The Struggle Against Mourning
The Struggle Against Mourning
The Struggle Against Mourning
against Mourning
The Struggle
against Mourning
ILANY KOGAN
Jason Aronson
Lanham • Boulder • New York • Toronto • Plymouth, UK
To
Noam and Tal
Once beloved children, now themselves beloved parents
Estover Road
Plymouth PL6 7PY
United Kingdom
Acknowledgments vii
Introduction 1
2 Forever Young 23
Introduction 71
Introduction 159
v
vi CONTENTS
Epilogue 211
References 219
Index 251
About the Author 263
Acknowledgments
This book has grown out of my own struggle against mourning, on the
professional as well as on the personal level. It illustrates the pathway
from absence of mourning to an emotional awareness of pain and loss,
includ-ing the therapeutic dilemmas involved in such a journey.
The book is the result of many invitations to lecture on this topic, for
which I am grateful to my friends and colleagues abroad. I wish to thank
my friends from the United States: Salman Akhtar, Ira Brenner, Dori
Laub, Henri Parens, Warren Poland, and Vamik Volkan for their encour-
agement and appreciation. To my German colleagues—Marianne Leu-
zinger-Bohleber, Werner Bohleber, Peter Brundl, Manfred Endres, Peter
Riedesser, and Hediaty Utari-Witt—I am grateful for the creative oppor-
tunities they sent in my direction.
I am also deeply thankful to my friends and colleagues on the Israeli
scene—Alice Buras, Anna Gertler, Dahlia Lapidot, Cila Smolarsky, and
Gisele Vered—who have been a source of knowledge and support, espe-
cially in difficult moments in therapy.
At Rowman & Littlefield, I want to thank Art Pomponio who, from
the very beginning, gave me the support and appreciation needed for
com-pleting this project. I am also grateful to Mary Catharine La Mar
and Karen Ackermann for their industriousness and involvement with
this book.
I wish to express my appreciation for the outstanding skill and
devotion of Ms. Chava Cassel, my English editor, whose help was
invaluable to me all along the way.
To my family members, husband, and children, who gave me the
strength to realize this book, I am greatly indebted.
vii
viii ACKNOWLEDGMENTS
Chapter 9. Presented at the EPF New Style Conference, Sorrento, 2003. This
article was originally published in the Journal of American Psychoana-lytic
Association 52 (2004): 735–59. Copyright 2004 by the American
Psychoanalytic Association. All rights reserved. Reprinted by permission.
Chapter 10. Presented at the IPA Congress, New Orleans, March 2004, in
the panel on ‘‘Working with psychotic and non-psychotic patients in situ-
ations of terror and military dictatorships.’’ Reported (shorter version) in
x ACKNOWLEDGMENTS
1
2 INTRODUCTION
which may or may not result in the patients’ letting go of their defenses when
faced with the pain and mourning inherent in trauma? The utiliza-tion of
various defenses and the resulting unresolved mourning reflect the magnitude
of the anxiety and pain that is found on the road to mourning. The ability to
mourn and the capacity to bear some helplessness while still finding life
meaningful are the objectives of the analytic work in this book.
The clinical chapters in the book illustrate the journey to pain and
mourning, and ultimately to a more intact self.
A brief description of the clinical chapters of the book follows. Chapter 2
—Forever Young. This chapter describes the patient’s journey
from manic defense to mourning, as viewed from the perspective of the
termination phase of analysis. The termination phase confronts both pa-
tient and analyst with the limits of omnipotent ideas about life, as well as
about psychoanalysis. This theme is illustrated by a case study of a forty-
year-old woman striving for everlasting youth and immortality through
compulsive attempts to bring a third child into the world. The birth of her
child was an omnipotent enactment that served to deny and replace inter-
nal as well as external reality. The discussion highlights the impact of the
fear of growth and aging on both partners of the analytic couple, and de-
scribes the analyst’s temptation to collude with the patient in avoiding
the depressive anxiety aroused by aging and death.
Chapter 3—Lust for Love. This chapter examines the case of a patient
who attempts to deal with her inner emotional deadness and self-destructive
fantasies by means of various forms of eroticism—such as homosexual love
affairs and working in a sex therapy clinic—for infusing herself with a sense
of life. In analysis, this took the form of demanding to touch and be touched
by the analyst, which threatened the continuation of analysis. The chapter
illustrates the analyst’s predicament in dealing with a patient who threatens
to act out violently and dangerously if the analyst does not acquiesce to her
demands in some way. It also shows how a verbal interac-tion with the
analyst, which was experienced by the patient as a physical touch, enabled
the continuation of the analytic work and the working through of the
patient’s manic defenses.
Chapter 4—Romania and Its Unresolved Mourning. The problem of
un-resolved mourning is illustrated in this chapter. The working through
of the traumatic elements of migration with a patient of the same national
origin as the therapist is interwoven with the therapist’s own unfinished
6 INTRODUCTION
mourning for her country of origin. The chapter illustrates how Romanian
society is trapped, to this very day, in its unresolved mourning.
Chapter 5—From Enactment to Mental Representation. The chapter
deals with the impact of the traumatic past of Holocaust survivor parents
on their offspring. These damaged parents, who suffered from a state of
unresolved mourning, often transmitted feelings of aggression and pain to
their offspring, who carried these feelings for them; this affected an entire
generation and had an impact on society as a whole. The chapter explores
an attempt of Holocaust survivors’ offspring to avoid the mourning trans-
mitted to them by their parents by means of a mechanism called
enactment. The chapter uses case material to illustrate the process of
transforming enactment into mental representations, which then allowed
the work of mourning to begin.
Chapter 6—Trauma, Resilience, and Creative Activity. The link
between trauma, resilience, and creative activity is explored in the
analysis of a Ho-locaust survivor’s offspring. In this case, resilience is
defined as the off-spring’s ability to acknowledge and work through the
pain, guilt, and mourning deposited in her by her mother. Creative
activity is one of the pivotal factors in resilience to trauma and hardship.
It serves as a tool to facilitate acknowledgment and working through of
the painful feelings transmitted by the offspring’s traumatized parent.
Chapter 7—On Being a Dead, Beloved Child. The chapter presents a
long, detailed analysis of a patient who was a replacement child for par-
ents, each of whom had lost a child during the Holocaust. At the core of
this analysis is the bereaved mother’s omnipotent fantasy of resurrecting
her dead, beloved child by means of the living child, the way this fantasy
shaped the mother-child relationship, and the impact it had upon the
character structure of the child. In addition, the discussion of the case
study highlights the countertransference difficulties of the therapist, who
belongs to the same traumatized large group as the patient.
Chapter 8—Who Am I? Trauma and Identity. This chapter presents a
psychoanalytic review of the movie Europa, Europa. It deals with a young
adolescent who, during the Holocaust, flees from one country to another and
from one culture to another in order to save his life. He spends several years
in an elite Nazi school for Hitler Youth, where he passes as an Aryan. The
chapter reveals the survival value of the absence of mourning in life-
threatening situations and the emotional price paid for survival.
INTRODUCTION 7
Chapters 9 and 10. These two chapters involve cases in which manic
defenses are reinforced as a result of the encounter with external
traumatic reality, and in which analysis becomes difficult under the
shadow of terror. Both chapters describe how the perception of external
threatening reality activates the Holocaust trauma in the unconscious of
individuals who have been directly or indirectly affected by the
Holocaust, thus having an impact on a major portion of Israeli society.
Chapter 9—The Role of the Analyst in the Analytic Cure during Times of
Chronic Crises. This chapter deals with the problem of the analyst’s role
during times of chronic crises and the impact of a shared life-threatening
situation on the defenses of both members of the analytic couple.
Chapter 10—Working with Sons and Daughters of Holocaust
Survivors in the Shadow of Terror. The focus of this chapter is the impact
of external traumatic stimuli on the perception of reality and on the
defenses of Holo-caust survivors’ offspring.
1
Revisiting Defenses
against Pain and Mourning
9
10 CHAPTER 1
PSYCHIC PAIN
The early literature dealing with psychic pain is meager. Freud (1926) in-
troduced the concept into the psychoanalytic literature under the rubric of
Seelenschmerz (pain of the soul). His reference was to a child crying for
his mother, and he viewed it as analogous to bodily injury and loss of
body parts.
Freud regarded psychic pain as a phenomenon parallel to physical
pain. In ‘‘Project for scientific psychology,’’ he suggested that this kind
of pain resulted from a marked increase in the quantity of stimuli
impinging upon the mind, thus causing ‘‘a breach in the continuity’’
(1950, p. 307) of the protective shield. In ‘‘Mourning and melancholia,’’
Freud related pain to object-loss and compared melancholia to ‘‘an open
wound’’ (1917, p. 253). Later on, in ‘‘Inhibitions, symptoms and
anxiety’’ (1926, pp. 169– 72), Freud linked his economic explanations to
his object-related hypothe-sis regarding the origins of mental pain. He
suggested that the libidinal energy (cathexis) invested in the longing that
is concentrated upon the lost object, and which causes anxiety, is similar
to the libidinal energy in-vested in the injured part of the body, which
leads to pain. The prolonged nature of the above psychic process, and the
impossibility of halting it, produces a state of mental helplessness which
is similar to the helplessness induced by overwhelming pain, thus, the
painful character of object-loss (Freud 1926, addendum C).
REVISITING DEFENSES AGAINST PAIN AND MOURNING 11
Manic Defense
Manic defense is the common thread that binds the various chapters of
the book. I will present a brief review of this concept.
Freud (1917) described manic defense as a retreat from depression,
but it was Klein (1935) who detailed the underpinnings of this defense,
and Winnicott (1935) who broadened the understanding of it. A large
part of the psychiatric and psychoanalytic community evinced little
interest in this concept, and although there are many references to it in
contempo-rary literature, only a few authors (Ogden 1986; Burch 1989;
Grinberg 1992; Akhtar 2001) have explored it comprehensively.
Freud (1917) pointed out that the most singular peculiarity of melan-
cholia is its tendency to turn into mania. In such a case the ego apparently
supposes that it has dominated the object-loss and is free from the suffer-
ing it has had to bear. It then tries to exert omnipotent fantasies in order
to both control and dominate objects that have become dangerous and
persecutory and also to try to save and repair the objects that it feels it
has damaged.
Klein (1935) defined manic defense as a set of mental mechanisms
aimed at protecting the ego from depressive as well as paranoid anxieties.
She delineated many forms of manic defense and often used the term in
the plural. She described manic defense essentially as the individual’s at-
tempt to evade the exquisite pain of guilt in the early depressive position.
The defense is really a collection of defenses involving a denial of
psychic reality and therefore of the importance of the objects that are
loved and taken in, a denigrating contempt for the objects that are loved
so that their loss will not be experienced as important, and a triumphant
and omnipo-tent form of putting everything right. Thus, the ego
‘‘endeavors ceaselessly to master and control all its objects’’ (1935, p.
277), escaping dependency and potential loss.
In Klein’s view, the constituents of manic defense are omnipotence,
de-nial, and idealization.
Omnipotence is the main characteristic of mania. It is utilized to control
REVISITING DEFENSES AGAINST PAIN AND MOURNING 13
and master objects, so that a sense of separateness and envy are avoided.
Omnipotent defenses may create confusion between self and object, and
this confusion is expressed through omnipotent narcissistic object-
relations (Rosenfeld 1987) leading to an enduring state of narcissism
(Segal 1983). The illusion of omnipotence, which makes the manic de-
fense effective, derives from omnipotent fantasies that are an essential as-
pect of the infant’s inner world. The destruction of the object in fantasy
provides the infant with a mechanism for handling negative experiences
and tolerating aggressive impulses. Klein pointed out that by means of
the manic defense the subject may destroy his internal objects, but
because he is omnipotent, he can immediately resuscitate them (a
mechanism called ‘‘suspended animation’’). The child’s feelings of
omnipotence also make marginal reparation possible in fantasy after
aggressiveness has run its course. Klein regards the disparagement of the
objects’ importance and the contempt for them as a specific characteristic
of manic defense. As a result, the ego effects a partial detachment from
the objects while at the same time a longing for them.
Denial refers specifically to the denial of psychic reality. It serves to
mit-igate the individual’s awareness of his dependence upon others and
also his dread of what may be a persecutory experience as a consequence
of this dependence. (I will explore this defense more in depth later in this
chapter).
Idealization is a mechanism that helps avoid the pain inherent in am-
bivalence by a paranoid retreat into separating the good feelings from the
bad. This is achieved by splitting the good from the bad aspects of the
object to create an ideal object and a persecutory one. Idealization tena-
ciously retains a view of a world and oneself that is ‘‘all good.’’ This, in
turn, defends against the individual’s guilty recognition of having injured
others, whether in fact or in fantasy.
The previous three mechanisms are interrelated. According to Rosen-
feld, ‘‘It is typical to find an idealization of the good object so that it can
be kept as far away as possible from the persecuting bad object, and thus
avoid confusion with it. This defensive process is combined with the
mechanism of denial that in its turn is backed up by omnipotence: it is
omnipotent denial that can completely deny the existence of bad objects.
In the unconscious this process is equivalent to the annihilation of the
whole disturbing object-relationship, so that it is clear that it involves the
14 CHAPTER 1
denial not only of the bad object, but of an important part of the ego,
which is in a relationship with the object’’ (1983, p. 262).
Winnicott broadened the understanding of manic defense, emphasiz-ing
that it is intended to ‘‘deny the depressive anxiety that is inherent in
emotional development, anxiety that belongs to the capacity of the indi-
vidual to feel guilt, and also to acknowledge responsibility for instinctual
experiences, and for the aggression in the fantasy that goes with individual
experiences’’ (1935, pp. 143–44). Winnicott’s important contribution was
that he ascribed to manic defense the individual’s inability to give full sig-
nificance to inner reality. It is an attempt to fly away from internal reality,
especially if this reality includes depressive anxiety or mourning. In a situ-
ation where manic defense is used, mourning cannot be experienced.
Winnicott outlined four components of manic defenses: denial of inner
reality; flight from inner reality to external reality; suspended animation;
and denial of sensations of depression through the reversal of depressive
feelings.
Denial of inner reality involves a repudiation of internalized bad
objects, which by becoming generalized can include the rejection of good
inner objects. ‘‘Many who live normal and valuable lives do not feel they
are responsible for the best that is in them’’ (p. 133).
Flight from inner reality to external reality involves omnipotent
fantasies that are not so much the result of the inner reality itself as a
defense against the acceptance of it. Fantasy thus fulfills an intermediary
role be-tween internal and external reality. The flight to external reality
in order to avoid a painful internal reality may also take the form of
exaggerated fear of death and exploitation of sexuality (as I illustrate in
chapters 2 and 3 of this book).
Suspended animation, which refers to omnipotent control of bad inter-nal
objects, may also destroy good relationships. As a result, the individual may
feel dead inside and the world may appear to be an emotional desert.
The reversal of depressive feelings and the use of exalted opposites for
reassurance are important elements of manic defense.
In his comprehensive exploration of the subject of mourning and guilt,
Grinberg (1992) maintained that the manic defense is used especially
when depressive anxiety is very intense. Grinberg added splitting to the
cluster of mechanisms of manic defense (denial, omnipotence, idealiza-
tion). In his opinion, manic defense includes all the defenses that belong
REVISITING DEFENSES AGAINST PAIN AND MOURNING 15
Enactment
In this book, I explore the mechanism of enactment as it relates to in-
tergenerational transmission of the trauma of the Holocaust, another sub-ject
examined in the book. Enactment is typically employed by Holocaust
survivors’ offspring in dealing with the burden of pain and guilt transmit-ted
to them by their parents (see chapters 5, 6, 7, 9, and 10).
Enactment, which has the purpose of externalizing conflict, is based
on projection that is acted out (Hinshelwood 1991). Freud (1916) used
the term projection when he described delinquent acts performed by
criminals who, in his view, act out because of an unconscious sense of
guilt. Projec-tion was defined by Klein as a mechanism that ‘‘helps the
ego to overcome anxiety by ridding it of danger and badness’’ (1946, p.
6). She found this mechanism important in the externalization of internal
conflicts played out with external objects.
In the more recent literature, Renik (1990) viewed the enactment of
wishful fantasies as an unconscious, persistent effort to attain unobtain-able
goals by magical means, thus defending against the depressive affect.
Arguing with Dorpat (1977), who suggested that the depressive affect elic-
16 CHAPTER 1
Denial
Denial is one of the main defenses employed when an individual is con-
fronted with aging and death, loss and bereavement, stress and trauma. This
defense weaves its way in various forms through all of the chapters in this
book. In its psychoanalytic application, denial is defined as a de-fense
against painful or unpleasurable ideas, effects, and perceptions.
Denial has always been a complex concept that has acquired many
meanings and connotations, depending on the context. In addition to its
dictionary definition—‘‘the act of saying no’’—the term denial and its
synonyms disavowal and self-deception refer to the reality-repudiating
as-pect of defensive activities and not to a discrete defense mechanism
(Dor-pat 1987; Fingarette 1969; Hilgard 1949; Weisman 1972).
Freud (1923) was the first to describe the denial defense. Using data
accrued in psychoanalytic treatment, he hypothesized that some young
boys, seeing the absence of a penis in girls, reject the evidence of their
senses and imagine that they did see the girl’s penis after all. He termed
this defensive activity ‘‘denial’’ (or ‘‘disavowal’’).
Early psychoanalytic accounts of denial by Sigmund Freud (1940) and
Anna Freud (1936) limited the scope of denial to the perception of exter-
nal reality. Many have disagreed with this restricted view of denial. Klein
(1935) viewed denial specifically as one of the important components of
manic defense, particularly the denial of the reality of some part of the
mind, or of psychic reality. In the same vein, Hartmann (1964), Jacobson
(1959), Lewin (1950), and Waelder (1951) discussed the denial of
various affects such as anxiety, guilt, and anger, claiming that internal
reality may also be denied. From a different viewpoint, Dorpat (1979)
argued that de-nial is the crucial defensive activity involved in the
formation of contradic-tory attitudes.
Denial also has adaptive value (Klein and Kogan 1989). It was utilized
by Holocaust survivors during times of massive trauma (see chapter 8),
and may also be employed in times of chronic crises (see chapters 9 and
10).
18 CHAPTER 1
Reparative Defense
Klein (1920) viewed ‘‘reparation’’ as the strongest of the constructive
and creative urges. She believed that reparation is the fantasy of putting
right the effects of the aggressive component, and is intended to mobilize
creative activity (Klein 1929). This process is different from sublimation,
a term coined by Freud (1908), which is the conversion of sexual
impulses into sophisticated, creative skills.
Creativity can be a defense against pain and mourning. Ella Freeman-
Sharpe, in her article ‘‘Pure art and pure science’’ (1935), expresses the
idea that creation leads to a fundamentally good experience, psychically
and physically linked to harmony and rhythm, at the same time that it
represents a triumph over aggressiveness and anguish.
The creative act may have direct access to the deepest layers of the psy-
che, which is where psychic pain usually originates and resides. Creativity
speaks from the unconscious and facilitates the mentalization of the non-
verbal substrate of the psyche. Creative activity involves a certain amount of
self-holding, illusory though omnipotent manipulation of objects, and a
certain mastery of pain through ‘‘self-dosed’’ (Cooper 1988, p.125) suf-
fering and surviving of that suffering. The relationship between object-loss, a
frequent precipitant of mental pain, and creativity has drawn con-siderable
attention (Pollock 1975, 1977; Hamilton 1969, 1976, 1979). Poetry, as an
expression of creativity, may occupy a special place in the ego’s efforts to
manage, mourn, and master mental pain (Akhtar 2001).
In this book I deal with the function of creativity from two perspectives:
(1) Creativity as an attempt to repair both the object and the self. Klein
(above) maintained that the offspring, believing that his hate and hos-
tility has damaged the loved object, must now repair it. Basing himself
on this premise, Grinberg viewed creativity as ‘‘the re-creation of a
loved object that has been felt as being in ruins . . . it is the re-creation of
an internal world and an ego in ruins’’ (1992, p. 233). Chasseguet-
Smirgel (1984) expressed a different view of creativity. She argued that
REVISITING DEFENSES AGAINST PAIN AND MOURNING 19
OBSTACLES TO
INDIVIDUAL MOURNING
2
Forever Young
[I]n the unconscious everyone is convinced of his
own immortality.
—Freud 1915, p. 289
In this chapter I will explore and illustrate the difficult journey from
manic defense to mourning undertaken by both members of the analytic
couple, as viewed during the termination period of analysis and after it. I
will examine it from the different perspectives by which patient and ana-
lyst viewed the termination of analysis and the ‘‘analytic goals.’’ 1
Analysis consisted of a struggle with the patient’s manic defenses—her
denial of inner reality and her omnipotent attempt to replace it with
delusional fan-tasies that she felt compelled to enact.
The case study is that of a thirty-eight-year-old woman who, in analy-
sis, revealed bisexual longings, which culminated in parthenogenesis—
the wish to have a baby without a man (Deutsch 1933; Fast 1979).
During the treatment, this became a psychotic obsession that she felt
compelled to realize, in spite of the tremendous obstacle of being unable
to achieve a successful pregnancy for years and give birth to a live baby.
Much psychic work was needed to enable the patient to overcome
feel-ings of hatred and destruction, as well as to moderate her fear of
death. The emotional experience in analysis enabled her to work through
her maternal internal representation and her identification with an angry
and destructive introject. After a long and painful analytic journey, she
was able to experience something life-giving in herself and was able to
identify with a procreative mother. This identification was a psychic
factor that facilitated pregnancy and birth.
Reflecting on the apparently positive outcome of this analysis, I some-
2
3
24 CHAPTER 2
times asked myself whether our difficult struggle with the fear of death
and with psychic pain had truly been crowned with success in the birth of
a child. Was this result, as we—both patient and analyst—assumed, an
affirmation of life-giving forces within the patient? Or was this immacu-
late conception—having a baby without a man—a ‘‘manic defense’’
(Klein 1935; Winnicott 1935; Aktar 2001) that helped her avoid the
mourning and pain inside herself? Was psychic change in this case a
reality or an illusion?
THE CASE
and needed care. Dina remembered the lovely vacations she would spend
with her father in the city; he introduced her to the magical world of the
theater and to his interesting friends, and treated her to ice creams topped
with whipped cream in theater cafe´s.
Dina’s first marriage was unsuccessful from the start. Her husband’s
first wife had walked out on him, leaving him with a one-and-half-year-
old son. While she admired his fine qualities as a father and his
intellectual prowess, he reminded her of her own father, who was
physically repulsive to her. From the start of her marriage, Dina was
unhappy and obsessed with suicidal wishes. She sought help and was
referred to analysis, which she left after nine months. Dina and her
husband went abroad for a period of two years. While overseas, Dina
became pregnant. In her fifth month she left her husband and returned to
her mother to give birth to her son. Dina’s second husband was an old
family acquaintance. He was twenty-two years her senior and twice
divorced, with a son around Dina’s age from his first marriage.
In the initial interview I realized that on a nonverbal level, mainly
through her smiles and appreciative glances, Dina was intent on seducing
me into liking her. She addressed me in a way that was flattering to us
both. I must be very good since she had been referred to me. She admired
young, successful, professional women like herself. She definitely
wanted a female analyst, since she believed that only a woman possessed
the wis-dom and sensitivity necessary to understand her. Men are mostly
small boys at heart, and they achieve high positions in this world because
of social prejudices. ‘‘There is a weak sex and an inferior one,’’ Dina
con-cluded her speech with a smile. Our session drawing to a close, Dina
de-cided that she felt comfortable enough to disclose her biggest secret.
Her second child, a daughter, had been conceived by artificial
insemination, as her present husband was sterile.
Impressed by her verbal ability, the richness of her associations, and
her complex life story, I recommended analysis to Dina (four times a
week) as the treatment of choice. She readily accepted my suggestion and
appeared eager to begin treatment. Little did I know of the tremendous
obstacles that would lie ahead of us on our analytic journey.
The first problem was the use of the couch, which was difficult for Dina
because of losing eye contact with me. She felt that not seeing my facial
expressions spoiled our togetherness. At the same time, I became aware
26 CHAPTER 2
that Dina was making fewer attempts to charm me. Only later in analysis did
I realize that by losing my ‘‘face’’ Dina could reveal her own ‘‘face,’’ and be
in touch with her angry and destructive feelings toward me.
An episode at the conclusion of her long analysis confirmed this. At
the end of our last session, when she got up off the couch, Dina looked at
me and said: ‘‘You look much nicer than the person I saw in my mind’s
eye throughout these years.’’ We both smiled. I knew then that using the
couch had been the right way for Dina to find the hate, as well as the
love, in herself.
hospitalized in critical condition. The stroke occurred the day after the
two had had a violent quarrel. Dina remembered it as one of the few
quar-rels she had ever had with her mother. She left, slamming the door
behind her, not knowing that that was the last time she would ever
communicate with her mother. Dina was in labor in another hospital on
the night her mother died. She related with wonder that at the time her
mother was dying, she dreamed that her mother was falling out of her
arms and calling to Dina for help, which she was unable to give. Dina
delivered her first child, a son, the next day, and several hours later was
informed of her mother’s death. Thus, giving life and losing a beloved
object became in-separably linked for her.
Much psychic work was devoted to the first treatment goal of
overcom-ing Dina’s manic defenses—her denial of the loss of her mother
and in-ability to separate from her. Through her unconscious fantasies
and dreams, Dina conveyed to me how terrified she was that I might take
her mother away from her. In one of her dreams, while her garden was
unat-tended for a short period of time, a man came by and uprooted her
trees. Her associations revolved around me in the role of a new mother,
uproot-ing her own mother (the old trees): ‘‘Maybe you are the best
mother in the world, but who wants to give up one’s own mother?’’
