University Chicago Referencing Guide 2018
University Chicago Referencing Guide 2018
University Chicago Referencing Guide 2018
University of Winchester 1
Table of Contents
Introduction............................................................................................................................................ 5
Why is referencing important?........................................................................................................... 5
Plagiarism ........................................................................................................................................... 5
Quality of Sources............................................................................................................................... 5
Quantity of Sources ............................................................................................................................ 6
Section A: Footnoting ............................................................................................................................. 6
1 Conventions for integrating quotations into your writing ......................................................... 6
1.1 Quoting ................................................................................................................................... 6
1.2 Summarising ........................................................................................................................... 7
1.3 Paraphrasing ........................................................................................................................... 7
1.4 Publication titles ..................................................................................................................... 8
1.5 Short Quotations – direct quotations of fewer than three lines............................................ 8
1.6 Long Quotations – direct quotations of two sentences or more ........................................... 8
1.7 Secondary quotations............................................................................................................. 9
1.8 Integrating quotations into your own writing ........................................................................ 9
2 Editing quotations .................................................................................................................... 10
2.1 Omitting sections of a quotation.......................................................................................... 10
2.2 Adding or changing words in a quotation ............................................................................ 10
2.3 Highlighting errors/problems in an original source ............................................................. 10
3 Other conventions for footnote citations ................................................................................ 10
3.1 Figures, diagrams, tables and screen captures .................................................................... 10
3.2 Page numbering.................................................................................................................... 11
3.3 Quotations in languages other than English ........................................................................ 11
Section B: A Guide to References in both the Footnotes and Bibliography......................................... 12
1 BOOKS....................................................................................................................................... 12
1.1 Single author book................................................................................................................ 12
1.2 Subsequent edition of a book .............................................................................................. 12
1.3 Edited book........................................................................................................................... 13
1.4 Multiple author book............................................................................................................ 13
1.5 Chapter in book .................................................................................................................... 13
1.6 Translated book .................................................................................................................... 14
1.7 Plays, including lines within plays......................................................................................... 14
1.8 Introduction or preface in book or playtext ......................................................................... 14
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1.9 E- book/open access............................................................................................................. 15
1.10 Audiobook ........................................................................................................................ 15
1.11 Kindle, iPad or similar tablet ................................................................................................ 16
2 ARTICLES ................................................................................................................................... 17
2.1 Journal article ....................................................................................................................... 17
2.2 Online journal article ............................................................................................................ 17
2.3 Journal Article (PDF version only) ........................................................................................ 17
2.4 Newspaper article ................................................................................................................ 18
2.5 Online newspaper article ..................................................................................................... 19
3 CONFERENCE PAPERS AND GOVERNMENT PUBLICATIONS ..................................................... 19
3.1-2 Conference paper – unpublished, published and online ................................................. 19
3.3 Government and corporate publications ............................................................................. 20
3.4 Reports published online...................................................................................................... 20
4 REFERENCE BOOKS AND RELIGIOUS WORKS ........................................................................... 21
4.1 Dictionaries and reference books ........................................................................................ 21
4.2-3 The Bible and the Torah ................................................................................................... 22
4.4 The Qur'an ............................................................................................................................ 22
5 WEBSITES, SOCIAL MEDIA AND PODCASTS FROM WEBSITES .................................................. 23
5.1 Website ................................................................................................................................ 23
5.2 Blog ....................................................................................................................................... 23
5.3 Twitter .................................................................................................................................. 23
5.4 Facebook .............................................................................................................................. 24
5.5 YouTube................................................................................................................................ 24
5.6 Podcast from website ........................................................................................................... 25
5.7 TED Talks............................................................................................................................... 25
6 ALL OTHER MEDIA .................................................................................................................... 26
6.1 Film ....................................................................................................................................... 26
6.2 Television/Radio programme or series ................................................................................ 26
6.3 Radio from the internet........................................................................................................ 26
6.4 Podcast from broadcast ....................................................................................................... 27
7 LIVE PERFORMANCE ................................................................................................................. 27
7.1-3 Play, Ballet, Musical Event................................................................................................ 27
8 Personal communication and unpublished works ................................................................... 28
8.1 Email, text, letter or conversation ....................................................................................... 28
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8.2 Thesis and dissertation ......................................................................................................... 28
8.3 Lecture .................................................................................................................................. 28
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Introduction
Students are required to acknowledge the sources they use in their written assignments. This process
involves two steps:
a) A footnote citation where you include the full name and title and, in parenthesis, the place,
publisher and date of the work.
b) The final Bibliography is included on a separate page at the end of the essay. This is written
according to Chicago Referencing conventions. Interpretations of these conventions vary
across subject areas and other faculties, but are consistent with the University's
recommended referencing guidelines. Please study these conventions carefully and have this
document open when compiling your referencing list. References are not included in the
word count of your essay.
