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SIVE COMMUNICA

RPO TIO
PU N

TYPES OF NONVERBAL
COMMUNICATION

NICOLE JADE PATRICE L. NAVARRO


I- BSED MAJOR IN FILIPINO
When we dress formally for a meeting, smile at someone, sit in
a specific seat in class, use your hands while talking, play with
a pen or pencil while listening to a lecture, dim the lights to
create a romantic atmosphere, play music loudly, look
someone directly in the eyes, or burn incense to create a
pleasant odor, you are communicating nonverbally. Everyday,
we perform a wide range of nonverbal behaviors without even
thinking about them, yet such behaviors can convey definite
messages to others. Because nonverbal communication is
diverse, complex, common and informative, we need to be
sensitive to its many manifestations.
NONVERBAL
COMMUNICATION
is the process of sending and
receiving messages without
using words, either spoken or
written.
Nonverbal communication
includes tone of voice, facial
expressions, posture, gestures,
and appearances, all of which
are used to communicate
messages.
SIGNIFICANT FORMS OF
NONVERBAL COMMUNICATION
Kinesis (body
movements including
gestures, facial
expressions, and
eye behavior),
physical characteristics,
haptics (touch),
proxemics (space)
chronemics(time),
vocalics/paralanguage
(use of voice),
silence,
olfactics (odors)
artifacts and
environments.
Facial Expressions and Body Movements
We use body movements- gestures, facial
expressions, and eye behavior- to create an
infinite number of nonverbal messages.

kinesics
is the non-verbal behavior related to movement, either of any
part of the body, or the body as a whole.
Kinesics is sometimes referred to as "body language"
CATEGORIES OF
KINESICS
- EYE BEHAVIOR
- FACIAL EXPRESSION
Eye behavior
is a sub- category of facial expressions that includes any
movement or behavior of the eyes .
It is also referred to as "oculesics" which is the study of eye
movement or eye behavior.

Facial expressions
Include configurations of the face that can reflect,
augment, contradict, or appear unrelated to a speaker's
spoken message.
SIX
COMMUNICATIVE
FUNCTION OF EYE
BEHAVIOR
SIX COMMUNICATIVE
FUNCTIONS OF EYE BEHAVIOR
1. Influence attitude change and
persuasion;
2. Indicate degree of attentiveness,
interest;
3. Express emotions;
4. Regulate interaction;
5. Indicate power and status;
6. Form impressions on others.
Eye gaze at the interpersonal level communicates
sincerity, trutworthiness, and friendliness. Romantic
partners are more like to gaze into each other's eye
for prolonged periods when expressing thier
affection for one another.

Eye contact is also important for those


of us who are listeners because
looking at the speaker indicates our
interest in what is being said and is a
sign of respect for the speaker.
Have you ever had a conversation with someone who was
wearing dark glasses? If you have, you know that it is a bit
uncomfortable because you can't completely see how the other
person is reacting to you.

We do learn much about other's feelings and emotions from their


eyes. example, we associate a high level of gaze or indirect eye
contact from another as a sign of liking or friendliness. In
contrast, if others avoid making eye contact with us, we are likely
to conclude that they are unfriendly, don't like us, or are simply
shy. Although a high level of eye contact can be interpreted as
positive, there are some exceptions to this rule. If people look at
us continuously and maintain the eye contact regardless of
actions we take, they are said to be staring. Generally, people find
being stared at an unpleasant experience; it makes most of us
nervous and tense.
Facial Expressions
Facial expressions are windows to our emotions. They
provide clues about our emotional states, which at times
can be very complex and difficult to interpret accurately.

More than two thousand years ago, the Roman orator


Cicero stated, "The face is the image of the soul."

Facial expressions have an extremely powerful role in


communication and relationships. Of all the body
language, facial expressions convey the most
information. We also make judgments about personality,
such as the tendency to be friendly or unfriendly, harsh
or kind, based on facial expressions. We perceive people
who have relaxed facial expressions as having more
power and being more in control than people whose
facial expressions seem nervous.
Body Movements
is the voluntary or involuntary movement of parts of the body such
as hands, feet, legs, and shoulders, which may either reinforce or
contradicts what is communicated verbally.

Posture
Posture communicates a great deal of information
about you. The way in which you sit, stand, slump
or slouch provides information about your sex,
status, self-image, attitudes and emotional state.

Body movements and posture can reveal


much about our physical states (vigor, age).
BODY MOTIONS
ARE DIVIDED INTO
FIVE CATEGORIES
1. Emblems
Translate directly into words and are
used for specific words or phrases
Meanings of emblems are like those of
words - arbitrary, changeable with time,
learned, and culturally determined.

Example:
A hitchhiker's extended thumb, the
thumb and circle sign for "Ok," the
peace sign.
2. Illustrators
Accent, reinforce, or
emphasize a verbal
message.
Example:
A child holding up his hands to indicate
how tall he is while saying "I'm a big boy";
an instructor underlining a word on a
white board emphasize it.
3. Regulators
Control, monitor or maintain interaction
between or among speakers and listeners.
Cues that tell us when to stop, continue,
hurry. elaborate, make things more
interesting, or let someone else speak.

Example:
Eye contact, shift in posture, nod
of the head, looking at a clock or
wristwatch.
4. Affect displays
Body movements that express
emotions. Though your face is the
primary means of displaying affect,
your body may also be used.

Example:
Sad face, slouching, jumping
up and down.
5. Adaptors
Help one feel at ease in
communication situations, difficult to
interpret and require the most
speculation.

Example:
Scratching, smoothing hair, playing
with coins, smoking, moving closer to
someone.
THANK YOU
FOR
LISTENING!

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