2024-introduction-to-digital-art-art-020a-oertextbook
2024-introduction-to-digital-art-art-020a-oertextbook
2024-introduction-to-digital-art-art-020a-oertextbook
The contents of this book were developed under an Open Textbooks Pilot grant from the Fund for the
Improvement of Postsecondary Education (FIPSE), U.S. Department of Education. However, those
contents do not necessarily represent the policy of the Department of Education, and you should not
assume endorsement by the Federal Government.
Introduction to Digital Art is licensed under a Creative Commons Attribution-Share
Alike 4.0 International License. This license allows you to remix, tweak, and build upon
this work, even commercially, as long as you credit this source and license the new creation under
identical terms. If you reuse this content elsewhere to comply with the attribution requirements of the
license, please attribute the original source to the College of Lemoore, Lemoore, California.
Note: The above license does not extend to or include content that was accessed and incorporated and
that is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include
any special permission granted to us by the rights holders for our use of their content. The student work
throughout this textbook is used with permission and is not to be redistributed or duplicated outside this
textbook.
Image Disclaimer: Images and figures within this text are openly licensed, in the public domain, or used
based on fair use principles. Some images are student work; all rights are reserved and used with
permission and noted as such. If you are the copyright owner of images in this book and have not
authorized the use of your work under these terms, please contact the author at
kristenkennedy@whccd.edu to have the content removed.
Cover Design: Cover Art, DALI 4.0, AI-generated artwork
Additional Information:
ChatGPT AI (3.5, 4, 4.0) was used to create chapter outlines based on the actual course learning
objectives and student learning outcomes. In addition, it was used to help to structure, organize, and
generate the following textbook information:
• Generate Chapter Content in Outline format.
• Used as a copywriter/art instructor to add clarity, remove repetition, and suggest details to
content.
• Generate MLA Citations and a glossary list.
• Format Practical Assessments.
DALL-E 4.0 was used to create generative AI images as unique textbook art.
Grammarly AI was used to check grammar mechanics and punctuation. To assist the writing process,
these Grammarly AI prompts were used: Make it direct, make it persuasive, simplify it, shorten it, fix any
mistakes, make it more detailed, make it constructive, and make it assertive.
3|Page
4|Page
Contents
Preface ........................................................................................................... Error! Bookmark not defined.
About this Textbook .................................................................................................................................. 9
Authors’ Intentions ................................................................................................................................... 9
How to Use This Textbook ....................................................................................................................... 10
Our Educational Philosophy .................................................................................................................... 10
Acknowledgments................................................................................................................................... 10
Foreword ..................................................................................................................................................... 12
Chapter 1: The Digital Art Revolution ......................................................................................................... 15
Learning Objectives ................................................................................................................................. 15
Introduction to Digital Art ....................................................................................................................... 16
What is Digital Art? ................................................................................................................................. 16
Evolution of Digital Art ............................................................................................................................ 16
Cultural Significance of Digital Art .......................................................................................................... 16
The Creative Process in Digital Art .......................................................................................................... 17
Evolution of Digital Art ............................................................................................................................ 18
The Contemporary Digital Art Scene....................................................................................................... 21
Conclusion ............................................................................................................................................... 23
Chapter 2: Digital Art Foundations.............................................................................................................. 24
Learning Objectives ................................................................................................................................. 24
Introduction ............................................................................................................................................ 25
Digital Art Studio Set-Up ......................................................................................................................... 25
Exploring Digital Art Software ................................................................................................................. 28
Adobe Cloud Software ............................................................................................................................ 31
Interface Metaphors ............................................................................................................................... 33
Exploring Digital Color Management and Color Profiles......................................................................... 35
Resolution ............................................................................................................................................... 37
Conclusion ............................................................................................................................................... 43
Chapter 3: Web Wizards & Digital Sources ................................................................................................. 44
Learning Objectives ................................................................................................................................. 44
Introduction ............................................................................................................................................ 45
Legal and Ethical Considerations............................................................................................................. 45
Image Search on the Web ....................................................................................................................... 45
5|Page
Advanced Search Techniques .................................................................................................................. 46
Copyright & Licensing Your Work ............................................................................................................ 52
Appropriation .......................................................................................................................................... 55
Chapter 4: File Organization for Creatives .................................................................................................. 58
Learning Objectives ................................................................................................................................. 58
Introduction ............................................................................................................................................ 59
Digital Art Asset Management ................................................................................................................ 59
Best Practices for Storing and Sharing Files/Data ................................................................................... 62
Conclusion ............................................................................................................................................... 64
Chapter 5: The Digital Design Process......................................................................................................... 65
Learning Objectives ................................................................................................................................. 65
Introduction ............................................................................................................................................ 66
The Concept and Design Process ............................................................................................................ 66
Ideation in Digital Art .............................................................................................................................. 68
Compositional Elements and Principles of Design .................................................................................. 70
Compositional Concepts of Design ......................................................................................................... 73
Compositional Techniques ...................................................................................................................... 78
Visual Hierarchy in Design ....................................................................................................................... 80
Lesson 1: Vector Graphics (Adobe Illustrator)............................................................................................. 84
Vector Assignments................................................................................................................................. 84
What is Logo Design? .............................................................................................................................. 85
Gestalt Theory in Relation to Figure-Ground Studies ............................................................................. 86
Quick Tool Tutorials: Vector Graphics in Adobe Illustrator .................................................................... 90
Additional Resources .............................................................................................................................. 96
Vector Graphic Exercises ......................................................................................................................... 97
Portfolio Project: Reimagining a Popular Logo with a Humorous Twist................................................ 109
Lesson 2 -Digital Photography (Lightroom) ............................................................................................... 112
Photography Assignments .................................................................................................................... 112
What is Photography? ................................................................................ Error! Bookmark not defined.
History of Photography ......................................................................................................................... 113
Quick Tool Tutorials: Photo Editing in Adobe Lightroom ...................................................................... 122
Additional Resources ............................................................................................................................ 131
Photography Exercises ............................................................................... Error! Bookmark not defined.
6|Page
Portfolio Project: Digital Photo Series ................................................................................................... 133
Lesson 3 - Photo Manipulation (Photoshop) ............................................................................................ 135
Photo Composite Assignments ............................................................................................................. 135
What is Photo Manipulation? ............................................................................................................... 136
History and Evolution of Photo Manipulation ...................................................................................... 138
Ethical Considerations in Photo Manipulation ...................................................................................... 138
Critical Concepts of Photo Manipulation .............................................................................................. 140
Quick Tool Tutorial: Photo Composites in Adobe Photoshop ............................................................... 143
Additional Resources ............................................................................................................................ 145
Photo Composite Exercises ................................................................................................................... 145
Portfolio Project: Thematic Digital Art Series ....................................................................................... 149
Lesson 4 – Digital Painting & Drawing (Photoshop) .................................................................................. 151
Painting & Drawing Assignments .......................................................................................................... 151
What is Digital Painting and Drawing? .................................................................................................. 152
Differences Between Digital Painting & Digital Drawing ....................................................................... 152
Evolution from Traditional to Digital Media .......................................................................................... 153
Color Theory in Digital Painting............................................................................................................. 154
Mixing Techniques in Digital Painting ................................................................................................... 156
Quick Tool Tutorials: Digital Painting and Drawing in Adobe Photoshop.............................................. 160
Additional Resources ............................................................................................................................ 163
Digital Illustration Exercises .................................................................................................................. 163
Summative Portfolio Project: Digital Painting or Illustration ................................................................ 167
Lesson 5 – Time-Based Art (Adobe Rush) ................................................................................................. 169
Time-Based Assignments ...................................................................................................................... 169
Introduction to Time-Based Media ....................................................................................................... 170
Evolution of Time-Based Media ............................................................................................................ 170
Digital Tools and Techniques ................................................................................................................. 172
Techniques in Creating Time-Based Media ........................................................................................... 172
Quick Tool Tutorials: Time-Based Artwork in Adobe Premiere Rush .................................................... 182
Lesson 6 – Digital Art Portfolio (Print/Web) .............................................................................................. 192
Digital Artist or Graphic Designer.......................................................................................................... 192
Career Opportunities for Digital Media Artists ..................................................................................... 193
Comprehensive Guide to Creating an Online Digital Portfolio.............................................................. 194
7|Page
The Art Critique: Evaluating Digital Art ..................................................................................................... 199
Purpose of an Art Critique .................................................................................................................... 199
Art Critique Handout for Evaluating Digital Art Introduction................................................................ 200
Glossary..................................................................................................................................................... 202
Appendices................................................................................................................................................ 209
Appendix A: Digital Artist Materials and Supply List ............................................................................. 209
Appendix B The Art Critique ................................................................................................................. 211
Appendix C: Further Reading and Digital Art Resources ....................................................................... 215
8|Page
Preface
In the rapidly evolving digital art landscape, the fusion of theory and practice opens up endless avenues
for creativity and innovation. This textbook is designed as a comprehensive guide to navigating these
exciting possibilities using Adobe Creative Cloud applications. Aimed at both the novice and the more
experienced learner, it lays down a foundational framework of theoretical concepts while offering hands-
on exercises to apply these ideas in practice.
Incorporating Adobe Creative Cloud software into the textbook enhances its practical relevance and
application, given Adobe's prominence in the digital art and design fields. The following chapters
incorporate specific references to Adobe Lightroom, Illustrator, Photoshop, and Adobe Premiere Rush,
aligning the course content with industry-standard tools for a hands-on learning experience.
Authors’ Intentions
In developing this textbook, my primary goal is to meet the evolving needs of students, educators, and
self-learners in digital art and design. I am deeply committed to art education and have a strong desire to
foster creativity and innovation within the digital realm. As an experienced educator, I understand the
transformative impact of digital tools on artistic expression, while also recognizing the challenges and
gaps in existing educational resources.
To address these challenges, I have created this textbook as a free Open Educational Resource (OER),
aiming to eliminate the financial barriers to high-quality educational materials. This decision reflects my
dedication to making art education more accessible and supporting students in their academic and
creative pursuits.
One critical issue I seek to address is the scarcity of comprehensive, up-to-date resources that cater to
digital art and design practitioners' varied needs and skill levels. While abundant tutorials, guides, and
online courses exist, many resources lack a holistic approach to the subject matter and often omit crucial
concepts and techniques. My textbook is designed to fill this gap by thoroughly exploring foundational
principles and contemporary practices in digital art and design.
9|Page
This textbook is tailored for:
• Students: Whether you are new to digital art or aiming to refine your skills, this book is an
extensive resource catering to learners at all stages.
• Educators: This book will be valuable for teaching digital art and design courses. It can help
develop curriculum and enhance classroom instruction.
In conclusion, I intend to offer a resource that educates and empowers learners, educators, and self-
learners to excel in digital art and design's dynamic and ever-changing landscape.
Acknowledgments
We extend our heartfelt thanks to the contributors, collaborators, and the digital art community for their
invaluable insights and feedback during the development of this textbook. Your expertise and input have
been crucial in shaping this resource.
Looking Forward
This textbook is intended as a foundational tool for future explorations in digital art, designed to evolve
alongside the technological and creative advancements in the field. It serves as a dynamic guide, poised
for adaptation and growth to meet the ever-changing demands of digital artistry.
10 | P a g e
Encouragement for Engagement
We encourage you to immerse themselves in the content, question and challenge the ideas presented,
and apply their learning innovatively. Your creativity and ingenuity will continue to push the boundaries
and advance the field of digital art.
1
“20A Digital Art Textbook Collaboration” ChatGPT 4.0, Open Air, 22 Mar 2024, URL 1
https://chat.openai.com/share/e002129f-a867-4a68-ac45-a7d38c093f33
11 | P a g e
Foreword
Welcome to the Future of Artistry
Dive into the vibrant world of digital art, where creativity meets cutting-edge technology. This textbook
unravels the essence of digital art, offering you a front-row seat to the revolution transforming the art
world. This isn't just a look into what digital art is—it's your passport to understanding how digital tools
and creativity come together to create something totally new and constantly evolving.
A Quick Trip Through History
Before we dive into the nuts and bolts, let's take a quick trip back in time. We'll explore how digital art
started with early tech-savvy artists in the 1950s and has grown into a significant part of today's art
world. Understanding where digital art comes from will give you a deeper appreciation for its essence
and how it has changed our thinking about creativity.
What Makes Digital Art... Digital Art?
Now, let's get into the heart of digital art. What sets it apart from traditional painting or sculpture? How
have digital tools opened up new possibilities for creativity? We'll unpack these big questions, giving you
a clear view of what makes digital art a game-changer in the art world.
A New Era of Distribution and Access
Witness the democratization of art in the digital age. Understand how the internet and digital galleries
have revolutionized how art is shared and consumed, making it accessible to a global audience at the
click of a button. Yet, with great power comes great responsibility—delving into the complexities of
copyright and ownership in the digital sphere.
The Digital Artist: Creator, Innovator, Visionary
Challenge your perceptions of art and the artist's role in the digital era. This textbook encourages a deep
dive into the conceptual and practical implications of digital creation, from the debate on artistic skill in
the age of technology to the evolving narrative of art as a form of human expression.
Tools of the Trade
Digital art is all about tools, and there's a whole world of them to explore. From the precision of digital
photography to the creative freedom of digital painting, we'll walk you through the key techniques and
tools that digital artists use to bring their visions to life:
• Digital Photography: Capture the world through a lens and use digital tools to enhance your
images.
• Graphic Design: Dive into the world of visual communication through logo design and discover
the art of making every pixel count.
• Photo Manipulation: Blend, distort, and transform ordinary images into extraordinary digital
artworks.
• Digital Painting and Illustration: Escape the limits of traditional media and explore what digital
brushes, pens, and pencils can do.
• Video Art: Combine motion and artistry to tell stories in dynamic and engaging ways.
12 | P a g e
Setting the Stage for Mastery
This textbook is a foundation upon which your digital artistry will build. As we navigate digital art's
essential history and concepts, you're not just learning—you're preparing to dive deeper into the
techniques and applications that will shape your journey as a digital creator.
Your Canvas Awaits
As we journey through each chapter, you'll be equipped with the knowledge and inspiration to harness
the power of digital tools and carve your niche in the art world. Whether you're an aspiring digital artist
or a seasoned creator looking to expand your horizons, the future of art is bright—and it’s digital.
Dive into "The Digital Art Revolution"—your comprehensive guide to understanding the roots, reveling
in the present, and shaping the future of digital artistic expression. Let's begin this journey together,
pixel by pixel, as we unveil the endless possibilities of digital media.2
2
“20A Introduction Digital Art” ChatGPT 4.o, Open Ai, 25 Mar 2024, URL: https://chatgpt.com/share/7762a8be-
5a89-4aca-a7ee-9714e593866b
13 | P a g e
PART I
Fundamentals of Digital Art
14 | P a g e
Chapter 1: The Digital Art Revolution
Learning Objectives
By the end of this chapter, you will be able to:
1. Describe the historical development of digital art, from its early beginnings to its status in the
contemporary art world.
2. Identify and discuss key milestones and technological advancements that have been pivotal in
the evolution of digital art.
3. Analyze the differences in the creation, sharing, and viewing of digital art compared to
traditional art forms.
4. Explore digital art's unique characteristics and aspects, including interactivity, modifiability, and
digital creation processes.
15 | P a g e
Introduction to Digital Art
Digital art has emerged as a transformative force in the creative world, blending traditional artistic skills
with cutting-edge technology to produce innovative and captivating works of art. This section will delve
into the definition of digital art, trace its historical evolution, and examine its profound cultural
significance. By understanding the foundations of digital art, you will be better equipped to appreciate its
impact and explore its vast potential.
3
“Digital Art Interfaces Overview” ChatGPT 4.o, Open Ai, 16 June 2024, URL: https://chatgpt.com/share/94e6aa2c-
2021-4034-8172-945978725115
16 | P a g e
Case Studies of Influential Digital Artists
• Beeple (Mike Winkelmann): Beeple is a prominent digital artist known for his daily digital
creations and groundbreaking work in the NFT (Non-Fungible Token) space. His piece "Everydays:
The First 5000 Days" sold for $69.3 million, highlighting digital art's growing market and cultural
significance.
• Vera Molnár: A pioneer in algorithmic art, Vera Molnár used computer programs to create
geometric abstract works. Her innovative approach has inspired many contemporary digital
artists.
• Harold Cohen: Harold Cohen developed AARON, a computer program capable of creating
original artworks autonomously. His work explores the intersection of art and artificial
intelligence, pushing the boundaries of what is considered art.4
4
“20A Digital Art Revolution” ChatGPT 4.0, Open AI, 25 Mar 2024, URL: https://chatgpt.com/share/8fe0fac5-eacd-
41b8-be0f-a6c5b7b4d5cf
5
“20A Digital Art Revolution” ChatGPT 4.0, Open AI, 25 Mar 2024, URL: https://chatgpt.com/share/8fe0fac5-eacd-
41b8-be0f-a6c5b7b4d5cf
17 | P a g e
seen in the "Scott Pilgrim" series, which combines digital art with traditional comic layouts. This flexibility
renders digital art an effective vehicle for storytelling, enabling creators to weave complex narratives
that may be interactive, multimedia, and extend across multiple platforms. The intersection of digital art
with animation, video games, and virtual reality further dissolves the boundaries between art,
entertainment, and technology, offering novel avenues for immersive visual storytelling.