Referencing to existing theories, policy initiatives, research findings etc. is an essential part of academic
writing and standard academic practice. It demonstrates the extent of your research and thereby reveals
your understanding of the range and type of thinking in any given area.
In short, references are used to:
• avoid plagiarism by acknowledging the source of an argument or idea
• help support your arguments and provide your writing with credibility
• enable the reader to locate the sources of your information
• show the full scope of your research.
If you fail to cite your sources, you can be accused of poor academic practice or even plagiarism.
Plagiarism
Quality of Sources
To present an academically credible piece of work, you must use reputable sources. These will include
theoretical work accessed from books, journals and conference papers, some online sources (e.g. online
academic journals), policy documents produced by governments and professional bodies, legal
documents including Acts of Parliament, green papers and Hansard, academic research findings
presented in peer-reviewed publications, and where appropriate, media and personal sources.
Many seemingly ‘academic’ websites are not subject to the same degree of academic scrutiny as articles
and chapters published in books or journals; these websites can appear to offer useful sources of
evidence and lines of argument, but on closer scrutiny fail to comply with the academic conventions
(such as referencing) that are necessary to establish their academic authority. Such websites are not
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credible sources to cite in academic work, and the most obvious example is Wikipedia, which should
never be cited in academic work.
Quantity of Sources
The number of sources appropriate for any academic assignment depends on the type of assignment
set and factors such as:
• the subject
• the word length
• the level and depth of study
If in doubt about the appropriate quantity of references for an assignment, ask your tutor.
Section A: Footnoting
When you summarise, paraphrase or quote a source, you must always cite the original author in your
writing so that the reader is aware you are presenting or discussing another person’s ideas and not your
own.
To insert a footnote in Word, go to References and click Insert Footnote. Please note that the footnote
comes at the end of the sentence following the punctuation mark.
Erik Erikson stages the riddle of identity crisis in the play as one that hinges on Hamlet’s
always being ‘on the verge of slipping into the state [of madness] he pretends’.1
‘It was the feeling in the air’, Margaret explains to Sydney in Clemence Dane’s A Bill of
Divorcement. ‘They say the smell of blood sends horses crazy. That was the feel. One
did mad things’.2
1. Erik Erikson, Identity: Youth and Crisis (London: Faber and Faber, 1983), 236-7.
2. Clemence Dane, ‘A Bill of Divorcement’, Recapture: A Clemence Dane Omnibus
(London: William Heinemann, 1932), 10.
Dane, Clemence. Recapture: A Clemence Dane Omnibus. London: William Heinemann, 1932.
Erikson, Erik. Identity: Youth and Crisis. London: Faber and Faber, 1983.
1.1 Quoting
Quotations are the exact reproduction of the original author’s words and are the best way to engage
with an author’s ideas in your own work. Try to quote as much as possible in order to develop a fluid,
critical style of writing. Quoting enables you to
• present information by the original author that is highly significant and eloquently expressed
• avoid altering significantly the meaning of the original source (as can happen with
paraphrasing)
• and present the linguistic style of the original author.
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Quotations must be placed within single quotation marks followed by the footnote reference.
…a deep and lasting melancholia of the type described by Freud in which ‘the shadow
of the object fell upon the ego’.1
It is a grip on life that is to be found, Camus insists, ‘at the extreme limit of the
condemned man’s last thought, that shoelace that despite everything he sees a few
yards away, on the very brink of his dizzying fall. The contrary of suicide, in fact, is the
man condemned to death’.1
1. Albert Camus, The Myth of Sisyphus, trans. Justin O’Brien (London: Penguin Books,
2005), 52-3.
Do not underline your direct quotation or put it in italic text. The latter is reserved for
publications. (See below.)
1.2 Summarising
A summary is an extract of the main points from an original source, restated in your own words where
possible, which presents the author’s main idea or argument only. It may be a summary of a passage of
text or whole chapter or work. Since the summary may cover an entire argument, page numbers might
not be necessary. However, if the summary covers a chapter, page ranges are required (e.g. pp. 12-29).
A bibliographic entry indicating the source is always required.
