Guatemalan Pottery

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Guatemalan Pottery

Therefore, this indigenous manufacture is given continuous use


within contemporary society. Therefore, this indigenous
manufacture is given continuous use within contemporary society,
even when it has diversified its designs and forms for other
needs, being The most common forms are the following:

Jars, jugs, apastes, mixers, braceros, pots, porrones, comales,


pichingas, tecomates, incense burners, flower pots and vases.

They have a usable incorporated historical time that is manifested through their
origin, particularly pre-Hispanic. Its work instruments, its manufacturing
procedures, as well as the social relationships it generates. Historical analyzes
allow us to demonstrate the persistence, despite the transformations suffered by
time, of the styles, techniques, aesthetic patterns and forms of work and
organization, as well as the social significance, beliefs and ideological aspects
incorporated.

The known pottery towns in Guatemala are Chinautla, Guatemala, Santa Apolonia,
Chimaltenango, San Luis Jilotepéque, Jalapa, Rabinal, Baja Verapaz and in the
municipality of Mixco in Guatemala.

Chinautla pottery has an eminently indigenous character both in the processing of


the clay and in the hand finishing without the use of kilns. Anthropologists consider
Chinautla pottery as the third in America with a primitive and ancestral character,
after those originating from certain populations in Mexico and Peru. Originally
Chinautleca pottery had an eminently domestic character, as it consisted of the
exclusive manufacture of jars, jugs, comales, frying pans, torteras and apastes.
chicken, bamboo paddles, a polishing stone and the board, model beautiful
figurines of different types, especially those of a religious nature. Once each
ceramic work has been made, it is left out in the shade for several days until
uniform drying is achieved. Next, in the patio of the house
Pine bark, dry manure and straw are piled up, on which the pieces are placed, then
these are covered with the same materials and they are burned throughout the
day, finally the pieces take on a brick red color or a red color. , the ceramic that is
esteemed and considered the finest, a layer of white clay is applied to it, which,
when burned, turns an oyster-colored or antique white tone.

Jalapa Pottery
The precious samples of
pottery, palm and basket work,
as well as painted ceramics of
pre-Hispanic origin, are perhaps
one of the greatest attractions
for visitors to this department, in
addition to being a source of
income for the artisans who
dedicate themselves to this kind
of laborious task.
Ceramics in San Luis
Jalapa is characterized by its Jilotepéquez.
volcanoes, but not only because
its cones give greater interest to
the landscape, but because
they are ideal for practicing
adventure or sports tourism.

Crafts from Rabinal Baja Verapaz


These potters, by putting the clay or clay on the wheel, become true artists who are
capable of turning a ball of clay into authentic works of art with shapes as diverse and
unique as their creativity allows.
A family tradition that has been passed down from parents to
children, as is the example of Don Fernando López
Rodriguez, originally from Rabinal Alta Verapaz, belonging to
the Baja Verapaz artisans association, said association has
more than 100 potters.
The process begins with the selection of the material which in
the place known as Capilla del Barro consists of mud, after
this process it is dried, pounded and finally sifted.

The next step is to prepare it by mixing it with water until it


becomes a ball of dough.
After this, it is transported to the lathe to shape the new
piece, it is decorated and refined, this entire process is carried
out with the skill of the craftsman's hands.

When all of the above has been done, they are dried and
placed in the oven for an average of 5 hours.

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