CI2 Lesson 3

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Theatres have evolved with different internal

layouts according to the types of productions


presented there. The most common types of stage
arrangements are listed below.
One of the most common types of stages is the
proscenium stage - or proscenium arch stage. This stage is
framed on all sides and the audience then watches the
action through the frame. While it varies from stage to
stage, these are often risen and deep. It is not uncommon
for a proscenium stage to have an orchestra area in front
of it and a lighting setup above it.

You can find nearly any performance taking place on this


stage.
Much like their name suggests, the thrust stage actually
thrusts itself straight into the audience. It extends out into
the seating area on three of the four sides. For the most
part, these stages are square or rectangular - though
technically they could be any shape - with the access to
the stage coming from the backstage area.
The thrust stage allows the performers and the audience to
get more intimate. And, the attached backstage area is
convenient for performers, props, and so forth. Sometimes
it is used for background scenery, though it is not often
viewed easily by audience members so its effect falls
short.
These have a central performance area enclosed by the
audience on all sides. The arrangement is rarely 'round':
more usually the seating is in a square or polygonal
formation. The actors enter through aisles or vomitories
between the seating. Scenery is minimal and carefully
positioned to ensure it does not obstruct the audience's
view.
In-the-round stages require special considerations in
production, such as:

• Scenery that does not obscure actors and the rest of the
stage from parts of the audience.
• Backdrops and curtains cannot be used, thus the
director must find other ways to set the scene.
• Lighting design is more difficult than for a proscenium
stage, since the actor must be lit from all sides without
blinding nearby audience members.
• Entrances and exits must be made either through the
audience, making surprise entrances very difficult, or via
closed-off walkways, which must be inconspicuous. As a
result, stage entrances are normally in the corners of the
theatre.
• The actors need to ensure that they do not have their
backs turned to any part of the audience for long
periods of time, in order to be seen and heard clearly.

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