In The Culture of Defeat, Wolfgang Schivelbusch challenges the commonplace notion that
history is written by the victors, highlighting that more has been written by or about the
defeated, and that more has been learned by nations from defeat than by victory. In the
epilogue, in particular, Schivelbusch introduces the concept of ‘falling’ as a metaphor to
describe this process.1
Schivelbusch, Wolfgang. The Culture of Defeat: On National Trauma, Mourning, and Recovery,
translated by Jefferson Chase. London: Granta Books, 2004.
1.3 Paraphrasing
Paraphrasing is expressing another person’s ideas in your own words. It is more sophisticated than
summarising because it involves an element of interpretation, as you act as a mediator between the
original author and the reader. The more successful you are at paraphrasing, the more authoritative
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and compelling your writing will become. It is particularly useful when comparing the ideas of two
different authors in one sentence. A page number is always required when paraphrasing.
For David Thomson, this ‘riddling’ effect of the cinematic moment was often all one
had to cling to when leaving the picture houses of the 1970s.1
1. David Thomson, ‘The Decade When Movies Mattered’, in The Last Great American
Picture Show: New Hollywood Cinema in the 1970s, ed. Thomas Elsaesser, et al.
(Amsterdam: Amsterdam University Press, 2004), 74.
When paraphrasing, you must use your own words as far as possible. The purpose of
paraphrasing is to enable you to more readily integrate sources’ ideas into your critical
writing, while still acknowledging intellectual property.
When referring to a book, journal, film or newspaper in your text, always write these in italics. Make
sure you capitalise the publication correctly.
There now follow several conventions for including different types of quotations in your work. It is
important to comply with these requirements because they make both the structure and the content
of your argument more accessible, and also help you to avoid the pitfalls of unintended plagiarism.
These should be incorporated into the text, enclosed by single quotation marks and then followed by
the appropriate citation.
Emmanuel Levinas describes the sudden experience of estrangement in and from the
familiar world in which ‘illuminated objects can appear to us as though in twilight
shapes. Like the unreal, invented city we find after an exhausting trip, things and beings
strike us as though they no longer composed a world, and were swimming in the chaos
of their existence’.1
1. Emmanuel Levinas, ‘There is: Existence without Existents’, in The Levinas Reader, ed.
Seán Hand (Oxford: Blackwell Publishing, 2005), 31.
Lengthy quotations should be used sparingly. Quotations of three lines or more should start on a new
line and be indented both sides by 1cm. Long quotations do not have quotations marks. You may use a
comma or colon at the end of the main body before starting the quotation if appropriate. Single line
spacing is acceptable for the long quotation.
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For a moment I fancied myself a new man – a most exciting illusion. It clung to me for
some time, monstrous, half conviction and half hope as to its body, with an iridescent
tail of dreams and with a changeable head like a plastic mask. It was only later that I
perceived that in common with the rest of men nothing could deliver me from my fatal
consistency. We cannot escape from ourselves.1
In this passage, Conrad fancies himself a ‘new man’ but instead experiences…
1. Conrad, Joseph, Conrad’s Prefaces to His Works (London: Dent, 1937), 58-9.
When quoting from a source in which one author is quoting another, you must reference both the
original quote and the work from which you are quoting.
…that’s the main thing a director has to have,’ stated Frankenheimer himself, ‘a point of view’.1
The more sophisticated you are at incorporating quotations into your own prose, the more fluent and
authoritative your writing will be. There are numerous phrase structures for introducing quotations.
Ensure you use the correct verb to introduce or explain your quotation. For example, one author may
'suggest' or 'imply', whereas another may 'infer' or 'deduce'. The latter has used deductive reasoning to
arrive at his statement. The former is more tentative in his assertions. One author may be commenting
or observing while another will be asserting or claiming. Make sure you select the correct verb for the
context.
It is important to be clear about the nuances of meaning within differing phrase structures. For example,
‘Lewis alleges….’ implies that you are not convinced by her argument and you should therefore follow
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with some reasoning as to why Lewis’s idea is an inadequate explanation, whereas ‘Jackson asserts…’
would suggest that you think Jackson’s idea has something worth considering, and you would follow
with a discussion of the implications of Jackson’s view.
2 Editing quotations
Quotations should normally be reproduced exactly from the original source. If you modify a quotation,
this must be acknowledged in one of the following ways:
If you omit a part within a quotation, either for brevity or to ensure that it fits easily into your sentence
structure, you must include three ellipses in points within square brackets to inform the reader.
