English FAL P2 Nov 2012
English FAL P2 Nov 2012
English FAL P2 Nov 2012
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NATIONAL
SENIOR CERTIFICATE
GRADE 12
NOVEMBER 2012
MARKS: 70
TIME: 2 hours
Read this page carefully before you begin to answer the questions.
1. Do NOT attempt to read the entire question paper. Consult the Table of
Contents on the next page and mark the numbers of the questions set on the
texts you have studied this year. Read these questions and choose the ones
you wish to answer.
SECTION A: NOVEL
Answer ONE question on the novel that you have studied.
SECTION B: DRAMA
Answer ONE question on the drama that you have studied.
SECTION D: POETRY
Answer TWO questions.
5. Number your answers exactly as the questions are numbered in the question
paper.
TABLE OF CONTENTS
SECTION A: NOVEL
SECTION B: DRAMA
SECTION D: POETRY
CHECKLIST
NOTE:
SECTION A: NOVEL
In this section, there are essay questions and contextual questions on the following
novels:
Answer ONE question (EITHER the essay question OR the contextual question) on the
novel you have studied.
TO KILL A MOCKINGBIRD
In the novel TO KILL A MOCKINGBIRD, we see that many factors shape children's
lives.
Write an essay in which you discuss how Boo's, Jem's and Scout's lives are shaped by
different factors. In your essay, refer to specific incidents in the story.
OR
TO KILL A MOCKINGBIRD
Read the following extracts from the novel and answer the questions set on each. The
number of marks allocated to each question serves as a guide to the expected length
of your answer.
NOTE: Answer the questions set on BOTH extracts, i.e. QUESTION 2.1 AND
QUESTION 2.2.
He did not do the things our schoolmates' fathers did; he never went
hunting, he did not play poker or fish or drink or smoke. He sat in the living-
room and read.
With these attributes, however, he would not remain as inconspicuous as
we wished him to: that year, the school buzzed with talk about him defending 5
Tom Robinson, none of which was complimentary. After my bout with Cecil
Jacobs when I committed myself to a policy of cowardice, word got around
that Scout Finch wouldn't fight any more, her daddy wouldn't let her. This was
not entirely correct: I wouldn't fight publicly for Atticus, but the family was
private ground. I would fight anyone from a third cousin upwards tooth and 10
nail. Francis Hancock, for example, knew that.
When he gave us our air-rifles Atticus wouldn't teach us to shoot. Uncle
Jack instructed us in the rudiments thereof; he said Atticus wasn't interested
in guns. Atticus said to Jem one day, 'I'd rather you shot at tin cans in the
back yard, but I know you'll go after birds. Shoot all the bluejays you want, if 15
you can hit 'em, but remember it's a sin to kill a mockingbird.'
[Chapter 10]
2.1.3 In lines 5–6 it is stated 'the school buzzed ... which was
complimentary'.
(a) What do the words 'none of which was complimentary' tell you
about the school children's attitude towards Tom Robinson?
State TWO points. (2)
Give TWO reasons why Scout views not being able to fight as a
'policy of cowardice'. (2)
2.1.5 What does Scout mean by fighting anyone 'tooth and nail' in
lines 10–11? (1)
2.1.8 Do you think Atticus was right in giving Jem and Scout air-rifles?
Discuss your view. (2)
AND
2.2 [Scout and Dill meet Mr Dolphus Raymond outside the court.]
Write an essay in which you discuss how the boys' fears develop and get out of
control.
In your essay you may consider the following ideas, among others:
• The fears of the littl'uns and the reactions of the boys to them
• The 'beast from the air' and the boys' reactions to Simon's discovery
• How fear of the 'beast' affects the boys' behaviour
OR
Read the following extracts from the novel and answer the questions set on each. The
number of marks allocated to each question serves as a guide to the expected length
of your answer.
NOTE: Answer the questions set on BOTH extracts, i.e. QUESTION 4.1 AND
QUESTION 4.2.
Ralph and Jack looked at each other while society paused about them.
The shameful knowledge grew in them and they did not know how to begin
confession.
Ralph spoke first, crimson in the face.
"Will you?" 5
He cleared his throat and went on.
"Will you light the fire?"
Now the absurd situation was open, Jack blushed too. He began to mutter
vaguely.
"You rub two sticks. You rub – " 10
He glanced at Ralph, who blurted out the last confession of incompetence.
"Has anyone got any matches?"
