319 - Cognitive Psychology
319 - Cognitive Psychology
319 - Cognitive Psychology
COURSE OUTLINE
1. Definition of the course
2. Sensation
3. Perception.
a. Perceptual grouping
b. Perceptual constancy
c. Perceptual illusions
d. Death perception
4. Sensation and sense organs
a. Eye
b. Tongue
c. Ears
d. Nose
e. Skin
5. Extra-sensory perception
6. Memory
a. Types of memory
b. Theories of memory decay
7. Language
a. Development of language
8. States of consciousness
a. Sleep
b. Sleep disorders
c. Wakefulness
d. Hypnosis
Cognitive psychology involves the study of internal mental processes - all the
workings of the brain ie, perception, thinking, memory, attention, Language,
problem-solving, and learning
In 1967, Ulric Richard Gustav Neisser played a pivotal role in formalizing and
defining cognitive psychology when he introduced the term ‘Cognitive
psychology’. Cognitive psychology, as Neisser defined it, is the study of the
processes involved in perception, transformation, storage, and retrieval of
information. This definition encapsulates the field's exploration of how
individuals acquire, process, and utilize information, shedding light on the
intricacies of cognitive functions and their impact on behavior. The
development of cognitive psychology has since contributed significantly to
our understanding of the human mind and has paved the way for innovative
research and therapeutic approaches in psychology.
BIOPSYCHOSOCIAL MODEL
The biopsychosocial model is a holistic approach to understanding health and
illness that considers biological, psychological, and social factors and their
complex interactions. This model acknowledges that health and well-being
are influenced by a combination of biological, psychological, and social
factors, rather than focusing solely on biological aspects.
Biological Factors:
Social Factors:
CLASSICAL TIMES
- René Descartes (1596-1650), a prominent French philosopher,
mathematician, and scientist, exerted a profound influence on the
development of cognitive psychology, despite living well before the
formal establishment of psychology as a scientific discipline. His
conceptualization of dualism, in particular, provided a fundamental
framework for comprehending the intricacies of the mind and
consciousness.
Descartes delved into the complex relationship between the mind and
body, as well as the connections between God and demons, in ways
that reverberated through both philosophical and psychological
discourse. The core tenet of dualism, proposing a fundamental
distinction between the mind and body as separate substances,
highlighted their interaction at the Pineal Gland, a pivotal anatomical
point in the brain.
His renowned declaration "Cogito, ergo sum" ("I think, therefore I am")
underscored Descartes' conviction in the separateness of the thinking
self from the physical body. Within the context of cognitive psychology,
Descartes' dualism laid a crucial foundation for understanding how
mental processes interact with and influence the physical body. This
conceptual groundwork prompted further exploration into the nature
of consciousness, perception, and cognition, contributing significantly
to the intellectual underpinnings that inform modern cognitive
psychological inquiries into the mind-body relationship.
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SENSATION
In our daily lives, we are constantly bombarded with a number of stimuli.
Examples include, heat, pollution, noise, life-issues,etc.
- Sensation is a momentary feeling an organism is undergoing,
experienced through the sensory organs.
- Sensation is input about the physical world obtained by our sensory
receptors and sent to the brain through the nervous system.
- Sensation is the process that allows our brains to take in information via
our five senses.
- It is the process of the sensory organs transforming physical energy into
neurological impulses the brain can then interpret as the five senses of
vision, smell, taste, touch, and hearing.
PERCEPTION
Perception is the meaning given to the feeling a person is having at the
moment. It is the process by which the brain selects, organizes, and interprets
these sensations. Perception is the interpretation given to stimuli or a
stimulus (sensation).
Threshold
In cognitive psychology, a threshold is the critical level at which a signal is
detected with at least 50% probability. It signifies the minimum intensity or
strength required for an individual to register and become consciously aware
of a sensory stimulus. For a perception to take place, there must be a signal.
In cognitive psychology, a "threshold" is like a signal strength gauge for our
senses. Imagine it as the level at which a signal becomes noticeable, with a
50% chance of detection. For us to perceive something, there has to be a
signal that crosses this threshold. It's the point where a sensation becomes
strong enough for us to become aware of it. Understanding thresholds helps
psychologists explore how our senses pick up signals and how these signals
turn into conscious experiences.
NERVE CELL | NEURON
A nerve cell, also known as a neuron, is the fundamental structural and
functional unit of the nervous system. Neurons are specialized cells that
process and transmit information through electrical and chemical signals.
The basic unit of communication in the nervous system is the nerve cell
(neuron). Each nerve cell consists of the cell body, which includes the nucleus,
a major branching fiber (axon) and numerous smaller branching fibers
(dendrites). Cell theory states that a human body contains 10-12 billion nerve
cells in the body and they are interconnected.
PERCEPTUAL GROUPING
To transform certain information into meaningful perception, we must
organize it. We must perceive objects as distinct from their environment, see
them as having a meaningful and a constant form and descend their
distance and motion.
