Awadh music ppt
Awadh music ppt
Awadh music ppt
AWADH
MUSIC
Presented by Vishal Prajapati
Delhi University
Abstract
The kind of art, culture and traditions that emerged out of
Awadh has almost come to define an entire genre of music
today. The music of Awadh ranges from nautanki, dadra,
thumri, ghazal, khayal, sohar, banna, mubaraqbadi, kajri,
chaiti to name only a few. We will be talking about various
forms of Awadh music
Overview
01 Birth of Khayal 05 Sohar
02 Rasiya Geet 06 Kajari
03 Alha 07 Shukar Ke Biah
04 Hori 08 Implementation
Introduction
Awadh music is a genre of music that is
defined by the culture, art, and traditions
of the Awadh region of northern India.
The music of Awadh has been influenced
by a variety of factors, including the
patronage of the Nawabs, the
development of the Thumri Gharana,
and the work of artists like Ameer
Khusro, Kutuban, and Manjhan.
Awadh Culture
The history of an exotic and highly cultured Lucknow with all its pomp and
splendour and its romantic Shan-e-Avadh associations actually dates from 1775A.D.
when Nawab Asaf-ud-Daula shifted the capital of Avadh from Faizabad to Lucknow.
The glorious era of Lucknow lasted till 1856 when the last Nawab, Wajid Ali Shah was
deposed by the East India Company and banished to Matiyaburj near Calcutta.
During these eventful years, Lucknow became one of the most celebrated centers of
Oriental opulence, music, dance, drama , poetry and scholarship. The Nawab Wazirs
brought with them their Persian music, dance, language, costumes and culture which
blended beautifully with the already highly-developed arts, language and culture of
Hindu India.
Birth of KHAYAL
Khyal or Khayal ( )خیالis a major form of Hindustani classical music in the Indian
subcontinent. The khayal was evolved and popularized by Niamat Khan
‘Sadarang’ (1670-1748), a great musician and vainik at the court of Mohammad
Shah Rangeele. He once defied the imperial orders, and in order to escape wrath,
he fled to Lucknow and lived here in peaceful obscurity for some years. It was
during his sojourn in Lucknow that he evolved the khayal style and composed
hundreds of khayals under his pseudonym ‘Sadarang’.
RASIYA GEET
Rasiya is a popular genre of Indian Folk music from the Braj region of Uttar
Pradesh. The style of rasiya consists of multiple sub genres and is performed in a
variety of different contexts. The songs have been known to portray a wide range
of topics however, they are most commonly sung to a set of stock tunes that often
portrays the love of the Hindu god Krishna and goddess Radha. Rasiya's are sung
and typically played with a variety of instruments, the most common are the
dholak, sarangi, and harmonium. This style of music is commonly associated
with the popular ancient Hindu festival of Holi.
ALHA
A form of folk song and music prevelant in North India, which is capable of
communicating heroic deeds of Alha and Udal, two warrior brothers who
served Raja Parmal of Majoba. This poem is believed to have been composed in
about 1250 AD. The popularity of Jagnik’s folk poem “Alha-Khand is
nationwide.
HORI
Hori is a genre of semi-classical singing, originated from Bhojpuri
region and is popular in Uttar Pradesh and Bihar. t comes in the series
of season songs, like Chaiti, Sawani and Kajari, and is traditionally sung
in the villages and towns of Uttar Pradesh: around Banaras, Mirzapur,
Mathura, Allahabad and the Bhojpur regions of Bihar. Hori is one of
the light forms of Hindustani classical music, sung during the fevstial
of Holi.
SOHAR
Sohar is an auspicious song sung on the birth of a child in the house. It
is sung on the occasion of the birth of a child and related occasions like
Satmasa , etc. In these songs, beautiful descriptions of the birth of a
child, stories and festivals related to it are found. Beautiful stories of
Ram 's birth and Krishna 's birth are also there in Sohars. There is also a
tradition of singing Sohar along with bhajans on the occasion of Ram's
birthday, Ramnavami and Krishna's birthday, Krishnashtami.
KAJARI
Kajri derives from the word kajra or kohl, and is sung in the Awadhi
and Bhojpuri region. Kajari is a folk song and dance genre from
Bhojpuri region, in India. It is a Hindustani classical music genre,
performed during the rainy season usually late June to September. It is
one of the major dance forms originated in the Bhojpuri region along
with Jhijhiya. Mirzapur is famous for Kajari. This genre often depicts
stories of Radha and Krishna – the iconic imagery of divine lovers.
SHUKAR KE BIAH
it weaves the story of Shukra and Brihaspat, in Bhojpuri when the
former forgets wedding ornament and comes back to take it and he
finds his mother drinking rice water which is poor man’s food. the
mother answers that she doesn’t know whether Shukra’s to be wife will
give her even that and after that Shukra remains unmarried.
Conclusion
Awadh music is a genre that is defined by the culture, art,
and traditions of the Awadh province. To sum up, The
Sound of Music summary, we learn how music can bind us
together and it is not limited to any one, as it is a universal
language.
Thank
You
Presented by Vishal Prajapati