Grade 8 Ela Practice Test Scoring Guide
Grade 8 Ela Practice Test Scoring Guide
Grade 8 Ela Practice Test Scoring Guide
Consortium:
ELA Practice Test Scoring Guide
Grade 8
08/14/2019
Grade 8 ELA
About the Practice Test Scoring Guides
The Smarter Balanced ELA Practice Test Scoring Guides provide details about the items, student
response types, correct responses, and related scoring considerations for the Smarter Balanced
Practice Test items. The items selected for the Practice Test are designed to reflect
• a broad coverage of claims and targets.
• a range of student response types.
• a breadth of difficulty levels across the items.
It is important to note that all student response types are not fully represented on every practice test,
but a distribution can be observed across all the practice tests. The items presented are reflective of
refinements and adjustments to language based on pilot test results and expert recommendations
from both content and accessibility perspectives.
Within this guide, each item is presented with the following information1:
• Claim: statement derived from evidence about college and career readiness
• Target: statement that bridges the content standards and the assessment evidence that
support the claim
• Depth of Knowledge (DOK): measure of complexity considering the student’s cognitive
process in response to an item. There are four DOK levels, a 4 being the highest level.
• Common Core State Standards for English Language Arts/Literacy: the primary standard(s)
assessed by an item
• Evidence Statement: a statement that explains what a student will be able to do in response
to an item in order to provide evidence he or she has met the standard(s). These statements
serve as a guide for item writers to ensure alignment to the CCSS standard(s) and targets.
• Static presentation of the item: static presentation of item from test administration system
• Static presentation of student response field(s): static presentation of response field from
test administration system
• Answer key: expected student response or example response from score point value
• Rubric and a sample student for each score point for short answer items: score point
representations for student responses
The following items are representative of the kinds of items that students can expect to experience
when taking the Computer Adaptive Test (CAT) portion of the summative assessment for grade 8. A
separate document is available that provides a sample performance task and scoring guide for this
grade level.
1 Most of these terms (Claim, Target, DOK, Evidence Statement, etc.) are further explained in various other
Smarter Balanced documents as well as the Common Core State Standards for English Language Arts and
Literacy. Refer to the Smarter Balanced Content Standards and Item Specifications for English Language Arts
and Literacy for more information.
Susan rode with me, as she had from the beginning of the journey. Nothing of note
happened to us, unless I should set down that this day was stormy, and on that day the
sun shone, until we came into the valley of the North Fork of the Platte, through a pass
which is known as Ash Hollow.
There we drove down a dry ravine on our winding way to the river bottoms, stopping
now and then to gather a store of wild currants and gooseberries which grew in
abundance.
Near the mouth of the ravine we came upon a small log cabin, which had evidently been
built by trappers, but the emigrants on their way into the Oregon country had converted it
into a post office, by sticking here and there, in the crevices of the logs, letters to be
forwarded to their friends in the States. Hung on the wall where all might see it, was a
general notice requesting any who passed on their way to the Missouri River to take these
missives, and deposit them in the nearest regular post office.
The little cabin had an odd appearance, and Susan confessed that, almost for the first time
since leaving Independence, she was growing homesick, solely because of seeing this
post office.
After crossing the stream we came upon a party of emigrants from Ohio, having only four
wagons drawn by ten yoke of oxen, and driving six cows.
Truly it was a small company to set out on so long a march, and when the leader begged
that they be allowed to join us, I could not object, understanding that unless the strangers
had someone of experience to guide them, the chances were strongly against their
arriving at the Columbia River.
There was in the company a girl of about Susan's age, whose name was Mary Parker, and
from that time I had two companions as I rode in advance of the train.
I could have found no fault with these new members of our company, for they obeyed my
orders without question from the oldest man to the youngest child.
Mary Parker was a companionable girl, and she and Susan often cheered me on the long
On the twenty-fourth day of June we arrived at Fort Laramie, in the midst of a heavy
storm. We had traveled six hundred sixty-seven miles since leaving Independence, if our
course had been the most direct; but allowing for the distances some of us had ridden in
search of cattle or here and there off the trail looking for a camping place it must have
been that we made at least a hundred miles more.
