches
Pin 24 – Line A AES HI (SW1, SW2 and SW3)
mounted in the middle of
Pin 12 – Line A AES LO the SRC-500 piggyback
Pin 11 – Line B AES SH card are for factory use
only. Do not disturb their
Pin 10 – Line B AES HI settings!
Pin 23 – Line B AES LO
Control Connections (lower DB-25)

These are identical for both analog and digital versions of the SLD-4
module. All control ports (except On Tally) are opto-isolated. Functions
include remote on and off, on tally, ready, and start/stop for remote source
machines. With the exception of On Tally, each function is available twice,
for both A and B source ports, allowing it to follow the module's A/B
source selector switch.
Pin 1 – Ready A-
Pin 2 – Ready A+
Pin 3 – Start A+
Pin 4 – Stop A+
Pin 5 – Start/Stop Com A
Pin 6 – Start/Stop Com B
Pin 7 – Stop B+
Pin 8 – Start B+
Pin 9 – Ready B+
Pin 10 – Ready B-
Pin 12 – On Tally
Pin 14 – Remote On A-
Pin 15 – Remote On A+
Pin 16 – Remote Off A- Typical DB-25
Pin 17 – Remote Off A+ connector
Pin 18 – Remote Off B+
Pin 19 – Remote Off B-
Pin 20 – Remote On B+
Pin 21 – Remote On B-
To Turn the Module ON & OFF from a Remote Location

In the case of stereo line input modules, “remote location” can also
refer to a remote source machine that is feeding its audio to the module in
question. A 5VDC signal, as indicated below, will activate the module’s
channel ON and OFF switches.
D-4000 / Feb 02 page 3 – 6

STEREO LINE INPUT
REMOTE ON — Activates the module’s channel ON switch. Provide

a momentary 5VDC signal between Pins 14 and 15 (Remote On A) or Pins
20 and 21 (Remote On B). This will latch the module ON. Be sure to
observe the polarity as indicated on the pinout diagram on pages 3-8, 3-9.
REMOTE OFF — Activates the module’s channel OFF switch.
Provide a momentary 5VDC signal between Pins 16 and 17 (Remote Off
A) or Pins 18 and 19 (Remote Off B). This will latch the module OFF. Be
sure to observe the polarity as indicated on the pinout diagram on pages
3-8, 3-9.
See also “Remote ON/OFF – Constant vs. Pulse” on page 3-4.
On Tally
Lets the module’s channel ON switch control an on-air light or other
indicator at a remote location. This control function provides a continuous
closure between Pin 12 (On Tally) and Pin 13 (+5V Digital) whenever the
module’s channel ON switch is activated.
This on-tally can be used to control an externally powered tally light We recommend a series re-
sistor between the LED and
that requires a continuous closure to function. OR an external tally light digital common when you
(i.e., LED) can be powered from the input module by connecting the are powering the external
tally from the console; a
external Digital Ground (Pin 11) and the On Tally port (Pin 12). In either value of 220Ω (1/4W 5%) is
suggested.
case, current should not exceed 30 milliamps.
To START and STOP Remote Source Machines Using Module ON/
OFF Switches
EXTERNAL START — Hook up the remote machine’s “start” control
pins to the SLD-4 module’s lower DB-25 connector control pins: for A
START wire to pins 3 and 5; for B START wire to pins 8 and 6.
EXTERNAL STOP — Hook up the remote machine’s “stop” control
pins to the SLD-4 module’s lower DB-25 connector control pins: for A
STOP wire to pins 4 and 5; for B STOP wire to pins 7 and 6.
Note that these are opto isolated outputs. START/STOP COM A (pin
5) and START/STOP COM B (pin 6) are the opto emitters, while the
remaining connections (START A, pin 3; START B, pin 8; STOP A, pin
4; STOP B, pin 7) are the opto collectors. Correct polarity must be
observed in wiring to these connections.
See also “Remote START/STOP – Normal vs. EFS” on page 3-5.
To Control the Module’s OFF Switch LED with an External Source

Machine
READY — Hook up the remote machine’s “ready” control pins to the
SLD-4 module’s lower DB-25 connector control pins: for A READY wire
to pins 1 and 2; for B READY wire to pins 9 and 10. The module’s Ready
ports are looking for a 5VDC signal of the correct polarity. As long as the
voltage is maintained, the OFF switch LED will be illuminated.
D-4000 / Feb
Apr 07
02 page 3 – 7
STEREO LINE INPUT
SLD-4 Stereo Line Input

Analog Version DB Connector Pinouts
13 AUDIO GROUND
LINE A IN LT SH 25
12 LINE A IN LT LO
LINE A IN LT HI 24
11 LINE A IN RT SH
LINE A IN RT LO 23
10 LINE A IN RT HI
LINE B IN LT SH 22
9 LINE B IN LT LO
LINE B IN LT HI 21
I/O PORTS 8 LINE B IN RT SH
LINE B IN RT LO 20
(Upper DB-25) 7 LINE B IN RT HI
AUDIO GROUND 19
ANALOG 6 N/C
N/C 18
5 N/C
N/C 17
4 N/C
N/C 16
3 N/C
N/C 15
2 N/C
N/C 14
1 N/C
13 +5V DIGITAL
N/C 25
12 ON TALLY +
N/C 24
11 DIGITAL GROUND
N/C 23
10 READY B –
N/C 22
9 READY B +
REMOTE ON B – 21 I/O PORTS
8 START B +
REMOTE ON B + 20 (Lower DB-25)
7 STOP B + LOGIC
REMOTE OFF B – 19
6 START/STOP COM. B
REMOTE OFF B + 18
5 START/STOP COM. A
REMOTE OFF A + 17
4 STOP A +
REMOTE OFFA – 16
3 START A +
REMOTE ON A + 15
2 READY A +
REMOTE ON A – 14
1 READY A –
D-4000 / Feb 02 page 3 – 8

STEREO LINE INPUT
SLD-4 Stereo Line Input

Digital Version (SRC) DB Connector Pinouts
13 N/C
LINE A AES SH 25
12 LINE A AES LO
LINE A AES HI 24
11 LINE B AES SH
LINE B AES LO 23
10 LINE B AES HI
N/C 22
9 N/C
N/C 21
I/O PORTS 8 N/C
N/C 20
(Upper DB-25) 7 N/C
N/C 19
DIGITAL 6 N/C
N/C 18
5 N/C
N/C 17
4 N/C
N/C 16
3 N/C
N/C 15
2 N/C
N/C 14
1 N/C
13 +5V DIGITAL
N/C 25
12 ON TALLY +
N/C 24
11 DIGITAL GROUND
N/C 23
10 READY B –
N/C 22
9 READY B + I/O PORTS
REMOTE ON B – 21
8 START B + (Lower DB-25)
REMOTE ON B + 20 LOGIC
7 STOP B +
REMOTE OFF B – 19
6 START/STOP COM. B
REMOTE OFF B + 18
5 START/STOP COM. A
REMOTE OFF A+ 17
4 STOP A +
REMOTE OFF A – 16
3 START A +
REMOTE ON A + 15
2 READY A +
REMOTE ON A – 14
1 READY A –
D-4000 / Feb 02 page 3 – 9

OUTPUT MODULES
Output Modules
(OMD-4)
Chapter Contents
Module Overview ........................................................................ 4-2
Insert Bypass .......................................................................................................... 4-3
Hook-ups ..................................................................................... 4-3

Master Output Module A (PGM and AUX)
Upper DB-25 Connector — Analog Audio ....................................................... 4-3
Lower DB-25 Connector — Digital Outputs ..................................................... 4-4
Master Output Module B (AUD and UTIL)
Upper DB-25 Connector — Analog Audio ....................................................... 4-4
Lower DB-25 Connector — Digital Outputs ..................................................... 4-4

Master Output A ...................................................................................................... 4-5
Master Output B ...................................................................................................... 4-6
D-4000 / Feb 02 page 4 – 1

OUTPUT MODULES
Output Modules
(OMD-4)
Module Overview
Each D-4000 console has two master output modules: the
first handles the console’s Program and Auxiliary outputs
(MASTER A), the second Audition and Utility (MASTER
B).
MASTER A output module has installed jumpers J3, J4
for Program output; J7, J8 for Auxiliary output; and J11, J12
for CUE monitor signal.
MASTER B output module has installed jumpers J5, J6
for Audition output; J9, J10 for Utility output; and J13, J14 for
TEL monitor signal.
Either module can be changed to the other by making the
appropriate jumper changes.
Both modules output analog and digital signals. Analog
outputs may be adjusted using recessed front panel multi-turn
trimpots.
OMD-4 modules also generate the console’s monitor
signals, which feed the Control Room, Studio and Meter
Output modules. There are analog stereo insert points for
PGM and AUD (these may be internally bypassed, which is
the factory default setting). Regardless of the bypass switch
setting, INSERT OUT may be used as an additional direct
PGM (or AUD) output from a module.
All user wiring to and from OMD-4 modules takes place
at DB-25 multi-pin connectors mounted directly beneath the
module on the console mainframe’s bottom pan. There are
two connectors: the upper one (towards the console
meterbridge) handles analog outputs and insert points; the
lower connector (near the console armrest) digital outputs
(AES format). All analog audio is +4dBu balanced. Pinout
drawings on pages 4-5 and 4-6 show all wiring connections at
a glance.
D-4000 / Feb 02 page 4 – 2

OUTPUT MODULES

Insert Bypass
Virtually all internal programming switches on OMD-4 modules are for
factory use only. There is one exception, however, and that is the INSERT
BYPASS slide switch SW2, located near the top of the PCB just above the four
front panel analog trimpots. The factory default for this switch is “down”; i.e.,
the module’s PGM (or AUD) insert points are bridged. To use the PGM (or
AUD) insert points (located on the upper DB-25 connector) throw the switch
“up”.
For the purposes of this manual, we will assume you are holding the removed
module upright, component side towards you, with gold-plated card fingers to the
left and the module faceplate to the right.
Hook-Ups
As stated before, all user wiring to and from OMD-4 modules takes place
at two DB-25 multi-pin connectors mounted directly beneath the module on
the console mainframe’s bottom pan.
Master Output Module A:
Upper DB-25 Connector – Analog Audio

Includes Program, Auxiliary outputs and Program insert points. All
signals are +4dBu balanced.
Pin 25 – PGM Lt Out SH
Pin 24 – PGM Lt Out HI
Pin 12 – PGM Lt Out LO
Pin 11 – PGM Rt Out SH
Pin 10 – PGM Rt Out HI
Pin 23 – PGM Rt Out LO
Pin 22 – AUX Lt Out SH
Pin 21 – AUX Lt Out HI
Pin 9 – AUX Lt Out LO
Pin 8 – AUX Rt Out SH
Pin 7 – AUX Rt Out HI
Pin 20 – AUX Rt Out LO
Pin 19 – PGM Lt Insert Out SH
Pin 18 – PGM Lt Insert Out HI
Pin 6 – PGM Lt Insert Out LO
Pin 5 – PGM Rt Insert Out SH
Pin 4 – PGM Rt Insert Out HI Insert points are normally by-
Pin 17 – PGM Rt Insert Out LO passed at the factory. See “In- Typical DB-25
sert Bypass” (preceding section) connector
Pin 16 – PGM Lt Insert In SH if you intend to use these points.
Pin 15 – PGM Lt Insert In HI
Pin 3 – PGM Lt Insert In LO
Pin 2 – PGM Rt Insert In SH
Pin 1 – PGM Rt Insert In HI
Pin 14 – PGM Rt Insert In LO
D-4000 / Feb 02 page 4 – 3
OUTPUT MODULES
Lower DB-25 Connector – Digital Outputs

Handles digital Program and Auxiliary outputs (AES format)
Pin 16 – AUX AES Out SH
Pin 15 – AUX AES Out HI
Pin 3 – AUX AES Out LO
Pin 2 – PGM AES Out SH
Pin 1 – PGM AES Out HI
Pin 14 – PGM AES Out LO
Master Output Module B:
Upper DB-25 Connector – Analog Audio

Includes Audition, Utility outputs and Audition insert points. All signals
are +4dBu balanced.
Pin 25 – AUD Lt Out SH
Pin 24 – AUD Lt Out HI
Pin 12 – AUD Lt Out LO
Pin 11 – AUD Rt Out SH
Pin 10 – AUD Rt Out HI
Pin 23 – AUD Rt Out LO
Pin 22 – UTL Lt Out SH
Pin 21 – UTL Lt Out HI
Pin 9 – UTL Lt Out LO
Pin 8 – UTL Rt Out SH
Pin 7 – UTL Rt Out HI
Pin 20 – UTL Rt Out LO
Pin 19 – AUD Lt Insert Out SH
Pin 18 – AUD Lt Insert Out HI
Pin 6 – AUD Lt Insert Out LO
Typical DB-25
Pin 5 – AUD Rt Insert Out SH connector
Pin 4 – AUD Rt Insert Out HI Insert points are normally by-
Pin 17 – AUD Rt Insert Out LO passed at the factory. See “In-
sert Bypass” (preceding page) if
Pin 16 – AUD Lt Insert In SH you intend to use these points.
Pin 15 – AUD Lt Insert In HI
Pin 3 – AUD Lt Insert In LO
Pin 2 – AUD Rt Insert In SH
Pin 1 – AUD Rt Insert In HI
Pin 14 – AUD Rt Insert In LO
Lower DB-25 Connector – Digital Outputs

Handles digital Audition and Utility outputs (AES format)
Pin 16 – UTL AES Out SH
Pin 15 – UTL AES Out HI
Pin 3 – UTL AES Out LO
Pin 2 – AUD AES Out SH
Pin 1 – AUD AES Out HI
Pin 14 – AUD AES Out LO
D-4000 / Feb 02 page 4 – 4

