A Beautiful Mind

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A Beautiful Mind (2001)

What a damp, dull slog A Beautiful Mind is. Based on the life of
John Nash, a genius mathematician overcome by paranoid
schizophrenia, Ron Howard’s movie is precious to a fault, despite
Russell Crowe’s attempts to bring grit and authenticity to the
role. A Beautiful Mind tries its best to dramatize Nash’s mental
deterioration, which allows Howard to engage in some paranoid-
thriller filmmaking, but the sogginess of the inspirational
storytelling makes this the epitome of the prestige-picture, awards-
bait drama.

87.
Wings (1927)
The first-ever Best Picture winner — and the only silent film to ever
win, unless you’re counting The Artist, and you really shouldn’t
count The Artist. Wings’ flying sequences, revolutionary at the
time, still hold up today: It was shot on an Air Force base in San
Antonio, and while it’s not, say, Dunkirk, its realism still gets you.
The movie itself is still a bit clunky, and the love story a bit
overheated — it reportedly got Howard Hughes angry just talking
about it — though if the fact that it’s the first Best Picture winner
ever didn’t secure its place in film lore, the fact that Gary Cooper
and Clara Bow had an affair on set certainly would.

86.
Dances With Wolves (1990)
Forever known now as “the movie that beat Goodfellas,” Dances
With Wolves aches with good intentions. Kevin Costner, practically
America’s golden child after Bull Durham and Field of Dreams,
wanted to make a film about the plight of Native Americans, a
worthy subject. What we got was an overlong Western in which a
disenfranchised Civil War soldier learns how to feel by hanging out
with indigenous people. Dances With Wolves was the template for
so many Oscar contenders — the white man playing the hero for a
marginalized community — and the best you can say about it now is
that Costner at least tries to be humble and earnest in his aims. The
worst you can say is that it begot The Postman — oh, and
that Goodfellas got robbed.
85.
Green Book (2018)
In the past several years, the Academy has worked hard to expand
its membership, inviting more women and people of color to give its
voting body a broader, more inclusive makeup. And while the 91st
Oscars will be remembered as a ceremony that honored diversity in
many categories, it will also be forever known as the year
when Green Book won. A benign salute to tolerance and racial
unity, the film features a genuinely lovely performance from
Mahershala Ali as Don Shirley, a deft black pianist who, in the early
1960s, hires an Italian bouncer (Viggo Mortensen) to be his driver
and muscle as he does a concert tour across the Deep South. The
big, goofy sweetness that director and cowriter Peter Farrelly
reliably provided alongside his brother Bobby in gross-out classics
like There’s Something About Mary is here wielded as a blunt,
reassuring instrument, arguing that, no matter our racial divisions,
we can all learn to get along, apparently while sharing a bucket of
fried chicken and a hearty chuckle. It’s a nice sentiment but also an
antiquated, naïve one, and Green Book’s win suggests that, no
matter how much progress the Academy has made, there remains a
weakness within the group for the kind of predictable, simplistically
feel-good pabulum that this movie lays on thickly. You can’t deny
the sincerity of the filmmakers’ intention, but you sure as hell can
wonder why they’re so willing to act as if the very real ills they’re
chronicling are quarantined to a nostalgic past. Green Book is
based on a true story, but it doesn’t feel very real.

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