Theatre Scripts
Theatre Scripts
Theatre Scripts
1
20 Short Practice Scenes
for Pairs
Objective
Students engage in active listening, preliminary character analysis, and practice using natural-
sounding dialogue.
1. Explain that one of the keys to being believable as an actor is to focus their attention on
their scene partner rather than on a particular way of delivering their lines. You may
choose to play a focus games such as Pass the Clap as a warm-up.
2. Next, demonstrate how one line of dialogue can change given different circumstances.
The Two Lines drama activity offers a way to teach actors to be in the moment and to
respond to their scene partner authentically.
3. Divide group into pairs and either assign a script to each pair or
allow students to choose their own.
5. Ask students to rehearse their scene paying particular attention to responding to their
partner rather than on delivering their line.
6. Have students perform their scenes in front of the rest of the group.
7. Optional—have students take their scenes home and write a character bio for
their character. Character worksheets may be found here.
Or try this!
Scene Entrances
Ask actors to think about their character and the scene and decide where the character is
coming from and what happened to them directly before the scene begins. Remind students
that to create believable characters, actors must imagine that the character is a real person
who existed before the scene began. Characters can enter a scene or open a scene with
remarkably different attitudes depending on the fictional life they created for themselves
before the scene opened.
Ask!
• Was every scene exactly the same? (No.)
• Why not? (Each actor brings something new to the role because
each person is different, and if the actor is being authentic, no
two scenes will be alike.)
Sample Genres:
Cartoon Musical
Crime Show Reality Show
Documentary Romantic Comedy
Science Fiction Soap Opera
Horror Western
Before or After
Working together in pairs, ask students to develop a second one-page scene that
happens between the same two characters either before or after the scene they
worked on.
A: Please don’t pass out on me. It’s my first day doing this.
A: Oh, no. I mean, I’ve practiced before. Mostly on myself and other students.
B: I don’t care. I’ll come back anytime you’re not here. Goodbye.
B: I need a plunger.
B: It’s broken.
B: I don’t think you want to know. Listen, can I stay here tonight?
A: Well you can’t stay here. I have a date coming over tonight.
B: You’ll never know I’m here. I’ll hang out quietly in your room.
A: No. This is my second date. I am not going to ruin it by having you hanging around.
A: Out!
B: Talented people don’t forget the entire monologue and have to look at their notes every two
seconds.
B: Maybe I could be a dog groomer. You don’t need to audition for that job, right?
B: I can’t.
A: I don’t know, but no one has ever returned when they went that way.
A: I wouldn’t know.
B: Well then why are you warning me? Maybe that way leads to somewhere better and people
don’t want to come back. Or maybe it’s a shortcut.
A: It’s possible.
A: Suit yourself.
A: Like what?
B: You’re just crazy. You don’t know what you’re talking about.
A: Probably.
A: How’s that.
B: In general, I would say that one should listen to a warning if it is issued by a talking frog.
A: Why don’t you take a break for lunch and think about it. Do you have any dead flies?
B: No, you weren’t. They were just sitting here on the shelf.
A: Look, people pick items up, put them down and then pick them back up again. It’s part of
shopping, deciding what to buy. I was still deciding when you swooped in.
A: I don’t want to be a trouble maker, but these other Pringles have ridges, and I have trouble
with ridges.
B: Actually, I am.
A: You are a pushy thing, pushing your cart in your Calvin Klein outfit.
B: At least I don’t wear my pajamas to the grocery store and try to claim everything on the
shelf as mine.
A: You probably only chose those chips because I left them on the edge and you wouldn’t have
to pop a pore to reach them.
A: Listen, I’d love to stay here and chat all day, but I need to beat that lady to the last package
of double-stuff Oreos.
A: We’d like to get your fingerprints and a sample of your DNA if that’s alright with you.
A: We’re merely trying to establish what happened at the party from your point of view. That’s
all.
A: Well, maybe I can refresh your memory. What we do know is that your employee, Maggie
Herns was shot at the party before 9 p.m. and fell to her death from a fourth story balcony.
Does that ring a bell?
B: I don’t know what you’re talking about. I wasn’t at the party and I didn’t see Maggie last
night.
A: So, you weren’t at the party and neither was Maggie? Would you like to try again?
