Bass Play-Along Vol 42 - Red Hot Chili Peppers

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The Adventures of

Rain Dance Maggie


Words and Music by Anthony Kiedis, Flea, Chad Smith and Josh Klinghoffer

Intro
Moderately q = 106

             
E5 C5 E5
          
           


mf

 7 7 X
5 5
7 5
9 8 8 X
5 5
8
5 6 7 7 X
5 5
7 5
5

Verse

 
C5 E5 C5
            


1. Lip - stick junk - ie, de - bunk the all - in - one. She

      
                
         


8 8 X
5 5
8 7 5
 7 7 X
5 5
7 5
9 8 8 X
5 5
8
5 6

E5 C5 E5
   
       
         

came back wear - ing a smile. Look- in’ like some -one drugged me that want -

           
           
         

5 5 5 5 5
7 7 X 7 5 5 5 7 7 X 7 5
8 8 X 8 7 5 9

© 2011 WAGGING DOG TAIL MUSIC and EARL GREY SONGS


All Rights Reserved Used by Permission 1
C5 E5 C5
         
            


- ed to un - plug me. No one here is on trial. It’s just a turn -a - round and we

                     
         
 

5 5 5
5 5 5 6 7 7 X 7 5 5 5
8 8 X 8 8 8 X 8 7 5

E5 C5 E5
    
              
go, oh. Well, then we go, oh, oh, oh, oh.

                     
           

5 5 5 5 5
7 7 X 7 5 5 5 5 6 7 7 X 7 5
9 8 8 X 8

C5 E5 C5
        
       
Tic, toc, I want to rock you like the eight - ies.

                    
         
  

5 5
5 5 7 7 X 7 5 5 5 5 6
8 8 X 8 7 5 9 8 8 X 8

E5 C5 E5
   
              
Cock block - in’ is - n’t al - lowed. Tug - boat Shie - la is in -

                     
           

5 5 5 5 5
7 7 X 7 5 5 5 7 7 X 7 5
8 8 X 8 7 5 9
2
C5 E5 C5
  
          
      
      
- to mem -’ra - bil - ia. Who said three is a crowd? We bet - ter get it on the go.

                     
       
   

5 5 5
5 5 5 6 7 7 X 7 5 5 5
8 8 X 8 8 8 X 8 7 5

Chorus


G Em G
  
  
          

Hey, now, we’ve got to make it rain some - how.

      
                  

12 12 9 9 12 12 12
10 10 10 10 10 10 7 7 7 7 7 7 10 10 10 10 10 10

Em C Bm

      

  

        
 
She told me to and showed me what to do. Our Mag - gie

       
               
 

9 9
10 10 10 9 9 9
7 7 7 7 7
8 8 8 8 8 7 7 7 7 7


Am D7 G
 
        
        
makes it in a cloud. I said, hey, now,
 
                 
              

12 12
7 7
3 4 5 5 5 5 5 5 5 5 10 10 10 10 10 10
5 5 5 5 5
3
Em G Em
         
       
we’ve got - ta make it rain some - how. She

       
                 

9 9 9 12 12 12 12 9 9
7 7 7 7 7 7 10 10 10 10 10 10 7 7 7 7 7 7 7

C Bm Am
 
   

     

   
      

told me to and showed me what to do. She knows how to make it loud.

        

 
    
         

10 10 10 9 9 9 7 7
3 4
8 8 8 8 8 8 7 7 7 7 7 5 5 5 5 5

Interlude
D7 E5 C5
   
   

                   
          

5 5
5 5 5 5 5 5 5 5 7 7 X 7 5 5 5 5 6
9 8 8 X 8

Verse
E5 C5 E5

        
2. Rain - dance Mag - gie ad - vanc -

                     
           

5 5 5 5 5
7 7 X 7 5 5 5 7 7 X 7 5
8 8 X 8 7 5 9

4
C5 E5 C5
 
      
          
- es to the fi - nal. Who knew that she had the goods?

                     
         
 

5 5 5
5 5 5 6 7 7 X 7 5 5 5
8 8 X 8 8 8 X 8 7 5

E5 C5 E5
          
     
      
Lit-tle did I know her bod - y was warm, de - lic - ious vi - nyl to your neck of the woods.

                     
           

5 5 5 5 5
7 7 X 7 5 5 5 5 6 7 7 X 7 5
9 8 8 X 8

Chorus


C5 G Em

   
   
   
     
I want to lick a lit - tle bit. Hey, now, we’ve got to
     
                  
  

12 12 12 9 9 9
5 5 10 10 10 10 10 7 7 7 7 7
8 8 X 8 7 5

G Em C
          
    
  

 
make it rain some - how. She told me to and showed me
       
                

12 12 12 12 9 9 9
10 10 10
10 10 10 10 10 7 7 7 7 7 7
8 8 8 8 8 8

5
Bm Am D7
 
       
     

 

    

what to do. Our Mag - gie makes it in a cloud.

            
                      

9 9 9 7
3 4 5 5 5 5 5 5 5 5
7 7 7 7 7 7 5 5 5 5 5 5 5

Guitar Solo
E5 C5 E5
  
 

                     
           

5 5 5 5 5
7 7 X 7 5 5 5 5 6 7 7 X 7 5
9 8 8 X 8

C5 E5 C5
                    
         
  

5 5
5 5 7 7 X 7 5 5 5 5 6
8 8 X 8 7 5 9 8 8 X 8

Bridge


E5 C5 E5
 
        
You’ve got the wrong girl,

                     
           

5 5 5 5 5
7 7 X 7 5 5 5 7 7 X 7 5
8 8 X 8 7 5 9

6

C5 E5 C5
   
          
but not for long, girl. It’s in the

                     
         
 

5 5 5
5 5 5 6 7 7 X 7 5 5 5
8 8 X 8 8 8 X 8 7 5

E5 C5 E5
  
            
  
      
song, girl, ’cause I’ll be gone, girl.

                     
           

5 5 5 5 5
7 7 X 7 5 5 5 5 6 7 7 X 7 5
9 8 8 X 8

Chorus


C5 G Em
    
      
Hey, now, we’ve got to
     
                   
 

12 12 12 9 9 9
5 5 10 10 10 10 10 10 7 7 7 7 7 7
8 8 X 8 7 5

G Em C
          
    
  
  
make it rain some - how. She told me to and showed me
     
       
         

12 12 12 9 9 9 9
10 10 10
10 10 10 10 10 10 7 7 7 7 7
8 8 8 8 8

7
Bm Am D7
  
       
     

 

   

what to do. Our Mag - gie makes it in a cloud. I said,

                    
               

9 9 9 9 7 7 7
3 4 5 5 5 5 5 5 5 5
7 7 7 7 7 5 5 5 5 5


G Em G
  
           
 
hey, now, I wan - na rock this row - dy crowd.
       
                 

12 12 12 9 9 9 9 12
10 10 10 10 10 7 7 7 7 7 10 10 10 10 10 10 10

Em C Bm


                
    
She told me to and showed me what to do. She knows

        
             

9 9 9
10 10 10 9 9 9
7 7 7 7 7 7
8 8 8 8 8 7 7 7 7 7 7

Outro
Am D7 E5
          
       
how to make it loud.

                     
               

7 7 5 5
3 4 5 5 5 5 5 5 5 5 7 7 X 7 5
5 5 5 5 5 9
8
C5 E5 C5

    

         
But not for long, girl. It’s in the

                     
         
 

5 5 5
5 5 5 6 7 7 X 7 5 5 5
8 8 X 8 8 8 X 8 7 5

E5 C5 E5
   
           
  
        
song, girl. ’Cause I’ll be gone, bye, bye, bye, yeah.

                     
           

5 5 5 5 5
7 7 X 7 5 5 5 5 6 7 7 X 7 5
9 8 8 X 8

C5 E5 C5
          
       

Mm, bye, bye, bye, girl. Le, tok, oh,

                    
         
  

5 5
5 5 7 7 X 7 5 5 5 5 6
8 8 X 8 7 5 9 8 8 X 8

E5 C5 E5

   
                 
  
zing, bom, be, doh, mo, baim, boom, bom, ba, de, ba, de, ba, doom, boom, bom, bom, bo, de, doh, bow,

                     
           

5 5 5 5 5
7 7 X 7 5 5 5 7 7 X 7 5
8 8 X 8 7 5 9

9
C5 E5 C5
      
        
 
bye, bye. Girl, bye, bye.

                     
         
 

5 5 5
5 5 5 6 7 7 X 7 5 5 5
8 8 X 8 8 8 X 8 7 5

E5 C5 E5
  
        
     

Girl, bye, bye.

                     
           

5 5 5 5 5
7 7 X 7 5 5 5 5 6 7 7 X 7 5
9 8 8 X 8

       
C5 E5 C5
               
         


8 8 X
5 5
8 7 5
 7 7 X
5 5
7 5
9 8 8 X
5 5
8
5 6

1. 2.