OUTPUT MODULES
OMD-4 (A): PGM-AUX Output

13 AUDIO GROUND
PGM LT OUT SH 25
12 PGM LT OUT LO
PGM LT OUT HI 24
11 PGM RT OUT SH
PGM RT OUT LO 23
10 PGM RT OUT HI
AUX LT OUT SH 22
9 AUX LT OUT LO
AUX LT OUT HI 21
I/O PORTS 8 AUX RT OUT SH
AUX RT OUT LO 20
(Upper DB-25) 7 AUX RT OUT HI
PGM LT INSERT OUT SH 19
ANALOG 6 PGM LT INSERT OUT LO
PGM LT INSERT OUT HI 18
5 PGM RT INSERT OUT SH
PGM RT INSERT OUT LO 17
4 PGM RT INSERT OUT HI
PGM LT INSERT IN SH 16
3 PGM LT INSERT IN LO
PGM LT INSERT IN HI 15
2 PGM RT INSERT IN SH
PGM RT INSERT IN LO 14
1 PGM RT INSERT IN HI
13 N/C
N/C 25
12 N/C
N/C 24
11 N/C
N/C 23
10 N/C
N/C 22
9 N/C
N/C 21
8 N/C I/O PORTS
N/C 20
7 N/C (Lower DB-25)
N/C 19 DIGITAL
6 N/C
N/C 18
5 N/C
N/C 17
4 N/C
AUX AES OUT SH 16
3 AUX AES OUT LO
AUX AES OUT HI 15
2 PGM AES OUT SH
PGM AES OUT LO 14
1 PGM AES OUT HI
D-4000 / Feb 02 page 4 – 5

OUTPUT MODULES
OMD-4 (B): AUD-UTIL Output

13 AUDIO GROUND
AUD LT OUT SH 25
12 AUD LT OUT LO
AUD LT OUT HI 24
11 AUD RT OUT SH
AUD RT OUT LO 23
10 AUD RT OUT HI
UTIL LT OUT SH 22
9 UTIL LT OUT LO
UTIL LT OUT HI 21
I/O PORTS 8 UTIL RT OUT SH
UTIL RT OUT LO 20
(Upper DB-25) 7 UTIL RT OUT HI
AUD LT INSERT OUT SH 19
ANALOG 6 AUD LT INSERT OUT LO
AUD LT INSERT OUT HI 18
5 AUD RT INSERT OUT SH
AUD RT INSERT OUT LO 17
4 AUD RT INSERT OUT HI
AUD LT INSERT IN SH 16
3 AUD LT INSERT IN LO
AUD LT INSERT IN HI 15
2 AUD RT INSERT IN SH
AUD RT INSERT IN LO 14
1 AUD RT INSERT IN HI
13 N/C
N/C 25
12 N/C
N/C 24
11 N/C
N/C 23
10 N/C
N/C 22
9 N/C
N/C 21
8 N/C I/O PORTS
N/C 20
7 N/C (Lower DB-25)
N/C 19 DIGITAL
6 N/C.
N/C 18
5 N/C
N/C 17
4 N/C
UTIL AES OUT SH 16
3 UTIL AES OUT LO
UTIL AES OUT HI 15
2 AUD AES OUT SH
AUD AES OUT LO 14
1 AUD AES OUT HI
D-4000 / Feb 02 page 4 – 6

CONTROL ROOM MODULE
Control Room Module

(CRD-4)
Chapter Contents
Module Overview ........................................................................ 5-2
Cue Interrupt ........................................................................................................... 5-3
Cue Mute ................................................................................................................ 5-3
Mono Cue ............................................................................................................... 5-3
Hook-ups ..................................................................................... 5-4

Upper DB-25 Connector — AUDIO ........................................................................ 5-4
Upper DB-25 Connector — CONTROL .................................................................. 5-4
On-Air Tally ....................................................................................................... 5-4
Lower DB-25 Connector — AUDIO ........................................................................ 5-5
D-4000 / Feb 02 page 5 – 1

CONTROL ROOM MODULE
Control Room Module

(CRD-4)
Module Overview
The CRD-4 module is the D-4000 console operator’s monitor
module. It allows him to listen to the console’s four stereo outputs
(PGM, AUD, AUX & UTL) as well as two external stereo line level
inputs brought directly into the module. Source SELECT switching for
these signals is at the top of the module.
The CRD-4 also houses console HEADPHONE and CONTROL
ROOM circuits, which follow the source selection switches.
There are two types of headphone output: the +4dBu balanced output at
the module’s upper DB-25 connector (pre-level control), and two head-
phone jacks mounted left and right on the front of the lower mainframe pan,
which are actually outputs from a built-in headphone amplifier. It is this
built-in amp that is controlled by the module’s front panel HEADPHONE
level control.
The CUE master level control is right in the center of the module;
this sets the level of the console’s cue signal.
Whenever CUE is activated elsewhere on the console (stereo line
inputs, the superphone module or for studio talkback) its signal will appear
at the console’s built-in left and right cue speakers mounted in the
meterbridge. Depending on how the CRD-4 module has been programmed,
cue can also interrupt the control room monitor speakers and/or the console
operator’s headphone. The way Cue interrupts the module’s headphone and
CR outputs is determined by an internal PCB-mounted dipswitch. See “Cue
Interrupt” on next page.
All user wiring to and from the CRD-4 module takes place at
DB-25 multi-pin connectors mounted directly beneath the module on
the console mainframe’s bottom pan. There are two connectors: the
upper one (towards the console meterbridge) handles audio outputs and
the console on-air tally control signals; the lower (near the console
armrest) accepts the two external source inputs. All audio connections
are stereo line level analog signals (+4dBu balanced). A pinout
drawing on page 5-6 shows all wiring connections at a glance.
D-4000 / Feb 02 page 5 – 2

CONTROL ROOM MODULE

There are two user-programmable switches on the CRD-4. One is a 7-
position dipswitch, SW1, located on the module’s main PCB slightly
above and to the left of the cue master level control. This sets various cue
interrupt modes (see below).
There is also a single slide switch, located on the back edge of the
module’s piggyback PCB, which selects stereo or mono cue (see below).
For the purposes of this manual, we will assume you are holding the re-
moved module upright, component side towards you, with gold-plated card
fingers to the left and the module faceplate to the right. This will enable you to
read the control legends silkscreened next to each programming switch. Note
when a dipswitch position is thrown to the right (towards the module’s face-
plate) it is ON.
Cue Interrupt
Seven-position dipswitch SW1 determines how the console’s Cue
function will interrupt regular monitor signals:
Dipswitch position 1 sends cue to CR left
Dipswitch position 2 sends cue to CR right
Dipswitch position 3 sends cue to HDPN left* *factory default settings
Dipswitch position 4 sends cue to HDPN right*
Cue Mute
As Cue is also fed to the console’s built-in meterbridge speakers, where
it can easily be picked up by the console operator’s microphone, there is
provision to mute Cue whenever that mic is live (i.e., whenever the control
room mute function is activated).
Dipswitch SW1 position 7 will mute cue whenever CR is muted
(this is the factory default setting)
Mono Cue
Cue is normally a stereo signal; however, mono cue is possible. Simply
throw slide switch SW1 on the piggyback “cue” card in the direction of the
silkscreened arrow (down). This will send a summed L+R cue signal to
both cue left and right signal paths. Note the factory default setting for this
switch is stereo cue.
D-4000 / Feb 02 page 5 – 3

CONTROL ROOM MODULE
Hook-Ups
As stated before, all user wiring to and from the CRD-4 module takes See pinout drawing on
page 5-6 for all wiring con-
place at two DB-25 multi-pin connectors mounted directly beneath the nections at a glance.
module on the console mainframe’s bottom pan.
Upper DB-25 Connector — Audio

Includes cue, headphone and control room outputs. All audio signals
are +4dBu balanced, analog stereo.
Pin 25 – Cue Lt Out SH
Pin 24 – Cue Lt Out HI
Pin 12 – Cue Lt Out LO
Pin 11 – Cue Rt Out SH
Pin 10 – Cue Rt Out HI
Pin 23 – Cue Rt Out LO
Pin 22 – Hdpn Lt Out SH
Pin 21 – Hdpn Lt Out HI
Pin 9 – Hdpn Lt Out LO
Pin 8 – Hdpn Rt Out SH
Pin 7 – Hdpn Rt Out HI
Pin 20 – Hdpn Rt Out LO
Pin 19 – CR Lt Out SH
Pin 18 – CR Lt Out HI Typical DB-25
Pin 6 – CR Lt Out LO connector
Pin 5 – CR Rt Out SH
Pin 4 – CR Rt Out HI
Pin 17 – CR Rt Out LO
Upper DB-25 Connector — Control

The console’s on-air tally port is on the CRD-4 upper DB-25 !
connector. This is a simple relay closure that activates whenever
programmed input modules are turned ON (see page 2-4). The port can Maximum current through
the on-air tally relay clo-
be used to control an externally powered tally light that requires a sure is 2 amps @30VDC.
continuous closure to function.
Pin 14 – On-Air Tally Relay COM
Pin 1 – On-Air Tally Relay N.O.
D-4000 / Feb 02 page 5 – 4

CONTROL ROOM MODULE
Lower DB-25 Connector — Audio

This connector handles the module’s source select External Stereo and
External CUE inputs.
Pin 25 – Ext Cue In SH
Pin 24 – Ext Cue In HI
Pin 19 – Ext 1 Lt In SH
Pin 18 – Ext 1 Lt In HI
Pin 6 – Ext 1 Lt In LO
Pin 5 – Ext 1 Rt In SH
Pin 4 – Ext 1 Rt In HI
Pin 17 – Ext 1 Rt In LO
Typical DB-25
Pin 1 – Ext 2 Rt In HI connector
Jul 03
D-4000 / Feb 02 page 5 – 5
CONTROL ROOM MODULE
CRD-4 Control Room

13 AUDIO GROUND
CUE OUT LT SH 25
12 CUE OUT LT LO
CUE OUT LT HI 24
11 CUE OUT RT SH
CUE OUT RT LO 23
10 CUE OUT RT HI
HDPN OUT LT SH 22
9 HDPN OUT LT LO
HDPN OUT LT HI 21
I/O PORTS 8 HDPN OUT RT SH
(Upper DB-25) HDPN OUT RT LO 20
7 HDPN OUT RT HI
CR OUT LT SH 19
6 CR OUT LT LO
CR OUT LT HI 18
5 CR OUT RT SH
CR OUT RT LO 17
4 CR OUT RT HI
N/C 16
3 N/C
N/C 15
2 N/C
ON-AIR RELAY COM 14
1 ON-AIR RELAY N.O.
13 N/C
EXTERNAL CUE IN SH 25
12 N/C
EXTERNAL CUE IN HI 24
11 N/C
N/C 23
10 N/C I/O PORTS
N/C 22
9 N/C (Lower DB-25)
N/C 21
8 N/C
N/C 20
7 N/C
EXTERNAL 1 IN LT SH 19
6 EXTERNAL 1 IN LT LO
EXTERNAL 1 IN LT HI 18
5 EXTERNAL 1 IN RT SH
EXTERNAL 1 IN RT LO 17
4 EXTERNAL 1 IN RT HI
EXTERNAL 2 IN LT SH 16
3 EXTERNAL 2 IN LT LO
EXTERNAL 2 IN LT HI 15
2 EXTERNAL 2 IN RT SH
EXTERNAL 2 IN RT LO 14
1 EXTERNAL 2 IN RT HI
Jul 03
D-4000 / Feb 02 page 5 – 6
STUDIO CONTROL MODULE
Studio Control Module

(SCD-4)
Chapter Contents
Module Overview ........................................................................ 6-2
External Talkback Mute/Dim ................................................................................... 6-3
Studio Dim .............................................................................................................. 6-3
Hook-ups ..................................................................................... 6-4

Upper DB-25 Connector — AUDIO ........................................................................ 6-4
Upper DB-25 Connector — CONTROL .................................................................. 6-4
Tally 2 and Tally 3 ............................................................................................. 6-4
Lower DB-25 Connector — AUDIO ........................................................................ 6-5
D-4000 / Feb 02 page 6 – 1

Studio Control Module

(SCD-4)
Module Overview
The SCD-4 module is similar to the CRD-4 control room
module, only it controls monitor audio and talkback to two
additional (“non-control room”) studios. The monitor signal be-
ing sent to these two studios following the source select switching
at the top of the module (this switching is identical to the control
room module’s and includes the console’s four stereo outputs
(PGM, AUD, AUX & UTL) as well as two external stereo line
level inputs brought directly into the module.
There can be two modules per console to control a total of four
studios.
Each studio has its own level control and talkback switch.
When a talkback switch is pressed (they are momentary action) the
console operator’s microphone signal will interrupt the regular
monitor signals being sent to the studio in question. The
TALKBACK master level control in the center of the module sets
the level of this talkback interrupt signal.
All user wiring to and from the SCD-4 module takes place at
DB-25 multi-pin connectors mounted directly beneath the module
on the console mainframe’s bottom pan. There are two connec-
tors: the upper one (towards the console meterbridge) handles
external talkback out and regular studio monitor outputs, plus the
console’s Tally 2 and Tally 3 control signals; the lower connector
(near the console armrest) accepts the module’s two external
source inputs. It also outputs two additional pre-level control
studio outputs. All audio connections are (+4dBu balanced) ana-
log signals. A pinout drawing on page 6-6 shows all wiring
connections at a glance.
STANDARD OPTIONAL
D-4000 / Feb 02 page 6 – 2

