Romeo and Juliet 2023 Workbook
Romeo and Juliet 2023 Workbook
Romeo and Juliet 2023 Workbook
Department
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The Prologue
The Prologue is an introduction to the events in the play by the Greek Chorus.
Task: Working as a class we’ll translate the prologue into modern language.
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The prologue is an example of DRAMATIC IRONY (where the audience know more than
the characters)
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Questions for comprehension of the prologue:
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CAPULET
HOUSEHOLD
MONTAGUE HOUSEHOLD
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ROMEO - son of Lord Montague JULIET - daughter of Lord Capulet
MERCUTIO
- Romeo’s
friend
TYBALT
THE NURSE
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THESE CHARACTERS ARE NOT MEMBERS OF EITHER FAMILY
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SUMMARY: Based on the characters and the prologue. Use these questions to help
you write a summary of what happens in the story.
Sentence starters:
The first family is…
The second family is…
The … are fighting against the…
The characters who fall in love are…
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MODEL: How does Shakespeare present the story of the play ‘Romeo and Juliet’ in
the prologue?
Shakespeare presents the story of Romeo and Juliet by telling us the story in the
prologue. First, the two similar families are fighting: ‘Two families both alike in
dignity’ is a metaphor to show that the families are like each other and ‘from ancient
grudge break to new mutiny’ are adjectives which describe the fact they dislike each
other a lot and they have started fighting again, because they can’t move on from
their old hatred of each other. Then, we learn that two characters from each family
fall in love ‘two star cross’d lovers’ shows that they are not supposed to be together,
but are. They die as a result of suicide ‘take their lifes’ which is upsetting and a
horrible death. However, the ‘ancient grudge’ is stopped because of their deaths
implying that the old arguments could have been stopped a long time ago and they
might have avoided the deaths of both their children. Shakespeare’s dramatic irony
shows us the tragic ending before we have watched Romeo and Juliet fall in love.
1. When we hear that there is an ‘ancient grudge’ between the two houses
we feel ____________ and ______________ because we wonder how
the original ‘grudge’ started and why the families cannot move on from
their angry feelings.
2. When we learn that there are ‘two star cross’d lovers’ we feel
_________ and _____________ about why their fates are twisted
together.
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5. The prologue introduces the play to the audience and tells us what will
happen and creates a sense of ____________ as Romeo and Juliet’s fate
is already decided and nothing they can do will change the tragic
outcome, which is ____________ for them and their families.
● Kept the “honour” of the family. Any insult was treated with violent
reactions.
Other points
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Act 1 Scene 1:
● The Capulet servants start a fight with the Montagues in the street.
● The Prince breaks up the fight.
● Romeo’s parents are worried about his strange behaviour and ask Benvolio
to find out what is wrong.
● Romeo tells Benvolio he is in love but she doesn’t feel the same.
Act 1 Scene 2:
Act 1 Scene 3:
● Lady Capulet tells Juliet and the Nurse that Paris has proposed.
Act 1 Scene 4:
● Benvolio and Mercutio convince Romeo to go to the Capulet ball with them
as they will have masks hiding their faces.
Act 1 Scene 5:
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● Romeo goes to the ball and immediately falls in love with Juliet when he
sees her.
● Tybalt (Juliet’s cousin) wants to fight Romeo as he recognises him as a
Montague.
● Romeo and Juliet talk to each other.
● Juliet asks who Romeo is to the Nurse and realises he is a Montague and the
enemy.
Methods
Dramatic Irony – The audience being more aware of what is happening on
stage than the characters
Pathetic Fallacy – The weather reflecting the mood
Rhetorical Question – a question that leaves the reader wondering about the
answer
Soliloquy – The character speaks directly to the audience (on stage alone)
Repetition – words, phrases and ideas (themes)
Oxymoron - words close together that contrast each other
Metaphor - a comparison of something as if it is something else
Connotations - implied meanings of a word or phrase - what is suggested by
the word or phrase
Vocabulary
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region - The Capulets and Montagues are involved in a civil war
Act 1: Masculinity
What characters are behaving in a stereotypically masculine way in Act 1 and
how?