Gestalt psychology in their attempt to define perceptual organization
emphasized human beings’ tendency to harmonize old pieces of information
into a meaningful whole.
Proximity
In proximity, nearby objects are seen to be together or similar. It is the
nearness in space, time, or relationship.
Similarity
Objects that are similar in size, color, length, height, or weight, are viewed as
being the same.
Continuity
We perceive smooth or continuous patterns as the same rather than
discontinued (texture gradient).
Connectedness
When they are uniform and linked they are seen to be connected.
Closure
In closure, we fill in the gap to create complete information.
DEPTH PERCEPTION
Depth perception is your ability to see objects in three dimensions, including
their size and how far away they are from you. It is the ability to perceive
distance to objects in the world using the visual system and visual perception.
It's made possible by lots of parts in your eyes and your brain working
together to process information, estimate their location and create the
images you see.
Skills for Depth Perception
a. Binocular Cues
i. Retinal disparity (Binocular Parallax)
ii. Convergence
b. Monocular Cues
i. Linear Perspective
ii. Motion Parallax
iii. Texture Gradient
Binocular Cues
Binocular cues are depth cues that require the use of two eyes. Binocular
depth cues are the images taken in by both eyes to give depth perception, or
stereopsis. Binocular cues create a three-dimensional image of the world one
views. There are two types of binocular depth cues: convergence and retinal
disparity.
a. Retinal Disparity:
This refers to the fact that different optical images are produced on the
retinas of both eyes when viewing an object. By processing information
about the degree of disparity between the images it receives, the brain
produces the impression of a single object that has depth in addition to
height and width. The eyes are approximately 6.3 centimeters apart,
providing two different views of the same object and the environment.
b. Convergence
Monocular Cues
a. Linear Perspective
b. Motion Parallax
Motion parallax is a monocular depth cue that causes objects that are
closer to you to appear to move faster than objects that are further
away. The further away something is, the slower it appears to move.
Motion parallax influences how we judge relative distance.
c. Texture Gradient
PERCEPTUAL CONSTANCY
Perceptual constancy is the tendency of animals and humans to see familiar
objects as having standard shape, size, color, or location regardless of
changes in the angle of perspective, distance, or lighting. The impression
tends to conform to the object as it is or is assumed to be, rather than to the
actual stimulus.
a. Brightness Constancy
Brightness constancy is our visual ability to perceive objects as having
the same level of brightness even though the level of lighting changes.
For example, something white will appear to be the same shade of
white no matter how much light it is being exposed to - noontime
sunlight or a soft lamplight at night.
b. Size Constancy
Size constancy is the perception of an object as having a fixed size,
despite the change in the size of the visual angle that accompanies
changes in distance.
c. Shape Constancy
Shape Constancy is the tendency to perceive an object as having the
same shape regardless of its orientation or the angle from which we
view it.
d. Color Constancy
Color constancy refers to our ability to perceive colors as relatively
constant over varying illuminations (i.e. light sources). For example, a
red apple will still look red on a sunny day or cloudy day – or in a grocery
store or a home.
PERCEPTUAL EXPECTANCY
A perceptual set, also called perceptual expectancy, is a psychological
concept that refers to the predisposition or readiness of an individual to
perceive specific stimuli in a particular way. Perceptual sets occur in all the
different senses. Perception sets often lead us to see what we want to see and
hear what we want to hear. For instance, when you greet a person for the first
time, the next thing you expect to hear is ‘hi, how’re you’ and a response
which should be, ‘fine’. If we expect something to appear in a certain way, we
are more likely to perceive it according to our expectations.
EXTRA-SENSORY PERCEPTION
Over the years, human beings have shown an ability to perceive events in
ways that cannot be explained by accepted principles of science. These
abilities are considered to be extra-sensory perception. E.g black magic. There
are several extra-sensory ways to perceive things:
1. Precognition:
This is the ability to perceive accurately and predict future events.
Precognition is also known as premonition. E.g fortune tellers which tell
you what your destiny holds in the future. Precognition is the purported
psychic phenomenon of seeing, or otherwise becoming directly aware
of events in the future.
2. Clair-voyance:
The supposed faculty of perceiving things or events in the future or
beyond normal sensory contact. This is the ability to gain information
and knowledge in ways unaffected by distance. Example of
clairvoyance; a Nigerian man waking up early in the morning feeling
pain all over the body indicating someone’s death when confirmed
later.
3. Telepathy:
The supposed communication of thoughts or ideas by means other
than the known senses (the ability to perceive what is on the mind of
someone else)
4. Teleport:
To transport or be transported across space and distance instantly. The
ability to disappear and reappear in different or the same environment.
5. Psychokinetic Phenomena:
Relating to changing the state or position of a physical object, using
only the power of the mind:
6.