There is one user-programmable dipswitch on the SCD-4. It is a 7-
position dipswitch, SW1, located on the module’s main PCB slightly above
and to the left of the talkback master level control.
For the purposes of this manual, we will assume you are holding the removed
left and the module faceplate to the right. This will enable you to read the control
legends silkscreened next to the programming switch. Note when a dipswitch
position is thrown to the right (towards the module’s faceplate) it is ON.
External Talkback Mute/Dim

There is an independent talkback output from the SCD-4 module (see
upper DB-25 connector page 6-6). By programming the first two positions
of dipswitch SW1, you can make this external talkback output MUTE
whenever a studio is muted. You also have the option of making the output
DIM (drop -20dB in level) instead of MUTE.
Dipswitch position 1 mutes external TB whenever Studio 1 is muted* *factory default settings
Dipswitch position 2 mutes external TB whenever Studio 2 is muted*
Dipswitch position 7 makes external TB DIM instead of MUTE
Studio Dim
Input modules controlling studio microphones can be programmed to
MUTE a studio whenever the module is turned on (i.e., it’s microphone is
live). If you wish, you can have a studio DIM (drop -20dB in level) instead
of MUTE:
Dipswitch position 5 causes Studio 1 to DIM instead of MUTE
Dipswitch position 6 causes Studio 2 to DIM instead of MUTE
Note the DIM functions do not affect talkback interrupts, which always
completely replace the studio’s regular monitor feed with the console operator’s
TB signal. Note also if a studio is muted, talkback cannot be heard. However, if a
studio is programmed to DIM instead of MUTE, talkback audio could presum-
ably make it from the studio monitor speakers to the open studio mic.
D-4000 / Feb 02 page 6 – 3

Hook-Ups
As stated before, all user wiring to and from the SCD-4 module takes
place at two DB-25 multi-pin connectors mounted directly beneath the
module on the console mainframe’s bottom pan.
Upper DB-25 Connector — Audio

Includes studio 1, studio 2 and (mono) talkback outputs. All audio
signals are analog, +4dBu balanced.
Pin 25 – TB Out SH
Pin 24 – TB Out HI
Pin 12 – TB Out LO
Pin 22 – Studio 2 Lt Out SH
Pin 21 – Studio 2 Lt Out HI
Pin 9 – Studio 2 Lt Out LO
Pin 8 – Studio 2 Rt Out SH
Pin 7 – Studio 2 Rt Out HI
Pin 20 – Studio 2 Rt Out LO
Pin 19 – Studio 1 Lt Out SH
Pin 18 – Studio 1 Lt Out HI
Pin 6 – Studio 1 Lt Out LO
Pin 5 – Studio 1 Rt Out SH
Pin 4 – Studio 1 Rt Out HI
Pin 17 – Studio 1 Rt Out LO
Typical DB-25
connector
Upper DB-25 Connector — Control
The console’s Tally 2 and Tally 3 control ports are on the SCD-4
upper DB-25 connector. These are simple relay closures that activate
whenever programmed input modules are turned ON (see page 2-4).
The ports can be used to control externally powered tally lights that
requires a continuous closure to function.
Pin 14 – Tally 2 Relay COM !
Pin 1 – Tally 2 Relay N.O. Maximum current through
the tally relay closures is
Pin 3 – Tally 3 Relay COM 2 amps @30VDC.
Pin 15 – Tally 3 Relay N.O.
D-4000 / Feb 02 page 6 – 4

Lower DB-25 Connector — Audio

This connector handles the module’s source select External Stereo
inputs. It also has a second set of studio outputs which are pre-level
control. All signals are +4dBu balanced analog stereo.
Pin 25 – Studio 2 Pre Lt Out SH
Pin 24 – Studio 2 Pre Lt Out HI
Pin 12 – Studio 2 Pre Lt Out LO
Pin 11 – Studio 2 Pre Rt Out SH
Pin 10 – Studio 2 Pre Rt Out HI
Pin 23 – Studio 2 Pre Rt Out LO
Pin 22 – Studio 1 Pre Lt Out SH
Pin 21 – Studio 1 Pre Lt Out HI
Pin 9 – Studio 1 Pre Lt Out LO
Pin 8 – Studio 1 Pre Rt Out SH
Pin 7 – Studio 1 Pre Rt Out HI
Pin 20 – Studio 1 Pre Rt Out LO
Pin 17 – Ext 1 Rt In LO Typical DB-25
connector
D-4000 / Feb 02 page 6 – 5

SCD-4 Studio Control

13 AUDIO GROUND
TB OUT SH 25
12 TB OUT LO
TB OUT HI 24
11 N/C
N/C 23
10 N/C
STU 2 LT OUT SH 22
9 STU 2 LT OUT LO
STU 2 LT OUT HI 21
I/O PORTS 8 STU 2 RT OUT SH
STU 2 RT OUT LO 20
(Upper DB-25) 7 STU 2 RT OUT HI
STU 1 LT OUT SH 19
6 STU 1 LT OUT LO
STU 1 LT OUT HI 18
5 STU 1 RT OUT SH
STU 1 RT OUT LO 17
4 STU 1 RT OUT HI
N/C 16
3 TALLY 3 RELAY COM
TALLY 3 RELAY N.O. 15
2 N/C
TALLY 2 RELAY COM 14
1 TALLY 2 RELAY N.O.
13 N/C
STU 2 PRE LT OUT SH 25
12 STU 2 PRE LT OUT LO
STU 2 PRE LT OUT HI 24
11 STU 2 PRE RT OUT SH
STU 2 PRE RT OUT LO 23
10 STU 2 PRE RT OUT HI
STU 1 PRE LT OUT SH 22
9 STU 1 PRE LT OUT LO
STU 1 PRE LT OUT HI 21
8 STU 1 PRE RT OUT SH
STU 1 PRE RT OUT LO 20
7 STU 1 PRE RT OUT HI I/O PORTS
EXT 1 LT IN SH 19
6 EXT 1 LT IN LO (Lower DB-25)
EXT 1 LT IN HI 18
5 EXT 1 RT IN SH
EXT 1 RT IN LO 17
4 EXT 1 RT IN HI
EXT 2 LT IN SH 16
3 EXT 2 LT IN LO
EXT 2 LT IN HI 15
2 EXT 2 RT IN SH
EXT 2 RT IN LO 14
1 EXT 2 RT IN HI
D-4000 / Feb 02 page 6 – 6

METER OUTPUT MODULE
Meter Output Module

(MOD-4)
Chapter Contents
Module Overview ........................................................................ 7-2
Hook-ups ..................................................................................... 7-3
D-4000 / Feb 02 page 7 – 1

METER OUTPUT MODULE
Meter Output Module

(MOD-4)
Module Overview
Each D-4000 console has one meter output module, which drives the
console’s three pairs of left-right VU meters: PGM, AUD and SWT
(switched). The switched meter follows the SELECT switching at the top
of the module, allowing the console operator to meter AUX, UTL and two
external stereo line signals (analog, +4dBu balanced) which may be
brought into the module on its lower DB-25 connector.
The MOD-4 module also houses the master CUE LED indicator.
Whenever Cue is activated anywhere on the console this LED will
illuminate and the CUE signal will automatically appear on the switched
VU meter pair. When cue is de-activated, the switched meter pair goes
back to it’s previously selected signal.
Recessed front panel trim pots calibrate the three meter pairs. A VU
TRIM cover strip (not shown) can be used to prevent trimpot access once
calibration is set.
At the bottom of the module are the timer control buttons (the timer
display is mounted in the righthand end of the console meterbridge):
AUTO – enables timer restart functions from programmed input modules
S/S – Start/Stop
RESET - return to zero (if the timer is stopped it will hold at zero; if it is
running it will reset to zero and immediately begin counting up).
HOLD – when held down freezes the timer display (the counter keeps on
going); when released the display catches up to the current count.
All user wiring to and from the MOD-4 module takes place at the lower
DB-25 multi-pin connector mounted directly beneath the module on the
console mainframe’s bottom pan. This lower connector (near the console
armrest) inputs the module’s two external stereo line signals. See the
pinout drawing on page 7-4.
While there are two DB-25 connectors, the upper one (towards the console
meterbridge) is for factory use only. It sends the module’s VU and timer control
signals to the meterbridge (a factory-provided cable runs from this upper DB-25
to a matching connector mounted at the back of the meterbridge, in the center of
the console).
D-4000 / Feb 02 page 7 – 2

METER OUTPUT MODULE

There are no internal programming options on the MOD-4 module.
Hook-Ups
As stated before, the only user wiring into the MOD-4 module is
two external stereo line inputs (analog +4dBu balanced) on the module’s
LOWER DB-25 connector.
Pin 1 – Ext 2 Rt In HI Typical DB-25
connector
D-4000 / Feb 02 page 7 – 3

METER OUTPUT MODULE
MOD-4 Meter Output

13 AUDIO GROUND
PGM Lt VU 25
12 AUDIO GROUND
PGM Rt VU 24
11 AUDIO GROUND
AUD Lt VU 23
10 AUDIO GROUND
AUD Rt VU 22
9 AUDIO GROUND
I/O PORTS SWT Lt VU 21
8 AUDIO GROUND
(Upper DB-25) SWT Rt VU 20
7 AUDIO GROUND
FACTORY N/C 19
6 N/C
USE ONLY N/C 18
5 N/C
N/C 17
4 +DIG TIMER
START/STOP SW 16
3 DIGITAL GROUND
HOLD SW 15
2 DIGITAL GROUND
RESET SW 14
1 RESTART
13 N/C
N/C 25
12 N/C
N/C 24
11 N/C
N/C 23
10 N/C
N/C 22
9 N/C
N/C 21
8 N/C
N/C 20
7 N/C
Ext 1 Lt In SH 19 I/O PORTS
6 Ext 1 Lt In LO
Ext 1 Lt In HI 18 (Lower DB-25)
5 Ext 1 Rt In SH
Ext 1 Rt In LO 17
4 Ext 1 Rt In HI
Ext 2 Lt In SH 16
3 Ext 2 Lt In LO
Ext 2 Lt In HI 15
2 Ext 2 Rt In SH
Ext 2 Rt In LO 14
1 Ext 2 Rt In HI
D-4000 / Feb 02 page 7 – 4

CPU & DSP MODULES
CPU Central Processor

(CPU-4 Module)
DSP Digital Processor
(DSP-4 Module)
Chapter Contents
Module Overview ........................................................................... 8-2
AES Clock Sync ........................................................................................................ 8-2
D-4000 / Feb 02 page 8 – 1

CPU & DSP MODULES
CPU Central Processor

(CPU-4 Module)
DSP Digital Processor
(DSP-4 Module)
Module Overview
Every D-4000 has these two modules; together they
perform all central signal and control processing for the
console. The CPU-4 is the console’s central controller mod-
ule; the DSP-4 is the console’s digital signal processor. With
one exception, AES SYNC (below), both modules are user-
transparent—that is, they have no external controls, all their
internal programming options are for factory use only, their
DB-25 I/O connector ports have no user-applicable pins,
there are no user replaceable parts inside (though complete
modules may be ordered; see Appendix).
AES Clock Sync

If you wish to sync your D-4000 console off an external
clock source (or use the console master clock signal to control
an external device) the AES Sync port is available on the
DSP-4 module upper DB-25 connector:
Pin 25 – AES Sync In SH
Pin 24 – AES Sync In HI
Pin 12 – AES Sync In LO
Pin 11 – AES Sync Out SH
Pin 10 – AES Sync Out HI
Pin 23 – AES Sync Out LO
D-4000 / Feb 02 page 8 – 2

SUPERPHONE INPUT
Superphone Input
(SPD-4; optional)
Chapter Contents
Module Overview ........................................................................ 9-2
Caller Set-Ups ........................................................................................................ 9-2
Automatic Features ................................................................................................. 9-3
Inputs and Outputs ................................................................................................. 9-3
Internal Programming Options - Main PCB ............................. 9-4

Output Assign Switch Enable ................................................................................. 9-4
Mutes ...................................................................................................................... 9-4
Timer Restart .......................................................................................................... 9-4
Tallies ...................................................................................................................... 9-4
Cue Dropout ............................................................................................................ 9-5
Gain Trimpots ......................................................................................................... 9-5
Internal Programming Options - Piggyback PCB ................... 9-5

External In ............................................................................................................... 9-5
Cue Pre/Post .......................................................................................................... 9-5
Gain Trimpots ......................................................................................................... 9-5
Hook-ups ..................................................................................... 9-6

AUDIO CONNECTIONS (Upper DB-25) ................................................................ 9-6
AUDIO and CONTROL CONNECTIONS (Lower DB-25) ...................................... 9-6
D-4000 / Feb 02 page 9 – 1