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Tybalt: ‘… peace? I hate the word, as I hate hell, all Montagues and thee …coward.’
Lord Montague:
‘Thou villain Capulet! –Hold me not, let me go.’
Lord Capulet:
‘My sword, I say! Old Montague is come,
And flourishes his blade in spite of me.’
out in the streets of Verona. Both households: Capulet and Montague get involved and the
Prince has to break up the ___________. However, Romeo is _______________ and upset
masculine way. When Mercutio and Benvolio are trying to cheer up Romeo, they are acting
in a _________ way and manage to ___________ Romeo to go to the Capulet ball. When
they are at the ball, Tybalt recognises Romeo and wants to start a ___________ but is
stopped by Lord Capulet. He says that Romeo has a good _____________ and that the ball is
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not the place to start a ___________ . Romeo immediately falls in __________ with Juliet at
Act 1: Love
What three types of love have we seen in Act 1?
Think about Juliet, Romeo, Paris, Lord and Lady Capulet and the Nurse,
Benvolio and Lord Montague.
1.
2.
3.
Guided Quotation Selection and linking these to methods from page 11:
What evidence can we find from Act 1 Scene 1 that shows Romeo has an
unrequited love for Rosaline?
What evidence can we find from Act 1 Scene 2 that shows Lord Capulet thinks
carefully about Juliet’s feelings?
What evidence can we find from Act 1 Scene 3 that shows Juliet wants to
choose her own husband and has her own mind?
What evidence can we find from Act 1 Scene 4 that Romeo is finding love
difficult?
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What evidence can we find from Act 1 Scene 5 that Romeo has fallen in love at
first sight with Juliet?
What evidence can we find from Act 1 Scene 5 that Juliet has fallen in love at
first sight with Romeo?
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MODEL: How does Shakespeare present Romeo’s unrequited love ‘Romeo and Juliet’ in
Act 1 Scene 1?
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Could you include a context idea from page 8 or 9?
Shakespeare implies that Romeo is feeling unrequited love. The metaphor ‘tears
augmenting the morning dew’ implies that Romeo is feeling sad and melancholic,
because he loves a woman who does not love him back. His sadness is further shown
when he uses repeated oxymorons ‘O brawling love, O loving hate’ which suggest
that his emotions are confused. ‘Brawling’ is an argument or fight and a direct
opposite to ‘love’. Contextually, teenage boys were free to roam the streets so
Romeo has been able to see someone who he thinks is beautiful and fall in love with
her.
How does Shakespeare present Romeo’s love for Juliet in Act 1 Scene 5?
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How do you feel when the servants Sampson and Gregory are rude, insulting and
looking for a fight?
When Sampson and Gregory are rude, insulting and looking for a fight, we
feel__________________________________________________________, because
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How do you feel when Romeo confesses his unrequited love to Benvolio and is
acting sad and melancholic?
When Romeo confesses his unrequited love to Benvolio and is acting sad and
melancholic, we feel___________________________________________,
because_________________________________________________________.
How do you feel when Juliet decides to consider Paris’ proposal instead of being
giddy and excited about the marriage proposal?
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How do you feel when Romeo first meets Juliet and is over the top and
exaggerated in his expression of love about her?
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How do you feel when Romeo and Juliet first meet at the ball?
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How do you feel about Lord Capulet stopping Tybalt from fighting with Romeo at
the ball?
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Act 2 Scene 1:
● Romeo hides from his friends after the Capulet ball and they joke about his
love for Rosaline
Act 2 Scene 2:
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● The famous balcony scene where Juliet is saying a soliloquy about her love for
Romeo
● Romeo is listening but she doesn’t know this
● He interrupts her and they reveal their feelings.
