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Quarter 3 Lessons 1 3

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QUARTER 3

LESSON 1: INFORMATIVE ESSAY

An informative essay is a non-fiction writing piece that is written to inform


readers on a certain topic or subject. It is also known as expository essay
because it aims to expose or display an information that is beneficial to the
reader. Informative Essay is always fact-based and do not include arguments
or opinions from the author.

What sets informative essay from other essays?

Informative essay aims to inform. It is fact-based.


Narrative essay aims to entertain, and tells a story.
Argumentative essay aims to persuade. It establishes a stand.
Descriptive essay aims to describe. The details appeal to the senses.
ELEMENTS OF INFORMATIVE ESSAY

INTRODUCTION- includes a clear and concise thesis statement. This refers to


the main topic or idea which provides the overall direction of a text.

BODY- presents supporting evidences. Often, the body part consists of 3


paragraphs, but may be more depending on the topic. Body paragraphs begin
with a topic sentence, which states the main idea of the paragraph.
CONCLUSION- summarizes the details presented in the introduction and body.
However, it does not merely present the summary but tie the ideas altogether
while highlighting the true essence of the main idea in the text.

STRUCTURES OR TYPES OF INFORMATIVE ESSAY

DESCRIPTION- topic is presented by providing descriptions about its


attributes, features, and examples. Texts that use this structure simply
describe something. Descriptive texts are everywhere—in novels, works of
literary nonfiction, news articles, and science textbooks because the entire
point of description is to present information.

SEQUENCE/INSTRUCTION/PROCESS- presents information in a way that


follows numerical or chronological sequence.

CAUSE AND EFFECT- presents the information by explaining how or why a


certain event happened (cause), and what resulted from that cause or
occurrence (effect). Simply, it explains the relationship between two things
when one thing makes something else happen.

COMPARE AND CONTRAST- Involves a comparison involving multiple things,


revealing how they are similar and how they are different. The author provides
details as to how things, concepts, or ideas are alike or different.

PROBLEM AND SOLUTION- a structure where the writer may present a


problem and provide one or more solutions to the said problem. In this
structure, first, the author identifies the problem, then details a solution to this
problem.
Signal words play a crucial role as they make clear transitions from one idea
to another possible. Through signal words, coherence of writing and smooth
flow of ideas can be achieved.
LESSON 2: INDEPENDENT CRITIQUE

A critique is an in- depth evaluation of a story, novel, film, or other


reading/viewing materials for the purpose of giving the public an insight into
the text. You might think of the word “criticize”, but a critique does not merely
points out the faults or flaws in a story or films. Instead, it seeks to shed light
on the content of a “text” (movie) in order to help future viewers understand
better the materials that they are viewing.

Critic- the person (evaluator) that does the evaluation.

Critiques contain a careful evaluation mainly on the following elements:

Characters- the people that appear in a story.

Setting- the time (when) and place (where) of a story.

Conflict- the struggle between two opposing forces. Commonly known as the
problem that the protagonist goes in a story.

Plot- the way the story is presented—sequence of events. It is how the writer
chooses to present the events.

Dialogue- the written or spoken conversation between the characters of a


story.

Theme- the heart of the story. The reason why the author wrote the story. It
presents the message that the writer wants to convey.

Style- the writer’s particular way of writing words that readers recognize, or it
is the way a movie is filmed, as in the techniques that are used in the
production process. It includes themes, sound, dialogue, cinematography, and
lighting.

These aspects, as well as the manner that they were presented in the material,
are studied so that the critic can come up a valid evaluation on whether or not
the material is good, beautiful, or significant especially for the readers or
viewers.
LESSON 3: LITERARY APPROACHES

1. Moralist Approach judges literary works by their ethical teachings and by


their effects on readers. It focuses on whether the story teaches good morals,
and how it impacts the thoughts and actions of the people. Moralist approach
looks at literary works based on the lessons they teach about right and wrong
and how they influence readers' behavior and beliefs.

Principles of Moralist Approach

Discovering meaning- moral criticism seeks to uncover the deeper


significance and messages within literary texts.

As a critic, when you use moralist approach, you do not just read to entertain
yourself, but to discover the meaning or the lesson that the material conveys.
When you seek to reveal its deeper significance or meaning, you will be
concerned with the good and bad, or the rights and wrongs the story present,
and its impact to the readers. Simply, you look deeper into stories to find out
what lessons they teach.

Determining truth and significance- Moral criticism evaluates whether


literary works accurately reflect truths about the human condition, society, or
the world.

Moral criticism doesn't just stop at understanding what a story means. When
using this approach, you ask the question, 'Does the story reflect the truth?’

When using the moralistic approach, you're akin to a detective. Detectives


conduct investigations, gather evidence, and analyze sources to find the truth.
Similarly, when using the moralistic approach, you seek out the truth and its
significance within a story. It's all about digging deep to understand the
underlying messages and lessons.

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