SUPERPHONE INPUT
Superphone Input
(SPD-4; optional)
Module Overview
SPD-4 input modules are used for telephone call-ins. Each
module can handle two callers; there can be two modules per
console for a total of four callers. Caller signals enter the module
from your station hybrid; each caller has his own fader; caller input
gain trims are provided at the top of the module.
Output switches assign callers to any combination of the console’s
four stereo outputs: PGM (program), AUD (audition), AUX
(auxiliary) and/or UTL (utility). When the module is assigned to
PGM and turned ON, a red “Air” LED illuminates just above the
output assign switches.
Caller Set-Ups
Pre-air segment communication between the console operator
(DJ) and callers is via CALLER SETUP buttons (2) which place the
caller’s voice on the console’s cue speakers (or control room
speakers/operator’s headphone if the CRD-4 module’s cue inter-
rupt function has been so programmed). These cue signals can be
internally programmed pre or post fader.
The caller hears the DJ in one of two ways:
1) The DJ can assign his microphone input module to an unused
output bus—say UTL—and the DJ then selects the UTL input with
the MXM SOURCE switch at the top of the phone module. This
sends a dedicated (digitally generated) version of the UTL bus
signal to the SPD-4 module’s hybrid output, where it is ultimately
heard by the caller through his telephone. This mix minus source
select method can also be used to preplay a musical segment (or any
other program content) for the caller off-air. Take the SLD-4 input
module handling the desired music cut and assign it to an unused
output bus; select the same bus as the caller’s mix minus source
input and he will hear it off-air.
Remember MMD-4 microphone input modules can be internally
programmed to have their Utility bus feed tapped pre-fader, pre-ON/
OFF, making this a logical set-up for the DJ’s mic input if you do a lot
of call-in work, since the DJ’s voice will always be present on the
console’s Utility output bus regardless of fader or ON/OFF settings on
his mic module (which must still be assigned to UTL, however).
2) The DJ’s voice signal can be inputted through a special EXT
IN port at the SPD-4 module’s DB-25 connector. This second
D-4000 / Feb 02 page 9 – 2
SUPERPHONE INPUT
method eliminates the need to select a mix minus input source every
time you want to talk off-air to the caller. An easy source choice
here would be DJ mic module’s INSERT OUT port.
Automatic Features
Regular mic and stereo line input modules can have their output
assign buttons slave off of the SPD-4 telephone module output
buttons. If this feature has been programmed on desired source
modules, when it’s time to go on-air with a phone segment all you
need do is hit PGM on the phone module, and the PGM button on,
say, your CD input module (and the DJ’s mic module) will follow
suit.
Note while this feature will turn slaved assign buttons ON, it will
not turn them OFF; you must do this manually.
Faders can be optionally equipped with end-of-travel CUE
switches, which will allow you to talk off-air with a caller with a
simple fader overpress. One of the faders can also have an optional
EFS type switch to automatically turn the module on when it is run
up.
The channel ON (red) and OFF (amber) switches are at the
bottom of the module. These can be programmed (via internal
PCB-mounted dipswitches) to activate control room and studio
mutes, tallies, timer restart and automatic cue drop-out. The ON
switch can also automatically trigger an external tape machine for
recording purposes (see page 9-7).
Cue Dropout can also be programmed internally, making it
unnecessary to de-activate caller setup buttons before going live;
simply pressing the module’s ON switch will automatically do this
for you.
Inputs and Outputs

All audio and control signal hook-ups are made via two multi-
pin DB-25 connectors mounted in the bottom of the console’s
mainframe, directly underneath each module. The upper connector
handles hybrid input signals (i.e., caller input) and the external
input mentioned on page 9-2. The lower connector handles outputs,
including the module1 and 2 feeds to your station hybrid (the phone
signals going to your callers).
The module also has three addition output feeds on the lower
DB-25 connector. These are generally used for recording purposes:
Composite Out – This includes everything: DJ, callers, music
beds, etc. Generally used to to record phone segments in
advance of actual airplay.
Composite Minus Callers – This includes everything but the
callers.
Callers Only – No talent, no DJs, no music; just caller voices.
D-4000 / Feb 02 page 9 – 3

SUPERPHONE INPUT

Main Printed Circuit Board
Main card internal programming is accomplished via three 4-position
printed circuit board (PCB) mounted dipswitches mounted just to the left of
the module’s faders.
For main PCB programming, we will assume you are holding the removed
left and the module faceplate to the right. This will enable you to read the control
legends silkscreened next to each dipswitch. Note when a dipswitch position is
thrown to the right (towards the module’s faceplate) it is ON.
Output Assign Switch Enable

As previously stated (page 2-5 and 3-4), microphone (MMD) and stereo
line (SLD) input modules can have their output assign switches slave off of
the SPD-4 phone module output assign switches. Four-position dipswitch
SW1 (top dipswitch just to the left of the module faders) enables this feature
at the phone module end:
Note this feature only
SW1 position 1 activates PGM switch control works for turning slaved
SW1 position 2 activates AUD switch control assign switches ON; they
will not turn OFF from the
SW1 position 3 activates AUX switch control superphone module—this
SW1 position 4 activates UTL switch control must be done manually.
Mutes
When the SPD-4 phone channel ON switch is pressed, it can activate
console mute functions. The first three positions of dipswitch SW2 (just below
dipswitch SW1) determines which of the console’s three mute lines will be
activated:
SW2 position 1 mutes the control room when the phone module is ON* *factory default setting
SW2 position 2 mutes studio one when the phone module is ON
SW2 position 3 mutes studio two when the phone module is ON
Timer Restart
SW2 position 4 activates timer restart when the phone module’s ON
switch is pressed* *factory default setting
Tallies
Turning the module ON can activate a remote tally indicator. There are
three tally control lines: on-air, tally 2 and tally 3. The first three positions of
dipswitch SW3 (to the left of the fader) program these functions:
Remote tallies are
SW3 position 1 activates the on-air tally control line hooked-up to the console
SW3 position 2 activates tally 2 at the Control Room mod-
SW3 position 3 activates tally 3 ule (CRD-4)
D-4000 / Feb 02 page 9 – 4

SUPERPHONE INPUT
Cue Dropout
Dipswitch SW3 position 4, when activated, will cause CUE (i.e., caller
set-up buttons 1 & 2) to turn off when the module’s ON switch is pressed.
This is the factory default setting.
Gain Trimpots
There are two PCB-mounted trimpots. They are used as follows:
CR1 - sets Callers 1 In port input gain
CR2 - sets Callers 2 In port input gain

Piggyback Card
Piggyback card internal programming is accomplished via two PCB-
mounted slide switches on the module’s piggyback card. This same card
also contains PCB-mounted trimpots which may be used to set the
module’s various output feed levels.
For piggyback card programming, hold the removed module horizontally,
component side towards you, with gold-plated card fingers aimed down and the
module faceplate on top. This will enable you to read the control legends
silkscreened on the PCB.
External In
In addition to feeding the DJ’s voice signal to the callers via the
module’s mix minus source select switching, it may also be brought
directly in through an EXT IN port on the module’s upper DB-25
connector. PCB-mounted slide switch SW1 (piggyback card left center),
activates this external port when thrown to the left (this is the factory
default setting).
Cue Pre/Post
The module’s CUE signals (caller setup buttons 1 & 2) can tap pre or
post fader. When slide switch SW2 (piggyback card lower right) is UP they
are PRE, when DOWN they are POST. (Factory default setting is PRE.)
Gain Trimpots
There are six PCB-mounted trimpots to the right of slide switch SW1. Factory default settings for
these trimpots is UNITY
They are used as follows: GAIN.
CR4 – sets the External In port input gain
CR6 – sets the module’s output level to Hybrid 1
CR3 – sets the module’s output level to Hybrid 2
CR7 – sets the module’s “composite” output level
CR8 – sets the module’s “composite minus callers” (“talent”)
output level
CR5 – sets the module’s “callers only” output level
D-4000 / Feb 02 page 9 – 5

SUPERPHONE INPUT
Hook-Ups
As stated before, all user wiring to and from SPD-4 modules takes place
at DB-25 multi-pin connectors mounted directly beneath each module on
the console mainframe’s bottom pan. There are two connectors per module:
the upper one (towards the console meterbridge) handles audio input
signals; the lower (near the console armrest) audio outputs and control
signals. A pinout drawing on page 9-8 shows all wiring connections at a
glance.

These include External In and station Hybrid 1 & 2 inputs. All are +4dBu
balanced analog mono.
Pin 25 – Ext In SH
Pin 24 – Ext In HI
Pin 12 – Ext In LO
Pin 22 – Hybrid 1 In SH
Pin 21 – Hybrid 1 In HI
Pin 9 – Hybrid 1 In LO
Pin 8 – Hybrid 2 In SH
Pin 7 – Hybrid 2 In HI
Pin 20 – Hybrid 2 In LO
Pins 2,5,11,13,16 and 19 – Audio Ground
Audio and Control Connections (lower DB-25)

These include outputs to the station hybrid, module output composite
feeds (for recording) and remote tape machine START/STOP ports.
Pin 25 – Composite Out SH
Pin 24 – Composite Out HI
Pin 12 – Composite Out LO
Pin 11 – Composite Minus Callers Out SH
Pin 10 – Composite Minus Callers Out HI
Pin 23 – Composite Minus Callers Out LO
Pin 22 – Callers Only Out SH
Pin 21 – Callers Only Out HI
Pin 9 – Callers Only Out LO
Pin 8 – To Hybrid 1 Out SH
Pin 7 – To Hybrid 1 Out HI
Pin 20 – To Hybrid 1 Out LO
Pin 19 – To Hybrid 2 Out SH
Pin 18 – To Hybrid 2 Out HI Typical DB-25
Pin 6 – To Hybrid 2 Out LO connector
D-4000 / Feb 02 page 9 – 6

SUPERPHONE INPUT
Pin 17 – Start/Stop Common

Pin 16 – Stop
Pin 15 – Start
Pin 4 – Start/Stop Common
Pin 3 – Stop
Pin 2 – Start
The last six callouts are simply two parallel-connected sets of pins
for the same control port. When the module’s ON/START switch is
pressed, a closure takes place between start/stop common and START;
when the module’s OFF switch is pressed, a closure takes place
between start/stop common and STOP. These may be used to control
a remote tape machine for recording phone segments.
D-4000 / Feb 02 page 9 – 7

SUPERPHONE INPUT
SPD-4 Superphone
13 AUDIO GROUND
EXT 1 IN SH 25
12 EXT 1 IN LO
EXT 1 IN HI 24
11 AUDIO GROUND
N/C 23
10 N/C
HYBRID 1 IN SH 22
9 HYBRID 1 IN LO
I/O PORTS HYBRID 1 IN HI 21
8 HYBRID 2 IN SH
(Upper DB-25) HYBRID 2 IN LO 20
7 HYBRID 2 IN HI
ANALOG AUDIO GROUND 19
6 N/C
N/C 18
5 AUDIO GROUND
N/C 17
4 N/C
AUDIO GROUND 16
3 N/C
N/C 15
2 AUDIO GROUND
N/C 14
1 N/C
13 AUDIO GROUND
COMPOSITE OUT SH 25
12 COMPOSITE OUT LO
COMPOSITE OUT HI 24
11 COMPOSITE MINUS CALLERS OUT SH
COMPOSITE MINUS CALLERS OUT LO 23
10 COMPOSITE MINUS CALLERS OUT HI
CALLERS ONLY OUT SH 22
9 CALLERS ONLY OUT LO
CALLERS ONLY OUT HI 21
8 TO HYBRID 1 OUT SH
TO HYBRID 1 OUT LO 20
7 TO HYBRID 1 OUT HI
TO HYBRID 2 OUT SH 19 I/O PORTS
6 TO HYBRID 2 OUT LO
TO HYBRID 2 OUT HI 18 (Lower DB-25)
5 N/C
START/STOP COM 17 ANALOG/LOGIC
4 START/STOP COM
STOP 16
3 STOP
START 15
2 START
N/C 14
1 N/C
D-4000 / Feb 02 page 9 – 8

LINE PRESELECTOR MODULE
Line Preselector Module-

Digital
(LSD-4 Control Module and
LSR-500 Rackmount Switcher;
optional)
Chapter Contents
Overview ............................................................................................ 10-2
Internal Programming Options ........................................................ 10-3
LSR-500 (drawing) ............................................................................. 10-3
Hook-ups – LSD-4 ............................................................................. 10-3
Hook-ups – LSR-500 ......................................................................... 10-3
Analog Audio Inputs .......................................................................................................... 10-3
Digital Audio Inputs ...........................................................................................................10-4
Analog Outputs ................................................................................................................. 10-5
Digital Outputs .................................................................................................................. 10-5
DB Connector Pinout Drawing (LSD-4) ........................................... 10-6

DB Connector Pinout Drawing (LSR-500) ....................................... 10-7
D-4000 / Feb 02 page 10 – 1


Digital
(LSD-4 Controller Panel and
LSR-500 Rackmount Unit;
optional)
Overview
This optional module consists of an 8-switch control module
(LSD-4) mounted in the D-4000 console and an associated 19-inch
rackmount switcher (LSR-500) that mounts in a remote location. All
audio input and output wiring goes to the rackmount unit, which takes
its control from the console module.
The rack unit accepts eight stereo analog and digital audio inputs
(each input is dipswitch-selectable for either analog or digital) and
outputs both an analog and digital stereo signal, which may be wired
back to D-4000 console input ports. Wiring between the console’s
LSD-4 preselector module and the rackmount switcher is via two pin-
for-pin DB-25 connector cables: the module’s upper DB is used for
control; the lower for power.
The LSR-500 rackmount unit faceplate has eight indicator LEDs
which show which input has been selected at the console and also
ANALOG and DIGITAL LEDs which light to show what kind of
signal has been selected. A POWER LED is also included. (See
drawing next page.)
The rear of the LSR-500 has seven I/O connectors: two DB-9s
(analog and digital output) and five DB-25s (control and power to the
LSD-4 module, analog audio in (2) and digital audio in (1). In the center
of the chassis rear is a cutout that allows access to eight dipswitch
settings that determine what type of audio (analog or digital) each input
accepts. The default setting (“off”) is DIGITAL.
D-4000 / Feb 02 page 10 – 2