● Juliet asks Romeo to marry her and the nurse will act as a go between to
arrange the details
Act 2 Scene 3:
Act 2 Scene 4:
Act 4 Scene 5:
Act 4 Scene 6:
Methods
Dramatic Irony – The audience being more aware of what is happening on
stage than the characters
Rhetorical Question – a question that leaves the reader wondering about the
answer
Soliloquy – The character speaks directly to the audience (on stage alone)
Repetition – words, phrases and ideas (themes)
Metaphor - a comparison of something as if it is something else
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Celestial imagery - imagery that links to the stars and the heavens
Connotations - implied meanings of a word or phrase - what is suggested by
the word or phrase
Vocabulary
Bawdy - sexually rude or crude talk often between men about women
Exaggerated - implying something is larger or better than it is
Reciprocal - done, given or felt equally by both sides
Besotted - Completely obsessed with someone
Secretive - concealing information
Sceptical - not being easily convinced or having doubts
Trusting - believing in a person’s honesty
Complicit - being involved with an activity that is illegal or morally wrong
Act 2 Scene 2
{Romeo comes forward.}
ROMEO: He jests at scars that never felt a wound.
⌜Enter Juliet above.⌝
But soft, what light through yonder window breaks?
It is the East, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief
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That thou, her maid, art far more fair than she.
Be not her maid since she is envious.
Her vestal livery is but sick and green,
And none but fools do wear it. Cast it off.
It is my lady. O, it is my love!
O, that she knew she were!
She speaks, yet she says nothing. What of that?
Her eye discourses; I will answer it.
I am too bold. ’Tis not to me she speaks.
Two of the fairest stars in all the heaven,
Having some business, ⌜do⌝ entreat her eyes
To twinkle in their spheres till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars
As daylight doth a lamp; her eye in heaven
Would through the airy region stream so bright
That birds would sing and think it were not night.
See how she leans her cheek upon her hand.
O, that I were a glove upon that hand,
That I might touch that cheek!
JULIET: Ay me.
ROMEO: , ⌜aside⌝
She speaks.
O, speak again, bright angel, for thou art
As glorious to this night, being o’er my head,
As is a wingèd messenger of heaven
Unto the white-upturnèd wond’ring eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy puffing clouds
And sails upon the bosom of the air.
Bullet point list words to describe Juliet from the start of the play till now.
Bullet point words to describe Romeo from the start of the play till now.
Juliet Romeo
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Summarise the events in Act 2 Scene 2 in a paragraph using the questions to help
you:
● Who speaks first?
● Who is listening?
● What does Juliet say about Romeo?
● What does Romeo say about Juliet?
● What do they agree to do?
● What would happen if Romeo was caught sneaking around in the Capulet
orchard?
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Model Paragraph: How does Shakespeare present Juliet’s love in Romeo and
Juliet?
WHAT: Answer the question focus
HOW: Include methods and evidence from the prologue
WHY: explain the meaning of the evidence and why it is important?
Could you focus on one word and explain why it is important?
Could you include a context idea from page 8 or 9?
Juliet shows a strong love at first sight in Act 2 Scene 2 when she is speaking her
soliloquy. Romeo is listening, but she is unaware of this dramatic irony. She exclaims
‘Romeo, Romeo, wherefore art thou Romeo?’ with the repetition of his name
implying that she wants to say his name and that she is completely besotted with
him. She also states ‘Deny thy father and refuse thy name’ which is against
patriarchy as the verb ‘Deny’ indicates that she will go against her father. Juliet
knows that Romeo is a Montague and she is willing to do anything to be with
Romeo, even ignoring the fact that he is the enemy of her family.
Model Paragraph: How does Shakespeare present Romeo’s love in Romeo and
Juliet?
WHAT: Answer the question focus
HOW: Include methods and evidence from the prologue
WHY: explain the meaning of the evidence and why it is important?
