Q2 Music Lesson 3 5
Q2 Music Lesson 3 5
Q2 Music Lesson 3 5
Quarter 2 – Module 2:
Afro-Latin American and Popular Music
LESSON 3 JAZZ
The next genre that we will discover is one of the most influential
musical genres of all genres in the world. If you are familiar with saxophone as
the main instrument used in this genre, you will be more entertained. It is one
of the hardest genres to play because of the features. It is also considered a
sexy music. Are you ready to discover this genre?
The arrival of the Jazz Music was an offshoot of the music of African slaves who
migrated to America. As music is considered a therapeutic outlet for human
feelings, the Africans used music to recall their nostalgic past in their home
country as well as to speak out their sentiments on their desperate condition at
that time. Since then, these gloomy beginnings have evolved into several more
upbeat jazz forms which the world has adopted and incorporated into other
contemporary styles.
2. Big Band - refers to a large ensemble form originating in the United States in
the mid 1920’s closely associated with the Swing Era with jazz elements
relying heavily on percussion, wind, rhythm section, and brass instruments
with a lyrical string section to accompany a lyrical melody.
3. Bebop - a musical style of modern jazz which is characterized by a fast
tempo, instrumental virtuosity, and improvisation that emerged during World
War II. The speed of the harmony, melody, and rhythm resulted in a heavy
performance where the instrumental sound became more tense and free.
4. Jazz Rock - a music of the 1960’s and 1970’s bands that inserted jazz
elements into rock music. Jazz rock is a mix of funk and R&B which stands for
“rhythm and blues”, where the music used amplification and electronic
effects, complex time signatures, and extended instrumental compositions
with lengthy improvisations in the jazz style.
Since the 1990s, jazz has been characterized by a pluralism in which no one
style dominates, but rather a wide range of styles and genres are popular.
Individual performers often play in a variety of styles, sometimes in the same
performance.
Pianist Brad Mehldau and The Bad Plus have explored contemporary rock
music within the context of the traditional jazz acoustic piano trio, recording
instrumental jazz versions of songs by rock musicians. The Bad Plus have also
incorporated elements of free jazz into their music. A firm avant-garde or free
jazz stance has been maintained by some players, such as saxophonists Greg
Osby and Charles Gayle, while others, such as James Carter, have incorporated
free jazz elements into a more traditional framework.
BALLADS
Ballads originated as an expressive folksong in narrative verse dealing
typically about love. The word is derived from both the medieval French
chanson balladee and ballade which refer to a dancing song. It was used by
poets and composers since the 18th century until it became a slow popular love
song in the 19th century. Today, it refers to a love song in a slightly pop or rock
style, with the following variations:
1. Blues Ballads - a fusion of Anglo-American and Afro-American styles from
the 19th century that deals with the anti-heroes resisting authority. The form
emphasizes the character of the performer more than the narrative content
and uses a banjo or a guitar as accompaniment.
2. Pop Standard and Jazz Ballads - a blues style built from a single verse of
16 bars ending on the dominant or half-cadence, followed by a refrain/chorus
part of 16 or 32 bars in AABA form. The B section acts as the bridge, and the
piece normally ends with a brief coda.
3. Pop and Rock Ballads - an emotional love song with suggestions of folk
music. This style is sometimes applied to strophic (verse-repeating) story-
songs.
Some enduring pop standard and jazz ballads include “The Man I Love”
(George Gershwin, above left), “Always” (Irving Berlin, above center), and
“In a Sentimental Mood” (Duke Ellington, above right).
STANDARDS
In music, the term “standard” is used to denote the most popular and
enduring songs from a particular genre or style. Its style is mostly in a slow or
moderate tempo with a relaxed mood. It features highly singable melodies within
the range and technical capacity of listeners.
Among
the foremost
proponents of
this style are the
following:
from topics.nytimes.com in Sunico,
et.al, 2015, p.69 and70
from alcaldehotel.com in
Sunico, et.al, 2015, p.73
Presley’s style was the precursor of the British band known as The
Beatles, whose compositions further boosted rock and roll as the favorite
genre of the times.
Examples of The Beatles’ songs in this genre are “I Saw Her Standing
There”, “Get Back” and “While My Guitar Gently Weeps”.
DISCO
Another form of pop music known as “Disco” rose in 70s. This type of
music pertained to rock music that was more danceable, thus leading to the
establishment of venues for public dancing also called discos. The term
originated from the French word discotheque which means a library for
phonograph records. The disco style had a soaring and reverberating sound
rhythmically controlled by a steady beat for ease of dancing accompanied by
strings, horns, electric guitars, and electric pianos or synthesizers.