                    
E5 C5 C5
            
 

7 7 X
5 5
7 5
5
8 8 X
5 5
8 7 5
 8 8 X
5 5
8 7 5

10
By the Way
Words and Music by Anthony Kiedis, Flea, John Frusciante and Chad Smith

Drop D tuning:
(low to high) D-A-D-G
Intro
Moderately q = 120

               
F5 C/E A5

          
mf


15 15 15 15 15 15 15 15 14 14 14 14 14 14 14 14
12 12 12 12 12 12 12 12

Chorus
F5 C
                
Stand - ing in line to see the show to - night and there’s a

         

8v a
              

 17 17 17 17 17 17 17 17 21 21 21 21 21 21 21 21
12 12 12 12 12 12 12 12


A5 F5
        
        
light on, heav - y glow. By the way, I

                       
8v a loco

19 19 19 19 19 19 19 19 19 19 19 19 19 19 19
8 8 8 8 8 8 8 8

C5 A5 G5

 
              


     
tried to say I’d be there, wait - ing for...

                 

5 17
10 10 10 10 10 10 10 10 7 7 7 7 7 7 7 7 7 7 7 7 7 7

© 2002 MOEBETOBLAME MUSIC


All Rights Reserved Used by Permission 1
F5/C C A5

                    
Dan - i, the girl, is sing - ing songs to me be - neath the mar - quee,

               
8v a

        

17 17 17 17 17 17 17 17 21 21 21 21 21 21 21 21
19 19 19 19 19 19 19 19

Interlude

 
Dm

     

o - ver - load.

                  
8v a
loco

   
19 19 19 19 19 19 19 3 X 3
3 5 3 5 0 3 3 5 0 0 3 X
0 0 0 0 3 5

                   
  
   

3 X
3 5 3 5 0 3 3 5 5 5 6 6 6 6 6 6
0 0 0 0

 Verse
Dm

  
     
1. Steak knife. Card shark.
2. See additional lyrics

            
        
loco

   

3 X 3
3 5 3 5 0 3 3 5 0 0 3 X
0 0 0 0 3 5

2
        
Con job. Boot cut.

                   
  
   

3 X
3 5 3 5 0 3 3 5 5 5 6 6 6 6 6 6
0 0 0 0

                     

Skin that flick, she’s such a lit - tle D J. Get there quick by street, but not the free - way.

            
        
loco

   

3 X 3
3 5 3 5 0 3 3 5 0 0 3 X
0 0 0 0 3 5


                     
Turn that trick to make a lit - tle lee - way. Beat that nic, but not the way that we play.

                   
  
   
3 X
3 5 3 5 0 3 3 5 5 5 6 6 6 6 6 6
0 0 0 0

        
Dog - town. Blood bath.

            
        
loco

   

3 X 3
3 5 3 5 0 3 3 5 0 0 3 X
0 0 0 0 3 5

3
To Coda 
  
     
Rib cage. Soft tail.

                   

     

3 X
3 5 3 5 0 3 3 5 5 5 6 6 6 6 6 6
0 0 0 0

Chorus
F C Dm

                   

  
Stand - ing in line to see the show to - night and there’s a light on,


     
         


  

10 10 10 10 10 10 10 12 12 12 12 12 12
8 8 8 8 8


F C
 
   
             

  
heav - y glow. By the way, I tried to say I’d be


              
     
 

12 12 12 12 12 12 10 10 10 10 10 10 10 10 10
12 8 8 8 8 8

Interlude
Am Bb Dm
 
         

there, wait - ing for...

             
        
 

7 7 7 7 7 7 7 8 8 8 8 8 8 3 X
3 5 3 5 0 3
0 0

4
D.S. al Coda

                       

     

3 3 X
3 5 0 0 3 X 3 5 3 5 0 3 3 5 5 5 6 6 6 6 6 6
0 0 3 5 0 0 0 0

 Coda
Chorus
F5 C/E

               
Stand - ing in line to see the show to - night and there’s a

               


15 15 15 15 15 15 15 15 14 14 14 14 14 14 14 14

A5 F5
  
      

       

       
light on, heav - y glow. By the way, I

                
8v a

 17 17 17 17 17 17 17 17
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12

C5 A5/E
 
 
    
          
tried to say I’d be there, wait - ing for...

       
8v a

               

21 21 21 21 21 21 21 21
19 19 19 19 19 19 19 19 19 19 19 19 19 19 19

5
F5 C5 A5 G5

                         
 
Dan - i, the girl, is sing - ing songs to me be - neath the mar - quee, o - ver - sold.

                      
        
loco

5 17
10 10 10 10 10 10 10 10 7 7 7 7 7 7 7 7 7 7 7 7 7 7
8 8 8 8 8 8 8 8

F5/C C A5
   
  
  
              
 
By the way, I tried to say I’d be there, wait - ing for...

                              
8v a


17 17 17 17 17 17 17 17 21 21 21 21 21 21 21 21
19 19 19 19 19 19 19 19 19 19 19 19 19 19 19

Interlude
Dm
            
        
loco

   

3 X 3
3 5 3 5 0 3 3 5 0 0 3 X
0 0 0 0 3 5

                   
     

3 X
3 5 3 5 0 3 3 5 5 5 6 6 6 6 6 6
0 0 0 0

6
Bridge

  
Dm
           
        
   


 0 0
3 5
3 X
3 5 0 3
0 0
3 5
3
0 0 3 X
3 5


        
             
   


0 0
3 5
3 X
3 5 0 3
0 0
3 5 5 5 6 6 6 6 6 6 

Chorus
F C Dm
  
                 
Stand - ing in line to see the show to - night and there’s a light on,

  

           
       
 

10 10 10 10 10 10 10 10 12 12 12 12 12 12
8 8 8 8 8


F C
         
  
       

  
heav - y glow. By the way, I tried to say I’d be


           
        

12 10 10 10 10 10 10 10 10 X
12 12 10 12 8 8 8 8 8

7
Am Bb F C

                  

there, wait - ing for... Dan - i, the girl, is sing - ing

                     
  

7 7 7 7 7 7 7 8 8 8 8 8 8 9 10
10 8 8 8 8

Dm
    
          

  
songs to me be - neath the mar - quee, o - ver - sold.

                      
  

10 10 10 10 10 8 10 8  12 12 12 12 12 12 12 12 12 12 12 14 12

F C Am Bb

   
  
                  
By the way, I tried to say I know you from be - fore.

            
      
     
    

10 10 10 10 10 10 10 0 7 7 7 7 7 7 7 8 8 8 8 8

8 8 8 8 8

8
Outro-Chorus
Bass tacet
F C

               
Stand - ing in line to see the show to - night and there’s a


Dm

      


  
light on, heav - y glow.

F C
 
           

By the way, I tried to say I’d be


Am Bb Dm


rit.

      
  
there, wait - ing for...



  

rit.

12

Additional Lyrics

2. Spoken: Blackjack. Dope dick. Pawn shop. Quick pick.


Kiss that dyke, I know you want to hold one.
Not on strike, but I’m about to bowl one.
Bite that mic, I know you never stole one.
Girls that like a story, so I told one.
Song bird. Main line. Cash back. Hard top.

9
Californication
Words and Music by Anthony Kiedis, Flea, John Frusciante and Chad Smith

Intro
Moderate Rock q = 96

     
       
Am F Am F
 
     
3 3
mf


9 9 7 9 7 7 7 9 9 7 9 7 10 10 7
7 7 10 10 7 7 10
8 8 8 8

Verse


Am F

       
          

1. Psy - chic spies from Chi - na try to steal your mind’s e - la - tion; and
3. See additioal lyrics

       
    
3

9 9 7 9 7 7 7
7 7 10 10
8 8


F
Am
                  
 

lit - tle girls from Swe - den dream of sil - ver screen quo - ta - tions. And

       
    
3

9 9 7 9 7 10 10 7
7 7 10
8 8

© 1999 MOEBETOBLAME MUSIC


All Rights Reserved Used by Permission 1
C G F Dm

               
    
if you want these kinds of dreams, it’s Cal - i - for - ni - ca - tion.

      
        

3 3 3 5 5
3 3 3 3 1 1 1 3

Interlude
Am F Am F

         
2. It’s the

       
    
           
3 3

9 9 7 9 7 7 7 9 9 7 9 7 10 10 7
7 7 10 10 7 7 10
8 8 8 8

Verse


Am F
               
    
edge of the world and all of west - ern civ - ’li - za - tion; the

   
4. See additional lyrics

   
    
3

9 9 7 9 7 7 7
7 7 10 10
8 8


Am F
           
       


sun may rise in the east, at least, it’t set - tled in a fi - nal lo - ca - tion. It’s

       
    
3

9 9 7 9 7 10 10 7
7 7 10
8 8

2
To Coda 

 
C G F Dm

             

un - der - stood that Hol - ly - wood sells Cal - i - for - ni - ca - tion.