In the 1990s it was noticed that ‘policy-makers turned to the school effectiveness and
improvement tradition for support, largely because its explanations […] were consistent
with their own assumptions’.1
If you add or change words in a quotation to make its meaning clearer, these need to be identified by
square brackets. In this example ‘they’ is replaced by [students].
‘In endeavouring to solve the simple question of the education of idiots [sic] we had
found terms precise enough that it were only necessary to generalise them to obtain a
formula applicable to universal education’.1
Care should be taken with the following sources to ensure the relevant citation is given.
Regardless of the creator of the figure, diagram or table you are referencing, you should cite the
author or editor of the work in which you found it. The citation is as that for a direct quotation and the
page number is included in the reference.
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Attraction Narration
Action Acting
Presentation Representation
Visibility Invisibility
1. Richard Maltby, Hollywood Cinema, 2nd ed. (Oxford: Blackwell Publishing, 2011),
389.
You may want to include the source medium in your citation, for example:
1. James Mason, Before I Forget (London: Hamish Hamilton, 1981), 4. Screen capture.
You are required to include a page number at the point of citation when you have included a direct
quotation. You should include a page number for a paraphrased quotation to help tutors find the
relevant page of the author’s work to ascertain if you have correctly interpreted the author’s views.
If you have included a direct quotation from an online source that has no page numbers you must
indicate that it is an online source, otherwise the marker may think you have omitted a page number.
In the next section, the citation examples may or may not include a page reference since it is unclear
from the information given whether the citation is referring to a direct quotation or not.
Quotations in a language other than English may be included and shall normally be accompanied by an
English translation, with the exception of subjects where there is an expectation of knowledge of
primary languages, e.g. Greek and Latin for Biblical studies. In these cases, a translation is not
required. If unsure, please consult your Programme Leader.
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Section B: A Guide to References in both the Footnotes and Bibliography
The full list of references should include only the sources that you have explicitly referenced in the
writing and should be presented on a new page at the end of your work. The references must be
arranged alphabetically by each author or editor’s last name, and each reference should start on a new
line. If there is no author, the name of the website or corporate body, for example, should be included
in the alphabetical sequence.
Where an author has several texts included in the same reference list, these should be presented in
chronological order if known.
Punctuation is important, please follow the guidelines below and punctuate the citations in your
reference lists consistently.
1 BOOKS
Type Reference
Peter Clough, Narratives and fictions in educational research (Buckingham: Open
Footnote
University Press, 2002), 36.
For a second or subsequent edition, insert 2nd ed. after the title. You do not need to add the edition
number if the book is a first edition.
Type Reference
Robert Fisher, Teaching Children to Think, 2nd ed. (Cheltenham: Nelson-Thornes,
Footnote
2005), 45.
Shortened Footnote Fisher, Teaching Children, 45.
Fisher, Robert. Teaching Children to Think. 2nd ed. Cheltenham: Nelson-Thornes,
Bibliography entry
2005.
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1.3 Edited book
If the book has editors, but not authors, indicate this after the names as follows: ed. or eds.
Type Reference
Pat Thomson, ed., Doing visual research with children and young
Footnote
People (London: Routledge, 2008), 56.
Shortened Footnote Thomson, Doing visual research, 56.
Thomson, Pat, ed. Doing visual research with children and young
Bibliography entry
people. London: Routledge, 2008.
If there is more than one author (or editor), insert an 'and' before the last author's surname. The order
of authors should be the same as that represented on the cover of the book. If you have two or three
authors, list all names. For four or more authors use the first author followed by ‘et al.’ (‘and others’) in
the footnotes but list all the authors’ names in the bibliography. Both types are shown below.
Type Reference
Kay Tisdall, et al. eds., Children, young people and social inclusion (Bristol: The
Policy Press, 2006), 57.
Footnote
Carey Fleiner and Elena Woodacre, eds., Royal Mothers and their Ruling Children
(New York: Palgrave Macmillan, 2015), 4.
Tisdall, et al., Children, 57.
Shortened Footnote
Fleiner and Woodacre, Royal Mothers, 4.
Tisdall, Kay, John Davis, Malcolm Hill and Alan Prout, eds. Children, young people
and social inclusion. Bristol: The Policy Press, 2006.
Bibliography entry
Fleiner, Carey and Elena Woodacre, eds. Royal Mothers and their Ruling Children.
New York: Palgrave Macmillan, 2015.
Type Reference
Richard Toon, ‘Black box science in black box science centres’, in Reshaping
Footnote
Museum Space, 2nd Ed, ed. Suzanne Macleod (London: Routledge, 2005), 32.