6
“20A Digital Art Revolution”
18 | P a g e
In short, digital art is where tech innovation meets art. It started with significant changes in art and
society in the early 20th century, which led to new ways of making art through tech. This field keeps
growing as artists and scientists work together, opening up new possibilities for what art can be in the
digital era.7
7
V&A.“Digital Art.” Victoria and Albert Museum, 2024, www.vam.ac.uk/articles/digital-art. Accessed 5 June 2024.
URL: https://www.vam.ac.uk/articles/digital-art
8
Paul, Christiane. “Histories of the Digital Now.” Whitney.org, 2018, whitney.org/essays/histories-of-the-digital-
now. Accessed 5 June 2024. URL: https://whitney.org/essays/histories-of-the-digital-now
9
V&A · “Digital Art.”
19 | P a g e
Back then, computers didn't have screens, so artists used plotters like early printers that draw on paper
using data. Molnár and Mohr used these plotters to make their art, often featuring complex geometric
patterns. This method was crucial in shaping the look of early computational art.10
"line Artwork Computer Generated-Interruptions" 1969, by Vera Molnar, via Flickr is licensed CC0 1.0 Universal Public Domain
Dedication
In the 1970s, artists began using computers to make art, moving from traditional styles to digital.
Manfred Mohr, inspired by theories that linked math and aesthetics, started creating digital geometry
with a computer in Paris. His work, like "P-62" (1970), became known for using computer programming
in art. This time also saw the influence of movements like Fluxus, which mixed art with everyday life. For
example, Analivia Cordeiro, at 19, showed her computer art at a festival in 1973. Cordeiro used
algorithms to choreograph dance performances,
blending her interests in dance and math. This period
explored how technology could be a new tool for
artists, even exploring the human body as a theme.
Harold Cohen developed AARON, a computer that
could draw, at Stanford University's AI Lab, combining
art with artificial intelligence research. David Em
experimented with TV image manipulation before
working at NASA, where he created 3D graphics and
virtual worlds, applying these in space exploration
simulations.
This era highlighted how artists collaborated with
scientific institutions, using new technologies to push
the boundaries of art. These partnerships helped form “Untitled (9i23-3451)", 1969 by Harold Cohen, is used
the foundation of digital art, showing that art could under Fair Use
drive technological innovation and lead to formal artist
residencies in scientific and technological environments.11
10
V&A · “Digital Art.”
11
V&A · “Digital Art.”
20 | P a g e
Throughout the 1970s and '80s, artists across various disciplines, including painting, sculpture,
architecture, printmaking, photography, and performance, began to explore new possibilities offered by
computer-imaging techniques. This era marked and witnessed the beginning of digital art's evolution
into diverse practices and its revolution in the broader cultural landscape.
By the mid-1980s, computers became smaller, cheaper, and more user-friendly, leading to more people
having them at work and home. The introduction of the Macintosh computer facilitated the creation of
digital art, including early animations. Digital photography emerged, enabling artists like Robert
Rauschenberg and Nam June Paik to create images that mimicked traditional photographs and film. The
launch of Adobe Photoshop in 1987 was a significant milestone for artists, providing them with an
unprecedented toolkit for image manipulation and creation. This period also witnessed the emergence
of hacker and gaming communities that utilized online platforms to exchange resources and discuss
technology. As technology became more accessible, digital artists were no longer solely reliant on
institutions to create their work, giving rise to a new era in digital art.
The 1980s through the “90s” saw significant advancements in digital technology, increasing the
popularity of computer art. The first online art galleries and cyber museums appeared alongside
landmark events such as the SIGGRAPH conference on Computer Animation and the International
Symposium on Electronic Art (ISEA). Artists began using digital tools to replicate traditional art forms,
expanding digital art to include paintings, sculptures, and TV shows.
The launch of the World Wide Web in 1991 revolutionized global connectivity, making it even easier for
people to connect and share information. This era also saw the rise of 3D modeling software and digital
animation, with movies such as "Toy Story" (1995) showcasing the immense potential of digital
techniques in filmmaking.
In the 2000s, the emergence of online Platforms like DeviantArt and Behance enabled artists to share
and collaborate on their work. Social media platforms became crucial for promoting digital art and
fundamentally changed how digital art was shared, viewed, and appreciated, fostering a global
community of digital creators and audiences. This period also witnessed video and interactive art
growth, with artists creating immersive experiences that responded to viewer interactions.12
Digital art has become a global phenomenon, accessible and varied thanks to the Internet and social
media. It continues to evolve with new technologies like virtual reality (VR) and augmented reality (AR),
broadening the scope for creative expression. In July 2016, Pokémon Go for IOS, one of the most popular
augmented reality smartphone apps, was released by Niantic.13 In June 2023, Apple developed a mixed-
reality headset called the Apple Vision Pro, a spatial computer where digital media is integrated with
the real world.14 Digital art has democratized the art world, allowing artists worldwide to share their
work and connect with audiences like never before.15
12
V&A · “Digital Art.”
13
Wikipedia contributors. "Augmented reality." Wikipedia, The Free Encyclopedia. Wikipedia, The Free
Encyclopedia, 28 jun 2024. Web. 10 Aug. 2004.
14
"Apple Vision Pro - Wikipedia." Wikipedia, Wikimedia Foundation, 28 Jun 2024, en.wikipedia.org/wiki/Apple_Vision_Pro.
15
V&A · “Digital Art.”
21 | P a g e
(NFTs), blockchain technology, and artificial intelligence (AI) has
further revolutionized the field, providing digital artists new ways
to authenticate, sell, and collect digital artworks. This
technological milestone has not only underscored the monetary
value of digital art but has also sparked debates about ownership,
copyright, and the essence of art itself.
The history of digital art is a testament to human creativity and
our relentless pursuit of new modes of expression. As technology
continues to evolve, so will digital art, promising future
innovations that will blur the lines between the digital and the
physical, the real and the virtual. Understanding the origins and
development of digital art deepens our appreciation for this
dynamic field and prepares us for the exciting possibilities in the
ever-expanding universe of digital creativity.16
16
“20A Digital Art Revolution”
17
“20A Section: digital vs Traditional” ChatGPT 4.0, Open AI, 25 Mar 2024, URL:
https://chatgpt.com/share/25003514-9b05-4e3a-a78c-7e682d485eea
22 | P a g e
Characteristics of Digital Art
Interactivity
Digital art is unique in its ability to be interactive. Unlike traditional art forms, which are usually static,
digital art can involve the audience in its creation or evolution. Interactive installations or online projects
can change based on viewer participation, creating a dynamic experience that blurs the line between the
creator and the audience. This interactivity redefines the art experience and fosters a more immersive
and personal connection with the work. Digital art often blurs the lines between creator and audience
through interactivity. Rafael Lozano-Hemmer's "Pulse Room" is a striking example. The installation's
lights pulse in sync with the viewer's heartbeat detected through a sensor. This level of interactivity
invites a personal connection to the artwork, contrasting with the static experience of traditional art.
Modifiability
Digital art's modifiability allows for endless variations of a single work, challenging traditional notions of
originality. The digital medium allows artworks to be easily altered or manipulated, presenting
opportunities and challenges. On one hand, artists can experiment with different versions of their work
with minimal effort, exploring different outcomes and iterations. On the other hand, this modifiability
raises questions about an artwork's authenticity and finality. The concept of a definitive "original" work
becomes fluid in digital art since copies can be identical to the original or modified in endless ways. Scott
Draves's "Electric Sheep" project is a collective, generative artwork that evolves as thousands of
computers and users interact with and modify its algorithmically generated dreamscapes. This contrasts
sharply with traditional artworks, often valued for their unalterable, unique state.
Conclusion
The evolution of digital art has transformed our engagement with creativity, introducing fresh avenues
for expression. As digital technologies advance, digital art is poised for further transformation, enriching
our cultural legacy and broadening our perspective on artistic expression.18
18
“20A Section: digital vs Traditional”
23 | P a g e
Chapter 2: Digital Art Foundations
"Digital Studio Foundations" AI-generated art, DALL-E 4.o, 2024 by Kristen R. Kennedy
Learning Objectives
Upon completion of this chapter, you will be able to:
1. Create a digital art studio with essential tools, materials, and technology.
2. Explore different digital art software applications and their purposes
3. Comprehend the use of metaphors in digital art interfaces and their impact on user experience
4. Understand resolution concepts, including pixels and bits, and principles of digital color
management.
5. Learn and implement the digital design process, following best practices from concept to final
output.
24 | P a g e
Introduction
Digital art has completely revolutionized the way we create, perceive, and interact with visual media.
This field is fast-evolving and integrates traditional artistic principles with cutting-edge technology,
making it dynamic and innovative. In this chapter, we will explore the foundational aspects of digital art,
including key concepts, tools, and techniques that are essential for any aspiring digital artist. By the end
of this chapter, you will have a comprehensive understanding of the fundamentals of digital art, the
various professions within the field, and the necessary skills and tools to embark on your own digital art
journey.
19
“Digital Art Interfaces Overview” ChatGPT 4.o, Open Ai, 16 June 2024, URL:
https://chatgpt.com/share/94e6aa2c-2021-4034-8172-945978725115
25 | P a g e
• Peripherals: Additional peripherals like a quality keyboard, mouse, and external storage devices
are also essential. These tools will streamline your workflow and provide ample space for storing
large digital files.20
20
“Digital Art Interfaces Overview”
21
“Digital Art Interfaces Overview”
26 | P a g e
• Specialized Features: Clip Studio Paint's features for comic creation, such as panel layouts and
speech bubble tools, make it uniquely suited for comic artists. Similarly, Procreates touch
gestures and time-lapse recording are particularly useful for illustrators and digital painters.22
22
“Digital Art Interfaces Overview”
23
“Digital Art Interfaces Overview”
27 | P a g e
• Organization: Keep your workspace tidy and organized. Use cable management solutions to
reduce clutter and storage solutions like shelves and drawers to keep your tools and materials
easily accessible.
• Ventilation and Climate Control: Maintain a comfortable temperature and good air quality in
your studio. Proper ventilation can prevent overheating of your equipment and improve your
overall well-being.
Setting up a digital art studio is not just about the hardware and software but also about creating an
ergonomic and efficient workspace. Investing in the right tools and designing a conducive environment
enhances your creative process and prioritizes your well-being. A well-designed studio can produce high-
quality digital art, and this section is here to guide you in establishing a studio that meets your artistic
needs and preferences. Remember, your studio is a dynamic space that can evolve with your skills and
creative journey.24
24
“Digital Art Interfaces Overview”
28 | P a g e
Raster Graphics Software
Raster graphics software is used to create and edit pixel-based
images. These images are made up of a fixed number of pixels,
making them ideal for detailed and complex graphics like
photographs and digital paintings.
Example: Adobe Photoshop is a versatile powerhouse
used for a wide range of digital art applications, including photo
editing, digital painting, and graphic design. Its extensive array of
brushes, filters, and adjustment tools makes it ideal for creating
detailed and complex artwork.
Other Raster Imaging Software:
• GIMP (GNU Image Manipulation Program): A free,
open-source raster graphics editor used for photo
retouching and image composition.
• Corel Painter: Known for its natural media emulation,
ideal for digital painting.
Photo Editing Software
"Super Winyan" Art-020A student, Alorha
Photo editing software is designed to enhance, modify, and
Baga, is used with permission.
manipulate digital photographs. These tools offer a range of
features for color correction, exposure adjustment, and retouching.
Example: Adobe Lightroom is a powerful tool for
photo editing and management. It offers non-destructive
editing, advanced color correction tools, and a robust
cataloging system to organize large photo libraries efficiently.
Other Photo Editing Software:
• Capture One: Professional-grade photo editing
software with powerful color grading tools.
• inPixio: All-in-one photo editor, easy to use, even for
beginners. Make professional edits in one click with
AI tools.
"Raster Photograph" by Kristen R. Kennedy is
Video Editing Software licensed CC-BY-4.0
Video editing software enables the creation and manipulation of digital video content. These tools
provide features for cutting, trimming, adding effects, and rendering videos for various platforms.
Example: Adobe Premiere Rush is a user-friendly video editing software designed for quick and
efficient video creation and sharing. It features an intuitive interface, simplified editing tools, and
integrated social media sharing options, making it accessible for beginners and professionals alike.25
Other Video Editing Software:
25
“Digital Art Interfaces Overview”
29 | P a g e
• Adobe Premiere Pro: Professional video editing software for film, TV, and web content creation.
• Adobe Express: Free online video editor to quickly create and share videos on social media. No
experience is required.
• iMovie: Intuitive tools for quick and easy video editing. AI background removal, motion tracking,
noise removal, drawn-and-drop filters, titles, transitions, and overlays.26
Animation Software
Animation software is used to create moving images and effects. These tools are essential for creating
animations, motion graphics, and visual effects for films, video games, and digital media.
Example: Adobe After Effects is the leading animation and motion graphics software. It offers a
wide range of tools for animating text, shapes, and images and advanced visual effects and compositing
features.
Other Animation Software:
• Toon Boom Harmony: The industry standard for animation, used in TV shows and movies.
• Blender: A free, open-source 3D creation suite with robust animation tools.
3D Modeling Software
3D modeling software is used to create three-dimensional
digital objects. These tools are essential for animation,
game design, architecture, and product design.
Example: Blender is a free and open-source 3D
modeling software that provides comprehensive tools for
modeling, sculpting, texturing, and animating 3D objects.
It’s widely used in the industry for creating high-quality
3D content.
Other Modeling Software:
• Autodesk Maya: The industry standard for 3D
modeling, animation, visual effects, and
rendering
• Z-Brush: Known for its powerful sculpting and
modeling tools, used extensively in the game and
movie industries. "3D Model of a Cute Zebra" StableDiffusionWeb.com,
AI-generated image, 2024, by Kristen R. Kennedy
New Art Media Software
AI-Generated Imaging and Its Implications for Digital Art
AI-generated imaging involves using artificial intelligence to create images and artwork. This technology
can assist artists in generating new ideas, automating repetitive tasks, and creating complex designs that
would be difficult to achieve manually.27
26
“Digital Art Interfaces Overview”
27
“Digital Art Interfaces Overview”
30 | P a g e
Example: DeepAI uses neural networks to turn photos into artworks in the style of famous
artists. DeepAI stands out as one of the best free AI image generators in 2024, providing numerous
features for fine-tuning your photo generation output. AI-generated art tools like this are revolutionizing
how artists create and think about digital art, offering new possibilities and raising questions about
creativity and authorship.
Other Generative AI-Image Software:
• Midjourney: Midjourney is a generative AI program that creates images based on text prompts,
similar to OpenAI's DALL-E
• Stable Diffusion: The latest AI image generator produced by Stability AI. It can process text-to-
image inputs in under 40 seconds.
• DALL·E: An AI system by OpenAI that creates images from textual descriptions.
• Adobe Firefly: a revolutionary tool Adobe developed using its Sensei AI platform. It allows users
to generate images and modify existing visuals.
By leveraging these different types of digital software, artists and creators can explore various
possibilities in digital art, from vector and raster graphics to photo editing, video production, animation,
3D modeling, and innovative AI-generated art. Each software offers unique features and tools tailored to
specific artistic needs and workflows.28
Adobe Illustrator
Adobe Illustrator is the industry standard for vector-based artwork, providing powerful tools for creating
scalable graphics, logos, and illustrations.
Key Features:
28
“Digital Art Interfaces Overview”
29
“Digital Art Interfaces Overview”
31 | P a g e
• Vector Drawing Tools: Illustrator’s vector-based environment ensures that graphics can be scaled
to any size without losing quality.
• Precision and Control: Tools like the Pen tool and Shape Builder offer
precise control over paths and shapes, allowing for intricate and detailed
designs.
• Typography Tools: Illustrator includes advanced typography tools for
creating and manipulating text, making it ideal for logo design and
branding.
• Pattern and Brush Libraries: A wide variety of patterns and brushes help
artists achieve unique styles and effects.
Adobe Lightroom
Adobe Lightroom is a powerful photo editing and management tool designed to
enhance the quality and organization of photographic collections.
Key Features:
• Non-Destructive Editing: Lightroom allows for non-destructive edits,
preserving the original image while applying adjustments.
• Advanced Color Correction: Tools for color correction, exposure
adjustment, and tone control help photographers achieve the perfect look
for their images.
• Organization and Workflow: Lightroom’s cataloging system helps manage
large photo libraries efficiently, with features like tagging, rating, and
collections.
• Presets and Profiles: Customizable presets and profiles streamline the
editing process, ensuring consistent results across multiple images.30
30
“Digital Art Interfaces Overview”
32 | P a g e
• Direct Sharing: Integrated social media sharing options allow creators to publish their videos
directly to platforms like YouTube, Instagram, and Facebook.
Conclusion
Adobe Creative Cloud provides a comprehensive suite of tools that cater to various aspects of digital art
and multimedia creation. By mastering Photoshop, Illustrator, Lightroom, and Premiere Rush, artists can
enhance their creative workflows and produce high-quality digital content. This section has highlighted
each application's key features and functionalities, guiding you in selecting the right tools for your artistic
endeavors. As you delve deeper into Adobe Creative Cloud, you will unlock new possibilities and push
the boundaries of your creativity.31
Interface Metaphors
In digital art software, interface metaphors are crucial in shaping the user experience. These metaphors
bridge the gap between the physical and digital worlds, making complex software more intuitive and
easier to navigate. This section will explore the concept of interface metaphors' significance in digital art
applications and how they enhance creativity and productivity. By understanding these metaphors,
artists can better navigate their tools and fully leverage the capabilities of their software.