      
       

3 3 3 5 5 5
3 3 3 3 1 1 1 3

Interlude
Am F,7

   

         
           

7 7 7 7 7 7 7 9 10 10 9
8 8 8 8 8 8 8 10

   
  
Am F,7

               

7 7 7 7 7 7 7 7 7 9 10 10 14 14 12 10 9
8 8 8 8 8

Pre-Chorus
Am F,7

                    
Pay your sur - geon ver - y well to break the spell of ag - ing. Ce -


                     

7 7 7 7 7 7 7 7 7 9 10 10 9
8 8 8 8 8 8 8 10

3
Am F,7

                
leb - ri - ty skin, is this your chin, or is that what you’re wag - ing?

                      

7 7 7 7 7 7 7 7 7 9 10 10 9
8 8 8 8 8 8 8 10

Am F,7

          
 
First born u - ni - corn,

                       

7 7 7 7 7 7 7 7 7 9 10 10 9 7
8 8 8 8 8 8 8 7

Am F,7

          

hard - core soft porn.

 
                    

7 7 7 7 7 7 9 10
8 8 8 8 8 8 8 8 8 8 8 8 8

D.C. al Coda
Chorus

                   
C G5 Dm9 Am C G5 Dm9

  

Dream of Cal - i - for - ni - ca - tion, dream of Cal - i - for - ni - ca - tion.

             
   

3 3 5 5 5 7 3 3 3 2 3 5
3 3 5 5 0 3

4
 Coda
Interlude
Am Fmaj7 Am

    

                

7 7 7 7 7 7 7 9 10 10 9 7 7 7 7 7 7 7 7 7 9 10
8 8 8 8 8 8 8 10

Pre-Chorus
Fmaj7 Am Fmaj7

                 

          
Born and raised by those who praise con - trol of pop - u - la - tion.

            

8 8 8 8 8
 10 10 9 7
10
7 7 7 7 7 7 7 7 7 9 10
8 8 8 8 8 8 8
10 9
10

Am Fmaj7 Am

                 

Ev - ’ry - bod - y’s been there an’ I don’t mean on va - ca - tion. First born un - i - corn,

      


          

9
7 7 7 7 7 7 7 7 7 9 10 12 12 10 9 7 7 7 7 7 7 7 7 9 10
8 8 8 8 8 8

F,7 Am F,7

   

     
   
 
 

        
hard - core soft porn.

                      

8 8 8 8 8 8 8
10 9 7
10
7 7 7 7 7 7 7 7 9 10
8 8 8 8 8  20 20 20 20 20 20 20

5
Chorus

             
C G5 Dm9 Am C G5 Dm9

     

Dream of Cal - i - for - ni - ca - tion, dream of Cal - i - for - ni - ca -

           

      
  

3 3
0 3 3 3  5 5 5 7
5 5 5
3 3 3
0 3
2 3 5

C G7 Dm9 Am

         
     
 
- tion. Dream of Cal - i - for - ni - ca - tion,

 
              
       


7 7
7 7 7
5 5 5 5 5 5 3 3 5 5 5 7
3 3 3 5 5

C G5 Dm9

          
rit.

 
dream of Cal - i - for - ni - ca - tion.

    
      
rit.

3 5 3 2 3 5
5 3

Additional Lyrics

3. Marry me girl, be my fairy to the world,


Be my very own constellation;
A teenage bride with a baby inside
Gettin’ high on information.
And buy me a star on the boulevard;
It’s Californication.

4. Space may be the final frontier


But it’s made in a Hollywood basement;
Cobain can you hear the spheres
Singing songs off station to station?
And Alderon’s not far away;
It’s Californication.

6
Can’t Stop
Words and Music by Anthony Kiedis, Flea, John Frusciante and Chad Smith

1., 2., 3.
Intro
Slow Funk-Rock q = 88

                                    
µ [E5]

 
mp

 7 
cresc. poco a poco

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7


4.

        
(Guitar)

       
f
T 
7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0

Verse
Bass tacet


µ [E5] [D5]

                   
    
1. Can’t stop, ad - dict - ed to the shin - dig. Chop top, he says I’m gon - na win big.


[B5] [C5]
                    
  
Choose not a life of im - i - ta - tion, dis - tant cous - in to the res - er - va - tion.


[E5] [D5]

                   
    

         
De - funct, the pis - tol that you pay for. This punk, the feel - ing that you stay for.

                    
T P P T T P T P T P T T P P T T P T P T P T
7 9 7 9 X 7 9 7 9 X
7 7 7 X X 7 5 5 5 X X
5

© 2002 MOEBETOBLAME MUSIC


All Rights Reserved Used by Permission 1

[B5] [C5]
                    
  
In time I want to be your best friend. East side love is liv - ing on the west end.

    
                         
T P P T T P T P T P T T P P T T P T P T P T

9 9 9 9 X 10 10 10 10 X
5
7 7 7 X X 7 8 8 8 X X


[E5] [D5]

                   
    
Knocked out, but, boy, you’d bet - ter come to. Don’t die, you know the truth is some do.

         
                    
T P P T T P T P T P T T P P T T P T P T P T
7 9 7 9 X 7 9 7 9 X
7 7 7 X X 7 5 5 5 X X
5


[B5] [C5]
                     
  


Go write your mes - sage on the pave - ment. Burn - in’ so bright, I won - der what the wave meant.

         
                 

T P P T T P T P T P T T P T T T P T P T P T P
12 X
9 9 9 9 X 10 10 X
10 X
7 7 7 X X 7 8 X 8 8 X


[E5] [D5]

                   
    
White heat is scream - ing in the jun - gle. Com - plete the mo - tion if you stum - ble.

         
                    
T P P T T P T P T P T T P P T T P T P T P T
7 9 7 9 X 7 9 7 9 X
7
7 7 X X 7 5 5 5 X X
5
2

[B5] [C5]

                     
  
Go ask the dust for an - y an - swers. Come back strong with fif - ty bel - ly danc - ers. The

                    
         
T P P T T P T P T P T T P P T T P T P T P T

9 9 9 9 X 10 10 10 10 X
7 7 7 X X 7 8 8 8 X X 8

Chorus

   
G D Bm Cmaj7

                 
world I love, the tears I drop to be part of the wave can’t stop.

              
 

X 9 10 12 9 9 10 X 0 10 12
10 12 12

            
 
G D Bm Cmaj7 G D

        

Ev - er won - der if it’s all for you? The world I love, the trains I hop to be

      
             

9 10 12 12 9 9 10 14 12 9 10 12
10 10 12 12 10

   
   
Bm Cmaj7 G D Bm Cmaj7


          


part of the wave can’t stop. Come and tell me when it’s time to.

   
    
       
 

12
9 9 10 10 12 9 10 12 12 9 10
9 10

3
Verse


µ [E5] [D5]

                   
    
2. Sweet - heart is bleed - ing in the snow cone. So smart, she’s lead - ing me to o - zone.

         
                    
T P P T T P T P T P T T P P T T P T P T P T
7 9 7 9 X 7 9 7 9 X
7 7 7 X X 7 5 5 5 X X
5


[B5] [C5]
                    
  

 
Mu - sic, the great com - mu - ni - cat - or, use two sticks to make it in the na - ture.

   
    
                    

T P P T T P T P T P T T P P T T P T P T P T P
12 X 11 X
9 9 9 9 X 10 10
10 X 9 X
7 7 7 X X 7 8 8


[E5] [D5]

                   
    
I’ll get you in - to pen - e - tra - tion, the gen - der of a gen - er - a - tion.

         
                    
T P P T T P T P T P T T P P T T P T P T P T
7 9 7 9 X 7 9 7 9 X
7 7 7 X X 7 5 5 5 X X
5


[B5] [C5]
                    
  
The birth of ev - ’ry oth - er na - tion. Worth your weight, the gold of med - i - ta - tion.

    
                         
T P P T T P T P T P T T P P T T P T P T P T

9 9 9 9 X 10 10 10 10 X
5
7 7 7 X X 7 8 8 8 X X
4

[E5] [D5]

                   
    
This chap - ter’s gon - na be a close one. Smoke rings, I know you’re gon - na blow one.

         
                   
T P P T T P T P T P T T P P T T P T P T P T
7 9 7 9 X 7 9 7 9 X
7 7 7 X X 7 5 5 5 X X
5


[B5] [C5]
                    
  
All on a space - ship, per - se - ver - ing, use my hands for ev - ’ry - thing but steer - ing.

