Act Two
Act Two
Act Two
SCENE: Same set as act 1. Night. Sounds of rain. DODGE still asleep
on sofa. His hair is cut extremely short and in places the scalp is cut
and bleeding. His cap is still center stage. All the corn and husks, pail
and milking stool have been cleared away. The lights come up to the
sound of a young girl laughing off stage left. DODGE remains asleep.
SHELLY and VINCE appear up left outside the screen porch door sharing
the shelter of VINCE'S overcoat above their heads. SHELLY is about
nineteen, black hair, very beautiful. She wears tight jeans, high heels,
purple T-shirt and a short rabbit fur coat. Her makeup is exaggerated
and her hair has been curled. VINCE is TILDEN'S son, about twenty
two, wears a plaid shirt, jeans, dark glasses, cowboy boots and carries
a black saxophone case. They shake the rain off themselves as they enter
the porch through the screen door.
(She giggles.)
VINCE: Jesus Christ, Shelly.
SHELLY: (pause, smiling) And Mr. Marshall
VINCE: Cut it out.
(SHELLY laughs.)
VINCE:(crosses back left toward screen door) I'm leaving!
SHELLY: (stops laughing) Wait! Stop! Stop! (VINCE stops) What's
wrong with you is that you take the situation too seriously.
VINCE: I just don't want to have them think that I've suddenly
arrived out of the middle of nowhere completely deranged.
SHELLY: What do you want them to think then?
VINCE: (pause) Nothing. Let's go in.
(He crosses porch toward stage right interior door. SHELLY follows
him. The stage right door opens slowly. VINCE sticks his head in,
doesn't notice DODGE sleeping. Calls out toward staircase.)
VINCE: Grandma!
(SHELLY breaks into laughter, unseen behind VINCE. VINCE pulls his
head back outside and pulls door shut. We hear their voices again
without seeing them.)
SHELLY'S VOICE: (stops laughing) I'm sorry. I'm sorry Vince. I
really am. I really am sorry. I won't do it again. I couldn't
help it.
VINCE"S VOICE: It's not all that funny.
SHELLY'S VOICE: I know it's not. I'm sorry.
VINCE'S VOICE: I mean this is a tense situation
for me! I haven't
seen them for over six years. I don't know what to expect.
SHELLY'S VOICE: I know. I won't do it again.
VINCE'S VOICE: Can't you bite your tongue or something?
SHELLY'S VOICE: Just don't say "Grandma," okay? (she giggles,
stops) I mean if you say "Grandma" I don't know if I can stop
myself.
VINCE'S VOICE: Well try!
SHELLY'S VOICE: Okay. Sorry.
(Door opens again. VINCE sticks his head in then enters. SHELLY
follows behind him. VINCE crosses to staircase, sets down saxophone
86 BURIED CHILD
says she'll be back but she won't be. (he starts laughing)
There's life in the old girl yet! (stops laughing)
VINCE: How did you do that to your head?
DODGE: I didn't do it! Don't be ridiculous!
VINCE: Well who did then?
DODGE: She wants to go. She just got here and she wants to go.
VINCE: This is kind of strange for her.
DODGE: She'll get used to it. (to SHELLY) What part of the
country do you come from?
SHELLY: Originally?
DODGE: That's right. Originally. At the very start.
SHELLY: L.A.
DODGE: L.A. Stupid country.
SHELLY: I can't stand this Vince! This is really unbelievable!
DODGE: It's stupid! L.A. is stupid! So is Florida! All those
Sunshine States. They're all stupid. Do you know why they're
stupid?
SHELLY: Illuminate me.
DODGE: I'll tell you why. Because they're full of smart-asses!
That's why.
(SHELLY turns her back to DODGE, crosses to staircase and sits on
bottom step.)
DODGE: (to VINCE) Now she's insulted.
VINCE: Well you weren't very polite.
DODGE: She's insulted! Look at her! In my house she's insulted!
She's over there sulking because I insulted her!
SHELLY: (to VINCE) This is really terrific. This is wonderful. And
you were worried about me making the right first impression!
DODGE: (to VINCE) She's a fireball isn't she? Regular fireball. I
had some a' them in my day. Temporary stuff. Never lasted
more than a week.
VINCE: Grandpa-
DODGE: Stop calling me Grandpa will ya'! It's sickening.
"Grandpa." I'm nobody's Grandpa!
(DODGE starts feeling around under the cushion for the bottle of
whiskey. SHELLY gets up from the staircase.)
SHELLY: (to VINCE) Maybe you've got the wrong house. Did
you ever think of that? Maybe this is the wrong address!
VINCE: It's not the wrong address! I recognize the yard.