"You make a bow and spin the arrow," said Roger. He rubbed his hands in
mime. "Psss. Psss."
A little air was moving over the mountain. Piggy came with it, in shorts and 15
shirt, labouring cautiously out of the forest with the evening sunlight gleaming
from his glasses. He held the conch under his arm.
Ralph shouted at him.
"Piggy! Have you got any matches?"
The other boys took up the cry till the mountain rang. Piggy shook his head 20
and came to the pile.
"My! You've made a big heap, haven't you?"
Jack pointed suddenly.
[Chapter 2]
The (a) … boys gather wood to light a (b) … fire to attract passing
(c) … with its (d) … (4)
4.1.3 In lines 2–3, the writer mentions 'The shameful knowledge ... to
begin confession'.
4.1.4 In line 4, the writer mentions that Ralph turns 'crimson in the face'.
A apostrophe.
B onomatopoeia.
C assonance.
D oxymoron. (1)
4.1.6 Give TWO characteristics of Piggy's that we learn from the words
'labouring cautiously' in line 16. (2)
4.1.7 Give TWO reasons why all the boys, 'took up the cry' in line 20. (2)
4.1.8 In your opinion, should starting a fire on the island have been the
most important concern? Discuss your view. (2)
4.1.9 Do you agree that emergency situations, like the one mentioned in
this extract, bring out the best in people? Discuss your view. (2)
AND
They hauled Piggy clear of the wreckage and leaned him against a tree.
The night was cool and purged of immediate terror. Piggy's breathing was a
little easier.
"Did you get hurt, Piggy?"
"Not much." 5
"That was Jack and his hunters," said Ralph bitterly. "Why can't they leave
us alone?"
"We gave them something to think about," said Sam.
Honesty compelled him to go on. "At least you did. I got mixed up with myself
in a corner." 10
"I gave one of 'em what for," said Ralph, "I smashed him up all right. He
won't want to come and fight us again in a hurry."
"So did I," said Eric. "When I woke up one was kicking me in the face. I got
an awful bloody face, I think, Ralph. But I did him in the end."
"What did you do?" 15
"I got my knee up," said Eric with simple pride, "and I hit him with it in the
pills. You should have heard him holler! He won't come back in a hurry either.
So we didn't do too badly."
Ralph moved suddenly in the dark; but then he heard Eric working at his
mouth. 20
"What's the matter?"
"Jus' a tooth loose."
[Chapter 10]
A GRAIN OF WHEAT
By referring to Gikonyo, Mumbi and Mugo, discuss the reasons for their suffering and
how it affects them.
In your essay you may consider the following ideas, among others:
OR
A GRAIN OF WHEAT
Read the following extracts from the novel and answer the questions set on each. The
number of marks allocated to each question serves as a guide to the expected length
of your answer.
NOTE: Answer the questions set on BOTH extracts, i.e. QUESTION 6.1 AND
QUESTION 6.2.
'A day comes when brother shall give up brother, a mother her son, when
you and I have heard the call of a nation in turmoil.'
Mugo felt a constriction in his throat. He could not clap for words that did
not touch him. What right had such a boy, probably younger than Mugo, to
talk like that? What arrogance? Kihika had spoken of blood as easily as if he 5
was talking of drawing water in a river, Mugo reflected, a revulsion starting in
his stomach at the sight and smell of blood. I hate him, he heard himself say
and frightened, he looked at Mumbi, wondering what she was thinking. Her
eyes were still fixed on her brother. Everybody's eyes were on the platform.
Mugo experienced a twang of jealousy as he too turned and looked at the 10
speaker. At that moment their eyes met, or so Mugo imagined, with guilt. For
a split second the crowd and the world at large seemed drenched in silence.
Only Kihika and Mugo were left on the stage. Something surged for release in
Mugo's heart, something, in fact, which was an intense vibration of terror and
hatred. 15
'Watch ye and pray,' Kihika said, calling on his audience to remember the
great Swahili proverb: Kikulacho Kimo nguoni mwako.
[Chapter 2]
6.1.2 Mugo thinks that Kihika 'had spoken of blood as easily as if he was
talking of drawing water in a river' (lines 5–6).
How does Kihika feel about violence? State TWO points. (2)
6.1.4 Quote TWO separate words from this extract to show Mugo's
negative feelings towards Kihika. (2)
6.1.5 Mugo's and Kihika's characters differ. Write down ONE difference. (2)
6.1.7 The Swahili proverb at the end of the passage is: 'That which bites
you is in your clothes.'
