CHATTERJEE SexualityFloatedFree 2012
CHATTERJEE SexualityFloatedFree 2012
CHATTERJEE SexualityFloatedFree 2012
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INDRANI CHATTERJEE
From
andthe 1960s
other to literatures
regional the present, scholars
and cultures haveof Sanskrit,
spelled out theirTamil, Telugu, Bengali,
differences
with either their Freudian or Foucauldian counterparts on the articulation of
love, desire, and embodiment in these literatures (Alter 1997; Benton 2006;
Dimock 1966; Doniger 1973; Doniger and Kakar 2002; Kakar 1989; Kakar and
Ross 1986; Ramanujan 1981; Ramanujan, Rao, and Shulman 1994; Stoler
Miller 1977; Sweet 2002; Wujastyk 2005, 2009; Zysk 2002). The subcontinent's
textual cultures, they argue, interrogate Freudian notions of human personality
as rooted in the "truth" of sexual desire. These scholars placed the study of
erotica and the sciences pertaining to human bodies within structures of
teaching-learning with very long historical pedigrees.
Discourses on embodiment practices were wrapped up in arguments about
the multicorporeality and health of the human body, the cultivation of transcen
dence, and the physical display of perfection of control as a mark of "nobility."
Pronouncements on desire, its domestication by various means, its locations in
households of different kinds, and its ephemeralization were all part of a larger
study of the human body as the seat of consciousness. Between the first millen
nium BCE and the thirteenth century CE, such study of human embodiment and
consciousness occurred in lineages of students and teachers who were tied to
each other by a preliminary ritual of consecration and initiation (diksa). These
initiations set up a direct face-to-face hierarchical relationship between teacher
and student, and admitted the student to a fraternity of fellows and into a hier
archical lineage of a chain of teachers who had taught his teacher. Scholars of
Yoga and Tantra find that many of the teachers among Saiva, Buddhist, and
Jaina monks were also employed as official sorcerers, healers, and magic prac
titioners by local rulers and "big men" (Davidson 2002; Samuel 2005, 2008;
White 1996, 2003, 2009).
From this proximity between monks, ascetic-warriors, and "big men" arose a
form of governance we can identify as "monastic governmentality" in South Asia.
Unlike Foucauldian "governmentality," which expressed the conduct of a bour
geois Liberal European state after the seventeenth century, Indian monastic
In the early twentieth century, some Indian scholars were aware that some
thing dramatic had transpired in the intervening century. Iravati Karve, an Indi
female anthropologist trained in Berlin in the 1930s and writing at the behest o
academic friends in the United States, sought answers in texts held up as "histor
in many societies of that time. This was the epic Mahabharata. But she looked
this text for an analysis of kinship, and she titled her own study of the epic
Yuganta: The End of an Epoch (Karve 1969). On the other hand, her contempor
ary, the German Indologist Johann Jakob Meyer, who had published a study of
the identical text in 1952, republished it with the title Sexual Life in Ancient
India (1971). Meyer's reading of the text may have been part of a larger develop
ment of biological sciences in Germany in the first half of the twentieth century.
It also contained a suggestion that early subcontinental societies had had a wider
variety of sexual arrangements than was imaginable in the northern hemisphere.
Its republication also coincided with a growing interest in matters of sexual liberty
in a post-1968 moment, when anti-war, civil rights, youth, and feminist move
ments all occurred simultaneously in Europe and the United States. In these
European and North American movements, the notion of liberty was very
closely wedded to the issue of sexual liberation from the dogmas of the Christian
church, the church fathers, and the patriarchs of civil society in the arguments of
a majority of white, middle-class young men and women. The emergence of
North American Liberal feminism in particular was premised on such an
understanding.
A widely influential text from the latter was The Female Eunuch (Greer
1970), which argued that the "traditional" suburban, consumerist, nuclear
family repressed [all] women's sexuality and rendered them into devitalized
eunuchs. Greer's interpretation of androgyny rendered it, and transvestitism,
synonymous with impotence and powerlessness in the world. Whether or not
she was aware of the venerable status of androgyny in societies influenced by
Himalayan and Inner Asian Buddhist (Gyatso 2003), Jaina, and Sufi mystic prac
tices (Kugle 2007, 2010), or of the great popularity of theatrical transvestism—
when women acted in male roles and men acted in female ones—in nineteenth
century subcontinental cultures (Hansen 1992, 1999, 2004) was never at issue.
Yet her manifesto was a call to all women to reclaim their "libido," their
faculty of desire, from which they had apparently been separated.
There were many ironies implicit in such calls. For one, this language of con
sumption rested on an invisible philosophical correspondence between
dimorphic physical bodies and the maleness or femaleness of personality. This
was certainly not how bodies were either imagined or studied in South Asia
before the eighteenth century. A vast literary and aesthetic corpus spoke of adul
terous erotic yearnings of mutably gendered beings, of gods who came as ordin
ary customers to haggle over a courtesan's fees, of the enjoined feminization of all
biologically male devotees of Krsna or Siva. Themes of sexual indeterminacy
bound eastern Indian Vaisnava poetics from the sixteenth century (Hawley
1988) to their Sufi counterparts in Panjab and the Deccan (Petievich 2007)
well into the late eighteenth century. There was certainly no hegemonic idealiz
ation of heterosexist conjugal being or pathologies of dimorphic sexual personal
ities. Yet these ideas had been institutionalized by the power of colonial-era law,
and the seductions of colonially generated goods and markets.