With the strengthening of the therapeutic bond, Dina was able to work
through her ambivalent attachment, the mixture of love, guilt, and uncon-
scious, destructive wishes toward the internal maternal object. I will
illus-trate this with some fragments from analysis:
Dina claimed that lately she had been feeling uncomfortable around
her eight-year-old son because he liked to touch her breasts when he
came near her. She decided to forbid it, and subsequently her son drew
the fol-lowing pictures:
Her son explained the meaning of his drawings as follows: The first
drawing is of a child standing facing a breast. Between the two is a heart
pierced by an arrow (the symbol of love). The second is of a child facing
a bitten breast. The child, who has taken a bite out of it, says ‘‘tasty.’’
The third drawing shows a child calling to a snail, ‘‘Mummy, Mummy,
do come out.’’
I realized from the boy’s drawings that Dina was conveying a message
to me from the little girl inside herself. Since the child was calling to a
mother who was hidden in a shell, covered by a protective shield, I won-
28 CHAPTER 2
child breast
bitten
child breast
tasty
child snail
Mummy,
Mummy,
Do come out
FOREVER YOUNG 29
analysis, I still believed that Dina, in the transference, was expressing her
unconscious wish to have a baby with me.
Dina had always involved her mother in her sexual exploits. At the age of
eighteen, deciding to put into practice the liberal sex education she had
received from childhood, she ‘‘used’’ a man in order to lose her virginity.
She felt it important to inform her mother about it, placing a note on her bed,
and thus making her a partner to the deflowering. In the transference, I was
assigned a similar role: Dina informed me that while making love with her
husband she fantasized about me. She revealed feelings of resent-ment
toward me that this aroused in her, similar to those she felt toward her
mother when she turned her into a partner to her first sexual experi-ence.
Dina continued, comparing analysis to lovemaking. She felt that in
treatment, as in intercourse, she ‘‘undressed’’ and bestowed upon me her
most secret inner place. Dina claimed that in contrast to sex, which she
seldom initiated or particularly enjoyed, she came to treatment of her own
free will and was devoted to it. Analysis was, in her words, ‘‘a situation of
constant hunger, an infinite stimulation without orgasm.’’ In the transfer-
ence, Dina bluntly expressed her libidinal wishes toward me: ‘‘Why is it that
there is no touching in treatment? There is something irrational here, not that
I am conscious of my longing to make love to you. You don’t see only me,
you are supposed to help me, you are supposed to remain aloof. This also
means not sleeping with me. I feel an emotional and physical closeness with
women. That’s why I sought out a female analyst.’’
My inquiry into the unconscious anger and guilt underlying her inces-
tuous wishes met with a wall of manic defenses. ‘‘I like women,’’ Dina
said, ‘‘and I am proud of it. Nobody can really explain to me why I can’t
make love to my mother or my daughter; they are the closest to me.’’
I began to wonder if Dina could really be treated, as she defended her
perverse tendencies and her incestuous wishes with such force.
Gradually, I realized that Dina was attempting to live out her florid
fantasies in the transference to avoid the disintegration that was
threatening her psychic life. We were able to understand this threat only
much later in analysis. Sensing her underlying vulnerability, I refrained
from touching upon the feelings of depression and destructiveness, which
were hiding beneath her manic defenses.
It became clear to me that Dina was rejecting the treatment goal of
resigning herself to her monosexual destiny. Since her life goal was to
32 CHAPTER 2
avoid feeling the limitations to power resulting from having the attributes
of only one gender, the treatment goal of accepting that she was ‘‘only’’
a woman was experienced by her as threatening and dangerous.
any kind; she considered rape the greatest crime in the world, even loath-
ing films that dealt with the subject. How could I then claim that in
fantasy she was bringing rapists upon herself? Was this why she always
carried pepper spray in her handbag, to ward off any attacker? At this
point, Dina vehemently complained about analysis, the cruel method that
destroyed her defenses, with no promise of the happiness she longed for.
It became clear that Dina’s life goal, which she called ‘‘happiness,’’ was
not compati-ble with the pain incurred in understanding her symptoms
and in taking responsibility for them.
Now Dina continued to talk about her cruel father who, though con-
sciously repulsive to her, was an object of attraction for many years. In
the transference, I felt like the violent, exciting father-analyst whom she
resented, but toward whom she also felt a forbidden attraction. Working
through some aspects of her panic attacks, I connected her fear of the
‘‘peeping Tom’’ with the anxiety she felt in her relationship with Father.
She remembered that Father used to kiss her on the eyes, wet, sexy kisses
that she liked.
Working through her relationship with Father facilitated Dina’s re-
counting of a family romance in which her husband, who for many years had
been a friend of her parents, had had an affair with her mother. Dina claimed
he had always denied it. I reminded Dina of her first phobic at-tack, which
had occurred when she roamed about naked in the kitchen, after intercourse
with her husband. I pointed out to her that even if this story were only the
creation of her own fantasy, she might have invented the rapist-killer so as to
bring upon herself the punishment she uncon-sciously felt she deserved for
breaking the taboo of incest. We had to invest many months of analytical
work in working through this interpretation before Dina could accept that she
herself had written the anxiety-arousing script, and that the figure of the
rapist-killer was also a personal creation.
In spite of her initial defensive reaction, in the end Dina was able to
recognize the value of understanding her symptoms. Since one of her life
goals was to free herself of her symptoms and to restore her
independence, she was ready to discover this part of her inner reality and
to stop denying it.
tence and bisexuality, which were expressed through her wish for parthe-
nogenesis. During this stage of the treatment, Dina experienced this
manic defense as vital to her psychic survival.
From the earliest stages of analysis, Dina toyed with the idea of
having a third child. She was not deterred by the fact that she was over
forty, that her husband was sixty-three and sterile, and that he did not
want any more children.
Thus, she underwent artificial insemination. After prolonged unsuc-
cessful monthly artificial inseminations, she underwent gynecological
tests, followed by complex abdominal surgery to ascertain the cause of
her infertility. Pregnancy became an enormous challenge for her, a way
of overcoming the limitations of age, and a means for conquering death.
Her entire discourse in analysis at this point, her dreams and fantasies, re-
volved around her wish to become pregnant. Her daily routine was en-
tirely taken up with checking her temperature each morning, taking urine
tests, undergoing artificial inseminations, and awaiting results. Dina de-
nied any anxiety over not knowing the identity of the donor of the sperm
or its quality. She convinced herself that the donors were probably
medical students who needed the money but who were highly intelligent
and tal-ented individuals.
Dina seemed to be living for one single goal—to become pregnant.
After each insemination she was convinced she had conceived and would
come to analysis in an elated mood. With the appearance of her period,
Dina felt that she had lost a baby and went into a state of mourning and
depression: ‘‘Each time I miscarry a dream,’’ she said.
In the transference, for the first two years I believed that Dina wanted
to have this baby with me, as I represented her mother (Pines 1993). I
was the partner with whom she shared all of her exhausting efforts to
become pregnant. But, at the same time, I felt like a helpless, castrated
partner, as she did not accept any intervention from me. Even my meek
reference to the tremendous efforts that she was willing to undergo to
reach her goal was experienced by her as lacking in empathy. I felt as if I
were a ‘‘dead’’ partner, not yet realizing that Dina’s partner was not
actually dead but nonexistent.
After two-and-a-half years of attempts and frustration, Dina decided
that if she did not conceive within the next three months she would aban-
FOREVER YOUNG 35
don the idea. This period was then extended to five months, at which time
Dina became pregnant. After a short while, she decided to leave analysis.
I felt the powerful aggressive nature of the blow that Dina directed
against me by her decision. I felt frustrated, used, and discarded. It was
clear to me that Dina had placed me in the role of her first husband,
whom she left five months after becoming pregnant. Dina had never
loved her husband, but had always praised his ‘‘high quality sperm.’’
Gradually, it dawned upon me that Dina herself must have been
through such experiences of being held and discarded during her child-
hood. Only later in analysis were we able to link this episode to her com-
plex and painful relationship with her mother. My attempts to make her
aware of her hate, of using me as a provider of sperm (penis) or milk
(breast), and then discarding me after ‘‘having her fill’’ were pointless.
Dina declared her love for me and explained her decision to leave
analysis as her fight against her ‘‘addiction to treatment.’’ Over the next
few months we tried to understand Dina’s wish to stop analysis at this
stage. It then became clear that not only was she fighting her powerful
depen-dency needs, but she also regarded me as a dangerous agent who
was forc-ing her to be in touch with her own feelings of impotence and
mourning in the face of aging and death. ‘‘Analysis makes one both wiser
and sad-der,’’ said Dina. ‘‘I don’t want that; being mature is not my goal.
I came here pursuing happiness. Now that I am pregnant, I can leave.’’
Further attempts to point out to Dina that she was using her pregnancy to
ward off depressive feelings fell on deaf ears. On parting, I stressed that I
would be here for her should she need me. Dina left analysis in her fifth
month of pregnancy.
A month later Dina’s husband phoned to inform me that Dina had
miscarried the previous night. She asked him to call and inform me that
she had been through a terrible experience, and also to possibly arrange a
session at the hospital. I went to see Dina in the hospital the next day.
She was overwhelmed emotionally, and spoke incessantly of the trauma.
Apparently the fetus had died some time ago and she had to undergo an
induced delivery. The problem was that despite running a high fever for
days, Dina had refused to cooperate with the doctors. Only after being
told that her life was in danger did she agree to the induction, feeling sure
that she was destroying a live baby and hoping all the time that someone
would halt the murder. Nor was this the end of her plight: After she was
36 CHAPTER 2
persuaded to push and deliver the dead fetus, she was told that some of it
had remained in her womb and must be surgically removed. Dina sur-
prised her doctors by asking them the sex of the fetus. She was told that it
was female. The physical pain of the delivery was small compared to the
pain of her aching psyche.
I listened to Dina very quietly, feeling overwhelmed by feelings of
loss and impotence. ‘‘What can I do for her?’’ I thought to myself. This
baby had been an investment of her entire life and future, and now it was
lost. Gradually I realized that these must also have been partly Dina’s
feelings, which she was projecting upon me and with which I was
identifying. Dina was now relying on my promise to be there for her in
case of need. Before I left the hospital, Dina said smilingly that she was
grateful I had agreed to see her under such unusual circumstances.
Two weeks after leaving the hospital, Dina came to me in a state of
anxiety that masked her depression. She couldn’t keep still for a moment,
couldn’t sleep, and had developed all sorts of compulsive rituals. She
asked for help, to which I immediately agreed. Clearly, we still had a
long and painful road ahead of us.
A short while after resuming treatment, it became evident that Dina
was unable to accept her feelings of loss and mourning. In spite of my
efforts to ease her suffering by being an empathic listener, Dina denied
her feelings by attempting artificial insemination again. Thus, the
monthly cycle of hope and depression was renewed; so was the wall of
manic de-fenses. This time, however, I felt that I was struggling with a
psychotic obsession, which had the function to defend against unbearable
psychic pain as well as against the danger of disintegration.
During this period, I was first cast in the role of the ineffective gynecol-
ogist who had performed an unsuccessful ‘‘plumbing job.’’ Like him, I was
obviously impotent, since I could not impregnate her through analysis and
thus fulfill her wishes. Later on, there was a shift in her feelings in the
transference, and she began to view me as the murderer of her babies. The
following dream, which she dreamed during this period, illustrates this: ‘‘I
dreamt I came to the hospital; before I had time to get into a bed I deliv-ered
a baby, but the baby wasn’t coming out of the amniotic sac. I shouted to the
midwife ‘Open the sac quickly, he can’t breathe.’ She slapped him
halfheartedly and he still couldn’t breathe. She said there was nothing she
could do, that the baby was dead. I was angry with her, she did nothing
FOREVER YOUNG 37
that we had switched roles, and felt that Dina has almost demolished my
analytic prowess. Being cast into the role of the victim, I dreaded Dina’s
attempt to shatter my belief in myself and my analytic role. In this difficult
phase in analysis, I understood that I, myself, had been drawn to believe the
worthiness of Dina’s goals, that I was almost persuaded that her goals were
commendable. This realization helped me reassume my analytic role.
It then occurred to me that the transference-countertransference prob-
lems we encountered were a reflection of her complex relationship with
her mother. I consequently pointed out to her my belief that beneath her
anger and aggression toward me was a great need for love and support. I
also added that she was probably unconsciously trying to make me feel
the painful experience she herself had undergone in childhood.
For the first time in a long while Dina listened to my interpretation
without immediately rejecting it. The following session she brought me a
gift, a cloth on which she had painstakingly embroidered the following
words: ‘‘Ambivalence is the basic condition of the human mind.’’ This
was a breakthrough in her hate and a turning point in the transference
relationship toward me.
Working through the therapeutic relationship, Dina elaborated upon the
difficult relationship with the maternal representation. Dina could now
remember that, throughout her life, Mother had suffered from an affective
disorder of the manic-depressive kind. She had never been insti-tutionalized,
but was treated with lithium. Dina remembered Mother’s mood swings, and
when they would change for the worse, she would feel let down and
discarded. Mother would lie in bed for days, bitter and angry with everyone.
She would complain about her unfortunate lot in life, about being abandoned
by Father, about the fate of women. During those times, Mother was
irritable, dissatisfied with whatever she did. Dina had a painful memory of
Mother being angry and slapping Dina’s face, which made Dina feel
ashamed and humiliated. Dina did everything to appease Mother’s wrath,
imagining that through her good deeds she could restore her loving mother,
yet at the same time feeling impotent and frustrated.
Reviewing the different phases of the analysis, I understood that through
the transference relationship Dina was playing the roles of herself and her
unstable mother, placing me in the complementary roles. In the first phase,
Dina was my adoring and idolizing little girl who wanted to
FOREVER YOUNG 39
DISCUSSION
I wish to discuss what this case can teach us about the movement from
manic defenses to mourning in light of the following:
(1) The extent to which fear of psychic pain aroused manic defenses
against change and growth in both members of the analytic couple.
(2) The extent to which manic defenses were given up in order to be in
touch with mourning and work it through.
sional fantasies that she felt compelled to enact. She used this enactment
to avoid a psychotic breakdown that threatened her at this stage in her
life. This became the source of a grave dilemma for me: Since pregnancy
and childbirth seemed to be so vital for Dina’s psychic survival, was I
sup-posed to fight against this need of hers? Was it at all possible for
Dina to give up her manic defenses, and if so, at what cost? And if my
role was to put her in touch with unbearable psychic pain, could I take
the responsi-bility for the outcome?
Today, looking back at this analysis after many years have elapsed, I
wonder to what extent my questions about whether it was possible to
achieve maturity in this case stemmed from the massive projective identi-
fication that the patient used throughout the treatment, and to what ex-
tent they were due to my own countertransference feelings, which were
evoked by her intense encounter with a ‘‘mid-life crisis’’ (Jacques 1965).
The painful issue of aging and relinquishing childbirth and youth was not
foreign to me—it is universal to all women of this age. I became aware
that Dina, who was only five years my senior, evoked conflicting feelings
in me about the passage of time and its accompanying limitations. This
was one of the main reasons why, at a certain point in analysis, I was al-
most persuaded that her manic defenses (becoming pregnant once more)
might contain a positive element. In this regard, I wish to quote Grinberg,
who so eloquently describes the impact of maturity and change on both
members of the analytic couple: ‘‘It is a painful truth and one which has
been avoided until then: that of the full recognition of the passage of time
as much in the analyst as in the analysand, in which illusory timelessness
is transformed into a real temporality with the limitation of the
omnipotent fantasies and those of immortality. These limitations are
experienced many times as a partial death’’ (1980, p. 29).
I believe that Dina’s resistance to change, along with her fear of growth
and aging, constituted part of an unconscious death anxiety that affected us
both and was expressed through her obsession with generating life.
From another perspective, I could understand why Dina tried to post-pone
aging and death with omnipotent, magical, everlasting life-giving. She felt a
tremendous pressure to achieve this concrete solution because she was
unable to achieve sublimation and thus change her goal of pro-creativeness
into creativeness. Sublimation as a process that underlies cre-ativeness was
inhibited and had failed. But sometimes I would wonder—
42 CHAPTER 2
Manic Defenses
I would now like to examine the problem of termination and the extent
to which the treatment goal of relinquishing manic defenses were met in
this case.
The psychoanalytic literature that deals with the theoretical and techni-cal
problems related to termination of analysis offers a series of criteria that take
into account the patient’s development and his achievements in different
areas of life. These criteria have been described in a wide variety of ways
(Symposium 1937, 1948, 1950; Pfeffer 1963; Firestein 1969; Hurn 1973;
Balkoura 1974; Robbins 1975) and have been reviewed on the basis of
different theoretical constructs (Firestein 1982; Schachter 1992).
I will briefly mention some of these criteria. Weigert (1952) wrote that
the appearance of a markedly increased capacity for candor on the part of
patient and analyst was a harbinger of termination. Greenson (1967) be-
lieved that if the patient had never experienced an intense, prolonged
angry reaction towards the analyst, then the analysis had probably not
reached termination. Novick (1982) focused on the patient’s ability to ex-
perience and to maintain an oedipal transference. Siegel (1982) empha-
sized the amelioration of a harsh, judgmental superego. Rangell (1982)
was of the opinion that the terminal phase had been reached when the
patient had achieved the capacity to choose.
The criterion for termination that has probably received the most at-
tention is the capacity for self-analysis (Hoffer 1950; Kramer 1959; Siegel
1982; Schlessinger and Robbins 1983; Berenstein and Fondevila 1989;
Kantrowitz 1990; Schachter 1992). Grinberg (1980) expanded on this topic,
viewing self-analysis as an outcome of the ‘‘interminability’’ of the process
of searching for mental growth and integration. According to him,
FOREVER YOUNG 43
the termination of the dynamic interaction between analyst and patient allows
the analysand to reach a new ‘‘take-off ’’ point, from which he can control
the development of his mental growth and maturation by himself. The
‘‘interminability’’ of the process fits the current view that there is no such
thing as an ideal termination; that the symptoms never disappear completely;
that the patient does not achieve all of the structural changes one would like;
nor does he manage to acquire a totally integrated person-ality. The literature
of the last few years has dealt with interruptions, situa-tions of ‘‘impasse,’’
and reanalysis. This view supports Freud’s early opinion that ‘‘We do not
always achieve our aim to its full extent—that is, do not achieve it
thoroughly enough . . . portions of the old mechanism remain untouched by
the work of analysis’’ (1937, p. 229).
With these different criteria in mind, I wish to examine to what extent
the treatment goal of relinquishing manic defenses was met in this case.
For this purpose, I shall address the following issues: Did termination
really take place? What were the satisfactory aspects of termination and
for whom were they most satisfactory? What was the analyst’s attitude
toward the apparently successful outcome of the treatment at the end of
this analysis, and has it changed now, many years later?
I believe that termination did take place in this case, and from the pa-
tient’s point of view, as well as my own, some positive results were
achieved. In my opinion, Dina’s working through her disappointment and
hatred in the transference inclined the prevailing balance between hate
and love more toward love. She was able to recall deep, unconscious
mem-ories of hate toward the maternal object because they were
mitigated by love. Her fear of death and destruction was somewhat
moderated by her emotional experience in analysis, and by the work of
mourning that ac-companied the entire analysis. Dina felt she had been
able to conceive as a result of feeling less threatened by death. Possibly,
she was now able to become pregnant and give life because she
experienced something in her-self as life giving. From this angle, the
treatment had a positive outcome for patient and analyst alike.
On the other hand, I frequently wondered what structural changes had
taken place in my patient. The immaculate pregnancy, producing a baby
without a man, was a manic defense with a successful outcome. As a result
of her manic defenses, she had obtained her life’s goal—the avoidance of
pain and mourning inherent to growth. In contrast with the first time that
44 CHAPTER 2
she had become pregnant during treatment, this time she remained in
analysis, stating clearly that she did not regard the pregnancy and the
baby as a means of ‘‘filling her life with meaning.’’ But could she ever
complete the process of mourning necessary for accepting her
monosexual destiny and the inevitability of her death, which she had
begun before the birth of this child? To what extent did this ‘‘success’’
help her avoid her death anxi-ety? Could this success have been the result
of an unconscious defensive collusion on the part of both of us in the face
of the threat of intensive psychic pain? From this point of view,
termination was less satisfactory for the analyst than for the patient.
Analysts’ difficulties with the incomplete results of analysis have been
reviewed by Schachter (1992). Ticho observed that ‘‘countertransference
difficulties play a larger part in the termination phase than in other phases
of the analysis’’ (1972, p. 328). Siegel stated that ‘‘The story of the well-
analyzed patient is a myth which is told and retold by analysts and
patients alike in the interests of hope or to justify the long and expensive
treatment process or for other reasons associated with problems in self-
esteem’’ (1982, p. 396).
Dewald (1982) similarly noted that the limitations of analytic
treatment may evoke narcissistic injury in the analyst. This may lead to
an indefi-nitely prolonged analysis in the attempt to avoid such injury.
Cooper wrote about this as follows: ‘‘It is during the termination phase
that we become most intensely aware of all the personal and professional
hopes with which the analysis began. . . . We are likely to experience
with a new clarity the disappointments, the unresolved, and even
untouched issues of analysis, as well as the gratification of knowing how
much was achieved’’ (1985, p. 1).
Over a long period of time I was unable to complete the recording of
this interesting and apparently successful treatment because of my doubts
as to its success. Some of the many questions that preoccupied me were:
Did the patient understand herself better at the end of the work? Should
this analysis be regarded as a partially successful one? If so, what would
have been a fully successful outcome?
These questions were answered unexpectedly about a year ago when I ran
into Dina by chance on the street. I was struck by the fact that al-though
looking older, Dina was smartly and more femininely dressed than I had ever
seen her before. She shook my hand warmly and, as if sensing
FOREVER YOUNG 45
NOTE
1. The issue of termination and analytic goals has been a relatively neglected
subject in the psychoanalytic literature (Blum 1989). It was through my clinical
46 CHAPTER 2
work that I became involved in this topic. Over a long period of time I was
unable to complete the recording of this interesting and apparently successful
treatment that ended some years ago. In trying to understand what was hindering
my writ-ing, I came to the conclusion that it was probably connected to my
countertrans-ference feelings about the patient’s ‘‘treatment goals’’ and ‘‘life
goals’’ (Ticho 1972). Ticho defines ‘‘treatment goals’’ as the removal of
obstacles to the patient’s discovery of his potentialities. ‘‘Life goals’’ are the
goals the patient would seek to attain if he could put his potentialities to use.
In this paper, I defined ‘‘treatment goals’’ and ‘‘life goals’’ differently. I
define ‘‘treatment goals’’ the way both analyst and patient view the aims of
treatment; ‘‘life goals’’ will be defined as the way in which both partners of the
analytic couple refer to the goals the patient would seek to attain in life.
3
In this chapter I deal with the problem of the extent to which devices of
analytic technique can be legitimately modified in order to facilitate
some kind of change in a patient who uses homosexuality as a manic
defense against suicide and psychotic dissolution. In the case under
discussion, the manic defense was not completely relinquished, but the
patient became more in contact with her feelings and less frantic in her
search for a homo-sexual partner.
I have been plagued by questions and doubts concerning the partial results
of this treatment. What can we hope to achieve from psychoanaly-sis in cases
in which homosexuality serves as a ‘‘manic defense’’ (Klein 1935; Winnicott
1935) against fragmentation and psychic death? And what is the role of the
analyst in these cases? Is it the analyst’s role to help patients relinquish their
homosexuality, which they may experience as es-sential to their psychic
existence? Or should s/he help them along their path to self-discovery, which
may or may not entail their letting go of the homosexuality that helped them
avoid the pain and mourning inherent in trauma? I do not presume to have
the answers to these difficult questions but I would like to tackle this issue by
means of a case study.
In this case study, the patient’s demand for touching and being touched by
the analyst (the wished-for homosexual partner in the transference) was
crucial for her to continue the analytical work. The discussion demon-strates
the great difficulty involved in (1) helping such patients analytically and (2)
withstanding the threat that they will act out violently and danger-ously if the
analyst does not acquiesce in some way. It also shows how a verbal
interaction with the analyst that was experienced by the patient as
47
48 CHAPTER 3
physical touch enabled the continuation of analytic work and the working
through of the patient’s manic defense.
Before describing the case, I will review the topic of touch in the ana-
lytic treatment from a historical as well as a contemporary perspective.
For a long period of time, the subject of touch in analytic treatment was
viewed not only as a sensitive and controversial topic but also as a forbidden
one. After being an ‘‘untouched area’’ in classical psychoanaly-sis, it then
became a hot topic, widely discussed in recent literature. For example, the
Psychoanalytic Inquiry (20, no. 1, 2000) devoted an entire issue to the topic
of touch in the psychoanalytic situation.
The interdiction against touching was codified with the development
of the rule of abstinence. As early as 1910, Freud wrote, ‘‘The patient
should be kept in a state of abstinence or unrequited love. The more af-
fection you allow him, the more readily you reach his complexes, but the
less definite the result’’ (Jones 1955, p. 448). This statement was further
elaborated by Freud in 1915 and 1919. The theoretical rationale underly-
ing this approach was that preventing the patient’s instinctual drives from
being discharged would force their transformation into verbal representa-
tions. The now-conscious repressed instinctual wishes could then be
worked through to achieve their renunciation and sublimation.
On the basis on this model, Casement (1982) refused to hold his pa-
tient’s hand, out of conviction that to do so would gratify the patient’s
longing for a good object (not infantile sexual wishes) and would
interfere with the full reliving of the trauma, including the aggression
generated by the trauma.
Despite the rule of abstinence, psychoanalysts have reported occasions of
considered use of touch to facilitate treatment. Ferenczi (1953) would permit
behavioral enactments that at times included affectionate kisses (Shapiro
1992). Fromm-Reichmann stated that ‘‘at times it may be indi-cated to shake
hands with a patient or in the case of a very disturbed per-son to touch him
reassuringly’’ (1950, p. 12). Searles indicated that ‘‘declining to provide
physical contact’’ may be helpful, yet he mentioned the undesirability of
‘‘being neurotically afraid of physical contact’’ (1965, p. 701). Winnicott
(1965) reported, in his own writings and in those by his patient Margaret
Little (1990), that he would hold his patient’s hand in an effort to create a
sufficient ‘‘holding’’ environment. Little (1966) de-scribed a patient who
despaired over his discovery that his ‘‘accidental’’
LUST FOR LOVE 49
self-injuries were intentional, and needed the analyst to touch his hand.