      
                      

T P P T T P T P T P T T P P T

9 9 9 9 X 10 10
19 17 12
7 7 7 X X 7 8 8 X X 12 0


[E5] [D5]

                   
    
Can’t stop the spir - its when they need you. Mop - tops are hap - py when they feed you.

         
                   
T P P T T P T P T P T T P P T T P T P T P T
7 9 7 9 X 7 9 7 9 X
7
7 7 X X 7 5 5 5 X X
5


[B5] [C5]

                     
  
J. But - ter - fly is in the tree - top. Birds that blow the mean - ing in - to be - bop. The

                    
        
T P P T T P T P T P T T P P T

9 9 9 9 X 10 10 10 10 X
7 7 7 X X 7 8 8 8 X X 8

5
Chorus

 
G D Bm Cmaj7

                  
world I love, the tears I drop to be part of the wave can’t stop.

  
           

12 12
0 9 10 12 9 9 10 12 10 9
10

       
 
G D Bm Cmaj7 G D

             

Ev - er won - der if it’s all for you. The world I love, the trains I hop to be


   
             

12
0 9 10 12 9 9 10 14 12 10 9 9 10 12
10 10 10

   
 
Bm Cmaj7 G D Bm Cmaj7

             

 
part of the wave can’t stop. Come and tell me when it’s time to.

            
 

9 9 12 10 9 9 10 12 9 10
12 12 10 X

Bridge


Em D Bm C D
                
   

   
Wait a min - ute, I’m pass - ing out, win or lose, just like you.

     
           

14
14 14 12 0 12 9 9 12 10 10
12 12 7 7 8 8

6

Em D Bm C D

                  
Far more shock - ing than an - y - thing I ev - er knew. How ’bout you?

    
 
              

14
14 14 12 0 0 9 9 12 10 10
12 12 7 7 8 10 11

       
Em D Bm7 Cmaj7 D
        
 
Ten more rea - sons why I need some - bod - y new, just like you.

 
    
             

14
14 14 12 0 12 9 9 12 10 10
10 12
12 12 7 7 8 10 11

     
Em D Bm7 Cmaj7

               
Far more shak - ing than an - y - thing I ev - er knew, right on cue.

     
     
        

14
14 12 0 12 9 9 12 10 10
12 12 12 7 7 8

Interlude

         
µ [E5] [D5]

                    
T P P T T P T P T P T T P P T T P T P T P T

7 9 7 9 X 7 9 7 9 X
7 7 7 X X 7 5 5 5 X X
5
7

       
[B5] [C5]

                      



3
T P P T T P T P T P T T P * T P T
X
9 9 9 9 X X X 10 12
X 12 14 10 12 10
7 7 7 X X 7 8 X X 8
*Fret hand slap.

Verse


µ [E5] [D5]

                   
    
3. Can’t stop, ad - dict - ed to the shin - dig. Chop top, he says I’m gon - na win big.

         
                    
T P P T T P T P T P T T P P T T P T P T P T

7 9 7 9 X 7 9 7 9 X
7 7 7 X X 7 5 5 5 X X
5


[B5] [C5]
                    
  

   
Choose not a life of im - i - ta - tion, dis - tant cous - in to the res - er - va - tion.

              
             



3
T P P T T P T P T P T T P T P T T P T P T P T P
X 12 X 14 X
9 9 9 9 X X X 10
X 10 X 12 X
7 7 7 X X 7 8 X X 8


[E5] [D5]

                   
    
De - funct, the pis - tol that you pay for. This punk, the feel - ing that you stay for.

         
                    
T P P T T P T P T P T T P P T T P T P T P T
7 9 7 9 X 7 9 7 9 X
7 7 7 X X 7 5 5 5 X X
5

8

[B5] [C5]

                    
  
In time I want to be your best friend. East side love is liv - ing on the west end.

                    
        
T P P T T P T P T P T T P P T

9 9 9 9 X 10 10 10 10 X
7 7 7 X X 7 8 8 8 X X 8


[E5] [D5]

                   
    
Knocked out, but, boy, you’d bet - ter come to. Don’t die, you know the truth is some do.

         
                   
T P P T T P T P T P T T P P T T P T P T P T
7 9 7 9 X 7 9 7 9 X
7 7 7 X X 7 5 5 5 X X
5


[B5] [C5]

                     
  
Go write your mes - sage on the pave - ment. Burn - in’ so bright, I won - der what the wave meant.

                   
           
T P P T T P T P T P T T P T P T T P T P T T

9 9 9 9 X 10 10 10 10
10 12
7 7 7 X X 7 8 8 8 8 X 10 12


[E5] [D5]

                   
    
Kick start the gold - en gen - er - a - tor. Sweet - talk, but don’t in - tim - i - date her.

         
                    
T P P T T P T P T P T T P P T T P T P T P T
7 9 7 9 X 7 9 7 9 X
7 7 7 X X 7 5 5 5 X X
5

9

[B5] [C5]

                    
  
Can’t stop the gods from en - gi - neer - ing, feel no need for an - y in - ter - fer - ing.

                     
 
         



3
T P P T T P T P T P T T P T P T T P T P T P T
X
9 9 9 9 X X X 10 10 10 X
X
7 7 7 X X 7 8 X X 8 8 X X 8


[E5] [D5]

                   
    
Your im - age in the dic - tion - ar - y, this life is more than or - di - nar - y.

         
                    
T P P T T P T P T P T T P P T T P T P T P T
7 9 7 9 X 7 9 7 9 X
7 7 7 X X 7 5 5 5 X X
5


[B5] [C5]

                         
 
Can I get two, may - be e - ven three of these? Com - in’ from a space to teach you of the Ple - ia - des.

                    
          



3
T P P T T P T P T P T T P T P T T P T P T P T
X
9 9 9 9 X X X 10 10 10 X
X
7 7 7 X X 7 8 X X 8 8 X X 8

Bass tacet


µ

                   
    
Can’t stop the spir - its when they need you. This life is more than just a read - thru.

10
Dani California
Words and Music by Anthony Kiedis, Flea, John Frusciante and Chad Smith
Intro
Moderately q = 96
µ Am G Dm Am

 
(Drums)

            
     
mf


7
7 5 3 0 5 7 5
5 5 7 5
5 5 0 3 3

G Dm Am
   

 
        
  

7
7 5 3 0 7
5 5 3 5 7 7
5 5 0 3 3

Verse
Am G Dm Am

                             
1. Get - ting born in the state of Mis - sis - sip - pi, pa - pa was a cop - per and her ma - ma was a hip - pie.

    



 
     
  

7
7 5 3 0 5 7 5
5 5 7 5
5 5 0 3 3

G Dm Am

                           
In Al - a - bam - a she would swing a ham - mer. Price you got - ta pay when you break the pan - o - ram - a.

  

 
         
  
7
7 5 3 5
5 5 X 5 7 7 5 3
5 5 X 3 3
© 2006 MOEBETOBLAME MUSIC
All Rights Reserved Used by Permission 1
G Dm Am
   
           
She nev - er knew that there was an - y - thing more than poor.

      

 
      
  

7 5
7 5 3 0 5 7 5
5 5 5 7
5 5 0 3 3

G Dm Am
   
           
What in the world does your com - pa - ny take me for?

     

  
      
  

7
7 5 3 X X 5 7 5
5 5 7 5
5 5 5 0 3 3

Verse
Am G Dm Am

                          
2. Black ban - dan - na, sweet Lou - i - si - an - a, rob - bin’ on a bank in the state of In - di - an - a.

  

 
       
  

7
7 5 3 0 5 7 5
5 5 7 5
5 5 0 3 3

G Dm Am

                           
She’s a run - ner, reb - el, and a stun - ner, on her mer - ry way, say - in’, “Ba - by, what - cha gon - na?”

 

 
          
  

7
7 5 3 X 5 7 5 5
5 5 7 7
5 5 0 3 3
2
G Dm Am
   
            
Look - ing down the bar - rel of a hot met - al for - ty - five.

    



   
     

7
7 5 3 X 5 7 5
5 5 7 5
5 5 3 3

G Dm E
  
                
Just an - oth - er way to sur - vive. Cal - i - for -

                  
      
f

7 5 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 0 3 3 0 0

Chorus
F5 C5 D5 G5
           
       
- nia, rest in peace. Si - mul - ta -

              
        

3 3 3 3 0 3 5 5 5 5 5 5
1 1 1 1 1 0 3 3 3

F5 C5 D5 G5
           
       
- ne - ous re - lease. Cal - i - for -

              
        

3 3 3 3 0 3 5 5 5 5 5 5
1 1 1 1 1 0 3 3 3

3
F5 C5 D5 G5
    
     

     

- nia, show your teeth. She’s my priest -

              
        

3 3 3 3 0 3 5 5 5 5 5 5
1 1 1 1 1 0 3 3 3

   
F5 C5 D5
    
  
 
         
- ess, I’m your priest, yeah, yeah.

