Ai Notes Unit-Iii
Ai Notes Unit-Iii
Ai Notes Unit-Iii
dubbed the ‘gold’, had a grasp of moral truths but that the lower
orders, or those dubbed the ‘silver’ and ‘bronze’ in society, were
incapable of full access such knowledge. And a related aspect is
accountability to others. A corollary of Plato’s views on knowledge
and government is that, in governing those under them, the
‘noble lie’ could be justified to keep the hoi polloi in order. I take
it that a view is abhorrent in any democratic society. It goes
without saying that you can’t claim to be adequately addressing
ethical questions, if you refuse to explain yourself to rightly
interested parties. Of course there will often then be a further
question about who such parties are and what claims they have
on you. What this means in AI: Firstly, The very complexity of
much of AI means that there is often a particular question of
transparency. If even its creators don’t know precisely how an
algorithm produced by machine learning is operating, how do we
know if it’s operating ethically or not? The frequently posed fears
that without our knowledge we might be manipulated by
powerful machines or very powerful corporations armed to the
teeth with the opaque machinations of AI, gives a modern take on
the Ring of Gyges myth. Only, now it’s not actually a myth.
Having specialist knowledge, as professionals in AI have, does not
entitle you to ‘lie’ to the people, nor to be in sole charge of
questions that concern them; quite the reverse. Such specialist
knowledge should mandate a duty to explain. However, the
question of how much transparency is legitimate in respect to
certain activities is an open question. Only a fool wants the
security services of their country to be fully transparent given the
existence of real enemies; nonetheless drawing the line may be
hard. Commercial companies also have reasons for secrecy.
Which brings us on to the next point: Secondly, there are many
powerful actors involved in AI whose activities may affect billions
of others; perhaps then, in some ways, a technological elite with
access to arcane knowledge—AI professionals—are the new
‘Philosopher Kings’. How they handle ethics, how they explain
themselves, and whether they manage any system of
accountability and dialogue, will be critical to any claim they
might make to be truly concerned with ethics.
AD8013 CONCEPTS AND ISSUE UNIT-III
“the author shall have the right to claim authorship of the work
and to object to any distortion, mutilation or other modifcation
of, or other derogatory action in relation to, the said work, which
would be prejudicial to his honor or reputation.” As can be seen,
the Berne Convention provides for two distinct moral rights: The
right of attribution and the right of integrity of the work
(Rigamonti 2006; cf. U.S. Court of Appeals 1st Circuit 2010). The
right of attribution generally includes the right to be recognized
as the author of a work, so that users of the work as well as the
public in general will associate the work with its creator (Ciolino
1995), which is also linked to a certain kind of social recognition
and appreciation; recognition for one’s work is sometimes deemed
a “basic human desire” (US Copyright Ofce 2019). The right to
integrity, in turn, refers to the author’s interest not to have his or
her work be altered drastically or used in a prejudicial way.
Whether there is an infringement of the right to integrity is very
dependent on the individual case as well as, importantly, the
context of the use. Under this rule, moral rights could be
infringed if, for instance, a song is rearranged or used for a
purpose completely diferent from the author’s intentions
(Ricketson and Ginsburg 2006). Moral rights came in special
focus in the U.S. legal regime with the accession of the United
States to the Berne Convention (Ciolino 1995). At that time,
legislative changes were not made because the moral rights
contained in the convention were already, according to
Congress’s opinion, provided for a sufcient extent under U.S. law
(U.S. Copyright Ofce 2019). Later, moral rights were explicitly
recognized in the Visual Artist Rights Act (17 U.S.C. § 106A);
however, the scope of the act is relatively narrow (U.S. Copyright
Ofce 2019; cf. U.S. Court of Appeals 1st Circuit 2010). In fact, the
transposition of the Berne Convention’s requirements into U.S.
law as regards moral rights has been a long source of controversy
(Ginsburg 2004; Rigamonti 2006). In any event, however, it is fair
not to only look at the U.S. Copyright Act, but also at other laws
on the federal level as well as common law claims that can arise
under state law, for instance (Rigamonti 2007; U.S. Copyright
Ofce 2019).
AD8013 CONCEPTS AND ISSUE UNIT-III