In a lecture, Kohut (1981) described offering his two fingers for a patient
to hold when the patient was in a state of deep despair (also reported in
Bacal 1985). Pedder (1986) as well described a deeply regressed patient
who needed physical touch.
Although published reports typically address the use of touch with very
disturbed or deeply regressed patients, Mintz (1969) has suggested that
physical touch may also be useful with the ‘‘healthy neurotic’’ in periods of
deep regression when the patient is temporarily unavailable for verbal
communication. Balint still further expanded the circumstances of the
emergence and meaning of touch, and described his patients’ desire for touch
toward the end of treatment when the patients are better integrated and better
able to communicate affection, mutuality, and a deeper con-nection. Touch
under these circumstances is not erotically stimulating but a powerful form of
communication that leads to a deeper intimacy and a ‘‘tranquil quiet sense of
well-being’’ (1952, p. 231). Breckenridge (2000) described a clinical
situation in which allowing physical contact conveyed a sense of acceptance
and helped modify a profoundly negative self-image. McLaughlin observed a
general shift in the classical position on touch. McLaughlin noted being
increasingly comfortable with holding a patient’s hand, including when a
patient on the couch reaches back for his. A pa-tient may be reaching for
‘‘support, consolation, or for my presence in the face of the patient’s not yet
speakable yearnings’’ (1995, p. 441). He found that ‘‘this responsiveness
facilitates, rather than hinders, the patient’s con-sequent analytic seeking’’
(1995, p. 442).
The complexity of this topic has been eloquently described by
Maroda: ‘‘What I have found is that the request for physical contact has
many dif-ferent meanings, and that the answer to the question of ‘to
touch or not to touch’ lies in the adequate understanding of the patient’s
request and the analyst’s emotional response to it. Understanding the
patient’s intra-psychic meaning, placing this in an appropriate emotional
context, under-standing how the current request for touch represents a re-
enactment in the transference-countertransference interplay, and then
making the right decision, are exceedingly daunting tasks. They require
intellectual and emotional depth on the analyst’s part’’ (1999, p. 143).
I will now describe a case study in which the patient experienced a ver-bal
interaction as a physical touch in the psychoanalytic situation, an expe-
50 CHAPTER 3
rience that led to direct emotional contact. This verbal interaction and the
elaboration that followed it enabled the patient to partially give up her
manic defenses and facilitated the process of mourning.
THE CASE
sion on her face, a lack of color and vitality in her demeanor. What struck
me most of all was the gap between her lack of affective expressiveness
and her description of the intense feelings that accompanied her lesbian
love affairs.
I gathered from her story that now, abandoned by her second lover and
trying to fill a void, she hoped to find in analysis a potential new lover,
like the one she had found in her first therapy abroad. At the same time, I
believed that she might be terribly afraid of the realization of her erotic
wishes, especially as the fulfillment of her desires was connected to
separa-tion and pain. The conscious fear of her unconscious desires and
wishes toward me was a theme that accompanied us throughout the entire
treat-ment.
Anamnesis
Deborah was the daughter of Sephardic Jews who had emigrated from
South America to Israel before World War II. Her parents both came
from large families, and each had several brothers and sisters.
Deborah had only one sister, six years her junior. She had virtually no
recollection of her childhood years. She knew that her mother had suf-
fered from depression while pregnant with her, having been told this dur-
ing adulthood. When Deborah was twenty-six years old and already
married with two children, her mother, suffering from psychotic depres-
sion, was hospitalized in a psychiatric ward. The sister became a profes-
sional in her field; she never married or built a life of her own.
Deborah’s mother had a brother who was diagnosed as schizophrenic.
He lived with his mother (Deborah’s grandmother), who was considered
an unstable person. Several months after the grandmother’s death, this
uncle committed suicide.
Deborah’s father had been an important figure in the Jewish commu-
nity in South America and was greatly admired by Deborah. She
perceived him as a rational person and tried to identify with him.
Her husband, who was fifteen years her senior, was already a well-known
industrialist when they met. It was a flattering match for Deborah. In spite of
this, before her wedding she became depressed and had what she termed a
‘‘nervous breakdown.’’ Then, like now, she felt the absence of an expression
of his love in words. She regarded her husband, who was by now famous and
successful, as a workaholic, always busy ‘‘saving hu-
52 CHAPTER 3
manity.’’ Deborah viewed her marriage as unsatisfactory. She felt she was
always searching for somebody to whom she could be genuinely close.
husband; the party was given in honor of a famous actor who was suffer-
ing from a terminal illness and was on his deathbed. She and her husband
had been invited along with many television people, actors, and friends.
The party, given at the actor’s request, was a very special event. For
seven hours, people spoke to him and about him, each of them receiving
a small farewell gift from him. After the party, there was a program on
television in which the actor’s doctor stood on the stage for more than an
hour, showing everyone slides of the actor’s damaged organs and
explaining about his illness.
In the transference, I asked Deborah whether I was supposed to
become the doctor who publicizes his patient’s internal state. Deborah
furiously rejected my interpretation. She often expressed irritation and
anger when-ever I referred to our relationship. ‘‘You are always pushing
yourself into things that belong to reality,’’ she said. ‘‘This has nothing to
do with you.’’ It was true that she wanted fame and recognition, she
added; actually, there was a journalist from a local women’s magazine
who had recently been asking her for an interview about her successful
career. Such a person could bring her fame and advertise her business.
It was clear to me that in the transference Deborah regarded me as a
potential instrument for advertising herself, under which lay the hidden
need to exhibit herself in public. That was the reason that for many years
I had been unable to write about this case. Only now, years after the
analy-sis ended, and after ‘‘dressing her up’’ in proper disguises, was I
able to describe this treatment and the difficulties I encountered in it.
Deborah’s reaction brought to my mind what I already knew about her
perverse, exhibitionistic needs, revealed to me through her stories about
different courses in sex therapy that she had taken abroad and that she
described with great gusto. In one of these ‘‘experiential’’ courses, a
group of about twenty women sat in a circle with their legs spread apart,
explor-ing their vaginas in front of each other. In another course, the
students were shown about two hundred slides of female genitalia.
Deborah claimed that these courses were intended to help the students
overcome their inhibitions.
In my countertransference feelings, I was aware that Deborah wished
to play a perverse game with me of comparing our genitalia, in order to
ensure that she was a woman. Apparently, only by exhibiting herself in
56 CHAPTER 3
public (in the proximity of women) could she feel that her femininity
truly existed.
Continuing her story about the actor, Deborah mentioned that she had
been very impressed with the party, as well as with the actor himself, whose
life story had become public knowledge at this stage of his life. He had
arrived in Israel from Eastern Europe as an adolescent, after his par-ents had
been murdered by the Nazis. He had lived a very creative though immoral
life, being sexually promiscuous, mainly with women but also with men,
losing contact with his family, his wife, and his children. It was rumored that
he had been seduced by his mother when he was thirteen years old and that
throughout his life he had exhibited antisocial behavior by seducing minors
who were around the same age. Nothing had ever been proven against him,
but the scandalous story of his life became a newspaper scoop and was then
made into a television series.
Deborah expressed her admiration for the actor and for his way of life.
She believed that he had achieved complete acceptance of his body and
had derived a lot of pleasure from his sexual life. She also felt that, like
him, she too sought powerful life experiences. I was aware that Deborah
needed these manic defenses to feel alive.
The story about the actor being seduced in adolescence by his mother evoked
in Deborah memories of herself as a child being molested first by a man and
then by a woman. She remembered that when she was nine years old, a man
who worked in her parents’ house sat close to her and stroked her under her
skirt. He asked her if she liked it; it was a pleasant feeling. By contrast, the
second episode involved a woman, and was com-pletely masked by a facade
of love and affection. Only the context in which it was recalled hinted at
sexual exploitation. At age eleven, Deborah was in a car with an aunt, her
father’s sister, a nurse by profession. Deborah put her head in her aunt’s lap,
and the aunt stroked her head. She felt she wanted more and more. The same
experience was repeated later with her first female lover, her first therapist.
Once, performing a Gestalt exercise, the therapist put her to sleep like a
baby, by stroking her hair. It felt so good that Deborah wanted it to go on
forever and ever. She felt that she had missed out on that kind of physical
affection all her life. Much psychi-cal work was needed in analysis to make
Deborah aware of the traumatic elements of her molestation in childhood and
its later impact on her life. Deborah’s oedipal longings surfaced later.
Deborah was conscious of
LUST FOR LOVE 57
her oedipal attraction to her father, which was further transferred to her
husband. She remembered that her father had given her love and caring
in childhood, but she had always felt the tension of the physical attraction
between them. She felt his seductiveness toward her when he sang love
songs to her on his guitar. She believed that her love for her husband
stemmed from his similarity to her father.
In the transference, I was suddenly placed in the role of the admired
but rejecting father (husband)-analyst. Around the time of Holocaust Re-
membrance Day, Deborah chanced upon my name in a newspaper, along
with other Israeli researchers who dealt with the Holocaust. This made
her wonder: How important could she be for me, if my real interest lay in
life-and-death matters, similar to those that preoccupied her husband or
her father in the past?
Deborah believed that her preoedipal longings, which were lived out
in her lesbian relationships, stemmed from the affective and physical lack
of closeness that she had experienced with her mother. She was aware of
the frustration she had experienced in childhood, and held her mother re-
sponsible for it. She felt that her longing to be touched and caressed by a
woman had been evoked by the special relationship with her aunt.
In the transference, we got in touch with Deborah’s anger and rejection of
me, which were the result of her frustrated longing for physical contact in the
analytic situation. Deborah vehemently claimed that she was aware of her
‘‘real’’ needs—she longed for a relationship that would combine sexuality
and feelings and that would make her ‘‘whole.’’ Deborah felt that she could
achieve such a relationship only with a woman, the relationship with a man
only partially satisfying her. It was clear to me that a physical relationship
with a woman, and with me in the transference, was Debo-rah’s manic
defense against her inner deadness.
When I pointed out to Deborah that she was probably longing for
closeness on an emotional and physical level with me in treatment, she was
outraged. She believed that, again, I was pushing our relationship to the
foreground, a fact that she found very irritating. What did her dreams and
wishes, her anger and frustration have to do with me at all? She knew very
well how barren and intellectual analysis was; she knew I would never fulfill
her wish to be touched and caressed. ‘‘Why do I need such intensive
treatment?’’ she asked. ‘‘I am aware of my strong need for a relationship
with a woman. This urge bothers me more and more in analysis; it uses
58 CHAPTER 3
chic death, she was also keeping her emotional deadness intact. Though
still very ambivalent about this painful realization, she had at least
become aware of it. ‘‘It was always hard for me to have an emotional
experience without turning it into something sexual. It was so frightening
to have feelings that I needed sex to make it bearable. I wanted you to
touch me, to caress me, but deep down I did not want to have any
feelings toward you.’’
I could now point out to Deborah that her emphatic demand for an
unacceptable form of behavior stemmed from her need to repeat her
childhood trauma in treatment, by turning me into the sexual exploiter.
Cognitively, Deborah understood this easily; it took us a long time to
work through and achieve some ‘‘affective understanding’’ (Freud 1915)
of this realization. During this period, Deborah had many dreams that
indicated a heterosexual attraction as well.
A meaningful change occurred when, during the last year of analysis (the
fifth), Deborah acquired a new woman friend, Eve. This friendship, though
very intimate, never became sexual. Deborah had fantasies about what could
become a ‘‘real relationship’’ between them, but she refrained from
including sexuality. In analysis we understood that, for the first time,
Deborah could bear to have feelings toward me. Via Eve, Deborah ex-
pressed how grateful she was to me in analysis: ‘‘I do not need to have an
orgasm, for that I have a vibrator. Eve is alive, she is a person full of emo-
tions. I was alive on many different levels, but on a deeper level I needed
Eve, or you here in treatment, in order to feel alive.’’
In spite of her still-existing problems—her attraction to women and her
inability to feel completely happy in her relationship with her hus-band—we
were both aware of a change in Deborah’s attitude toward life. Manic
defenses expressed through powerful experiences were no longer vital for
her psychic survival. She thus gave up her frantic search for a homosexual
partner, no longer believing that it would solve all of her problems. She also
stopped fighting social conventions—her marriage and her children, which
previously she had complied with against her will. A kind of accommodation
or compromise solution was reached between what she wanted to be and her
family situation; she thus found her famil-ial situation more satisfactory.
Deborah was also able to have mutual (not necessarily sexual) relationships
with women friends. Deborah felt that she came out from the desert, the
inner emotional deadness that had made
LUST FOR LOVE 61
her life meaningless: ‘‘Now I know that I can’t always be in touch with
my feelings,’’ she said, ‘‘but I don’t feel an emotional cripple anymore.’’
DISCUSSION
Now I wish to explore the hypothesis that a verbal intervention can be
experienced as equivalent to touch, in light of the relevant contemporary
literature. I will then discuss the issue of manic defenses and their
function in cases threatened by fragmentation and psychic death. I
examine what can be expected from psychoanalysis in such cases, and
refer to the role of the analyst and to my doubts about whether or not it is
possible to achieve a complete move from manic defense to mourning.
self-revealing remark (Singer 1977). Renik claims that ‘‘anonymity for the
analyst is impossible, not only complete anonymity but any anonymity at
all’’ (1995, p. 468). Some authors claim that every intervention hides some
things about the analyst and reveals others (Chused 1990; Greenberg 1991).
In this case, I could give voice to the patient’s longing for love with-out
revealing my own longing for love. But the self-revealing aspect of the
intervention made the patient realize that her hungry need for physical
closeness and the pain and rage consequent to its lack resonated in me.
Only later in our work did we understand that underlying Deborah’s
unconscious wish to show me her vagina and to look at mine, was her
deeper need for a mutual relationship in which she had to ‘‘discover’’ my
feelings in order to get in touch with her own.
in Ogden 1999, p. 16). I believe that the analytic discourse in this case
enhanced the capacity of the patient to experience the ‘‘joys and grieves’’
of human emotion.
UNRESOLVED
MOURNING AND ITS
BEARING ON SOCIETY
Introduction
71
72 INTRODUCTION
NOTES
1. In ‘‘Groups psychology and the analysis of the ego,’’ Freud (1921) distin-
guished between individual psychology—that is, concerns of the individual that
relate to the gratification of and defenses against instinctual drives and wishes—
and group psychology. Freud began by examining the late-nineteenth-century
theories of the French sociologist Gustave Le Bon, who postulated that an
individ-ual within a group loses much of his distinctiveness and acts instead in
accordance with the homogeneous urges that unite the group (p. 234). Freud
stated that the group was different from the sum of its parts.
4
7
3
74 CHAPTER 4
myself. I had not forgotten the language, since it was the language I had
spoken at home with my parents in Israel throughout my adolescence, but
I had never acquired a more sophisticated Romanian in adulthood.
I was aware that my feeling of intimidation stemmed from a very deep
personal experience from childhood that echoed inside me from our first
encounters. The Romanian language represented a world of purely private
experiences for me. The story in the family was that although my parents
spoke German at home, I preferred to speak Romanian, which I had learned
from my nanny. The nanny was a very devoted Christian Advent-ist who had
taken care of me as a child and had showered me with love.
Although I have conducted analyses in foreign languages that I
learned to speak later in life, nothing was further from my professional
world than the language of my childhood and adolescence. Would I be
able to con-duct analysis in this language, so distant from my
professional work? It became clear to me that by accepting my patient’s
terms, I had lost the asymmetry necessary for a therapeutic relationship
(Zac de Filc 1992). Moreover, my simple, unsophisticated language
placed me in the position of a child, especially when confronted with the
elegant language of my ‘‘grown-up’’ patient. I began to wonder whether
this unusual situation, in which the therapist finds him- or herself
linguistically disadvantaged, with all its emotional implications, might
not have a negative effect on the treatment. What had I compromised by
accepting, albeit with some mis-givings, my patient’s request, I asked
myself. On the other hand, didn’t my patient have a right to treatment, in
spite of being a new immigrant to this country and not having command
of the local language? Did I have the right to condemn her to silence and
a childless fate, without giving her the opportunity to struggle against it?
I will not describe the entire course of this long and complex analysis.
Instead, I will focus upon Anna’s identity problem, which had become even
more pronounced as a result of her immigration to Israel. I will then deal
with the working through of her incomplete mourning for her par-ents, the
postponement of which had been aggravated by her immigration.
From the beginning of her treatment, I was aware of Anna’s nostalgia for
the country she had left behind. Anna’s memories centered more on places
than on people. She recalled the houses, cafe´s, street corners, hills, and
countryside of her homeland. During her sessions, my office was filled with
the colors, sounds, and smells of places familiar to both of us from
76 CHAPTER 4
brilliant medical student, fulfilled her mother’s dream. Anna was very
attached to her mother and did everything she could to make her happy.
When she was an adolescent, Anna occasionally visited her father.
Anna liked him; he was very charming and seductive. He took her to
concerts where he presented her as his young mistress and invited her to
restau-rants with his friends. After a while, her father became very
depressed. He became an alcoholic and abandoned his work at the
orchestra. Two years after her mother’s death he was found dead in his
apartment, probably as a result of alcohol and drugs.
During the year of her mother’s illness, Anna took constant care of
her. Though trying hard to study as well, she was unable to concentrate.
Her mother died and Anna failed her final exams.
Anna left home after her mother’s death and moved to the city. Her sister
was already married with children. Anna felt completely abandoned and was
unable to mourn her mother or, later, her father. She had an unhappy affair
with a man she did not love, followed by an abortion. Anna was depressed,
unable to continue her studies or find work.
In the midst of this chaotic, fragmented life, she regained control of
her faculties and decided to reregister at the university to retake the
courses she had failed. There, she met a young man, her future husband,
who gave her much love and support. The relationship had parental
aspects that Anna very much needed. She loved her husband, and they
decided to-gether to immigrate to Israel and build a new life.
Anna’s maternal grandmother, who lived in Romania, died while
Anna was in analysis. This event put Anna in touch with a great deal of
grief and pain. Working through this powerful outburst of mourning in
analy-sis made Anna aware that she had never actually mourned her
parents. Anna expressed a wish to visit her parents’ graves, as well as
that of her grandmother, to whom she had been very attached. I felt that
Anna had to go back to her country of origin in order to complete her
work of mourning. She had to mourn her lost beloved ones, as well as the
parts of her own self that had remained there. Anna longed to see the
color of the trees, the familiar streets and houses, and her childhood
home. She also wanted to visit her sister and family, to bring them
presents from Israel, and to bring back some of her personal belongings
that she had left be-hind. In analysis, I felt that Anna was asking me to
give her the courage and support to undertake the visit.
ROMANIA AND ITS UNRESOLVED MOURNING 79
When Anna returned to analysis three weeks later, after her visit, she
looked different. The depression that had accompanied her before was gone,
and it was replaced by a statement of loss and pain. During this period, we
were able to work through her love and longing for her mother, as well as
her anger at being abandoned by her when she was so young and helpless.
We discovered that behind the bitterness toward her abandoning father were
feelings of pity and sorrow, as well as love and admiration.
Much psychic work was needed for the completion of Anna’s work of
mourning. The elaboration on the visit to her parents’ graves, its emo-
tional meaning, and the separation from her parents preoccupied us for an
entire year. At the end of this year, Anna came to her session smiling and
asked me if I was ready for a surprise. Radiant with happiness, she broke
the good news: ‘‘I am pregnant,’’ she said, ‘‘and it took me only one
month.’’
Anna was elated, and I rejoiced in her happiness. I accompanied Anna
through her pregnancy, which included all of the normal anxieties and
expectations of a young mother. Knowing that she would have a boy, she
raised the question of circumcision. (Jewish males are circumcised at the
age of eight days, this being considered a sign of the covenant between
the God of Israel and his people.) In the end, she made her decision: ‘‘I
want my boy to be circumcised. He lives in this country, and he will be
like everyone else.’’ Her husband was of the same opinion.
When her analysis ended some months later, Anna promised to come
back and visit me sometime. She indeed came to see me two years later
with a most adorable toddler. She had completed her internship, had
begun working as a psychiatrist, and the family’s economic situation had
improved. She had recently heard from some colleagues that I was plan-
ning to go to Bucharest for work and she was very excited about that. ‘‘I
would very much like to go with you, to take you around, to help you
there,’’ she said. ‘‘You helped me go back and find myself. You gave me
a lot and I would have liked to reciprocate,’’ she added in her beautiful,
elegant Romanian.
In the autumn of that year, thirty-six years after leaving the country, I
returned to Romania in a professional capacity. A colleague met me at the
airport and, at my request, we immediately set out to find my childhood
home. We reached my old neighborhood that was so familiar to me, and
80 CHAPTER 4
I easily found my way around. I looked at the houses, churches, and streets
that were imprinted upon my memory and walked about as if in a dream.
When I arrived at the square where my parents’ house was supposed
to be, I was struck by the strange sight that unfolded before my eyes: The
left-hand side of the square looked the same as I remembered it, but the
right-hand side, where our house once stood, had changed completely.
Stunned, I stood in front of the square, asking myself over and over
again, ‘‘But where is the house? Where is it?’’ My colleague, who had
already warned me that parts of Bucharest had completely disappeared
during the rule of Nicolae Ceausescu, patiently explained to me what I
already knew. Ceausescu, the former dictator of Romania, had destroyed
entire neigh-borhoods; beautiful historical buildings and churches that
had given the city its very special character had been torn down
indiscriminately. In their place, architectural monsters had been erected,
their ugly grandiosity reminiscent of the Fascist era, as well as of
Ceausescu’s megalomaniacal wishes, ruthlessness, and oppression.
The same traumatic experience confronted me when I attempted to
find my grandparents’ house. The house, which had also served as a
syna-gogue in the Jewish community and in which I had lived until the
age of four, held some of my earliest memories. I still remembered the
sun shin-ing through the leaves of the tree in the big yard where I played.
I also remembered the Torah scroll in the synagogue, as well as my
grandmoth-er’s big kitchen where, as a young child, I enjoyed cooking
with her. This house had been the container of feelings of warmth and
love, and my memories of it had served as a source of strength and
courage during dif-ficult moments of my life.
Staring at the new surroundings for some time, I realized that both my
parents’ and grandparents’ houses had vanished into thin air. Feelings of
anger overwhelmed me. After working them through, they gave way to
feelings of sorrow. I felt as if the houses were parts of myself that were
irretrievably lost. I became aware that, although I had done much work of
mourning throughout my life, it was far from complete. Working through
my mourning, I thought often of Anna, my Romanian patient. I realized
the impact that the treatment had had on both of us. Not only had I
helped Anna in the search for her self but, by assisting her on her journey
back to her homeland, I myself was better prepared for the visit back to
ROMANIA AND ITS UNRESOLVED MOURNING 81
away from them. We should find better ways to deal with that, but it is also
vital that we prevent others from becoming street children. As you know,
there are lots of families in Romania with problematic children who are not
on the streets, and these children have no place to turn for help,’’ she said.
This is very true, I thought, and I wondered what was happening to those
children who did have families, food, and clothing, but who were also
suffering from psychic problems. Their future is grim, and they may end up
becoming thieves, criminals, psychotics, or drug addicts. Shouldn’t we use
our knowledge and experience to avoid such catastrophes that could affect
their lives and the shape of an entire society?
Leaving Romania for Hamburg to work with my colleague and friend
Professor Peter Riedesser, I shared with him the dream of setting up such
a center in Bucharest. Peter, a man of vision, enthusiastically became part
of this enterprise.
I will not go into the details of the long journey we both made in order
to realize this dream. Suffice it to say that after the many difficulties and
disappointments that we encountered along the way, there were people
who had faith in our work and goals, and who helped us set up the center
in Bucharest.
During my many subsequent visits to Romania, I supervised the work
of the staff as well as the center’s activities and goals, and I learned how
Romanian society had reacted to the abrupt change from a totalitarian
Communist regime to a Western lifestyle. Discussions with friends, col-
leagues, and students showed me that the general feelings toward the
total-itarian regime were disappointment, hatred, and impotence. In spite
of this, the Romanian people still felt some yearning for the past. This
phe-nomenon is frequently found in many countries that become
westernized. What is unique about Romanian society is that it suffers
from a state of unresolved mourning for a dictator who they themselves
eliminated. This pathological mourning for old values and for the image
of the lost dictator made it more difficult for Romanian society to
integrate the new attitudes and values of the new era.
Entering a new era, Romanians were first forced to reevaluate old
prin-ciples and adapt to different values. They could envision promising
oppor-tunities, but these were accompanied by alien, burdensome
requirements. They had to abruptly exchange the rituals and teachings of
a familiar cul-ture for a new, unfamiliar situation (Kahn 1997).
ROMANIA AND ITS UNRESOLVED MOURNING 83
DISCUSSION
In my discussion, I first focus on the impact that emigration had on the
sense of identity and the mourning process of the patient described in the
first part of this chapter. I then briefly relate this process to mourning
processes on a societal level.
84 CHAPTER 4
The Romanian people never fully realized that, although the reign of
Nicolae Ceausescu had ended, his ‘‘sons’’ had not only ‘‘murdered’’ him
but also kept him alive. Having ruled the Romanian people for two dec-
ades, Ceausescu had become a part of them. With his death, a part of
each Romanian also died (Grinberg 1964), but their shame of being
associated with him and their hidden guilt for ‘‘killing’’ him had to be
denied. How-ever, through their identification with him they were also
keeping the dic-tator alive.
In June 1990, nationalists launched a weekly publication called Roma-nia
Mare (Great Romania), a reference to the centuries-old traditional ral-lying
cry of Romanian nationalists before Ceausescu’s rise to power. The paper,
which developed the largest circulation of any Romanian weekly newspaper,
succeeded in keeping Ceausescu ‘‘alive’’ through an undis-guised nostalgia
for his regime. In the year 2000, the head of this weekly publication,
Corneliu Vadim Tudor, became the head of the largest oppo-sition party to
the new government, almost endangering its existence. The party received a
great number of votes, promising to ‘‘purify’’ Romania of the gypsy
population, the Hungarian minority, and the Mafia, while emphasizing
Romanian nationalism. Despite the fact that the NSF was re-elected, the
rejection of democracy by many Romanians and the longing for the past
dictatorship became quite obvious. By identifying with the aggressor, the
Romanians had internalized the image of the dreaded leader and made it part
of themselves (Volkan 1998).