31
“Digital Art Interfaces Overview”
32
“This textbook section is an adaptation of Digital Foundations – Intro to Media Design” by Xtine
Burroughs and Michael Mandiberg is licensed under CC BY-NC-SA 3.0 “
33 | P a g e
• Color Pickers and Palettes: Digital color pickers and palettes resemble physical paint palettes and
color wheels. They provide artists with a visual and interactive way to select and mix colors,
replicating the experience of mixing paints on a palette.
"Blender 3D Kachel Color Picker" by Toni Grappa, Wikimedia Commons, is licensed CC BY-SA 3.0
• Workspaces and Desktops: The workspace in many digital art applications is designed to
resemble a physical desk or studio. This includes customizable toolbars, movable windows, and
docking panels, which help create an organized and efficient environment for digital creation.33
33
“This textbook section is an adaptation of Digital Foundations – Intro to Media Design”
34
“This textbook section is an adaptation of Digital Foundations – Intro to Media Design”
34 | P a g e
• Adobe Photoshop: Photoshop’s interface is rich with metaphors, from its tool palettes to its
layer system. This design helps users easily perform complex edits and compositions, making it a
favorite among photographers and graphic designers.
• Procreate: Procreates touch-based interface on the iPad uses intuitive gestures and familiar art
tools to create a natural drawing experience. The app’s simplicity and efficiency make it popular
among illustrators and digital painters.
• Corel Painter: Corel Painter’s interface is designed to mimic traditional painting, with a focus on
realistic brushes and textures. This approach appeals to artists seeking a digital tool that closely
replicates the feel of physical media.
• Clip Studio Paint: Clip Studio Paint combines familiar comic and manga creation tools with an
organized workspace. Its interface supports complex workflows, from inking to coloring, making
it ideal for comic artists.
Conclusion
Interface metaphors are fundamental to the design of digital art software, providing users with familiar
and intuitive ways to interact with their tools. By understanding these metaphors, artists can navigate
their software more effectively, enhancing their creativity and productivity. 35
CMYK Profiles
Different CMYK profiles exist to match various
printing standards and paper types. These profiles
ensure that colors in digital designs are accurately
reproduced in printed materials. Example:
• Japan Color 2001 Coated: This CMYK
profile is designed for the Japanese printing
industry standards. It is used for high-
quality coated paper printing and is tailored
to match the specific ink and paper
characteristics prevalent in Japan. This
profile ensures that colors are accurately "CMYK color model" by Jipre is licensed public domain via
reproduced on coated papers commonly Wikipedia.org
36
used in Japanese printing.
35
“This textbook section is an adaptation of Digital Foundations – Intro to Media Design”
36
“Digital Art Interfaces Overview”
35 | P a g e
Adobe RGB
Adobe RGB offers a wider color gamut (range) than
sRGB, making it better suited for professional
photography and high-quality printing. It captures
more vibrant and diverse colors, especially in the
green and cyan ranges.
Characteristics include:
• Larger color gamut than sRGB.
• Preferred for high-end photography,
graphic design, and print work.
ProPhoto RGB
ProPhoto RGB has an even larger color gamut than Adobe RGB and is often used in high-end
photography and advanced digital imaging. This profile can represent a wide range of colors, but many
devices cannot display the full range.
Characteristics include:
• Extremely large color range (gamut).
• Requires careful handling to avoid color clipping and ensure accurate reproduction.
37
“Digital Art Interfaces Overview”
36 | P a g e
Accuracy
Different devices interpret colors differently. Color profiles correct these discrepancies, ensuring that
your artwork looks as intended regardless of where or how it is viewed.
Example: A photographer edits images in ProPhoto RGB to capture a broad range of colors. When
exporting the images for web use, they convert the files to sRGB to ensure accurate color display on
standard monitors.
Workflow Integration
In professional workflows, color profiles are integral in managing color from creation to final output,
whether digital display, print, or other media. Understanding and correctly using color profiles can
prevent color mismatches and ensure your work is presented accurately.38
Example: A graphic designer working on a brochure uses CMYK profiles to prepare the print design,
ensuring the colors will be accurately reproduced on the final printed product.39
Resolution
Mastering the technical aspects of digital art is crucial for producing high-quality work that stands out in
a competitive field. Every digital artist must understand two key concepts: resolution and digital color
management. Resolution determines the clarity and detail of your images, while color management
ensures consistent and accurate color reproduction across different devices. This section will delve into
these topics, providing a comprehensive understanding of how they impact your digital art and offering
practical tips for managing them effectively.
"Resolution comparison SAR43 Camera" by PantheraLeo1359531, Wikimedia.org is licensed in the Public Domain
Understanding Resolution
Resolution refers to the amount of detail an image holds, measured in pixels. Higher resolution means
more detail and clarity, which is essential for professional-quality artwork. Common resolutions include
HD (1280 × 720), Full HD (1920 × 1080), and 4K (3840 × 2160). Resolution refers to the number of pixels
38
“Understanding Digital Color Profiles”
39
“Digital Art Interfaces Overview”
37 | P a g e
in an image, measured in width by height (e.g., 1920 × 1080). It's important for digital artists to grasp
resolution because it influences how images appear on different devices and when printed.
Pixels and Image Quality: Pixels are the smallest
units of a digital image. The more pixels an image
has, the higher its resolution and the finer its details.
Standard terms include DPI (dots per inch) and PPI
(pixels per inch), which describe pixel density and
influence print quality and screen clarity.
Bit Depth and Color Information: Bit depth refers to
the number of bits used to represent the color of a
single pixel. Higher bit depth allows for more colors
and smoother gradients. For instance, an 8-bit
image can display 256 colors per channel, while a
16-bit image can show over 65,000 colors per
channel.
Image Size and File Formats: Understanding how
image size and file formats affect resolution is
crucial. JPEG, PNG, and TIFF are standard formats,
each with advantages. JPEGs are compressed and
smaller but may lose quality, while TIFFs are larger
but preserve more detail and color information.40 "Pixelated Girl With Pearl Earring" by acagastya, is licensed
CC0 1.0 Universal
What is a Pixel?
A pixel (short for "picture element") is the smallest unit of a digital image or display, typically a tiny
square or dot that contains a single point of color. Pixels are the basic building blocks of digital images.
They are organized in a grid of rows and columns to form digital images. Each pixel shows a different
color, and together, they create the full image seen on screens. The number of pixels in an image is called
its resolution. For example, an image with a resolution of 1920 × 1080 is 1,920 pixels wide (horizontal)
and 1,080 pixels down (vertical). Higher resolution means more pixels, which results in greater detail and
clarity in the image.41
What is a Bit?
A bit is the smallest unit of data in computing, representing a binary value of 0 or 1. Bits are crucial
because they determine the color and brightness of each pixel in a digital image. The number of bits per
pixel can vary from 1 bit for simple black-and-white images to 32 bits for high-quality, transparent
images. The most common color depth for true color images is 24 bits per pixel. The number of bits that
make up a pixel depends on the color depth of the image, which determines how many colors can be
represented.
For Example:
• 1-bit: A pixel can be either black or white (2 colors).
• 8-bit: A pixel can represent 256 different colors or shades of gray in grayscale images.
40
“Digital Art Interfaces Overview”
41
“Digital Art Interfaces Overview”
38 | P a g e
• 16-bit: Each pixel can represent 65,536 colors, often used in High Color displays.
• 24-bit: A common standard for true color images, where each pixel can display one of
16,777,216 colors. This is typically divided into three 8-bit channels (red, green, and blue), with
each channel contributing 8 bits.
• 32-bit: Similar to 24-bit color but includes an additional 8-bit alpha channel for transparency,
allowing for 4.29 billion possible combinations, including transparency effects.42
"8-Bit Palette of 64 Color Pixels" by Axel Pixel is licensed CC BY-SA 3.0, 28 Jun 2013
" 24-Bit versus 8-Bit Pixel Resolution" DALL-E 4.o, AI-generated image, by Kristen R. Kennedy. 16 Jun 2024
For Example: Imagine a digital photo of a sunset over the ocean. The picture is made up of thousands of
tiny dots called pixels. In the sky, these pixels show different orange, pink, and purple hues to depict the
sunset, while the ocean is portrayed with varying shades of blue and green. Each of these pixels is
42
“Digital Art Interfaces Overview”
39 | P a g e
defined by a combination of bits that determine its precise color. A 24-bit per pixel image will capture
more color variations and finer details in the waves and clouds compared to an 8-bit or 16-bit version of
the same image.43
Conclusion
Mastering the concepts of resolution, pixels, and bits is essential for digital artists. Resolution,
determined by the number of pixels, directly affects the detail and clarity of your work. Pixels are the
basic units of an image, while bits determine the color and brightness of each pixel. Higher bit depths
provide a sizeable color range and detail. By mastering these elements, digital artists can create high-
quality images, work more efficiently, and ensure their artwork looks suitable across different media and
devices.
43
“Digital Art Interfaces Overview”
40 | P a g e
• Implementing Color Profiles: Embed color profiles in your files to maintain color consistency
across different devices. Use Adobe RGB for print work and sRGB for web images to ensure
accurate color representation.
Understanding and managing resolution and color are essential skills for any digital artist. The high
resolution ensures your artwork is detailed and clear, while effective color management guarantees that
your colors are consistent and accurate across different media. This section has provided a detailed
overview of these concepts, offering practical advice to help you produce professional-quality digital art.
By mastering these technical aspects, you can elevate your work and ensure it looks its best in any
context.44
The value range for each color channel is typically from 0 to 255, which allows for over 16 million
possible color combinations. A value of 255 indicates the maximum light intensity for that color, while a
value of 0 means no light of that color is emitted. When all values are set to zero, it results in a black
color because no light is emitted from any color channels.45
How RGB Works
The RGB model is called additive because it works by adding light to create colors. The primary colors in
this model (red, green, and blue) are combined to produce a wide range of colors.
Combining Colors: By varying the intensity of each color channel, a spectrum of colors can be created.
For example:
• Combining red and green light at equal intensities produces yellow (RGB (255, 255, 0)).
44
“Understanding Digital Color Profiles” ChatGPT, Open AI, 16 Jun 2024, URL:
https://chatgpt.com/share/43bc6915-0ad5-465f-9530-b47cc3eca762
45
“Understanding Digital Color Profiles”
41 | P a g e
• Combining red and blue light at equal intensities produces magenta (RGB (255, 0, 255)).
• Combining green and blue light at equal intensities produces cyan (RGB (0, 255, 255)).
• Combining all three colors at equal intensities produces shades of gray (e.g., RGB (128, 128,
128) for medium gray).
Understanding the RGB model is essential when working with digital images and displays because it
directly affects how colors are rendered on screens. The RGB values determine how much of each
primary color the device emits, allowing for precise control over the displayed color. By mastering the
RGB color model, digital artists and designers can ensure accurate and vibrant color reproduction in their
digital work, maintaining the intended appearance across various devices. 46
CMYK Color Model
The CMYK color model is used primarily in color printing,
and it operates by mixing different proportions of four
inks: cyan, magenta, yellow, and black. This subtractive
model begins with the color white (the color of the paper) CYAN MAGENTA
and then subtracts brightness using ink. The four colors in
this model are combined in different proportions to
produce a wide range of colors. A color value of 100%
indicates that the ink is fully applied, while a value of 0%
suggests that no ink has been applied.
Example: YELLOW
• Pure cyan: CMYK (100%, 0%, 0%, 0%)
• Pure magenta: CMYK (0%, 100%, 0%, 0%)
• Pure yellow: CMYK (0%, 0%, 100%, 0%) "CMYK Color Model" by Jipre, WikiCommons, is in
the public domain.
• Black: CMYK (0%, 0%, 0%, 100%)
How CMYK Works
The CMYK model is subtractive because it subtracts light from white. When you apply cyan, magenta,
and yellow inks to white paper, they absorb (subtract) specific wavelengths of light and reflect the
others, creating the perceived colors.
• Mixing Colors: A wide range of colors can be produced by combining these inks in various
proportions. For instance, mixing cyan and yellow produces green; mixing cyan and magenta
produces blue.
• Using Black Ink: Black ink (K) is added to the mix to produce deeper blacks and enhance detail,
as combining 100% of cyan, magenta, and yellow would result in a dark brown or muddy black
rather than a true black.47
46
“Understanding Digital Color Profiles”
47
“Understanding Digital Color Profiles”
42 | P a g e
Practical Applications
When designing for print, understanding how the CMYK model works is essential because it directly
affects how colors in your digital design will appear on printed materials. Using appropriate CMYK values
ensures that the printed result matches the intended design as closely as possible.
By mastering the CMYK color model and its application, digital artists and designers can achieve precise
and consistent color reproduction in their printed work, maintaining the integrity of their artistic vision.48
Conclusion
Mastering digital color and color profiles is essential for any digital artist or designer. By understanding
how colors are represented and managed across different devices and media, you can ensure that your
creative vision is accurately conveyed and consistently presented. Whether you are working on digital
displays or preparing print materials, these concepts will help you achieve professional and precise color
results in your work.
48
“Understanding Digital Color Profiles”
43 | P a g e
Chapter 3: Web Wizards & Digital Sources
Learning Objectives
Upon completion of this chapter, you will be able to:
1. Understand the importance and applications of digital art assets.
2. Identify key sources for finding digital art assets.
3. Utilize advanced search techniques to locate high-quality assets.
4. Navigate legal and ethical considerations in using digital art assets.
5. Implement best practices for selecting and using digital art assets responsibly.
44 | P a g e
Introduction
In today's rapidly changing digital art world, digital art assets are essential for digital artists. These assets
are crucial for enhancing the visual impact and effectiveness of their creative projects. Digital assets,
such as images, illustrations, graphics, models, textures, videos, and audio files, play a significant role in
enabling digital artists to express their creativity. They provide inspirational support and facilitate
seamless communication in the digital art world.
Access to high-quality digital assets is essential for helping digital artists create captivating and engaging
artwork. Fortunately, the internet offers numerous resources for finding relevant and high-quality digital
art assets. Knowing where and how to search for these assets is key to saving time and ensuring digital
artists find the resources they need to bring their visions to life.
49
“20A Ch 2 Searching Web” ChatGPT 4.o, Open AI, 14 Jun 2024, URL: https://chatgpt.com/share/ee20a160-b6a2-
4bb6-9f17-59cd64acfb6b
45 | P a g e
• Google Image Search: A powerful tool for finding images related to specific keywords and
refining search results based on size, color, usage rights, and more.
• Creative Commons Search: A specialized search engine that helps users find content that can be
freely used and modified, thanks to Creative Commons licensing.
• Stock Photography Websites: Platforms like Getty Images and iStock Photo offer extensive
collections of professional photographs and vector graphics, available for purchase or free with
appropriate licensing.
• Public Domain and Archival Resources: Websites like Wikimedia Commons provide access to
images and other media in the public domain or licensed under Creative Commons, making
them freely available for use.50
50
“20A Ch 2 Searching Web”
51
“Digital Foundations – Intro to Media Design,” Chapter 2, by Xtine Burroughs and Michael Mandiberg is
licensed under CC BY-NC-SA 3.0 "
52
“20A Ch 2 Searching Web”
46 | P a g e
Steps to searching for images on Google
1. Open Google Image Search: Navigate to Google Image Search in your web browser and Enter
Your Search Query:
a. Type your desired keywords into the search bar and press Enter.
b. For example, if you want 'New York City’ images, type "New York city."
2. Refine Your Search: Select the Tools button and the filtering
options to narrow down your results as follows:
a. Size: Choose from any size, large, medium, or icon.
"Select Tools Option for Filters"
b. Color: Select images in specific colors, black and white or
transparent.
c. Usage Rights: Filter images by Creative
Commons Licenses or commercial & other
licenses.
d. Type: Filter by clipart, line drawing, or
animated GIF.
e. Any Time: Filter images based on when
they were uploaded, such as the last 24
hours, a week, a month, a year, or a custom
range.
f. Advanced Image Search: A form you can fill
out for more detailed search information,
such as more specific pixel image sizes,
aspect ratios, color options, type of image,
region, file type, and including the options
listed above.
3. Viewing Images
a. Click on an image to view it in another
window.
b. Click on the Visit button to view the image "New York-Empire State Building Skyline" by Tayloright is
web source. You can see the image’s source licensed CC by 2.0
information and additional copyright
information.
c. Or right-click and open the image in a new tab to view it larger.
47 | P a g e
4. Downloading Images: Save the image file in an easily locatable place, like the desktop or
documents folders, by:
a. Dragging it to your desktop.
i. Flickr CC Images: Click the download button on the right-side image window.
ii. Some images may not be draggable, depending on the source site.
b. Or right-click the image and choose Save Image
As.
Copyright Information: Take note of the "Images may be subject
to copyright" notice. Consider if using it for a school project falls
under Educational Fair Use. Always verify the licensing information
associated with an image to ensure compliance with its usage
rights. When using images under Creative Commons licenses, give
appropriate credit to the creator as specified in the license.
Errors may occur in your search results. You can identify and
exclude these errors by searching for a specific phrase using
quotes. For example, if you want images of a particular event or
location, type 'New York City skyline' to narrow down the results.