Fort Laramie is on the west side of a stream known as Laramie's Fork and about two
miles from the Platte River. It is a trading post belonging to the North American Fur
Company, and built of adobe, by which I mean sun dried bricks, with walls not less than
two feet thick and twelve or fourteen feet high.
This fort, if it can be called such, is simply a wall enclosing an open square of twenty-
five yards each way, along the sides of which are the dwellings, storerooms, blacksmith
shops, carpenter shops, and offices all fronting inside, while from the outside can be seen
only two gates, one of which faces the north and the other the south.
Just south of the fort is a wall enclosing about an acre of land, which is used as a stable or
corral, while a short distance farther on is a cultivated field, the scanty crops of which
give good evidence that the soil is not suitable for farming.
About a mile below Fort Laramie, and having much the same appearance as that
fortification, although not so large, is Fort John, which is in possession of the St. Louis
Fur Company.
We were given quarters inside Fort Laramie, which was much to our liking.
Then, when we set off once more, it was with greater cheerfulness and increased hope,
for the way could not have been improved nor made more pleasant.
Ten days after we celebrated the independence of this country we encamped near the
Narrows, within sight of the snow-capped Wind River Mountains, and then it was that
our company got some idea of what a herd of buffaloes looked like.
When we broke camp in the morning it seemed as if the entire land was covered with the
animals. They were in such throngs that the sound of their hoofs was like the rumbling of
distant thunder.
One could compare the scene to nothing more than to an ocean of dark water surrounding
us on every side, pitching and tossing as if under the influence of a strong wind.
#1 8 1 1 2 RL.1
Evidence Statement
The student will identify text evidence (explicit details and/or implicit information) to support a GIVEN
inference or conclusion based on the text.
Key: C
Rubric: (1 point) The student selects the correct option.
2 Points 1 Point
#2 8 1 2 3 RL.2
Evidence Statement
The student will determine or summarize a theme or central idea of a text using supporting evidence.
#3 8 1 3 2 RL.4
Evidence Statement
The student will determine the meaning of a word or phrase based on its context in a literary text.
Key: A, D, F
Rubric: (1 point) The student selects the correct three options.
#4 8 1 4 3 RL.3
Evidence Statement
The student will make an inference about a literary text or texts and identify details within the text or texts
that support that inference.
Key: Part A: A
Part B: C
Rubric: (1 point) The student selects the correct option for Part A and selects the correct option for
Part B.
#5 8 1 2 2 RL.2
Evidence Statement
The student will summarize the central idea of a text and give textual evidence to support their response.
Key: C, B
Rubric: (1 point) The student selects the correct option for Part A and selects the correct option for
Part B.
#6 8 1 6 2 RL.5
Evidence Statement
The student will analyze or interpret why the author structured elements within the text in a certain manner
and the impact of that structure on meaning.
Key: D
Rubric: (1 point) The student selects the correct option.
#7 8 1 7 3 RL.4
Evidence Statement
The student will interpret the meaning of figurative language used in context and analyze its impact
on meaning or tone.
Key: B
Rubric: (1 point) The student selects the correct option.
#8 8 1 4 4 RL.3
Evidence Statement
The student will make an inference about a literary text or texts and identify details within the text or texts
that support that inference.
#9 8 1 3 2 L.4a
Evidence Statement
The student will determine the meaning of a word or phrase based on its context in a literary text.
Key: C
Rubric: (1 point) The student selects the correct option.
The following text describes the music camp run by world famous violinist Itzhak
Perlman and his wife, Toby.
From personal experience, Mr. Perlman advises students that in order to succeed in
music, art, or anything outside of "normal" activities, "First of all, you have to love what
you do. That's number one. And number two, you have to have some sort of discipline. I
always felt I was more successful when I had a routine . . . routine is much easier. You
spend a certain time of the day doing A and a certain time of the day doing B. In music,
for example, no matter how much of a gift you have, practicing is very important, so if
you're serious, you have to practice. Being programmed, in some ways, is very, very
effective. And as long as you program in some free time, just to rest, then you're O.K.