As in the case of my patient and myself, the efforts and willingness of
my Romanian colleagues to accompany me on my journey back to my
childhood may perhaps be viewed as an expression of their own need to
search for their past in order to complete their own work of mourning.
5
Over the last twenty years I have dealt with the subject of
intergenerational transmission of the Holocaust trauma and its impact on
the lives of Holo-caust survivors’ offspring, approaching it from different
angles. In this chapter, I focus on a substitute-for-mourning mechanism
expressed through enactment (termed concretization by Bergmann
[1982]). This phenomenon is often found in cases of children of
survivors, especially in the initial stages of their analysis.
I first define enactment, and then discuss it within the context of the
existing literature. I show the aspects of it that are unique to Holocaust
survivors’ offspring, highlighting its function of avoiding mourning and
pain. I illustrate this with clinical material taken from some of the case
studies that I have published (Kogan 1987, 1989, 1993, 1995). Finally, I
offer some technical suggestions that may be used by analysts to help pa-
tients understand the origin of enactments connected to their parents’
traumatic past and facilitate their road to mourning and to the achieve-
ment of a better integrated self.
DEFINING ENACTMENT
Enactment, putting into action, is a nonverbal behavior that reflects what
occurs between patient and therapist in the analytic situation, with the
emphasis on the way the analyst participates in the process. This may be
compared to acting out and acting in. Acting out is the attempt to avoid
painful knowledge in treatment by means of acting instead of remember-
ing and communicating. Acting in is defined as acting in the transference;
89
90 CHAPTER 5
it may be the only way available to the patient to relive an experience and
to convey it to the therapist. The fact that the term enactment was coined
only during the last decade and a half (much later than the other two
terms) reflects the development and change that took place in psychoana-
lytic thinking in this regard. Eshel (1998a) refers to these changes in her
excellent review of enactment, which I briefly summarize below:
Freud’s dual attitude to acting out has been dealt with by other psycho-
analysts. For example, Etchegoyen (1991) agrees completely with Freud’s
earlier notion of acting out as resistance to treatment. On the other hand,
Boesky views acting out as totally necessary for the working through proc-
ess, which he believes ‘‘can never happen without acting out since in this
sense the whole transference is ‘acting out’ ’’ (1982, p. 43–44).
Toward the end of his life, becoming more aware of the close relation-
ship existing between transference and acting out, Freud showed
evidence of a more positive attitude toward acting out. He indicated that
communi-cating through acting was at least as valid as communicating
through re-membering: ‘‘Another advantage of transference, too, is that
in it the patient produces before us with plastic clarity an important part
of his life story, of which he would otherwise have given us only an
insufficient ac-count. He acts it before us, as it were, instead of reporting
it to us’’ (1940, p. 175–76).
This newer attitude of Freud’s, as well as the more recent attempt in
psychoanalytic literature to give greater legitimacy to acting in psychoanal-
FROM ENACTMENT TO MENTAL REPRESENTATION 91
ysis, led to the appearance of two new concepts, acting in and enactment.
These two concepts viewed acting in analysis as a way of remembering
and expressing, and as a nonverbal way of communicating, rather than as
a way of avoiding painful knowledge, as in the case of acting out.
Defined as ‘‘acting in the transference’’ or ‘‘acting in the analytic
situa-tion,’’ acting in has been considered a useful concept by some
analysts (Hinshelwood 1989). A problematic aspect of this concept,
however, is that it is defined by a local or technical situation rather than
by a theory or metapsychology (Etchegoyen 1991; Laplanche and
Pontalis 1973). Con-sequently, a further concept was coined in the last
decade—enactment. First suggested by Jacobs (1986), enactment was
accepted as a far more useful concept than acting in, which was
contaminated by the negative connotations involving resistance to
treatment that were attributed to act-ing out. Enactment differs from
acting out in that it is primarily an inter-active concept, reflecting what
occurs in the relationship between patient and analyst, and stressing the
analyst’s participation in the process (Schafer 1982).
With the continuing development of psychoanalytic thinking, the con-
nection that was postulated between acting out and early, traumatic, non-
verbal experiences reinforced the communicative aspect of this phenomenon.
In cases of trauma, for example, acting out was seen as the expression of an
inner experience. This connection between acting out and trauma was first
made by Fenichel (1945), followed by Greenacre (1950, 1963), Bion (1962),
Rosenfeld (1965), and Meltzer (1967). Kinston and Cohen linked acting out
with trauma and ‘‘primary repression,’’ seeing it as a manifesta-tion of a
‘‘catastrophic, unthinkable, past-but-ever-present trauma and as-sociated
confusion, terror and hopelessness’’ (1986, p. 339).
I define enactment, in the context of the Holocaust, as a general term
that includes the attributes of both acting out and acting in. In this sense,
enactment may serve the purpose of avoiding painful knowledge and
memory (similar to the objective of acting out), while at the same time it
is the only way available to the patient to relive an inner experience that
he wants to convey to the therapist (as in the process of acting in).
My usage of the concept enactment in the context of the Holocaust differs
from that of analysts’ who primarily stress its interactive aspects. These
analysts believe that enactment (or actualization, as it is termed by Sandler
and Sandler 1978) reflects what occurs in the relationship between
92 CHAPTER 5
patient and analyst and the analyst’s part in the process (Schafer 1982;
Chused 1991; McLaughlin 1992; Renik 1993; Jacobs 1991, 2000). I am
de-fining enactment as the compulsion of Holocaust survivors’ offspring
to recreate their parents’ experiences in their own lives through concrete
acts. Thus, enactment refers only to the externalization of traumatic
themes from the past and not to what occurs in the relationship between
patient and analyst in the analytic situation.
CLINICAL EXAMPLES
Rachel1
Rachel was the daughter of a man who had survived the Holocaust, but
whose first wife and child had perished. Rachel’s father kept the loss of his
first family secret from his second wife and children. He never spoke about
his bereavements and injuries, but worked hard and advanced himself. At the
age of twelve, Rachel became anorectic. By means of her anorexia, she
enacted a fantasy world belonging to her father’s traumatic past: She at-
tempted to starve herself and survive, just like the people who had sur-vived
the concentration camps (Kestenberg 1982).
At the age of thirty-one, Rachel went to Israel, where she fell in love
with a painter who was on the verge of divorce. This man was the father
of a two-year-old child whom he had left with his wife in another
country. In choosing a man who had left his wife and small child in a
faraway coun-try, Rachel was attempting to reenact an aspect of her
father’s past in her own life.
The following episode of enactment, which occurred during Rachel’s
analytic treatment, illustrates her identification with the roles of victim/
killer (belonging to her father’s traumatic past) as well as the meaning of
this enactment in therapy. Rachel had adopted a kitten that served as a
substitute child for her. As she was planning to be out of town for a day,
she cancelled her analytic session, locked the kitten in the bathroom, and
left the heater on so it would not be cold. When she returned home, she
found the animal lying dead near the heater. Rachel thought that since the
kitten had recently suffered from diarrhea, it had died of dehydration
from the heat. She buried it, thinking of the many soldiers who had died
in battles. That night she forgot to turn off the gas heater in her living
room. She awoke the following morning to a strong smell that made her
aware that the gas had been on all night.
FROM ENACTMENT TO MENTAL REPRESENTATION 97
Hannah2
Hannah was a foreigner living in Israel who sought analysis because of
feelings of derealization and an inability to cope with life. She was the
daughter of a Holocaust survivor whose first wife had perished in the Ho-
locaust and who had spent much of the war in hiding. He had suffered from
masked depression throughout his life, and had never disclosed his past to
his new family. But during the first year of analysis, Hannah heard through a
cousin about his first wife and how she had died. The secret was at long last
revealed to his wife and children, and Hannah’s father donated a sum of
money to an institution in Israel in his first wife’s memory.
Following this, there were many episodes of enactment, which ex-
pressed Hannah’s unconscious attempt to re-create the fate of her father’s
first wife in her current reality. Furthermore, the fact that she was living
in Israel, surrounded by Arab hostility, was very much connected to her
98 CHAPTER 5
Kay3
Kay was the stepdaughter of a Holocaust survivor who had been cas-
trated by Mengele’s doctors. Kay communicated with me (in the first phase
of treatment) through infantile drawings. One of her pictures, bear-ing the
title ‘‘Electricity,’’ depicted a man with a wiry flower emerging from his
head. Only at a later stage in analysis, when Kay was able to com-municate
with me verbally, were we able to understand her unconscious fantasy: The
flower of death symbolized her stepfather’s traumatic experi-ence of having
to avoid death by spending an entire cold night standing naked between the
electric wires of the concentration camp.
Kay was referred to treatment after attempting to jump from the eighth
floor of a building. In analysis, we were able to understand her attraction
to death by jumping off high places as an attempt to enact the torment
associated with her stepfather’s survival and close encounters with death.
For her stepfather, falling would have meant touching the wires,
electrocu-tion, and a horrible death. When Kay went up to the eighth
floor, intend-ing to throw herself out of the window, she was convinced
that she would survive. Her delusional, paranoid fantasies of magically
and omnipotently conquering death were endangering her life.
The following episode illustrates Kay’s compelling need to enact the
reparation of her stepfather’s castration upon her own body. After my
summer holiday, she informed me that she had undergone breast surgery
100 CHAPTER 5
during my absence. She stressed the fact that she had chosen to do it
when I was away because she did not want to cancel her sessions after I
returned home. Elaborating, she explained to me that the operation was
the ful-fillment of a wish she had had since she was young—to enlarge
her breasts with silicone implants.
Kay had visited a doctor who examined her breasts, after which he de-
scribed them as empty rather than small. He indicated that an operation
was possible but was not without risks. She was warned of the possibility
of her body rejecting the silicone, a condition that is accompanied by tis-
sue inflammation, fever, and pain, and one that would necessitate further
operations. She was told that she might never be able to breastfeed a
child. Despite being terrified of these prospects, Kay nevertheless
decided to go ahead with the operation. She was referred to a shop where
she was mea-sured for implants and selected them from a catalogue,
choosing a me-dium size, which she felt would make her look much more
like a whole woman.
Kay came to analysis on the appointed date, two weeks after her opera-
tion. She entered the room walking upright and, pulling her blouse against
her breasts, asked if I could see any change. Only afterward, when lying on
the couch, did she tell me the whole story. She was overjoyed and stressed
her satisfaction with her ability to conquer her fears.
In my countertransference feelings, I felt a heavy weight burdening
my heart. This made me aware that Kay was not in touch with her
sadness, which was conveyed to me by massive projective identification.
Attempt-ing to understand what had compelled her to do this deed during
my ab-sence, I pointed out to Kay that she had begun feeling that her
breasts were empty only when I was not around, when she wasn’t getting
the feed-ing and support from our regular sessions. Kay laughed a short
laugh and then confirmed my hypothesis in an angry voice, ‘‘I don’t need
you; I don’t need anybody. I want to depend only on myself.’’
I showed Kay that her need to ‘‘fill’’ her breasts stemmed from her
anger and frustration at feeling abandoned by me. Gradually, she became
aware of these feelings and accepted them. Working through these
feelings in the transference led her to reveal her fantasies of flirting with
death on the operating table. She had undergone the operation in order to
repair her femininity, but thought she might die as a result. Of course, she
now felt that she had once again overcome a terrible danger.
FROM ENACTMENT TO MENTAL REPRESENTATION 101
Kay associated her victory over possible death on the operating table
with a story from her stepfather’s life. After the war, he had met one of
the few other men who had survived castration in the Mengele experi-
ments. The man told Kay’s stepfather about a Jewish doctor in Paris who
performed restorative surgery on these people—that is, implantation of
testicles—free of charge. Her stepfather decided to go to Paris and have
the operation. It was successful and he was able to resume sexual
relations with women, though he remained infertile.
Kay and I then began to find out what was filling her psychic hole, the
unconscious fantasies that compelled Kay to enact her stepfather’s life
story on her own body. I pointed out to Kay that she might have been
trying to implant her femininity into her breasts in the same way that her
stepfather had had his manhood implanted into his empty testicle sacs.
A pregnant silence filled the room as Kay absorbed my words. Then,
understanding the meaning of her choice to undergo surgery, she was
overwhelmed by a powerful surge of emotion. It took us a long time to
work through the feelings of fear, depression, and pain that replaced her
euphoria. Furthermore, we tried to elaborate on the complex needs she
had expressed through her deed. Consciously, she was trying to attain a
better, repaired sexuality. Unconsciously, she was attempting to endanger
herself in a concrete way, to come as close as possible to an imagined
death in order to omnipotently overcome it.
Kay did not know many details of her stepfather’s experiences during the
Holocaust, because he kept them mostly to himself. The atmosphere at home
was one of silence, concealing a past full of terror and violence. Her
stepfather had been writing his memoirs of the Holocaust for the last twenty
years, but Kay had never had the courage to ask to see them. In analysis,
after working through her fear of discovering what had really happened to
him, and encouraged by my supportive attitude, she decided the time had
come to do so. To her great surprise and excitement, her stepfather sent her
his complete autobiography, which he had dedicated to his adopted children.
Kay read it avidly, and brought it to me so that I too could read it. I did that,
feeling that I had to participate in this action; thus, I ‘‘actualized’’ (Sandler
and Sandler 1978) her wish to make me her partner in ‘‘the search for the
self through family secrets’’ (Gampel 1982).
The elaboration of this episode enabled us to begin an exploration of
the way Kay had communicated with me during the first part of treat-
102 CHAPTER 5
ment, and the way she had lived her life until then, using her body to
express unconscious fantasies pertaining to bodily sensations, anxieties,
and emotions that were experienced by her stepfather during the Holo-
caust.
We could now understand her constant preoccupation with her body—
physical fitness, weight, and muscle tone—as part of her survival
complex. It was based on her unconscious fantasy that ‘‘I feel my body,
therefore I exist.’’
All through her treatment, Kay complained at length about her defec-
tive sense of smell. Only now could we make the connection to her
stepfa-ther’s story about the awful stench emanating from people dying in
their excrement and vomit, not being able to make it to the public latrine.
Thus, impairment of the olfactory sense became a survival mechanism
for him. Kay’s constant state of hunger, as well as her suffering from cold
and her inability to find suitably warm clothing, were primary aspects of
her step-father’s wartime experiences as well.
Kay had a fear of incontinence (which she showed by often running to
the toilet during sessions). In this regard, she brought up a story of woe
and humiliation from her stepfather’s memoirs: ‘‘Father stood for hours
at roll call, peeing in his pants, knowing that any movement could incur
the death punishment.’’ Urine was the substance used by her stepfather to
treat a wound on his leg caused by a brutal kick from a German soldier.
During this phase of analysis, in which she recounted these stories,
Kay felt that she was treating the wounds in her soul with bits of
information from her repressed consciousness, things that she had known
but had for-gotten over the years.
by the Nazi doctors and Hannah’s agreement to become the editor of her
father’s autobiography of his Holocaust past.
The construction of an unbroken narrative—one that fills the gaps in
the child’s knowledge, that makes it permissible to mention the unmen-
tionable, that interweaves the awareness of the realities and horrors of the
Holocaust with the present—enables the offspring of survivors to gradu-
ally gain some comfort from the split-off knowledge, which has been
accompanied by unacknowledged affects and fears. The events and narra-
tives that formed the starting point of the child’s traumatic wound can be
reconstructed, so that the split-off and diffusely reenacted memory frag-
ments from a persecutory world are elucidated. Thus, the interpretation of
fragmentary, defensive reenactments leads patients to an awareness of the
reality of the trauma—an awareness that becomes part of their flow of
life. Although, this is only a beginning phase of treatment, the patient will
now be able to at least partially relinquish his struggle against mourning.
The work of mourning that continues during the latter phases of analysis
will eventually free him from the burden of the past and will enable him
to achieve a stronger, better integrated self.
NOTES
which have broken in and of binding them in the psychical sense, so that they
can then be disposed of.’’
In the recent literature (Garland 1991, 2002), binding is described as a process
by which the ego creates links between the freeflowing excitation and functions
of the mind. In this way the ego attempts to recreate structures of some
permanence in which ego functioning is possible.
6
Trauma, Resilience,
and Creative Activity
Unlike play, artistic creativity involves much pain.
—Segal 1991, p. 108
107
108 CHAPTER 6
ture by Boris Cyrulnik (1993, 1997, 1999, 2001, 2003, 2004), the
president of the International Observatory of Resilience at the University
of Toulon, France.
Resilience, which reflects the strength of the human spirit, is an objec-
tively useful concept that may also include elements that can mitigate the
long-term effects of severe stressors, as I discuss in this paper.
How can we explain resilience in the face of adversity? Endowment,
temperament, and familial or environmental factors that preceded perse-
cution may be advanced to explain resilience-producing traits. An
individ-ual’s intrapsychic structure may also contribute to this resilience.
It is important to note that resilience in one area of functioning is not
neces-sarily indicative of resilience in all areas (Rutter 1993). Rutter
(1987) maintains that resilience is not a fixed attribute, but rather that it
hinges on a balance between the mechanisms and processes of protection
and vulnerability. The factors affecting a person’s resistance to adversity
are both environmental and constitutional and may change over time,
making it impossible to distinguish between what may be attributed to the
envi-ronment and what is constitutional.
In this chapter, I explore one of the pivotal factors of resilience—
creative activity—as it is manifested in the analysis of a Holocaust
survivor offspring and its connection to mourning. The intimate
relationship be-tween creativity and resilience in stressful situations is
such that the more we master creative problem-solving skills, the more
we will be able to re-spond to stressful situations (Flach 1988).
In the case of offspring of Holocaust survivors, I define resilience as
the offspring’s ability to acknowledge and work through the guilt and
mourn-ing deposited in them by their parents. Managing emotional pain
is most difficult, calling for such survival forces as faith, hope, and the
will to live. Creativity may serve as a tool to facilitate acknowledgment
of the painful feelings transmitted by the parents. By working through the
hidden truths discovered through creative activity, the offspring are able
to bind it (see note 4 in chapter 5) in a meaningful context.
Vulnerability, as I define it here, includes the denial and repression of
cognitions, emotions, and meanings inconsistent with survival and hope-
ful attachment figures, which may lead to the failure to recover from
trauma. Herein, I first relate briefly to the generation of the parents,
touching on their vulnerability and resilience. I then consider in greater
TRAUMA, RESILIENCE, AND CREATIVE ACTIVITY 109
The Case
Shelly, a thirty-two-year-old woman, sought professional help because
she had lately become unhappy with her life and work. She had been
mar-ried for seven years, had two sons (aged four and six), and worked as
a scientist in a large institution. She disliked the institution where she
TRAUMA, RESILIENCE, AND CREATIVE ACTIVITY 113
coming separation (see drawing 1, ‘‘Airplanes that take you away from
me’’ and drawing 2, ‘‘Shelly with the ropes’’).
Shelly wrote a poem about these two drawings:
Shelly associated these ropes with the umbilical cord. Through these
poems and drawings, as well as through her dreams from this period, we
came to understand that Shelly was reacting to our separation with tre-
mendous fear and anxiety. Recurrent themes in her dreams revolved
around her children who were in danger of being hurt or lost. Shelly felt
that my going away meant leaving her alone to cope with death and de-
struction.
Some of the drawings she brought to the sessions enabled us to
discover the damaged child within herself (see drawings 3 and 4, ‘‘The
damaged child’’ and drawing 5, ‘‘The child’s head—a pot filled with
earth and a tree growing out of it’’).
These drawings helped Shelly recall once more the various episodes
of self-destructiveness from her youth described by her at the beginning
of the treatment, her attraction to death, and her fear of it. Only later on
in analysis could I help Shelly become aware that the pot filled with earth
could indeed symbolize death, but the tree growing out of it, the symbol
of life, showed her resilience.
In the transference, Shelly’s aggression and wrath, which had been
evoked by my plans for going abroad, had no limits. An episode from this
period illustrates this. Shelly referred to a Band-Aid I had had on my cheek
TRAUMA, RESILIENCE, AND CREATIVE ACTIVITY 115
some weeks prior to the current session, following a skin operation, and
said, ‘‘Two weeks ago I saw a Band-Aid on your cheek and I decided
that you were going to die; now you are going abroad. I would rather
have you dead than going away!’’
In my countertransference, I felt that Shelly had intruded into my ‘‘pe-
rimeter of safety’’ (McLaughlin 1995), especially since my skin
operation had actually been a biopsy that had turned out to be benign.
What a cruel, ruthless love this is! I thought to myself.
I first had to work through fears of my own evoked by her ‘‘need-
relationship’’ (Winnicott 1964) in order to enable Shelly to elaborate
upon her feelings toward me, which were a reflection of her painful and
com-plex relationship with her mother. After much psychic work, Shelly
ar-rived at the following conclusion, which she expressed through a
poem. ‘‘You said that behind this big love for you there is a lot of anger. I
wrote a poem about devouring love.’’
sonous’’ to her own children. The grandmother, who had suffered many
losses, might have been projecting her burden of depression and guilt
upon her daughter, who bore this burden for her. Shelly’s mother, unable
to contain the guilt and pain within herself, projected it onto her own
child, thus turning the daughter into a container of pain (Bion 1962). This
can be seen in particular in one of Shelly’s drawings (see drawing 6,
‘‘Mother, child and the demon’’) and the poem that she wrote about it.
Shelly connected the demon inside her head, which was persecuting her
mother, to the Holocaust. She felt that this demon was now engraved on
the child’s arm (here came to mind the numbers engraved upon the arms
of concentration camp inmates). Thus, Shelly saw herself as this child
who was bearing the mother’s feelings of mourning and guilt. (Upon
rereading my original wording of this family history, I observed that I
had written it in a rather confusing way, and I realized that there was no
differentiation in my own mind as well between mother and daughter.)
Shelly brought to the sessions a drawing of a woman with one face su-
perimposed upon another (see drawing 7, ‘‘Woman with two faces, one
superimposed upon the other’’).
In the transference, Shelly referred to her ambivalent perception of me.
‘‘Sometimes I think that you are the best analyst around, that I was lucky
that you accepted me in treatment; other times I think you are worthless, and
that maybe you are crazy, like my mother.’’ Elaborating upon our
relationship in the treatment, we discovered that in this painting she had
superimposed the successful outward facade of her scientist mother upon a
sick woman. Her mother suffered from many physical illnesses and had
undergone several operations. There were times when she experienced what
could very probably have been psychotic episodes. Shelly described
occasions when her mother had been totally unkempt, wearing dirty clothes,
and leaving sanitary napkins around the apartment. Her mother
TRAUMA, RESILIENCE, AND CREATIVE ACTIVITY 117
would dismantle kitchen utensils in order to clean them, and could never
put them back together again, thus giving concrete expression to her feel-
ings of fragmentation. There was little communication between Shelly’s
mother and her children. Whatever needed saying was communicated via
the father. The mother was often haunted by paranoid delusions; she was
afraid that she was feeding her children spoilt food that would poison
them, that hereditary illnesses might destroy them. Catastrophe and death
were always looming on the horizon. Shelly often felt abandoned by her
mother, both physically and emotionally. These situations left her feeling
terrified, threatened by annihilation. As a result of her childhood experi-
ences, Shelly was extremely afraid to leave her own children for even a
short while. For her, leaving as well as being left meant abandonment and
destruction.
The drawing of the woman with one face superimposed on the other
enabled us to discover that Shelly, too, had more than one face. Shelly was
not only the damaged child, as seen in the previous paintings; by com-pletely
identifying with her mother, she herself became the poisonous, de-structive
mother. Her paranoid fears often changed into paranoid delusions about
destroying her own children, and she was terrified that she might harm them
(see drawings 8, 9, and 10, ‘‘The castrated child’’).
The ‘‘primitive identification’’ (Kogan 1995, see previous chapter)
with her mother included a state of pathological mourning (Freud 1919).
The long journey of working through this mourning began with the
discovery and elaboration of the hidden truths embedded in her paintings.
We elaborated upon Shelly’s morbid feelings by reexamining her
paint-ings from earlier stages of analysis. An example of this was the
painting of the child with a pot of earth in its head and a tree growing out
of it. Shelly now connected it to a grave, to death, and the Holocaust. She
felt an aban-doned child, helpless and overwhelmed by archaic fears,
because the child inside her, like the one inside her mother, bore the
death and destruction of an abandoned family upon its head.
By elaborating upon her poems and pictures we were able to discover
her longing for fusion with me (her mother in the transference) as well as
her fear of it. Shelly became aware of her special link with her mother
that enabled the transmission of feelings of anxiety, anger, and
destructiveness as if through a permeable membrane. Shelly realized that
these might have been her mother’s feelings, which became her own.
118 CHAPTER 6
haps I was the doctor who was treating the infant inside her, and that she
was allowing herself to long for my love now that she was less afraid of
this longing.
This elaboration led to an upsurge of loving feelings toward her
mother. On the occasion of her mother’s birthday, a close friend of the
family brought some letters Shelly’s mother had written to her from the
United States. She was then a young woman with three little children,
working hard for her Ph.D. in physics. Shelly read these letters avidly
and was very impressed by the fact that her mother loved and cared for
her, a fact she had not realized before.
Memories about the mother of her childhood were evoked, and with them
feelings of admiration for the talented woman her mother had once been.
Shelly remembered that, in addition to being a gifted scientist, her mother
had had a great talent for architectural design, with no formal studies in this
field, and she had created beautiful interior designs for their house as well as
for their friends’ houses. Shelly now raised the possibility that she might
have inherited her talent for painting from her mother.