SHELLY: Yeah but do you recognize the people? He says he;s not
your Grandfather.
DODGE: (digging for bottle) Where's that bottle!
VINCE: He's just sick or something. I don't know what's hap
pened to him.
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(TILDEN exits off stage left. SHELLY stands center, arms full of
cafTOts. VINCE stands next to DODGE. SHELLY looks toward VINCE
then down at the caffots.)
DODGE: (to VINCE) You C0'1ld get me a bottle. (pointing off left)
There's money on the table.
VINCE: Grandpa why don't you lay down for a while?
DODGE: I don't wanna lay down for a while! Every time I lay
down something happens! (whips off his cap, points at his head)
Look what happens! That's what happens! (pulls his cap back
on) You go lie down and see what happens to you! See how
you like it! They'll steal your bottle! They'll cut your hair!
They’ll murder your children! That's what'll happen;
VINCE: Just relax for a while.
DODGE: (pause) You could get me a bottle ya' know. There's
nothing stopping you from getting me a bottle.
94 BURIED CHILD
SHELLY: Why don't you get him a bottle, Vince? Maybe it would
help everybody identify each other.
DODGE: (pointing to SHELLY) There, see? She thinks you should
get me a bottle.
(VINCE crosses to SHELLY.)
VINCE: What're you doing with those carrots.
SHELLY: J'm waiting for your father.
DODGE: She thinks you should get me a bottle!
VINCE: Shelly put the carrots down will ya'! We gotta deal with
the situation here! I'm gonna need your help.
SHELLY: I'm helping.
VINCE: You're only adding to the problem! You're making things
worse! Put the carrots down!
(VINCE tries to knock the catrots out of her arms. She turns away
from him, protecting the carrots.)
SHELLY: Get away from me! Stop it!
(VINCE stands back from her. She turns to him still holding the
catrots.)
VINCE: (to SHELLY) Why are you doing this! Are you trying to
1 _Jlllake fun of me? TJlis Illl, family YQ.!! know!
ffi'ELLY: You coulda' fooled me! I'd just as soon not be here
myself. I'd just as soon be a thousand miles from here. I'd
rather be anywhere but here. You're the one who wants to
stay. So I'll stay. I'll stay and I'll cut the carrots. And I'll
cook the carrots. And I'll do whatever I have to do to survive.
Just to make it through this.
VINCE: Put the carrots down Shelly.
(TILDEN enters from left with pail, milking stool and a knife. He
sets the stool and pail center stage for SHELLY. SHELLY looks at
VINCE then sits down on stool, sets the catrots on the floor and takes
the knife from TILDEN. She looks at VINCE again then picks up a
carrot, cuts the ends off, scrapes it and drops it in pail. She repeats
this, VINCE glares at her. She smiles.)
DODGE: She could get me a bottle. She's the type a' girl that
could get me a bottle. Easy. She'd go down there. Slink up
to the counter. They'd probably give her two bottles for the
price of one. She could do that.
BURIED CHILD 95
to DODGE then crosses d(}fJl)n to TILDEN doing it. Botlt DODGE and
TILDEN take short, uninterested glances tlten ignore ltim.)
VINCE: (deep cartoon voice) "Hello. How are you? I'm fine.
Thank you very much. It's so good to see you looking well
this fine Sunday morning. I was going down to the hardware
store to fetch a pail of water."
SHELLY: Vince, don't be pathetic will ya'!
(VINCE comeson again from stage left with two dollars in his hand.
He crosses stage right past DODGE.)
DODGE: (to VINCE) You got the money?
VINCE: Yeah. Two bucks.
DODGE: Two bucks. Two bucks is two bucks. Don't sneer.
VINCE: What kind do you want?
DODGE: Whiskey! Gold Star Sour Mash. Use your own discretion.
VINCE: Okay.
(VINCE crosses to stage right door. Opens it. Stops when he hears
TILDEN.)
100 BURIED CHILD
TILDEN: (to VINCE) You drove all the way from New Mexico?
(VINCE turns and looks at TILDEN. They stare at each other. VINCE
shakes his head, goes out the door, crosses porch and exits out screen
door. TILDEN watches him go. Pause.)
SHELLY: You really don't recognize him? Either one of you?
(TILDEN turns again and stares at SHELLY'S hands as she cuts carrots.)
DODGE: (watching T. V.) Recognize who?
SHELLY: Vince.
DODGE: What's to recognize?
(TILDEN stops in front of her and stares at her coat. SHELLY looks
back at him. Long pause.)
TILDEN: (after pause) Can I touch your coat?
SHELLY: My coat? (she looks at her coat then back to TILDEN) Sure.