Whatever the extracurricular activities, dancing or sports or music, if you're programmed
up to the gills, as a result—at least I found this in my case—you can lose enjoyment."
Young, musically talented students can put into practice what Mr. Perlman preaches
when they attend the noteworthy, nurturing summer program founded in 1995 by his
wife, Toby, also an accomplished violinist. At the Perlman Music Program in East
Hampton, New York, led by a handpicked, caring faculty, tomorrow's professional
musicians from the ages of eleven to eighteen play to their heart's content.
Special features make this two-week August sleep-away program different and unusual.
As Mrs. Perlman, the artistic director, explained to me, "One of the unique aspects of our
program is that we are small, only thirty-five students, and small means intimate. I
always know what's going on with each child." She continued, "Second, the playing level
is very high, but it's highly noncompetitive." Instead of auditioning for seats in the
orchestra according to ability, as is tradition, "Our kids are seated in the section
randomly. Often the smallest gets to sit in front," she said, laughing. Participants know
there is no penalty for musical problems, and that Toby's motto, "If you don't do well, it
doesn't mean it's your fault," rules.
"We care about the total child. We try to create a healthy, happy, normal environment
during their stay. It doesn't mean they don't work really hard, but there's a lot of talking
that goes on. They come to us and suddenly they're a part of a community, a family, and
they find out that many of the feelings they have are shared by other kids. It's very nice."
The students, who come from all over the world, attend a weekly dinner at the Perlmans'
house, themed to discuss such issues as dealing with stage fright. All students must also
The children are at first awed by, and then come to accept, the active involvement of
famous musicians in their training. Often, Itzhak Perlman and other masters such
as violinist/violist/conductor Pinchas Zukerman and pianist Emanuel Ax drop in to work
with the students. Itzhak Perlman explained, "Not many children have that camp
experience, not only to be taught by world-class artists, but also to participate in playing
and performing with them. We also have an orchestra made up of all the kids, and I try to
conduct and coach them." Invited to attend rehearsals, people who live in the community
during the summer, such as Steven Spielberg and his family, stop by to
listen. Mr. Spielberg became the first major contributor to future expansion plans for the
Perlman Music Program.
Mrs. Perlman said, "At the end of the session, we have two concerts. One is an evening of
orchestral and choral music, and then we have a chamber music marathon. It starts
at 11:00 in the morning on the last day, and the playing goes on until we finish!"
Intensely proud of her program, Toby Perlman enthusiastically states that "It's like a fairy
tale program, it's so wonderful. No matter what I say about it, I can't put into words what
it feels like, tastes like, and smells like when you're there. Everybody who comes to visit
gets it. They're there for a minute and a half and they want to stay forever. We're lucky to
have such a wonderful faculty and wonderful kids."
Reflecting on his own training and lengthy career as a professional musician, Mr.Perlman
believes that he, too, has earned the right to some time off every now and then. "I can
take vacation from music for a while when I just want to relax," he said and chuckled.
But he did caution, "The important thing is not to go on vacation while you do your
music, or while you do anything else in the arts. Once I play, I have to be, and I am,
really committed to it. Your audience can sense this . . . it has to be really given, it has to
be felt across the stage. One should not be a passenger in music, getting on the notes and
riding them. One has to always feel that one is re-creating something, that there's a
spontaneity all the time. The main challenge for a musician is to play something for the
five hundredth time and make your audience think that you're playing it for the first
time."
A modest man, Itzhak Perlman remarked on himself and his tremendous talent, "I don't
think there's anything unusual. People say 'You're amazing,' but I say that I do whatever I
am capable of doing. The important thing is to know what you're capable of and do it.
That's all."
Excerpt from Master of Beautiful Music by Ellen Seiden. Copyright © 2000 by Carus
Publishing Company. Reprinted by permission of Carus Publishing Company.