The call to fulfill sexual appetites (or desire) as a fundamental program for
social "liberation" consolidated the histories of Liberalism, first institutionalized
in colonial legal codes during the nineteenth century and then by Liberal feminist
calls in the mid-twentieth century. Thus the Liberal feminist exhortations of Our
Bodies Ourselves (Boston Women's Health Book Collective 1973) appealed to an
especially well-prepared minority of young men and women in metropolitan col
leges in 1970s India. Presumably similar minorities of young men and women
were attracted to the same ideologies in Pakistan (Zafar 1991), Bangladesh
(Kabeer 1985), and Sri Lanka (De Mel 2001) at the same time. Each of these
colonially shaped land-masses and governments had its own historical trajectory
and deserves more attention than can be given them here.
A focus on India alone during these decades may prove suggestive, however.
Indian secondary education had come into its own in these decades due to the
commitments of the postcolonial Nehruvian state to expanding the gains of
colonial-style medical, engineering, and scientific education to a state-made tech
nocratic middle class. British colonial regimes had only invested in women's
"domestic science" education, and the Nehruvian state largely continued the
process. It was these female students who were handed the non-governmental,
and chaotically disorganized, task of "care-giving" to a postcolonial
nation-in-the-making from the 1970s.
As the histories of the first Indian women's groups (Kumar 1993) reveal, local
populations often called upon them to "put a Band-Aid" on unsustainable dom
estic arrangements (Vanita 2005b), to provide assistance in crisis. These young
female students in postcolonial universities embraced transnational, Liberal,
Anglo, feminist teachings as their own because their explanations offered a
frame for comprehending a historic violence all around them since the Second
World War and especially acute in the 1960s-70s. However, the difference
between these postcolonial Liberal feminists and their Anglo counterparts was
that the former were less concerned with themselves than they were with the
alleviation of others' suffering.
The simultaneous opening of the Indian markets in the 1980s, the discovery
of AIDS-related deaths in Europe and the United States, and the declaration of
1985 as the International Year of Women by the United Nations made such suf
fering a source of concern. The nexus of domestic and global suffering generated
the earliest sociological-historical studies of groups who had been traumatized. The
earliest studies therefore tracked the misfortunes of those skilled artists, the
temple-attached dancers, songstresses, and their entourages who were disem
powered and dispossessed by a collaborative native-colonial lay patriarchate in
the twentieth century. Begun by Amrit Srinivasan's (1985) pioneering study of
Southern India, this trend remained productive until the present (Soneji
2011). It influenced the analysis of identical transformations wrought by
colonial-era Contagious Diseases Acts of 1864-88 in various parts of the subcon
tinent, such as the princely state of Mysore (Nair 1994) and the colonial capital,
as the periodic abstention from meat, avoidance of those involved in its slaughter,
and avoidance of sexual relationships with pre-pubertal, elderly, and pregnant
women. In the matter of ablutions after sexual intercourse, Akbar bypassed
Sunni theological statements on the polluting nature of all emissions of semen
and replaced them with an Ayurvedic doctrine on the goodness and purity of
sperm.
Yet if much of the Akbari constitution was an effort at establishing a moral
authority of an emperor in terms that non-Muslim majorities recognized, then
the prohibition of homosocial attachments made little sense either in terms of
an Ayurvedic textual tradition or in the erotic manual traditions traceable to
Kamasutra-Ratisastra texts. As scholars of these texts and satires had shown, in
neither were there blanket prohibitions of "homosocial" attachments or sexually
pleasurable actions between men (Doniger and Kakar 2002). Instead, male poly
maths and satirists of the eleventh century, such as Ksemendra, had discussed the
comparative advantages of a "third gender" (trtiya prakrti) person over a female
lover (Baldissera 2009).
Historically attuned ethnomusicologists, aware both of the entire sensorium
involved in such strictures and of the training lineages (called gharana, lit. also
household) along which all such knowledge passed in the seventeenth century
(Schofield 2006, 2012), argue against the reductive reading of "sexuality" in
Mughal-era texts. Schofield (2012) insists that erotic encounters with both
women and men of lower status were commonplace for noblemen in Mughal
society. Socially acceptable codes of masculinity, however, required that the
nobleman be the penetrator, not the sexually passive partner; furthermore,
they required that the noble male be emotionally distant from the beloved
rather than be passionately attached to the object of desire. Training in such com
portment was imparted by means of "Mughal courtesan tales," embedded in
Mughal chronicles as cautions for male courtiers who had not cultivated
perfect self-control. Confronted by the beauty and skill of a female musician
and dancer, such a courtier was likely to be maddened by carnal lust (hawa)
and lose the struggle of health and intellect to the "base" (nafs) physical body
altogether. In Schofield's (2012) reading of the records, the most perfectly
skilled women, such as the domni, were those who were asexual virgins or
chaste married women whose husbands were similarly skilled dhadhis, who
accompanied them on musical instruments when the vocalists performed in
male space. It was their lack of sexual relationships with the Mughal noblemen
that enabled the female artistes' spatial mobility between female and male space.