TILDEN: You don't mind?
SHELLY: No. Go ahead.
(SHELLY holds her arm out for TILDEN to touch. DODGE stays fixed
on T. V. TILDEN moves in slowly toward SHELLY, staring at her
102 BURIED CHILD
arm. He reaches out very slowly and touches her arm, feels the fur
gently then draws his hand back. SHELLY keeps her arm out.)
SHELLY: It's rabbit.
TILDEN: Rabbit.
(He reaches out again very slowly and touches the fur on her arm
then pulls back his hand again. SHELLY drops her arm.)
SHELLY: My arm was getting tired.
TILDEN: Can I hold it?
SHELLY: (pause) The coat? Sure.
(SHELLY takes off her coat and hands it to TILDEN. TILDEN takes it
slowly, feels the fur then puts it on. SHELLY watches as TILDEN
strokes the fur slowly. He smiles at her. She goes back to cutting
carrots.)
SHELLY: You can have it if you want.
TILDEN: I can?
SHELLY: Yeah. I've got a raincoat in the car. That's all I need.
TILDEN: You've got a car?
SHELLY: Vince does.
(TILDEN walks around stroking the fur and smiling at the coat.
SHELLY watches him when he's not looking. DODGE sticks with
T. V., stretches out on so/a wrapped in blanket.)
TILDEN: (as he walks around) I had a car once! I had a white
car! I drove. I went everywhere. I went to the mountains. I
drove in the snow.
SHELLY: That must've been fun.
TILDEN: (still moving, feeling coat) I drove all day long sometimes.
Across the desert. Way out across the desert. I drove past
towns. Anywhere. Past palm trees. Lightning. Anything. I
would drive through it. I would drive through it and I would
stop and I would look around and I would drive on. I would
get back in and drive! I loved to drive. There was nothing I
loved more. Nothing I dreamed of was better than driving.
DODGE: (eyes on T. V.) Pipe down would ya'!
and shakes it out. He sees all the others and stops. TILDEN turns to
him. BRADLEY stares at SHELLY. DODGE remains on floor.)
BRADLEY: What's going on here? (motioning to SHELLY) Who's
that?
(SHELLY stands, moves back away from BRADLEY as he crosses
toward her. He stops next to TILDEN. He sees coat in TILDEN'S
hand and grabs it away from him.)
BRADLEY: Who's she supposed to be?
TILDEN: She's driving to New Mexico.
(BRADLEY stares at her. SHELLY is frozen. BRADLEY limps over to
her with the coat in his fist. He stops in front of her.)
BRADLEY: (to SHELLY, after pause) Vacation?
(SHELLY shakes her head "no," trembling.)
BRADLEY: (to SHELLY, motioning to TILDEN) You taking him with
you?
(SHELLY shakes her head "no." BRADLEY crosses back to TILDEN.)
BRADLEY: You oughta'. No use leaving him here. Doesn't do a
lick a' work. Doesn't raise a finger. (stopping, to TILDEN) Do
ya'? (to SHELLY) 'Course he used to be an All American.
Quarterback or Fullback or samethin'. He tell you that?
(SHELLY shakes her head "no.")
BRADLEY: Yeah, he used to be a big deal. Wore lettermen's
sweaters. Had medals hanging all around his neck. Real
purty. Big deal. (he laughs to himself, notices DODGE on floor,
crosses to him, stops) This one too. (to SHELLY) You'd never
think it to look at him would ya'? All bony and wasted away.
(SHELLY shakes her head again. BRADLEY stares at her, crosses back
to her, clenching the coat in his fist. He stops in front of SHELLY.)
BRADLEY: Women like that kinda' thing don't they?
SHELLY: What?
BRADLEY: Importance. Importance in a man?
SHELLY: I don't know.
BRADLEY: Yeah. You know, you know. Don't give me that.
(moves closer to SHELLY) You're with Tilden?
SHELLY: No.
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(She does. Stares at BRADLEY. With his free hand he puts his fingers
into her mouth. She tries to pull away.)
BRADLEY: Just stay put!
(She freezes. He keeps his fingers in her mouth. Stares at her. Pause.
He pulls his hand out. She closes her mouth, keeps her eyes on him.
BRADLEY smiles. He looks at DODGE on the floor and crosses over to
him. SHELLY watches him closely. BRADLEY stands over DODGE and
smiles at SHELLY. He holds her coat up in both hands over DODGE,
keeps smiling at SHELLY. He looks down at DODGE then drops the
coat so that it lands on DODGE and covers his head. BRADLEY keeps
his hands up in the position of holding the coat, looks over at
SHELLY and smiles. The lights black out.)