#10 8 1 8 2 RI.1
Evidence Statement
The student will identify text evidence to support a GIVEN inference based on the text.
Key: A
Rubric: (1 point) The student selects the correct option.
2 Points 1 Point
#11 8 1 9 3 RI.2
Evidence Statement
The student will summarize a central idea in a text using supporting evidence.
2 Points 1 Point
#12 8 1 11 3 RI.1
Evidence Statement
The student will make an inference about an informational text and identify evidence within the text that
supports that inference.
#13 8 1 11 3 RI.8
Evidence Statement
The student will make an inference about an informational text and identify evidence within the text that
supports that inference.
Key: Part A: C
Part B: "We care about the total child. We try to create a healthy, happy, normal environment during
their stay. It doesn't mean they don't work really hard, but there's a lot of talking that goes on. They
come to us and suddenly they're a part of a community, a family, and they find out that many of the
feelings they have are shared by other kids. It's very nice."
Rubric: (1 point) The student selects the correct option for Part A and selects the correct option for
Part B.
#14 8 1 13 3 RI.5
Evidence Statement
The student will interpret why the author structured elements within the text in a certain manner and the
impact of that structure on meaning.
Key: C, F
Rubric: (1 point) The student selects the correct two options.
#15 8 1 14 3 L.5
Evidence Statement
The student will interpret the meaning of figurative phrases used in context.
Key: A, F
Rubric: (1 point) The student selects the correct two options.
Evidence Statement
The student will revise arguments by identifying best use of elaboration techniques such as including
relevant reasons to support claim.
Key: Each year, television manufacturers and broadcast companies make new products like high-
definition screens and on-demand program selection.; News programs also provide information to
stay updated on current events.
Rubric: (1 point) The student selects the correct two options.
Evidence Statement
The student will revise narrative texts by identifying/choosing narrative elements such as, a logical
sequence of events/experiences.
Key: Many types of flour exist, but I chose bread flour because it is high in protein.; My mixer is a
swanky, bright blue stand-up type with a large bowl—very impressive, if I do say so myself.
Rubric: (1 point) The student selects the correct two options.
2 Points 1 Point
#18 8 2-W 1aE 3 W.3
Evidence Statement
The student will use information provided in a stimulus to write well-developed narratives that apply
narrative techniques such as, including dialogue to convey events/experiences, and including descriptive
details and sensory language to convey events/experiences.
2 A response: I do not know what to do next. Should I choose my best friend or the
Provides appropriate opportunity to be on the volleyball team? I mean, I Love Katelyn, as
and mainly specific she is my best friend. However, volleyball is important to me, too! I
descriptive details have been playing volleyball since I can remember, and it is a part of
and/or dialogue who I am. Panic spreads throughout my body as I can think of a
solution to my problem. Maybe if Katelyn’s dance recital is in the
Provides adequate afternoon, I can go after my tryouts. Or if my tryouts are in the
development of morning, and her recital is in the afternoon, I could still go. My heart is
experiences, beating really fast. I can feel the beads of sweat forming on my
characters, setting, forehead. What should I do!? Should I go talk to my mom and ask for
action, and/or events advice? Suddenly, I remember she went grocery shopping. Now I
Uses adequate know that is out of the question. I should probably handle this by
sensory, concrete, myself. I don’t know if I should choose sports over my best friend.
and/or figurative They are both important to me and I love them both. I made a mental
language list of pros and cons of how it would affect me to go to my tryouts first.
The disadvantage of going to my tryouts first is that I could lose my
Is mostly “shown” best friend. Katelyn might never talk to me again. When I thought of
the consequences, I suddenly knew what I should do… After a
thoughtful discussion with myself, I decided to call Katelyn. After the
third ring, she answered. She said, “Hey, what’s going on?” “Hey
Katelyn,” I said. “Your dance recital happened to be on the same day
as my volleyball tryouts. I decided I’m going to your dance recital
instead. I know you know how much being in this volleyball team
means to me, but my bestfriend is more important than anything. My
tryouts can wait until the second day. I want to be there for you for
moral support. So…yeah. What do you think?” Katelyn said, “Oh my
gosh, really? Uh, okay! Thank you so much! I will return to the favor to
you eventually. I will be there whenever you need me. Thank you! I
owe you one! Oh – I got to practice again. Talk to you later, bye! Love
you!” And with that, she hung up the phone. I knew I made the right
choice.