Famous
figures of the
disco genre
include ABBA,
Donna
Summer (“The
Queen of
from en.wikipedia.org in Sunico, et.al,
from en.wikipedia.org in Disco”), The
Sunico, et.al, 2015, p.75
2015, p.75
Bee Gees and
Gloria Gaynor,
bringing us such hits as “Dancing Queen”, “Stayin’ Alive”,
“Boogie Wonderland”, and “Hot Stuff”.
POP MUSIC
Parallel with the disco era, other pop music superstars continued to
emerge.
Among them were Diana Ross and the Supremes (“Stop in the Name of
Love”), Olivia Newton John (“Hopelessly Devoted to You”), Elton John
(“Skyline Pigeon”) and The Carpenters (“We’ve Only Just Begun”).
Pop superstars in more recent years were Celine Dion (“My Heart Will Go
On”), Whitney Houston (“I Will Always Love You”), Mariah Carey (“Hero”),
Beyonce (“Listen”), Lady Gaga (“Bad Romance”), and Bruno Mars (“Just The
Way You Are”) and many more.
Today’s Pop Music Idols include music groups like Black Eyed Peas, My
Chemical Romance, Fall Out Boys, The Red Jumpsuit Apparatus, Souja
Boy, Train, Maroon 5, One Direction including popular Kpop like BTS,
Blankpink and Astro; and solo performers include Adele, Taylor Swift, Ed
Sheeran, Rihanna, Chris Brown, Ariana Grande, Justin Bieber, Miley
Cyrus, Katy Perry, Nikki Minaj, Selena Gomez, Charlie Puth, Jessie J and
others.
from ROYALTY FREE
NO COPYRIGHT IMAGES from ROYALTY FREE from ROYALTY FREE
NO COPYRIGHT IMAGES NO COPYRIGHT IMAGES
Lesso
n
From theater tunes to rock and roll, pop, standards, hip hop, rap, and
contemporary ballads- whether in the West, in the Philippines, or anywhere else
in the world- these all provided a rich and diverse musical background in the
development of Philippine contemporary music.
Now, try to ask your parents who their most favorite artist is during 60’s,
70’s, 80’s or 90’s? What is their favorite song?
You have been hearing the term OPM in many entertainment portals but
are you aware of its meaning? The acronym OPM stands for Original Pilipino
Music which is a genre under Contemporary Philippine Music. It was originally
used to refer to Philippine pop songs, particularly ballads, such as those popular
after the collapse of its predecessor, the Manila Sound, in the late 1970s until
the present.
OPM started in Manila
where Tagalog and English are the
dominant languages for its texts.
However, other ethno-linguistic
from psr.ph in Sunic
o, et.al, 2015, p.81
groups such as the Visayan, Bikol,
Kapampangan, and Ilocano also
began to sing and record their
songs in their native dialects.
Pop music in the Philippines started as an adaptation or translation, if not
complete imitation, of Western hits. It started with Bobby Gonzales’ “Hahabol-
habol” (Hot Pursuit), a local version of the rock and roll songs of the 1950s, and
Rico Puno’s “Luneta”, a local adaptation of “The Way We Were”. This
immediately clicked with the youth and eventually gained wide acceptance even
among the burgis (bourgeois or elite) crowd.
PHILIPPINE ROCK
The year 1973 saw the birth of Philippine or “Pinoy” rock music which
successfully merged the rock beat with Filipino lyrics. This new sound was
introduced by the legendary Juan de la Cruz Band, with their song “Ang Himig
Natin”.
Continuing this legacy of Pinoy rock today are vocal groups and bands
that include River Maya, The Dawn, True Faith, The Eraserheads, Wolfgang,
Bamboo, Parokya ni Edgar, Hale, Sandwich, SugarFree, Sponge Cola and others.
Some of the Filipino composers who championed this style were Joey Ayala,
Grace Nono, and Edru Abraham. Among other Filipino composers whose styles
ranged from folk to semi-ethnic were Freddie Aguilar “Anak”, Yoyoy Villame
“Magellan”, and Florante “Ako’y Isang Pinoy”.
PINOY RAP
In the Philippines, rap was also made
popular by such composers and performers as
Francis Magalona “Mga Kababayan Ko”,
“Watawat” and Andrew E “Humanap Ka ng
Pangit”.
Francis Magalona is also
known as Francis M., “Master Rapper,”
and “The Man from Manila.” He was a
Filipino rapper, songwriter, producer, actor, director,
television host, and photographer. He is often hailed as the
“King of Pinoy Rap” and is considered a legend in the
Philippine music community. Magalona was the first Filipino
rapper to cross over to the mainstream. He is also credited
for having pioneered the merging of rap with Pinoy rock,
becoming a significant influence on artists in that genre as
well.