How is this saying proved to be true by the way Kihika is killed? (2)
6.1.8 Mugo and Kihika have different views on violence in the revolution.
Whose view do you support? Discuss your view. (2)
AND
Had the man gone, Karanja wondered? He should have asked him yesterday.
Yesterday after the dog incident. Karanja recalled his terror as the dog
approached him. He shuddered. Thompson had saved him from shame.
Thompson. And he was going. He strolled back to his room, heavy with a
sense of imminent betrayal. 5
He had once before experienced a similar feeling. That was the day, soon
after the State of Emergency was officially lifted, that the reigning D.O.
advised him to resign his post as Chief. Then new Party political leaders like
Oginga Odinga were agitating for Independence and the release of Jomo
Kenyatta. Karanja arrested a man who had not paid poll-tax for two years. 10
The man had been without a job since he left detention. He was so angry that
instead of answering questions, he spat on the dust. The Chief did exactly
what he was used to doing: he had the man beaten by his bodyguard, and
locked him up at the homeguard post until morning. The matter was taken up
by men connected with Odinga, and in this way reached the courts. Karanja 15
was compelled to pay a fine and make a public apology. This had cut him to
the quick. Why should he be punished for doing exactly what he had been
praised for doing a month or so before?
[Chapter 10]
A abuse of power.
B short temper.
C cowardly nature.
D leadership. (1)
(b) What is the final outcome of this incident for Karanja? (1)
6.2.6 Mumbi rejects Karanja. What TWO effects does this rejection have
on him? (2)
6.2.7 In this extract Karanja recalls being punished for something he was
praised for earlier.
What does this tell you about the colonial government in Kenya? (1)
TOTAL SECTION A: 35
SECTION B: DRAMA
In this section, there are essay questions and contextual questions on the following
dramas:
Answer ONE question (EITHER the essay question OR the contextual question) on the
drama you have studied.
In the play ROMEO AND JULIET both Romeo's and Juliet's lives are affected by other
characters.
Write an essay showing how Romeo and Juliet are affected by the actions and advice
of others.
In your answer, you may discuss the following ideas, among others:
• How Romeo and Juliet are affected by the actions of Mercutio and Tybalt
• How Juliet's parents and the Nurse influence her life
• How Friar Lawrence has an impact on Romeo's and Juliet's lives
OR
Read the following extracts from the play and answer the questions set on each. The
number of marks allocated to each question serves as a guide to the expected length
of your answer.
NOTE: Answer the questions set on BOTH extracts, i.e. QUESTION 8.1 AND
QUESTION 8.2.
8.1.1 Romeo and his friends attend the Capulet ball for different reasons.
Write down these reasons. (2)
8.1.2 What TWO characteristics of Tybalt's are shown in this extract? (2)
8.1.3 What is the 'antic face' that Tybalt refers to in line 3? (1)
(a) Give TWO possible reasons why Capulet feels this way. (2)
(b) Tybalt does not fight Romeo at the ball. What are the THREE
consequences of this the next day? (3)
8.1.6 If you were the stage director of the play, what would you tell the
guests to do while Tybalt and Capulet are arguing? (1)
8.1.8 Romeo and Juliet fall in love with each other at first sight. Give your
views on whether this is true love. (2)
AND
8.2 [Juliet talks to her mother the night before her marriage to Paris.]
COLUMN A COLUMN B
(a) Benvolio A related to Prince Escalus
8.2.2 Juliet describes herself as 'cross and full of sin' in line 5. She is
referring to a recent argument with her father. What did they argue
about? State TWO points. (2)
8.2.3 What does Juliet mean by 'have your hands full' in line 12? (1)
8.2.5 Explain what Juliet means in lines 18–19 ('I have a ... heat of life.'). (2)
8.2.6 How does Juliet's attitude change towards the Nurse? (2)
8.2.7 Explain the part the vial plays in the final events of the play. (2)
8.2.8 Do you think Juliet was wise to drink the potion? Discuss your
views. (2)
8.2.9 Do you feel sympathy for the Capulets because they have lost their
daughter? Discuss your view. (2)
[35]
OR
In the play NOTHING BUT THE TRUTH, Sipho could have dealt with some of the
issues that troubled him in a different way.
In your essay you may consider the following ideas, among others:
OR
Read the following extracts from the play and answer the questions set on each. The
number of marks allocated to each question serves as a guide to the expected length
of your answer.