Also, remember to reset your image size to 'All Image Sizes' if
necessary.53
53
“20A Ch 2 Searching Web”
48 | P a g e
f. Date: Find images based on when they were posted: past 24 hours, a week, a month or a
year ago.
g. License: Filter images by usage rights, such as all Creative Commons, public domain, free
to share and use, free to share and use commercially, free to modify, share, and use, and
free to modify, share, and use commercially. This is especially important to ensure you
are using images legally and ethically.
4. Viewing Images:
a. Click on an image, then click ‘View Image’ to see it in a larger or actual size.
b. Click Visit Site for the image's source and licensing information here.
5. Downloading Images: Save the file in a location on your computer where it will be easy to find,
such as your desktop or designated folders, by clicking ‘View Image’:
a. Dragging it to your desktop
b. Or right-click the image and choose Save Image As.
Copyright Information: Take note of the "Images may be subject to copyright" notice. Consider if using it
for a school project falls under Educational Fair Use. Always verify the licensing information associated
with an image to ensure compliance with its usage rights. When using images under Creative Commons
licenses, give appropriate credit to the creator as specified in the license.
Bing Image Search is a powerful tool for finding and using images for various purposes. By utilizing the
advanced search and filtering options, you can efficiently locate high-quality photos that meet your
needs while respecting legal and ethical guidelines. Whether working on a creative project, educational
material, or professional presentation, Bing Image Search can help you access the visual content you
require.54
54
“20A Ch 2 Searching Web”
49 | P a g e
• Extended Licenses: Allow additional uses beyond the standard license, such as printing more
copies or using the image on merchandise.
Popular Stock Photography Websites
Some of the most popular stock photography websites include:
• Getty Images: Known for its extensive collection of high-quality images and editorial photos.
• iStockPhoto: Offers a wide range of affordable stock photos, illustrations, and video clips.
• Shutterstock: Provides a large library of stock photos, vectors, and music tracks.
• Adobe Stock: Integrated with Adobe Creative Cloud, offering images, graphics, and videos.
• Pexels: A free stock photo and video platform that provides high-quality content.
• Unsplash: Another free resource for high-resolution photos shared by photographers worldwide.
Steps to Use Stock Photography Websites
1. Choose a platform that meets your needs. For
this guide, we will use Getty images as an
example.
2. Navigate to Getty Images in your web browser.
3. Enter Your Search Query: type your keywords
into the search bar and press enter, i.e., Stone
Henge.
4. Refine Your Search: Use the filtering options to
narrow down your results. Getty Images provides
several filters to refine your search based on
various criteria:
o Creative Images vs. Editorial Images:
Choose between images intended for
creative use and those that document
real-life events.
o Filters:
• Orientation: Select between
horizontal, vertical, or square
images. "Stonehenge" by David Bjorgen is licensed CC-BY-SA
• People: Filter by the number of 3.0 via Wikimedia.org
people in the image, age, gender,
and ethnicity.
• Date: Find images based on when they were uploaded or taken.
• Style: Choose from different styles, such as photography, illustration, or vector.
5. Viewing and Downloading Images:
o Click on an image to view it in a larger size. Here, you can also see the image's details,
such as the photographer, license type, and any restrictions.
50 | P a g e
o To download an image, you must typically purchase a license. Follow the website's
instructions to complete the purchase and download the image in your preferred
resolution.
Stock photography websites are valuable resources for accessing high-quality images for diverse
projects. By utilizing the search and filtering options for these platforms provide, you can efficiently
locate images that meet your needs. Understanding and adhering to licensing agreements ensures you
use these images legally and ethically. Whether creating marketing materials, enhancing educational
content, or working on a creative project, stock photography websites offer a wealth of visual content to
support your work.55
55
“20A Ch 2 Searching Web”
51 | P a g e
2. Open the Website: Navigate to Wikimedia Commons in your web browser.
3. Enter Your Search Query: Type your desired keywords into the search bar and press Enter. For
example, if you are looking for images of "historical comics," type "historical comics."
4. Refining Your Search: Use the filtering options to
narrow down your results. Wikimedia Commons
provides several filters to refine your search based
on various criteria:
o Media Type: Choose images, audio, video,
and other media types.
o Usage Terms: Filter by public domain,
Creative Commons, and other free licenses.
o File Type: Select from file types such as
photos, illustrations, and drawings.
o Categories: Explore images within specific
categories relevant to your search.
5. Viewing and Downloading Images:
o Click on an image to view it in a larger size.
Here, you can also see the image's details,
including its description, source, and
licensing information.
o To download an image, click on the
"Download" button or right-click the image "Votes for Women (historical comics)" by
and choose "Save image as" from the Bernhardt T. Wall, University of Wisconsin-
context menu. Save the file in a location on Madison Library, is in the public domain via
your computer where it will be easy to find, Wikimedia.org.
such as your desktop or a designated folder.
Public domain images are an excellent resource for many digital art projects, offering unrestricted use
and often high-quality visuals. Using platforms like Wikimedia Commons, Pixabay, and others, you can
find many public-domain images to enhance your creative and professional endeavors. Always verify the
licensing information and consider providing attribution where applicable to acknowledge the source. As
a digital artist, public-domain images offer a valuable resource for enhancing and bringing creativity to
your projects, and elevating professional work with high-quality visual content.56
56
“20A Ch 2 Searching Web”
52 | P a g e
freely used, modified, and distributed. However, the Public domain is currently under threat as media
corporations struggle to control their monopolies, though copyright was originally introduced to protect
authors from monopolistic power.
In the United States, the length of a copyright used to be an author's life plus 50 years. For works created
by corporations, the length was 75 years from publication. In 1998, Congress passed the Sonny Bono
Copyright Term Extension Act, extending copyright by 20 years. This law became known as the “Mickey
Mouse Protection Act,” as Disney lobbied extensively to protect their copyright over Mickey Mouse.
To learn more about Free Culture, Public Domain, and the Creative Commons, visit
http://CreativeCommons.org or http://lessig.org. Lawrence Lessig is one of the founders of Creative
Commons and the Free Culture movement.
57
“20A Ch 2 Searching Web”
53 | P a g e
• No Derivative Works (ND): Licensees may copy, distribute, display, and perform only verbatim
copies of the work, not derivative works and remixes.58
Fair Use
Reproducibility is a principal trait of digital media. Unlike physical media, an exact replica of digital media
can be made from the original file. Digital files are often used as source material for new works,
considered new and original, but sometimes built with parts of copyrighted works. This practice falls
under fair use, which is legally protected by copyright law.
Fair Use allows limited use of copyrighted material for transformative purposes, such as commenting
upon, criticizing, or parodying the original material. The four key factors to consider in a copyright case
are:
1. The purpose of the derivative work
2. The nature of the original work: factual or creative
3. The amount of original work used
4. The effect on the original's potential or actual market value
For more information about fair use, visit the Stanford Fair Use and Copyright site at
http://fairuse.stanford.edu or The Center for Social Media’s paper Recut, Reframe, Recycle.59
58
“20A Ch 2 Searching Web”
59
“20A Ch 2 Searching Web”
54 | P a g e
Appropriation
Appropriation in art and media involves taking
existing images or media and repurposing them
to create new works. Artists have widely used
this technique to comment on, critique, or
transform the original content, often resulting
in innovative and thought-provoking creations.
When searching for images to appropriate, it’s
crucial to understand the legal and ethical
considerations to ensure your work respects
copyright laws and fair use principles.60
Marcel Duchamp was the first artist to
appropriate an ordinary object in his art. His
ready-made sculpture, a signed urinal,
challenged the art community's definition of
what constitutes art. Duchamp believed that
when an artist declares an object a work of art,
the object becomes art. This act of
appropriation transformed the everyday object
into something new.61 "Fountain/Readymade" 1917, by Marcel Duchamp is in the public
domain.
Cultural Appropriation in Art
Cultural appropriation in art refers to the practice of adopting
elements of one culture by members of another culture, often
without permission or understanding of the cultural significance
behind those elements. This can include using symbols,
traditions, styles, or practices from a culture, especially when
the appropriating culture holds power or privilege over the
marginalized culture being appropriated from.
60
“20A Ch 2 Searching Web”
61
“Digital Foundations – Intro to Media Design,”
55 | P a g e
• Cultural Themes: Depicting cultural rituals or ceremonies in a way that strips them of their
meaning or context, often for aesthetic purposes.
62
“Digital Foundations – Intro to Media Design,”
56 | P a g e
Conclusion
This chapter has equipped you with the essential knowledge and practical skills to search for images and
other digital assets online. By mastering search tools, applying advanced techniques, and following legal
and ethical guidelines, you will be well-prepared to find and utilize digital assets that enhance your work
and projects.63
63
“20A Ch 2 Searching Web”
57 | P a g e
Chapter 4: File Organization for Creatives
"Creative File Organization" DALL-E 4.o, AI-generated image, by Kristen R. Kennedy. 16 Jun 2024
Learning Objectives
By the end of this chapter, you will be able to:
1. Understand and implement best practices for naming and organizing digital art files and folders.
2. Develop a logical folder structure for efficient file management.
3. Identify and utilize appropriate file formats for various types of digital art.
4. Apply consistent file naming conventions to enhance workflow efficiency.
5. Use cloud storage and backup solutions to protect digital art files.
6. Share digital art files securely and effectively using various platforms.
58 | P a g e
Introduction
Efficiently organizing digital art files and folders is crucial for maintaining a smooth workflow and
managing projects effectively. Digital artists often work on multiple projects at once, so being able to
quickly find and manage files is essential. Good organization makes it easier to access current work and
helps keep an archive of past projects. This chapter will cover the best practices for naming and
organizing digital art files and folders, offering practical tips to keep your digital workspace tidy and easy
to navigate. By mastering these techniques, you can focus more on your creative work and less on
searching for files. Managing a logical folder structure for easy access and management.64
Folder
A folder is a virtual container used to organize files on a computer or digital device. Folders help keep
files organized by grouping related items together, making finding and managing them easier. Folders can
also contain subfolders, creating a hierarchical structure.
For Example, A main folder named "Digital Art Projects" contains subfolders for different projects, such
as "Project1," "Project2," and "Project3."
How to Organize Your Folders
Organizing these files can seem daunting, especially if they are scattered across your desktop. Here's a
structured approach to help you set up your digital workspace.
1. Main Folder: Create a main folder for housing your work. For example: “Digital Art Projects”
2. First-Level Subfolders: Within the main folder, create subfolders for different types of assets or
projects. Examples include:
a. Photography
b. Vector Graphics
c. Photo Composites
d. Digital Paintings
e. Digital Illustrations
f. Video Art
g. Etc.
3. Second-Level Subfolders: Further organize your files by creating subfolders based on specific
criteria. Examples include:
64
“Digital Art File Management” ChatGPT 4.o, Open AI. 14 June 2024, URL: https://chatgpt.com/share/738a90d9-
fec5-4b94-bb8d-4d0b2800935f
59 | P a g e
a. Photography (Main Folder): Organize your photo images by content, for example:
i. Wildlife Photography (organized by subject)
ii. 2020 Street Photography (organized by date)
iii. Washington Trip (organized by Location)
iv. Final Photos (a file just for selected edited images)
v. etc.
4. Additional Subfolders: Depending on your needs, you can create more subfolders. However, try
not to exceed three levels of subfolders for simplicity. 65
File
A file is a collection of data stored on a computer or digital device. Files can contain various types of
information, such as text, images, videos, or software. In the context of digital art, files are typically
created and manipulated using specialized software like Adobe Photoshop, Illustrator, or other digital art
tools.
What Types of Files Will You Be Using?
Understanding the types of files you'll be working with is crucial for setting up your folder structure.
Knowing the file types will help you create folders that reflect your workflow.
Common types of digital art files include:
• Music/Video
• Artwork/Pictures/Photos
• Personal Research Documents
• Personal and Professional Work Portfolio
• Digital media application files. For Example:
• A Photoshop file (.psd) containing layers of brush strokes
of color for a digital painting.
• An Illustrator file (.ai) with vector graphics for a logo design.
File Extensions
A file extension is a suffix at the end of a file name that indicates the file type and the program used to
open it. File extensions typically comprise three or four characters preceded by a period. In digital art,
different file extensions are used to denote various formats for images, graphics, videos, and more.
Common Digital Art File Extensions:
• .psd: Adobe Photoshop file supports layers and various image editing features
• .ai: Adobe Illustrator file used for vector graphics
• .jpeg: Common image file format, supports lossy compression
65
“Digital Art File Management”
60 | P a g e
• .png: Image file format supporting lossless compression and transparency
• .svg: Scalable Vector Graphics file used for vector images
• .tiff: High-quality image file format, often used for printing
• .mp4: Common video file format
• .webp: Modern AI-generated image format with superior compression
Before saving your files, consider the following questions:
• What type of file do you want to save?
• What do you plan to do with the file once it’s saved?
• How will you name the file?
• What naming conventions will you use?66
Naming Convention
A naming convention is a method for naming files and folders in a consistent and descriptive manner. It
helps ensure that files are easily identifiable, searchable, and organized. A good naming convention in
digital art includes key information like project name, version number, and date, which can greatly
enhance workflow efficiency.
Guidelines for Naming Conventions in Digital Art:
• Descriptive: Include relevant details like project name, type of work, and date.
• Consistent: Use the same format across all projects to maintain order.
• Avoid Special Characters:
o Stick to alphanumeric characters, underscores, and hyphens.
o Use all lower-case letters
Include File Extensions: Ensure each file name ends with the appropriate file extension. You can use
the same naming conventions for files with different extensions, making them easier to find within a
folder with many files.
• Format: yourname_projectname_task_YYYYMMDD_version.extension
o kkenned_Identity_sketch_20240614_v1.ai
o kkenned_Identity_sketch_20240614_v1.svg
o kkenned_Identity_sketch_20240614_v1.jpg
o kkenned_Identity_sketch_20240614_v1.png
o kkenned_Identity_sketch_20240614_v1.pdf
Saving and organizing files effectively is essential for creatives using computers for personal and
professional purposes. While there isn't a one-size-fits-all solution, these tips can help guide you toward
66
“Digital Art File Management”
61 | P a g e
a more organized and efficient digital workspace. This guide assumes you are familiar with basic file
operations such as saving, moving, copying, creating shortcuts, and renaming files and folders.67
67
“Digital Art File Management”
68
“Digital Art File Management”
62 | P a g e
Sharing Digital Art Files
• Choose the Right File Format:
o For Images: Use JPEG or PNG for web sharing and TIFF for high-quality prints.
o For Vectors: Use SVG or PDF for sharing scalable vector graphics.
o For Videos: Use MP4 for high-quality video sharing.
• Optimize File Sizes:
o Compression: Compress files when necessary to reduce size without significantly losing
quality. This is especially important for web sharing and email attachments.
o Resolution: Adjust the resolution to match the intended use. 72 DPI is usually sufficient
for the web, while print requires 300 DPI or higher.
• Use Reliable Sharing Platforms:
o Cloud Services: Share files using cloud services like OneDrive, Google Drive, or Dropbox.
These platforms offer secure and convenient file sharing.
o Email: Email can quickly share smaller files, but be mindful of attachment size limits.
• Create Share Links:
o Generating Links: Most cloud storage services allow you to create shareable links. This
makes it easy to grant access without sending large files directly.
o Permissions: Set appropriate permissions (view, comment, edit) based on the recipient's
role. For sensitive work, restrict access to specific individuals.
• Metadata and Descriptions:
o Include Metadata: Add metadata to your files (e.g., author, creation date, project
details) to provide context and improve organization.
o Descriptions: When sharing, provide a brief description of the file, its purpose, and any
relevant details or instructions.
• Security Considerations:
o Encryption: For highly sensitive files, consider using encryption to protect your data
during transfer.
o Secure Links: Use secure (HTTPS) links for sharing files online to ensure data privacy and
integrity.69
69
“Digital Art File Management”
63 | P a g e
o Policies: Follow your organization's policies and guidelines for handling and sharing
sensitive data.
• Using a Cloud Storage Service (i.e. OneDrive or Google):
o Access: Sign in to your account via the web or access through your college Portal/Email.
• Sharing Files: To create share links, open the file, then complete the following steps:
o Google Drive
• Open Google Drive by logging into your account.
• Right-click on the file or folder and select “Share.”
• Add email addresses under “Add people and groups.”
• Set access level: Viewer, Commenter, or Editor
• Click “Send” to share
• Alternatively, right-click the file, select “Share, then “Copy link.”
• Change the link settings to “Anyone with the link” if needed.
• Choose the access level and copy the link to share via email or another platform
(i.e. CANVAS)
o MS One-Drive
• Open OneDrive by logging into your school account (e.g., via Office 365).
• Locate your file or folder
• Right-click the file and select “Share.”
• Enter the email addresses of the people you want to share the file with.
• Choose the permission level: “Can Edit” or Can View”
• Alternatively, click “Copy Link” to generate a shareable link.
• Set the link settings (e.g., anyone with the link or specific people).
• Copy the link and share it via email or another platform (i.e. CANVAS)
• Email Message Encryption:
o Encrypt: Use email encryption for sensitive data to protect it
from unauthorized access.
Conclusion
In this chapter, we will cover essential practices for organizing, storing, and
sharing digital art files to enhance workflow efficiency and ensure the security of your digital assets.