Could you focus on one word and explain why it is important?
Could you include a context idea from page 8 or 9?
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Now, decide which methods the quotations use (annotate next to them)
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Act 2.4 - 2.6: Romeo and Juliet marry in secret. Why do you think this is
important?
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Civil-
War:________________________________________________________________
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Love:________________________________________________________________
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Fate:________________________________________________________________
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Before we move onto Act 3. What can you remember about the play without
looking?
● Events
● Characters
● Themes
● Quotations
● Context
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Task - Mind Map all the emotions you might have when Romeo has ‘o’er perched the
wall’ to see Juliet and they decide to marry.
Emotions created and why?
How do you feel when Friar Laurence agrees to help them and why?
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How do you feel when Romeo and Juliet have gone off stage and got married?
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Act 3 Scene 1:
Act 3 Scene 2:
Act 3 Scene 3:
● Friar Laurence tries to console Romeo and to come up with a plan that will
mean he can be with Juliet
Act 3 Scene 4:
Act 3 Scene 5:
● Romeo comes to Juliet’s room and they consummate their marriage (have
sex)
● The Nurse interrupts before Romeo leaves warning Juliet that her mother has
news for her and is on her way
● Romeo leaves for Mantua not knowing when he will see Juliet again
● Lady Capulet tells Juliet that she is to marry Paris
● Juliet refuses to marry Paris
● Lord Capulet loses his patience with Juliet and insults her and demands that
she marry Paris
Methods
Dramatic Irony – The audience being more aware of what is happening on
stage than the characters
Rhetorical Question – a question that leaves the reader wondering about the
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answer
Soliloquy – The character speaks directly to the audience (on stage alone)
Repetition – words, phrases and ideas (themes)
Metaphor - a comparison of something as if it is something else
Celestial imagery - imagery that links to the stars and the heavens
Connotations - implied meanings of a word or phrase - what is suggested by
the word or phrase
Foreshadowing - hints that something will happen later in the story
Vocabulary
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____________ was unhappy with Romeo, he wanted to __________, because
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In the prologue it says ‘from ancient grudge breaks to new mutiny’. What does this
mean?
Have we seen the ‘new mutiny’ yet? YES/NO
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Enter Romeo.
TYBALT: Well, peace be with you, sir. Here comes my man.
MERCUTIO: But I’ll be hanged, sir, if he wear your livery.
Marry, go before to field, he’ll be your follower.
Your Worship in that sense may call him “man.”
TYBALT: Romeo, the love I bear thee can afford
No better term than this: thou art a villain.
ROMEO: Tybalt, the reason that I have to love thee
Doth much excuse the appertaining rage
To such a greeting. Villain am I none.
Therefore farewell. I see thou knowest me not.
TYBALT: Boy, this shall not excuse the injuries
That thou hast done me. Therefore turn and draw.
ROMEO: I do protest I never injured thee
But love thee better than thou canst devise
Till thou shalt know the reason of my love.
And so, good Capulet, which name I tender
As dearly as mine own, be satisfied.
MERCUTIO : O calm, dishonorable, vile submission!
Alla stoccato carries it away.He draws.
Tybalt, you ratcatcher, will you walk?
TYBALT: What wouldst thou have with me?
MERCUTIO : Good king of cats, nothing but one of your
nine lives, that I mean to make bold withal, and, as
you shall use me hereafter, dry-beat the rest of the
eight. Will you pluck your sword out of his pilcher
by the ears? Make haste, lest mine be about your
ears ere it be out.
TYBALT: I am for you. He draws.
ROMEO: Gentle Mercutio, put thy rapier up.
MERCUTIO Come, sir, your passado. They fight.
ROMEO: Draw, Benvolio, beat down their weapons.
Romeo draws.
Gentlemen, for shame forbear this outrage!
Tybalt! Mercutio! The Prince expressly hath
Forbid this bandying in Verona streets.
Hold, Tybalt! Good Mercutio!