                  
     

3 3 3 3 0 3 5 5 5 5 5 5 5 5
1 1 1 1 1

Interlude

 
Am G Dm Am



    

  
           
        
  
mf
7
7 5 3 0 5 7 5
5 5 5 5 5 5 5 5 5 7 5
5 5 3 3

G Dm Am

    

   
       

7
7 5 3 0 7 5
5 5 3 5 7 7
5 5 0 3 3

4
Verse
Am G Dm Am

                          
3. She’s a lov - er, ba - by, and a fight - er. Should - a seen her com - in’ when it got a lit - tle bright - er.

  

 
       
  

7
7 5 3 0 5 7 5
5 5 7 5
5 5 0 3 3

G Dm Am

                            
With a name like Dan - i Cal - i - for - nia, (the) day was gon - na come when I was gon - na mourn ya.

 
      
          

7
7 5 3 5
5 5 0 5 7 0 3 5 3
5 5 0 3 3

G Dm Am
   
           
A lit - tle load - ed, she was steal - in’ an - oth - er breath.

    



 
     
  

7
7 5 3 0 5 7 5
5 5 7 5
5 5 0 3 3

G Dm

                

I love my ba - by to death. Cal - i - for -

   
                  
  
f

7 5 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 0 3 3
5
Chorus
F5 C5 D5 G5
           
       
- nia, rest in peace. Si - mul - ta -

              
        

3 3 3 3 0 3 5 5 5 5 5 5
1 1 1 1 1 0 3 3 3

F5 C5 D5 G5
    
     

     

- ne - ous re - lease. Cal - i - for -

              
        

3 3 3 3 0 3 5 5 5 5 5 5
1 1 1 1 1 0 3 3 3

F5 C5 D5 G5
    
     

     

- nia, show your teeth. She’s my priest -

              
        

3 3 3 3 0 3 5 5 5 5 5 5
1 1 1 1 1 0 3 3 3

  
F5 C5 D5
      
       
      
- ess, I’m your priest, yeah, yeah.

                   
    

3 3 3 3 0 3 5 5 5 5 5 5 5 X 5
1 1 1 1 1
6
Bridge


 
Bm

       
 
 Who knew the

         
          
      
mf

9 X 9
5 5 5 X 5 5 5 5 5 9 9 0 7 9
0 7 7 7

 
G
 
D/F#
 
F#5 Bm
  
    
oth - er side of you? Who knows what

      
                  

9 X 9
10 10 10 0 9 9 7 9 9 9 0 7 9
10 9 7 7 7

 
G
 
D/F#

F#5 Bm
  
    

oth - ers died to prove? Too true to

                    
     

9 X 9
10 10 10 0 9 7 9 7 9 9 9 0 7 9
10 9 7 7 7

 
G
 
D/F#

F#5 Bm
  
    

say good - bye to you. Too true to

      
                

9 X 9 9
10 10 10 0 9 9 7 9 9 9
10 9 7 7 7 0
7
Verse
Am G
        
              
say, say, say... 4. Push the fad - er, gift - ed an - i - ma - tor, one

       
       
    

7 5 3
5 7
7 7 0 7 7 5 5 0 3 3

Dm Am G

                          
for the now and e - lev - en for the lat - er. Nev - er made it up to Min - ne - so - ta,

  
        
 
  

7
0 5 7 5 7 5 3
5 5 7 5
5 5 0 3 3

Dm Am G

                       
North Da - ko - ta man was a gun - nin’ for the quo - ta. Down in the Bad - lands, she was

   
      
     
    
1/2

7 5 7 7 5
5 7 7 5 7 5 3
5 5 7
5 5 0 3 3

Dm Am G Dm
 
              
sav - in’ the best for last. It on - ly hurts when I laugh.


  

               
    

7
0 5 7 5 5 7 5
5 5 7 7 5 5 5 5 5 5 5
5 5 0 3 3
8
E7b9

    

        


Gone too fast. Cal - i - for -

        
           
       
f
9 9 9 9 9 9 9 9 9
5 5 5 5 5 5 5 5 5 7
0 0 0 0 0 0 0 0

Chorus
F5 C5 D5 G5
    
     

     

- nia, rest in peace. Si - mul - ta -

              
        

3 3 3 3 0 3 5 5 5 5 5 5
1 1 1 1 1 0 3 3 3

F5 C5 D5 G5
           
       
- ne - ous re - lease. Cal - i - for -

              
        

3 3 3 3 0 3 5 5 5 5 5 5
1 1 1 1 1 0 3 3 3

F5 C5 D5 G5
    
     

     

- nia, show your teeth. She’s my priest -

              
        

3 3 3 3 0 3 5 5 5 5 5 5
1 1 1 1 1 0 3 3 3
9
   
F5 C5 D5
      
   
  
      
- ess, I’m your priest, yeah, yeah.

                  
     

3 3 3 3 0 3 5 5 5 5 5 5 5 5 5
1 1 1 1 1

 
F5 C5

           
       

Cal - i - for - nia, rest in peace.

                 
     

5 5 5 5 5 5 5 3 3 3 3 3 0
5 3 1 1 1 1 1

D5 G5 F5 C5
    
      


    

Si - mul - ta - ne - ous re - lease.

              
        

3 5 5 5 5 5 5 3 3 3 3 0
0 3 3 3 1 1 1 1 1

D5 G5 F5 C5
          
        
Cal - i - for - nia, show your teeth.

              
        

3 5 5 5 5 5 5 3 3 3 3 0
0 3 3 3 1 1 1 1 1
10
D5 G5 F5 C5 A

           
       
She’s my priest - ess, I’m your priest,

              
        

3 5 5 5 5 5 5 3 3 3 3 0
0 3 3 3 1 1 1 1 1

C5 D5 A
          
  
      
yeah, yeah.

                         

3 5 3
3 5 5 5 5 5 5 5 5 X 5 5 5 5 X 5 5 5 3
5

Outro-Guitar Solo
F5 C5 D5 G5
              
          

3 3 3 3 0 3 5 5 5 5 5 5
1 1 1 1 1 1 0 3 3 3 3

F5 C5 D5 G5
              
        

3
3 3 3 3 0 3 5 5 5 5 5
1 1 1 1 0 3 3 5 3

F5 C5 D5 G5
            
3

  
        

3 3 0 3 3 0 3 5 5 5 5 5 5
1 1 1 1 0 0 3 3 3
11
F5 C5 D5
                  
    

3 3 3 3 0 3 5 5 5 5 5 5 5 5
1 1 1 1

       
F5 C5
            
    
7 5 7 5
5 7 7 7 5
5 5 5 5 3 3 3 3 0
1 1 1 1 1

D5 G5 F5 C5
        
3
     
          

3 5 5 5 5 5 5 3 3 3 3 0
0 3 3 3 1 1 1 1 1 1 1

D5 G5 F5 C5
              
        

3 5 5 5 5 5 5 3 3 3 3 0
0 3 3 5 3 1 1 1 1


D5 G5 F5
         

   
           

3 5 7 5 3
3 5 5 5 5 5 5 5 3
5 1 1 1 1 1 1 1 1 1 1

C5
 
                  

2 3 4 5
0 2 2 3 3 3 3 3
1 1 1 1 1 1

          
D5 µ
   
rit.
2 2 3 3 4 4 5 5 5
0

12
Scar Tissue
Words and Music by Anthony Kiedis, Flea, John Frusciante and Chad Smith

Intro
  =  
3 Verse


Moderately slow q = 90
F

            
1. Scar tis - sue that I wish you saw,


 
       
      
mf

 12 8 X 8 8
5 X 5 X 8

Dm F

                     
sar - cas - tic mis - ter know - it - all. Close your eyes and I’ll kiss you ’cause

     
          
       

3 5 5 5 5 5 5 8 5 8 X 8 8
8 5 X 5 X 8

Chorus
Dm F

 
        
      
with the birds I’ll share, with the birds I’ll share this lone -

           
           

3 5 5 5 5 5 5 8 X 8 8
5 8 8 5 X 5 X 8

© 1999 MOEBETOBLAME MUSIC


All Rights Reserved Used by Permission 1
Dm F
             
 
- ly view, with the birds I’ll share this lone -

   

         
       

5 5 5 5 5 5 8 5 8 X 8 8
8 5 X 5 X 8

Verse
Dm F

               


- ly view. 2. Push me up a - gainst the wall,

   

         
       

5 5 5 5 5 5 8 5 8 X 8 8
8 5 X 5 X 8

Dm F

                      

young Ken-tuck - y girl in a push up bra. Fall - in’ all o - ver my - self to lick

   
            
       

3 5 5 5 5 5 5 8 5 8 X 8 8
8 5 X 5 X 8

Chorus
Dm F
        
          

your heart and taste your health ’cause with the birds I’ll share this lone -

    

         
       

3 5 5 5 5 5 5 8 5 8 X 8 8
8 5 X 5 X 8

2
Dm F

               
- ly view, with the birds I’ll share this lone -


 
 
           
      

5 5 5 5 5 5 8 5 8 X 8 8
8 5 X 5 X 8

Dm F C
             
 
- ly view, with the birds I’ll share this lone -

   

                 

5 5 5 5 5 5 8 5 8 8 8 8 8 8
8 X 8 8

Interlude
Dm Dm
   
     

- ly view.