B: Okay, I was only there for about five minutes and she wasn’t there.
B: She may have been there, but I didn’t see her. There were a lot of people there.
B: I’m saying that it was crowded and I only stayed for a few minutes.
B: I want a lawyer.
B: What’s tempeh?
A: Or, you could try our special today. We have a lovely miso sandwich made with chia seed
bread topped with nutritional yeast.
A: Yes, our soup today is creamy kale made with a rice-milk base. The salad is mung-bean and
arugula topped with wild dandelion.
A: It’s a delicacy.
B: Oh, yes, we have French fries! They’re made with organic yams and sprinkled with dead Sea
salt.
B: I’m packing.
A: Again?
B: I don’t know. I thought I might try New Zealand this time, or Borneo. I hear it’s beautiful
there.
B: Yes. $14.76.
B: Well, maybe I’ll take a bus until I see a circus and I’ll get a job putting up the tents and
they’ll like me so much that I’ll work my way up to Ringmaster.
B: Okay, then maybe I’ll ride my skateboard until I see a slow-moving train. I’ll hop on that and
wind up in Washington DC and everyone there will like me so much that eventually I’ll become
President.
B: My parents. They won’t let me do anything. I wanted to borrow my dad’s good video camera
to make an audition tape for a new reality show.
B: Well, it was more about what I was going to film. The reality show is called ‘Gross Out,’ and
I was going to eat twenty live cockroaches.
A: Gross.
A: (Knocking on the door.) Hello? I’m from St. Andrews Center. I have groceries. Can you hear
me?
B: (Opening the door.) They told me you were coming today. Please, please come in.
A: I really can’t do that. It’s against policy, and besides it looks like there are a lot of cats in
there.
B: My son’s name is Chris. He moved to Alaska to be a fisherman. Have you been to Alaska?
B: Fairbanks. I’ve never been either. I haven’t seen him in years. He promised he would call
often, but you know how busy people get.
B: I’ll be fine, dear. Do you call your parents? It’s important to stay in touch these days. You
know, with the internet and the cell phones and the texting, it seems that people don’t really
see each other much anymore.
A: (Turns to go and then turns back.) Listen, I’ll be back next week, okay? And next time I’ll
stay and for a glass of water.
A: You’re frowning.
B: My uncle was a pig farmer. He had this bucket—called it the Sloppy Bucket. It had blood and
guts and rotten mustard and coffee grounds in it.
B: Yes. And you know what he did with the stuff in the bucket?
A: So, you’re saying that the painting should be used as pig food?
A: They do say that some artists don’t know when to stop. They cross over this line into ruining
their piece.
B: But it’s hanging in this gallery. So, someone had to think it was pretty good.
A: The other one, over there, just sold for $5,500. It’s by the same artist.
B: You know, the more that I stare at it, I’m beginning to see the appeal.
A: For what?
B: Of course, I am. I have strong people skills. I’m well-liked by everyone. I’m fair and honest,
and I am passionate about making a difference.
A: All that is true, I guess. But don’t you need a lot of money to do things like put ads on TV?
A: Campaigning takes a lot of time and energy. Are you sure you’re up for it?
B: This is more important. We need strong leaders if we are going to change our world for the
better.
A: Well, alright.
B: Use these gold star stickers too. Everyone likes gold stars.
A: You know that we are going to have to make hundreds of these? Maybe thousands.
A: Even if you won this election, are you sure they will let you be the governor?
A: You’re eleven.
B: So? I’ll make a better governor than the one we have now!
A: You do have answer for everything. You’ll probably make a great politician.
A: Where is she?
B: Yes.
B: I’m sure.
B: Like what?
B: That’s just a fancy name for a nursing home. We can’t stick her in one of those places.
A: We can’t have her wandering down highway 43 in the middle of the night either.
A: I’m not convinced that a few locks are going to do the trick.
A: Don’t be ridiculous.
A: Haha. I’m being serious. I don’t see why it matters anyway. She doesn’t even know she’s
here most of the time. She wouldn’t know if she was in a home, and she’d be safe.
A: I know.
B: There are moments when she knows exactly where she is and who she is and who we are.
She sits on that porch and listens to the cicadas and suddenly, she is her old self again.
A: One time, I killed a spider. I’m pretty sure it was a brown recluse. He flipped. He said that all
life is precious, even a spider’s.