Mastering these techniques will help streamline project management and protect your work from data
loss.70
70
“Digital Art File Management”
64 | P a g e
Chapter 5: The Digital Design Process
"Students Designing Digital Art" DALL-E 4.o, AI-generated image, by Kristen R. Kennedy
Learning Objectives
Upon completion of this Chapter, you will be able to:
1. Apply the digital design process guidelines for creative problem-solving.
2. Utilize fundamental concepts and compositional arrangement to create compelling digital
artworks.
3. Develop a professional digital portfolio that effectively showcases finished digital designs and
communicates artistic identity using digital software/platforms.
65 | P a g e
Introduction
The digital design process is a structured approach that serves as a guide for artists in creating art in any
digital art media, from initial concept to final output. Whether you are working on digital photography,
digital painting, graphic design, animation, 3D modeling, or video production, understanding and
following these stages can enhance your creativity and ensure the quality of your final work. This section
outlines the essential stages of the digital design process, highlighting critical decisions and techniques
that can be applied across various digital art forms.
Conceptualization
• Idea Generation: The process begins with brainstorming and idea generation, where artists
gather inspiration from various sources such as history, personal experiences, or social issues.
Mind mapping, sketching, and journaling can help formulate initial ideas.
• Research and Exploration: Artists research relevant themes, styles, and
technologies that could influence or enhance their project. This stage may
include studying other artworks, exploring different mediums, or learning new
digital tools.
• Concept Development: Artists create preliminary sketches or drafts to narrow
ideas to a defined concept. This phase involves experimenting with different compositions, color
schemes, and design elements to shape the overall vision of the artwork.71
71
“Digital Art Basics” ChatGPT 4.o, Open Ai, 24 June 2024, URL: https://chatgpt.com/share/1c36c7c4-620b-417f-
8bbb-946c384ab7e8
66 | P a g e
• Revision: The design is revised based on self-evaluation or initial feedback. This process ensures
that every element of the design is deliberate and contributes to the overall coherence of the
piece.
• Finalization: The artwork is finalized by carefully adjusting details such as typography, textures,
and transitions. Ensuring high-quality resolution and compatibility with various display formats is
crucial.72
Presentation
• Preparation: Preparing the artwork for presentation involves ensuring the file formats are
suitable for various platforms, whether it’s for print, online, or multimedia presentations. Artists
also craft supporting materials such as artist statements or explanatory notes.
• Displaying: The artwork is then displayed in an appropriate venue, which
could be an online gallery, a digital portfolio, or a physical exhibition. The
presentation must consider the audience’s experience, ensuring the artwork
is accessible and engaging.
Critiquing
• Feedback Gathering: After presenting the artwork, artists seek feedback from peers, mentors,
and audiences. This feedback is crucial for identifying strengths and areas for improvement.
• Reflective Practice: Artists reflect on the feedback and their own
experiences during the design process. This reflection helps them
understand their creative decisions, learn from their challenges, and plan
future projects.
• Revision: Depending on the context, the artwork might be revised post-
critique to better meet the artistic goals or audience expectations.
72
“Digital Art Basics”
67 | P a g e
• Archiving: Proper archiving of digital art ensures it is preserved for future reference or
exhibitions. This includes storing files in secure, backed-up locations and keeping detailed
records of the software and processes used.73
73
“Digital Art Basics”
74
“Digital Art Basics”
68 | P a g e
Practice in Adobe Photoshop
Mood Boards: Artists can create mood boards in Photoshop to compile visual inspirations and color
schemes that align with their project's theme. This exercise helps solidify a visual style and direction for
the artwork.
Concept Collages: Using layers and blending modes, artists can merge
various images and textures in Photoshop to create concept collages. This
technique allows for exploring different aesthetic and thematic combinations
before finalizing the design concept.
Initial Compositions: Photoshop is ideal for experimenting with initial
compositions using its extensive toolset to manipulate elements like scale,
opacity, and positioning. This practical exercise helps artists visualize how
different artwork components might interact in the final piece.
69 | P a g e
Conclusion
A structured approach to the design process in digital art helps to systematically develop skills and
projects and prepares you for professional practices in the digital arts. By effectively understanding and
applying each phase, you can enhance your ability to create impactful and meaningful digital artworks.75
75
“Digital Art Basics”
76
“Digital Art Basics”
70 | P a g e
Texture
Texture in digital art refers to the perceived surface quality of the artwork, which can be
visually simulated through patterns and brush strokes. For example, Aaron Blaise, an
animator and digital artist, incorporates detailed textures into his wildlife illustrations,
adding a tactile sense to his digital canvases.
Space
Space in digital composition can be positive (filled with objects) or negative (empty
areas), which helps define the artwork's overall structure. For example, a graphic artist,
Malika Favre, is celebrated for her bold use of negative space, creating clever,
minimalistic illustrations.
Value
Value in art refers to the lightness or darkness of a hue (color) in a composition and is
essential for depicting three-dimensional depth and highlighting areas on forms. For
example, Greg Rutkowski, a prominent digital fantasy artist, skillfully applies a range of
values to his dramatic and elaborate digital art scenes, enhancing the overall visual
impact and creating a more immersive experience for the viewer.77
Visual elements are the building blocks of art, and they play a crucial role in creating digital art forms.
Through the study of renowned artists' works, you can gain valuable insights into how to effectively
utilize these elements to create professional artwork. Understanding how these building blocks are
effectively used in professional compositions can serve as a practical guide in your future creative
endeavors.78
77
“Digital Art Basics”
78
“Digital Art Basics”
71 | P a g e
Contrast
Contrast refers to the deliberate juxtaposition (arrangement) of elements within an
artwork to create visual interest or to direct attention to specific areas of an artwork.
For instance, Beeple (Mike Winkelmann), a well-known graphic designer and digital
artist, uses stark contrasts in color and form to bring attention to important
elements in his “Everydays” series.
Emphasis
Emphasis in art involves guiding the viewer's attention to the most important
elements in the composition. This can be accomplished through various techniques
such as the use of color, contrast, size, and placement. For instance, renowned
digital artist Loish (Lois van Baarle) effectively creates emphasis in her illustrations
by utilizing vibrant colors and striking contrasts to draw attention to the central
characters, making them stand out prominently within the artwork
Movement
Movement guides the viewer’s eye through the artwork, often towards the focal
point, using lines, shapes, and colors. For example, an illustrator and animator,
Pascal Campion uses movement effectively in his narrative scenes, drawing the eye
through the composition with light and character positioning as seen in his artwork
“Morning Wake Up, Warm Up Sketch”.
Pattern
Pattern refers to the repeated use of a particular element or design throughout the
composition, which can create a sense of rhythm or harmony. For example, Karan
Singh, an illustrator known for his visually captivating patterns and bold use of colors,
uses patterns to create depth and movement in his illustrations.
Rhythm
Rhythm in art refers to the visual tempo created through repeated patterns or
sequences in a composition. It provides a sense of movement and growth, guiding the
viewer's eye through the artwork. A great example of this is seen in the work of James
Gurney, renowned for his “Dinotopia” books. Gurney incorporates rhythm through
recurring elements and themes, leading the viewer seamlessly through his fantastical
landscapes, creating a captivating visual journey.
Unity
Unity in art ensures all compositional elements work together to create a cohesive and
balanced whole. It can be done by using similar colors, styles, or compositional
techniques. For example, Jessica Walsh, a designer and art director, achieves unity in
her compositions through the consistent use of color schemes stylistic lines, repetitive
shapes, and text.
72 | P a g e
Studying the works of seasoned digital artists will help you grasp how to structure their own
compositions by applying these principles. Each example offers valuable lessons on using design
principles effectively in top-notch digital artworks, serving as inspiration and a practical guide.79
79
“Digital Art Basics”
73 | P a g e
Art as Historical Record (Commemoration)
Commemorative art plays a crucial role in
capturing and preserving the cultural, social,
and political context of a specific time period. It
acts as a visual record of the realities and
experiences of different eras, offering future
generations a tangible connection to the past
through various forms such as paintings and
photography. Commemorative art documents
and honors individuals, locations, and
significant historical events. For instance,
Renaissance paintings not only showcase the
artistic talent of the period but also provide
insights into the social hierarchies and lifestyles
of that time. Similarly, modern journalistic
photography serves as a powerful tool for "American People #19: US Postage Stamp Commemorating the Advent
documenting pivotal moments like the Civil of Black Power" 1967, by Faith Ringgold is used in Fair Use via
Rights Movement, offering a lasting testament WikiArt.org
to the struggles and achievements of those
times.80
Additional Resources:
• YouTube Video: Critical Term – Commemoration (OpenArtsArchive)
• YouTube Video - Public Art and Memorial Making (Festival of Debate)
80
“Digital Art Basics”
74 | P a g e
Art as a Tool for Influence (Persuasion)
Art holds significant power in shaping public opinion and can be
a persuasive tool in political and commercial contexts. It
frequently influences societal values and can be employed to
promote specific ideologies or brands. For instance, historical
war propaganda posters were utilized to boost morale and
garner public support during conflicts. These posters often
featured powerful images and slogans designed to evoke
emotion and solidarity among citizens. Similarly, contemporary
advertisements and political campaigns use art and visual media
to convey messages and shape public perception. The influence
of art in these areas highlights its capacity to impact and shape
society's viewpoints and attitudes.
Additional Resources:
• JR: Can Art Change the World? | TED
• The Psychology Behind Good Advertising (Existential
Guide) "I want you for U.S. Army: nearest recruiting
station" 1917, by James Montgomery Flagg, is
• Power & persuasion: social commentary in art in the Public Domain via the Library of
Congress.
Art as a Tool for Therapy (Self-Expression)
Art is increasingly recognized for its therapeutic benefits, allowing individuals to express emotions and
thoughts that may be difficult to articulate through words alone. It is a powerful emotional release and
psychological healing tool, particularly in therapeutic settings. For example, Vincent Van Gogh used
painting as a coping mechanism for his mental health struggles, including depression and anxiety. His
works, such as "The Starry Night" and his self-portraits, reveal his emotional struggles and efforts to find
relief through art. Van Gogh’s intense relationship with painting underscores its potential as a
therapeutic tool, illustrating how art can help manage and express complex emotions.81
"Wheatfield with Crows" 1890, by Vincent Van Gogh, is in the Public Domain via WikiArt.org
81
“Digital Art Basics”
75 | P a g e
Additional Resources:
• How to Express Yourself Through Art - 3 Inspirational Talks
• Self-expression through drawing (Reading Rockets)82
Art as a Cultural and Spiritual Exploration (Ritual and Worship)
Art created for rituals and worship serves as a medium for exploring
and expressing cultural identities and spiritual beliefs. It plays a
significant role in celebrating cultural heritage and providing an
understanding of personal and collective spiritual experiences. For
instance, indigenous artworks feature traditional motifs and
narratives that communicate the stories of their communities, while
ancient Egyptian religious art portrays essential spiritual figures and
events.
Additional Resources:
• YouTube: Religious Ritual as a Lens for Understanding Art |
Eikelboom & Newheiser, Australian Catholic University
"Queen Nefertari Being Led by Isis"
Art as a Source of Beauty and Aesthetic Pleasure (Delight) (Rigual & Worship) is in the Public
Domain via WikiArt.org.
Art, as an expression of beauty, possesses the remarkable ability to
evoke pleasure and captivate viewers with its aesthetic allure and
expert craftsmanship. It enriches everyday life by providing
joy, wonder, and a profound sense of well-being. For
example, the awe-inspiring landscapes by Claude Monet or
the vibrant and whimsical artworks of Yayoi Kusama engage
the senses and elevate the spirit, showcasing how art
beautifies environments and inspires delight.
Additional Resources:
• A New Way to Think About Beauty in Art
• What Makes Something Beautiful?
82
“Digital Art Basics”
83
“Digital Art Basics”
76 | P a g e
Themes of Art
Identity in Art
Art that explores identity often focuses on aspects such as gender, ethnicity,
nationality, and personal experiences, reflecting on how these parts shape individual
and collective identities. Kehinde Wiley , a renowned artist, challenges traditional
Western portraiture settings by featuring African-American subjects in his portraits.
Wiley aims to challenge racial and social boundaries and redefine perceptions of
identity through his art.
The Body as a Theme
The theme of the body in art examines the human form. It addresses topics like
beauty, sexuality, morbidity, and physical capability. Sally Mann’s photography,
particularly in her series "Immediate Family," showcases intimate and sometimes
controversial depictions of her children and husband in rural Virginia. Her work
explores the complexities of the human condition, the body in its natural state, and
the boundaries between public and private life. Mann’s evocative images provoke viewers to consider
the beauty and vulnerability of the human body.
Memory and Art
Art that focuses on memory often explores personal or collective histories and the act
of remembering. Christian Boltanski is celebrated for his installations that use
photographs, light, and found objects to evoke memories of individuals and collective
histories, engaging deeply with personal and historical memory themes. Les Archives
du Cœur" by Christian Boltanski records heartbeats worldwide, symbolically storing
human memories.
Place in Digital Art
Art centered on place investigates how landscapes, environments, and cultural
contexts influence personal and collective experiences. Ansel Adams, famous for his
black and white photographs of the American West, captures the majestic beauty of
natural environments, embracing the deep connection between humanity and the
natural world. Through is photography, Adams documents and celebrates these
landscapes by advocating for their preservation. His work emphasizes the importance of protecting
these natural spaces for future generations.
Time in Artistic Expression
The theme of time in art reflects historical events, the passage of time, and temporal
experiences. Christian Marclay’s video installation "The Clock" is a 24-hour montage
of thousands of film and television images of clocks, edited together to show the
actual time. This groundbreaking work explores the concept of time in film and our
collective relationship with it, making viewers acutely aware of the passage of time as
they watch.84
84
“Digital Art Basics”
77 | P a g e
Language and Communication in Art
Explorations of language in art critically examine how communication evolves and the
interplay between visual and verbal expressions. Heidi Cody's work offers a compelling
example, as she manipulates and rearranges familiar commercial logos and signage to
create new visual alphabets and narratives. Her series, "American Alphabet," dissects
and repurposes elements from consumer culture, encouraging viewers to reflect on
the pervasive influence of corporate language in everyday life. Through her innovative use of visual
language, Cody prompts discussions about consumerism, identity, and communication.
Science and Art
Art merging with science explores technology, environmental concerns, and ethical
questions. Olafur Eliasson is known for large installations incorporating weather
science and light, raising awareness about environmental issues. His work, "The
Weather Project" at the Tate Modern, simulated the sun and atmosphere using mist,
mirrors, and artificial light, offering insights into human perception and our
environmental impact. Refix Anadol uses artificial intelligence and data to create visualizations that
interpret scientific phenomena, merging art with technology.
Spirituality in Digital Art
Art addressing spirituality often explores metaphysical themes, religious beliefs, and
mystical experiences. Bill Viola’s video art installations are profound explorations of
human experiences related to spirituality and consciousness. His works, such as
"Keepers of the Souls" and "The Crossing," use slow motion and sound to transcend
ordinary perception, inviting viewers into deep contemplation of life, death, and
rebirth. Android Jones combines elements from various cultural and spiritual backgrounds in his digital
paintings, producing vivid, psychedelic artworks that explore spiritual themes.85
Compositional Techniques
Creating dynamic compositions in digital art involves
strategically placing visual elements to guide the
viewer's attention and enhance the overall impact of
the artwork. Below are some essential techniques to
help artists achieve more engaging and visually
compelling compositions.
Rule of Thirds
This foundational technique involves dividing the digital
canvas into a grid of nine equal rectangles by placing
two horizontal and two vertical lines evenly spaced.
Placing key elements at the intersections or along these
lines helps achieve balance, making the composition more naturally engaging. This technique is
especially useful in digital photography and graphic design, where focal points need clear emphasis.
85
“Digital Art Basics”
78 | P a g e
Leading Lines
Use natural or constructed lines within the
composition to direct the viewer’s eye toward the
main subject or deeper into the scene. These lines
can be anything from roads and rivers in
landscapes to architectural elements in urban
photography. Leading lines effectively add depth
and perspective, creating a path for the viewer's
eye to follow.
Framing
Using elements within a scene to frame the main
subject draws attention and adds depth to the
composition. This can be done with natural "The Great Wave off Kanagawa (leading lines)” 1831, by
frames like trees or windows and with geometric Katsushika Hokusai is in the Public Domain
shapes in a more abstract composition. Framing is particularly effective in
setting the scene and focusing the viewer's attention on a crowded or
complex image.
86
“Digital Art Basics”
79 | P a g e
symmetrically or use asymmetrical arrangements to lead the viewer’s eye through the artwork in a more
engaging way.
Depth
Creating a sense of depth can make a digital composition
more immersive. Techniques such as atmospheric
perspective—where colors and clarity fade with distance—
layering of elements, and differential focusing (blurring
some areas while keeping others sharp) are all methods to
achieve this effect. Depth is crucial in digital scenes that
draw viewers into an experience, such as in video game
environments and animated films.
When applied thoughtfully, these techniques can
transform simple compositions into dynamic artworks that
captivate and engage viewers. By mastering these
methods, you can significantly enhance your digital art
projects, making them more professional and visually
compelling.87 "Atmospheric Perspective" DALL-E 4.o, AI-
generated image by Kristen R. Kennedy
Visual Hierarchy in Design
In digital art and design, visual hierarchy is about arranging elements to guide attention and emphasize
important aspects. It ensures clarity and impact. Here's how it's done:
• Size and Scale: Larger elements naturally draw more attention than smaller ones. By adjusting
the size of various components in a digital composition, artists can control which areas viewers
look at first. This technique benefits advertising and interface design, where essential
information or calls to action need prominence.