Model LSR-500 Line Selector 8-Line Analog/Digital Rackmount Switcher
POWER ANALOG DIG 1 2 3 4 5 6 7 8
LINE
ANALOG/DIG SELECT
AUDIO INPUTS 1-4 AUDIO INPUTS 5-8 AUDIO OUT DIGITAL INPUTS DIGITAL OUT DC POWER CONTROL LOGIC
1234 5678 CAUTION - TO AVOID ELECTRIC SHOCK REFER SERVICE TO QUALIFIED TECHNICIAN
The LSR-500 Rackmount Switcher Unit (front & rear)

There are no internal programming options on the LSD-4 module.
The LSR-500 rackmount unit has the previously mentioned input
select dipswitches (analog/digital).
Hook-Ups
LSD-4 Line Preselector Module

Two DB-25 connectors that wire pin-for-pin to matching DB-25s
on the LSR-500 chassis rear. The upper connector is for control; the
lower for power. See pinout drawing on page 10-6 for signals.
LSR-500 Audio Inputs

These are for analog stereo (+4dBu balanced) and digital (AES)
signals; there are three DB-25 input connectors on the chassis rear:
ANALOG AUDIO INPUTS 1-4:
Pin 25 – Line 1 Lt In SH
Pin 24 – Line 1 Lt In HI
Pin 12 – Line 1 Lt In LO
Pin 11 – Line 1 Rt In SH
Pin 10 – Line 1 Rt In HI
Pin 23 – Line 1 Rt In LO
Pin 7 – Line 2 Rt In HI Typical DB-25
Pin 20 – Line 2 Rt In LO connector
D-4000 / Feb 02 page 10 – 3

ANALOG AUDIO INPUTS 5-8:
Pin 14 – Line 8 Rt In LO Typical DB-25
connector
DIGITAL AUDIO INPUTS 1-8:
Pin 25 – AES 1 In SH
Pin 24 – AES 1 In HI
Pin 12 – AES 1 In LO
D-4000 / Feb 02 page 10 – 4

LSR-500 Audio Outputs

These are for analog stereo (+4dBu balanced) and digital (AES);
there are two DB-9 output connectors on the chassis rear:
ANALOG OUTPUTS (DB-9):
Pin 8 – Line Lt Out SH
Pin 7 – Line Lt Out HI
Pin 3 – Line Lt Out LO
Pin 2 – Line Rt Out SH
Pin 1 – Line Rt Out HI
Pin 6 – Line Rt Out LO
DIGITAL OUTPUTS (DB-9): Typical DB-9
connector
Pin 2 – AES Out SH
Pin 1 – AES Out HI
Pin 6 – AES Out LO
D-4000 / Feb 02 page 10 – 5

LSD-4 Line Preselector Module

13 AUDIO GROUND
DIGITAL GROUND 25
12 N/C
N/C 24
11 DIGITAL GROUND
N/C 23
10 N/C
DIGITAL GROUND 22
9 CONSOLE CLOCK
CONSOLE CLOCK 21
I/O CONTROL PORTS 8 DIGITAL GROUND
CONSOLE RESET 20
(Upper DB-25) 7 CONSOLE RESET
DIGITAL GROUND 19
6 LINE 8
LINE 7 18
5 DIGITAL GROUND
LINE 6 17
4 LINE 5
DIGITAL GROUND 16
3 LINE 4
LINE 3 15
2 DIGITAL GROUND
LINE 2 14
1 LINE 1
13 AUDIO GROUND
-V 25
12 -V
-V 24
11 -V
+V 23
10 +V
+V 22
9 +V
AUDIO GROUND 21
8 AUDIO GROUND I/O POWER PORTS
AUDIO GROUND 20
7 AUDIO GROUND (Lower DB-25)
DIGITAL GROUND 19
6 DIGITAL GROUND
DIGITAL GROUND 18
5 DIGITAL GROUND
DIGITAL GROUND 17
4 DIGITAL GROUND
+5V DIGITAL 16
3 +5V DIGITAL
+5V DIGITAL 15
2 +5V DIGITAL
+5V DIGITAL 14
1 +5V DIGITAL
D-4000 / Feb 02 page 10 – 6

LSR-500 Rackmount Switcher

ANALOG INPUTS 1-4 ANALOG INPUTS 5-8
(DB-25) (DB-25)
13 AUDIO GROUND 13 AUDIO GROUND

LINE 1 LT IN SH 25 LINE 5 LT IN SH 25
12 LINE 1 LT IN LO 12 LINE 5 LT IN LO
LINE 1 LT IN HI 24 LINE 5 LT IN HI 24
11 LINE 1 RT IN SH 11 LINE 5 RT IN SH
LINE 1 RT IN LO 23 LINE 5 RT IN LO 23
10 LINE 1 RT IN HI 10 LINE 5 RT IN HI
AUDIO GROUND 13
N/C AUDIO GROUND
N/C AES1 IN SH 25
LINE LT OUT SH 12 AES 1 IN LO
LINE LT OUT LO AES1 IN HI 24
LINE LT OUT HI 11 AES 2 IN SH
LINE RT OUT LO LINE RT OUT SH AES 2 IN LO 23
LINE RT OUT HI 10 AES 2 IN HI
AES 3 IN SH 22
9 AES 3 IN LO
AES 3 IN HI 21
ANALOG AUDIO OUTPUT (DB-9) 8 AES 4 IN SH
AES 4 IN LO 20
7 AES 4 IN HI
AES 5 IN SH 19
DIGITAL AUDIO OUTPUT (DB-9) 6 AES 5 IN LO
AES 5 IN HI 18
5 AES 6 IN SH
AES 6 IN LO 17
AUDIO GROUND 4 AES 6 IN HI
N/C AES 7 IN SH
N/C 16
N/C 3 AES 7 IN LO
N/C AES 7 IN HI 15
N/C 2 AES 8 IN SH
AES OUT SH AES 8 IN LO 14
AES OUT LO 1 AES 8 IN HI
AES OUT HI
DIGITAL INPUTS
(DB-25)
D-4000 / Feb 02 page 10 – 7

Analog
(LSA-4; optional)
Chapter Contents
Overview ............................................................................................ 11-2
Internal Programming Options ........................................................ 11-3
Hook-ups ............................................................................................ 11-3
Audio Inputs ...................................................................................................................... 11-3
Outputs ............................................................................................................................. 11-4
DB Connector Pinout Drawing ......................................................... 11-5
D-4000 / Feb 02 page 11 – 1


Analog
(LSA-4; optional)
Overview
This optional module electronically selects one of seven stereo line
sources and routes it to one stereo output, allowing you to expand the
source capability of an input channel or monitor module.
All audio input and output signals are made via two multipin DB-25
connectors mounted in the bottom of the console’s mainframe, directly
underneath this module.
D-4000 / Feb 02 page 11 – 2


There are no internal programming options on the LSA-4 module.
Hook-Ups
LSA-4 Audio Inputs 1-4 (upper DB-25)

Pin 5 – Line 3 Rt In SH Typical DB-25
Pin 4 – Line 3 Rt In HI connector
LSA-4 Audio Inputs 5-7 (lower DB-25)

D-4000 / Feb 02 page 11 – 3

LSA-4 Audio Outputs

Pin 16 – Line Lt Out SH
Pin 15 – Line Lt Out HI
Pin 3 – Line Lt Out LO
Pin 2 – Line Rt Out SH
Pin 1 – Line Rt Out HI
Pin 14 – Line Rt Out LO
Typical DB-25
connector
D-4000 / Feb 02 page 11 – 4

LSA-4 Line Selector Module

LINE 1 LT IN SH 13 N/C
25
12 LINE 1 LT IN LO
LINE 1 LT IN HI 24
11 LINE 1 RT IN SH
LINE 1 RT IN LO 23
10 LINE 1 RT IN HI
LINE 2 LT IN SH 22
LINE 2 LT IN HI 9 LINE 2 LT IN LO
21
INPUT PORTS LINE 2 RT IN LO 8 LINE 2 RT IN SH
20
(Upper DB-25) LINE 3 LT IN SH 7 LINE 2 RT IN HI
19
6 LINE 3 LT IN LO
LINE 3 LT IN HI 18
5 LINE 3 RT IN SH
LINE 3 RT IN LO 17
4 LINE 3 RT IN HI
LINE 4 LT IN SH 16
3 LINE 4 LT IN LO
LINE 4 LT IN HI 15
2 LINE 4 RT IN SH
LINE 4 RT IN LO 14
1 LINE 4 RT IN HI
13 N/C
LINE 5 LT IN SH 25
12 LINE 5 LT IN LO
LINE 5 LT IN HI 24
11 LINE 5 RT IN SH
LINE 5 RT IN LO 23
10 LINE 5 RT IN HI
LINE 6 LT IN SH 22
9 LINE 6 LT IN LO
LINE 6 LT IN HI 21
LINE 6 RT IN LO 8 LINE 6 RT IN SH INPUT/OUTPUT
20 PORTS
LINE 6 RT IN HI
LINE 7 LT IN SH 19 7
6 LINE 7 LT IN LO (Lower DB-25)
LINE 7 LT IN HI 18
5 LINE 7 RT IN SH
LINE 7 RT IN LO 17
4 LINE 7 RT IN HI
LINE LT OUT SH 16
3 LINE LT OUT LO
LINE LT OUT HI 15
2 LINE RT OUT SH
LINE RT OUT LO 14
1 LINE RT OUT HI
D-4000 / Feb 02 page 11 – 5

TAPE REMOTE MODULE
Tape Remote Module

(TRD-4; optional)
Chapter Contents
Module Overview ............................................................................... 12-2
DB Connector Pinout Drawing
START/STOP Function Control .................................................................................... 12-3
Full-function Control ...................................................................................................... 12-4
D-4000 / Feb 02 page 12 – 1

TAPE REMOTE MODULE
Tape Remote Module

(TRD-4; optional)
Module Overview
This optional module offers start-stop control of six remote
reel-to-reel tape machines using six pairs of START/STOP
buttons. LED indicators in each switch function as tallyback
indicators and are powered by the source machines. There are
no internal connections between the tape remote panel and the
console’s power rails. Note the switch cap legends can also be
ordered to read blank (for RTZ), << (for RW), >> (for FF),
STOP, REC, and PLAY for full-function control of two tape
machines.
D-4000 / Feb 02 page 12 – 2

TAPE REMOTE MODULE
TRD-4/SS Tape Remote Module

13 N/C
SW6 (STOP) COMMON 25
12 SW6 (STOP) N.O.
SW6 (STOP) LED- 24
SW1 11 SW6 (STOP) LED+
SW5 (START) COMMON 23
10 SW5 (START) N.O.
SW2 I/O CONTROL SW5 (START) LED- 22
9 SW5 (START) LED+
PORTS SW4 (STOP) COMMON 21
8 SW4 (STOP) N.O.
SW3 (Upper DB-25) SW4 (STOP) LED- 20
7 SW4 (STOP) LED+
SW4 6 SW3 (START) N.O.
SW3 (START) LED- 18
5 SW3 (START) LED+
SW5 4 SW2 (STOP) N.O.
SW2 (STOP) LED- 16
3 SW2 (STOP) LED+
SW6 SW1 (START) COMMON 15
2 SW1 (START) N.O.
SW1 (START)LED- 14
1 SW1 (START) LED+
SW1
13 N/C
12 SW6 (STOP) N.O.
SW2 SW6 (STOP) LED- 24
11 SW6 (STOP) LED+
SW3 10 SW5 (START) N.O.
SW5 (START) LED- 22
9 SW5 (START) LED+
SW4 (STOP) COMMON 21 I/O CONTROL
SW4 8 SW4 (STOP) N.O.
SW4 (STOP) LED- 20 PORTS
7 SW4 (STOP) LED+
SW5 SW3 (START) COMMON 19 (Lower DB-25)
6 SW3 (START) N.O.
SW3 (START) LED- 18
SW6
5 SW3 (START) LED+
4 SW2 (STOP) N.O.
SW2 (STOP) LED- 16
3 SW2 (STOP) LED+
2 SW1 (START) N.O.
SW1 (START)LED- 14
1 SW1 (START) LED+
D-4000 / Feb 02 page 12 – 3

TAPE REMOTE MODULE
TRD-4/FF Tape Remote Module

13 N/C
SW6 (PLAY) COMMON 25
12 SW6 (PLAY) N.O.
SW6 (PLAY) LED- 24
SW1
11 SW6 (PLAY) LED+
SW5 (REC) COMMON 23
10 SW5 (REC) N.O.
SW5 (REC) LED- 22
SW2
I/O CONTROL 9 SW5 (REC) LED+
PORTS 8 SW4 (STOP) N.O.
SW3
SW4 (STOP) LED- 20
(Upper DB-25) 7 SW4 (STOP) LED+
SW3 (FF) COMMON 19
6 SW3 (FF) N.O.
SW4 SW3 (FF) LED- 18
5 SW3 (FF) LED+
SW2 (REW)COMMON 17
SW5 4 SW2 (REW) N.O.
SW2 (REW) LED- 16
3 SW2 (REW) LED+
SW1 (RTZ) COMMON 15
SW6 2 SW1 (RTZ) N.O.
SW1 (RTZ)LED- 14
1 SW1 (RTZ) LED+
SW1 13 N/C
SW6 (PLAY) COMMON 25
12 SW6 (PLAY) N.O.
SW2
SW6 (PLAY) LED- 24
11 SW6 (PLAY) LED+
SW5 (REC) COMMON 23
10 SW5 (REC) N.O.
SW3 SW5 (REC) LED- 22
SW4 (STOP) COMMON 9 SW5 (REC) LED+ I/O CONTROL
21
SW4 8 SW4 (STOP) N.O. PORTS
SW4 (STOP) LED- 20
7 SW4 (STOP) LED+ (Lower DB-25)
SW3 (FF) COMMON 19
SW5
6 SW3 (FF) N.O.
SW3 (FF) LED- 18
5 SW3 (FF) LED+
SW6 SW2 (REW)COMMON 17
4 SW2 (REW) N.O.
SW2 (REW) LED- 16
3 SW2 (REW) LED+
SW1 (RTZ) COMMON 15
2 SW1 (RTZ) N.O.
SW1 (RTZ)LED- 14
1 SW1 (RTZ) LED+
D-4000 / Feb 02 page 12 – 4