NOTE: Answer the questions set on BOTH extracts, i.e. QUESTION 10.1 AND
QUESTION 10.2.
THANDO: You are not staying a little longer ... I mean to mourn?
MANDISA: My father died two weeks ago. I've done all the mourning ... I've
got work to do now.
THANDO: My father would expect us to show some respect for at least a
month as children. Elderly people mourn much longer. He won't 5
allow me to go with you to Jo'burg.
MANDISA: Girl! 'He won't allow you'!
THANDO: Things are different here. This is not London. There are rules in
this house. For as long as I am staying with him under his roof
there are rules and they're his rules [laughing]. Would you like 10
some tea?
MANDISA: She goes to the kitchen.
THANDO: [following her]: Yes, love some.
MANDISA: You were telling me about yourself.
My mother works for Amnesty International and has done for 15
donkey's years. She met my father in Lagos, Nigeria, where she
was working at the Amnesty office. Love at first sight – as my
father used to say. They both came to London and got married –
I was born ...
THANDO: Any brothers and sisters? 20
MANDISA: Nope. I am the only child.
THANDO: I had a brother, Luvuyo, not from my mom though, but he died ...
he was killed.
MANDISA: During the riots. Yes my daddy told me.
THANDO: Not riots. Student uprisings. My father was devastated. Every 25
morning for months his pillow would be soaked with tears.
Always hid his tears from me. Didn't want me to feel that he
loved him more than me. I know he did. African men love their
sons more than their daughters.
[Act 1, Scene 2]
COLUMN A COLUMN B
(a) Themba A fashion designer
E writer (4)
10.1.2 Why is it difficult to know exactly how Thando and Mandisa are
related? (1)
(a) If you were the stage director, what would you want Mandisa's
face to express? (1)
(c) What do Mandisa's words in this line show you about the way
she was raised? (1)
10.1.6 What does Mandisa mean when she says 'donkey's years' in
line 16? (1)
10.1.7 Sipho blames Themba for Luvuyo's death. Do you think Sipho is
fair in blaming Themba? Discuss your view. (2)
10.1.8 Thando believes that a long mourning period for the loss of a loved
one is good. Mandisa disagrees with her. Discuss your view on this
matter. (2)
AND
SIPHO: Now you are making me nervous. I said I will answer you
truthfully.
MANDISA: All the things you said about my father, are they true?
SIPHO: About your father and Thando's mother?
MANDISA: No, about him being a political activist, that he was no hero, 5
about him being a fake, a liar and a womaniser. Is all that true?
SIPHO: He was a political activist. Everybody loved him. It was always
Themba this, Comrade Themba that. I was angry at him for that.
THANDO: A little jealous maybe?
SIPHO: Yes I was jealous. Very jealous. It was Themba all the time. 10
What about me? I was there too. I kept the family together. I
hated him for that. [Pause.] Your father is a hero of the Struggle.
If he had stayed the police would have killed him as they did my
son.
MANDISA: Thank you Uncle Sipho. 15
He kisses her on the forehead.
SIPHO: I wish I knew what he looked like now.
MANDISA: [going into Thando's room]: I've got something for you.
THANDO: Can I ask you something too?
SIPHO: About your mother? 20
THANDO: No, you've already told me everything about her and I am very
happy about that.
SIPHO: What then?
THANDO: The Library. Are you really going to burn it down? [Mandisa
laughs]. You weren't serious were you? 25
[Act 2 Scene 1]
(a) Using your own words, name TWO things Sipho tells Mandisa
about her father. (2)
(b) Why does Mandisa doubt the information she gets from
Sipho? (2)
10.2.2 Explain why Sipho finds it difficult to talk about Themba and
Thando's mother before Mandisa's arrival. (2)
10.2.3 Using your own words, give TWO reasons why Sipho is jealous of
Themba in line 9. (2)
The fact that Sipho kisses Mandisa in line 16 shows that he ...
10.2.8 Give TWO reasons why the title of the play, NOTHING BUT THE
TRUTH, is suitable. (2)
[35]
TOTAL SECTION B: 35
Choose ONE of the short stories and answer the questions set in it.
The story THE COFFEE-CART GIRL, focuses on the relationship between Pinkie and
China.
Write an essay in which you discuss this statement. In your answer refer to specific
incidents in the story.
OR
Read the following extracts from the short story and answer the questions set on each.
