Perception & Cognition
Perception & Cognition
Perception & Cognition
PERCEPTION in VEDANTA
According to Indian philosophy, it is One Consciousness (Brahma-
Chaitanya) which has “become” (i.e., which underlies) the world in its
various forms such as man, animals, plants and even the supposedly
inanimate objects. Everything has the same consciousness within it
although the outward expression differs in degree and intensity. In the
phenomenal world, consciousness has veiled its full power and plunged
into what may be called (spiritual) Ignorance or nescience. In case of
the supposedly inanimate mineral kingdom, this consciousness is said to
be veiled by a state of inertia (tamas). This veiling is denoted as Māyā
and it is this nescience which is the cause of all empirical distinctions
between the Knower, the Known and Knowledge. There would be no
nescience if we were fully conscious because then the distinction
between subject and object would not exist; everything we perceive
would be seen as part of the One Self. The act of perception must be
understood in the light of this ontological background. Every act of
perception (Pratyaksha) may be regarded as an attempted realization
of the One Self by an unveiling of the nescience which currently exists
between the subject-consciousness and the object-consciousness, the
Knower and the Known.
The figure below is a picturesque view of the division that occurs in the
mind during the second (determinate apprehension) and third (cognition)
stages described above.
(Source: http://en.wikipedia.org/wiki/File:Cartesian_Theater.jpg)
How the intellect is used to determine the cognition based on the
sensory inputs, is described in the figure below:
(Source: https://www.swamij.com/mind-map.htm)
COGNITION in VEDANTA
The five jñānēndriyāni are enumerated below:
1) shrotraṁ - the ears, the organs of hearing;
2) tvak – the skin, the organ of touch;
3) chakshuḥ - the eyes, the organs of sight or perception;
4) rasanā - the tongue, the organ of taste; and
5) ghrāṇaṁ – the nose, the organ of smell.
But here we need to note that when we are enumerating the eyes, ears
etc. we do not refer to the anatomical parts because the physical part is
there in a dead body also. The dead body also has skin but it cannot feel
the touch, it has eyes but it cannot see etc. So we do not refer to the
anatomical parts, which belong to sthūla sharīraṁ. What is actually
referred to is the subtle power behind each organ; that invisible शि#
(shakti), $वण शि# (shravaṇa shakti) is called shrotra indriyaṁ; दश(न शि#
(darshana shakti) is called chakshu indriyaṁ etc. Indriyaṁ does not
refer to the physical part, but instead to the subtle part. It belongs to
Sūkshma sharīraṁ and not to the Sthūla sharīraṁ.
The anatomical name of these parts in the physical body is called गोलक.
(goḷakaṁ). Goḷakaṁ is the physical part and it belongs to the physical
body, including the dead body, whereas indriyaṁ belongs to the subtle
body. In a dead body gōḷakaṁs are present, but indriyaṁs are not there.
In a blind person also gōḷakaṁ is there but indriyaṁ is missing.
Each sense organ has got a finite capacity only. Ears can hear only
within a range. But the range is not the same for all human beings as
certain persons can hear some sounds, which others can’t. Thus the
organs have a finite power but the corresponding Dēvatās have got
infinite potential.
It is like a Chief Executive who has got power to govern the entire
Company. But he picks up several General Managers for looking after
each function like Finance, Sales, Marketing, Production, Human
Relations etc. And he delegates part of his total power to each of these
General Managers, depending upon their respective functions. Thus
General Manager Finance will have power only with respect to the
Finance function. He will not have any power relating to say the
Marketing function and so on. Similarly there are so many powers in the
Creation. Each power has a corresponding total power. It is called a
Dēvatā and all the Dēvatās put together is called Īshvaraḥ – God who,
like the Chief Executive, is a conglomeration of all the total seeing
power, total smelling power, total hearing power, total thinking power,
total touching power, total emotional power and so on.
The Jñānēndriyāni, the Dēvatā for each indriya, and the Vishaya
corresponding to each indriya, are detailed in the Table below:
Seeing/
Hearing/ Feeling/ Tasting/ Smelling/
Function/ Form &
Sound Touch Taste Smell
Vishaya Colour
(śabda) (sparśa) (rasa) (gandha)
(rūpa)
Corresponding
Space Air Fire Water Earth
Element
Dig Ashvini
Dēvatā Vāyu Sūrya Varuna
Dēvatā Kumāras
The scriptures do not enumerate objects of the world, but instead, they
divide the world into 5 segments based on properties of objects. Our
sense organs never perceive the substance; they perceive only the
properties called shabda, sparsha, rūpa, rasa and gandha. When we say
you are sitting, we are only seeing your colour. If we say you are
speaking, we are only hearing your sound. If you apply lot of perfumes,
we only smell the perfumes. Thus we don’t know what your substance
is. The 5 sense organs (Jñānēndriyāni namely ears, skin, eyes, tongue
and nose) perceive the 5 properties (shabda, sparsha, rūpa, rasa &
gandha) corresponding to the 5 elements (Space, Air, Fire, Water &
Earth). Hence, it is all the play of Prakriti alone.