University of Winchester 13
Shortened Footnote Toon, ‘Black box science’, 32
Toon, Richard. ‘Black box science in black box science centres’. In Reshaping
Bibliography entry Museum Space, 2nd Ed, edited by Suzanne Macleod, 26-38. London: Routledge,
2005
The original author should take precedence, include the person who translated the work after the title.
If the translator also edited the work, give them credit for both, with ‘trans. and ed.’ in the footnotes
and ‘Translated and edited by’ in the bibliography.
Type Reference
Fyodor M. Dostoevsky, Crime and Punishment, trans. Jessie Coulson (London:
Footnote
Hamlyn, 1987), 58
Instead of pages, cite the act, scene and lines- the example below is act 1, scene 5, lines 22-26 (1.5, 22-
26).
Type Reference
William Shakespeare, Hamlet, ed. Ann Thompson Neil Taylor, Neil. Arden
Footnote
Shakespeare, 3rd ser. (London: Thomson Learning, 2006), 1.5, 22-26.
Shortened Footnote Shakespeare, Hamlet, 1.5, 22-26.
Shakespeare, William. Hamlet. Edited by Ann Thompson and Neil Taylor. Arden
Bibliography entry
Shakespeare, 3rd ser. London: Thomson Learning, 2006.
Note: Freely available electronic versions of older works on Google Books, Project Gutenberg and archive.org
should also be cited in this way, following the original print edition information but noting the URL where they
can be accessed.
Type Reference
János M. Bak, ed., Coronations: Medieval and Early Modern Monarchic Ritual
Footnote (Berkeley: University of California Press, 1990), accessed 29 April 2017,
http://ark.cdlib.org/ark:/13030/ft367nb2f3/
Shortened Footnote Bak, Coronations, 7.
Bak, János M., ed. Coronations: Medieval and Early Modern Monarchic Ritual.
Bibliography entry Berkeley: University of California Press, 1990. Accessed 29 April 2017.
http://ark.cdlib.org/ark:/13030/ft367nb2f3/
1.10 Audiobook
Type Reference
John Steinbeck, Cannery Row (Unabridged), read by Trevor White. (London:
Footnote Hachette Digital, 2010). Audiobook.
https://mobile.audible.co.uk/productDetail.htm?asin=B004FK8VRA&s=s.
Shortened Footnote Steinbeck, Cannery Row.
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Steinbeck, John. Cannery Row (Unabridged). Read by Trevor White. London:
Bibliography entry Hachette Digital, 2010. Audiobook.
https://mobile.audible.co.uk/productDetail.htm?asin=B004FK8VRA&s=s.
Electronic version, such as those on Kindle, should be cited as per the normal print edition with the note of the
electronic format at the end. As these versions are generally unpaginated, no page numbers are needed for
referencing from these electronic editions.
Type Reference
Robert K. Massie, Catherine the Great (London: Head of Zeus Publishing, 2012),
Footnote
Kindle edition.
Shortened Footnote Massie, Catherine.
Massie, Robert K. Catherine the Great. London: Head of Zeus Publishing, 2012.
Bibliography entry
Kindle edition.
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2 ARTICLES
Type Reference
Barbara A. Spellman and Robert A. Bjork, ‘When predictions create reality:
Footnote Judgments of learning may alter what they are intended to assess’, Psychological
Science 3 (2006): 315.
Shortened Footnote Spellman and Bjork, ‘When predictions create reality’, 315.
Spellman, Barbara A. and Bjork, Robert A. ‘When predictions create reality:
Bibliography entry Judgments of learning may alter what they are intended to assess’. Psychological
Science 3 (2006): 315-316.
Type Reference
Philippa Woodcock, ‘Living like a king? The entourage of Odet de Foix, vicomte de
Footnote Lautrec, governor of Milan’. Royal Studies Journal 2.2 (2015): 4, accessed 29 April
2017, doi: 10.21039/rsj.v2i2.30
Shortened Footnote Woodcock, ‘Living like a king?’, 6.
Woodcock, Philippa. ‘Living like a king? The entourage of Odet de Foix, vicomte de
Bibliography entry Lautrec, governor of Milan’. Royal Studies Journal 2.2 (2015): 1-24. Accessed 29
April 2017. doi: 10.21039/rsj.v2i2.30
You may have found a journal article as a pdf on a website. If this source contains the full journal
information, follow the guidelines for an online journal using the URL you have on your screen. If the
full journal information is not available, then try to find this by a separate search. If you cannot access
it, then read the site to find out who published the article and to whom the copyright belongs. If you
cannot find the original source or journal information, then your source has to be the website (See
Website 6.1).
