Văn học
Văn học
Văn học
In "She Walks in Beauty," Lord Byron expresses the ideals of Romanticism through vivid
imagery, a deep love for nature, and a profound exploration of inner beauty and emotion.
Romanticism often emphasizes the importance of individual experience and emotions.
Byron’s poem centers on the admiration for a woman whose beauty transcends physical
appearance, encompassing both her external elegance and her internal purity. This focus on
personal emotion and subjective beauty reflects the romantic ideal of prioritizing individual
perception and feeling.
Byron’s description of the woman’s beauty as “like the night / Of cloudless climes and
starry skies” is a powerful romantic image that draws on nature for inspiration. Romantic
poets often found beauty and truth in the natural world, and Byron’s use of “night” and
“starry skies” conveys a sense of wonder and serenity. By comparing the woman’s grace to
elements of nature, Byron elevates her beauty beyond conventional standards, presenting it
as something mysterious, appropriate to Romantic ideals.
Moreover, the poem’s emphasis on the woman’s “mind at peace with all below” and “heart
whose love is innocent” highlights her inner qualities, which Byron values even more than
her physical beauty. This aligns with the romantic celebration of individual purity and
innocence, as well as the notion that true beauty emanates from within. Through its focus on
natural imagery, personal emotion, and inner virtue, "She Walks in Beauty" serves as an
excellent romantic poem, celebrating beauty in a deeply introspective and idealized way.
On the other hand, Mr. Darcy is portrayed as proud and insulting, despite his equally
impressive physical appearance. He is described as a "fine, tall person, handsome features,
noble mien", yet these positive physical traits are overshadowed by his severe social
demeanor. Unlike Bingley, Darcy does not dance freely, choosing to interact only with his
immediate acquaintances, such as Miss Bingley and Mrs. Hurst. The other guests quickly
form an opinion of Darcy as a man of arrogance who considers himself above the company,
with the text noting that he is "above being pleased". His standoffishness and disdain for
those he deems inferior make him appear unapproachable.
Despite their friendship, Bingley and Darcy’s contrasting manners highlight key differences
in their social values and behavior. Bingley’s openness and charm are readily appreciated,
while Darcy’s pride creates immediate tension and dislike from those around him. While
Bingley is described as affable, Darcy is viewed as forbidding, which not only defines their
individual characters but also sets up one of the central tensions of the novel.
Bài 4: Great expectations
Great Expectations stands as a quintessential example of Victorian literature, embodying the
era’s themes of social mobility, morality, and personal identity. It focuses on exploration of
class, identity, and the corrupting influence of wealth in Victorian era.
The passage highlights a pivotal moment in Pip's journey, as he bids farewell to his brother-
in-law, Joe. This scene exemplifies the novel's profound character development and its
nuanced portrayal of the working class. Joe, a symbol of honesty and hard work, embodies
the Victorian ideal of the self-made man. However, his humble origins and lack of social
graces often place him at a disadvantage in the eyes of the upper class.
The novel's exploration of class and social expectations is a hallmark of Victorian literature.
Pip's aspirations for a better life lead him to abandon his working-class roots and embrace a
life of privilege. However, this newfound wealth brings with it a lot of problems, including
arrogance, guilt, and a distorted sense of self. The novel ultimately suggests that true
happiness and fulfillment cannot be achieved through material possessions or social status.
The novel also delves into the psychological complexities of its characters. Pip's internal
struggles and moral dilemmas reflect the Victorian preoccupation with the individual
psyche. Dickens contrasts the simplicity and honesty of Joe’s life with the complexities of
Pip’s ambitions, critiquing the alienation wrought by urbanization and social climbing.
Romeo views love as a romantic and almost otherworldly force, unrestrained by danger or
practicality. His language is filled with celestial imagery, comparing Juliet to the sun and
stars: “It is the east, and Juliet is the sun”. His idealized vision elevates Juliet to a divine
level, describing her as a “bright angel” and her presence as something that outshines the
heavens. Romeo’s passion is impulsive and bold, evident when he declares, “With love’s
light wings did I o’er-perch these walls”, dismissing the threat of Juliet’s kinsmen. For
Romeo, love transcends all barriers, and his devotion is immediate and unwavering.
Juliet, while equally passionate, approaches love with a more cautious and reflective
mindset. She questions the practicality of their situation “O, Romeo, Romeo! Wherefore art
thou Romeo”, recognizing the enmity between their families: “The orchard walls are high
and hard to climb, / And the place death, considering who thou art”. Juliet’s practical
concerns do not diminish her feelings; instead, they reveal her awareness of the real dangers
their love entails. Her famous line, “What’s in a name? That which we call a rose / By any
other name would smell as sweet”, shows her desire to look beyond societal constraints
while also wrestling with the implications of their union.
In conclusion, “Romeo and Juliet” contrast Romeo’s impulsive, idealized view of love with
Juliet’s more cautious and practical approach. Romeo sees love as a transcedent force,
ignoring risks, while Juliet remains aware of their challenges. Together, their perpectives
highlight the dual nature of love – powerful and passionate, yet constrained by reality.