A: It’s more than him, though. He’s so into that church and their wild ideas. I don’t think there’s
any redemption from what I’ve done.
A: Mr. Wilke’s is coming over tomorrow. I tried to talk him out of it, but he said that he thinks
that what we did should be illegal and that it’s his duty to inform my father.
B: When I’m an adult, I’m going to be way more cool than that.
A: I know, right? It wasn’t illegal, and it’s really none of his business.
A: Yeah, there’s a tornado warning, but it’s supposed to be miles away from here.
A: No, I’m not going to do that. But maybe that tornado will head straight for my house and I’ll
end up in Oz like Dorothy, and not have to deal with the little meeting tomorrow.
B: Just having you here is enough. Most of my friends didn’t show up.
B: I doubt it. I mean she was shocked. You should have seen the look on her face.
B: What choice do I have? No one prepares you for your mother dying right in front of you.
B: Honestly, I haven’t thought about it. Do you know what I’ve been doing?
A: What?
B: Well, considering her last words, I have been looking up what famous people have said right
before they die.
A: Okay….
B: I mean, it really bothered me that that’s what came to mind when she drew her last breath.
B: (Ignoring.) Leonardo Da Vinci said, “I have offended God and mankind because my work did
not reach the quality it should have.”
A: Didn’t he paint like the Mona Lisa and all those murals?
B: Yeah. (Pause.) Some are really profound, like Emily Dickinson. You know what she said? “I
must go in, for the fog is rising.”
A: Wow. Once a poet, always a poet, I guess. So, what did your mom say?
B: (Ignoring again.) Some of them are actually funny. Like Eugene O’Neill. He was a playwright.
He said, “I knew it! I knew it! Born in a hotel room and, dang it, dying in a hotel room!”
B: Come to think of it, it is kind of funny. I mean, my mom was always being sarcastic. It
wasn’t “I love you with all of my heart,” or “Please take care of your brother.” You know what
she said? She said, “It’s your turn to take out the garbage.” (Laughs.)
A: (Hugs Character B. who starts to tear up.) Well, you’d better do it. Famous last words and
all. I’ll help you, okay?
© Drama Notebook www.dramanotebook.com pg. 17
The Edge
Two hikers speculate about becoming famous upon discovering the world is flat.
B: Hello? Photoshop?
A: Yes. We just discovered that the world is flat! No one will believe us unless we show them.
A: What?
B: We were lost when we found this place. We must have walked for miles in the dark.
B: Here. Here are some round pebbles. Stuff ‘em in your pockets.
A: When we get back, we are going to be on every news station, every magazine cover, every
talk show. We’ll probably make a billion dollars on appearances.
A: You’re right. There are tons of pebbles over there by that sign.
A: (Reading the sign.) Welcome to the world’s largest natural infinity pool.
B: Please don’t.
A: Now come on. It’s time you got up. I brought you a ham sandwich.
A: Listen, Justine will be here soon. You really should talk to her.
A: You’re going to have to soon or later. C’mon. Get up, take a shower. I’ll make you some
coffee.
A: Well it will. It won’t be all roses and rainbows right away, and maybe not ever. But how
you’re feeling right now, it will change.
A: No. It’s exactly as it is supposed to be. You have to stop being so hard on yourself. There
are people who need you. Justine needs you.
B: In my head, I know you’re right. But my heart…(long pause). Alright…I’m going to take a
shower and I’ll try to eat something. What time will she be here?
B: You do realize that I’ve come all the way down here to sell this to you.
A: Yes.
B: And I told you up front that the price was twenty dollars.
A: Yes.
A: That is correct.
B: I turned the other offers down because you told me that you would buy it for twenty dollars.
A: Right. So, they’re no longer in the picture. Now you have an item that no one else wants,
which brings it down in value.
B: You’re crazy.
A: I’m doing you a favor by taking this basically worthless thing off your hands.
B: Let’s not waste each other’s time. I’ll give it to you for fifteen dollars and we’ll call it good.
A: (Fumbles for money…while B hands over the item, which drops and breaks.) Uh oh.
A: We’ve been through this before. You could have at least called.
B: I was stuck in the year 1622, how exactly did you expect me to call?
A: An hour.