You will need:
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• Author/editor of the journal article
• (Year of publication)
• Title of article.
• Title of journal,
• Volume, (Part no if available), page range if available.
• Published by
• Full URL
• [Date accessed].
Type Reference
Hasan, Youssef et al., ‘The more you play, the more aggressive you become: A
long-term experimental study of cumulative violent video game effects on hostile
Footnote expectations and aggressive behaviour’. Journal of Experimental Social
Psychology, 49 (2013), 224-227. Accessed 5 January 2015. Available at:
http://www.lip.univ-savoie.fr/uploads/PDF/1457.pdf
Shortened Footnote Hasan et al., ‘The more you play’, 225.
Hasan, Youssef, Laurent Bègue, Michael Scharkow, and Brad J. Bushman. ‘The
more you play, the more aggressive you become: A long-term experimental study
of cumulative violent video game effects on hostile expectations and aggressive
Bibliography entry
behaviour’. Journal of Experimental Social Psychology, 49 (2013), 224-227.
Accessed 5 January 2015. Available at: http://www.lip.univ-
savoie.fr/uploads/PDF/1457.pdf
Type Reference
Jason Allardyce, ‘TV killing the novel, says Irvine Welsh’, The Sunday Times, 23 July
Footnote
2017, 13.
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2.5 Online newspaper article
Type Reference
Holly Baxter, ‘The Grenfell Tower residents saw this tragedy coming, but were
repeatedly ignored. Was it because they were poor?’ The Independent, 14 June
Footnotes
2017, accessed 24 July 2017 http://www.independent.co.uk/voices/grenfell-
tower-fire-kensington-london-residents-kctmo-council-contract-ignored-poor-
a7789276.html
Shortened Footnotes Baxter, ‘Grenfell Tower’.
Holly Baxter, ‘The Grenfell Tower residents saw this tragedy coming, but were
repeatedly ignored. Was it because they were poor?’ The Independent, 14 June
Bibliography entry
2017. Accessed 24 July 2017 http://www.independent.co.uk/voices/grenfell-
tower-fire-kensington-london-residents-kctmo-council-contract-ignored-poor-
a7789276.html
Type Reference
Elena Woodacre, ‘Joan of Navarre: A queen missing or minimized in
Footnote historiography’, (paper presented at Recovering Women’s Past conference,
Edinburgh, Scotland, 8-10 September 2016).
Shortened Footnote Woodacre, ‘Joan of Navarre’.
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Woodacre, Elena. ‘Joan of Navarre: A queen missing or minimized in
Bibliography entry
historiography’. Paper presented at Recovering Women’s Past conference,
Edinburgh, Scotland, 8-10 September 2016.
For a published conference paper, treat the paper in the published proceedings as you would a chapter
in any collection (see section 1.5 above). Conference papers in online proceedings, should be treated
as a chapter in an online book with the URL at the end of the entry.
Type Reference
Department for children, schools and families, ‘Safeguarding Children and Young
Footnote
People from Sexual Exploitation’ (Nottingham: DCSF Publications, 2009), 2.
Shortened Footnote Department for children, schools and families, ‘Safeguarding Children’, 2.
Bibliography entry Department for children, schools and families, ‘Safeguarding Children and Young
People from Sexual Exploitation’. Nottingham: DCSF Publications, 2009.
If the report is not published online, then you will need to provide the publisher and place of
publication as you would for a book.
You will need
• Name of organisation commissioning the report
• (Year of publication)
• Title of report and report reference if available
• Full url
Type Reference
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Department for Education, ‘Class Size and education in England evidence report,
DFE-RR169’, (December 2011),
Footnote
https://www.gov.uk/government/uploads/system/uploads/attachment_data/file/1
83364/DFE-RR169.pdf.
Shortened Footnote Department for Education, ‘Class Size’.
Department for Education. ‘Class Size and education in England evidence report,
DFE-RR169’. (December 2011).
Bibliography
https://www.gov.uk/government/uploads/system/uploads/attachment_data/file/1
83364/DFE-RR169.pdf.
Type Reference
Bryan A. Garner, Garner’s Modern American Usage (Oxford: Oxford University
Footnote
Press, 2003), s.v. ‘tailgating’.
Shortened Footnote Garner, Garner’s Modern American, s.v. ‘tailgating’.
Garner, Bryan A. Garner’s Modern American Usage. Oxford: Oxford University Press,
Bibliography
2003.
