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Lecture/ Reviewer 1 in Francisco Santiago
Music and Arts 7 Week 1 - Father of Kundiman Art Song
Quarter 3 - Composition: Kundiman, (Anak Dalita)”, the first Kundiman Kundiman - A classic form of art song Filipino love song - Santiago regarded the Kundiman Nationalism - individual’s loyalty art song as something “that and devotion to the nation-state expresses the lofty sentiment The national anthem of the of love, and even heroism in a Philippines, “Lupang Hinirang,” melancholy mood.” was originally entitled “Marcha Nicanor Abelardo Nacional Filipina.” - Abelardo set the text to music, Music was composed by Julian making the piano accompaniment Felipe in marching tempo and match the declamation of the initially performed by the San text and creating text Francisco de Malabon band, At the painting. Proclamation of Philippine - His subsequent song Independence on June 12, 1898 in compositions showed a more Kawit, Cavite. Jose Palma wrote the lyrics mature technique of text adapted from the Spanish poem painting with more interplay “Filipinas” and entitled it “Himno between text and music Nacional Filipino.” Singing and playing of the Philippine national anthem is governed by the law, specifically R.A. 8491 or the “Flag and Heraldic Code of the Philippines” Francisco Santiago - regarded as the “father of nationalism in music Antonino Buenaventura also used nationalist themes in his compositions like Pandanggo sa Ilaw and Mindanao Sketches which was based on Manobo themes “Lupang Hinirang is sung with pride, dignity, utmost respect, and allegiance to the country” Indonesia Raya - written by Wage Rudolf Supratman in 1928, “Indonesia Raya” was first recorded in 1950, in a performance by Dutch composer Jos Cleber and the resident symphony orchestra of Republic of Indonesia Radio (RRI). The Spanish lyrics of Bayan Ko were originally written for the Severino Reyes’ zarzuela, Walang Sugat ("no wound"). Bayan Ko, as a kundiman, is about the Philippines’ struggle for independence during the American regime. - the song was also performed to convey the same desire for freedom during the Japanese occupation (and even after the war), including the protest marches against the Marcos government in the early ‘80s