Artistic Works 1886 • The oldest international agreement in the field of copyright • 38 Articles • Revised Time to Time • Latest Revision – 1971 • WIPO • The Convention deals with the protection of works and the rights of their authors. • Based on three basic principles and contains a series of provisions determining the minimum protection to be granted, as well as special provisions available to developing countries that want to make use of them. The three basic principles • (a) Works originating in one of the Contracting States (works the author of which is a national of such a State or works first published in such a State) must be given the same protection in each of the other Contracting States as the latter grants to the works of its own nationals (principle of "national treatment") • (b) Protection must not be conditional upon compliance with any formality (principle of "automatic" protection) • (c) Protection is independent of the existence of protection in the country of origin of the work (principle of "independence" of protection). • If, however, a Contracting State provides for a longer term of protection than the minimum prescribed by the Convention and the work ceases to be protected in the country of origin, protection may be denied once protection in the country of origin ceases • The minimum standards of protection relate to the works and rights to be protected, and to the duration of protection: • As to works, protection must include "every production in the literary, scientific and artistic domain, whatever the mode or form of its expression" (Article 2(1) of the Convention). • Subject to certain allowed reservations, limitations or exceptions, various rights must be recognized as exclusive rights of authorization which includes.. • the right to translate, • the right to make adaptations and arrangements of the work, • the right to perform in public dramatic, dramatico-musical and musical works, • the right to recite literary works in public, • the right to communicate to the public the performance of such works, • the right to broadcast (with the possibility that a Contracting State may provide for a mere right to equitable remuneration instead of a right of authorization), • the right to use the work as a basis for an audiovisual work, and the right to reproduce, distribute, perform in public or communicate to the public that audiovisual work • the right to make reproductions in any manner or form (with the possibility that a Contracting State may permit, in certain special cases, reproduction without authorization, provided that the reproduction does not conflict with the normal exploitation of the work and does not unreasonably prejudice the legitimate interests of the author; and the possibility that a Contracting State may provide, in the case of sound recordings of musical works, for a right to equitable remuneration), • The Convention also provides for "moral rights", that is, the right to claim authorship of the work and the right to object to any mutilation, deformation or other modification of, or other derogatory action in relation to, the work that would be prejudicial to the author's honor or reputation. • As to the duration of protection, the general rule is that protection must be granted until the expiration of the 50th year after the author's death – Subject to exceptions. • The Convention allows certain limitations and exceptions on economic rights, that is, cases in which protected works may be used without the authorization of the owner of the copyright, and without payment of compensation. • These limitations are commonly referred to as "free uses" of protected works, and are set forth in Articles 9(2) (reproduction in certain special cases), 10 (quotations and use of works by way of illustration for teaching purposes), 10bis (reproduction of newspaper or similar articles and use of works for the purpose of reporting current events) and 11bis(3) (ephemeral recordings for broadcasting purposes).