Why then had O'Hanlon (1999, 2007) argued that Mughal courtier discourse
on desire was to be located within regimes of "hetero" and "homo" sex? It would
appear that this interpretation was driven less by an appreciation of Mughal-era
Sufi or Ulema sensoria than it was by a modern historian s perspective on the
regulatory nature of colonialism. Since 2002-04, Vanita and her cohort accepted
that Rekhti s detailed allusions to relationships of love and friendship between
courtly Muslim males and their Hindu counterparts, between courtesans and
married women, and between Muslim women and Hindu cultural practices
were all erased from the canon by colonial-style puritanism and a responsive
"reformist" Urdu-writing literati. O'Hanlon, on the other hand, was unwilling
to grant the repressive nature of the colonial state, and sought a genealogy of
regulations in precolonial Mughal regimes instead. That is where the lines
remained drawn: the study of the precolonial past was deeply mired in the post
colonial present.
Conclusion
What can be learned from this? First, that while ethnographies of the pre
silence longue durée histories of the subcontinental past, historians of the lo
durée precolonial formations are equally likely to silence the discursive den
that encase discussions of embodiment and monastic governmentality in pr
lonial South Asia. Both simultaneously ignore the formative roles of en
lineages of teachers and disciples who had long studied the human body as
seat of consciousness and generated literary-aesthetic cultures embedding a
courses on "sexuality." Both have likely overlooked the historical fact that on
heads of monastic lineages—as Bodhisattvas in the Burmese, Tibetan, and
golian instances—did "kings" seek to discipline their junior monks and asce
Bather than investigate the possibility that Sufi-Ulema courtiers had prese
their leader (Akbar) in the light of such "bodhisattva-hood" or that o
"dharma-upholding" cakravartin (moral king), modern feminist historians
been led into the position that the Akbari constitution was about the po
of hetero- and homosexuality.
Apparently, a century-long process of the disappearance and disregard of
of linguistic and extra-verbal practices (such as that of "intentional languag
and ideals (such as Vaisnava parakiya/adulterous yearning) had also led histo
of earlier periods to forget the tools necessary to comprehend the mu
cadences of speech, song, dance, and silence. By the present millennium
gay and queer feminist historians of the precolonial past had overlooke
monastic-ascetic epistemic and historical possibilities. If the historians
selves could forget, then it was understandable that others did too, espe
those who demonized "invisibility" and "silence" in the record as proo
malice on the part of dominant (read "Brahmanic," "patriarchal," or "h
sexist" as necessary) hegemony (John and Nair 1998). What each g
thereby reaffirmed was that it had forgotten the history in which vow
silence were once taken, the history in which silence was the mark of cultiv
ritualized speech, and which caused lineages of monastic-ascetic scholars in
seventeenth century to refuse to share their secret medical knowledge with
itiated non-lineage strangers, the Europeans (Wujastyk 2005). All silence
absences from the record were not signs of lack (Arondekar 2009). Many were
deliberate evasions. An insistence on baring all in such situations can lead pre
cisely to the opposite of what one intended—the protection of diversity and
the pluralism of the landscape.
Only by forgetting monastic governmentality's defeat at the hands of colonial
nationalist armies have subcontinental scholar-activists and activism-inspired his
torians alike furthered the life of a discursive colonization that inheres in the
current global rhetoric on "sexuality." The participation of the subcontinental
scholars in globalizing this rhetoric further reinforces many old colonial myths:
that a Eurocentric dimorphism is indeed a global norm, that upholding such
norms is innocent of material economies of space and health, and so on. Such
participation by subcontinental scholars also ensures that those older, conten
tious, monastic-ascetic grammars, epistemes, and ontologies will remain unima
gined as honorable forms of being or thought in the past. Furthermore, their
sectarian politics and conflicts remain underinvestigated and unincorporated in
subcontinental feminist theory. Strictures against such study, on the grounds
that such study itself is Orientalist (Puri 1999), may effectively police the reima
gination and reinvestigation of the past. It is itself a political stance towards the
subcontinents monastic governmental pasts.
Nor does living in the "Anglo-global present" alone explain the fissiparous
ness of "sexual" identity politics in the subcontinent. Without fresh investigation
of subcontinental monastic schisms, one cannot explain the growth of divisions
and disaffections among urban groups of gay and lesbian activists and the rural
or urban kothi and hijra lineages (A. Gupta 2005), nor the fractiousness of fem
inist activism in the subcontinent. Above all, without reimagined pasts, one
cannot actually call oneself "postcolonial." If for no other reason but that of label
ing such identities correctly, we might reinvestigate the past with new concepts in
mind. Perhaps then we might all understand the diverse ways in which our selves
have been shrunk to fit puny bodies, and how a discourse of "sexuality" has dis
ciplined scholars and activists alike.
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