June 2005 MS Grade 9
June 2005 MS Grade 9
June 2005 MS Grade 9
This mark scheme is published as an aid to teachers and students, to indicate the requirements
of the examination. It shows the basis on which Examiners were initially instructed to award
marks. It does not indicate the details of the discussions that took place at an Examiners’
meeting before marking began. Any substantial changes to the mark scheme that arose from
these discussions will be recorded in the published Report on the Examination.
All Examiners are instructed that alternative correct answers and unexpected approaches in
candidates’ scripts must be given marks that fairly reflect the relevant knowledge and skills
demonstrated.
Mark schemes must be read in conjunction with the question papers and the Report on the
Examination.
• CIE will not enter into discussion or correspondence in connection with these mark
schemes.
CIE is publishing the mark schemes for the June 2005 question papers for most IGCSE and
GCE Advanced Level and Advanced Subsidiary Level syllabuses and some Ordinary Level
syllabuses.
PMT
Grade thresholds for Syllabus 0500 (First Language English) in the June 2005
examination.
The threshold (minimum mark) for B is set halfway between those for Grades A and C.
The threshold (minimum mark) for D is set halfway between those for Grades C and E.
The threshold (minimum mark) for G is set as many marks below the F threshold as the
E threshold is above it.
Grade A* does not exist at the level of an individual component.
PMT
June 2005
IGCSE
MARK SCHEME
MAXIMUM MARK: 50
SYLLABUS/COMPONENT: 0500/01
FIRST LANGUAGE ENGLISH
(Reading Passage - Core)
PMT
1 (a) Why did the writer decide to get out of bed? (Line 6-7) [1]
He wanted to look out of the window (at the estuary and the marshes, in the moonlight)
(b) In paragraph 2 Spider is alert, nervous and ready to attack. Give one word or
phrase from the passage to illustrate each of these. [3]
• Alert: ‘standing at the door’; ‘ears pricked’; ‘tail erect’; ‘bristling at the door’; ‘nose to
the gap...snuffling along’; ‘head cocked’; ‘listening, listening’
• Nervous: ‘every hair on her body was on end’; ‘tense’; ‘taking a pace backward’
• Ready to attack: ‘as if ready to spring’; ‘emitting a soft, low growl’; ‘growled again’
(c) Give the two reasons why the writer eventually managed to get out of bed. [2]
(d) Re-read from the second sentence in paragraph 3 (beginning ‘But it took some
time... ‘) to the end of the extract and then write a summary of what the writer heard
and saw after he got out of bed. (Write a paragraph of about 50-70 words.) [7]
(e) What was unusual about the door at the end of the passage? [1]
It had no keyhole
(f) Re-read lines 8-16. Explain, using your own words, why the writer was so disturbed
when he awoke. [4]
(g) Re-read lines 35-37. Explain, using your own words, what the writer means by [4]
(i) ‘stroked the rough, short hair as much for my own reassurance as hers [2]
The writer attempted to calm her by placing his hand on her collar and stroking her
but did this also to calm himself down
(ii) ‘the tension in her limbs and body and it answered to my own’ [2]
Both of them were very tense and the feeling was transferred from one to the other
Give up to two marks for an explanation in own words of each of the two phrases
(h) In line 2 why do you think the writer includes the words ‘or was awakened’? [2]
It suggests that he did not wake up naturally but that something disturbed him
(i) Re-read lines 16-21 and 39-41. Choose three words or phrases the writer uses to
describe the noise and explain what each of these suggests about it. [6]
Give 1 mark for each of any 3 of the above and 1 mark for an adequate explanation of it
Any additional words must be justified in terms of the question
2 Imagine that you are the man in the story. Write a letter to a friend explaining what
happened later that night and how you felt the following day. In your letter include:
You should base your ideas on what you have read in the passage, but do not copy
from it.
You should write between 1 and 1½ sides, allowing, for the size of your handwriting.
(Up to ten marks are available for the content of your answer, and up to ten marks for
the quality of your writing)
The most successful responses are likely to retell the events in the passage economically in
the candidate’s own words and then present a convincing account of what was found in the
room, picking up, in particular, on the familiar nature of the noise. Less successful responses
are likely to lift sections of the original and then produce a far-fetched and unconvincing
account of what was found in the room with little reference to the clues in the passage
Band 1 9-10 Uses and develops several ideas, both factual and inferential, from the
story
Demonstrates and develops suggestions as to what is in the room and
the writer’s feelings
Band 2 7-8 Refers to several events from the passage and comments on writer’s
feelings
Picks up on and understands suggestions as to what the noise may be
Band 3 5-6 Repeats some details from the story and says what the writer did
Focuses on the question and on the passage, but uses material simply
and partially
Band 4 3-4 There is some relevance to the question with a tendency to retell the
story rather than to comment
Makes simple references to the writer's feelings
Band 5 1-2 May retell the story or give occasional relevant facts
There may be examples of misunderstanding or lack of clarity in
attempting to use the passage
0 Very little/no relevance
General misunderstanding of task and passage
Band 1 9-10 Sentences are fluent and there is a fairly wide range of vocabulary
Overall structure is good and sentences generally follow in sequence
Most full stops are correct and errors are infrequent and minor
The narrator’s voice is established
Band 2 7-8 Sentences are correct, though relatively simple
Vocabulary is adequate and correctly used
There are some sentence separation errors and quite frequent other
errors, although minor
There are some hints of the narrator’s voice
Band 3 5-6 Sentence structures and vocabulary are simple, but meaning is never in
doubt
The order is reasonable
Error may be frequent, but it does not blur meaning
There may be an inconsistent attempt at the narrator’s voice
Band 4 3-4 The answer is very simply written and there are occasional examples of
blurred meaning
The structure can usually be followed
Some error is serious, affecting meaning
Band 5 1-2 The answer is difficult to understand
The extent of grammatical error seriously impedes meaning
0 The answer cannot be understood
Add the marks for Reading and Writing to give a total mark out of 20 for Question 2