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8.6.8.6 D DCM Hymn Tunes

The document contains musical notation for several hymn tunes. The notation includes staffs with notes, rhythms, and dynamics. Multiple hymn tunes are notated across many lines in the document.

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Adam Thomas
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0% found this document useful (0 votes)
268 views10 pages

8.6.8.6 D DCM Hymn Tunes

The document contains musical notation for several hymn tunes. The notation includes staffs with notes, rhythms, and dynamics. Multiple hymn tunes are notated across many lines in the document.

Uploaded by

Adam Thomas
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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DCM Hymn Tunes

from TEH, NEH & REH

   
COE FEN q = 100 Music: Kenneth Nicholson Naylor (1931-1991)

        
 
              
 

             
           
               

      
11

           
         

               
        
               

 
      
20
    
                  

              
           
                 

  
First Mode Melody Music: Thomas Tallis (1510-1585) harmony slightly adapted
30

            
 
      

 
                 
   

     
37

  
       
            


 
          
         
    

         
44
 
          


   
   
              
     
2

           
51

       
     
   
 
 
   
 
 
       


        
 

           

Forest Green Music: English Traditional Melody

  
  
                 
   
                         
  
    
 
66

        
          
 
           

       

 
70

       
       

            
  
      

   
        
Holy Well Music: English Traditional Melody. Harm. by Erik Routley (1917-1982)

 
    
           
       

                          
   
  

       
79

                   
      

 
 
          
              
        

 
       
84

 
           
   
 
                 
      
3

  
Hucklebridge Music: Richard Shepherd (1949-2021)

                     
              

  
                        
         

             
96

           

      
                
           
        

 
101

       
            
  

                     
       

 
Kingsfold Music: Melody from English County Songs, 1893. Harm. by RVW (1872-1958)

                              
    
 

                    
    
         
       

  
113


    
         
           
 

                       

         

 
118

                    
  
  

                  
   
     

   
Ladywell Music: William Harold Ferguson (1874-1950)

               


             

      
      
                 
         
4

    
129
             
     
               
      
                        
         

    
135

                   


  

                          
  
           

 
Noel Music: English Trad Melody. Adapted by A. S. Sullivan (1842-1900)

                  
           

                  
         
       

   
147

    
         
         
  

                 
 
   
    


 

  
153

                   

                  
             

 
Old 22nd Music: Melody from Este's Psalter, 1592.

    
158

       
           
   
 

                        
            

 
166
       
      
               

                    
            
5

  
173

                 



                   
         

   
Old 44th Music: Melody from Este's Psalter, 1592.
     
          

       

     
    
                 
       
 
      

   
194

       
                 

                     
      

   
206

                    
   

                 
         

  
Old 81st (Old 77th) Music: Melody from Este's Psalter, 1592.
218

                      
    

                      
       

 
228

           
         
   
                     
           

 
238

         
     
 
 


   
  
            
         
6

 
Old 107th Music: Scottish Psalter, 1635

               
      
    

                        
 
    
     

  
253
          
             
  


 
   
                    
       
  

 
260

  
 
            
       
       
        

 
264

    
        
 


         
   
     

 
Old 137th
Music: Day's Psalter, 1563



267

                      
           
 
 

                          
                  

  
 

274

      
 

         
    
        
        

     
  

       
279

              
  
          
         
 

       
7

  
St Matthew Music: William Croft (1678-1727)
         
                     

                       
       
    

     
293

                 
           

        
                    
           

 
303

        
        

             
         

     
309
  

      
 

 
   
   

 
     
 

 
Second Mode Melody (version 1) Music: Thomas Tallis (1515-1585)

         
 
 
                   

                            
      
  

 

321

       
  
   

  
  


                 
       

 
326

               

                
        
8

 
Second Mode Melody (version 2, Tallis' original version) Music: Thomas Tallis (1515-1585)

                         
                        

             
             
         

 
337

                   
      
  

                      
       

 
343

            
         
      

                

 

   
Soll's Sein
348 Music: Melody in 'Drei schone neue geistliche Lieder,' Munchen, 1637.

                          
 

                        
 
            
  

 
358
        
                

        
                  
        

 
  
368

               
  
 


  
                  
         
     

                 


Stettin (Nun Seht) Music: Later form of melody from the Song Book of the Bohemian Brethren, 1566.
  
    
          
     
      
  
                          
      
 
   
                

9

   
 

385

          
    
 

 


                   
        

    
 
390

             
 
   
   

          
        
            

 

 
                  
Third Mode Melody (Version 1) Music: Thomas Tallis (1505-1585) in Matthew Parker's Psalter, 1567. adapted by RVW (1872-1958)

               
 
              
          
 
    

             
     
402

       
      

                     



        
    

    
409

               
    

                    
         
    

 
Third Mode Melody (Version 2, Tallis' Original) Music: Thomas Tallis (1505-1585) in Matthew Parker's Psalter, 1567.

     
                          
  

                        
 
       


             

422

    

     
 

    
        
       

       
    
10

           
429

  
               
         
          
 
  
         

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