            

 
8va

  
   
           

19 19 19 19 17 14 14 14 14 14
0 0 0 0 0 0 0 0 0 0
5 5 5 8 8


C Dm E5
     


   
loco

   

let ring 
9 9 9 9 9
12
12 12 5 7
8 8 8 8 8 10 0
3
Verse
F Dm

                 


3. Blood loss in a bath - room stall, south - ern girl with a scar - let drawl.

     
    
            

8 X 8 8 3 5 5 5 5 5 5 8 5
5 X 5 X 8 8

F Dm

 

                
Wave good - bye to ma and pa ’cause with the birds I’ll share,

    
3

                    

8 X 8 8 5 5 5 5 5 5 5
5 X 5 X 8 8 5 8 8 5

Chorus
F Dm
             
 
with the birds I’ll share this lone - ly view,

     
    
             

8 X 8 8 3 5 5 5 5 5 5 8 5
5 X 5 X 8 8

F Dm
             
 
with the birds I’ll share this lone - ly view.

     
    
            

8 X 8 8 3 5 5 5 5 5 5 8 5
5 X 5 X 8 8
4
Verse
F Dm

                  


4. Soft spo - ken with a bro - ken jaw, step out - side, but not to brawl.

 

                    

5
7 X 7 X 5
8 8 8 3 5 5 5 5 5
X 5 8 8

F Dm

                     


Au - tumn’s sweet, we call it fall, I’ll make it to the moon if I have to crawl.

 

 

       
         

12 10
8 X 8 8 3 5 5 12 X 10
5 X 5 X 8

Chorus
F Dm

               
With the birds I’ll share this lone - ly view,

     

    
          

8 X 8 8 5 5 5 5 5 5 8 5
5 X 5 X 8 8

F Dm
             
 
with the birds I’ll share this lone - ly view,

     

    
          

8 X 8 8 5 5 5 5 5 5 8 5
5 X 5 X 8 8
5
Guitar Solo

   
F C Dm D5

            


 
with the birds I’ll share this lone - ly view.

   
               
8va

   
     

19 19 19 19 17
0 0 0 0 0
8 8 8 8 8 8 5 5 5 8 8
X 8 8



C5
     
8va

    
loco

      
     
14 14 17 14 14 9 9 9 9 9
0 0 0 0 0
8 8 8 8 8

 
D5
      
    
8va

         
          

19 19 19 21 17 14 14 17 19 17 14 17
12 12 12 12 0 0 0 0 0 0 0 0 0 0 0 0
10 10 10 10 10 10

    
C5 D5 E5

    
loco

       

9 9 9 9 9
5 5 5 5 7
8 8 8 8 8

Verse
F Dm
 
                     
5. Scar tis - sue that I wish you saw, sar - cas - tic mis - ter know - it - all.

     
    
            

8 X 8 8 3 5 5 5 5 5 5 8 5
5 X 5 X 8 8
6
F Dm



                 
Ah, close your eyes and I’ll kiss you ’cause with the birds I’ll share,

         
               

7 5
8 X 8 8 5 5 5 5 5 8 5
5 X 5 X 8 8

Chorus
F Dm
             
 
with the birds I’ll share this lone - ly view,

     

    
          

8 X 8 8 5 5 5 5 5 5 8 5
5 X 5 X 8 8

F Dm
             
 
with the birds I’ll share this lone - ly view,

     

    
           

8 X 8 8 5 5 5 5 5 5 8 5
5 X 5 X 8 8

Outro-Guitar Solo
Dm
  
F C Dm

           

 
with the birds I’ll share this lone - ly view.

   
               
8va

   
     

19 19 19 19 17
0 0 0 0 0
8 8 8 8 8 8 5 5 5 8 8
X 8 8

7

C Dm

    

 
         
 
8va

    loco

          
    
let ring 
14 14 14 14 14 9 9 9 9 9
0 0 0 0 0 12 12 12 12
8 8 8 8 8 10 10 10 10 10 10

  
C
              
8va

  
loco

     
             
 let ring 
19 19 19 21 17 14 14 17 19 17 19 17 9 9 9 9 9
0 0 0 0 0 0 0 0 0 0 0 0
8 8 8 8 8

   
Dm
          
  
8va

      
           

19 19 19 21 17 14 14 17 19 17 19 17 14
12 12 12 12 0 0 0 0 0 0 0 0 0 0 0 0 0
10 10 10 10 10 10

  
C Dm
          
 
8va

 
loco

          
    
let ring  
9 9 9 9 9 9 19 19 19 19 17
12 12 12 12 0 0 0 0 0
8 8 8 8 8 10 10 10 10 10 10

   
C Dm

            
8va
loco

     
        
rit. *

14 14 17 17 14 17 14 9 10 9
0 0 0 0 0 0 0 10
8 8 8 8 10
*w/ rapid tremolo
using vol. knob.

8
Suck My Kiss
Words and Music by Anthony Kiedis, Flea, John Frusciante and Chad Smith

Intro
Moderately q = 102

       
µ [Gm7]
    
       
Well, I’m sail - in’. Yeah! Yeah! Oh, yeah!

 
            
       

f

  1 3
1
1 3 1 3
1
1 3

1.

      
µ
        
           



7 9 9
3 3 3 3 5 7 7 7
1 3 5 5 5
1 3 1 3

2.



µ
   µ [Gm7]
   
Hit me.
  
                   
     


7 9 9
3 3 3 3 5 7 7 7
3 5 5 5
1 3 3 1 3 3

             
3

            

1 3 1
1 3 3 1 3 3 1 1 3 3 1 3 3

© 1991 MOEBETOBLAME MUSIC


All Rights Reserved Used by Permission 1
 Verse
µ [Gm7]
   
           
1., 3. Should have been, could have been, would have been dead if I
2. See additional lyrics

        
3

                

1 3 1
1 3 3 1 3 3 1 1 3 3 1 3 3


                        
did - n’t get the mes-sage go - in’ to my head. I am what I am,

         
3

             

1 3 1
1 3 3 1 3 3 1 1 3 3 1 3 3

[Fm7]
      
            


most moth - er - fuck - ers don’t give a damn. Aw, ba - by, think you can?

        
3
 
 
      
3
1 3 1 3
1 3 3 1 3 3 1 1

2nd & 3rd times, substitute Fill 1


[F#m7] [Gm7]
          
          

Be my girl, I’ll be your man. Some - one full of fun, do me ’til I’m well done.

           
     
3 3 4 4
3
1 3 3 1 3 3

      
Fill 1

2
3 3 4
3
2

                    
Lit - tle Bo Peep cum - in’ from my stun gun. Be - ware, take care,

   
       
3

          

1 3 1
1 3 3 1 3 3 1 1 3 3 1 3 3

[Fm7]
      
             
most moth - er - fuck - ers have a cold - ass stare. Aw, ba - by, please be there,

      
3

           

3
1 3 1 3
1 3 3 1 3 3 1 1

[F#m7] [Gm7]
          
  
suck my kiss, cut me my share.

   
      
     

2
3 3 4
3
1 3 3 1 3 3

Chorus

   
Bb7 E G Dsus4 G Dsus4 A
        
  
Hit me! You can’t hurt me! Suck my kiss!

             
      

5 5
1 5 5 0 0
1 3 0 0 0

3
   
E G Dsus4 G Dsus4 A
       

Kiss me! Please per - vert me! Stick with this!

        
    

5 5
5 5 0 0
0 0 0

To Coda 
2nd time, substitute Fill 1


E G Dsus4 G Dsus4 A E5
 
 
        

 gon - 
talk - ing dirt - y?
Is she
na curt - sy?

         
        

5 5
5 5 0 0
0 0 0 0 0 0 X

1.

   
E G Dsus4 G Dsus4 A

               

 that 
Give to me sweet sa - cred bliss, your mouth was made to suck my kiss!

      
    
  

0 0
5
5
5
5
0
0 0 


Fill 1

      
 

0 0
0 0

4
2.
Guitar Solo

        
A Bb7 µ [Gm7]

   
mouth was made to.