At one point Shelly’s mother was hospitalized for a hip operation. It
was then that Shelly became aware that her anger toward her mother par-
tially stemmed from her fear of losing her. After she recovered from the
operation, though still on crutches, her mother insisted on visiting Shelly,
in spite of the fact that this meant climbing three flights of stairs. Shelly
appreciated her mother’s effort and regarded it as a sign of her love.
Shelly brought to the session a diary that she had kept when she was
ten years old. In this diary she found a story that she had written about
her mother. The mother, who was a little girl in the story, and the moth-
er’s little sister went on an outing in the forest with their parents. Shelly’s
mother did not watch over her sister carefully enough, and the sister got
lost in the forest. Her mother grew up and remained sad over losing her
sister. In her story, Shelly tried to repair this traumatic event: Her mother
went back in time and became anew the child who went with her family
on outings to the forest. Shelly warned her mother to take good care of
her sister. Thus, the mother got a second chance to save her sister and
became much happier.
Shelly’s story expressed her childhood wishes and fantasies of curing
her depressed mother and making her happy. In her associations, Shelly
talked about her mother’s family that had disappeared in the Holocaust,
120 CHAPTER 6
and the burden of guilt that lay upon her mother. Shelly was aware that
even as a child she had wanted to relieve her mother of this guilt. I asked
Shelly whether perhaps her mother had lost not only her sister in the for-
est, but also the happy aspect of her personality. By giving her a second
chance to save her dear ones, Shelly had tried to bring her mother back to
the place where she could find this lost aspect of her own self.
Through her creative activity, Shelly allowed us entry into the painful
terrain of the past, where we found clues to the plight of two generations
that had been marked by the Holocaust. Therapy helped Shelly give up
her manic defenses and touch the pain that had been transmitted to her,
often without words. A poem written by Shelly illustrates this most elo-
quently:
FINAL WORDS
The most systematically worked out psychoanalytic views of artistic cre-
ativity have been those of Freud (1897, 1908, 1916) and views that are
based on Kleinian ideas of art as a reparative activity that emanates from
the depressive position (Segal 1952; Klein 1930). Segal’s view of
creativity, in Kleinian terms, is more positive than Freud’s. Whereas
Freud regards the need to create art as a defense, which a person who is
freer of neurotic conflict would not require, Segal relates it to a universal
process of devel-opment.
TRAUMA, RESILIENCE, AND CREATIVE ACTIVITY 121
In the case illustration that I have presented here, the creative activity
in the analytic situation was the first step in the patient’s efforts to search
for her internal source of anguish. The second step was the elaboration of
her feelings of mourning and pain, which enabled her to integrate, resti-
tute, and achieve resolution of the burden of depression and guilt trans-
mitted by her mother.
The evolution of creativity moves toward the psychological healing of
traumatic memory (Laub and Auerhahn 1993). Creative activity that in-
volves the legacy of the Holocaust (as we often see in cases of Holocaust
survivors’ offspring) is thus a quest for mastery and redemption. By ap-
pearing in the transitional space between reenactment and representation,
creative activity ultimately allows the patient to be in touch with mourn-
ing and enables its working through. It affirms the forces of life, thus
over-coming silence and death. As an act of imagination, it is a path to
hope and a profound beginning.
7
On Being a Dead,
Beloved Child
Only his children Job did not receive again double,
because a human life is not a thing that can be duplicated.
—Kierkegaard 1941, p. 126
INTRODUCTION
Children of Holocaust survivors are born into families in which their par-ents
experienced the sudden disintegration of their normal world, a world
replaced by one in which appalling cruelty, loss of loved ones, and con-stant
fear of death became the everyday norm. When the survivors are also parents
who lost a child in the Holocaust, one or both of them often view a new child
as a replacement for the one who was lost. This has profound
123
124 CHAPTER 7
effects on the development of the new child, who then concretizes the
par-ents’ unconscious fantasies and expectations in his or her life goals
and practices. The replacement child’s self-perception is often as a loved
and narcissistically valued being, but only on the condition that he or she
ful-fills the destiny of the child who was lost. Since it is impossible to
compete with an idealized rival whose sins have been paid for by death,
the dead child becomes a hated ‘‘sibling’’ who destroys the autonomy of
the surviv-ing child’s ego ideal.
The child of survivors, whether primarily neurotic or afflicted by a
more damaged psychic structure, often exhibits anxieties whose origins
lie in the effort invested in fulfilling the role assigned by the parents or in
attempting to undo the destruction wrought by the Holocaust. When par-
ents encounter their children’s antagonism or hostility—a result of the
pressures they themselves have put upon the children to fulfill this task—
they tend to treat the children as though they were reincarnations of Nazi
oppressors. The underlying reason for this behavior is the parents’ identi-
fication of the child with an introjected aggressor (Kestenberg 1982).
This phenomenon results from the parents’ attempt to externalize
disavowed aspects of their own self-representations, which were
internalized under extreme stress when identification with the aggressor
was the only major adaptational means of survival (Bergmann 1982).
For the child of the survivor, empathy and identification with the
parent as a persecuted victim or as a Nazi aggressor lead to splitting in
the ego and superego representations. In cases where the child is assigned
a role of restitution in the parents’ fantasies, which cannot be fulfilled,
dif-ficulties in thinking and reality testing often ensue, since it is unclear
what is real and what is not. I wish to illustrate this theme through the
presenta-tion of a case study.
As a result of the obstacles I encountered in the attempt to make the
unconscious conscious in this analysis, I will also focus on the special
countertransference problems resulting from the fact that the analyst and
the patient shared the same large-group identity (Volkan, Ast, and Greer
2002). In such cases, analyst and patient may collude in the attempt to
avoid feelings of aggression and guilt, which are connected in both their
minds to dreadful historical events.
ON BEING A DEAD, BELOVED CHILD 125
THE CASE
Nurit, a scientist, married, and the mother of three, sought help because
of her compulsive behavior, which affected her everyday life. She was
gen-erally satisfied with her life and content with her family and work.
She never had difficulty making important life decisions; she loved her
hus-band and children and was happy with her profession and lifestyle.
Her problematic behavior expressed itself in minor details of her life: in
the need to check and recheck that she had turned off the gas stove, or
that she had closed the refrigerator door, the garage doors, or the little
bottle of talcum powder she kept in her bathroom. Other daily tasks of
minor importance, such as setting her alarm clock and writing addresses
on let-ters, had to be repeatedly inspected to ascertain that they had been
per-formed correctly.
In our first meeting, Nurit described her symptoms as time- and energy-
consuming; she wished to be rid of them as they were ruining her self-image
of a mature, self-assured woman, which in many respects she felt she was.
Also, she had recently had some fierce clashes with her older daughter, an
adolescent, and her symptoms worsened. This led her to seek professional
help to overcome her problems. Some years earlier, she had undergone
behavioral therapy but had derived little benefit from it.
Nurit was an attractive woman in her early forties. She was tall, slim,
neatly dressed with an elegant touch, her silvery white hair adding a regal
quality to her appearance. To me, she appeared an intelligent, talented
woman. Her manner of talking revealed the sophistication of a person
who had spent her life in different places around the world. She had mas-
tered several languages almost to perfection. ‘‘I like languages and they
like me,’’ she told me smilingly.
Listening to Nurit during our first encounter, I was struck by the tone
of her voice, which was completely devoid of emotional inflections. Her
voice had a metallic quality to it, as if it were a metal shield preventing
emotions from breaking through. ‘‘What a painful wound must be hidden
beneath these metallic sounds!’’ I thought fleetingly.
I recommended psychodynamic psychotherapy to Nurit as the treat-
ment of choice at this stage, so that we could establish some emotional
contact before embarking upon a long and painful analytic journey.
126 CHAPTER 7
Anamnesis
Nurit was the only child of two Holocaust survivors. Her mother came
from a middle-class Polish family with several siblings. Her mother had
always described her family as warm and loving, and Nurit believed that
her mother had derived a lot of strength from this. Her mother’s entire
family (a brother, a sister, and their children) had perished in the Holo-
caust.
At nineteen, her mother married a man considerably older than herself,
and they soon had a little girl. When war broke out, the rumor spread that
Jewish men were in danger, while women and children would be safe.
Many Jewish men therefore fled to Russia, leaving their families behind.
Her mother’s husband also fled to Russia, and she remained in Warsaw
with her child until they were forced to move into the ghetto. One day, on
her way back from work to her little girl, who was looked after by a
caretaker, she was told that both child and caretaker had been killed in an
‘‘aktion.’’ Nurit’s impression was that the girl had been approximately
seven years old when this happened.
After a while, Nurit’s mother was transported to Bergen-Belsen, where
she was held for several years. When the war ended, her mother came to
Israel and met Nurit’s father. As had her mother’s husband, he, too, had fled
to Russia during the war, leaving his father, his wife, and his little daughter
behind. They were all murdered in his absence. Nurit thought that her
father’s daughter had been about the same age as her mother’s daughter
when she was killed, perhaps even in the same ‘‘aktion.’’
In Israel, her mother and father fell in love; however, the mother was
still married, as her husband had survived and was living in Poland. The
mother traveled to Poland to obtain a divorce from her husband, remain-
ing there about a year. Nurit believed that this might have been an unsuc-
cessful attempt on her mother’s part to renew the bond with her husband.
The story told in the family was that while there, her mother received a
Bible that had been smuggled in by an acquaintance, and among its pages
was a sum of money and a note from Nurit’s father that read ‘‘Come
back home!’’ Mother made her decision. She obtained a divorce,
returned to Israel, and married Nurit’s father. Nurit was born when her
mother and father were approximately forty years old.
The family lived in Israel until the child was two years old. After the
father established a successful business, they moved to Europe, living in
ON BEING A DEAD, BELOVED CHILD 127
her, I felt I was teaching Nurit a language once known to her but long
forgotten. With her talent for languages, she was willing to relearn the
language of feelings, which she had erased in her adolescence because of
her fears of hurting her mother or being hurt by her. Relearning how to
express emotions would hopefully result in Nurit’s being less afraid of
hurting me or being hurt by me in the transference.
An episode described by Nurit in the second year of analysis reflected
her difficulty in expressing her feelings. She spoke of a recent experience
she had had while in Europe: a visit to a hospitalized acquaintance, a
young man, who after discovering his Jewish origins, had gone to Israel
for a visit. During the visit, he was badly injured in a terrorist attack, and
the explosion made him a quadriplegic. He returned to his native land in
Europe for medical treatment, and Nurit’s visit was welcomed by the hos-
pital staff, who asked her to translate the patient’s words to the Israeli
spe-cialist who had been invited for a consultation. Nurit was very
impressed with the young man who, though almost totally paralyzed (he
could move only his head), still wanted to return to Israel to build a life of
his own and not be dependent on his parents.
In the transference, I told Nurit that she would need to translate her
feelings into words for me so that I, in the role of specialist, would be able to
understand her and help her become inwardly independent of her own
parents. However, I added that this might be difficult for her because of her
terrible fear of my leading her into an explosion of emotions on our analytic
journey. Nurit rejected the second part of my interpretation, ve-hemently
denying any fear, either of me or of analysis. I then asked Nurit whether she
identified with the young man, the quadriplegic, on those oc-casions when
only her head was working, while her emotions were para-lyzed. Nurit’s
reaction was that she had recently learned to ride a motorcycle in spite of her
fears, because her teacher was there behind her, guarding her. I pointed out
that perhaps, since she knew I was behind her, she was hoping to gradually
master her fear of expressing emotions.
Nurit’s insecurity with regard to her perception of reality was a com-
plex phenomenon that was related to her doubts about her sanity. I shall
illustrate how we began working this through with an episode from the
third year of analysis. Nurit was asked by friends to arrange the hospital-
ization of an acquaintance, the daughter of a friend of the family whose
mother had died of a brain tumor. The mother, a survivor of Auschwitz,
130 CHAPTER 7
Session 1. Nurit walked into my office, arranged the pillows the way she
al-ways did before lying down, and suddenly said, ‘‘There’s a hair on
the pillow. Whose hair is it? Who are your other patients?’’ After a
moment of silence, she continued by relating a memory.
achiever in school. She also had this awful boyfriend from a low-
class family; maybe he was even on drugs. She was always
rebelling against us—her successful, achievement-oriented parents.
I always felt that what she was doing was directed against me; she
was so angry with me.
I: Perhaps you were angry with your mother and your sisters in the
same way your daughter was angry with you?
N: [After a moment of silence, she spoke nonchalantly.] That’s an in-
teresting piece of information.
N: I never did that to my mother [i.e., got angry with her]. I was a
good girl, a good student in school. My parents never had to worry
about me. But, as soon as I became a teenager, my mother was no
longer pleased with me. She accused me of being egoistic and
selfish. I was terrified by her threats. She told me that I would
never have any friends because I was so cold and inconsiderate. I
remember my mother saying, ‘‘You’ll see—your child will do
exactly the same thing to you that you’re doing to me!’’
I was struck by the way the patient experienced her mother’s reaction.
Aspects of my own mother, her aggression and critical attitude toward
me, sprang to mind.
I: Your question about the plant brings into the room the confused
child who could not trust her senses. Yes, you are right, the plant
was much smaller. I brought in a new, larger one yesterday.
of arousing Nurit’s anger and becoming her victim. The following state-
ment by Nurit showed that she, too, felt something was absent.
Since from the start, I had explained the role of free associations to
Nurit, I speculated over the deeper meaning of her remark. Was she refer-
ring to questions regarding her feelings toward me in the transference that
I did not dare to bring up? Or perhaps to elements hidden in her story that
I did not know about? I chose to pursue the latter, feeling that it would be
more acceptable to her (and possibly safer for me, as well, at this stage of
the analysis).
I: Perhaps you see me as yourself, the little girl who wanted to know so
much about the secret past of her parents, but never dared to ask?
Session 2. Nurit entered the room, lay down on the couch, and immedi-
ately began talking:
Nurit had told me about Hanna, who had a traumatic story of her own.
After her little boy was killed in an ‘‘aktion’’ in the ghetto, Hanna
discov-ered a little girl at Bergen-Belsen, a cousin’s daughter who had
lost her parents. She took the child into her care, thus saving her life.
fates, the two women discovered that their children, both approxi-
mately eleven years old, had been killed in the same ‘‘aktion’’ in
the ghetto. ‘‘There were no words to describe the bond between
us,’’ said Hanna.
Hanna and my mother became soul mates. They supported each other
physically and emotionally and raised the little girl together. And I found
out that my half-sisters were killed at around the age of eleven, not when
they were seven, as I had always thought. So Mother lived alone with her
daughter for four years.
We were both silent.
This was the first time I had heard Nurit express any sympathy for her
mother.
parents were important to them so that they could show the world what a
good, devoted daughter they had. However, her mother’s complaints
about the additional work for her cleaning woman made Nurit feel that
her visits were a bother for her mother.
Nurit described in detail an episode from one of these. The following
exchange took place between mother and daughter behind closed doors,
at her mother’s insistence. Mother began the discussion by saying, ‘‘You
are a courageous person, aren’t you? So, why do you hate me so much?’’
Completely overwhelmed by this question, Nurit asked, ‘‘Who says I
hate you?’’
‘‘Everyone knows you do,’’ answered Mother, and to prove her point
named three cleaning ladies who had worked in the house some thirty years
earlier. ‘‘The first one,’’ said Mother, ‘‘told Grandmother that one could
easily see that you’re Father’s daughter from his first marriage. The second
one said that it’s obvious from your behavior that you don’t love your
mother. I overheard the third one repeating the same statement.’’
At this point, Nurit said she realized that time had stood still for her
mother and that the past was totally alive in her present world. Nurit’s
denial of her mother’s accusation was to no avail. Mother began recount-
ing Nurit’s sins, beginning with her childhood. The list was interminable:
When she was four years old and mother took her to a department store,
Nurit said that she wanted a mannequin she saw there to be her mother,
which her mother took as evidence that already at that fragile age, Nurit
wanted to exchange her for a different mother. At age twelve, Nurit said
she hated her mother’s handwriting. Afterward, she wrote a note and
apol-ogized for that, but the note got lost. Mother went on and on in this
vein, ruminating about Nurit’s offenses.
Trying to bring her back to reality and to connect her to some feelings
of love, Nurit said to her mother, ‘‘I am forty-six years old and I am your
daughter. Can it be possible that this is all you remember? Don’t you
have any good memories of me?’’
In spite of her efforts, Nurit claimed her mother could not be swayed.
Firmly entrenched in feelings of hatred and persecution, her mother con-
tinued, ‘‘You threw me out of your house!’’ Nurit was stunned.
‘‘What!’’ she said. ‘‘When did this happen?’’ Mother mentioned an
incident when she had come to Nurit’s house in Israel to visit Nurit’s
father, who had been hospitalized there at the time. ‘‘I put my things
away, but you told
ON BEING A DEAD, BELOVED CHILD 139
shown her much love throughout her childhood. They used to enjoy
walk-ing and talking together; her father had always been proud of her.
Nurit’s oedipal attraction to her father, her love and admiration for him,
stood in sharp contrast to her attitude toward her mother. In analy-sis, we
worked through her oedipal conflicts at length. I will now describe an
episode from the patient’s adolescence that illustrates her unconscious
attraction to her father and the place she wanted to have in his life.
Nurit related that when she was around seventeen years old, Father
confessed to an affair with his secretary during his travels abroad. Nurit
believed that this confession had been forced upon her father, as her
mother had confronted him with a letter to his secretary that she had
found which implicated him, followed by information she had obtained
from a private detective whom she had employed for this purpose. Father
acknowledged his guilt, but claimed that the relationship was over and
promised to be loyal to his wife from then on. Mother had raved madly
about father’s betrayal and had even considered the possibility of
divorce. To her mother’s great surprise, Nurit took her mother’s side and
sup-ported the idea of divorce, pointing out that she did not want her
parents to stay together on her behalf.
Nurit remembered being very involved in the story of her father’s be-
trayal. One day, she walked into his office and asked him if he had had
only one lover or many. Father, totally surprised by the question, claimed
that he had had only one relationship, which was finished. Nurit walked
out of her father’s office, satisfied with his answer.
In analysis, we tried to discover and work through Nurit’s unconscious
wishes and fantasies. She remembered feeling hurt by her father, as if she
herself had been the woman who was betrayed. We understood that by
favoring the idea of divorce and attempting to find out intimate details of
his love life, Nurit had unconsciously wished to become his fantasized
partner. Much psychic work was needed for Nurit to realize the impact
that her oedipal attraction toward her father had had on her clashes with
her mother, as well as on her defenses. Only later did we understand that
her emotional detachment in analysis stemmed not only from the protec-
tive shield she had developed against being hurt by her mother, but also
from her identification with her father.
Nurit was able to acknowledge some of her negative feelings toward her
father, such as the fact that, even though he was loving and admiring of
ON BEING A DEAD, BELOVED CHILD 141
her, he had been of no help to her during her difficult adolescence. She
claimed that he had preferred to ignore his wife’s emotional state—her
unexpected outbursts of anger and her cruel ways of handling Nurit. She
remembered that, when she had initially found herself at the mercy of her
aggressive, persecutory mother, she had turned to him for help and sup-
port. But father never took her side, in spite of seeing how upset and
help-less she was. Nurit quickly learned that she was on her own in her
fight for survival. Aware of her plight, father would sometimes softly
utter, ‘‘It isn’t really so terrible!’’ But he never actually dared to comfort
her or to argue on her behalf with his bitter, spiteful wife. His repeated
comment to Nurit was, ‘‘You have to understand your mother—she has
been through so much suffering!’’
In analysis, we tried to work through Nurit’s feelings of anger and frus-
tration at what she experienced as her father’s emotional abandonment,
feelings that until now she had denied. Attempting to understand his be-
havior, she expressed the belief that his guilt feelings—not only regarding
his lover, but also over his former family—were at the core of it. He had fled
to Russia during the war, leaving his father, wife, and child behind, and they
had all perished in his absence. Nurit never saw him exhibit any feelings of
mourning or guilt over the loss of his family. Father always kept his feelings
under control. Nurit now believed that his life had been dedicated to her
mother’s well-being, which helped him make reparation for his lost family.
She came to the conclusion that he had sacrificed her, Nurit, as part of a
‘‘peace treaty’’ with his wife. The patient believed that by never interfering
with his wife’s ‘‘methods of education’’ and leaving Nurit to her mercy, her
father had gained the freedom to do as he pleased in his profession, his
hobbies, and even in his relationships with members of his family whom his
wife did not accept. When he did quarrel with his wife, she would express
her anger by shouting and accusing him of being inconsiderate, egoistic, and
lacking in feelings. She would then move on to Nurit, accusing her of being
his daughter, resembling him and his fam-ily: hard, cold, and egocentric.
bly observed the flustered expression on his daughter’s face, he did not
pause to ask about it. ‘‘That’s what he always used to do. I remember
now,’’ said Nurit. ‘‘I once thought that he loved me. I clung to him and
had to believe in his love even if it wasn’t true. I know now that he was
never there for me when I needed him. He sacrificed me for his own
well-being.’’
In connection with this episode I remembered that Nurit had re-proached
me, as well, for never asking her enough questions. Was it possi-ble, I asked
myself, that she felt that I, too, had abandoned her to carry her pain and
suffering alone? I did not dare bring up this idea, feeling that she would
immediately reject it. I later realized that at this stage, Nurit had projected
onto me the role of her father, and I had identified with it.
The elaboration of her disappointment in her father highlighted the oe-
dipal rivalry and envy that existed between Nurit and her mother. Nurit
felt that her mother envied her everything she had ever achieved. I tried
to point out to Nurit the extent to which she envied her mother for the
love bestowed upon her by her father. Nurit acknowledged that for a long
time she had felt that this love was given to her mother at her own ex-
pense.
Realizing how much she was affected by her parents’ past, Nurit said,
‘‘I used to think that my parents’ stories belonged to their past and I
didn’t want to know about them. Now I know that my parents’ stories are
my own stories. I am struggling to know, to understand. I am struggling
to live.’’
I pointed out to Nurit how angry she was at her mother. Nurit readily
agreed: ‘‘Mother couldn’t save her daughter, so she had to pay for it by
suffering. This is her way of appeasing her feelings of guilt.’’
Nurit continued to settle her account with her mother. She claimed that by
not seeking treatment for breast cancer, her mother was trying to destroy her
breast, the symbol of motherhood. From her last discussion with her, she
deduced that her mother had erased Nurit’s happy child-hood from her
memory. ‘‘She lost her first child and erased the memories of the second,’’
said Nurit. ‘‘She doesn’t need a breast anymore.’’ Was this really so, I asked
myself, or was it Nurit’s anger resurfacing at the moment of separation from
her mother that made her see the tragic event from this perspective? Had her
mother erased all memories from her mind or had Nurit erased her loving
mother, the one who held happy memories? And if so, was it not because
Nurit wanted to protect herself against the feelings of loss and pain that
would be incurred by her mother’s death? This hypothesis was confirmed by
the events that followed.
Despite her opposition to receiving treatment, the doctors convinced
Nurit’s mother to undergo an operation. Nurit and her family visited her
and sat for hours at her bedside. Nurit recounted that her mother recov-
ered quickly from the operation and behaved very lovingly toward her
husband and grandchildren. Nurit felt that it was only toward her that her
mother acted coldly. Though hurt, she expressed some relief, confirming
my hypothesis as to the defensive quality of her anger. ‘‘I was afraid she
was going to bestow a lot of love and affection on me. I separated from a
loving mother once before in my life. If she had shown me affection, I
would have had to go through another painful separation.’’
I asked Nurit if it were possible that she had already separated from
her loving mother, but not yet from her persecutory one. Nurit
acknowledged the truth in this. When confronted with situations where
she felt a lack of self-confidence, she would hear mother’s voice inside
her, undermining her trust in her senses. Evidently, this voice was now
part of her. It was apparent to me that reparation of the split mother
figure should be one of the objectives of analysis.
Nurit’s mother died a year and a half after the operation. I now describe
how, at long last, we revealed and worked through Nurit’s aggressive feel-
ings toward me (her mother) in the transference. For this purpose, I use
material taken from two consecutive sessions in the fifth year of analysis.
144 CHAPTER 7
Session 1. Two years after her mother’s death, Nurit’s persecution at the
hands of her mother still remained a topic that constantly preoccupied us.
There seemed to be no room in Nurit’s mind for anything else. The
image of the critical, persecutory mother accompanied us through entire
ses-sions. I felt as if we were never alone in the room, but always in the
pres-ence of a threatening third figure. I was flooded by Nurit’s obsessive
thinking, angry and helpless to stop it. Feeling impotent and frustrated I
said:
I: Your mother is always here with us; she never leaves us alone.
Lately, I feel that she is persecuting both of us.
Silence. What was it, I asked myself, that I could no longer tolerate?
Nurit’s never-ending obsession with her persecutory, present-though-
absent mother was unbearable. Was it possibly connected to how,
throughout her life, she had experienced the presence of her absent
sister? Was this connected to my feelings about my own mother or about
myself as an analyst? Or did it represent Nurit’s sadistic, aggressive
aspect, which I had never succeeded in working through in the
transference? Nurit’s en-suing remark and my reaction to it made me
realize how angry she was with me.
N: Well, lately, I’ve seen you looking exhausted, especially toward the
end of the week. I thought, ‘‘She looks so tired—what can I
possibly expect of her!’’
I: If you felt I wasn’t doing you any good, you must have been ex-
tremely disappointed and angry with me.
N: Only for a short while. [This was stated in an unperturbed manner.]
ON BEING A DEAD, BELOVED CHILD 145
Session 2.
N: I wanted to tell you something I’m very proud of—the way I han-
dled a difficult situation. My beloved cat, Kotul, 1 went outside and
hunted down a little bird. He came back into the house, holding the
bird firmly in his teeth. I was so upset at seeing the captive little
bird. I thought that if I shouted at him, he would only hold the bird
even more tightly in his teeth. So I decided to speak to him softly.
Then I gently put my hands around his neck and squeezed; the
pressure made him open his mouth for air and the bird was freed.
I: You’re saying that you had to strangle the fierce, attacking cat to
free the little bird?
