Nijo Castle

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NIJO CASTLE :

This castle did not exist during the Heian period; for the planning of castles in cities ap-
peared during the Medieval age. Its creation happened to unite the Northen boroughs,
of the upper class with the warriors and the nobles; and the Southern boroughs in which
gathered the rest of the population. Therefore, this castle was built to host the emperor du-
ring a visit in the Edo period, in 1620. It used to have a military part, where a toward would
gard the surroundings, but it was unfortunately destroyed by lightning. It is still shaped as a
military complex as well as a political one. Indeed, it has a large defense wall made of thick
stones, barely carved and a wooden structure roof. The only access is through a large woo-
den door decorated with golden pieces of metal.
When the political power shifts towards the Shogun, this castle will temporarely be used as
a prefectural center but still in the maintenance of the Imperial family.
That is probably the reason why the imperial pavillion is still preserved today. Like said be-
fore it was built to host the Emperor when coming to Kyoto, so it had to be beautifully deco-
rated ( black laquer beams, wooden carvings, Chrysantheme flowers wich was the emblem
of the Imperial family) even if the structure is quite simple. The gable roof is of the Karafasu
style ( Chinese style or what the Japanese thought of what the Chinese was )

What changes in the plan of this building is that the carpenters will no be looking for the
symmetry in the plan of the building but how to echo the flow of the inhabitants of the
palace. This translates in the progressive appearance of the rooms throught your deambula-
tion. The rooms are used as waiting rooms for the most highly ranked visitors wich different
decorations for each one of them ( tigers, seasons.. ) The palace is also composed of two
rooms to welcome the visitors for the official visit to the Shogun or the Emperor. One of
these rooms, the main one was used when the Shogun gave back the power to the Imperial
family during the 19th century.

What is the most striking in this main room is the way that power, authority is being trans-
lated in Japanese standards. Firstly we can see that the beam in the structure are surpri-
singly and unecessary big. There is a few other elements that we will progressively found
in the all political strongholds for it will become the standards of display of authorithy in
Japan.
Firstly there is the writting desk that is incorporated in an alcove window, there is also the
tokonoma where it was used to exposed flowers or scrolls, 4 doors behind which the Empe-
ror usually had a room in wich he could get change or rest ( with time the use of this room
will fade away but the 4 doors will be kept ) and a set of shelves in the back of the room on
the right of the tokonoma.
Finally, we can see that the room is seperated in two levels, where the figure of authority is
elevated from his subjects and seated on a special tatami.

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