If no author or editor, use the title of the publication at the beginning of the citation.
Another frequently cited reference work is the Oxford Dictionary of National Biography (ODNB) which can be
cited as follows:
Type Reference
Trevor Chalmers, ‘James IV (1473-1513)’, in Oxford Dictionary of National Biography
Footnote (Oxford: Oxford University Press, 2004-), accessed 25 July 2017,
http://dx.doi.org/10.1093/ref:odnb/14590
Shortened Footnote Chalmers, ‘James IV’.
Chalmers, Trevor. ‘James IV (1473-1513)’. In Oxford Dictionary of National
Bibliography Biography. Oxford: Oxford University Press, 2004-. Accessed 25 July 2017,
http://dx.doi.org/10.1093/ref:odnb/14590
The Chicago Manual of Style stipulates that certain well-known reference works, such as the Encyclopedia
Britannica or Oxford English Dictionary (OED) can be referred to simply in the notes as follows:
Type Reference
Type Reference
Footnote 2 Kings 11: 4
2 Kings 11: 4 (New Revised Standard Version).
Optional
When making references to Judaism, you should use The Torah or Tanakh. It is not appropriate to use
the term ‘Old Testament’ when writing on Judaism.
It is not normally necessary to reference The Bible in the reference list unless the version is of
particular relevance to your discussion. The same goes for the Torah which should be referenced in the
same manner as the Bible. The Qur’an (see below) is treated in a very similar fashion by Chicago as are
the Vedas and other sacred works.
Note that the books of the Bible and Torah are often abbreviated-for example Genesis to Gen. or
Hebrews to Heb.
Type Reference
Footnote Qu’ran 19: 18.
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5 WEBSITES, SOCIAL MEDIA AND PODCASTS FROM WEBSITES
5.1 Website
Type Reference
‘Google Privacy Policy’, last modified April 17, 2017,
Footnote
https://www.google.com/policies/privacy/
Shortened Footnote ‘Google Privacy Policy’,
Google. ‘Google Privacy Policy’. Last modified April 17, 2017.
Bibliography
https://www.google.com/policies/privacy/.
5.2 Blog
Type Reference
David Hepworth, June 17, 2014, ‘Michael Palin’s invaluable diaries of the 70s’, David
Footnote Hepworth’s Blog, http://whatsheonaboutnow.blogspot.co.uk/2014/06/michael-
palins-invaluable-diaries-of-70s.html.
Shortened Footnote Hepworth, ‘Michael Palin’s invaluable diaries of the 70s’.
David Hepworth’s Blog.
Bibliography http://whatsheonaboutnow.blogspot.co.uk/2014/06/michael-palins-invaluable-
diaries-of-70s.html.
5.3 Twitter
Type Reference
University of Winchester 23
Justin Timberlake, Twitter post. June 16, 2014, 8:05 PM.,
Footnote
https://twitter.com/jtimberlake/status/478689830667186176.
Shortened Footnote Timberlake, Twitter post, 2014.
Timberlake, Justin. Twitter post. June 16, 2014, 8:05 PM.
Bibliography
https://twitter.com/jtimberlake/status/478689830667186176
5.4 Facebook
Type Reference
Stephen Hawking’s Facebook page, accessed September 15, 2017, 1:55 PM.,
Footnote
https://en-gb.facebook.com/stephenhawking/.
Shortened Footnote Stephen Hawking’s Facebook page, 2017
‘Stephen Hawking’s Facebook page’. Facebook.com. Last modified August 21, 2017.
Bibliography
https://en-gb.facebook.com/stephenhawking/
5.5 YouTube
Type Reference
Noam Chomsky, ‘Noam Chomsky—Noam vs. Michel Foucault (Eng. subs)’, YouTube,
Footnote 6:50, posted by Martin Mortensen, April 17, 2007,
https://www.youtube.com/watch?v=kawGakdNoT0
Shortened footnote Chomsky, ‘Noam Chomsky’, 2007.
Chomsky, Noam. ‘Noam Chomsky—Noam vs. Michel Foucault (Eng. subs)’.
