Scribd Logo
Upload

Welcome to Scribd!

  • 0 views

    group-9-raiders-of-the-sulu-seafilm

    Uploaded by

    Aira Patayan HUMSS F

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd

    group-9-raiders-of-the-sulu-seafilm

    Uploaded by

    Aira Patayan HUMSS F
    0 views2 pages

    Copyright

    © © All Rights Reserved

    Available Formats

    DOCX, PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    0 views2 pages

    group-9-raiders-of-the-sulu-seafilm

    Uploaded by

    Aira Patayan HUMSS F

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    of 2

    RAIDERS OF THE SULU SEA

    MOVIE REVIEW

    INTRODUCTION

    The Raiders of Sulu sea are indigenous people from the south which have verygood at waters and

    idealistic on how they lived and preserve their culture from thecolonized country as we saw the film it

    shows the battle between the raiders and theSpaniards on Zamboanga which Spanish built a Fort Pilar

    which serves as their territorydefenses for their military presence at the south. As the raiders they want

    to conquer thefort to establish their presence that their oppression from the colonizers There are 3

    greattribes at the mindanao called Balangingi, Tausug and Illanun these three Tribes knownas warriors

    and talented on waters which has advantage against colonizer at the sea. Thetribes mentioned are not

    really pirates during the times they were plying their trade ofcapturing people and selling them as

    slaves.Slave trading was a business then and theywere not raiding ships in high seas.What they did was

    go and land in different shoresposing as fishermen.Once captured, the slaves’ palms are punctured and

    tied to eachother. The slaves are loaded in their 25 to 27 meter by 6 meter boats that has 30 to

    34oarsmen and sails.It was said that their boats were the fastest that Spanish Galleonscould not even

    give chase.The documentary was actually focusing on how the tribes wereable to organize a flotilla of a

    hundred ships or more with more than 3,000 men. Thishappened when the three tribes connived to raid

    Fort Pilar. The three tribes had some sortof a pact on how to go about their business and employing

    Taosogs as their warriors. One tribe could set out to sea with a few boats then drop-by each of the

    several bases ofthe tribes along the shores.They would call upon all available seafarers to join

    theexpedition.The slavery trade of the three tribes ended only when the Spaniards orderedthree

    steamboats from England. The steamboats were faster, easier to navigate and hadvarious armaments to

    take on the tribes. It was said that the conflict between the tribesand the Spaniards did not stem from

    business or trade but was more on belief, religious belief.

    appeared. Four days after his death, President Marcos granted him the first National

    Artist for Visual Arts

    1. Women and landscapes

    Amorsolo is excellent regarded for his illuminated landscapes, which frequently

    portrayed conventional Filipino customs, culture, fiestas and occupations. His pastoral
    works presented "an imagined experience of nationhood in counterpoint to American

    colonial rule" and were vital to the formation of Filipino countrywide identity. He changed

    into educated within the classical subculture and aimed "to achieve his Philippine model

    of the Greek ideal for the human form." In his art work of Filipina women, Amorsolo

    rejected Western beliefs of splendor in prefer of Filipino beliefs and turned into keen on

    basing the faces of his topics on participants of his family.

    Palay Maiden (1920)

    “My conception of an ideal Filipina beauty is one with a

    rounded face, not of the oval type... The eyes should be

    exceptionally lively… The nose should be of the blunt form but

    firm and strongly marked… The ideal Filipino beauty should have

    a sensuous mouth…not…white-complexioned, nor of the dark

    brown color…but of the clear skin…which we often witness when

    we meet a blushing girl.”

    For Amorsolo, the Filipino beauty become a vital symbol of country wide identity.

    The colors of the Philippine flag are evident in the blue kerchief, pink skirt, and white

    blouse. The challenge gazes directly at the viewer, retaining a generous package deal

    of newly harvested rice, a hope-stuffed second for the younger Philippines.

    Landscape (1951)

    In this 1951 Amorsolo painting, the mountains can

    effortlessly be identified, from left to right: Mt. Atimla,

    Mt. Kalisungan, Mt. Banahaw de Lucban, Mt

    You might also like