Romeo attempts to beat down their rapiers.
Tybalt stabs Mercutio.
PETRUCHIO: Away, Tybalt!
Tybalt, Petruchio, and their followers exit.
MERCUTIO: I am hurt.
A plague o’ both houses! I am sped.
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Is he gone and hath nothing?
BENVOLIO: What, art thou hurt?
MERCUTIO: Ay, ay, a scratch, a scratch. Marry, ’tis enough.
Where is my page?—Go, villain, fetch a surgeon.
Page exits.
ROMEO: Courage, man, the hurt cannot be much.
MERCUTIO: No, ’tis not so deep as a well, nor so wide as
a church door, but ’tis enough. ’Twill serve. Ask for
me tomorrow, and you shall find me a grave man. I
am peppered, I warrant, for this world. A plague o’
both your houses! Zounds, a dog, a rat, a mouse, a
cat, to scratch a man to death! A braggart, a rogue, a
villain that fights by the book of arithmetic! Why the
devil came you between us? I was hurt under your arm.
ROMEO: I thought all for the best.
MERCUTIO: Help me into some house, Benvolio,
Or I shall faint. A plague o’ both your houses!
They have made worms’ meat of me.
I have it, and soundly, too. Your houses!
All but Romeo exit.
ROMEO: This gentleman, the Prince’s near ally,
My very friend, hath got this mortal hurt
In my behalf. My reputation stained
With Tybalt’s slander—Tybalt, that an hour
Hath been my cousin! O sweet Juliet,
Thy beauty hath made me effeminate
And in my temper softened valor’s steel.
Enter Benvolio.
BENVOLIO: O Romeo, Romeo, brave Mercutio is dead.
That gallant spirit hath aspired the clouds,
Which too untimely here did scorn the earth.
ROMEO : This day’s black fate on more days doth depend.
This but begins the woe others must end.
Enter Tybalt.
BENVOLIO: Here comes the furious Tybalt back again.
ROMEO: Alive in triumph, and Mercutio slain!
Away to heaven, respective lenity,
And fire-eyed fury be my conduct now.—
Now, Tybalt, take the “villain” back again
That late thou gavest me, for Mercutio’s soul
Is but a little way above our heads,
Staying for thine to keep him company.
Either thou or I, or both, must go with him.
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TYBALT : Thou wretched boy that didst consort him here
Shalt with him hence.
ROMEO : This shall determine that.
They fight. Tybalt falls.
BENVOLIO: Romeo, away, begone!
The citizens are up, and Tybalt slain.
Stand not amazed. The Prince will doom thee death
If thou art taken. Hence, be gone, away.
ROMEO : O, I am Fortune’s fool!
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Act 3 Scene 2:
Who does Juliet think is dead and how does she feel?
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Act 3 Scene 3:
Select evidence to show that Friar Laurence is trying to reassure Romeo that all will be
well:
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Act 3 Scene 4:
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Shakespeare, in the Elizabethan tragic love story, Romeo and Juliet presents events
unfolding terribly for Juliet. First, Romeo leaves her for his banishment in Manua; then,
her mother tells her she must marry Paris; finally, she is so upset and angered that she
rejects the marriage offer going against her father’s wishes and patriarchy.
Romeo and Juliet repeatedly make references to the ‘lark’ and the ‘nightingale’. The lark
symbolises the break of day which is ironic as this means that their short time together as
a married couple is over. The nightingale symbolism is darkness and night time so Juliet’s
insistence that it is not the lark implies that she does not want her time with Romeo to be
over. Romeo leaves with Juliet foreshadowing his death ‘As one dead in the bottom of a
tomb.’ which is upsetting for both her and Romeo as they have just spent the night
together and consummated their marriage, which should be a happy time, instead she is
left with the thought that Romeo will die before she sees him again. Shakespeare could be
implying that rejecting patriarchy is problematic and that Romeo and Juliet have set their
own fate.
