Group4 Blackswan
Group4 Blackswan
Group4 Blackswan
GROUP 4
Yap Li Quan
Chin Yu Wee
Tee Chia En
Theoretical Framework
- The use of Mirrors and Reflections in Black Swan -
Ariel Osterweis
Amber Jacobs
Fisher, M., & Jacobs, A. (2011). Debating Black Swan: Osterweis, Ariel, 'Disciplining Black Swan, Animalizing Ambition',
Gender and Horror. Film Quarterly, 65(1), 58–62. in Melissa Blanco Borelli (ed.), The Oxford Handbook of Dance
and the Popular Screen (2014; online edn, Oxford Academic, 2
https://doi.org/10.1525/fq.2011.65.1.58
Oct. 2014),
https://doi.org/10.1093/oxfordhb/9780199897827.013.007,
accessed 3 Jan. 2024.
- The use of Mirrors and Reflections in Black Swan -
● binary
● over-reliance on using mirror
● mise-en-abyme
● inner struggle
● perception of perfection
Performance
DESCRIPTION
Characters
Nina Sayers Erica Sayers
- An artistic director of
- A member of the same New - Was the prima ballerina
the New York ballet
York ballet company as of the New York ballet
company that is preparing
Nina. company that Nina is
to perform Tchaikovsky's
- Made Nina's alternate for part of.
Swan Lake.
the production of Swan - Forced to retire by
- A hard-driving man who
Lake. Thomas due to their
comes on to Nina in
clashing and her age.
exchange for the lead
role.
- Black Swan is a dark psychological thriller film
WHAT that delves into the world of ballet, mental
health and the price of success.
Critical reception
Film Theme
Competitiveness in the Arts Mental Health and Sanity
Mother-Daughter Dynamic
Mirror as a site of reflection
Psychological unraveling
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