N: [She laughed.] Actually, I love Kotul very much, but it was the
only way to free the bird. I didn’t want Kotul to feel that I was
angry with him; I handled him with love.
I: Here, too, you were like a smooth wall for a long time, not allowing
me to get hold of your feelings. It made me feel that I was a weak,
ineffective therapist who couldn’t give you the necessary foothold. I
became the inoffensive little bird and you hated my ineffectiveness. It
was only when you opened your mouth and expressed your anger that
you set me free. But perhaps you felt that I was putting pressure on you
so that you would open up and express your anger toward me, and this
eventually helped you to release the bird, the tender,
loving part of your being. You finally felt that you had to open your
mouth—actually, your heart—and express emotions.
N: Remember that long talk I had with Mother? I wish I could have
told her that I didn’t really hate her, but that I was terribly angry
with her for so many years! Actually, all that time, all I wanted was
her love.
I: You are telling me how much you needed my love in spite of being
angry with me for sometimes appearing weak and ineffective.
N: True. I sometimes asked myself whether we touched on everything
we could touch on, conscious and unconscious, if we asked every
possible question. But the relationship with you was always very
im-portant to me—your understanding and acceptance, your
sympathy. The fact that you looked at the reality I experienced
through my eyes gave me a lot of strength. [There was a silence,
after which she con-tinued.] I always loved my mother; I always
needed her love. I can now appreciate the positive things about her:
her sense of humor, her ability to enjoy the small joys of life. She
loved me, too, I know, but as the years passed, the relationship
became complicated, diffi-cult. I often miss the good things she
could have given me—simple, direct support and understanding.
But now that I understand her suffering better and realize that I
wasn’t its only cause, I feel less angry than I used to be. The anger
and pain are less acute. I see her in a different light.
ning a fine home. She even began to wear the beautiful jewelry she had
inherited from her mother, something that she had previously been un-
able to do.
As a result of the analytic process, Nurit began writing short stories
with a passion that overshadowed everything else. Her stories often
resem-bled still-life pictures, moments frozen in time. This creative
activity helped her free herself from her internal persecutory mother, and
her ob-sessive symptoms diminished greatly. Below is an excerpt from
one of her stories, which describes her mother’s life in Germany after the
war, before she moved elsewhere in Europe—and, in Nurit’s opinion, on
to a different stage in life.
‘‘Regina Schuhe’’2
Her life is easy, comfortable, filled with things she likes to do, people who
like and respect her. She belongs to an elite group of outsiders enjoying a
spe-cial status, and she also speaks the local language. She now has more
than she ever did, and she enjoys it all with a wonderful lust for life. She
mentions the recent past: the deprivation, the hunger, the dirt, the
promiscuity, the con-stant struggle to remain decent and civilized, the bonds
of friendship, of soli-darity, and the sudden emergence of natural leaders:
‘‘wise ones,’’ comedians. She never speaks of her murdered daughter, and
never acts as though she could be meeting the men who killed her child. She
is very normal, very ade-quate, well adapted to her new situation. She
should perhaps never have moved on.
DISCUSSION
I wish to examine this case from two different aspects. I shall first explore
the patient’s emotional and cognitive development in light of her parents’
Holocaust experiences, with particular focus on the impact of the moth-
148 CHAPTER 7
enabled the healthy part of her ego to function. On the one hand, she
denied the death of her beloved child, as it was simply unacceptable; on
the other hand, denying the loss entirely would have caused her to lose
touch with reality and to become psychotic. Her solution—that of living
in a world where her first child was not really dead, having been resur-
rected by the second child—was, in my view, what has been termed a
‘‘manic defense’’ (Klein 1935; Winnicott 1935). However, the normal
process of her adolescent daughter’s separation may have been experi-
enced as traumatic by the damaged mother (Freyberg 1980), causing the
mother’s bitter, depressed aspect to surface.
As for the daughter, I believe that the trauma of the Holocaust, which
affected both her parents, intertwined with her own developmental prob-
lems, had an impact on her relationship with her mother, as well as on the
relationship with her own daughter. In analysis, the patient and I dealt
extensively with her oedipal conflicts, but I will not expand on this topic
here. My goal is to deal primarily with one particular aspect of the analy-
sis: that of growing up as a replacement child to parents who were Holo-
caust survivors.
In considering how the mother’s traumatization affected the psychic
make up and defenses of the child, we might note that the intermingling
of former parental nurturing with current aggression can give rise to con-
fusion in a child, who may then begin to doubt his or her sense of reality
(Auerhahn and Prelinger 1983). Hence, the persecution that the patient
experienced at the hands of her formerly loving and nurturing mother left
her totally baffled; it had a disorganizing effect on her life that even influ-
enced her perception of reality. Furthermore, the patient was torn be-
tween the fears of losing her mother and losing touch with reality, leading
to terrible internal conflict (Olagner 1975).
The patient developed obsessive-compulsive symptoms in performing
her chores, which she endeavored to accomplish with utmost perfection
in order to appease her mother. Auerhahn and Prelinger (1983) state that
a child who has been confronted with a vision of a world gone out of
control may have an intense need to keep matters under total control,
both in the environment and in the self, and to defend against feelings of
helplessness or aggression. Thus, the patient’s obsessive-compulsive be-
havior may have served to keep difficult emotions at bay.
The daughter’s obsessive-compulsive behavior can be understood from
150 CHAPTER 7
yet another angle. She had internalized the image of the persecutory mother,
and the mother’s voice followed her throughout her everyday adult life. The
moments of confusion about reality, in which the patient heard her mother’s
voice in her present life, could be regarded as mo-ments in which separation
had not yet occurred. The daughter may have tried to preserve the
relationship with her persecutory mother even at the cost of her own health.
Guntrip writes eloquently about this problem: ‘‘Why do human beings
maintain an internal object-relations world at all, especially if it is a bad one?
What greater danger is being avoided in elect-ing to face the dangers of
internal bad objects experience?’’ (1968, p. 207). Apparently, losing oneself
in a vacuum of experience would be even more frightening (Fairbairn 1943;
Green 1974; Guntrip 1968). The patient’s in-ability to differentiate between
her inner world and external reality, be-tween past and present, between her
mother and herself, came to the fore at these moments of confusion. Her
compulsive behavior grew out of an attempt to master this confusion and to
reaffirm her grasp of reality. The years of being regarded as totally
untrustworthy, of being accused of terri-ble deeds that she could not possibly
have committed, had left her feeling that anything at all was possible. She
could not trust her own perception of reality, nor could she be a reliable
relayer of information.
In reconstructing her mother’s story and attempting to understand her,
Nurit speculated upon the possibility that during the Holocaust, the per-
fect performance of everyday tasks might have been of vital importance
for her helpless, lonely mother. Her mother must have believed that these
compulsive rituals would protect her from the terrible events occurring
around her. The daughter came to the realization that, by imposing this
form of behavior on her, her mother was actually trying to save her, an
act belonging to the reality of the Holocaust.
Thus, her mother, who had accused her of not being capable of
perceiv-ing reality correctly, may herself have been living in a chaotic
world, one in which past and present were confused. As a result, the
daughter often felt transposed into an unknown, persecutory world as
well—this, too, af-fecting her perception of reality.
But what might have been the source of the mother’s confusion? The
mother never actually knew how her first child had been lost. We can spec-
ulate that this fact shook her belief in herself and in her perception of reality
(she never totally believed that the child was lost), causing terrible
ON BEING A DEAD, BELOVED CHILD 151
She thus confirmed the daughter’s murderous fantasies and enhanced her
guilt.
was born at the end of the war, when my parents were in their mid-
thirties. The story I grew up with was that I was the only one of my
moth-er’s thirteen fetuses that she did not abort or miscarry. My mother
disre-garded the doctors’ warnings that she would be endangering her life
by having me.
Throughout her life, my mother mourned the first child she had aborted, a
boy. This absent child was always present in her life—as well as in mine.
And, as with my patient, I never fully succeeded in competing with my
mother’s idealized, beloved son. On a conscious level, my mother gave me
the love she had for twelve additional unborn children, but on an
unconscious level, I always felt that she was never totally satisfied with me.
Although she was proud of my success and achievements in life, I felt I
never succeeded in resurrecting and replacing her lost son.
It was this difficult lifelong experience that was evoked in the analysis
with Nurit. When the patient obsessed about her mother, this brought my
own mother and my complex and painful relationship with her into the
room. Although elaborated upon over long years of my own analysis, it
nevertheless had an impact on my countertransference feelings, and, as a
result, on the patient’s transference and the enactments created by both of
us.
In addition, in this case, I believe my countertransference feelings
were also the result of the fact that both the patient and I belonged to the
same traumatized large group (Blum 1985; Volkan, Ast, and Greer 2002),
whose unconscious fantasies included imagery of the Holocaust.
Although I was, of course, very much aware of the difference between a
live child mur-dered by the Nazis during the Holocaust and a fetus
aborted by a mother because of her fear of the Nazis, the images,
identifications, and uncon-scious fantasies involved in being a
replacement child of parents trauma-tized by the Holocaust affected me
to such an extent that for a period of time, I completely identified with
Nurit and fell under the spell of her internal world. The trauma of the
Holocaust, the havoc and destruction it wreaked upon the lives of our
parents, affected both of us, patient and analyst alike.
This may be the reason why, in spite of my awareness of the patient’s
massive defenses against aggression and guilt, I found myself temporarily
powerless in the face of her efforts to control my feelings as well as her own.
Afraid to arouse her anger, I became the helpless, frightened little
154 CHAPTER 7
Jewish girl, while the patient became the omnipotent Nazi persecutor
whose murderous rage I did not dare arouse. At the same time, I was
afraid that by interpreting her unconscious aggressive wishes in the trans-
ference, I would become the Nazi perpetrator and inflict further shame
and humiliation upon her (Oliner 1996). Only after working through my
feelings, which led me to the realization that my apprehension was
perme-ating the therapeutic relationship and hindering the patient’s
progress, did I disidentify myself from the Jewish-victim/Nazi-
perpetrator images, re-cover my analytic function, and help the patient
get in contact with her unconscious aggressive wishes and anxieties.
In spite of the fact that, for a period of time, out of my countertransfer-
ence feelings, I had colluded with the patient in keeping the threatening
material out of analysis, I believe that my regression during this period
was actually a ‘‘regression in the service of the other’’ (Olinick 1969).
The fact that for some time I had accepted Nurit’s view of reality as
objective helped strengthen her belief in her perception of reality and her
psychic sanity. This cemented our therapeutic relationship, which became
the background against which we could later attempt to make the uncon-
scious conscious.
I feel that the moment in analysis when I experienced Nurit’s direct
aggression toward me constituted a ‘‘crucial juncture’’ (Klein 1929), in
which her love and hatred toward me converged. The patient’s aggressive
attack expressed itself through her encroachment into my ‘‘perimeter of
safety’’ (McLaughlin 1995). Unlike in other situations, where ‘‘getting
real in analysis’’ (Renik 1998) had not posed such a problem for me, in
this case I felt crushed by the violence of her attack. The fact that I
survived her assault without retaliation (Winnicott 1971) turned me into a
good object for the patient, enabling her to finally release the bad object
from her unconscious (Fairbairn 1943, p. 336; Guntrip 1968, p. 345).
This also helped her accept the ordinariness of her aggression, which
then became dissociated from the Jewish-victim and Nazi-perpetrator
images that were tormenting her. Working through this experience in the
transference, the patient was then better able to integrate self- and object-
representations and associated polarized affects. It helped her mend the
split in the inter-nal maternal figure, as well as the rupture in herself.
Other important achievements that resulted from the analysis were the
patient’s experience of an easier separation from her adolescent daughter
ON BEING A DEAD, BELOVED CHILD 155
NOTES
1. The word hatul in Hebrew means cat. In Polish, Nurit’s mother tongue, the
word kot means cat. Apparently, the name Kotul was a combination of the Hebrew
and Polish words for cat. In addition, the root katol in Hebrew means murder,
destruction; thus, the name Kotul has the connotation of a ferocious animal.
2. The name of the story is also the name of a store where the patient’s mother
bought shoes.
3.
III
OBSTACLES TO
MOURNING IN AN
AGE OF TERROR
Introduction
In this section I will explore defenses against mourning during the Holo-
caust (chapter 8) and during current episodes of terror in Israel (chapters
9 and 10).
Chapter 8 examines massive defenses, including the erasing of one’s
history, the denial of reality, and the absence of mourning in extreme
life-threatening situations. These defenses are illustrated through a
psychoana-lytic examination of the life of Solomon (‘‘Solly’’) Perel—the
hero of the movie Europa, Europa. Solly is a Jewish adolescent who,
during World War II, attended a Hitler Youth School, and this saved his
life. Solly’s mecha-nisms of repression and denial of mourning helped
him survive physically, but at the cost of an enormous emotional price—
the disintegration of his identity.
In recent years, Israel has continued to experience times of terror.
Chapters 9 and 10 refer to the intifada, the Palestinian guerrilla war
against Israel. When it broke out, most of us were in a state of shock. We
were so close to peace, or so it had seemed to us. The intifada brought
with it continuous gunfire in Jerusalem, murder on the roads, suicide
bombers blowing themselves up in public places, terrible destruction, and
the death of children and youth, adults and the elderly, sometimes even
of entire families.
When acts of terror become part and parcel of our everyday life, and the
threat to the security of each and every one of us increases, traces of the
Holocaust may be reactivated in the unconscious of those who have been
directly or indirectly affected by it. The reactivation of the traumatic past
may have an impact on the defenses of both patient and analyst alike.
Chapters 9 and 10 present cases in which manic defenses were reinforced
159
160 INTRODUCTION
Who Am I? Trauma
and Identity
So, we turned to the victims, the survivors. They were
asked to bare themselves, to delve into the innermost
recesses of their being, and tell, and tell again, to the point
of exhaustion and beyond: to the delirium that follows.
How it had been. . . . And you, how did you manage to
survive? Had you known the art of survival from before?
And how were you able to keep your sanity?
—Elie Wiesel, 1972
INTRODUCTION
Up to this point, the different chapters of the book have related to de-
fenses against mourning in the context of a normal external reality. This
chapter, by contrast, explores the survival value of repression and denial
of mourning during the traumatic reality of the Holocaust and their im-
pact on identity. In the case described in this chapter, mourning and guilt
would have been a liability and could have interfered with survival.
How-ever, maintaining these defenses extracted a heavy emotional price
—the destruction of integrity and self-identity.
The Holocaust was a cataclysmic event that changed the shape of
human history forever. It was an unprecedented, systematic attempt to
achieve racial purity through the extermination of innocent people. Re-
duced in the eyes of their persecutors to the lowest form of life, Jews, as
well as homosexuals and those suffering from physical and mental abnor-
malities, were regarded as a threat to the Aryan race. As invaders of the
Aryan body, they were to be totally and completely annihilated in order
161
162 CHAPTER 8
to purge the German genetic pool of their alleged taint. Even as late as the
spring of 1944, when the tide had already turned against the German war
effort, the official party line put forth by Joseph Goebbels and the German
Ministry of Propaganda was still being broadcast: ‘‘In the case of the Jews,
there are not merely a few criminals (as in other people), but all Jewry rose
from criminal roots and in its very nature it is criminal. The Jews are no
people like any other people, but a pseudo people welded together by
hereditary criminality. . . . The annihilation of Jewry is no loss to humanity
but just as useful as capital punishment or protective custody against other
criminals’’ (Hilberg 1985, p.1021; quoted in Brenner 2004, p.117).
The Holocaust left its impact in endless ways. To illustrate my theme,
I examine the remarkable life of Solomon (‘‘Solly’’) Perel—the hero of
the movie Europa, Europa—from a psychoanalytic perspective. Solly is
a Jew-ish adolescent who, during World War II, found himself attending
a Hitler Youth School, thereby saving his life. I will briefly summarize
the movie for the readers who did not have a chance to see it.
Set between 1938 and 1945, the movie (directed by Agneshka Holland),
which is based on the autobiography of Solomon Perel (1994), tells the story
of Solly, the son of a Polish-Jewish shopkeeper living in Peine, Ger-many.
Nazi persecution of Jews is already well under way when Solly’s sister is
killed in a pogrom. After this traumatic event, the Perels deter-mine to save
themselves and their two remaining children (Solly and his older brother,
Isaac) by moving from Peine to Lodz, Poland. As the Nazi threat grows
worse, Solly’s parents insist that he and his brother, Isaac, save themselves
by fleeing east. At the beginning of his journey east, Solly clings to his older
brother, but the siblings are soon separated. This new, traumatic separation
leaves Solly to fend for himself, alone in a world full of danger. Solly arrives
at a Russian camp and is sent to a Soviet orphanage in Grodno, east Poland.
From there, Solly corresponds with his parents, who inform him that they are
being transferred to the local ghetto. The daily routine at the orphanage is
devoted mostly to Communist instruc-tion. Solly adapts easily to his new
sociocultural environment and be-comes an enthusiastic Komsomol youth.
With the collapse of the nonaggression pact between Hitler and Stalin, the
orphanage is bombed, and the teacher and children flee. The teacher stops a
truck, the children climb aboard, and Solly, who turns his attention elsewhere
for a moment, is suddenly left behind. Again, Solly finds himself on his own.
WHO AM I? TRAUMA AND IDENTITY 163
Adrift once more, this time Solly lands in the hands of Nazi soldiers.
With his fluent German, he passes himself off as an Aryan; he is now
Jupp, an East German. Strange providence intervenes again. Solly finds
himself in the midst of a battle after which he is mistakenly celebrated as
a hero and greatly honored by being sent to a Hitler Youth School. In this
new environment, Solly is soon ready to shed both his Jewish identity as
well as the Communist one. However, his Jewish identity is branded on
his flesh by circumcision. Falling in love with Leni, a girl attending the
same school, only adds to his plight, as he cannot give in to their desire
for sex without endangering his life. Solly unsuccessfully attempts to
erase the mark of his Jewish identity that is imprinted on his flesh. He
tries to dis-guise his circumcision by pulling down the remaining
foreskin and sewing it back in place. Leni, however, hurt by what she
experiences as Solly’s rejection, turns her attention to his best friend as a
partner for giving the Fuhrer the gift of a child.
The movie shows Solly shifting identities under extreme life-
threatening situations in the service of survival. Only at the end of the
war does Solly decide to return to his roots and search for his early
Jewish identity. He is saved by finding his brother among the
concentration camp inmates who wish to kill him because they
mistakenly consider him a German officer, and together they make their
way to Israel. Solly has a family of his own, and states that he is prepared
to circumcise his sons, thus bringing the story full circle.
To return to my theme—the survival value of defenses against pain
and mourning during life-threatening situations and their impact on
identity, I first briefly review some of the psychoanalytic views on
identity. I will relate to the developmental aspects, focusing on the seeds
of identity that exist before birth and in early childhood, and then
proceed to the vicissi-tudes of identity that occur during adolescence.
Each is discussed in light of the hero’s life story.
1926a, p. 274) as a Jew. However, a number of his ideas are of great sig-
nificance to the concept of identity. Freud coined the term das ich (the ego)
and used it in two different ways: as an executive agency of the mind, and as
a ‘‘person’s self as a whole’’ (Strachey et al. 1923, p. 7). The latter
conceptualization of the ego seems to correspond to what is today termed
identity. With regard to this conceptualization, Freud states: ‘‘In the proc-ess
of a child’s development into a mature adult there is a more and more
extensive integration of his personality’’ (1921, p. 18). This integration of
personality may be damaged by traumatic separations from protective ob-
jects, such as by forced migration from one sociocultural environment to
another, as we shall see in the movie under discussion.
As mentioned, a child’s identity can be traced back not only to earliest
infancy but even to before his or her birth. Two factors lay the ground for
what will be the child’s basic core (Weil 1970; Akhtar 1999): his genetic
blueprint and the parental expectations of the yet unborn baby.
The story of Solly begins at the most logical, primal point—his
circum-cision. The circumcision ceremony is a physical manifestation of
Jewish identity that has been passed on from generation to generation
since the very beginning of Jewish history. Solly’s circumcision is
pregnant with meaning, reflecting his parents’ wish that their child carry
the Jewish iden-tity. The ceremony is also a metaphorical event, a
branding, and the blood from the wound of the circumcision reverberates
throughout the film— the Nazi ideology of spilling Jewish blood.
Solly claims to remember his circumcision. This memory is an early
introjection, or, in Kernberg’s terms, ‘‘an organized cluster of memory
traces’’ (1976, p. 26), which forms his Jewish identity. Other childhood
memories, including the celebration of Jewish holidays such as Passover
and the Feast of Tabernacles (Sukkot), reinforce this identity (Passover,
in commemoration of the liberation of the Jewish people from Egypt,
after which they wandered in the desert for forty years; Sukkot in
commemora-tion of the booths in which the wandering Jews lived in the
desert, after their delivery from Egypt). His memory of these two
holidays exposes Sol-ly’s longing for the Jewish atmosphere of his
parents’ home. Solly may have remembered these two particular
holidays, which recall the Jewish people’s fate as migrants and
wanderers, as they were symbols of his own forced migration from one
ideological framework to another during his adolescence.
WHO AM I? TRAUMA AND IDENTITY 165
part of his developing gender identity. From the metaphorical prism, the
hunchback woman may be regarded as a symbol of Solly’s new mother-
land, Poland, the country that he began to like but which was already car-
rying the Nazi war machine on its back.
With the Nazi threat intensifying, Solly’s parents decide that he and
his brother, Isaac, must save themselves by fleeing east. The boys refuse
to go, but the father orders them to flee, thus conveying to them the
message that they must survive at all costs. The movie shows the two
boys making their way east. But let us pause for a moment and try to
analyze the impact of this traumatic event on Solly’s psychic life.
In spite of the fact that Solly’s parents forced him to flee in order to
save his life, Solly may have unconsciously experienced this as a
rejection and expulsion from his family. Although this most likely caused
him frus-tration and anger, he was not in touch with these feelings.
Moreover, the image of a strong father who should have been able to
protect the family from danger and destruction is shattered. Thus, Solly’s
feelings of aban-donment, anger, and frustration caused by the traumatic
separation from his parents at this early age may have contributed to his
relatively easy disengagement from his Jewish identity later on in life.
The massive trauma caused by this rupture from his family wrought
havoc upon his identity, his sense of security, and all of his basic
assumptions about the future (Elsass 1997; Kestenberg and Brenner
1996; Krystal 1968; Brenner 2004).
Freud has stated that ‘‘the character of the ego is a precipitate of aban-
doned object-cathexes and . . . it contains the history of those object
choices’’ (1923, p. 29). When Solly encounters other sociocultural envi-
ronments that provided him with a new ‘‘family’’ and idealized new pa-
rental figures, Solly is ready to shed his Jewish identity, his identification
with primary objects and their/his own history, and become part of these
new cultures.
Solly and his brother find themselves fleeing from destruction to a
world full of danger and animosity. Solly has to deny his guilt feelings
for leaving his parents behind to perish. Guilt feelings would have carried
with them the potential for demoralization and would have distracted him
from the task at hand—of surviving one more day (Lifton 1968; Hass
1996). Even though Solly experiences overwhelming loss and is under
enormous stress, causing feelings of intolerable anger and fear, he has to
WHO AM I? TRAUMA AND IDENTITY 167
block out painful feelings such as guilt and mourning, which would pre-
vent him from adapting to a changing, hostile environment.
Solly is again adrift, and this time lands in the hands of Nazi soldiers.
With his fluent German, he passes himself off as an Aryan; he is now Jupp,
168 CHAPTER 8
the lie he is fed that the solution is to gather the Jews and ship them off
somewhere, ‘‘to Madagascar or Siberia,’’ where they would no longer
pose a threat to the German way of life. Solly is thus in a situation of
‘‘knowing and not knowing psychic trauma’’ (Laub and Auerhahn 1993),
a two-sided state in which conscious ignorance of the Holocaust forms
one side of the coin, while unconscious knowledge of it forms the other.
This ‘‘not knowing,’’ which is actually a denial of reality, also serves as
a survival mechanism.
Another aspect of Solly’s identity that is worth exploring is his gender
identity that, at this stage, includes both homosexual and heterosexual
tendencies. The German officer who became enamored with Solly finds
out the boy’s secret, and, in spite of the danger that this love relationship
poses for the officer, he keeps the secret and thus saves Solly’s life. This
man forgives Solly his biggest flaw—the fact that he is Jewish—which
leads Solly to perceive this older member of the institution as a substitute
father or substitute brother. His love for Solly brings him in touch with
his humane aspects, and he even recalls that once, in a different world
than the one they are living in, he had been an actor and part of a cultured
society. This ‘‘good’’ German is killed in a Russian attack, and with him
the love and protection bestowed on Solly vanish, along with the humane
aspect of Germany that he possibly represents. The death of the only man
in this environment who loved him for what he was and who had been
the container of his secret is a grave loss for Solly; and superimposed
upon his former traumatic separations from beloved objects, it intensifies
his feelings of loss and abandonment.
In regard to Solly’s bisexual gender identity during his adolescence, I
wish to refer to Freud who states that ‘‘all human individuals, as a result of
their bisexual disposition and of cross-inheritance, combine in them-selves
both masculine and feminine characteristics’’ (1925, p. 258). Gen-der
identity is a complex psychological process that has its roots in the
experiences of early childhood and the identification with both parents
(McDougall 1989). Although Solly’s core gender identity is already formed
when he joins the Hitler Youth School, the constraints on his heterosexual
behavior (which would endanger his life), in addition to the well-known
injunction that adolescents had to keep themselves ‘‘pure’’ until they were
ready to give a child as a gift to the Fu¨hrer, cause him to regress to the
preadolescent phase in which the need for a father figure is greater (Kogan
170 CHAPTER 8
cause he was endowed with the wish to live life, to create it, to live and
hope even in the face of adversity, as well as because his parents gave
him the message that he must survive, all of which were important
elements of his resilience. Love of life itself, stamina, courage, and inner
resourceful-ness when confronted with life-threatening situations
contributed to his resilience.
