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    Oye Como Va

    Uploaded by

    Matias Marranzino
    The document is a musical score containing notation for classical guitar and percussion instruments. It consists of 27 lines of musical notation written using symbols. The score contains rhythmic patterns and changes between the guitar and percussion parts throughout the passages played.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Oye Como Va

    Uploaded by

    Matias Marranzino
    33 views2 pages
    The document is a musical score containing notation for classical guitar and percussion instruments. It consists of 27 lines of musical notation written using symbols. The score contains rhythmic patterns and changes between the guitar and percussion parts throughout the passages played.

    Original Title

    OYE_COMO_VA

    Copyright

    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    The document is a musical score containing notation for classical guitar and percussion instruments. It consists of 27 lines of musical notation written using symbols. The score contains rhythmic patterns and changes between the guitar and percussion parts throughout the passages played.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    33 views2 pages

    Oye Como Va

    Uploaded by

    Matias Marranzino
    The document is a musical score containing notation for classical guitar and percussion instruments. It consists of 27 lines of musical notation written using symbols. The score contains rhythmic patterns and changes between the guitar and percussion parts throughout the passages played.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    OYE COMO VA

       
                        
              
         
              
    Classical Guitar

              
     

    Set de percusión

     
              

        
         
    4

          
    Guit.

       
              
           

    Perc. Set.

       
             
                
    7

     

    Guit.

           
                     
     
    

    Perc. Set.

           
                   
          
    10

       
    Guit.

                           
      
                
      
    Perc. Set.

      
          
     
                
     
    13

            
    Guit.

             
               

    Perc. Set.
      
       
           
      
          
    16

    Guit.

                           
           
                   
      
    Perc. Set.


              
              
     
    
              
       
    19 3

      
    Guit.

                 
                 
           
      
    Perc. Set.

        
                    
         

          
        
         
    23

      
    Guit.

          


    Perc. Set.             

        
    
                        
       
           
    27

     

    Guit.

     
    Perc. Set.       
             

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