          
      
        

0 0 1  1 3
1
1 3 1 3
1
1 3

2nd time, D.S. al Coda

  

µ
            
          



7 9 9
3 3 3 3 5 7 7 7
1 3 5 5 5
1 3 1 3

 Coda

 
A E5 E G Dsus4 G Dsus4 A
               
    
Give to me sweet sa - cred bliss, that mouth was made to suck my kiss!

     
        

  
 

5 5
0 0 5 5 0 0
0 0 0 0

Additional Lyrics

2. Look at me; can’t you see?


All I really want to be
Is free from a world that hurts me.
I need relief.
Do you want me, girl, to be your thief?
Aw, baby, just for you
I’d steal anything that you want me to.
K-I-S-S-I-N-G,
Chick a chick a dee, do me like a banshee.
Low brow, is how,
Swimmin’ in the sound of a bow wow wow.
Aw, baby, do me now.
Do me here, I do allow.
5
Tell Me Baby
Words and Music by Anthony Kiedis, Flea, John Frusciante and Chad Smith

Intro
Moderately q = 102 Faster q = 108

Am7
      
     
(Guitar)

            
     
f
P T P T P T T T P T P T P T T T


5 7 5 X 5 7 5 X
X X
X 5 5 X 5 5 5 X X 5 5 X 5 5 5 X

       
                  
P T P T P T  T  T  P T P T P T 
5 7 5 X 5 7 5 0
X X
X 5 5 X 5 5 5 X X 5 0 0 3 3

 Verse
Am7

                    
1. They come from ev - ’ry state to find some dreams were meant to be de - clined.
2. See additional lyrics

        
                     
P T P T P T  T  T  P T P T P T  T  T 
5 7 5 X 5 7 5 X
X X
X 5 5 X 5 5 5 X X 5 5 X 5 5 5 X

© 2006 MOEBETOBLAME MUSIC


All Rights Reserved Used by Permission 1
2nd time, substitute Fill 1

                  
Tell the man, what did you have in mind? What have you come to do?

       
                  
P T P T P T  T  T  P T P T P T 
5 7 5 X 5 7 5 0
X X
X 5 5 X 5 5 5 X X 5 0 0 3 3

                   
No turn - ing wa - ter in - to wine, no learn - ing why you’re in the line.

        
                    
P T P T P T  T  T  P T P T P T  T  T 
5 7 5 X 5 7 5 X
X X
X 5 5 X 5 5 5 X X 5 5 X 5 5 5 X

2nd time, substitute Fill 2

                 
I’ll take you to the bro - ken sign. You see these lights are blue.

        
                  
P T P T P T  T  T  P T P T P T  P T P
5 7 5 X 5 7 5 0 2 5
X X
X 5 5 X 5 5 5 X X 5 0 3

        
Fill 1

                
P T P T P T  T  T  P T P T P T 
5 7 5 X 5 7 5 X
X X
X 5 5 X 5 5 5 X X 5 5 0 3

       
Fill 2

                  
P T P T P T  T  T  P T P T P T 
5 7 5 X 5 7 5 0
X X
X 5 5 X 5 5 5 X X 5 0 0 3 3

2
                             
Come and get it, lost it at the cit - y lim - it. Say good - bye ’cause they will find a way to trim it.

        
                     
P T P T P T  T  T  P T P T P T  T  T 
5 7 5 X 5 7 5 X
X X
X 5 5 X 5 5 5 X X 5 5 X 5 5 5 X

                            
Ev - ’ry - bod - y look - in’ for a sil - ly gim - mick. Got - ta get a - way, can’t take it for an - oth - er min - ute.

       
                  
P T P T P T  T  T  P T P T P T 
5 7 5 X 5 7 5 0
X X
X 5 5 X 5 5 5 X X 5 0 0 3 3

                   
This town is made of man - y things, just look at what the cur - rent brings.

        
                    
P T P T P T  T  T  P T P T P T  T  T 
5 7 5 X 5 7 5 X
X X
X 5 5 X 5 5 5 X X 5 5 X 5 5 5 X

To Coda 

                 
So high, it’s on - ly prom - is - ing. This place was made on you.

       
                 
P T P T P T  T  T  P T P T P T 
5 7 5 X 5 7 5 0
X X
X 5 5 X 5 5 5 X X 5 0 3 X

3
Chorus
F C G Am

           
Tell me, ba - by, what’s your sto - ry?

   
    
   
           
T  P T P T  P T  P T P T  P T
5
3 3 5 5 7
1 3 X 3
1 X X 1 3 X X 3 3 5 5 3

 
F C G Dm
       
    


Where you come from and where you wan - na go this time. Oh,

   

   
       
       
T  P T P T  P T  P T P T  P T
5 7
3 3 5 5
1 3 X 3 3 5 5
1 X X 1 3 X X 3

F C G Am

           
tell me, lov - er, are you lone - ly?

      
      

         
T  P T P T  P T  P T P T  P T
5
3 3 5 5 7
1 3 X 3
1 X X 1 3 X X 3 3 5 5 3

 
F C G7
      
     

The thing we need is nev - er all that hard to find. Oh,

     
    

       
T  P T P T  P T  P T  P
5
3 3 5 5
1 3 X 3
1 X X 1 3 3 3

4
F C G Am

           
tell me, ba - by, what’s your sto - ry?

   
    
   
           
T  P T P T  P T  P T P T  P T
5
3 3 5 5 7
1 3 X 3
1 X X 1 3 X X 3 3 5 5 3

F C G Dm
         
     


Where do you come from and where you wan - na go this time? Oh,

   

   
      
         
T  P T P T  P T  P T P T  P T
5 7
3 3 5 5
1 3 X 3 3 5 5
1 X X 1 3 X X 3

F C G Am

           
you’re so love - ly, Are you lone - ly

   
    
   
           
T  P T P T  P T  P T P T  P T
5
3 3 5 5 7
1 3 X 3
1 X X 1 3 X X 3 3 5 5 3

 
F C G7
          
   
or giv - ing up on the in - no - cence you left be - hind?

       
   
   
            
T  P T P T  P T  P T  P  T P T P T  P T
5
3 3 5 5 5 5 5 5 5
1 3 X 3
1 X X 1 3 3 3 3 3 3 3 3 3

5
Interlude

  
Am7

    
                     
P T P T  T  T  P T P T P T  T  T 
5
X 5 7 5 X
X
5 5 5 X 5 5 5 X X 5 5 X 5 5 5 X

D.S. al Coda

        
                
P T P T P T  T  T  P T P T P T 
5 7 5 X 5 7 5 X
X X
X 5 5 X 5 5 5 X X 5 5 0 3

 Coda
Chorus
F C G Am

           


Tell me, ba - by, what’s your sto - ry?

     
      

         
T  P T P T  P T  P T P T  P T
5
3 3 5 5 7
1 3 X 3
1 X X 1 3 X X 3 3 5 5 3

 
F C G Dm
       
    


Where you come from and where you wan - na go this time. Oh,

   

   
        
       
    

T P T P T P T T P T P T P T
5 7
3 3 5 5
1 3 X 3 5 3 5 5
1 X X 1 X 3 X X 3

F C G Am

           


tell me, lov - er, are you lone - ly?

     
      

         
T  P T P T  P T  P T P T  P T
5
3 3 5 5 7
1 3 X 3
1 X X 1 3 X X 3 3 5 5 3

6
 
F C G7
      
     


The thing we need is nev - er all that hard to find. Oh,

  
   
   
         
T  P T P T  P T  P T  P T
5
3 3 5 5
1 3 X 3
1 X X 1 3 3 3 3 3

F C G Am

           
tell me, ba - by, what’s your sto - ry?

      
      

         
T  P T P T  P T  P T P T  P T
5
3 3 5 5 7
1 3 X 3
1 X X 1 3 X X 3 3 5 5 3

F C G Dm
         
    
Where you come from and where you wan - na go this time? Oh,

   

   
       
       
T  P T P T  P T  P T P T  P T
5 7
3 3 5 5
1 3 X 3 3 5 5
1 X X 1 3 X X 3

F C G Am

           
you’re so love - ly. Are you lone - ly

   
    
           
   
T  P T P T  P T  P T P T  P T
5
3 3 5 5 7
1 3 X 3
1 X X 1 3 X X 3 3 5 5 3
7
    
F C G7
       
  



or giv - in’ up on the in - no - cence you left be - hind?

      
   

      
T  P T P T  P T  P  T  P 
5
3 3 5 5 5 5
1 3 X 3
1 X X 1 3 3 3

Guitar Solo

   
Am7

     

  
Yeah.

     
                 
   T  T 


T P T P T P T P T P T P T

5 5 5 5 7 5 X
X
3 3 3 3 3 3 X X 5 5 X 5 5 5 X

        
                     
P T P T P T  T  T  P T P T P T  T  T 
5 7 5 X 5 7 5 X
X X
X 5 5 X 5 5 5 X X 5 5 X 5 5 5 X


       
1. 2.