PERCEPTION in TANTRA
Arthur Avalon in his book Serpent Power presents the perspective of
Tantra on perception. At each moment, the Jiva is subject to
innumerable influences which from all quarters of the Universe pour
upon him. Only those reach his Consciousness which attract his
attention and are thus selected by his Manas. The latter attends to one
or other of these sense-impressions and conveys it to the Buddhi. When
an object (Artha) is presented to the mind, and perceived, the latter is
formed into the shape of the object perceived. This is called a mental
Vritti (modification) which it is the object of Yoga to suppress. The mind
as a Vritti is thus a representation of the outer subject. But, in so far as it
is such representation, the mind is as much an object as the outer one.
The latter, that is, the physical object, is called the gross object (Sthula
artha), and the former or mental impression is called the subtle object
(Sukshma artha). But, besides the object, there is the mind which
perceives it. It follows that the mind has two aspects, in one of which it is
the perceiver, and in the other the perceived in the form of the mental
formation (Vritti), which in creation precedes its outer projection, and
after the creation follows as the impression produced in the mind by the
sensing of a gross physical object. The mental impression and the
physical object exactly correspond, for the physical object is in fact but a
projection of the cosmic imagination, though it has the same reality as
the mind has; no more and no less. The mind is thus both cognizer
(Grahaka) and cognized Grahya), revealer (Prakashaka) and revealed
(Prakashya), denoter (Vacaka) and denoted (Vacya). When the mind
perceives an object, it is transformed into the shape of that object. So
the mind which thinks of the Divinity which it worships (Ishtadevata) is, at
length, through continued devotion, transformed into the likeness of that
Devata. By allowing the Devata thus to occupy the mind for long, it
becomes as pure as the Devata. This is a fundamental principle of
Tantrik Sadhana or religious practice. The object perceived is called
Artha, a term which comes from the root "Ri," which means to get, to
know, to enjoy. Artha is that which is known and which, therefore, is an
object of enjoyment. The mind as Artha, that is in the form of the mental
impression, is an exact reflection of the outer object or gross Artha. As
the outer object is Artha, so is the interior subtle mental form which
corresponds to it. That aspect of the mind which cognizes is called
Shabda or Nama (name), and that aspect in which it is its own object or
cognized is called Artha or Rupa (form). The outer physical object, of
which the latter is in the individual an impression, is also Artha or Rupa,
and spoken speech is the outer Shabda. The mind is thus, from the
Mantra aspect, Shabda and Artha, terms corresponding to the Vedantic
Nama and Rupa or concepts and concepts objectified. The Mayavada
Vedanta says that the whole creation is Nama and Rupa. Mind as
Shabda is the Power (Shakti) the function of which is to distinguish and
identify (Bhedasamsargavritti-Shakti).
Sri Aurobindo discovered that all the perceptive powers of the human
mind are actually derived from, but inferior to, the Supramental powers
of Comprehension and Apprehension. In the unenlightened man, the
powers of apprehension are dominant while the powers of
comprehension are imperfect and undeveloped. This is in contrast to the
Supramental plane, where the powers of comprehension operate
perfectly while the powers of apprehension are rendered subordinate or
redundant. Sri Aurobindo augmented the Vedantic theory of perception
by redefining the four terms Vijñāna, Prajñāna, Samjñāna and Ajñāna
mentioned in the Aitareya Upanishad.
यदेतAृदयं मनBचैतत् । सं/ानमा/ानं िव/ानं M/ानं मेधा OिPधृ(ितम(ितम(नीषा जूितः
Uमृितः संक;पः कतुरसुः कामो वश इित सवा(Wयेवैतािन M/ानUय नामधेयािन भवY2त
॥२॥
This which is the heart, is mind also. Concept and will and analysis
and wisdom and intellect and vision and continuity of purpose and
feeling and understanding, pain and memory and volition and
application of thought and vitality and desire and passion, all
these, yea all, are but names of the Eternal Wisdom.
(Sri Aurobindo, The Upanishads: Aitereya Upanishad ~
https://incarnateword.in/sabcl/12/aitereya-upanishad#p62)
With reference to the verse above, Prajñāna and Samjñāna are powers
of apprehension, while Vijñāna and Ajñāna are powers of
comprehension:
• Vijñāna: The object is held as part of one’s own consciousness in
order to gain complete knowledge of the truth and idea within it.
• Ajñāna: (note: Ajñāna here does not mean ignorance but
knowledge-will as in the word Agnya and Ajna Chakra) The object
is possessed in the energy of consciousness.
• Prajñāna: The object is analyzed as separate from the subject in
the outgoing movement of the apprehensive consciousness.
• Samjñāna: The object is analyzed in the in-bringing movement of
the apprehensive consciousness. This is awareness of the object
by sense-contact.
References:
1. Jadunath Sinha. Indian psychology : perception (London: Kegan Paul Trench
Trubner & Co. Ltd 1934) pp 1-75
2. Arthur Avalon. Serpent Power (Mineola: Dover Publications, 1974) p 88
3. A.B. Purani. Evening Talks with Sri Aurobindo (Puducherry: Sri Aurobindo
Ashram 1982) p 291.
Bibliography
1) Epistemology of perception by Sandeep Joshi
(https://auromere.wordpress.com/2009/09/11/epistemology-
of-perception/)
2) Tattvabodha (Notes)