ROUTER CONTROLLER MODULE
Router Controller Module

(XY-4/8)
Chapter Contents
Module Overview ...................................................................... 13-2
Internal Programming Options ............................................... 13-2
XY Controller Settings .......................................................... 13-3
Setting an XY Controller Termination ................................................................ 13-3
Setting an XY Controller Address ...................................................................... 13-3
Receiver and Transmitter Switching .................................................................. 13-3
XY Controller RS-485 Connections ..................................... 13-3

Cable Wiring ...................................................................................................... 13-4
Typical RS-485 Cable Specifications ................................................................ 13-4
Console RS-485 Cable Pinout .......................................................................... 13-4
Hook-ups ................................................................................... 13-5

Upper DB-25 Connector — RS-485/RS-232 Serial Port ...................................... 13-5
Lower DB-25 Connector — RS-485 Serial Port ................................................... 13-5
DB Connector Pinout Drawing ................................................ 13-6
D-4000 / Feb 02 page 13 – 1

Router Controller Module

(XY-4/8)
Module Overview
The console Router Controller module provides an integrated way
of switching rackmount Bridge 2001 Digital Audio Router sources to
destinations connected to the console. (Operation of the Bridge 2001
Digital Audio Router is covered in a separate manual.)
This module can control the connections of two signals. The
operator dials in a Source (input signal) and a Destination (output
signal), then presses a TAKE button to route the selected source to the
selected destination. The Router Controller module has two display
windows that show the selected source and destination.
All user RS-485 wiring to and from the XY-4/8 module takes place
at two DB-25 multi-pin connectors mounted directly beneath the
module on the console mainframe’s bottom pan. These two DB-25
connectors are wired in parallel for daisy chaining multiple XY
controller modules. A pinout drawing on page 13-6 shows all wiring
connections at a glance.

There are three four-position user-programmable dipswitches (SW1,
SW2, SW3) and two slide switches (SW4, SW5), located on the
module’s PCB.
For the purposes of this manual, we will assume you are holding the
removed module upright, component side towards you, with gold-plated
card fingers to the left and the module faceplate to the right. This will
enable you to read the control legends silkscreened next to each program-
ming switch. Note when a dipswitch position is thrown to the right (towards
the module’s faceplate) it is ON.
D-4000 / Feb 02 page 13 – 2

XY Controller Settings
Setting an XY Controller Termination—Only set termination on the

last XY controller in the chain.
Four-position dipswitch SW3 located on the XYC-700 PCB is used for
XY Controller termination. To set termination active simply turn on
positions 2, 3 and 4 of dipswitch SW3 (pos1 - not used).
Setting an XY Controller Address

The XY controller has a unique address from 1 to 64 that identifies its
presence to the system. This address is set via a pair of four position
dipswitches, SW1 and SW2, mounted on the controller’s XYC-700
printed circuit card. XY controller addresses are binary coded with each
dipswitch carrying a specific numerical weight (e.g. 1, 2, 4, 8, 16, 32). To
set an address, simply turn ON the address dipswitches until the total
weights add up to the desired decimal address. You can verify the address
setting by watching for the address number in the controller’s displays.
Addressing is set at the factory and generally will not need to be changed
in the field. Below are the tables of switch positions and their weights.
DIPSWITCH # SW1 SW2

POSITION 1 2 3 4 1 2 3 4
WEIGHT 1 2 4 8 16 32 N/A N/A
Receiver and Transmitter Switching

The two double throw double pole slide switches (SW4, SW5) will
switch RS-485 serial ports from receiver to transmitter and back. These
have been pre-configured at the factory, do not change. Improper setting
will disable and possibly damage the RS-485 bus.
XY Controller RS-485 Connections

The XY controller module communicates with the 2001 Router via an
RS-485 serial interface bus. The cable should be a low capacitance
computer communications cable and is terminated with DB-9 male
connectors on the 2001 Router end and DB-25 male connector on the
console end.
Connect the DB-9 end of the cable to the serial Port A DB-9 connector
on the rear PWIH (CPU rear) or ONI panel (OAN rear) of the 2001 Router.
Connect the DB-25 male end to the console’s XY-4/8 module. Locate the
female DB-25 connector (Upper or Lower DB-25 ) mounted directly
beneath the XY-4/8 module on the console mainframe’s bottom panel.
Note that the RS-485 port wiring on the console upper and lower DB-
25 connectors are in parallel for daisy chaining the RS-485 bus to other XY
controllers.
D-4000 / Feb 02 page 13 – 3

Cable Wiring
Cables used for connecting a 2001 Router RS-485 serial port to the
console’s XY-4/8 module are a high quality dual twisted pair cable
suitable for extended distance data transmission. A cable with an imped-
ance of 125 ohms and nominal capacitance of 12.8 pF/ft @1 MHz is
recommended. See cable specifications and pinouts for details.
Typical RS-485 Cable Specifications
Conductors 4 conductor plus shield (2 twisted pairs)

Conductor Gauge 24 AWG (7 x 32 AWG) TC
Nom. Capacitance 12.8 pF/ft 41.9 pF/m @ 1 MHz
Impedance 125 ohms, Nominal
Console RS-485 Cable Pinouts
PIN PIN
2001 Router Console End
TX +
CPU (OAN) End 1 8 XY-4/8 module
Pair 1 TX - Pair 1
6 21 Connector Type
Connector Type RX + Upper/Lower
DB-9 3 1
Pair 2 RX - Pair 2 DB-25
Male 8 14 Male
D-4000 / Feb
Oct 02
02 page 13 – 4
Hook-Ups
As stated before, all user wiring to and from the XY-4/8 module
takes place at two DB-25 multi-pin connectors mounted directly
beneath the module on the console mainframe’s bottom pan.
Upper DB-25 Connector – RS-485/RS-232 Serial

Connections
Pin 1 – TX HI
Pin 14 – TX LO RS-485
Pin 8 – RX HI
Pin 21 - RX LO
Pin 6 – DSR
Pin 5 – CTS RS-232
Pin 4 – RTS RESERVED
Pin 3 - RX
Pin 2 - TX
Pin 20 - DTR
Lower DB-25 Connector – RS-485 Serial Connections

Pin 1 – TX HI Typical DB-25
connector
Pin 14 – TX LO
RS-485
Pin 8 – RX HI
Pin 21 - RX LO
Pin 7, 22, 25 – Digital Ground
D-4000 / Feb
Oct 02
02 page 13 – 5
XY-4/8 Router Controller Module

13 N/C
N/C 25
12 N/C
N/C 24
11 N/C
N/C 23
10 N/C
N/C 22
9 N/C
RX LO 21
SERIAL I/O PORTS 8 RX HI
*DTR 20
(Upper DB-25) 7 DGND
N/C 19
6 DSR
N/C 18
RS - 485 5 CTS
N/C 17
4 RTS *RS - 232 RS - 485
N/C 16
3 RX
N/C 15
2 TX
TX LO 14
1 TX HI
NOTE: * RS-232 IS RESERVED
13 N/C
DGND 25
12 N/C
N/C 24
11 N/C
N/C 23
10 N/C
DGND 22
9 N/C
RX LO 21 SERIAL I/O PORTS
8 RX HI
N/C 20 (Lower DB-25)
7 DGND
N/C 19
6 N/C
N/C 18
RS - 485 5 N/C RS - 485
N/C 17
4 N/C
N/C 16
3 N/C
N/C 15
2 N/C
TX LO 14
1 TX HI
D-4000 / Feb
Oct 02
02 page 13 – 6
METERBRIDGE and CLOCK
Meterbridge and Clock

Chapter Contents
Overview ...................................................................................... 14-2
Replacement Parts ...................................................................... 14-2
Digital Timer ................................................................................ 14-2
Console Clock ............................................................................. 14-3
Controls .................................................................................................................... 14-3
Setting the Time ....................................................................................................... 14-3
Capacitor Backup .................................................................................................... 14-3
Operational Modes .................................................................................................. 14-3
Clock/Timer (CLK-55)
Schematic ................................................................................................................ 14-5
Load Sheet ............................................................................................................... 14-7
Feb 05
D-4000 / Jan 02 page 14 – 1
Meterbridge and Clock

Overview
The console’s meterbridge houses three pairs of left-right VU meters
(Program, Audition and Switched; see “Meter Output Module” Chapter 7),
the digital timer display, left and right cue speakers (controlled by the
CRD-4 Control Room Module; see page 5-2), and the console clock.
The meterbridge assembly hinges open for easy access (VU meter lamp
replacement, setting the clock). Simply remove the three black #4 flathead
screws along the bottom lip of the meterbridge, just above the tops of the
console modules and swing the bridge up and back until it rests in a fully
opened position.
Replacement Parts
Clock/timer cards, VU meters (and lamps) and replacement cue speakers
are available. See Appendix for specific ordering information.
Digital Timer
The console timer control buttons are located on the MOD-4 Meter Output
Module (see page 7-2).
The timer is provided with an AUTO-RESTART function so programmed
input modules can automatically reset the timer display to zero and start a new
count, allowing the announcer to easily track his own pace.
The START/STOP button halts the timer, holds the last count, and then
restarts and accumulates the count when depressed again—perfect for compil-
ing tapes of desired duration.
RESET has a dual-mode capability:
- if you depress it while the timer is counting, the display will instantly reset
to zero and start a fresh count;
- if the timer is already stopped, depressing this button will reset the timer
to zero, where it will hold until start is pressed.
The HOLD button allows you to hold the display for a longer viewing
duration, while still allowing the counter to continue in the background.
Releasing the button will then display the current count.
D-4000 / Feb 02 page 14 – 2

Console Clock
The Wheatstone digital clock is a six-digit time-of-day clock with LED
display. The clock is designed with CMOS circuits and an on-board crystal-
controlled time base oscillator. The clock PCB contains the clock circuits,
clock set controls and capacitor backup on one side and displays on the other
side. Clock set controls may be accessed by opening the meterbridge cover.
Controls
The clock is controlled by two switches mounted on the bottom part of the
clock PCB assembly.
In order to keep accurate time, the oscillator must run at 32.768 KHz. The
oscillator is set to this frequency at the factory.
Setting the Time

The setting controls consist of two switches: MODE and SET. To set the
clock, open the meterbridge cover:
1) The control switches (mounted on the bottom part of clock PCB assembly)
are labelled "MODE" and "SET". "MODE" is used to scroll from seconds to
minutes to hours; "SET" is used to set the time. The procedure is to set the
clock slightly ahead of the current time, hold the second count at "00" until
the current time catches up, and then release the count.
2) Press the MODE button until the hour digits blink. Depress the SET button
until the desired hour is displayed.
3) Press the MODE button until the minute digits blink. Depress the SET button
until the desired minute count is displayed.
4) Press the MODE button until the second digits blink. Depress and hold the
SET button; the seconds display will hold at "00". When the current time
catches up to the display, release the SET button. The clock will start
counting. Hit the MODE button once more to place the clock into working
mode.
Capacitor Backup
With the meterbridge open note the super capacitor at C20. This super
capacitor is self charging. Note that the super capacitor does NOT light up the
clock display; it powers the clock crystal to keep it from losing count (it will
do this for about one hour).
Operational Modes
The standard factory default clock configuration is crystal-controlled, 12
hour mode, stand-alone operation. However, the clock will operate either
from the internal crystal controlled time base or from an ESE master (TC-89,
autodetect) signal. Because crystal time bases are subject to drift over time,
Wheatstone recommends operating the clock in the ESE slave mode for those
applications where the exact time is critical. Connect an ESE master at
connector CT6 (Pin 1 - Signal, Pin 2 - Shield).
D-4000
D-4000 // Feb
Feb 02
06 page 14 – 3
The clock can also be synchronized to external 60Hz or 1Hz signals. To