As soon as Romeo has left, The Nurse arrives and warns Juliet that her mother is coming.
Lady Capulet has ‘joyful tidings’ which are ironic because Juliet would love to hear that
Romeo is allowed to stay in Verona, rather than being banished to Mantua, however her
heart’s desire is not to be granted. Instead she is told she is to: ‘Marry, my child, early next
Thursday morn’ with the imperative telling Juliet what she is to do, without asking her or
giving her a choice and without considering her feelings. The dramatic irony is clear as we
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know she cannot marry Paris despite the triplets describing him as ‘The gallant, young,
and noble gentleman,’ which suggests he is moral, kind and a great match in both status
and respect for Juliet. The audience might feel worried for Juliet as they know she cannot
marry Paris and that she is trapped by her secret relationship with Romeo. Her rebellion is
now causing her pain and trauma that she would not have thought possible.
Juliet’s reaction is to immediately reject the proposal. The first person ‘I will not marry,
yet’ is imperative and tells her mother exactly what she proposes to do. She is strong
minded and strong willed and knows her own mind. Her father is at first concerned about
her with the metaphor ‘How now a conduit, girl?’ implying that he is surprised to see her
still crying over the death of Tybalt, when he has planned her wedding to Paris as a way to
cheer her up. He is angry and insulting towards Juliet ‘Or I will drag thee on a hurdle
thither’ implying that if she does not follow his commands he will embarrass her in the
streets in front of the whole town. Shakespeare makes Juliet break patriarchal rules as she
is already married to Romeo and to marry again would be to become a bigamist and break
the christian religious rules. The audience might understand Juliet’s conflict as she can’t
possibly confess to her father that she is already married after his terrible temper when
she refused to marry Paris.
It is clear that Juliet is presented as strong willed, determined and independent at this
point in the play, but events have overtaken her and she is not in control of what is going
to happen next. She has experienced emotional trauma with Romeo’s banishment,
emotional shock with Paris’ proposal and emotional upset with her father’s anger and
outrage at her refusal to marry as he wishes. Perhaps, Shakespeare was showing Juliet’s
rebellion as a way to flatter the monarch, Queen Elizabeth, who was a feisty independent
Queen in charge of herself and her subjects.
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When we discuss events in the play, we try to include how we feel and why we feel
it? This is to show that we have engaged with the characters and events and
understand how they create an effect.
Effect = Emotions created by the events in the play
Task - Decide which emotions might fit in each of the blank spaces. You decide the
emotions.
When Tybalt is angry and looking for a fight we feel ____________ and _________
because he is clearly not willing to back down. When Romeo refuses and tries to
convince Tybalt that he loves him and can’t say why we might feel ___________ and
because he is not listening and is intent on fighting. However, the fight might seem
___________, because it was foreshadowed in Act one at the masquerade ball when
Tybalt was made to stop being antagonistic by Lord Capulet. After the death of
because Romeo realises that he is in a mess and he can’t easily fix the situation.
Romeo realises that he has made a mistake and being with Juliet will be difficult
which makes us feel ___________. Mercutio’s dying act of placing ‘a plague on both
your houses’ makes us feel ___________ and ____________ as he was a good friend
to Romeo and although he was the one who wanted to fight and defend the honour
of the Montague family name, he is now blaming Romeo for this, which seems unfair
although it is understandable.