• Color and Contrast: Bright colors and high contrast attract the eye quicker than muted colors
and low contrast. Using vibrant or contrasting colors for important elements ensures they stand
out in the composition. This method highlights focal points or essential details in digital artworks
and graphic designs.
• Placement and Spacing: Elements placed in the center or along the top of a layout are typically
seen first. Similarly, objects with more space around them are more likely to attract attention
due to the lack of visual competition. Strategic placement and spacing are essential in
compositions where information hierarchy is crucial, such as web design and informational
graphics.
• Typography: The choice of typeface, size, weight, and color can significantly affect how text is
perceived in digital art. Bolder, larger text with distinctive colors will stand out more and is ideal
for headlines or important messages. This is key in editorial design, where conveying information
clearly and effectively is paramount.
• Texture and Style: Textures or unique stylistic features can also create focal points. For instance,
a detailed, highly textured area in a largely smooth composition will draw the eye. Artists can
87
“Digital Art Basics”
80 | P a g e
use this to their advantage when wanting to highlight certain parts of their artwork without
using overt signals like size or color.
• Repetition and Alignment: Repeating visual elements creates a rhythm that leads the viewer’s
eye across the composition. In contrast, alignment helps create a clean, organized appearance
that emphasizes certain elements' importance over others. These principles are valuable in
creating cohesive and navigable layouts in user interface (UI) design.
Applying and understanding visual hierarchy is a key skill for digital artists. It allows them to craft visually
compelling compositions and effectively communicate their intended message or story. Mastery of this
concept enhances the viewer’s experience, ensuring that they engage with the artwork in the intended
order of importance, maximizing the impact of the digital piece. As you continue to hone your skills in
applying visual hierarchy, empower yourself to create captivating and influential art that resonates
deeply with its audience.88
88
“Digital Art Basics”
81 | P a g e
82 | P a g e
Part II -Digital Art Coursework
83 | P a g e
Lesson 1: Vector Graphics
Learning Objectives
By the end of this lesson, you will be able to:
• Understand the basics of logo design and its importance.
• Learn the history and evolution of logo design.
• Gain proficiency in using Adobe Illustrator for creating vector graphics.
• Develop a personal logo design from concept to final vector graphic.
Vector Assignments
Duration: 3 Weeks (6 sessions, 2.5 hours per session)
1. Vector Graphic Exercises:
a. Figure Ground Study Using Dots
b. Expressive Line Composition
c. Basic Shapes into Complex Forms
2. Portfolio Project: Logo Design
Materials List
• Adobe Illustrator - Adobe Illustrator Tutorials
o Inkscape (Free): A vector graphics editor used as an alternative to Adobe Illustrator
• Access to a computer with Internet connection
• Drawing Tablet & Stylus: Used for precise control over drawing and editing vector paths.
• Mouse: Useful for basic vector manipulation and creation
• Color printer for printing final images
• Mounting materials (e.g., foam board, mat board) for on-campus exhibits.
• External storage device (e.g., USB drive) or cloud storage for file transfer
84 | P a g e
What is Logo Design?
In today's visually-driven world, logos play a pivotal role in shaping the identity and perception of brands.
A logo is more than just a symbol; it is a visual representation of a company's values, mission, and
essence. This section will delve into the concept of logo design, highlighting its significance in branding
and marketing.
Logo Branding
A logo is a graphic mark, emblem, or symbol used to aid and promote public identification and
recognition. Logos are crucial for branding because they serve as the face of a company, encapsulating its
identity in a single, instantly recognizable image. A well-designed logo can establish brand loyalty,
differentiate a company from its competitors, and communicate core values to the target audience.
89
“Logo Design Basics & Illustrator” ChatGPT 4.0, Open Ai, 25 June 2024, URL: https://chatgpt.com/share/9c9f8d2f-
a1c7-42a3-9a40-1b58f9632cdc
85 | P a g e
A logo can be a powerful tool in a brand's visual identity by incorporating these key elements—simplicity,
memorability, versatility, relevance, and timelessness. These principles will guide you as you embark on
your logo design projects, ensuring your creations are visually appealing and strategically sound.90
90
“Logo Design Basics & Illustrator”
91
“20A Pen Tool in Illustrator” ChatGPT 4.0, Open Ai, 25 June 2024, URL: https://chatgpt.com/share/7e7c9200-
d50f-4724-b7f4-3a84720cb3f0
86 | P a g e
• Closure: The mind fills in gaps to create a complete image, even if parts are incomplete or
suggested by shapes.
• Continuity: When elements form a line or smooth curve, they are perceived as related and part
of a continuous form.92
92
“20A Pen Tool in Illustrator”
93
“20A Pen Tool in Illustrator”
87 | P a g e
Japanese (Ukiyo-e Prints): Traditional Japanese
woodblock prints, such as those by Hokusai, often
feature bold, clear figures set against expansive areas
of negative space. This use of negative space
enhances the dramatic impact of the figures and
creates a sense of tranquility and simplicity.
Op Art (Bridget Riley): Bridget Riley, a key figure in
the Op Art movement, explores figure-ground
relationships through intricate patterns and optical
illusions. Her works, such as Movement in Squares,
play with the viewer’s perception by using positive
and negative space to create a dynamic sense of "Fuji, Mountains in Clear Weather (Red Fuji)" 1831, by
movement and depth.94 Katsushika Hokusai is in the Public Domain
94
“20A Pen Tool in Illustrator”
95
“20A Pen Tool in Illustrator”
88 | P a g e
Significance of Signs
Signs have been an essential part of human communication since prehistoric times, from cave paintings
to hieroglyphics. In contemporary design, signs are crucial in branding, navigation, and user interface
design. They are used to create logos, icons, and symbols we encounter daily. Understanding their
historical roots and psychological impact can enhance our ability to create compelling designs.
• Sign: A sign is a general term to describe anything that conveys meaning
beyond its literal form. It can take many forms, including words, gestures, and
visual representations. For example, a red octagonal road sign with the word
"STOP" is a sign. This particular sign uses its distinctive shape and clear text to
communicate the command to stop, making it universally recognizable and
influential regardless of the language spoken by the observer.
• Symbol: A symbol is a type of sign that represents an idea, concept, or object
through an abstract or arbitrary representation. Symbols often carry deep
cultural, religious, or social significance. An example of a symbol is the dove,
representing peace. Historically and culturally, the dove has been associated
with the concept of peace, and it is frequently used in art, literature, and
political contexts to convey this abstract idea.
• Icon: An icon is a sign that visually resembles the object it represents, making it
easily recognizable. Icons are commonly used in user interfaces to depict
functions or objects. For instance, the magnifying glass icon on a search bar is an
icon. It closely resembles a real magnifying glass, associated with searching or
zooming in, clearly indicating the function it represents.
• Logo: A logo is a graphic mark or emblem used to promote instant public
recognition of a brand, company, or organization. Logos are designed to be
distinctive and memorable, often combining text and imagery to create a
unique identity. The Apple logo, for example, is a stylized apple with a bite
taken out of it. This logo is visually appealing and instantly recognizable,
"Apple Logo Black" by Rob
symbolizing the Apple brand and its innovative products. Janoff is licensed in the Public
• Index: An index is a type of sign that indicates or points to something through Domain via WikiMedia
a direct, causal, or physical connection. Indexes are often based on actual
relationships between the sign and the object it represents. Dark clouds
indicating an impending storm serve as an example of an index. The presence
of dark clouds has a direct and physical connection to the weather conditions
they signal, making them a natural indicator of an approaching storm.
Understanding these distinctions is crucial for designers as they choose the appropriate "Weather Cloud" is
type of visual representation to effectively communicate their intended message. licensed free to use via
Pixabay
Whether creating signs, symbols, icons, logos, or indexes, each type uniquely conveys
information and enhances visual communication.
Summary of Differences
The terms sign symbol, icon, logo, and index each have distinct meanings and applications in the context
of design and semiotics. Understanding these differences is essential for effective communication and
design. Here is a summary explanation of each term:
89 | P a g e
• Sign: General term for anything that conveys meaning.
• Symbol: Represents ideas or concepts through abstract or arbitrary means, often culturally
specific.
• Icon: Represents objects or functions through a visual likeness or resemblance.
• Logo: A graphic mark used for brand recognition, combining text and imagery.
• Index: Indicates or points to something through a direct, causal, or physical connection.
Symbol Dove representing peace Abstract representation with cultural, historical, and personal
significance. Graphic representations that stand for an object,
function, or process.
Icon Magnifying Glass on a Resembles the actual object, indicating the function of
search bar searching or zooming. Signs that resemble the object they
represent.
Index Dark clouds or Sun Physical connections, such as dark clouds or a Sun, are direct
indicate the Weather signs of an impending storm or sunny day. Signs that show
evidence of what is being represented.
By understanding these distinctions, designers can choose the appropriate type of visual representation
to effectively communicate their intended message.96
96
“20A Pen Tool in Illustrator”
90 | P a g e
• Color and Gradient: Illustrator offers robust color management, including gradients and
transparency settings, to enhance your artwork.
• Text Tools: Extensive options for typography, including custom fonts, kerning, and alignment.
• Layers: Organize and manage different elements of your design, enabling easier editing and
manipulation.
• Export Options: Supports various formats like SVG, EPS, PDF, and more, suitable for both digital
and print media.
Basic Steps for Using Adobe Illustrator:
1. Starting a New Project: Begin by setting up your artboards according to your project's
specifications. Define the size, color mode, and other settings.
2. Creating Shapes and Paths: Utilize the shape tools or pen tool to draw basic shapes. Combine
and manipulate these using Pathfinder tools to create complex designs.
3. Adding Colors and Effects: Apply colors, gradients, and strokes to enhance the visual appeal. Use
effects and filters to add depth and texture.
4. Working with Text: Add and customize text elements, adjusting fonts, sizes, and other
typographic properties.
5. Organizing with Layers: Use layers to organize your artwork, making it easier to edit and
manage.
6. Saving and Exporting: Save your work in Illustrator's native AI format for future editing. Export
the final design in the desired format based on the intended use.
Alternative Free Software Programs for Vector Graphics:
• Inkscape: A popular open-source vector graphics editor with a comprehensive set of features,
including a robust pen tool, text support, and a wide range of export options.
• Gravit Designer: A free vector design application that offers a user-friendly interface and a
variety of tools for creating graphics. It is available as a web app and a desktop version.
• Vectr: A simple, web-based vector editor with an easy-to-use interface. It supports basic vector
editing tasks and real-time collaboration.
• Krita: Primarily a digital painting program, Krita also includes vector tools for creating
illustrations and designs. It is open-source and free to use.
These alternative programs provide viable options for those who may not have access to Adobe
Illustrator but still wish to create high-quality vector graphics. Each software has its own unique features
and strengths, making it possible to find a suitable tool for various creative needs.97
97
“Introduction to Illustrator” ChatGPT 4.0, Open Ai, 6 August 2024, URL: https://chatgpt.com/share/cadf041d-
0d6b-49e1-935c-d850d3418bb4
91 | P a g e
Quick Tool Tutorials: Vector Graphics in Adobe Illustrator
Anchor Point Tool (Edits anchor points for more complex shapes)
1. Select the Anchor Point Tool (Shift + C) from the toolbar.
2. Click on an anchor point to change it from a corner to a smooth
point or vice versa.
3. Drag handles to adjust the curvature of the path.
92 | P a g e
Direct Selection Tool: Selects and modifies paths or points on shapes.
1. Select the Direct Selection Tool (A) from the toolbar.
2. Click on a path or anchor point to select it.
3. Drag anchor points or path segments to modify the shape.
Gradient Tool:
1. Open the Gradient Panel (Window > Gradient), click the gradient box to apply, and adjust
gradient colors, angles, and types (linear or radial) within the panel.
2. Or Select the object you want to apply a gradient to.
3. Select the Gradient Tool (G) from the toolbar.
4. Open the Gradient Panel (Window > Gradient) and choose a
gradient type (Linear, Radial).
5. Click and drag on the object to apply and adjust the gradient.
Aligning Objects:
1. Select (V) the objects you want to align.
2. Open the Align Panel by selecting Window > Align.
3. Choose an Alignment option (e.g., horizontal align center).
o Horizontal Align Left: Aligns the left edges of the selected objects to the leftmost object.
o Horizontal Align Center: Aligns the centers of the selected objects along a vertical axis.
93 | P a g e
o Horizontal Align Right: Aligns the right edges of the selected objects to the rightmost object.
o Vertical Align Top: Align the selected objects' top edges to the topmost object.
o Vertical Align Center: Aligns the centers of the selected objects along a horizontal axis.
o Vertical Align Bottom: Align the selected objects' bottom edges to the bottommost object.
4. Choose a Distribute option
o Horizontal Distribute Left: Distributes the left edges of the selected objects evenly, using the
leftmost object as a reference.
o Horizontal Distribute Center: Distributes the centers of the selected objects evenly along a
horizontal axis.
o Horizontal Distribute Right: Distributes the right edges of the selected objects evenly, using
the rightmost object as a reference.
o Vertical Distribute Top: Distributes the top edges of the selected objects evenly, using the
topmost object as a reference.
o Vertical Distribute Center: Distributes the centers of the selected objects evenly along a
vertical axis.
o Vertical Distribute Bottom: Distributes the bottom edges of the selected objects evenly,
using the bottom object as a reference.
94 | P a g e
6. Select overlapping shapes and click the Exclude button to remove the overlapping area to
create a compound path
Pencil Tool:
1. Select the Pencil Tool (N) from the toolbar.
2. Draw freehand shapes by clicking and dragging on the artboard.
3. Adjust the stroke settings as needed in the Stroke panel.
95 | P a g e
Shape Tools (Draw Shapes)
1. Select the Shape Tools; click and hold the Rectangle Tool
from the toolbar to access other shape tools like Ellipse,
Polygon, and Star, or press L on your keyboard.
2. Click and drag on the canvas while holding the Shift key to
create a perfect circle.
3. Adjust the shape’s size by dragging the corners of the
bounding box.
4. Hold Shift-Key to constrain proportions (e.g., perfect circles
and squares).
"Screenshot - Rectangle Tool > Ellipse
Transform Tools (Scaling, Rotating, and
Positioning Objects)
1. Select an object (shape) with the Selection Tool (V).
2. The Bounding Box handles the scale of the object. Hold
Shift to maintain proportions.
3. To Rotate, move the cursor just outside a corner handle
until it turns into a rotate icon, then click and drag to rotate.
4. To Position, click and drag to move the object.
Additional Resources
• Pen Tool: Creating Paths, Anchor Points, and Curves (Adobe Creative Cloud YouTube Channel)
• Shape Tools: How the Basic Shape Tools Work (Graphic Design Pro)
• Type Tool: How the Type Tool Works – Adobe Illustrator Tutorial (Graphic Design Pro)
• Pathfinder Panel: The Pathfinder Tool in Adobe Illustrator Tutorial (Cary Hawkins)
• Layers Panel: Illustrator Layers Panel | Understanding How it Works (Elias Sarantopoulos)
• Color Palettes and Gradient Tools: Illustrator Daily Creative Challenge - Gradients & Color
Palettes | Adobe Creative Cloud
96 | P a g e
• Selection Tools: Adobe Illustrator Tools Tutorial | Satori Graphics Illustrator Tutorial
• Color Picker and Swatches: For Selecting and Applying Colors to Shapes
o How to Use Color Picker in Adobe Illustrator/ Illustrator color picker tour /Get the
color you want!
o Create and Save Swatches In Illustrator (Design Made Simple)
o How to Recolor Artwork in Adobe Illustrator Using New AI Generator
• Transform Tools: Using Transform Tools in Adobe Illustrator (LinkedIn Learning)
• Grouping and Alignment Tools: To Organize and Align Objects Precisely
o How to Distribute Objects Evenly Across Artboard in Illustrator (Pixel & Bracket Illustrator
Tutorials)
o How to Align Objects & Distribute Evenly in Illustrator (Tutorial) (Pixel & Bracket)
• Shape Fill and Strokes: To Control the Interior Color (Fill) and Border (Stroke) of Shapes
o Illustrator Tutorial - Apply stroke and fill colors to an object
o How to Fill a Shape in Illustrator (Pixel & Bracket)98
98
“20A Pen Tool in Illustrator”
97 | P a g e
Practical Application
In these exercises, you'll use dots to create images in software like Adobe Illustrator. You'll learn to
manipulate positive and negative space by adding and subtracting Ellipses (dots), creating expressive
lines using the pencil tool, and combining shapes to create basic forms/figures. By applying principles
from Gestalt theory, you'll create compelling visual compositions. This project is inspired by pointillism
and modern digital art and aims to enhance technical skills and artistic understanding.
99
"Tutorial: Creating a Logo Design Using Ellipses and Negative Space" ChatGPT 4.o, Open Ai, by Kristen R.
Kennedy, 26 Jun 2024, URL: https://chatgpt.com/share/57c47879-1f06-44cc-89b3-d1bc98334366
98 | P a g e
Step 2: Making Shapes and Changing the Fill Colors & Strokes
• Select the Ellipse Tool: Find the Ellipse Tool in your toolbar
(shortcut: L).