0 A response: Katelyn’s dance recital is the same date as the tryouts for volleyball
Gives no evidence of but Katelyn needs friends support witch will be hard to choose what
the ability to make an to do.
inference/conclusion
OR
Gives an inference
/conclusion but
includes no examples
or no examples/
details that make
reference to the text
OR
Gives an inference/
conclusion but
includes no
explanation or
relevant information
from the text
#19 8 2 8 2 W.2d
Evidence Statement
The student will identify and use the best academic or domain-specific word or words to convey the precise
or intended meaning of a text.
Key: D
Rubric: (1 point) The student selects the correct option.
#20 8 2 9 1 L.2c
Evidence Statement
The student will identify and/or edit for correct spelling of words that are at or up to two grades below grade
level, including frequently misspelled words.
Key: A computer technician sometimes has to be industreous in his or her job.; The grocery store
superviser watched over the cashiers closely during the busy time of the day.
Rubric: (1 point) The student selects the correct two options.
#21 8 2 9 1 L.2a
Evidence Statement
The student will identify and/or edit for correct use of commas to indicate a pause or break. The student will
identify and/or edit for correct run-together sentences. The student will identify and/or edit for correct
comma splices.
Key: B, E
Rubric: (1 point) The student selects the correct two options.
Excerpt from “Flower Power: Planting for the Past and the Future” by the US Forest
Service and Cradle of Forestry in America Interpretive Association, from the Natural
Inquirer Monograph Series. In the public domain.
#22 8 3 4 3 SL.2
Evidence Statement
The student will draw and/or support a conclusion based on content in a presentation.
Key: A
Rubric: (1 point) The student selects the correct option.
#23 8 3 4 2 SL.2
Evidence Statement
The student will identify, interpret, or analyze the point of view, purpose, central idea, or key points of a
presentation.
Key: D
Rubric: (1 point) The student selects the correct option.
#24 8 3 4 2 SL.2
Evidence Statement
The student will identify, interpret, or analyze the point of view, purpose, motive, central idea, or key points
of a presentation.
Key: B, D
Rubric: (1 point) The student selects the correct two options.
Excerpt from “A Search for Identity” by James C. Hall, from Footsteps, Vol. 6, No. 2,
2004. Copyright © 2004 by Carus Publishing Company. Reused by permission of Carus
Publishing Company.
#25 8 3 4 1 SL.3
Evidence Statement
The student will identify textual evidence to support a given inference based on the text.
Key: B
Rubric: (1 point) The student selects the correct option.
#26 8 3 4 2 SL.3
Evidence Statement
The student will identify, interpret, or analyze the point of view, purpose, motive, central idea, or key points
of a presentation.
Key: A
Rubric: (1 point) The student selects the correct option.
#27 8 3 4 3 SL.3
Evidence Statement
The student will draw and/or support a conclusion based on content in a presentation.
Key: D
Rubric: (1 point) The student selects the correct option.
#28 8 4 3 2 RS.3
Evidence Statement
The student will use reasoning, evaluation, and evidence to assess the credibility of each source in order to
select relevant information to support research.
Key: B, F
Rubric: (1 point) The student selects the correct two options.
#29 8 4 2 2 RLiteracy.9
Evidence Statement
The student will analyze information within and among sources of information.
Key: Years of research have shown that we "rebuild" our memories, and to rebuild them we fill in the
gaps with things that seem right.; Other times, if we think a lot about one part of a memory, we
exaggerate how much we really know about it.
Rubric: (1 point) The student selects the correct two options.
#30 8 4 4 2 W.1b
Evidence Statement