Three Act Structure Template 5

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NOVEL TITLE HERE

Scene Scene
Act Sequence Details
1 2
Chapter
Stakes
Time
Date
S/M Rise
S/M Set
1
Weather

Events

I
Chapter
Stakes
Time
Date
S/M Rise
S/M Set
2
Weather

Events

Chapter
Stakes
Time
Date
S/M Rise
S/M Set
3
Weather

Events

Chapter
Stakes
Time
Date
S/M Rise
S/M Set
4
Weather

Events

II
Chapter
Stakes
Time
Date
S/M Rise
S/M Set
5
Weather

Events

Chapter
Stakes
Time
Date
S/M Rise
S/M Set
6
Weather

Events

Chapter
Stakes
Time
Date
S/M Rise
S/M Set
7
Weather

III
7

Events

III
Chapter
Stakes
Time
Date
S/M Rise
S/M Set
8
Weather

Events
Moon Phases
TITLE HERE
Scene Scene Scene Scene
3 4 5 6
Stakes Key
Gain to Double Gain Gain to Loss Loss to Gain Loss to Double Loss

Scene Scene Scene Scene


7 8 9 10
POV Character Key (Color Code)

Climax Purpose

Inciting Incident or Catalyst

This sets up the story and conflict while leading to


the Act I Climax. It forces the Central Character to
react. Their life, once balanced, is now out of
balance, and they won't achieve balance until
story's end.

Example: In Die Hard, John McClane argues with


his wife.

Set-piece or Big Event

The audience is now aware of the conflict's central


question: Will the Central Character be able to
overcome the primary conflict before an opposing
force achieves said conflict?

Example: Will John McClane be able to save the


hostages (Die Hard)?

Act I ends with the Central Character's desire to


address the Central Question.

Setback or Triumph

Rising Conflict

Example: John McClane has no shoes, and the


terrorist's feet are too small: setback. However, he
did take out a terrorist and gain information
regarding them: triumph.

Midpoint or Point of No Return


The Central Character has a clear purpose and is
Midpoint or Point of No Return
The Central Character has a clear purpose and is
committed due to an important event: motivated to
win due to raised stakes.

Example: John McClane finds the tower is wired


with bombs: a double-cross.

Desperate or Morally Questionable Actions

Motivation to win is clear, stakes are raised. Central


Character takes desperate actions that compromise
his values. One more triumphs arouse the
opposition who now shows his true strength.

The Crisis

The worst thing possible happens to the Central


Character or a crucial decision must be made. This
is also the darkest moment for the Central character
where all seems lost.

Example: Feet bloodied by the broken glass, John


McClane gets to the rooftop, saves the hostages, and
is shot at by the FBI.

Setback or Triumph

Rising Conflict

Example: John McClane jumps off the roof. He


defeats Karl, sort of.
Setback or Triumph

Rising Conflict

Example: John McClane jumps off the roof. He


defeats Karl, sort of.

Final Battle and Denouement

New inspiration (information, a person, an event)


drives the character to the Final battle.

Example: John finds out Hans is a thief; his wife has


been kidnapped. He kills Hans.

Denouement

Central Character grows, understands, or meta-


resurrects.
Character
Born Eyes
Age Hair
Details

Character
Born Eyes
Age Hair
Details
Character
Born Eyes
Age Hair
Details

Character
Born Eyes
Age Hair
Details
Character
Born Eyes
Age Hair
Details

Character
Born Eyes
Age Hair
Details
Character
Born Eyes
Age Hair
Details

Character
Born Eyes
Age Hair
Details
Character
Born Eyes
Age Hair
Details

Character
Born Eyes
Age Hair
Details
Character
Born Eyes
Age Hair
Details

Character
Born Eyes
Age Hair
Details
Character
Born Eyes
Age Hair
Details

Character
Born Eyes
Age Hair
Details
Character
Born Eyes
Age Hair
Details

Character
Born Eyes
Age Hair
Details
Character
Born Eyes
Age Hair
Details

Character
Born Eyes
Age Hair
Details
Text
The Story Grid: What Good Editors Know
Three Act Structure (Template)
Screenwriting Tricks for Authors: Stealing Hollywood: Story Structure Secrets for Writing Your Best Book
The Screenwriter's Bible
Author
Shawn Coyne
Chuck Lang
Alexandra Sokoloff
David Trottier
Citation
Coyne, Shawn. The Story Grid: What Good Editors Know. Black Irish Entertainment, 2015.
Lang, Chuck. “Writer Resources (Free Tools for Writers): The Three-Act Structure Spreadsheet.” Chuck Lang, 24 Oct. 2020, c
Sokoloff, Alexandra. Stealing Hollywood: Story Structure Secrets for Writing Your BEST Book. CreateSpace Independent Pub
Trottier, David. The Screenwriter's Bible: a Complete Guide to Writing, Formatting, and Selling Your Script. Silman-James Pre

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