• Draw Your First Ellipse:
o Click and drag on the artboard to create an ellipse.
o Hold the Shift-Key while dragging to create a perfect
circle if desired.
• Change Fill Colors & Strokes:
o Select the ellipse by clicking on it.
o Open the color palette or properties panel.
o Set the fill color to black.
"Screenshot - Rectangle Tool > Ellipse" is
o Set the stroke color to none (or remove the stroke used under Fair Use
altogether).
Step 3: Using Selection Tools, Marquee, and Deleting Shapes
• Using the Selection Tool:
o Select the Selection Tool (shortcut: V).
o Click on an ellipse to select it.
o Using the Marquee Tool: Click and drag around
multiple shapes to select them all
simultaneously.
• Deleting Shapes:
o Select the shape(s) you want to delete.
o Press Delete or Backspace on your keyboard to
remove them from the artboard.
Step 4: Duplicating Ellipses to Fill a Page (11 Columns x 14
"Screenshot - Selection Tool" is used under Fair Use
Rows)
• Duplicate the Ellipse:
o Select the ellipse.
o Hold Alt (or Option on Mac) and drag the ellipse to create a duplicate.
• Create Rows and Columns:
o Continue duplicating the ellipses horizontally to create a row of 11 ellipses.
o Select the entire row, then hold Alt (or Option) and drag downward to duplicate the row.
99 | P a g e
o Repeat this process until you have 14 rows of ellipses, forming a grid of 11 columns by
14 rows.100
Step 5: Grouping and Aligning Ellipses
• Grouping Ellipses:
o Select all the ellipses on the artboard.
o Go to Object > Group (shortcut: Ctrl+G
or Cmd+G) or use the Generate (Beta-AI)
to group them, allowing easier
manipulation.
• Aligning the Group:
o Open the Align Panel (Window > Align).
o Use the alignment options to center the
grouped ellipses horizontally and
vertically on the artboard.
Step 6: Subtraction of Ellipses to Create Your Design (Letter or Object)
• Select Ellipses: Use the Selection Tool (V) to select individual ellipses to create your design.
• Subtract Ellipses: With the ellipses selected, click delete.
• Adjusting the Design: Ensure the negative space accurately represents the desired shape.101
100
"Tutorial: Creating a Logo Design Using Ellipses and Negative Space"
101
"Tutorial: Creating a Logo Design Using Ellipses and Negative Space"
100 | P a g e
Step 2: Exporting Vector Image Files (JPG, SVG, PNG, and PDF)
• Export as JPG:
o Go to File > Export > Export As.
o Choose JPG from the format
dropdown.
o Set the appropriate options (e.g.,
preserve editing capabilities) and
click Export.
• Export as SVG:
o Go to File > Export > Export As.
o Choose SVG from the format Step 2: How to Export a JPG, SVG or PNG image file"
dropdown.
o Set the appropriate options (e.g., responsive settings) and click Export.
• Export as PNG:
o Go to File > Export > Export As.
o Choose PNG from the format dropdown.
o Set the resolution to 300 DPI and click Export.
Step 3: Saving a PDF Image File
• Go to File > Save As > Save on your computer.
• Choose PDF from the format dropdown window (Save as type)
• Keep/Select Default options and click Save PDF
Follow these steps anytime you need to
create a unique logo design using ellipses
that focus on the interplay of positive and
negative space. This method showcases
creativity and employs fundamental design
principles to produce a visually striking
logo. Save your work often and experiment
with different shapes and colors to further
refine your design.102
102
"Tutorial: Creating a Logo Design Using Ellipses and Negative Space"
101 | P a g e
Exercise 2 – Expressive Lines Using a Masterwork of Art
Learning Objective: In this lesson, you will learn how to create an abstract vector illustration by
transforming a well-known artwork emphasizing lines (e.g., works by Kandinsky, OP Art). This exercise
uses the Pencil Tool, layers, and gradients to develop visually compelling artwork. By the end of the
lesson, you will be able to manipulate and create vector graphics, manage layers effectively, and apply
gradients to enhance their designs.103
Step 1. Setting Up the Essentials Workspace:
• Open Adobe Illustrator.
• Go to Window > Workspace > Essentials (or Essentials Classic for a more traditional layout).
• This workspace provides easy access to the most commonly used tools and panels.
103
"Tutorial: Creating a Logo Design Using Ellipses and Negative Space"
102 | P a g e
3. Placing the Artwork:
• Select File > Place.
• Choose your well-known line-focused artwork from the file
dialog and click Place.
• Resize the artwork to fit the artboard using the Selection Tool
(V) by clicking and dragging the corner handles while holding
Shift to maintain proportions.
4. Creating a New Layer for Tracing:
• Open the Layers panel (Window > Layers).
• Click the Create New Layer button at the bottom of the
Layers panel.
• Name the new layer "Tracing" by double-clicking on the layer
name.
• Lock the original artwork layer by clicking the lock icon next to it.
Primary Role of Layers:
• Organizing Elements: Layers help separate different parts of
the artwork, making it easier to manage and edit.
• Locking Layers: Prevents accidental changes to specific layers.
• Stacking Order: Determines the visual order of elements on
the canvas.
• Deleting Layers: Removes unwanted layers without affecting
others.
5. Creating Lines with the Pencil Tool:
• Select the Pencil Tool (N) from the toolbar.
• In the toolbar, set the fill to none (represented by a white box
with a red slash) and the stroke to black (or other colors as
desired).
• Adjust the stroke weight by opening the Stroke panel
(Window > Stroke) and setting a preferred line weight.
• Draw expressive, loose lines over the artwork on the
"Tracing" layer. These lines should abstractly capture the
essence of the original piece.
6. Switching Between Tools:
• Use the Selection Tool (V) to select and adjust lines.
• Switch back to the Pencil Tool (N) to continue drawing.
Direct
• If lines connect unintentionally (due to anchor points), adjust them using the Selection
Direct Selection Tool (A) to move or delete anchor points as needed. Tool
103 | P a g e
7. Deselecting Lines:
• To deselect lines, click on an empty space on the artboard or use Select > Deselect (CTRL + D)
from the menu.
8. Adding a Gradient Background:
• Create a new layer for the background to keep it
separate from the line art.
• Select the Rectangle Tool (M) and draw a rectangle
that covers the entire artboard.
• Apply a gradient by selecting the rectangle and
opening the Gradient Tool (G).
• In the Gradient panel, choose and customize a
gradient to add depth and interest to the background.
9. Duplicating an Image/Object:
• To duplicate an object, select it with the Selection Tool (V) and press Ctrl + C to copy and Ctrl + V
to paste.
• Use the Selection Tool (V) to position the duplicated objects as desired.
10. Creating Depth Using Contrasting Values:
• Experiment with different line weights and colors to
create a sense of depth.
• Use the Opacity setting in the Transparency panel to
adjust the transparency of the lines and shapes.
• Blending modes in the Transparency panel can also
add interesting effects.
11. Finalizing the Artwork:
"Properties Panel - Creating Depth”
• Review your composition and make any necessary
changes.
• Save your master file by selecting File > Save As and
choosing the (.ai) format for future edits.
12 Exporting Vector Graphics
• Export as a PDF: File > Save As, select PDF from the
drop-down menu. This format is ideal for printing.
• Export as an SVG: Export > Export As, select SVG. This
format is perfect for web and scalable designs.
104 | P a g e
• Export as a PNG: Export > Export As, select PDF. This format is useful for rasterized images with
transparency.104
Follow these steps anytime you need to create a unique logo design using ellipses that focus on the
interplay of positive and negative space. Save your work often and experiment with different shapes and
colors to further refine your design
104
"Tutorial: Creating a Logo Design Using Ellipses and Negative Space"
105
"Tutorial: Creating a Logo Design Using Ellipses and Negative Space"
105 | P a g e
Creating a Symbol (Artboard 2)
Example Idea: A peace symbol.
1. Select the Ellipse Tool (L).
2. Hold down the Shift key to draw a perfect circle.
Option: Click on the artboard and enter a value,
such as 800 px for both width and height, to
create a large circle.
3. Center the circle on the artboard by aligning it
vertically and horizontally using the Align panel
(Window > Align).
4. Create the Center Line: Select the Line Segment
Tool (\ ), hold down the Shift key, and draw a
vertical line from the top of the circle to the
bottom. Center the line within the circle using the
Align panel.
5. Draw the diagonal lines: With the Line Segment Tool still selected, draw a line from the center
of the circle to the left at a 45-degree angle. You can use the Transform panel to set the rotation
to 45 degrees if needed.
6. Duplicate the Diagonal Line: Copy (Ctrl+C) and Paste in Place (Ctrl+Shift+V), then go to Object >
Transform > Reflect. Choose Vertical and click OK to create the mirrored line on the right side.
7. Adjust Line Thickness: Select all lines and set the stroke weight to match the style you prefer.
(i.e. 10pt). Adjust the circle’s stroke weight to match the lines.
8. Convert Strokes to outlines: Select all the shapes (lines and circle) go to Object > Path > Outline
Stroke. This converts the strokes to filled shapes.
9. Unite Shapes: Open the Pathfinder panel (Window > Pathfinder), click on the “unite” option to
merge the shapes into a single object.
10. Final Touches: Adjust the size and Position of the peace symbol as needed. Choose a fill color
from the Color panel.
11. Save your work: Go to File > Save As, and choose your preferred form (e.g., .ai, .pdf)106
106
“Create a Peace Symbol AI” ChatGPT 4.0, Open AI, 5 Aug 2024, URL: https://chatgpt.com/share/1b7ec9f0-3456-
4cdc-bc7b-6a488abc9ec7
106 | P a g e
Creating an Index (Artboard 3)
Example Idea: Design a footprint path that represents a trail or movement.
1. Create the Sole Outline:
a. Use the Ellipse Tool (L) to draw a basic oval shape representing the heel
of the footprint. Draw a longer oval to represent the front part of the
sole.
b. Position the longer oval in front of the smaller oval, slightly overlapping
them. This forms the general shape of a footprint.
c. Select both shapes and use the Shape Builder Tool (Shift+M) to unite
them into a single shape.
2. Add Toes:
a. Draw five smaller circles with the Ellipse Tool to represent the toes. The
size should decrease gradually from the big toe to the little toe.
b. Arrange these circles above the front part of the sole, aligning them to
resemble the toes' natural positioning.
c. Select all the elements (sole and toes) and group them together
(Ctrl+G).
3. Duplicate and Create a Second Footprint
a. Copy the footprint (Ctrl+C) and paste it (Ctrl+V) to create a second one.
b. Reflect the duplicate to create the opposite footprint: Go to Object >
Transform > Reflect, choose Vertical, and click OK.
c. You now have a pair of footprints left and right.
4. Arrange the Footprints to Indicate a Path
a. Start by placing the first footprint at the beginning of the path. Duplicate footprints to
create a walking path.
b. Adjust the spacing and angle of each footprint to indicate natural steps.
c. You can use the Selection Tool (V) to move and rotate the footprints as needed. To
rotate, select a footprint, hover near a corner until the rotate icon appears, and then
click and drag.
5. Use the Blend Tool for Smooth Path:
a. Select the first and last footprints in your sequence.
b. Go to Object > Blend > Make to create intermediate steps. This will automatically
generate a series of footprints between the first and last, creating a smooth path.
c. Adjust the blend spacing: Go to Object > Blend > Blend Options. Set the Spacing to
"Specified Steps" and enter the number of steps to control the distance between
footprints. Click OK.
6. Finalize the Design:
a. Adjust the size and color of the footprints as desired. You can use the Selection Tool to
resize the footprints uniformly or individually.
b. Add any additional elements, such as a background, to enhance the design.
7. Save and Export
a. Save your work: Go to File > Save As, and choose your preferred format (e.g., .ai for
editing or .png for web use). Export: If you need a specific file format for use outside of
Illustrator, go to File > Export > Export As, and choose the appropriate format.107
107
“Create a Peace Symbol AI”
107 | P a g e
Creating a Logo (Artboard 4)
Example Idea: A stylized tree for an eco-friendly brand.
1. Select the Rectangle Tool (M): Locate the Rectangle Tool
on the toolbar or press the shortcut key (M).
2. Draw the Trunk of the Tree: Click on the artboard and
drag to draw a rectangle that will serve as the trunk of
the tree. You can adjust the dimensions as needed.
3. Select the Ellipse Tool (L): Find the Ellipse Tool in the
toolbar or use the shortcut (L)
4. Draw the Tree Foliage: Draw ellipses to represent the
foliage. Vary the sizes and shapes slightly for a more
organic. Overlap the shapes, giving the appearance of a
cluster of leaves.
5. Unite the Circles: Select all the ellipses using the
Selection Tool (V) and use the Pathfinder Panel (Window
> Pathfinder) to Unite the ellipses into one shape.
"Elderwood Logo" by Art-020A student, is used
6. Position the foliage: Using the selection tool (V) position with permission, 2024
and centrally align the foliage shape above the trunk.
7. Add details: Use the Pen Tool (P) to draw small branches extending from the trunk into the
foliage. Or use the paintbrush Tool (B), adjust the brush settings (hardness and thickness),
choose a round, hard brush for clean lines. Draw branches adjust the brush size/thickness as
needed.
8. Refine shapes: Use the Direct Selection Tool (A) to adjust anchor points and create smooth
transitions and a more natural appearance between the trunk and foliage.
9. Add text: Use the Type Tool (T) to add the brand name below or beside the tree graphic. You can
adjust font style, size, and spacing using the Character panel (Window > Type > Character).108
Final Steps
1. Review and refine each graphic on its respective artboard.
2. Save your work: Save the document with a suitable naming convention (e.g.,
"YourName_Icon_Symbol_Index_Logo.ai").
3. Export each artboard: Go to File > Export > Export As, choose PNG or another preferred format,
and select "Use Artboards" to export each graphic separately.
Following these steps, you will learn how to create distinct and meaningful graphics by modifying basic
shapes, enhancing their understanding of design principles and Adobe Illustrator tools.109
108
“Create a Peace Symbol AI”
109
"Tutorial: Creating a Logo Design Using Ellipses and Negative Space"
108 | P a g e
Portfolio Project: Reimagining a Popular Logo with a
Humorous Twist
Objective: Reimagine a well-known logo by adding a humorous twist. This project will challenge you to
think creatively and inject humor into their designs, enhancing their ability to create engaging and
memorable visuals.
Project Overview
You will select a popular logo and redesign it with a humorous twist.
The goal is to transform the original logo into a new design that
maintains visual recognition while introducing a fun and playful
element. This project will be presented as a portfolio piece,
showcasing the student's ability to blend humor with graphic design.
Examples
1. Nike Swoosh - Humorous Twist: Lazy Couch Potato
"Just Don’t" DALL-E, AI-Generated
o Original Logo: The Nike Swoosh is a simple, curved Image by Kristen R. Kennedy
line symbolizing motion and speed.
o Reimagined Logo: Transform the swoosh into a
couch with a potato lounging, with a remote control
and snacks. This humorous twist plays on the
contrast between Nike's "Just Do It" motto and a lazy
day on the couch.
2. Apple Logo - Humorous Twist: Worms’ Paradise
o Original Logo: The Apple logo is a bitten apple,
symbolizing knowledge and innovation.
o Reimagined Logo: Add a couple of happy cartoon
"Apple Infestation" DALL-E 4.0, AI-
worms popping out of the apple, turning it into a Generated image by Kristen R.
lively worm party. This twist adds a playful narrative Kennedy
to the logo, suggesting that even the simplest things
can be fun and lively.
3. Starbucks Logo - Humorous Twist: Coffee Addiction
o Original Logo: The Starbucks logo features a
mermaid (siren) with a crown, symbolizing allure and
mystery.
o Reimagined Logo: Change the mermaid to a
hyperactive character with multiple coffee cups,
jittery from too much caffeine. This humorous
rendition highlights the addictive nature of Starbucks
coffee in a lighthearted way. "Starbucks Addiction" DALL-E 4.0, AI-
Generated image by Kristen R.
Project Steps Kennedy
109 | P a g e
o Choose a famous logo to reimagine.
o Research the brand’s history, values, and existing logo symbolism.
2. Concept Development:
o Identify a humorous twist that aligns with or playfully contrasts the brand’s core
message.
o Sketch initial ideas and brainstorm how the humor can be visually integrated into the
logo.
3. Design Process:
o Open Adobe Illustrator and create a new document.
o Use basic shapes and Illustrator tools to begin redesigning the logo. Focus on
incorporating humorous elements while maintaining recognizability.
o Refine shapes, adjust anchor points, and experiment with color and composition to
enhance the humorous design.
4. Review and Feedback:
o Share the initial design with peers or instructors for feedback.
o Adjust based on constructive criticism to improve the humorous impact.
5. Finalization:
o Polish the final design, ensuring all elements are cohesive and well-integrated.
o Add final touches, such as gradients, textures, or additional details to enhance the visual
appeal.
6. Presentation:
o Create a presentation board or digital portfolio page.
o Include the original logo, the reimagined logo, and a brief explanation of the humorous
twist and design process.
o Provide context on how the new logo conveys the intended humorous message.
110 | P a g e
• Design Execution: Is the redesigned logo visually appealing and professionally executed?
• Presentation: Is the project presented clearly and coherently, with a strong rationale for the
design choices?