Juliet’s reaction makes us feel ___________ and _________ as she first thinks Romeo
is dead and then she seems ___________ when she realises that it is her cousin
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Tybalt and not Romeo. We feel ___________ towards Juliet because she cannot tell
anyone the real reason she is sad as only the nurse and Friar Laurence know that she
is married to Romeo. When her father decides that she should marry Paris we feel
____________ and ___________ as we know that this is impossible and she would
_____________ towards her father Lord Capulet but can understand why he is trying
to find a solution to her anguish. Her father cares about her and is angry with her for
not being grateful that he has arranged for her to marry Paris. Her reaction is
understandable to the audience as we know that she is already married and we feel
Methods
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Dramatic Irony – The audience being more aware of what is happening on
stage than the characters
Rhetorical Question – a question that leaves the reader wondering about the
answer
Soliloquy – The character speaks directly to the audience (on stage alone)
Repetition – words, phrases and ideas (themes)
Metaphor - a comparison of something as if it is something else
Celestial imagery - imagery that links to the stars and the heavens
Connotations - implied meanings of a word or phrase - what is suggested by
the word or phrase
Foreshadowing - hints that something will happen later in the story
Vocabulary
Frustration - the feeling of being upset or annoyed as a result of being unable
to change or achieve something
Defiance - open resistance; bold disobedience
Infuriated - make (someone) extremely angry and impatient:
Relief/relieved - a feeling of reassurance and relaxation following release from
anxiety or distress
Deceitful - guilty of or involving deceit; deceiving or misleading others
Mourning - the expression of sorrow for someone's death
Grieving - feeling very sad because someone has died
Lamenting - to express sadness and feeling sorry about something
Act 4 Scene 2:
How does Capulet feel now that Juliet has agreed to marry Paris?
She drinks and falls upon her bed within the curtains.
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Act 4 Scene 5:
‘Death’ is repeated 14 times in A4S5. What effect does the repetition of this have?
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Summary:
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Explain your feelings about Juliet’s soliloquy and her taking the poison and why?
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Explain your feelings about Juliet’s pretend death and the reactions that her nurse and
family have about her death?
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Independent Practice: How does Shakespeare present the fake death of Juliet?
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Use the framework for an introduction from page one
Sentence starters:
Planning: What quotations will you use? What methods are in the quotations?
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2
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Methods
Dramatic Irony – The audience being more aware of what is happening on
stage than the characters
Rhetorical Question – a question that leaves the reader wondering about the
answer
Soliloquy – The character speaks directly to the audience (on stage alone)
Repetition – words, phrases and ideas (themes)
Metaphor - a comparison of something as if it is something else
Celestial imagery - imagery that links to the stars and the heavens
Connotations - implied meanings of a word or phrase - what is suggested by
the word or phrase
Foreshadowing - hints that something will happen later in the story
Vocabulary
Despair - the complete loss or absence of hope
Distress - extreme anxiety, sorrow, or pain
Suicidal - deeply unhappy or depressed and likely to take your own life
Poison - a substance that is capable of causing illness or death
Apothecary - a person who prepared and sold medicines and drugs
Plague - a contagious bacterial disease which causes a fever and delirium
Reconciliation - the restoration of friendly relations
Act 5 Scene 2:
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Act 5 Scene 3: What order do the deaths of the characters happen in and how do they
die?
1-
2-
3-
After Friar Laurence confesses to the gathered family and the Prince what he had done
to try to allow Romeo and Juliet to be together and how it went wrong, the Capulet and
Montague family are reconciled.
Summary:
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How do you feel about the ending of the play and why?
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When we discuss events in the play, we try to include how we feel and why we feel
it? This is to show that we have engaged with the characters and events and
understand how they create an effect.
Effect = Emotions created by the events in the play
Task
Bullet point list all the emotions and why we might have these at the end of the play?
Theme Work
Bullet point list all examples where death plays a role in the play:
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Bullet point list all examples where love plays a role in the play:
Bullet point list all examples where fate plays a role in the play:
Bullet point list all examples where civil war plays a role in the play:
We will need to include three ideas from across the play and place the extract
chronologically into the essay (since it is from the start of the play it will be paragraph 1):
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1
2
3
Sentence starters:
Planning: What quotations will you use? What methods are in the quotations?
1
2
3
4
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6
7
8
9
10
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When you get given the question and the extract, explain what you should do to help
you write an essay.
1 - What do you do first? _________________________________________________
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