synchronize to a 60Hz signal, connect the signal to CT3 pin 1, using CT3 pin
2 as the ground reference, and enable synchronization to 60Hz by turning SW7
position 3 on (SW7 position 2 should be off). To synchronize to a 1Hz signal,
connect the signal to CT4 pin 1, using CT4 pin 2 as the ground reference, and
enable synchronization to 1Hz by turning SW7 position 2 on (SW7 position
3 should be off).
Standard operation is 12 hour mode, but the clock can be switched to
24 hour mode by turning SW7 position 1 on.
For operation in areas with low ambient light, the display can be dimmed
by turning SW7 position 4 on.
D-4000
D-4000 // Feb
Jan 02
05 page 14 – 4
8 7 6 5 4 3 2 1
CLOCK
CLOCK: HOURS CLOCK: MINUTES CLOCK: SECONDS
DS1 DS2 DS3 DS4 DS5 DS6
D 8
3
COM2 a
6
7 CLK_DSPL_A
CLK_DSPL_B
8
3
COM2 a
6
7 CLK_DSPL_A
CLK_DSPL_B
8
3
COM2 a
7
6
CLK_DSPL_A
CLK_DSPL_B
D
COM1 a b COM1 a b COM1 a b
CLK_DSPL_DP 5 4 CLK_DSPL_C CLK_DSPL_DP 5 4 CLK_DSPL_C CLK_DSPL_DP 5 4 CLK_DSPL_C
dp dp d c dp dp d c dp dp d c
CLK_DSPL_G 10 2 CLK_DSPL_D CLK_DSPL_G 10 2 CLK_DSPL_D CLK_DSPL_G 10 2 CLK_DSPL_D
g c e f b d g c e f b d g c e f b d
CLK_DSPL_C 9 g 1 CLK_DSPL_E CLK_DSPL_C 9 g 1 CLK_DSPL_E CLK_DSPL_C 9 g 1 CLK_DSPL_E
f e f e f e
CLK_DSPL_B 1 9 CLK_DSPL_F CLK_DSPL_B 1 9 CLK_DSPL_F CLK_DSPL_B 1 9 CLK_DSPL_F
e g f e g f e g f
CLK_DSPL_A 2
b f 10 CLK_DSPL_G CLK_DSPL_A 2
b f 10 CLK_DSPL_G
d e c g d e c g d e c g
CLK_DSPL_F 4 d dp 5 CLK_DSPL_DP CLK_DSPL_F 4 d dp 5 CLK_DSPL_DP CLK_DSPL_F 4 d dp 5 CLK_DSPL_DP
c dp c dp c dp
CLK_DSPL_E 6 a 3 CLK_DSPL_E 6 a 3 CLK_DSPL_E 6 a 3
b COM1 b COM1 b COM1
CLK_DSPL_D 7 8 CLK_DSPL_D 7 8 CLK_DSPL_D 7 8
a COM2 a COM2 a COM2
TIMER
TIMER: MINUTES TIMER: SECONDS
DS8 DS9 DS10 DS11
8 7 CLK_DSPL_A 8 7 CLK_DSPL_A
COM2 a COM2 a
3 6 CLK_DSPL_B 3 6 CLK_DSPL_B
COM1 a b COM1 a b
C C
CLK_DSPL_DP 5 4 CLK_DSPL_C CLK_DSPL_DP 5 4 CLK_DSPL_C
dp dp d c dp dp d c
CLK_DSPL_G 10 2 CLK_DSPL_D CLK_DSPL_G 10 2 CLK_DSPL_D
g c e f b d g c e f b d
CLK_DSPL_C 9 g 1 CLK_DSPL_E CLK_DSPL_C 9 g 1 CLK_DSPL_E
f e f e
CLK_DSPL_B 1 9 CLK_DSPL_F CLK_DSPL_B 1 9 CLK_DSPL_F
e g f e g f
CLK_DSPL_A 2
b f 10 CLK_DSPL_G
d e c g d e c g
CLK_DSPL_F 4
d dp 5 CLK_DSPL_DP CLK_DSPL_F 4
d dp 5 CLK_DSPL_DP
c dp c dp
CLK_DSPL_E 6 a 3 CLK_DSPL_E 6 a 3
b COM1 b COM1
CLK_DSPL_D 7 8 CLK_DSPL_D 7 8
a COM2 a COM2
TO CLD-220 PCB (CLOCK/TIMER DISPLAY) LEFT

CT8
GND GND
1 2
VCC VCC
3 4
VCC VCC VCC VCC AUTO_SW AUTO_SW
5 6
TO CONSOLE
R34 R23 R25 R29 7 8
SW1 SW6 CT2
4.99K 4.99K 4.99K 4.99K
2 1 AUTO_SW 2 1 R24 220 R26 220 9 10
VCC GND 1 2
R28 220 TMR_HOLD 11 12
R81 220 3 4 R32 220 3 4 3 4
VCC VCC HOLD_SW HOLD_SW
R30 220 13 14
B B
R75 R82 5 6
PIN15A PIN15A
AUTO 4.99K 88.7K MODE 7 8
R27 15 16
4.99K VCC VCC
+DIGin 17 18
GND GND VCC 9 10
GND GND
GND 19 20
VCC
R33
FROM CONSOLE
SW2 SW5
4.99K
GND
2 1 R68
GND
2 1 TO CLD-220 PCB (CLOCK/TIMER DISPLAY) RIGHT
4.99K
GND CT1
R74 220 3 4 R31 220 3 4
VCC VCC GND GND
1 2
VCC VCC
START/STOP SET 3 4
VCC
XDATA R42 51 R41 51
5 6
DS13 XDATA_CLK R46 51 R43 51
332 R87 7 8
VCC
+3.3V +3.3V +3.3V +3.3V XCLK_SYNC R49 51 R47 51
SW3 9 10
2 1 R61 XTMR_SYNC R52 51 R50 51
GND R53 R51 R48 R44 11 12
4.99K VCC
SW7 10.0K 10.0K 10.0K 10.0K VCC VCC
R67 220 3 4 1 DS7 13 14
VCC PIN15A 220 R88
2 GND GND
15 16
RESET
3
VCC VCC
4 17 18
GND GND
19 20
GND
+REG
SW4 VCC Q9
F1
1 2 HOLD_SW 3 1 +REG +DIGin
VCC OUT IN
A CLK-55 A
R78
4
P4 VC
2
POLYSW CONTRACT NO.
RVBAT
R79 220 4 3 GND 1.0A
GND 4.99K VCC C6 C7 C5 C4 D1
VCC VCC VCC VCC VCC VCC SBD D4 PQ05D 5 1N4002W - Sergey Averin -
R86 220 1500uF 0.1uF 330uF 0.1uF
HOLD GND
C32 C3 C28 C35 C2 C18 C20
APPROVALS DATE
0.1uF 0.1uF 0.1uF 0.1uF 0.1uF 0.1uF 2.2F DRAWN SA 10-22-04
GND 600 Industrial Drive
GND GND GND GND GND GND GND CHECKED SA New Bern, NC 28562
ISSUED SIZE FSCM NO. DWG. NO. REV
SA
D 16S00xx A
W# 700815 SCALE CLK-55A PCB SHEET 1 OF 2
8 7 6 5 4 3 2 1
D-4000/Feb 2006
CLK-55 Clock/Timer Schematic Sheet 1 of 2 page 14 - 5
8 7 6 5 4 3 2 1
+3.3V VCC +3.3V

VCC VCC VCC VCC
R85 R64 R36
U1
____ R14 R16 R19 R22 1.00K 10.0K 1.00K
CCLK 75 52 INIT VCC
CCLK
_________ INIT,I/O 332 332 332 332
51 U5
PROGRAM Q8 J2
74 SCLK 1 _____ ____ 8
BUSY,DOUT,I/O FDN340P GND PBRST WDS
GND 25 CLK_DSPL_A ___ 5
D D
M0 NMI
GND 23 49 DONE VCC PROMDATA 6 __
M1 DONE ST J1
+3.3V R38 4.99K 27 +2.5V 4 ____ 7
M2 Q7 IN RST
77 R55 5.1 TDO 4148 D2
___ TDO FDN340P R63
SDO 80 NOT INSTALLED CLK_DSPL_B DS1706
CS,I/O
______ 4.99K
32KHZ_OUT 81 7 VCC
WRITE,I/O PAD134
GND Z1 5.1V 8
PAD149,Vref7 Q6 GND
FPGA_TDI 79 9
TDI PAD152 FDN340P
TMS 2 10 XTMR_SYNC CLK_DSPL_C
TMS PAD161,IRDY
TCK 99 13 VCC
TCK PAD164,TRDY U3
15 XCLK_SYNC
PAD173 Q5 20 19
60_HZ_in 3.83K R59 R58 1.00K 39 16 +3.3V VCCJ VCCO +3.3V
GCK0,I PAD176,Vref6 FDN340P
FSIN 36 17 XDATA_CLK CLK_DSPL_D
GCK1,I PAD191 TMS 5 17
1_HZ_in 1.00K R66 88 18 TMS TDO
GCK2,I PAD194 R13 R15 R18 R21 TDI 4
ESE_IN 91 19 XDATA TDI
GCK3,I PAD197 1.00K 1.00K 1.00K 1.00K TCK 6 1 PROMDATA
20 TCK D0
PAD203,Vref6
PROMDATA 73 21 ___
D0,DIN,I/O PAD212 GND GND GND GND CCLK 3 7
HOLD_SW 70 22 CLK CF
D1,I/O PAD215
69 30 ____
D2,I/O PAD233,Vref5 INIT 8
FSOUT 66 31 OE/RST ____
___
D3,I/O PAD239 DONE 10 13
51 R3 60 32 CE CEO
D4,I/O PAD242
57 34 R56 5.1 FPGA_TDI
D5,I/O PAD260,Vref5 XCF01
56 40 TMR_HOLD NOT INSTALLED
D6,I/O PAD280
FSOSC 53 41 +3.3V U2
D7,I/O PAD289,Vref4
43
VCC VCC VCC VCC
TMS 5 31 R57 5.1 TDO
PAD307 TMS TDO
1HZ_OUT 82 44 R20 51 TDI 3
PAD12,Vref1 PAD310 TDI
83 45 TCK 7 40 PROMDATA
PAD18 PAD316,Vref4 R5 R8 R10 R12 TCK D0
84 46 R17 51 VCC 29
PAD21 PAD325 332 332 332 332 D1
C C
86 47 CCLK 43 42
PAD39,Vref1 PAD328 Q4 CLK D2
33 R62 87 54 27
PAD48 PAD347,Vref3 FDN340P R37 D3
93 55 CLK_DSPL_E 10 9
PAD68,Vref0 PAD353 1.00K CF ____ D4
33 R65 95 58 R6 51 VCC INIT 13 25
PAD86 PAD362 OE/RST
___ D5
96 59 DONE 15 14
PAD89 PAD374,Vref3 Q3 CE
____ D6
33 R70 97 62 R2 51 21 19
PAD95,Vref0 PAD386,TRDY FDN340P CEO D7
1_HZ_out 1.00K R71 98 65 R1 51 CLK_DSPL_F
PAD104 PAD389,IRDY
3 67 VCC XC18V01
PAD113 PAD401,Vref2
4 68 R77 33
PAD122,Vref7 PAD413 Q2
AUTO_SW 5 71 CE
PAD128 PAD422 FDN340P
6 72 SDI CLK_DSPL_G
PAD131 PAD428,Vref2
VCC DS12
R35 220 DONE
XC2S30 +3.3V
Q1
FDN340P
CLK_DSPL_DP
CT7 R4 R7 R9 R11 GND VCC VCC

+3.3V 1.00K 1.00K 1.00K 1.00K
1 20 17
4.99K U4
GND
2 GND GND GND GND R84 VCC VCCIF
____
7 9 1HZ_OUT
TCK INT0 1HZ
3 8 X1
INT1
TDO CE 12 32.768kHz
4 CE XTAL
SCLK 14 3
TDI SCLK X1
5 CT4 SDI 15 5 X2
SDI X2
TMS 1_HZ_in Y2
1 HZ IN
6 +2.5V +2.5V +2.5V 1 1 Hz in
SDO 16 18 32KHZ_OUT
GND SDO 32KHZ
2 DIG.COM
C24 C8 C25
C29 R69 RVBAT 1 2 VBAT
B B
0.1uF 0.1uF 0.1uF VCC2 VBAT
0.01uF 10.0K
GND SERMODE
FSOUT R40 10.0K R39 10.0K FSOSC E1 E2
J6
J3
GND GND GND 10 DS1306 11
GND GND 3V 3V
R83 4.99K
C14 C13 VCC
GND
33pF 33pF
GND GND GND GND
CT3
60 HZ IN
GND GND 60_HZ_in
+2.5V +2.5V +2.5V +2.5V +2.5V 1 60 Hz in
GND
C22 C11 C16 C21 C42
2 DIG.COM
C27 R60 Y1
0.1uF 0.1uF 0.1uF 0.1uF 150uF
0.01uF 10.0K 1 14
C40 0.01uF D3 BAT54 1 14
FSOUT FSIN 2 13 VCC
GND GND GND GND GND 2 13
GND GND 3 12 1.0M R45 X1
3 12
D3 C31 R80 GND 4 11 C19 220pF
BAT54 4 11
0.01uF 10.0K VBAT J5 5 10 R54
5 10
CT5 RVBAT J4 6 9 40.2K
6 9
1 HZ OUT
1_HZ_out 7 8 X2
GND GND GND +3.3V +3.3V +3.3V +3.3V +3.3V 1 1 Hz out 7 8
GND
C10 C34 C26 C33 C41
2 DIG.COM 14 PIN DIP
0.1uF 0.1uF 0.1uF 0.1uF 150uF
SOCKET FOR
32.768 KHZ
OSCILATOR.
GND GND GND GND GND
VCC
R76
+REG +REG
4.99K
ESE_IN Q11 +3.3V Q12 +2.5V
+3.3V +3.3V +3.3V +3.3V +3.3V VCC
A CLK-55 A
220pF
CT6 3
IN OUT
2 3
IN OUT
2 CONTRACT NO.
Q10 R72 88.7K GND GND
C30 1 ESE INPUT C9 C17 C15 C12 C23 C1 C36 C37 C38 C39
MMBTA05 1 LT1117 1 LT1117 - Sergey Averin -
R73 0.1uF 0.1uF 0.1uF 0.1uF 0.1uF 150uF 0.1uF 0.1uF 0.1uF 0.1uF
2
SHIELD 3.3V 2.5V
GND
GND 40.2K APPROVALS DATE
GND GND GND GND GND GND GND
GND GND GND DRAWN SA 10-22-04
GND 600 Industrial Drive
CHECKED SA New Bern, NC 28562
SA
D 16S00xx A
W# 700815 SCALE CLK-55A PCB SHEET 2 OF 2
8 7 6 5 4 3 2 1
D-4000/Feb 2006
CLK-55 Clock/Timer Schematic Sheet 2 of 2 page 14 - 6
Top
Bottom
Clock/Timer Load Sheet (CLK-55)