The number of marks allocated to each question serves as a guide to the expected
length of your answer.
NOTE: Answer the questions set on BOTH extracts, i.e. QUESTION 12.1 AND
QUESTION 12.2.
Oh, how wonderful it was listening to those minutely detailed sagas. But 10
after two weeks I was bored out of my wits. The novel could wait, I decided as
I packed up and was driven back to Hutchinson Station. The train from Cape
Town – the very same one that had brought me there two weeks before – slid
into the station. I bade Uncle Henkie goodbye with a promise that I would
feature him prominently and truthfully in my novel. 15
12.1.1 Read the following statement and complete the sentences by filling
in the missing words. Write only the words next to the question
number (12.1.1(a) and 12.1.1(b)) in the ANSWER BOOK.
(b) Explain why the writer has used this figure of speech. (2)
12.1.4 The narrator is surprised and pleased by the way the three big men
in the compartment treat him. State TWO ways in which these men
make him feel like an old friend. (2)
12.1.5 At this point in the story, explain how the narrator feels about the
other two passengers in the compartment. State TWO points. (2)
12.1.6 When the three men leave, the behaviour of the two boys changes.
Give TWO reasons for the change in the boys' behaviour. (2)
12.1.7 Give TWO reasons why the narrator decides not to ask the
conductor to move him to another compartment. (2)
Before they tell him, the narrator is certain that the two boys are
brothers. (2)
12.1.9 The narrator in this story researches his family history. Do you
think it is a good idea for one to do this? Discuss your view. (2)
AND
He threw the remains of the dead man out of the window in the dead of
night, and wiped the blood carefully from the windowpane, the green leather
seat, the floor. When the conductor questioned the whereabouts of the
missing man, Georgie merely shrugged and uttered a melodious "How should
I know? Nobody asked me to take care of him." 5
But even as Georgie was relating this tale of theft and murder in all its
horrific detail, I knew it was a lie, simply a more elaborate version of my
mother's dire warning to yours truly at seven, "If you eat in bed you'll grow
horns", or the more convincing "Go to bed with wet hair and you'll suffer from
a smelly nose for the rest of your life". Georgie was in fact warning me to stay 10
clear of his luggage! And the story had quite an amusing ending. When we
reached Cape Town Station, a toothless woman in a lopsided jersey,
stretched to twice its original size (which used to be XL) welcomed the
murderer home with an unceremonious slap across his face, while I looked on
together with a brood of his startled children who didn't know if they should 15
laugh with delight at their papa's homecoming, or cry for the humiliating
onslaught he was being subjected to.
12.2.1 Why was Georgie's wife angry with him when she met him at the
station? State TWO points. (2)
12.2.2 Does the writer want his readers to believe that Georgie killed the
man? Give a reason for your answer. (2)
Copyright reserved Please turn over
English First Additional Language/P2 29 DBE/November 2012
NSC
12.2.3 After listening to the story of Georgie Abrahams, the people in the
compartment have different reactions.
(a) Describe the different reactions the friendly men and the two
boys have. (2)
(b) Why is the narrator not surprised by the boys' reaction? (1)
12.2.4 Read the following statement and complete the sentences by filling
in the missing words. Write only the words next to the question
number (12.2.4(a) and 12.2.4(b)) in the ANSWER BOOK.
The two boys are on their way to their (a) … funeral. He was a
(b) … leader in Coronationville. (2)
(a) How does this fact change his feelings towards them? (1)
(b) How does the boys' behaviour change because of this new-
found relationship? (2)
A romantic love.
B sibling rivalry.
C fear.
D greed. (1)
12.2.7 Explain what makes the ending of the story sad. (2)
TOTAL SECTION C: 35
SECTION D: POETRY
Answer questions on ANY TWO of the prescribed poems set. Read each poem
carefully and then answer the questions which follow. The number of marks allocated
to each question serves as a guide to the expected length of your answer.
QUESTION 13
Read the following poem and then answer the questions set on it.
13.1 Complete the following sentences by using the words provided in the list
below. Write only the words next to the question number (13.1.1–13.1.3) in
the ANSWER BOOK.
