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Mehram 2024 Tech Rider

The document provides technical requirements for a band's performance, including acceptable sound systems, monitoring equipment, stage dimensions and layout, microphones, and input/output patching. Requirements include a minimum 20' x 16' stage size, a DiGiCo or Midas console, JBL or L'Acoustics speakers flown overhead, drum kit and guitars supplied as backline, and Shure SM58 microphones for vocals and talkbacks.
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0% found this document useful (0 votes)
97 views9 pages

Mehram 2024 Tech Rider

The document provides technical requirements for a band's performance, including acceptable sound systems, monitoring equipment, stage dimensions and layout, microphones, and input/output patching. Requirements include a minimum 20' x 16' stage size, a DiGiCo or Midas console, JBL or L'Acoustics speakers flown overhead, drum kit and guitars supplied as backline, and Shure SM58 microphones for vocals and talkbacks.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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Tech Rider and Stage Plot

FOH Engineer : Darshan Kumar Manager : Atul Balu


reachdarshankumar@gmail.com mehramtheband@gmail.com
+91 91089 11507 +91 90350 58138

NOTE: The Technical Specification needed by Mehram (Band) is listed in this document. The band reserves the right to postpone / cancel the event or show if these conditions are not fulfilled
on the day of the performance. Kindly ensure that this rider is received by the sound & the production team.
Sound Systems
House Sound
Acceptable Systems : • Two or three way speaker system with adequate enclosures to cover

the venue’s maximum capacity


• RCF HDL 20A, 30A, 50A,
• The system should be configured in stereo (LR) And SUB’s In-Line or
• JBL - Vertec, VTX A, VTX V
stacked in front of the stage on AUX
• L’acoustics V-dosc, K1, K2, KUDO
• PAs must have even coverage throughout the venue and should be

flown compulsory

• If indoors and smaller pubs PAs can be ground stacked

FOH Sound
Acceptable Consoles

• DiGiCo : SD7, SD9, SD10 • Console must have a minimum of 32 channel inputs and 16 channel outputs
• SoundCraft : Vi 1, Vi 3000, Vi 6000 • SUB’s on a separate AUX mandatory
• Avid : S6L, Venue SC48 • Console must be placed front center from the stage and must not be elevated
• Midas : M32 ( no riser)
• Behringer : Wing (with Stage Rack), X32
Monitoring & Stage

Monitoring
• 5 Sennhiser EW 400 G4 IN-Ear Monitoring ( Stereo )
• 5 QSC K12 Wedges (Monitors)
• 15 inch SUB JBL PRX 915XLF ( Preferred )

Stage
• The Band will Require a Minimum Stage Dimension of 20’ X 16 ‘
• It's essential to ensure complete and unbiased visibility for all artists on stage, and this
necessitates avoiding decorations or interruptions in the band's designated area.
• Photographers and drones are not permitted in the same area.
• Please refer to last page for stage plot
Stage backline

Drums ( Abin )
.
Pearl Masters Studio / Reference ( Standard 5/7 piece kit ; Meinl or Zildjain mandatory )

• 1 x 14” Hi-Hat with stand


• 1 x 16” Crash Cymbal with stand
• 1 x 20”/21” Ride Cymbal with stand
• 1 x Splash Cymbal with stand
• 1 x Round throne with key for adjusting.

We would require a decent drum throne, fresh heads and skins, extra cymbal stands, and a drum set complete with all the hardware

Guitar ( Abhijit ) Keyboard ( Atul )


• 1 x Fender Twin reverb AMP with slanted stand • 1 x Roland KC 400 / 600 on riser
• 2 x Guitar stage Stands • 1 x Dual Keyboard Spider Stand
• 2 x Laptop Stands

All gears including the backline has to be approved by the FOH Engineer / Manager piror to the show.
Sound check / Misc.

• The sound , stage power & lighting systems must be fully functional prior to the band’s load-in time

• The sound check will be arranged before the doors open, with no time restrictions imposed. A minimum duration of 2 hours after

the band's load-in setup time is required.

• A dedicated generator for sound is required, with lighting and other equipment operating on a separate generator. A backup

generator is recommended.

• The production company must provide sufficient microphone stands and cables for the stage.

• It is mandatory to have a dedicated engineer/technician with knowledge of production matters.


Microphones & Misc

• 2 X Sennheiser SKM 5200 / Shure UD4D with ULX-D B 58 for main vocals ( on stand )

• 1 X Shure BETA 91A for Kick In

• 1 X Shure BETA 52A for Kick Out ( on stand )

• 3 X Shure BETA 98A for Toms

• 3 X Shure BETA 181

• 2 X Shure BETA 57A for Snare top & bottom ( on stand )

• 6 X Radial Passive / BSS AR133 DI Boxes ( consider having extras as well )

• 2 X Shure SM58 with Switch for talkbacks ( on stands )


Input Patch List

Channel Instrument Stands DI Channel Instrument Stands DI


1 Kick in - - 11 Click - 1

2 Kick Out 1 - 12 Violin - 1

3 Snare top 1 - 13 Keys L - 1

4 Snare Bottom 1 - 14 Keys R - 1

5 Hi Hat 1 - 15 Acoustic Guitar - 1

6 Tom 1 optional - 16 Electric Guitar - 1

7 Tom 2 optional - 17 Vocals 1 ( Abhijit ) 1 -

8 Floor Tom optional - 18 Vocals 2 ( Atul ) 1 -

9 OH L 1 - 19 Talkback 1 ( Atul ) 1 -
Talkback 2
10 OH R 2 - 20 1 -
( FOH)
Output Patch List

Channel Wedge /IEM


1 Abin Wedge
2 Atul Wedge
3 Abhijit Wedge L
4 Vighnesh Wedge
5 Abin IEM
6 Atul IEM
7 Abhijit IEM
8 Vighnesh IEM
9 FOH IEM
Stage Plot

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