D-4000
D-4000 // Feb
Feb 02
06 5
page 14 – 7
SCHEMATIC DRAWINGS
I/O Schematic Drawings

Chapter Contents
Mono Mic Input Module Schematic (MMD-4) ......................................................... 15-2

Stereo Line Input Module Schematic (SLD-4) ........................................................ 15-5
Digital Stereo Line Input Card Schematic (SRC-500) ............................................ 15-7
Analog Stereo Line Input Card Schematic (SLADC-600) ...................................... 15-8
Output Module Schematic (OMD-4) ....................................................................... 15-9
Control Room Module Schematic (CRD-4) ........................................................... 15-11
Studio Control Module Schematic (SCD-4) ........................................................... 15-15
Superphone Module Schematic (SPD-4) ............................................................... 15-18
Superphone Analog Card Schematic (SPNA-600) ................................................ 15-20
Digital/Audio Line Select Rackmount Schematic (LSR-500) ................................ 15-21
Analog Line Select Schematic (LSA-4) .................................................................. 15-24
Tape Remote Module Schematic (TRD-4) ............................................................. 15-25
D-4000 / Feb 02 page 15 – 1

D-4000/fFeb 02 page 15 - 2
D-4000/Feb 02 page 15 - 3
D-4000/Feb 02 page 15 - 4
D-4000/Feb 02 page 15 - 5
page 15 - 6
D-4000/Feb 02
D-4000/Feb 02 page 15 - 7
page 15 - 8
8 7 6 5 4 3 2 1
D D
C C
B B
A OMD-500 A
CONTRACT NO.
APPROVALS DATE
DRAWN SA 6-19-00
SA
D 14S0029 H
W# 700226 SCALE OMD-500H PCB SHEET 2 OF 4
8 7 6 5 4 3 2 1
D-4000/Feb 02
page 15 - 9
A B C D A B C D
OMD-500 #3 SEND 1-2

4 4 4 4
I/O PORTS
(Upper DB-25)
ANALOG
AUDIO COMMON
"SEND1" LT OUT SH
"SEND1" LT OUT LO
"SEND1" LT OUT HI
"SEND1" RT OUT SH
"SEND1" RT OUT LO
"SEND1" RT OUT HI
"SEND2" LT OUT SH
"SEND2" LT OUT LO
"SEND2" LT OUT HI
"SEND2" RT OUT SH
"SEND2" RT OUT LO
"SEND2" RT OUT HI
"SEND1" LT INSERT OUT SH
3 3 3 "SEND1" LT INSERT OUT HI
"SEND1" LT INSERT OUT LO 3
"SEND1" RT INSERT OUT SH
"SEND1" RT INSERT OUT LO
"SEND1" RT INSERT OUT HI
"SEND1" LT INSERT IN SH
"SEND1" LT INSERT IN LO
"SEND1" LT INSERT IN HI
"SEND1" RT INSERT IN SH
"SEND1" RT INSERT IN LO
"SEND1" RT INSERT IN HI
N/C
N/C
N/C
N/C
N/C
N/C
N/C
N/C
N/C
N/C
2 2 2 "SEND2_2" AES/SP DIF OUT LO
"SEND2_2" AES/SP DIF OUT SH 2
"SEND2_2" AES/SP DIF OUT HI
"SEND1_3" AES/SP DIF OUT SH
"SEND1_3" AES/SP DIF OUT LO
N/C
N/C
N/C
I/O PORTS
(Lower DB-25)
DIGITAL
1 CONTRACT NO.
OMD-500 1 1 CONTRACT NO.
OMD-500 1
APPROVALS DATE APPROVALS DATE
DRAWN SA 6-19-00 DRAWN SA 6-19-00
600 Industrial Drive 600 Industrial Drive
CHECKED CHECKED
SA New Bern, NC 28562 SA New Bern, NC 28562
ISSUED SIZE FSCM NO. DWG. NO. REV ISSUED SIZE FSCM NO. DWG. NO. REV
SA
C 14S0030 H
SA
C 14S0056 -
W# 700226 SCALE OMD-500H PCB SHEET 4 OF 4 W# 700226 SCALE OMD-500 PCB SHEET 2 OF 2
A B C D A B C D
OMD-500 Output Module #3 Pinout
D-4000/Feb 02 page 15 - 10 D-500/Jun 2000 Page
D-4000/Feb 02 page 15 - 11
D-4000/Feb 02 page 15 - 12
page 15 - 13
D-4000/Feb 02
D-4000/Feb 02 page 15 - 14
page 15 - 15
D-4000/Feb 02
page 15 - 16
D-4000/Feb 02
D-4000/Feb 02 page 15 - 17
8 7 6 5 4 3 2 1
D D
C C
B B
A SPND-500 A
CONTRACT NO.
APPROVALS DATE
DRAWN SA 6-20-00
SA
D 14S0060 E
W# 700222 SCALE SPND-500E PCB SHEET 2 OF 4
8 7 6 5 4 3 2 1
D-4000/Feb 02
page 15 - 18
4 3 2 1
D D
C C
B B
A CONTRACT NO.
SPND-500 A
APPROVALS DATE
DRAWN SA 6-20-00 600 Industrial Drive
CHECKED SA
New Bern, NC 28562
SIZE FSCM NO. DWG. NO. REV
ISSUED SA C 14S0062 E
W# 700222 SCALE SPND-500E PCB SHEET 3 OF 3
4 3 2 1
D-4000/Feb 02 page 15 - 19
page 15 - 20
D-4000/Feb 02
page 15 - 21
D-4000/Feb 02
page 15 - 22
D-4000/Feb 02
page 15 - 23
D-4000/Feb 2002
page 15 - 24
D-4000/Feb 02
D-4000/Feb 02 page 15 - 25
APPENDIX
Appendix
Contents
Replacement Parts List ............................................................... A-2
For the most part there are no user-replaceable parts in the

D-4000 console. Exceptions are those controls and components that in
the course of normal use may need maintenance (i.e., faders, pots, ON/
OFF switches, indicator lamps, etc.). A complete list of available
components is shown on the next page. Contact Wheatstone technical
support for further information.
Wheatstone Corporation (600 Industrial Drive, New Bern, North Carolina,
USA 28562) may be reached by phone at 252-638-7000, fax 252-637-1285,
electronic mail “techsupport@wheatstone.com”.
D-4000/Feb 02 page Appendix – 1

APPENDIX
REPLACEMENT PARTS — D-4000 AUDIO CONSOLE

COMPONENT DESCRIPTION WS P/N
SLD-4 ADC MODULE COMPLETE ANALOG STEREO LINE INPUT MODULE "003601"
SLD-4 SRC MODULE COMPLETE DIGITAL STEREO INPUT MODULE WITH SAMPLE RATE CONVERTER "003600"
SLADC-600 CARD A-TO-D CONVERTER DAUGHTER BOARD FOR ANALOG STEREO LINE INPUTS "001756"
SRC-500 CARD SAMPLE RATE CONVERTER CARD FOR DIGITAL INPUTS "001543"
MMD-4 MODULE COMPLETE MONO MIC INPUT MODULE "003604"
OMD-4/1 MODULE COMPLETE PROGRAM/ AUX OUTPUT MODULE "003605"
OMD-4/2 MODULE COMPLETE AUDITION/ UTILITY OUTPUT MODULE "003606"
MOD-4 MODULE COMPLETE METER OUTPUT DRIVER MODULE "003607"
CRD-4 MODULE COMPLETE CONTROL ROOM MONITOR MODULE "003608"
LSD-4 MODULE COMPLETE LINE SELECT CONTROL MODULE (CONTROLS LSR-500) "003609"
LSR-500 RACKMOUNT UNIT COMPLETE RACKMOUNT LINE SELECTOR UNIT (CONTROLLED BY LSD-4) "001510"
LSA-4 MODULE COMPLETE ANALOG LINE SELECT MODULE "003610"
SCD-4 #1/2 MODULE COMPLETE STUDIO MONITOR MODULE "003611"
SCD-4 #3/4 MODULE COMPLETE STUDIO MONITOR MODULE "003619"
CPU-4 MODULE COMPLETE CONSOLE CENTRAL PROCESSOR MODULE "003612"
SPD-4 #1/2 MODULE COMPLETE PHONE MODULE "003613"
SPD-4 #3/4 MODULE COMPLETE PHONE MODULE "003618"
DSP-4 MODULE COMPLETE CONSOLE DIGITAL PROCESSOR MODULE "003714"
XY-4 MODULE COMPLETE CONSOLE ROUTER CONTROLLER MODULE "003715"
TRD-4 FF MODULE COMPLETE FULL-FUNCTION TAPE REMOTE CONTROL MODULE "003615"
TRD-4 SS MODULE COMPLETE START/STOP TAPE REMOTE CONTROL MODULE "003617"
MCLK-700 CARD MASTER CLOCK DRIVER/BUFFER CARD "001768"
SCLK-700 CARD SLAVE CLOCK BUFFER CARD "001769"
MANUAL OWNER'S MANUAL "003699"
CLK/TMR-5000 CARD CLOCK AND EVENT TIMER CARD "001836"
PSR POWER SUPPLY RACK UNIT RACK CAGE FOR SPS POWER SUPPLIES "007232"
SPS-180 POWER SUPPLY POWER SUPPLY UNIT FOR USE IN PSR RACK "007231"
SPS-180R POWER SUPPLY CONSOLE POWER SUPPLY "007310"
CABLE CONSOLE POWER SUPPLY CABLE "007281"
WIRED REPLACEMENT FADER WIRED FADER FOR SLD-4 & MMD-4 MODULES "051510"
WIRED REPLACEMENT FADER WIRED FADER FOR SPD-4 MODULES "051511"
REPLACEMENT SWITCH ASSEMBLY "ON/OFF" SWITCH ASSEMBLY "051512"
WIRED REPLACEMENT POT WIRED POT FOR CONTROL ROOM AND HEADPHONE MONITOR "051513"
I/O CONNECTOR DB-25 CONNECTOR FOR MODULE I/O CONNECTIONS "200022"
HOOD CONNECTOR HOOD FOR MODULE I/O DB-25 CONNECTORS "200025"
REPLACEMENT SWITCH "ON/OFF" SWITCH "510109"
REPLACEMENT RED BUTTON MODULE "ON" BUTTON "530097"
REPLACEMENT YELLOW BUTTON MODULE "OFF" BUTTON "530098"
RED LED LAMP REPLACEMENT MODULE "ON" LED LAMP "600027"
YELLOW LED LAMP REPLACEMENT MODULE "OFF" LED LAMP "600031"
REPLACEMENT VU METER LAMP VU METER LAMP "620008"
REPLACEMENT METER CONSOLE VU METER "630003"
REPLACEMENT CUE SPEAKER REPLACEMENT CUE SPEAKER "960000"
D-4000/Feb
D-4000 / Jun02
04 page Appendix – 2

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D-4000 Digital Audio Console

600 Industrial Drive, New Bern, North Carolina, USA 28562

©2002 Wheatstone Corporation

This is Class A product. In a domestic environment,

This equipment must be installed and wired properly in order to assure

Caution! Any modifications not expressly approved in writing by

D-4000 / Oct 2003

Module Removal Tools

Your Wheatstone D-4000 audio console is equipped with two

To remove a module faceplate from the mainframe:

D-4000 Technical Manual

System Ground .......................................................................... 1-2

Audio and Control Wiring .......................................................... 1-7

Chapter 2 - Mono Mic Inputs

Hook-ups ..................................................................................... 2-5

DB Connector Pinout Drawing .................................................. 2-8

Chapter 3 - Stereo Line Inputs

DB Connector Pinout Drawings

Chapter 4 - Output Modules

DB Connector Pinout Drawings

Chapter 5 - Control Room Module

D-4000 / Feb 02 page Contents – 2

DB Connector Pinout Drawing ..................................................... 5-6

Chapter 6 - Studio Control Module

DB Connector Pinout Drawing ..................................................... 6-6

Chapter 7 - Meter Output Module

Chapter 8 - CPU and DSP Modules

Chapter 9 - Superphone Input Module

Internal Programming Options - Main PCB ................................ 9-4

D-4000 / Feb 02 page Contents – 3

Internal Programming Options - Piggyback PCB ...................... 9-5

DB Connector Pinout Drawing ..................................................... 9-8

Chapter 10 - Line Preselector Module

DB Connector Pinout Drawing (LSD-4) ...................................... 10-6

Chapter 11 - Line Preselector Module-Analog

DB Connector Pinout Drawing (LSA-4) ...................................... 11-5

Chapter 12 - Tape Remote Module

Chapter 13 - Router Controller Module

Setting an XY Controller Termination .................................................................. 13-3

DB Connector Pinout Drawing .................................................... 13-6

Chapter 14 - Meterbridge and Clock

Chapter 15 - I/O Schematic Drawings

Mono Mic Input Module Schematic (MMD-4) ......................................................... 15-2

Appendix - Replacement Parts List

Installation and Power

System Ground .......................................................................... 1-2

Audio and Control Wiring .......................................................... 1-7

Installation and Power

D-4000 / Feb 02 page 1 – 2

Tie the console ground lug

CONTROL ROOM POWER AMP

electrical ground be made in the completed installation. Use one of the

D-4000 / Feb 02 page 1 – 3

TIE THE CONSOLE GROUND LUG TERMINAL STRIP TO THE

Further Grounding Details

Once the system is properly grounded, proceed with the console

VIO 1 Phantom E VIO

Failsafe Dual Redundant Supply

Audio and Control Wiring

The Insulation Displacement Connector System