            

    

 


P T P T P T P T P T P T P P
0 7 8 9 0 5
5 7 5 0 5 7 5 0 5 7 5
X X 7 5 3
X 5 5 X 5

Chorus
F C G Am

           


Tell me, ba - by, what’s your sto - ry?

     
      

         
T  P T P T  P T  P T P T  P T
5
3 3 5 5 7
1 3 X 3
1 X X 1 3 X X 3 3 5 5 3

8
 
F C G Dm
       
    


Where you come from and where you wan - na go this time? Oh,

   

   
      
         
T  P T P T  P T  P T P T  P T
5 7
3 3 5 5
1 3 X 3 3 5 5
1 X X 1 3 X X 3

F C G Am

           
tell me, lov - er, are you lone - ly?

      
      

         
T  P T P T  P T  P T P T  P T
5
3 3 5 5 7
1 3 X 3
1 X X 1 3 X X 3 3 5 5 3

 
F C G7
      
     


The thing we need is nev - er all that hard to find. Oh,

  
   
   
          
T  P T P T  P T  P T  P T
5
3 3 5 5
1 3 X 3
1 X X 1 3 X X 3 3 3

F C G Am

           
tell me, ba - by, what’s your sto - ry?

   
    
   
           
T  P T P T  P T  P T P T  P T
5
3 3 5 5 7
1 3 X 3
1 X X 1 3 X X 3 3 5 5 3

9
F C G Dm
         
    
Where you come from and where you wan - na go this time? Oh,

      
       

      
T  P T P T  P T  P T P 
5 0
3 3 5 0
1 3 X 3
1 X X 1 3 X X 10 10 10 10

 
F C G Am F C

        
       
you’re so love - ly. Are you lone - ly, or giv - in’ up on the

    
   
  

   
               
   
T  P T P T  P T  P T P T  P T  P T P T  P T 
5 5
3 3 5 5 7 3 3
1 3 X 3 1 3 X 3
1 X X 1 3 X X 3 3 5 5 3 1 X X 1


G7 Am


        
3
      
rit.

in - no - cence you left be - hind?

      
           
P T  P T  P T  P T  P T 
rit.

5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 5

Additional Lyrics

2. Some claim to have the fortitude too shrewd to blow the interlude,
Sustaining pain to set a mood, step out to be renewed.
I’ll move you like a baritone, Jungle Brothers on the microphone.
Getting over with an undertone. It’s time to turn to stone.
Chitty, chitty baby, when your nose is in the nitty-gritty.
Life could be a little sweet, but life could be a little shitty.
What a pity, Boston and a Kansas City.
Looking for a hundred, but you only ever found a fitty.
Three fingers in the honeycomb, you ring just like a xylophone.
Devoted to the chromosome the day that you left home.

10
Under the Bridge
Words and Music by Anthony Kiedis, Flea, John Frusciante and Chad Smith

Intro Verse
Moderately slow q = 68 Faster q = 76


E B C#m G#m A


 (Guitar)
           
      
1. Some -times I feel like I don’t have a part - ner.
2. See additional lyrics


E B C#m A E B

  
                 
  
Some -times I feel like my on - ly friend is the cit - y I live in, the


C#m G#m A E B C#m A

          
          

cit - y of an - gels. Lone - ly as I am, to - geth - er we cry.

1. 2.

 

Emaj7 Emaj7

      


2. I


   
     

mf

 
9

0 0 0 0 0

© 1991 MOEBETOBLAME MUSIC


All Rights Reserved Used by Permission 1
Pre-Chorus

       
F#m E B F#m E

             

I don’t ev - er wan - na feel like I did that day. Take me to the place I love,

      
                 

11 9 9 11 9
9 7 7 7 7 9 9 9 9 9 7 7 7
9 7 9

 
B F#m E B F#m

                        

take me all the way. I don’t ev - er wan - na feel like I did that day.


               
 
 
     

9 11 9 9
7 9 9 9 11 9 11 9 9 7 7 7 7 9 9 9 9
7 9 7


E B F#m E B
  
            

  

Take me to the place I love, take me all the way, yeah.

         
  

    

11 9 9
9 7 7 7 7 9
9 7 0 7


C#m G#m A E B C#m A

   
 
     

Yeah, yeah. 3. It’s

   


           

4 5 0 7 9 5 5
2
Verse

 
E B C#m G#m A E B

                 
         
hard to be - lieve that there’s no - bod - y out there. It’s hard to be - lieve that

   
 
        

0 7 4 5 0 7


C#m A E B C#m G#m A

    
       
            
I’m all a - lone. At least I have her love, the cit - y, she love me.

        

      

9 5 5 0 7 4 5


E B C#m A Emaj7

    
         

Lone - ly as I am, to - geth - er we cry.

 

 
        

8 9

0 7 9 5 5

Pre-Chorus


F#m E B F#m

                

I don’t ev - er wan - na feel like I did that day.

            
      

9
11 9 9
9 7 7 7 7 9 9 11 9 7 9
9 7
3
      
E B F#m E

                

Take me to the place I love, take me all the way. I don’t ev - er wan - na feel

           
         
 

11 9 9 11 9
9 7 7 7 7 9 9 9 7 7 7
9 7 2 2 9

 
B F#m E B F#m

                     
 
like I did that day. Take me to the place I love, take me all the way,

            
             

9 11 9 9
7 9 9 9 9 9 7 7 7 7 9 9 9
7 9 7

Bridge

        
A Am G6 Fmaj7 A Am

    

  



   
yeah. Yeah, yeah. Oh, no, no, no,

  
                          

9 7 5 9 9
7 7 10 7 5 7 5 5 3 5 7 7 5 7 7 10 10 7 7 7
0

G6 Fmaj7 A Am G6 Fmaj7

       
                
yeah, yeah. Love me, I say, yeah, yeah.

 
 
                            

7 5 9 7 5
5 5 3 3 5 7 7 5 7 7 7 10 7 5 7 5 5 3 5 7 7 5

4
Chorus
Fmaj7 E7 G A Am7
        
       
      
  
One time.
(Un-der the bridge down - town.)

        
              
9
7 7 10 7 5 7
1 1 1 1 1 1 1 0 0 0 0 3 3 3 3

    
G6 Fmaj7 A Am7

   

       
    
        


Is where I drew some blood.
(Un - der the bridge down - town.)

  
             
  
7 5 9 9
5 5 3 5 7 7 5 7 7 7
0 0

     
G6 Fmaj7 A Am7

    


   
    
    
  
     
 
I could not get e - nough.
(Un - der the bridge down - town.)

 
                   

7 5 9
5 5 3 3 5 7 7 5 7 7 7 10 7 5 7

    
G6 Fmaj7 A Am7

     


   
  
    
        


For - got a - bout my love.
(Un - der the bridge down - town.)

 
  
             
 
7 5 9 9
5 5 3 5 7 7 5 7 7 7 7
0 0

5
 
G6 Fmaj7 A Am7

     

        
 
I gave my life a - way, yeah,
(I gave my life a - way.

 
                   

7 5 9
5 5 3 3 5 7 7 5 7 7 7 10 7 5 7

G6 Fmaj7 A Am7

 
 
     
 
 

    
  
yeah, yeah. Oh, no, no, no, no,
A - way.

       
            

7 5 9 9
5 5 3 5 7 7 5 7 7 10 10 7 7 7
0

G6 Fmaj7 A Am7

  
  
  
        
 
  
 
yeah, yeah. Way down I said, oh,
A - way.

 
                   

7 5 9
5 5 3 3 5 7 7 5 7 7 7 10 7 5 7

6
G6 Fmaj7 A Am7 G6 Fmaj7

   
    
   
        
      
yeah, yeah. Will I stay?
A - way.)

    
                     
 

7 5 9 9 9 7 5
5 5 3 5 7 7 5 7 7 7 5 5 3 3 5 7 7 5 7
0 0

Outro
A
 Am
  
G6

Fmaj7 A
 Am
  
                
  

9 7 5 9 9
7 7 10 7 5 7 5 5 3 5 7 7 5 7 7
0 0 0

G5

Fmaj7
   
A
 Am
  
G6

Fmaj7

                      
3

7 5 7 5 9 7 5
5 5 3 5 7 7 5 7 7 10 7 5 7 5 5 3 5 7 7 5

A Am G6 Fmaj7 A


    
   



    
rit. let ring 
9 9 7 14


7 5 5 3 14
0 0 0 0 0

Additional Lyrics

2. I drive on her streets


’Cause she’s my companion.
I walk through her hills
’Cause she knows who I am.
She sees my good deeds
And she kisses me windy.
I never worry.
Now that is a lie.

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