This poem is a Miltonic (13.1.1) … The octave gives the reader the
(13.1.2) … and the sestet gives the reader the (13.1.3) … (1½)
13.2 Refer to lines 1 and 2 ('When I consider ... world and wide')
Quote TWO contrasting words that best describe the poet's main concern. (2)
13.3 Refer to lines 3 and 4 ('And that one ... Soul more bent').
13.4 Refer to lines 6 and 7 ('My true account ... labour, light denied?').
13.5.2 Explain why the poet uses this figure of speech. (2)
13.6 Choose the correct answer to complete the following sentence. Write only the
answer (A–D) in the ANSWER BOOK.
The word which best describes the poet's feeling in lines 9–14 ('That murmur,
soon … stand and wait') is …
A acceptance.
B anger.
C depression.
D joy. (1)
Is the following statement TRUE or FALSE? Write 'true' or 'false' and quote
TWO consecutive words to support your answer.
The poet feels that our burdens are not heavy. (2)
13.8.1 Do you feel sorry for the poet? Discuss your view. (2)
OR
QUESTION 14
Read the following poem and then answer the questions set on it.
14.1 Complete the following sentences by using the words provided in the list
below. Write only the words next to the question number (14.1.1–14.1.3) in
the ANSWER BOOK.
This poem is about a farm (14.1.1) … who (14.1.2) … the earth. The serf
represents patient revolutionaries whose sacrifice is responsible for human
(14.1.3) … (1½)
14.2 Refer to lines 1–4 ('His naked skin ... crimson furrow grooves').
14.2.2 What do the words 'drives' and 'somnambulist' tell you about the
ploughman? (2)
14.3 Refer to lines 5–6 ('His heart, more ... of insult torn').
14.3.2 Explain why the poet uses this figure of speech. (2)
14.4 Choose the correct answer to complete the following sentence. Write only the
answer (A–D) in the ANSWER BOOK.
14.5 Refer to the last six lines of the poem ('Lies fallow now ... thrones, and
towers').
Discuss the speaker's warning in these lines. State TWO points. (2)
14.6 Consider the poem as a whole. Do you feel sorry for the serf? Discuss your
view. (2)
14.7 Give TWO reasons why the title 'The serf' is a suitable one for this poem. (2)
[17½]
OR
QUESTION 15
Read the following poem and then answer the questions set on it.
15.1 Complete the following sentences by using the words provided in the list
below. Write only the words next to the question number (15.1.1–15.1.3) in
the ANSWER BOOK.
This poem describes how the (15.1.1) … rushes to the scene of the
(15.1.2) … The (15.1.3) … are picked up and taken to hospital. (1½)
15.2 Refer to lines 1–7 ('Its quick soft ... entering the crowd').
15.3 Choose the correct answer to complete the following sentence. Write only the
answer (A–D) in the ANSWER BOOK.
15.4 Refer to lines 9–14 ('Stretchers are laid out … moves away').
Is the following statement TRUE or FALSE? Write 'true' or 'false' and quote a
SINGLE word to support your answer.
Quote TWO separate words that show the difference in the reactions of the
speaker and the policemen. (2)
15.6 Explain why the poet uses the words 'Empty husks' in line 21. (2)
15.7 Explain why the poet mentions war, suicide, stillbirth and cancer in a poem
about road accidents. (2)
15.8 The poem was first published in 1941. Do you think it is still relevant today?
Discuss your view. (2)
15.9 Explain why the title 'Auto wreck' is suitable. State TWO points. (2)
[17½]
OR
QUESTION 16
Read the following poem and then answer the questions set on it.
16.1 Complete the following sentences by using the words provided in the list
below. Write only the words next to the question number (16.1.1–16.1.3) in
the ANSWER BOOK.
The poet says that the cheetah is (16.1.1) … but it has (16.1.2) …
movements and it appears to be (16.1.3) … (1½)
16.2 What does the word 'indolent' in line 1 tell you about the cheetah? State
TWO points. (2)
16.3 Choose the correct answer to complete the following sentence. Write only
the answer (A–D) in the ANSWER BOOK.
16.4.2 Explain why the poet uses this figure of speech. (2)
16.5 Is the following statement TRUE or FALSE? Write 'true' or 'false' and quote
no more than EIGHT consecutive words from stanza 5 to support your
answer.
16.6 What do the words 'game of chance' in line 20 show about the hunt? State
TWO points. (2)
There is a contrast in the way the cheetah and the herd move. Using your
OWN words, explain this contrast. (2)
16.8 This poem shows that nature is cruel. Do you agree? Discuss your view. (2)
TOTAL SECTION D: 35
GRAND TOTAL: 70
Copyright reserved