Bibliography YouTube. 6:50. Posted by Martin Mortensen, April 17, 2007,
https://www.youtube.com/watch?v=kawGakdNoT0
24 University of Winchester
5.6 Podcast from website
Type Reference
Rob Johnson, Episode One—The Greek Escape, A Kilo of String, podcast audio, April
Footnote
29, 2012, https://rob-johnson.org.uk/podcasts/a-kilo-of-string/
Shortened footnote Rob Johnson, Episode One
Johnson, Rob. Episode One—The Greek Escape. A Kilo of String. Podcast audio. April
Bibliography
29, 2012. https://rob-johnson.org.uk/podcasts/a-kilo-of-string/
Type Reference
Chimamanda Ngozi Adichie, ‘We should all be Feminists’, TED video, 29:28,
December 2012,
Footnote
https://www.ted.com/talks/chimamanda_ngozi_adichie_we_should_all_be_feminis
ts
Shortened footnote Adichie, ‘We should all be Feminists’.
Adichie, Chimamanda Ngozi. ‘We should all be Feminists’. TED video, 29:28,
December 2012.
Bibliography
https://www.ted.com/talks/chimamanda_ngozi_adichie_we_should_all_be_feminis
ts
University of Winchester 25
6 ALL OTHER MEDIA
6.1 Film
Type Reference
Footnotes Titanic, directed by James Cameron, Paramount Pictures, 1998, Feature Film.
Shortened Footnotes Titanic.
Bibliography Titanic. Directed by James Cameron. Paramount Pictures, 1998. Feature Film.
It is not necessary to include time codes or chapter numbers when referring to a particular sequence in a movie.
Some tutors required you to reference the date and the director as well as the film, the first time it is mentioned.
If you are watching a catch-up broadcast, find the original broadcast date and time and enter the
information as if you had seen the programme in real time.
You will need:
• Title of programme
• Title (if relevant). Episode and Series No.
• Writer and director.
• Transmitting organisation channel.
• Date of transmission and year of original air date
Type Reference
Doctor Who, Genesis of the Daleks, Episode 1, Series 2, Written by Terry Nation.
Footnotes
Directed by David Maloney and director. BBC1. 15 April, April 15, 2009 (1975)
Shortened Footnotes Doctor Who, Genesis of the Daleks
Doctor Who. Genesis of the Daleks. Episode 1, Series 2. Written by Terry Nation.
Bibliography
Directed by David Maloney and director. BBC1. 15 April, April 15, 2009 (1975)
Type Reference
Elizabeth Keohane-Burbridge, Cemeteries: Local History of 20th Century Atlanta,
Footnoting History, podcast audio, June 17, 2017,
Footnote
http://www.footnotinghistory.com/home/cemeteries-local-history-of-mid-20th-
century-atlanta
Shortened Footnote Keohane-Burbridge, Cemeteries.
Keohane-Burbridge, Elizabeth. Cemeteries: Local History of 20th Century Atlanta.
Footnoting History. Podcast audio. June 17, 2017.
Bibliography
http://www.footnotinghistory.com/home/cemeteries-local-history-of-mid-20th-
century-atlanta
Please note, where an author or presenter name is not available, begin the reference with the title of the work.
7 LIVE PERFORMANCE
Type Reference
Henry IV Part 1, by William Shakespeare, directed by Gregory Doran, RSC Stratford,
Footnote
April 23, 2014.
Shortened Footnote Henry IV.
Henry IV Part 1. By William Shakespeare. Directed by Gregory Doran. RSC Stratford.
Bibliography
April 23, 2014.
University of Winchester 27
8 Personal communication and unpublished works
Please note: always obtain the author's informed consent before using the material.
Note: The Chicago guide notes that these items are not usually listed in the bibliography, only in
footnotes.
Type Reference
Gillian B. Fleming, ‘Juana I and the Struggle for Power in an Age of Transition (1504-
Footnote
1521)’, (PhD diss., London School of Economics, 2011). 121.
Shortened Footnote Fleming, ‘Juana I’, 121.
Fleming, Gillian B. ‘Juana I and the Struggle for Power in an Age of Transition (1504-
Bibliography
1521)’. PhD diss., London School of Economics, 2011.
8.3 Lecture
Type Reference
Footnote Dan Varndell, ‘The case of Kafka’, Lecture, Winchester University, 2016.
Shortened Footnote Dan Varndell, ‘The case of Kafka’.
Bibliography Varndell, Dan. ‘The case of Kafka’. Lecture. Winchester University. 2016.
28 University of Winchester
This referencing guide has been adapted and expanded from the Harvard referencing guide originally
created by Janice de Sousa (2008), with contributions from Bridget Egan (2010) and Vasiliki Tzibazi
(2014). This guide closely follows the University Harvard guidelines written by Rosie Johnson and Gary
Jones. This guide is reflective of the 16th edition of the Chicago Manual of Style.
© University of Winchester
University of Winchester 29