B: I was kidnapped by the One-hour Liberation Army. They let me go after one hour.
B: Alright. What really happened was, well…you’ve heard of that bear who is going around
hijacking cars, right--
A: --Look. I’ve been putting up with this long enough. You owe it to me to A: start being on
time, and B: tell me the truth!
A: Stop!
B: Okay. I’ll tell you what really happened, but you won’t believe it. I was abducted by aliens.
After being transported to the mother ship, the aliens decided my brains weren’t worth sucking
out. They sent me back--
B: --Wait. Don’t leave. (Pulls envelope out of pocket.) This was supposed to be a surprise. I
was going to give it to you over dinner. (Hands over envelope.) They’re tickets to (favorite rock
band). I stood in line for six hours to get them. Happy birthday!
A: (Jumping up and down.) No way! No way! Okay, you are forgiven. (Pause.) But you’d better
not be late for THIS.
© Drama Notebook www.dramanotebook.com pg. 21
Breaking and Entering
A: Where did you learn to pick a lock?
A: Hurry up.
A: Hurry up.
A: No. Sorry.
B: I think I’ve got it. (Turns the doorknob and opens the door.)
A: Oh my God. Put your gloves on. And wipe down the doorknob.
B: It’s alright.
A: What do you mean ‘alright?’ It’s amazing. I mean, four bedrooms, three baths, a jacuzzi, and
look at all this marble. I’ve always wanted marble in a kitchen.
A: Well, I know, but you aren’t going to be the one spending so much time in here. But the
garage. Three-car garage!
A: Nice, are you kidding me? There’s room for our cars plus tons of storage.
B: Did you see the freezer in the garage? They left behind a freezer. I wonder what’s in it.
A: Oh, come on. The police have already searched the property. There’s nothing here.
B: I wouldn’t be so sure.
A: Look, this is the only house that’s even remotely decent in our price range. It’s not just
decent, it’s incredible. A pool. It even has a pool.
B: Did they look in the bottom of the pool? We should take the cover off.
A: Relax. I’m sure it’s fine. Think about it. We could have all of this within our budget.
B: Yeah, all we have to do is live in a house where someone was murdered in the kitchen and
they never found the body.
A: Look, the boss says I can only let one of you in. Fire Marshall has a limit of how many
people can be in there.
A: It’s true.
B: Well, the paparazzi will probably want to take pictures of me because I had that video go
viral last year.
C: Last year.
C: Sure, it is. (To A.) Did you see my temporary tattoo? I had it done just for this event.
A: Impressive.
B: It’s temporary.
C: So? What do you bring to this thing, other than your oversized head?
B: Yeah. Hey, listen, speaking of personal…I happen to be friends with Andrew Jackson.
(Waving a $20 bill.) Do you want to meet him?
A: I think it’s called a tip. (Taking the money.) And that’s totally allowed.
B: What?
C: (Sing-song.) You lost your twenty dollars. You lost your twenty dollars.
B: It’s not lost. It’s on hold. I’m still getting in ahead of you.
B: Me too.
A: Contestants from the Miss Universe Pageant. They told me they might come by.
C: This is ridiculous!
B: Hey, I heard about this other party down the street. Wanna go check it out?
B: I did.
A: We should push all of them just in case. Here. (Frantically pushes all of the buttons. All three
react as the overhead lights go off.)
C: Actually, yes.
B: Let’s try to stay calm. There has to be some sort of alert system. Someone’s probably
working on getting us out already.
A: Unless it’s the zombie apocalypse. It’s probably the zombie apocalypse.
C: Scientifically impossible.
A: That’s what every scientist in every zombie movie says and guess who is the first one who
gets his head eaten off?
B: Listen, this was not caused by zombies, okay? Let’s think this through and come up with a
plan.
A: Egg salad.
B: You opened an egg salad sandwich, which is basically a stink bomb in an enclosed elevator?
B: What?
B: Okay, obviously you’re the brains in the group. Do you have any ideas that will get us out of
here?
C: Give me a minute.
B/C: NO!
A: No. I’ll need my strength when the zombies pry open the elevator doors to get at our flesh.
C: Cell phones.
B: What?
C: Oh great. No signal.
A/C: What?
B: This is not a test. The Center for Disease Control is alerting the public to a Necroa Virus
pandemic.