Dodson Concert Program
Dodson Concert Program
Proudly Presents
Songs of dawn
and dusk
Featuring
Treble Voices, Tenor Bass Voices, &
Hanover Mixed Vocal Ensemble
Treble Voices
Light, my Light Scott AuCoin
Acknowledgements
Principal Hunter
Assistant Principal Sudduth
Hanover High School Music Boosters
Custodian Jett and Custodian Winnie
Program Notes
Light, my Light Scott AuCoin
This ear catching and sparkling opening song is filled with images of
light, hope, and joy. The charged piano accompaniment creates a feeling
of excitement of what’s to come.
This text has been famously set by Samuel Barber, though this new
interpretation offers contemporary harmonies, a warm cello solo, and
lush swaths of treble singing.
This joyful song uses a prayer text from Ghana translated into English.
Rhythmic and syncopated, this piece is exuberant and welcoming.
When selecting this theme, I wanted to choose an idea that is unique, yet relatable and
teeming with repertory options. Common themes, such as love, hope, or nature, would have
worked quite well, in terms of repertoire options, but I find that those topics are used quite often,
and they are not particularly interesting to me. I thought a theme of “day and night”, or “dawn
and dusk”, was narrow enough to be special, but brought enough contrast and interest to
selections. Not only can the theme be represented literally through times of day, but it can also
With the theme of “dawn and dusk” in mind, I wanted to find songs of sunrise, evening,
twilight, and everything in between. I wanted to select poetry that is similar in many ways, yet
expressed and organized differently. I feel that the selections in the concert program accomplish
that. The program is designed to transition frequently between moments of the day.
Also, important to note, I designed this concert program with the intent of creating a
show for primarily the treble and tenor/bass choruses, with an ending feature from the mixed
The program begins with “Light, my light”, which is exciting and upbeat. It is quite
intriguing as an opening piece, with sparkling accompaniment and unifying verticalities in the
light treble voices. This piece, of course, fits into the idea of a sunrise, or a beginning, full of
hope and love. The next piece, “O Boundless, Boundless Evening” transitions through the theme
into evening. The harmonies are restful, strange, and flowing. The pacing between these pieces is
not exactly the same, yet similar enough for a smooth and comfortable transition into the second
piece. The final piece for the treble chorus is “Lakeside Lullaby”. This piece is similar in
restfulness, but it has a slight pop music feeling, and is nearly a ballad. This piece offers
The program continues with the tenor bass chorus, beginning with “Cover Me with the
Night”. This piece is contrasting to the previous pieces. It is prayerful, exuberant, and joyful. It is
more up-tempo, and it has emphasis on syncopation and rhythms, with a djembe part for timbral
variety. “All Night Today” continues our idea of contrast. This piece is lighthearted and funny
with comedic text alongside more traditional writing. Up next is another lighthearted piece, “The
Dawn’s Awake!”. This piece is more serious, but still playful and uplifting.
The next set contains two pieces for the auditioned mixed chorus. These two are of
slightly higher difficulty and require additional experience of students, but follow the flow and
theme of the concert. This ensemble will begin with “Lullaby” followed by “Glow”. Easily
apparent in their titles, the pieces fit into the “sunrise” and “evening” areas of the theme. These
two pieces bring the audience back to the restful feeling of the first set, with more harmonic
excitement and variety than rhythm. “Lullaby” is lyrical and warm. “Glow” is similarly warm,
with moments of impressiveness, with immense opportunity for shaping, and difficult tuning of
cluster chords.
Finally, the concert ends with Dolly Parton’s “Light of a Clear Blue Morning”. It is well-
known and popular, and exciting for the audience to hear at the end of the musical journey. This
piece is much less literally in the sense of the theme. This “clear blue morning” is a new
beginning of freedom and hope. This is a “bring it home” piece with opportunities for solos,
clapping in the audience, and all-around shared joy between the ensemble members and the
audience.
Pedagogical Goals and Challenges
Light, my Light – Scott AuCoin (Time: 4:00)
Pedagogical Goals:
• Phrasing
• Dynamic contrast and variety
• Blend and togetherness of diphthong “light”
• Appropriate syllabic stress
Challenges:
• Changing meter
• Quarter note triplets
• Rubato, freedom, and unity
Light of a Clear Blue Morning – arr. Craig Hella Johnson (Time 4:20)
Pedagogical Goals:
• Working with a soloist
• Blend and balance as “background singer”
• Building energy throughout entirety
Challenges:
• Maintaining proper technique for “pop”
• Interest in repetition
• Balance between parts and ideas
This ensemble consists of thirty student treble voices. These singers are grades 9-12. This
is the SSAA ensemble at Hanover High School. The students do not always sing the same part,
but there are generally about 7 to a part (Sop 1, Alto 2, etc.) when dividing SSAA. This ensemble
This ensemble consists of thirty student tenor and bass voices. These singers are grades
9-12. This is the TTBB ensemble at Hanover High School. The students do not always sing the
same part, but there are generally about 7 to a part (Ten 1, Bass 2, etc.) when dividing TTBB.
This ensemble is open to all and unauditioned. Class meets for 60 minutes daily.
This ensemble consists of thirty student soprano, alto, tenor, and bass voices. These
singers are grades 11-12. This is the high-level mixed SATB ensemble at Hanover High School.
This ensemble is audition-only and reserved for upperclassmen. Class meets for 60 minutes
daily.