‘‘Who am I?’’ or ‘‘Which group do I belong to?’’ were central and
most painful issues in Solly’s psychic life. Towards the end of the war,
Solly trav-els from his school to Poland to visit the Jewish ghetto near his
childhood home. From inside a closed tram he observes the dreadful
suffering of the ghetto’s inhabitants and realizes that something terrible
must have be-fallen his parents. This visit is his first attempt to rebuild
his sense of conti-nuity and broken identity.
I would like to quote what Perel writes about this visit in his autobiog-
raphy, upon which the movie is based. Perel describes the guilt feelings
that this visit evoked in him at the time: ‘‘I did not know about the de-
struction, its forms and methods. . . . In the cocoon of my school I studied
theories, but my brain refused to acknowledge the fact that these theories
were being put into practice in the different death camps. A deep pain is
lodged inside me: How did I not understand when I traveled through the
Lodz Ghetto that these people would not be there long, that they would
be sent to the death camps? Looking back I remember that I saw only
grown-ups on the ghetto streets, and no children at all. How did I not ask
myself the meaning of this? I am greatly disturbed by the barrenness of
thinking that encompassed me. I failed to break through the fog that
enve-loped me, that prevented me from seeing the screaming writing on
the wall. The war I was caught up in sharpened my senses, but also
blunted them’’ (1994, p. 192).
At the end of the war, Solly becomes aware that he has paid a terrible
price for surviving and is overcome by depression. He feels lost, belongs
nowhere; he is neither Jewish nor German. ‘‘The faces of those who
were liberated radiate happiness. They know that in a few weeks they
will return to their country, their homes and families, renew their normal
way of life. For me there is no place to return to. . . . I fear that I am
losing my sanity. I do not know who I am and what I am’’ (p. 149).
Only after he becomes aware of his pain is Solly able to reflect and
begin the work of mourning. ‘‘I now wish to give some thought to my
WHO AM I? TRAUMA AND IDENTITY 175
INTRODUCTION
At a time when war and destruction are part of everyday life and our
safety is increasingly threatened, one of the questions we Israeli analysts
ask our-selves is, what is the place of psychoanalysis in such a world?
Can we in good faith propose to practice psychoanalysis in situations of
chronic cri-ses,1 and can we, in the face of the effect of terrorism, hold on
to our identities as psychoanalysts?
My first attempt to deal with this issue is described in my book The
Cry of Mute Children (Kogan 1995), in the chapter ‘‘In the Same Boat:
Psychoanalysis during the Gulf War.’’ There I examined the curative ele-
ments of psychoanalysis during a period of acute stress in which analyst
and patient found themselves in a shared life-threatening situation. The
relationship between external and internal realities in a situation of
chronic life-threatening crisis provides a natural laboratory in which to
reexamine fundamental questions regarding the practice, as well as the
theory, of psychoanalysis.
In this chapter, situated at the boundary of external and internal
reality, and at the boundary of the personal and the professional, I
examine the role of the analyst in psychoanalytic treatment in such
situations. For this purpose I use clinical material from two case studies.
177
178 CHAPTER 9
this, as in the Jewish religion weddings are not postponed under any cir-
cumstances. Susan’s father always tried to camouflage the incident by
say-ing that his wife had mistakenly overdosed on tranquilizers.
After the wedding, the couple immigrated to Israel, where their chil-
dren were born. Susan’s mother came to visit only once, after the birth of
the twins. This was a difficult time for Susan, who had no help from her
depressed husband and had to care for a two-year-old and two infants,
her mother all the while complaining that Susan was not paying her
enough attention.
Five years before Susan came to me, her mother stopped taking medi-
cation, and as a result, her situation deteriorated. She no longer left the
house and would not allow visitors. When Susan last saw her, she was
shocked by her mother’s neglected appearance—her torn, dirty clothes,
her unkempt hair, her missing teeth. Susan feared that this deterioration
in her mother’s psychic and physical condition would eventually lead to
her death. Her father, preoccupied with his own affairs, continued to
deny that his wife was mentally ill. The parents never allowed anyone to
inter-fere in their lives. Susan believed that, in spite of her father’s
resistance, she should have sought psychiatric help to possibly save her
mother. That she did not have the strength for this struggle with her
parents put an even greater burden of guilt on her shoulders.
During the first two years of analysis, we attempted to work through
Susan’s complicated relationship with her primary objects. The elabora-tion
on her feelings of anger and guilt led to a lessening of her depression, and
her phobic symptoms subsided. She derived greater satisfaction from her
work and became more self-assured in her role as wife and mother.
The terror of the current situation in Israel (a situation which we dealt
with in the third year of analysis) evoked great fear in Susan, upsetting
her emotional stability. In analysis it became clear that this fear was
connected to Susan’s greatest anxiety, which revolved around the
possibility of loss of control and decompensation. Susan was afraid of
becoming ill like her mother.
I will now illustrate Susan’s reaction to the external reality, and my
un-derstanding of that reaction, with verbatim material followed by an
enact-ment. The following two consecutive sessions are from the third
year of analysis.
180 CHAPTER 9
Session 1.
Susan: Do you remember the two little children from Tekoa (a place
in Israel) who had wandered off and were murdered? I felt I had to
go help their families. I take each day as it comes, and at the end of
the day I say, Thank God. It’s like Russian roulette. It can happen
to anyone, anywhere. That’s why I want my family to know where
I am.
She’s so right, I thought to myself. We all feel the same, we’re all
afraid of death and destruction. But another thought immediately crossed
my mind: Was it possible that, in addition to Susan’s fear of external
reality, she was expressing her fear of psychic death and fragmentation?
If so, did she expect me, in the role of a family member, to know about it,
so that I could watch over her more closely?
hand, am I doing the right thing by living here and letting them serve
in the army? It might be life-saving to leave. I told my husband that
those who ran away during the Holocaust saved their lives. My
husband, who is the more stable of the two of us, says that if there is
no place for us here, there is no place for us anywhere in the world.
I: Maybe these are the two voices inside yourself. On the one hand
you identify with your mother, who saved herself by running into
the woods, but on the other hand you feel that you have to stay here
and have a place of your own.
S: Right. I want my children to live a normal life. I don’t want them to
feel my fear.
Session 2.
Susan arrived crying and in between sobs stated that perhaps she
should stop analysis. I asked her why she was so upset. She answered my
question with the following story: Two days earlier she had taken her son
to Jerusalem for a doctor’s appointment. They first went to the
‘‘triangle’’ to do some shopping. (The ‘‘triangle’’ is an area where three
main streets in the center of the city form a triangle; most people refer to
it as ‘‘down-town.’’)
Susan and her son did not find what they needed in the store. The
shopkeeper ordered it for them and they had to come back later to pick it
up. They then took a bus and went to the doctor, after which Susan’s son
went to school. Just then Susan heard that a suicide bomber had blown
himself up right next to the store they had shopped in. She immediately
called the shopkeeper, asked if everyone was all right, and if she could
come and pick up her order. The man said that the people working in the
store were all alive, though the windows were broken and the police were
everywhere, but she could come if she wanted to. Susan went back to the
store. The place was deserted, with only policemen roaming around. She
picked up her order and returned home.
The next day after work, she felt a terrible urge to go to the triangle
182 CHAPTER 9
again. She strolled the empty streets and bought some things. She told me
between sobs that she did not know why she had acted in this way. She
was very upset.
To understand Susan’s behavior, which I felt contained unconscious
symbolic meanings, I asked her to tell me more about her feelings
regard-ing the episode. Bursting into tears, she told me that she felt guilty
about not helping her depressed, mentally ill mother. She had purchased
things in order to help the people in the store feel that life goes on.
My first thought was that throughout this episode Susan was attempt-
ing to enact the story of her mother in her own life (Kogan 2002). Like
her mother running through the woods, who came face to face with death,
Susan had to come close to death in order to overcome it. Viewed from
this angle, her return to the site of the explosion was an attempt to
achieve active mastery over the passive trauma.
I wondered though, what symbolic meaning the word triangle might
have in this context. Was Susan returning to the oedipal triangle, and did
the man in the store whom she had tried to help represent her father,
whom she had often tried to help after her mother’s psychotic outbreaks?
Or was her need to see with her own eyes what had happened at the scene
of the explosion an unconscious fantasy about the primal scene? Could
the destruction in the triangle represent the pubic triangle of her mentally
ill mother, who contained the life source but also destructive forces of
psy-chic death and fragmentation?
Thinking about all of these possibilities, I said to Susan, ‘‘You asked
me at the beginning of the session whether you should stop analysis. I
think you might be afraid of an explosion within you, of being in touch
with something that might destroy your sanity. But you are unable to run
away from the dangerous triangle within yourself. You went back to it in
order to make sure that you are alive and sane. I think that you want me
to reassure you that I will not let you go there alone, but that I will
accom-pany you on this journey.’’ Susan sighed with relief and said, ‘‘I
think you are right. I was unaware of it.’’
After this session, I left my office and met my cleaning lady, who had
just come into the apartment. She appeared agitated, looked at me anx-
iously and said, ‘‘Did you hear what happened in Jerusalem? Another
sui-cide bomber, in the same place as two days ago!’’
I looked at her in surprise and shock. ‘‘What?’’ I said. ‘‘It can’t be true!’’
THE ROLE OF THE ANALYST IN THE ANALYTIC CURE 183
I had just been immersed during the last session in seeking the symbolic
meanings of this terrible event, searching for the innermost personal meaning
that my patient was attaching to it, and now reality struck me in the face. I
had the uncanny feeling of reality and fantasy intermingling. True, my
cleaning woman did not refer to the place as the triangle, and she was not
flirting with death, as my patient was. But was it possible, I asked myself,
that by thinking of the metaphorical meaning of the trian-gle—the oedipal
constellation, the primal scene—I was actually trying to protect myself
against our cruel shared reality? On the other hand, if I only took into
account my patient’s conscious attitude toward external reality, wouldn’t I be
missing the basic unconscious fear that made her want to stop analysis?
What was my responsibility as an analyst in such times?
budding businessman, his dreams of easy money, and his new lifestyle.
He returned to Israel, where he again reverted to Jacob, a science student
working hard to make a living.
I will not describe our long and complex analytic journey. For our pur-
poses here, suffice it to say that Jacob, the young man who sought
analytic treatment, was a highly intelligent, serious, and hard-working
scientist. He had remarried and was now the father of three small
children. Jacob hoped to be granted tenure at the research institute where
he worked. Lately, however, he had been troubled by the responsibility
of another child and the burden of work he had taken on.
In analysis we understood that Jacob’s attempt to become Jacko, a
suc-cessful car salesman, stemmed from his inability to accept his
father’s downfall. His ego ideal was destroyed when the omnipotent,
powerful father figure of his childhood deteriorated into a poor and
miserable man. Unable to mourn his paternal representation, he himself
tried to become the successful businessman his father had once been. He
then modeled his ego ideal on his father’s friend, his substitute father,
with whom he wanted to identify. The discovery of this man’s deceit
destroyed his ego ideal once again and caused him deep narcissistic hurt.
Much psychic work was needed to help Jacob work through his feelings
of admiration, love, and hate toward the split paternal representation.
After working through the split father figure, we tried to elaborate the
split in Jacob’s self-representation. I helped Jacob realize that he envied
Jacko, the young man who lived the easy life and loved soccer, money,
and luxury. Jacko, with his lenient superego, with few aggressive and
libidinal inhibitions, appeared to have vanished into thin air. He was
replaced by Jacob, a shy, hard-working, periodically depressed young
man who came to analysis because of his inhibitions, but who was
terribly afraid of getting rid of them, lest Jacko take over again.
One of the objectives of analysis was to stitch together the conflicting
aspects of Jacko and Jacob into a better-integrated self.
I will now present some verbatim material from a session that took
place in the fourth year of analysis, during the intifada, that illustrates
both my patient’s perception of the reality of life here in Israel and my
inability to stay with his fears, which were also my own.
Jacob: What can I say about the current situation in our country! It’s a
catastrophe! The fact that I can be here with you is a great luxury.
186 CHAPTER 9
J: (continuing) I believe that the political conflict between Israel and the
Palestinians cannot be solved. It won’t destroy the country, but life will
become such a nightmare that people will leave of their own
free will.
I: I think you’re telling me something about the way you feel now
about analysis, that perhaps you wish to leave it behind and not
face your own conflicts and fantasies [again I bring the subject
back to internal reality].
J: Out there things are on fire, and we are sitting here discussing the
fine nuances of feelings. It’s such an indulgence! It’s like placing
my-self inside a bubble, so that I can be left alone and have a decent
life. It’s sociopathic, egocentric! But first we have to stay alive. It’s
like Russian roulette. People are being murdered every day. Now,
in my army reserve duty, I accompany soldiers to the front, to
dangerous places. There’s a new song by a famous singer, ‘‘Who
will be next in line, who will be in the next line?’’ The way I
understand politics, I feel that in the future, living in the shadow of
fear, people will carry guns in the street, violence will increase,
terrorism will increase, there will be economic problems, this
country will become a Third World country.
I: I think that in describing our difficult external reality, you are actu-ally
also telling me something about the problems you are encoun-tering in
your inner reality. Perhaps you are telling me that, on the one hand,
you took upon yourself the responsibility of a family, work, and the
pressure of career advancement, but, on the other hand, you really want
to run away from it all and leave everything behind, as you did in the
past. And perhaps you are asking me here, in analysis, to be the sane
voice that will help you unite the polarized aspects of your own
personality, so that you can feel more whole.
own and my family’s possible destruction? Yet, how could I let this diffi-
cult situation destroy my analytic ability! Wasn’t being able to continue
functioning as an analyst a hope for the continuation of life?
you are arranging for me to have friends abroad and to get the red-carpet
treatment. All you have to do is to bring me the tickets next session.’’
Jacob did not find this funny. He said, ‘‘Maybe this is only my fear
that you are going to leave me? If you had to choose between a quiet,
peaceful life or a life full of terror, maybe it wouldn’t be so difficult to
disappoint a few patients!’’
My thoughts revolved around the transference reflected in his remarks
about my going way. Jacob was indeed frightened that I would leave him.
But I also felt that in the transference Jacob was now placing me in the role
of Shlomo, his father’s friend, the man he had once greatly admired and
loved. I had become the charismatic con man who had power over people’s
lives, and who always saved his own skin by disappointing those close to
him. Jacob bestowed those qualities on me, while at the same time
identifying with me and thus attributing them to himself. Apparently, the red
carpet was Jacob’s own wish, which he projected onto me.
A Turning Point
I will now present an important event from my personal life that in-
creased my awareness of the extent to which I had been denying external
reality. I mention this event only because it constituted a turning point for
me in the analysis and caused me to work through my own fears of death
and destruction, as well as the threat to my identity as an analyst. This
event, during this tense period in which a chemical or biological attack
was looming high on the horizon, was the birth of my first grandchild.
Babies were now being discharged from the hospital with a little plastic
tent, for use in the eventuality of war, which would completely insulate them
and keep them safe in the case of a chemical or biological attack. I envisaged
what could happen during such an attack: the young parents (my son and his
wife, in particular) wearing gas masks, and frantically attempting to put the
screaming baby into this device, and then being un-able to touch and calm
her. This image made me aware that I was not coping with the situation.
What I really wished was that the parents and the baby would stay abroad
through this threatening period, with its un-certain outcome. They could stay
with my daughter-in-law’s family in France, just for a few weeks. Only now
did the possibility occur to me that my interpretation of fleeing from analysis,
though connected to Jacob’s
THE ROLE OF THE ANALYST IN THE ANALYTIC CURE 191
way of dealing with life, may also have been a projection of a fantasy of
mine that was intruding on the analysis.
When Jacob came for his next session and again talked about going
away with his family to Bulgaria, I was very quiet. The only thing I could
say was, ‘‘It is indeed very frightening to be here with little children
during such times.’’ Now, at last, I was acknowledging external reality.
Jacob was silent. Then he said, ‘‘Thank you for being with me during
these difficult times.’’ Jacob must have sensed that my attitude had
changed. As I ac-cepted his fears of external reality, instead of just
focusing on his internal reality, Jacob felt supported. This gave him the
courage, as the analysis progressed, to deal with his internal and external
conflicts in a different way. Until now, Jacob had perceived me as
representing a persecutory in-ternal reality that seemed to him irrelevant
in a period of danger. He therefore kept focusing the analysis on external
reality only. Now he could relate to me more as an ally in his struggle
with his own self in our shared life-threatening situation.
DISCUSSION
My work as a psychoanalyst during a period of chronic crises, and espe-
cially the change in my patient’s fears that I experienced during the war
with Iraq, led me to explore the following issues: (1) the impact of the
person of the analyst on the analytic cure in a shared life-threatening situ-
ation; (2) the relation between external and internal reality in a situation
of terror; and (3) the goal of psychoanalysis in an age of terror.
were allowed to repose there long enough they would undergo modifica-
tion by my psyche and could then be safely reintrojected’’ (1959, p. 103).
Are we able to contain and modify the fears of our patients while we
find ourselves confronted with death and destruction? Isn’t our psyche,
the inner space in which these fears are to repose, constricted by such a
situation? Regarding this issue Abend has remarked that ‘‘the impact of
daily events, inner as well as outer, plays upon our psychic integration
and produces those fluctuations of mood, thought, and behavior which
are part of our so-called normal personalities. Since our receptivity and
reac-tivity to our analysands depends upon our psychic balance, how can
we imagine that this ‘analyzing instrument,’ as Isakower liked to call it, is
un-affected by its constantly shifting dynamism?’’ (1986, p. 565).
In the shared life-threatening situation we are living under in Israel, I
have found that our ‘‘analyzing instrument’’ is indeed affected by current
events. The turning point for me in the treatment of Jacob was when I
realized that my countertransference feelings were not induced only by
the typical patient’s transference and actions toward me (Boyer 1983,
1999; Giovacchini 2000; Kernberg 1984; Volkan 1987; Volkan and Ast
1992, 1994); they were also the result of my own defense mechanisms in
con-frontation with death and destruction. These defenses had a deep
impact on the analytic encounter and therefore deserve to be scrutinized
just as closely as reactions normally regarded as countertransferential.
Perhaps I was denying my own wishes of fleeing with my family to
safety, since these wishes ran directly counter to my ideological reasons
for living in Israel. I found it easier to struggle with Jacob’s wishes to run
away (which could come under the ‘‘normal’’ heading of resistance) than
to accept his fears as well as my own. Thus, ‘‘denial in the service of
nor-mality’’ was most likely my way of living in a life-threatening
situation. In this case, denial of external reality made me, to a certain
extent, unem-pathic toward my patient’s fears and restricted my ability to
contain and modify them so that he would feel supported. This hindered
the analytic work, and the patient rightly felt that analysis had become
irrelevant to his most pressing needs (‘‘Out there things are on fire, and
we are sitting here discussing the fine nuances of feelings. It’s such an
indulgence! . . . It’s sociopathic, egocentric!’’).
I have found Carpy’s words about the normal development of the in-fant
very useful. ‘‘The normal infant needs . . . an experience of being fed
THE ROLE OF THE ANALYST IN THE ANALYTIC CURE 193
by a mother in whom he can sense the panic, but who is nevertheless able
to give him milk. This is what makes pain tolerable’’ (1989, p. 293). Pa-
tients who fear external reality need this experience—of a ‘‘holding envi-
ronment’’ (Modell 1976) or ‘‘mutative support’’ (De Jonghe, Rijnierse,
and Janssen 1992) no less than when they are afraid of projections
coming from their internal world. It was only when I could be in touch
with my own panic that I was able to give my patient the containment
that he needed.
A great difficulty for me in the case of Jacob was that fleeing from a
dangerous reality could be considered a realistic solution to real danger,
as well as a ‘‘manic defense’’ (Klein et al. 1952; Winnicott 1935) that he
had employed several times previously in order to flee from his internal
conflicting wishes. My feelings of omnipotence and guilt, which were
greatly increased by the fact that I was experiencing external reality as a
threat, made it difficult for me to take both of these perspectives into con-
sideration.
Regarding Susan, it was easier to feel empathy with her plight. I was
aware of the possibility that external reality facilitated the omnipotent en-
actment of traumatic fantasized past events connected to her mother’s
Holocaust history, in order to lessen or undo their impact. From another
angle, we explored the current traumatic reality that enhanced Susan’s
feelings of guilt in relation to her ill mother. This helped Susan
understand that she tried to mitigate her self-blame by helping others
who found themselves in a difficult situation. Finally, because I was
better able to con-tain our shared fears evoked by external reality, I
succeeded in helping her realize that her enactment had an unconscious
meaning related to her fears and anxieties over losing her sanity (which
arose from her inner re-ality).
The threat to my identity as an analyst symbolized for me the possible
destruction of my own and my patient’s psychic life. The current situation
reminded me of the Holocaust history of our parents and grandparents and of
the damage to metaphorical thinking that has been demonstrated in studies of
Holocaust survivors (Grubrich-Simitis 1984; Herzog 1982; Krystal 1985;
Oliner 1983). This fear of a return of the past made me expe-rience the
current situation as no less a threat to our psychic life than it is to our
physical existence. The damage to metaphorization has been attrib-uted to
the deadening of inner life as the result of an overwhelming reality.
194 CHAPTER 9
I felt that the current reality was threatening to erase inner reality by di-
minishing the place of symbolism in analysis. To counteract this, I pur-
posely focused on inner reality. I did this in order to create a sense of
safety, to confirm the continuity of normal life, and to ensure the survival
of both psychic and physical reality. But by doing so, I sometimes paid a
high price, as I have discussed.
outside reality of the Blitz under which he lived was totally ignored. At
the other pole we find the work of Melitta Schmideberg (1942), Melanie
Klein’s daughter, who, in conducting analysis during wartime acknowl-
edged the traumatic external reality, as well as the common fears of
patient and analyst sharing a life-threatening situation.
A most important figure with regard to traumatic reality in psychoana-
lytic history is Winnicott. In a meeting of the British Psychoanalytical So-
ciety that took place during World War II, he pointed out the existence of
external reality to a group that preferred to ignore it. In his bibliography of
Winnicott, Phillips describes the incident: ‘‘Margaret Little, one of
Winnicott’s analysands, recalls that in the first Scientific Meetings of the
British Society that she attended, there were bombs dropping every few
minutes and people ducking as each crash came. In the middle of the dis-
cussion, someone I later came to know as D.W. stood up and said ‘I should
like to point out that there is an air-raid going on’, and sat down. No-one paid
any notice, and the meeting continued!’’ (1988, p. 61).
The controversy over the impact of traumatic external reality on psy-
chic reality continues to this day. Therapists treating victims of known
abuse claim that classical psychoanalysis pays too little attention to real
events in a person’s life to be of use to traumatized patients. Shevrin dis-
agrees with this assumption. In his contribution to an issue of JAPA de-
voted to trauma, he noted that ‘‘psychoanalysis came in at the fault line
between presumed sexual seduction at an early age as a cause of neurosis,
and the role of fantasy’’ (1994, pp. 991–92). His conclusion is that
classical psychoanalysis considers external traumatic reality and its effect
on psy-chic life to be a most important element in neurotic conflict.
Normally there is a mutual influence of elements from the external and
the internal worlds, each modifying the other. According to Arlow,
‘‘There is a constant mutual interaction between the individual’s mental
set, as dictated by his persistent unconscious fantasies, and the events of
his daily conscious experience’’ (1991, p. 60).
The reciprocal relation between external reality and unconscious fan-tasy
in normal life situations has been studied in depth by Winnicott. He felt that
reality is useful for setting limits to fantasy, thus having a reassur-ing effect.
Referring to Freud (1923), who views reality as that which frus-trates the
individual, Winnicott writes, ‘‘The point is that in fantasy things work by
magic: there are no brakes on fantasy, and love and hate cause
196 CHAPTER 9
alarming effects. External reality has brakes on it, and can be studied and
known and, in fact, fantasy is only tolerable at full blast when objective
reality is appreciated well’’ (1964, p. 153).
I wish to raise the hypothesis that external reality of a traumatic nature
differs from reality under normal life conditions in that the former cannot
modify fantasy and thus contribute to the internal world by serving as a
reassuring entity.3 Unable to establish factual limits to aggressive and
destructive wishes, it cannot mitigate omnipotence and feelings of guilt.
This hypothesis, which I will discuss in greater depth in the epilogue, is
relevant to the effect of the traumatic external reality on the entire
popula-tion in Israel.
even as I try, together with my patient, to explore the inner universe that
processes and handles this reality in unique and idiosyncratic ways. As Eis-
sler has so pointedly stated, ‘‘No individual can divorce himself from the
historical period in which he is living, any more than he can put himself
beyond time and space’’ (1953, p. 107). We should respect the historical
period in which we are living and adjust the analytic tool accordingly.
NOTES
INTRODUCTION
As I have shown in earlier chapters, the trauma of the Holocaust is often
transmitted to and absorbed by the children of survivors. The psychoana-
lytic literature on the offspring of Holocaust survivors states that the Ho-
locaust is transmitted to them through early, unconscious identifications
that carry in their wake the parents’ perception of an everlasting, life-
threatening inner and outer reality (Axelrod et al. 1978; Barocas and
Baro-cas 1973; Kestenberg 1972; Klein 1971; Laufer 1973; Lipkowitz
1973; Ra-koff 1966; Sonnenberg 1974). These children, whose minds
have been impregnated with mental representations of the atrocities of the
Holo-caust deposited by their parents, carry within themselves powerful
feelings of loss and humiliation, guilt and aggression.
Volkan coined the concept of ‘‘deposited representations’’ (1987, p. 73),
emphasizing the role of the parent, who unconsciously, and some-times even
consciously, forces aspects of himself onto the child. By doing so, the parent
affects the child’s sense of identity and gives the child certain specific tasks
to perform. In these cases, the children become the reservoirs for deposited
images connected to the trauma, which often initiate uncon-scious fantasies
linked to it. The children are compelled to deal with the
199
200 CHAPTER 10
shame, rage, helplessness, and guilt that the parents have been unable to
work through for themselves (Volkan et al. 2002).
