An Expression of Pikal
An Expression of Pikal
An Expression of Pikal
Here recently there has been a flurry of internet activity concerning the method of blade use referred
to as “pikal”. This tutorial is meant to illustrate some concepts for the end-user who wishes to
familiarize themselves with its application and show one person’s expression of it.
“Pikal” is a word that comes from the Visayan dialect in the Philippines and literally means “to rip”. It
is a way of using a knife combatively that is highlighted in indigenous Philippine arts such as Pekiti-
Tersia and the Sayoc family system among a host of others. Pikal is executed by holding the knife in
reverse grip, with the edge facing the body, and using a thrust heavy application method. The angles
are a simple forehand and back hand, or #1 and #2 stroke in FMA terminology, regardless of whether
it’s a diagonal, horizontal, upwards or downwards.
There are many variations of flow drills that pikal can be expressed through, but for the most part
they are extraneous and tend to make the system more flowery than it needs to be. Flow drills
are fine for learning mechanics but one doesn’t fight with them. Work those which are relevant
(knife-tapping, Sigan-Labo), master what they give you, and quickly dissolve them and focus on
application. I personally interpret pikal very directly and viciously. The objective is not to flow with
the opponent but to bull through him, thrusting like a sewing machine, rapid-fire and ballistic. I’ve
seen some proponents conversely try and oversimplify pikal, in an effort to make up for a lack of
formalized education in a system that has pikal. This is the other side of the argument that overlooks
the attributes that drive the system, which are footwork, power, and body mechanics. Without these
attributes, the system isn’t really alive and loses much of it’s effectiveness.
Footwork is an essential that allows one to close and hit. Without it, the system is duelistic and
loses its assaultive flavor. Power drives the blade and allows one to sink the tip through flesh and
clothing. Mechanics allow one to hook and clear the interrupted thrust line, which is the doctrine that I
personally espouse for pikal.
The “stance,” for lack of a better
term, is with the weapon side
forward with the point facing the
adversary. The unencumbered
hand is held back behind the
weapon. Try and stay on the
balls of the feet as much as
possible for quick zoning in and
out of range. Keep everything
compacted. Here is a view
from the side and the front.
The primary technique is a
quick back-hand thrust that’s
called a jab. It’s common with
the edge of hand blow from
WWII Close Combat and an
eye-jab from FMA, as far as the
scheme of maneuver. It’s non-
telegraphic and shoots straight
out from wherever the knife
happens to be. In the next two
pictures we’ll begin our jab from
our stance.
The jab continues straight to
the target with the jabbing arm
moving in a line that doesn’t
waver up or down. In the pic
my hand has moved down just
a bit from my face towards my
arm-pit.
Finally the jab reaches full
extension and hits the target.
The body should angle slightly
to get a bit more reach and use
the shoulder and hip for added
power to sink that tip into the
target. Remember that you’re
trying to sink that blade into a
human being so there’s going
to be varying resistance offered.
Develop a hard, fast jab. It’s
very difficult to counter. When
you retract your jab, follow the
same line in as you did out. To
develop speed try and think
about retracting twice as fast
as you throw it out. This also
begins to develop the kind of
power needed to hook a limb
and shear it to the bone.
The jab is the main tool in the
arsenal and works at just about
any range. Once an effective
jab is developed it can be used
to keep an opponent at bay
or to close with. Jabs should
be rapid fire and ballistic, not
flowing. The energy here is
more felony than FMA.
In this picture, my
adversary has interrupted my
back-hand thrust with his right
arm. He’s also armed with a
knife.
I’ll drive forward and hook him
back, shearing the weapon arm,
while I hit him with a palm strike
to his face. Again this works
because the edge is on the
inside, and not the outside.
That’s all for this tutorial and to sum things up for my take on pikal:
2. Anything that interrupts the thrusting line gets hooked, sheared, and cleared while low-line kicking,
knees, and elbows are intermingled as appropriate.
That’s it. The method should be driven with the attributes of footwork, power, and body mechanics.
These three attributes are developed through appropriate drill, that is conceptually learned and
mastered and then dissolved. Drills can always be revisited if one feels that a particular attribute is
waning, but the primary training thrust after the drills are understood, should be application.
Enjoy
SN