The question I wish to address here is what happens when children
whose Holocaust-survivor parents have undergone victimization, actual
abuse and humiliation, encounter traumatic reality in the present? What is
the impact of this external reality on their inner life, their perception of
reality, and their defenses?
I show that life-threatening reality does not reactivate only a simple
recollection of traumatic events, but it also reactivates in the children the
mental representation of the Holocaust that they share with their parents.
These include real events of a traumatic nature, conscious and uncon-
scious fantasies regarding these events, intense feelings of mourning and
guilt, and defenses against unacceptable feelings such as shame, guilt, or
aggression (Roth 1993; Moses 1993; Kogan and Schneider 2003). For
this purpose I will use clinical vignettes from two cases in which the life-
threat-ening situation of the intifada in Israel reactivated mental
representations of the Holocaust and had an impact on their perception of
reality, rein-forcing their manic defenses.
and in spite of giving him love and care, she sometimes lost her temper
and became violent, a fact which tormented her deeply and aroused feel-
ings of guilt. Daphna was in therapy for a period of ten years, at the end
of which her therapist developed a terminal illness.
Daphna sought analysis two years ago, when her older brother, at the
age of fifty-one, became ill and was hospitalized in a mental institution
because of a mental breakdown. Concerned that she, like her older
brother, might suffer a psychotic breakdown at the fatal age of fifty-one
(the age at which her mother had committed suicide), Daphna decided to
seek analytic treatment.
I will not describe our painful analytic journey over the last three
years. Instead, I will examine Daphna’s reaction to the life-threatening
situation in Israel over the last few years as revealed in analysis. I will
illustrate this with a vignette from one of our sessions.
D: (after some moments of silence) I feel I do not have the right to live
a life of my own, that I have to be punished. Like religious people,
I also say to God: ‘‘I am paying my dues, I demonstrate against the
war every Friday at noon, every Saturday night, you should have
mercy on me.’’
I: What do you feel you should be punished for?
D: I don’t know. It has to do with my mother. How could I never have
noticed what was going to happen to her? I was so preoccupied
with the stupid things of adolescence. I wasn’t really concerned
with her well-being. You know, when I came home for visits from
the board-ing school before she killed herself, she always wanted to
hug me and kiss me. I didn’t want her to do that, I rejected her. I
wasn’t a baby anymore, and she never did that when I was a child.
Suddenly she wanted to hug me all the time; is it possible that she
needed my embrace and I wasn’t aware of it? And what about my
father? I knew that all his relatives perished in the ovens, and now
[my] mother perished in the same way. He could not survive that. I
knew it, but I could not save him. How can I allow myself to live a
normal life in Israel when life is so crazy!
not only did she feel guilty for not saving her mother (and indirectly also
her father) from death and destruction, but she also accused herself of
destroying her mother because of her needy, ravenous self. This
polarized attitude, in which love and hatred were split apart, was
projected onto her son, and she felt that she was simultaneously his
potential savior and his murderer.
had been living in Israel for several generations. His father had been in a
concentration camp between the ages of fourteen and nineteen. Isaac
knew very little of his father’s life during that period, except for the fact
that only his father and his father’s brother had survived.
Isaac’s own history revealed a very intelligent and talented young
man. During high school he was already taking courses at university, and
at the age of twenty he had completed a first degree in science. He was
then drafted into the army, working there in his field of expertise, and at
the same time was sent by the army to study for a Ph.D. Now, at the age
of thirty, he had a family whom he loved, he had close friends, and was
con-ducting research at a prominent scientific institute.
Isaac complained that in spite of all this, he would sometimes feel de-
pressed. During these periods, he had little energy for work. Nowadays,
he was especially upset by his angry outbursts toward his wife and child.
Isaac described the atmosphere in his parents’ home as coercive. He
was the only son of a couple who had been childless for many years, and
was very much loved and overprotected by his mother. The relationship
with his father was more complex and ambivalent. Though proud of the
boy’s intellectual achievements, the father was never ever satisfied with
him. In contrast to his mother, who spoiled him, his father wanted him to
be totally independent, physically and emotionally. The sensitive young
boy learned that he had to ‘‘become a man.’’ He was urged to look out
for himself and to engage in sports in order to develop his body. He was
ex-pected to learn a profession that would earn him a great deal of
money, with no regard for his real interests.
The boy found himself under great pressure to fulfill his father’s ego-
ideal, but also felt very antagonistic about it. He felt a great deal of anger
toward his father, but afraid to hurt him, he learned to keep his feelings in
check and behaved in a passive-aggressive manner. In my view, he
adopted the mechanism of turning his aggressive feelings against
himself, which caused him to become periodically depressed.
Certain changes occurred in Isaac’s appearance and behavior during
therapy. He stopped stuttering, and his speech became clearer. At the end
of the first month after his father’s death, he shaved off his beard. His
long hair still adorned his feminine features, but without the beard, he no
longer looked so bizarre.
Inquiring about his hair, I discovered that Isaac had not always worn
SONS AND DAUGHTERS OF HOLOCAUST SURVIVORS 207
his hair long. (Hair length has symbolic value. The unconscious meaning
of hair length in children of Nazi persecutors has been the subject of re-
search [Kogan and Schneider 2002a].) There was a period in school and
during his army service when he said that he had looked like a ‘‘normal’’
guy. In the attempt to understand how he defined ‘‘normal’’ or ‘‘abnor-
mal,’’ Isaac mentioned a homosexual encounter that almost occurred at
the age of nineteen, during his army service. Immediately after breaking
up with a girlfriend, he became very close to a young man several years
older. He and this man were supposed to meet and spend the night to-
gether, but at the last moment Isaac got cold feet and didn’t turn up. The
man was very offended and the relationship ended.
In analysis, we tried to understand this episode in light of information
about his father’s life that was revealed to Isaac during the first month after
his father’s death. A cousin told Isaac about some of the dreadful events in
his father’s life during the Holocaust. One terrible episode was about his
father and the uncle who had survived peeping through a fence and seeing
their mother and sister being marched off to the gas chambers. Another
terrifying story was that Father, who was a handsome boy at the time, had
been sexually exploited by men in the concentration camps. The cousin
remembered one of the things Father had said: ‘‘Men were always after me,
the younger ones during the day, the older ones at night.’’ Isaac remembered
his father warning him in this regard: ‘‘You are such a hand-some boy, you
are the type for men, they will be after you!’’
We tried to understand Isaac’s behavior in light of his father’s
powerful message to ‘‘behave like a man.’’ Isaac now realized that
having long hair and looking feminine was the most rebellious action he
could have taken against his father. Consciously, Isaac was rebelling
against the masculinity that he felt was expected of him. Unconsciously,
Isaac almost repeated his father’s fate when he came close to a
homosexual encounter, but fled from it at the last moment.
After elaborating this episode in analysis, Isaac cut his hair. Having to
a certain extent worked through his love and anger toward his father, this
rebellion was no longer necessary.
Describing his feelings about the life-threatening situation in Israel, Isaac
revealed that he had years ago acquired a revolver, which he kept in a locked
drawer. He said, ‘‘I have to have a revolver; it can be very useful in case we
are attacked by terrorists; in case they break into my house, I
208 CHAPTER 10
DISCUSSION
I will now discuss the impact of traumatic external reality on the percep-
tion of reality and on the defenses of Holocaust survivors’ offspring, as
shown by the previous cases.
In the two cases described earlier, the patients’ psychic realities were
in large part structured by unconscious fantasies and guilt feelings related
to their parents’ traumatic past. Life-threatening external reality and
terror reinforced their internal fears and made it more difficult for them
to dif-ferentiate between internal and external reality, and this had an
impact on their defenses. It caused them to react to their external world
with behav-ior dominated by fantasies and unconscious fears evoked by
their parents’ Holocaust past. The reality of the Holocaust often
penetrated the current reality through real or imagined enactments
(Bergmann 1982; Kogan and Schneider 2002b).
In the case of Daphna, the threatening external situation increased her
feelings of omnipotence, leading her to recreate, through her pro-Palestin-ian
demonstrations, a past world in which she was exposed to death and
destruction. She experienced these demonstrations as life-threatening sit-
uations that ‘‘transposed’’ (Kestenberg 1972) her into the Holocaust past of
her father. The tragic repetition of the Holocaust trauma by her mother
reinforced the mental representations of the Holocaust. This brought a
SONS AND DAUGHTERS OF HOLOCAUST SURVIVORS 209
distortion of reality and she regarded the angry Jews as her Nazi persecu-
tors. In addition, by demonstrating for peace and exposing herself to an
imagined danger, she fulfilled her conscious wish of acting as a savior to
Jews (by omnipotently trying to prevent another Holocaust) as well as to
Palestinians (by helping the underdog). On an unconscious level, Daphna
was attempting to alleviate the guilt stemming from the trauma of her
mother’s suicide, followed by her father’s illness and death, while at the
same time coming close to death in order to overcome it.
In the case of Isaac, external reality was experienced not only as an
exis-tential threat, but also as a potential threat to his manhood. Fearing
his father’s fate, Isaac acquired a revolver to defend himself against a
possible attack on his manhood, which had been his father’s misfortune.
Perhaps in his unconscious fantasies, Isaac perceived the Palestinian
terrorists who might break into his house as Nazi aggressors raping his
body. The threat-ening external reality reactivated the lack of
differentiation between Isaac and his father, causing him to relive his
father’s traumatic past in his own present. In this mixed reality, the
revolver represented the phallus (thus fulfilling his father’s message to
become a man) as well as the weapon that enabled Isaac to defend his
manhood against those who wished to destroy it.
Both cases are marked by great confusion between past and present,
fantasy and reality, internal and external. External life-threatening situa-
tions reinforced the patients’ manic defenses, leading to a distorted per-
ception of reality in each case.
I wish to conclude by saying that we can conceive of Daphna’s and
Isaac’s parents as typical of many Jewish mothers and fathers who were
damaged by the Holocaust. Therefore these patients represent a large
group of individuals for whom the encounter with a life-threatening
situa-tion reinforced their manic defenses, leading to a distorted
perception of reality.
Epilogue
Mourning was first defined as a process that occurs in reaction to the loss
of an object. The work of mourning thus included a massive psychic
effort to recover a link with reality and to detach oneself from the
persecutory aspects of the lost object by assimilating its positive and
kindly aspects. Viewing it from this perspective, Burch regarded
mourning as ‘‘a kind of final act of love’’ (Burch 1989, p. 622).
After examining the mourning process for nearly two decades, Pollock
(1978) arrived at a different conclusion, namely that the mourning proc-ess is
not linked absolutely to object loss. Instead, it is ‘‘a universal adapta-tional
series of intrapsychic operations occurring in sequential successive stages
involved in the reestablishment of a new level of internal and related external
equilibrium’’ (p. 262). These series of operations are caused by different
stages of change that occur throughout a person’s development and that can
be interpreted as threats to one’s integrity and self-identity, forcing the
individual to suffer deep, painful affects.
Similarly to Pollock, Grinberg (1992) maintained that mourning is not
linked exclusively to object loss, but also to growth and to the passage
from one stage of life to another. This process involves the loss of certain
attitudes, ways of life, and relationships, which, even though replaced by
other, more developed ones, nonetheless evoke pain and mourning. Liv-
ing therefore necessarily requires that an individual go through a succes-
sion of mourning processes that are not always successfully completed.
When we pass from one stage of life to another, as well as when we are
confronted with loss and bereavement, trauma, and stress, reality is often
distorted or denied. In some cases, neither time nor therapy, perhaps nothing,
may completely change this. What is required for recovery is not
211
212 EPILOGUE
retribution and triumph, not just the relief of rage, not even simply for-
giveness, but an emotional awareness of the loss, genuinely experienced,
however painful1 it is. This means acceptance of one’s perpetual vulnera-
bility to loss and betrayal, as well as the vulnerability caused by one’s
own limitations and by the finality of life.
In the various chapters of this book we have found detailed
descriptions of the journey from the absence of conscious grieving—a
form of patho-logical mourning (Bowlby 1980)—to emotional awareness
of the pain evoked by loss and its elaboration. The work of mourning
includes the painful toll on the individual, whether in everyday life or in
analysis, as he confronts his losses. By means of the mourning process,
the individual strives to accept loss, overcome pathological defenses, and
readapt the ego to reality in situations of object loss and in a variety of
other situations which cause the individual to suffer painful feelings.
The work of mourning may be impeded by depressive anxiety, pain,
and ‘‘persecutory guilt’’ (Grinberg 1992). 2 These feelings can flood the
ego, which attempts to counteract them by reverting to primitive defenses
(e.g., denial and manic defenses). The struggle of the ego may result in
nonreceptivity to loss and, in varying degrees, a splitting and denial of
reality. The struggle against pain and mourning may have adaptive and/
or pathological aspects, as demonstrated in the various chapters of this
book. The individual’s strategies against mourning prevent the despair
that often accompanies emotional awareness, thus helping him survive
physically as well as psychically, but leaving him emotionally depleted.
The book deals with the individual’s and society’s use of defenses
against emotional awareness of pain and mourning in situations of inter-
nal and external stress. On the individual level, it deals with manic de-
fenses against pain and loss in cases of individuals who are threatened by
fragmentation and psychic death. On the societal level, it explores enact-
ment as a substitute-for-mourning mechanism among Holocaust survi-
vors’ offspring, a specific population group scattered to the four corners
of the earth, who carry the burden of pain and guilt transmitted to them
by their traumatized parents. The book also examines the impact of life-
threatening situations in Israel on the perception of reality and on the de-
fenses of Holocaust survivors’ offspring and on Israeli society as a whole.
In the first section of the book I described individuals who, threatened
by fragmentation, mobilized manic defenses against emotional awareness
EPILOGUE 213
of loss. These patients suffered psychic wounds that could not be com-
pletely healed by therapy. Nonetheless, their emotional experience in
anal-ysis enabled them to discover their original attachment and its
betrayal, and helped them bear the torment of mourning, guilt, and
persecution without fear of being flooded by it. Consequently, their
internal world was less denied and the compulsive need to erase it by
various types of defenses diminished. The patients’ growing ability to
mourn increased their capac-ity to love and to mitigate hate, in spite of
the manic mechanisms that still persisted for the most part.
In the second and third sections of the book I examined the impact of
unresolved mourning on the individual and society. The struggle against
mourning shapes one’s perception of reality, fantasy world, relationships,
decision making, and actions, thus leaving an impact both on the individ-
ual and on society.
The second section deals primarily with the way in which Holocaust
survivors’ offspring contend with the unresolved mourning transmitted to
them by their parents. Holocaust survivors’ offspring suffer from a long-
ing and nostalgia that is akin to a depressive state (Shoshan 1989). In
spite of significant achievements in their professional lives, wealth,
substantial personal acclaim, or social status, they have no full sense of
living in the present and are left with a void and mourning for a past they
do not know (Auerhahn and Prelinger 1983; Fresco 1984; Auerhahn and
Laub 1998). These individuals employ various defenses, such as
enactment, obsessive-compulsive symptoms, splitting, denial, and so on
to avoid the pain and grief transmitted to them by their parents. In this
section, I focused pri-marily on the mechanism of enactment, which
includes split off, frag-mented behaviors, cognition, and affect. Holocaust
survivors’ offspring have no cognitive understanding of the trauma that is
enacted, no emo-tional awareness of the painful feelings connected to the
enactment. The mourning of the second generation is often
decontextualized and there-fore no longer meaningful. It is only by
understanding that it belongs to their parents’ past, by putting it into the
context of the Holocaust, that it acquires meaning and ceases to be
irrational, thus strengthening their life-forces. As Victor Frankl (1963)
stated: ‘‘The search for meaning is the pri-mary source of life.’’
The chapters that dealt with Holocaust survivors’ offspring illustrate
their discovery of the ‘‘unknown’’ story of their parents and the lifting of
214 EPILOGUE
so that meanings that were still are, and the meanings that are affect and
change those that were (Schaeffer 1980; Loftus and Loftus 1980). There
is an unconscious component in fearing the repetition of the past, which
is found particularly among Holocaust survivors (Moses 1993), even
though it is not based on reality. This fear does not belong only to the
large group of Holocaust survivors and their offspring. For all of us in
Israel who share the collective memory of the Holocaust, the possibility
of a destructive attack reactivates the trauma of our parents’ past.
We can understand this reactivation by means of the psychoanalytic
model of trauma, which posits two events: a later event that revivifies an
original event, which only then becomes traumatic (Laplanche and Pon-
talis 1967). As it is linked to past horrors, the present terror takes on the
quality of childhood fears and nightmares. This threatens to destroy the
boundary between inside and outside, between reality and fantasy (Auer-
hahn and Prelinger 1983). These ‘‘unfortunate encounters’’ (Green 1973)
between fantasy and traumatic events in reality can be terrifying because
the communication from inside to outside is damaged to the point that
inner spaces are no longer able to contain the inner world (Janin 1996).
The subject can no longer tell whether excitation is of internal or external
origin, and so is overwhelmed by feelings of helplessness and fear—the
famous hilflosigkeit described by Freud (1917). Traumatic external
reality becomes the embodiment of the worst fantasies of inner reality,
over-whelming the subject with the realization of his or her own potential
de-structiveness. The life-threatening external reality in Israel may lead to
a perception of reality based on past scripts and may reinforce the
imprints of the past, which insidiously spill into and permeate the present.
To be free of the burden of the past, we must learn from history, both
on the individual level and on the societal level. Learning from history
means becoming acquainted with elements of the present by understand-
ing what entered the present from the past. The memory of past events,
both as ideas and feelings, should ideally constitute a means for avoiding
the repetition of past errors or perseverating unsuccessful patterns of per-
formance. Or, more informally, learning from the past means ‘‘learning
from experience’’ (Novey 1968).
As I illustrated in various chapters of the book, history is never properly
over. That is, the past is never dead; it lives in the mind, never to perish. The
intermeshed nature of past and present has been eloquently expressed
216 EPILOGUE
by Turner (1938): ‘‘For the present is simply the undeveloped past, the
past is the undeveloped present.’’
This connection between past and present derives from the difference
between the ‘‘facts’’ of history, and the meaning and significance that we
attribute to these facts. The initial fact has many ramifications and is not a
thing unto itself with sharp and clear outlines. Becker (1955) posed three
questions about historical fact: the what, the where, and the when of it.
Regarding the what, Becker states that historical fact is not the past event,
but a symbol that enables us to recreate it imaginatively. As to the where,
Becker places it in the mind and insists that a historical fact is—not was.
While the actual past event is gone forever, it is remembered and it is the
persistence of records and memories, rather than the ephemeral event, that
makes a difference to us now. He then addresses himself to the when of
historical fact as follows: ‘‘If the historical fact is present, imaginatively, in
someone’s mind, then it is now a part of the present.’’
This mutual impact of present terror on past terror and vice versa raises
some crucial questions: Is there a way to break the unending cycle of ha-tred
and violence that is passed on from one generation to another? Can
psychoanalysis help us uncover traumatizations that wars and catastro-phes
have left within us or our parents? Can it help us work through the mourning
connected to them? Can the elaboration of mourning reinforce life forces on
the societal level and replace destructiveness with creativity?
I do not presume to have answers to these questions. In an exchange with
Albert Einstein, Freud (1933) stated clearly that mankind is capable of
destroying itself, a fact that leads to a race for time between civilization and
our potential for destruction (p. 214). Freud regarded the experience of
World War I as a witness to the breakdown of the ideals of our civiliza-tion
and the hopes linked to them. It was evident that people were ready to kill
each other, to destroy lives and property in the name of exalted ideas such as
‘‘fatherland,’’ ‘‘brotherhood,’’ and so on. In this context, Freud also
regarded Christianity as a failure. He scrutinized man’s de-structive forces
and raised fundamental questions about civilization in his great works of the
late 1920s: ‘‘The future of an illusion’’ (1927) and ‘‘Civ-ilization and its
discontents’’ (1930). For Freud, the only hope was the voice of reason: ‘‘Die
Stimme des Intellekts ist leise . . .’’ (‘‘The voice of the intellect is a soft one .
. .’’ (Freud 1927, p. 53).
Various disciplines have claimed primacy in understanding the ‘‘voice
EPILOGUE 217
NOTES
1. Puzzled by the pain of mourning, Freud (1917) stated: ‘‘Why this process
of carrying out the behest of reality bit by bit, which is in the nature of a compro-
mise, should be so extraordinarily painful is not at all easy to explain in terms of
mental economics’’ (p.154).
2. This type of guilt includes anxiety and persecution caused by loss and frus-
tration and it appears in the most regressive states. Grinberg links ‘‘persecutory
guilt’’ to the mechanism of the schizoid-paranoid phase, as described by Melanie
Klein.
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244 REFERENCES
CHAPTER 10
EPILOGUE
251
252 INDEX
Holocaust survivors, children of: Baro- identity, gender, 166, 169; early child-
cas on, 72, 111; cognitive develop- hood experiences and, 169; Freud,
ment of, 147; creative activity and, Sigmund, on, 169; identification
72; denial of mourning and, 111; with parents and, 169; of Perel,
destructive individuation of, 151; 166, 169
emotional development of, 147; en- immigrate, 73
actment and, 72; Freyberg on, 151; incest, 33
memory prohibition of, 112; nostal- incontinence, fear of, 102
gia in, 213; psychic hole and, 95; re- indignation: Joffee on, 11–12; as re-
enactment and, 112; resilience of, sponse to pain, 11; Sandler on,
111–20; transmission of trauma to, 11–12
72, 199, 208; understanding/treat- individuation, enhanced: Joffee on,
ment of, 81; unresolved mourning of, 11–12; as response to pain, 11;
148; vulnerability of, 111–20 San-dler on, 11–12
homosexuality: Chasseguet-Smirgel on, infant, development of, 192 infantile
65; converting infantile trauma into traumata, 61 information, quest for,
adult triumph through, 66; creation of 103 ‘‘Inhibitions, symptoms, and
self through, 66; denying gender/ anxiety’’
sexual differences through, 65; de- (Freud, S.), 10
nying inner reality through, 65; inner deadness, 52
Freud, Sigmund, on, 65; Kahn on, International Observatory of Resil-
65–66; Kohut on, 66; as manic de- ience, 108
fense, 47, 66–67; Perel and, 170 ‘‘interpretive action,’’ 62;
humanity-as-beast, 171 intervention as, 61–62; Ogden on,
humanity-as-civilized, 171 61; Reppen on, 61
intervention: as interpretive action,
61–62; as ‘‘moment of meeting,’’
idealization, 13; of dead, 92; enactment
62; self-revealing aspect of, 62–63
and, 92; Rosenfeld on, 13
intifada, 159, 185, 189, 197n1; Holo-
identity: adoption of new, 167–75; Ak-
caust representations and, 200, 204
htar on, 84; in children, 199; chil-
introjection, 164
dren’s, tracing, 164; circumcision as
invulnerability, 107
manifestation of Jewish, 164; as co-
Isakower, Otto, 192
herent sense of self, 171; destabiliza-
Israel: impact of life-threatening situa-
tion of, 84; discontinuity of, 86; ego
tions in, 212, 215; Palestinians and,
and, 164; emigration and, 83; eth-nic,
conflict between, 187; political
173; Freud, Sigmund, on, 163; dem-onstrations in, 202–3, 208;
problem with, 75; Wheelis on, 171 recur-rence of crisis in, 197n1;
identity, consolidated: Erikson on, terrorism in, 202; terror of current
84, 172; internal consistency and, situation in, 179
173
INDEX 257
avoidance of, 92; fear of, 40–42; Jewish identity by, 167, 168;
Freud, Sigmund, on, 10; Grinberg survival guilt of, 165
on, 11; Joffee on, 11; object-loss ‘‘perimeter of safety,’’ 115;
and, 11; physical pain and, 11; Pon- encroach-ment into, 154
talis on, 11; psychological deadness persecutory fears: desire and, 52–
to avoid, 64; Sandler on, 11; Weiss 54; exploration of, 53
on, 11 persecutory guilt, 212; Grinberg on,
Palestinians/Israel, conflict 218n2; schizoid-paranoid phase
between, 187 and, 218n2
Parens, Henri, 1 Phillips, A., 195
parent: as Nazi aggressor, 124, 139; physical contact. See touching
as persecuted victim, 124 poetry, 18
parthenogenesis, 23, 34; as manic de- pogrom, 165
fense, 24; as psychotic obsession, 40 Pollock, G. H., 211
Passover, 164 Pontalis, J. B., 11
past/present, confusion between, 150 post-traumatic stress disorder (PTSD),
Pedder, J. R., 49 71, 107
pensee operatoire, 92 ‘‘potential space,’’ 112
Perel, Solomon (Solly), 159, 162; bar Prelinger, E., 149
mitzvah of, 165; circumcision of, ‘‘present moment,’’ 62
164, 165, 168, 171, 175; continuity present/past, confusion between, 150
of, rebuilding sense of, 174; denial of ‘‘primary love,’’ 64
guilt by, 166; denial of reality by, ‘‘primary repression,’’ 91
169; depression of, 174; fantasized primitive identification, 16, 94, 95,
protective figures of, 170; father 117, 151; Freud, Sigmund, on, 16–17
figure and, 168; first disguise of, 165; primitive man, psychoanalytic under-
gender identity of, 166, 169; standing of, 86
generational continuity of, 173; on ‘‘Project for a scientific
guilt, 174; as hero, 168; heterosexual psychology’’ (Freud, S.), 10
tendency of, 170; Hitler Youth iden- projection, 15
tity of, 171; homosexual tendency of, projective identification,
170; ‘‘knowing and not knowing 100 prostate cancer, 205
psychic trauma’’ and, 169; as Kom- protective shield, 128
somol youth, 167; mother figure and, pseuriasis, 201
168; mourning of, 174, 175; Nazi psychic hole, 94, 95; as absence of psy-
ideology and, 167–75; Oedipus chic structure, 95; as ‘‘empty circle,’’
complex of, 165; partial erasing of 95; filling, 101; forming of, 95; Ho-
history by, 175; psychic representa- locaust survivor’s children and, 95
tion of body, 171; renouncement of ‘‘psychic numbing,’’ 109
260 INDEX
263