By completing this project, you will demonstrate their ability to think critically and creatively, using
humor to transform and enhance well-known logos.110
110
"Tutorial: Creating a Logo Design Using Ellipses and Negative Space"
111 | P a g e
Lesson 2 -Digital Photography
“Rose Garden (Sentimental, Hot Cocoa, Julia Child)” June 2023, by Kristen R. Kennedy, is used with Permission.
Learning Objectives
By the end of this lesson, you will be able to:
1. Understand the basic operations and functions of a digital camera.
2. Apply the principles of composition and lighting to create aesthetically pleasing photographs.
3. Demonstrate proficiency in managing exposure and focus to enhance photographic quality.
4. Critically analyze photographs for their artistic and technical merits.
5. Utilize essential photo editing software to improve and manipulate images.
Photography Assignments
Duration: 4 Weeks (8 sessions, 2.5 hours per session)
• Photography Exercises
o Visual Elements Contact Sheet
o Principles of Design Contact Sheet
o Purposes/Functions Contact Sheet
o Themes of Art Contact Sheet
• Portfolio Project - Photography Series (Triptych)
Materials List
• Digital Camera or Smartphone with a high-resolution camera
• Adobe Lightroom (or similar photo editing software)
• Access to a computer with Internet connection
• Color printer for printing final images
• Mounting materials (e.g., foam board, mat board)
• External storage device (e.g., USB drive) or cloud storage for file transfer
112 | P a g e
What is Photography?
Photography, an art form and communication tool, has undergone transformative changes since its
inception. This lesson explores the significant shifts from traditional film-based photography to digital
techniques, highlighting the technological advancements that have reshaped how images are captured,
processed, and perceived.
History of Photography
Photography's journey began in the early 19th century with the development of chemical photography
by pioneers such as Louis Daguerre and William Henry Fox Talbot. These early processes, which included
daguerreotypes and calotypes, allowed for the permanent capture of images from the real world, a
concept that mesmerized contemporary audiences.
For over a century, film was the medium of choice for photographers. Film photography, refined through
innovations in film stock and camera technology, allowed photographers to capture sharper images with
more reliable equipment. The portability of cameras and the introduction of color film broadened
photography's appeal, making it a popular hobby and crucial tool for journalistic and artistic expression.
The late 20th century marked the beginning of the digital revolution in photography. The invention of the
digital camera sensor, primarily the charge-coupled device (CCD) and later the complementary metal-
oxide-semiconductor (CMOS) sensor, revolutionized how photographs were taken and processed. These
sensors convert light into electronic signals, eliminating the need for film and drastically reducing the
time and cost of developing photographs.111
111
“20A LP Photo Themes” ChatGPT 4.0, Open Ai, 23 May 2024, URL: https://chatgpt.com/share/d4e0ce38-8bc4-
4852-882f-50aeca499ef1
113 | P a g e
Societal and Artistic Implications
The accessibility of digital photography has transformed it into a universal language understood across
cultural and geographical boundaries. It has:
• Documented Social Changes: You, as a photographer, have the power to document and
influence societal changes. You can bring attention to social injustice, environmental concerns,
and political turmoil, making a significant impact with your work.
• Shaping Identity and Memory: Photography, with its ability to capture countless moments, plays
a significant role in shaping how we remember events and perceive our own identities. It
prompts us to reflect on the power of images in our lives.
• Manipulation and Verisimilitude: Digital technology dramatically enhances the ability to
manipulate photographs, blurring the lines between reality and fabrication. This capability raises
ethical questions about the authenticity of images used in journalism, legal contexts, and
historical records. Simultaneously, it allows artists to craft hyperreal or fictional visuals,
expanding creative boundaries and exploring new artistic expressions. This shift challenges
traditional notions of truth in photography and impacts its role in society and art.
As a photographer transitioning from film to digital, you have unprecedented opportunities for
experimentation and expression. However, it's crucial to navigate the ethical implications of your work
and maintain a thoughtful approach to the authenticity and impact of your images. Embrace this
dynamic landscape with creativity and critical awareness, and contribute meaningfully to the evolving
narrative of art in the digital age.112
112
“20A LP Photo Themes”
114 | P a g e
• DSLR cameras use a mirror system to show what the lens sees through an optical viewfinder.
When a photo is taken, the mirror flips up to allow light to hit the image sensor directly. The
benefits of DSLRs include a clear viewfinder, long battery life, and compatibility with various
lenses and accessories. This camera offers versatility, manual controls, and interchangeable
lenses. Ideal for beginners and professionals. Examples include Nikon D3500-7500, Canon EOS
90D/Rebel T100, Pentax KF APS-C.
• Mirrorless Camera is a type of digital camera that does not use a mirror mechanism to reflect
light from the lens up to an optical viewfinder, as traditional DSLR (Digital Single-Lens Reflex)
cameras do. Instead, light passes directly through the lens to the image sensor, which then
displays the image on an electronic viewfinder (EVF) or LCD screen. This design allows mirrorless
cameras to be more compact and lighter than DSLRs, while still offering high image quality and
versatility. Example: Nikon Z8, Canon EOS R10/R6 Mark 2/R50, Panasonic Lumix S511, Fujifilm
X-T5
"Comparison Diagram of a DSLR and Mirrorless Camera" Screenshot from YoutTube Video by H&S is used
in Fair Use
Lenses
Lenses are crucial for capturing different types of shots. A
standard zoom lens (18-55mm) is versatile for everyday
use, while a prime lens (e.g., 50mm f/1.8) offers sharp "Photographic Lenses Front View" by Bill Ebbesen is
licensed CC BY-3.0
113
“Essential Digital Photography Gear” ChatGPT 4.0, Open Ai, 6 Aug 2024, URL:
https://chatgpt.com/share/346416ce-e008-46db-89c7-533e3a2a3bab
115 | P a g e
images and wide apertures, ideal for low-light conditions. Consider specialty lenses like telephoto for
distant subjects or wide-angle for landscapes.
• Standard Zoom Lens (18-55mm): Versatile for everyday photography.
• Prime Lens (e.g., 50mm f/1.8): Offers sharp images and wide apertures for low-light conditions.
• Specialty Lenses: Consider telephoto for distant subjects and wide-angle for landscapes.114
Memory Cards
To store your images, use high-capacity, high-speed SD cards,
which handle high-resolution photos and videos efficiently.
Accessories
In addition to the basics, several accessories can enhance your
photography experience: "SD Memory Card Sizes" by Tkgd2007 is
• Tripod: For stable shots, especially in low light or long licensed CC BY-SA 2.5 via Wikimedia Commons
exposures.
• Camera Bag: Protects your gear while on the go.
• Extra Batteries: Prevents interruptions during shoots.
• Lens Cleaning Kit: Maintains image quality by keeping
lenses clean.
• Lens Filters: Protects lenses and enhances image effects.
Lighting Equipment
For better control over lighting conditions, whether you're using
natural light or studio setups, consider these essentials:
• External Flash: Provides additional lighting control.
• Reflectors/Diffusers: Adjusts natural light for better
results.
"Camera with Flash Bulb" by Sonicenvy is
licensed CC By-SA 4.0v
Backup Solutions
Don’t forget about using at least three backup solutions that are essential for storing and backing up
your photos such as:
• Flash Drives
114
“Essential Digital Photography Gear”
116 | P a g e
• External Hard Drives
• Cloud Storage Services (MS One-Drive, Google Drive, etc.)115
Framing
Framing refers to the way visual elements are positioned within the boundaries of an image.
Proper framing helps to direct the viewer's attention and enhance the composition, such as:
• Rule of Thirds: Divide the frame into a 3x3 grid and place the subject along the lines or at
intersections. This creates a balanced and dynamic composition.
• Leading Lines: Use natural lines, such as roads, rivers, or fences, to guide the viewer's eye
toward the subject.
• Natural Frames: Incorporate elements like doorways, windows, or trees to frame the subject,
adding depth and context.
Lighting
Lighting is a crucial aspect of photography, as it affects the mood, tone, and clarity of an image.
Understanding different lighting conditions can help you achieve the desired effect:
• Natural Light: Utilize sunlight for natural-looking photos. Golden hour (shortly after sunrise and
before sunset) provides soft, warm light, while the midday sun creates harsh shadows.
• Artificial Light: Use studio lights, flashes, or lamps to control the lighting environment.
Experiment with light positioning and intensity to highlight or shadow specific areas.
• Backlighting: Place the light source behind the subject to create silhouettes or halos, adding
drama to the image.
115
“Essential Digital Photography Gear”
116
“Essential Digital Photography Gear”
117 | P a g e
• Side Lighting: Position the light source to the side of the subject to enhance texture and
depth.117
Focusing
Proper focusing ensures that the subject of the photograph is sharp and clear. There are several
focusing techniques to consider:
• Auto Focus (AF): Most modern cameras have autofocus systems that quickly and accurately
focus on the subject. Use single-point AF for precise focus or multi-point AF for tracking moving
subjects.
• Manual Focus: Allows for more control, especially in low-light conditions or when shooting
through obstacles like glass. Adjust the focus ring on the lens to achieve sharpness.
• Depth of Field (DoF): The range within which objects appear in focus. A shallow depth of field
(achieved with a wide aperture, e.g., f/1.8) isolates the subject by blurring the background. A
deep depth of field (narrow aperture, e.g., f/16) keeps more of the scene in focus, suitable for
landscapes. Another similar technique is called Bokeh.
Composition
Composition refers to the arrangement of elements within the frame. In addition to framing,
other principles include:
• Symmetry and Patterns: Use symmetrical compositions or repeating patterns to create a
harmonious and pleasing effect.
• Contrast: Highlight differences between light and dark, colors, or textures to draw attention to
the subject.
• Negative Space: Incorporate empty space around the subject to emphasize it and create a sense
of simplicity and elegance.
117
“Essential Digital Photography Gear”
118
“Essential Digital Photography Gear”
118 | P a g e
Exposure
Proper exposure ensures that the image is neither too dark nor too bright. Achieving the right
exposure involves balancing the aperture, shutter speed, and ISO settings of the camera to
control the amount of light that reaches the sensor. This allows for well-defined details, accurate
colors, and a balanced overall composition in the final image. Key elements include:
• Aperture: Controls the amount of light entering the lens. A wide aperture (low f-number) allows
more light, while a narrow aperture (high f-number) allows less.
• Shutter Speed: Determines the duration the camera's sensor is exposed to light. A fast shutter
speed freezes motion, while a slow shutter speed can create motion blur.
• ISO: Adjusts the sensor's sensitivity to light. A lower ISO results in clearer images with less noise,
while a higher ISO is useful in low-light conditions.119
Bracketing
Bracketing is a valuable technique in photography that increases the likelihood of capturing a
well-exposed and focused image in challenging shooting conditions. It involves taking multiple
shots of the same subject with different settings to ensure the best exposure or effect. Here is
a quick overview:
• Exposure Bracketing: Takes photos at different exposure levels (underexposed, correctly
exposed, overexposed) to capture the full range of light in a scene. Useful for creating HDR
images.
• Focus Bracketing: Captures multiple shots with different focus points. Ideal for achieving
sharpness throughout the image, especially in macro photography and landscapes.
• White Balance Bracketing: Varies the white balance settings to ensure accurate color
representation in different lighting conditions.
• Flash Bracketing: Adjusts flash intensity across shots to balance ambient and artificial light.
Benefits:
• Ensures correct exposure and focus.
• Useful for HDR and creative effects.
• Provides flexibility in post-processing.
By mastering these fundamental photography techniques, you can capture more compelling and
technically proficient images. Practice consistently, experiment with various settings, and analyze your
results to continue enhancing your skills.120
119
“Essential Digital Photography Gear”
120
“Essential Digital Photography Gear”
119 | P a g e
make it suitable for both beginners and professionals. Lightroom's non-destructive editing feature allows
users to adjust without altering the original image, preserving the ability to revert changes at any time.
121
“Essential Digital Photography Gear”
122
“Essential Digital Photography Gear”
120 | P a g e
• Darktable: An open-source photography workflow application and raw developer. It is
comparable to Lightroom in terms of features, offering non-destructive editing and a
comprehensive set of tools.
• RawTherapee: A free, open-source raw image processor with advanced color correction and
detail enhancement tools. It supports a wide range of file formats and offers a high level of
control over image adjustments.
• Pixlr: An online photo editor with a user-friendly interface. It offers basic editing tools, filters,
and effects, making it a convenient option for quick edits.
• PhotoScape X: A versatile photo editor that includes tools for editing, collage-making, and GIF
creation. It offers a range of filters and effects, making it a good option for creative projects.
• Canva: Primarily a graphic design tool, Canva also includes basic photo editing features. It is ideal
for creating social media graphics, presentations, and posters.
These alternatives provide a range of features that cater to different editing needs and skill levels. While
they may not offer all the advanced capabilities of Lightroom, they are excellent options for those
looking to explore photo editing without incurring costs.123
123
“Essential Digital Photography Gear”
121 | P a g e
Adobe Lightroom Tutorial
This tutorial will guide you through the essential photo editing tools in Adobe Lightroom necessary to
complete your digital photo series project.
"Open the Lightroom Editing Window"
The Library tab in Adobe Lightroom is where you organize and manage your photo collection. It offers
tools for importing, categorizing, and sorting images using keywords, ratings, and flags. You can create
collections to group photos for projects, and use various viewing modes to browse and compare images.
The Library tab's filtering and search features make it easy to find specific photos, keeping your library
well-organized and accessible.
Importing Photos
• How to Find: Click on the "Library" module at the top of the
screen.
• Access: Click the "Import" button in the bottom left corner.
• Use: Select your source and navigate to your photo folder, select the photos you want to import,
and click "Import" again.
122 | P a g e
Organizing and Cataloging
• How to Find: Click on the “Library” module at the
top of the screen.
• Access: Click the criteria options on the left menu
bar or the filter options in the bottom right.
Collections are located on the left menu panel.
• Use: Use the Filter Bar to search and filter photos
by various criteria (e.g., date, keywords, ratings).
Create collections to group related photos
together, such as for a specific project or event.124
The Develop tab in Adobe Lightroom is the main area for editing and enhancing your photos. It provides
a range of tools for adjusting exposure, color, contrast, and sharpness. You can make detailed
adjustments using features like the Tone Curve, HSL/Color, and Split Toning panels. The Develop tab also
includes options for cropping, spot removal, and applying creative effects. It's where you refine your
images and apply finishing touches to achieve the desired look and feel.
• How to Find: Click on the "Develop" module at the top right.
• Access: Select the photo you want to edit from the filmstrip (below) at the bottom of the screen.
• Use: Access various editing tools on the right panel.
Histogram
The histogram is a graphical representation of the tonal range in
your photo. It shows the distribution of shadows, mid-tones,
and highlights, helping you understand the exposure. The left
side represents dark tones, the middle represents mid-tones,
and the right side represents highlights.
• How to Find: Located at the top of the Develop Module
on the right pane.
• Access: Select it from the top menu or press (D).
"Screenshot of a Histogram"
• Use:
o Read Tonal Info: Analyze shadows, midtones, and highlights.
o Adjust: Click and drag on the Histogram to modify Exposure, Shadows, Highlights,
Whites, and Blacks.
o Clipping Check: Hold Alt (Windows) or Option (Mac) to see clipped areas.
124
“Essential Digital Photography Gear”
123 | P a g e
Basic
This panel provides essential adjustment sliders for
overall image correction. It includes controls for
Exposure, Contrast, Highlights, Shadows, Whites,
Blacks, White Balance, Vibrance, and Saturation. These
adjustments help balance light and color in the photo.
• How to Find: Located in the Develop Module
on the right panel.
• Access: Expand the "Basic" pane by clicking on
it.
• Use: Adjust sliders for Exposure, Contrast,
Highlights, Shadows, Whites, Blacks, Clarity,
Vibrance, and Saturation.
o Exposure: Adjust the overall brightness
of your photo.
o Contrast: Increase or decrease the
difference between light and dark
areas.
o Highlights: Reduce or recover details in
the brightest parts of the photo.
o Shadows: Lighten or darken the details
in the shadow areas.
o Whites and Blacks: Fine-tune the
brightest and darkest points of your
photo to ensure a full tonal range.
o Clarity: Enhance mid-tone contrast to
add texture and definition.
o Vibrance: Boost the intensity of muted
colors without affecting skin tones.
o Saturation: Adjust the overall intensity "Basic - Menu Options"
of all colors in the photo.125
Tone Curve
The Tone Curve allows for precise tonal adjustments. It offers a more detailed way to adjust contrast and
brightness in specific tonal ranges (shadows, midtones, and highlights). You can manipulate the curve to
adjust the overall tone or use the parametric sliders for specific regions.
• How to Find: Below the "Basic" pane in the Develop module.
• Access: Click the "Tone Curve" panel to expand it.
• Use: Adjust the curve by dragging points or using sliders for Highlights, Lights, Darks, and
Shadows.
125
“Essential Digital Photography Gear”
124 | P a g e
Color Mixer (HSL/Color)
The Color Mixer allows you to adjust individual color
channels in terms of Hue, Saturation, and Luminance.
This is useful for fine-tuning specific colors in your
image, such as making the sky bluer or adjusting the
skin tones.
• How to Find: Below the "Tone Curve" pane in
the Develop module.
• Access: Click the "Color Mixer” pane to expand
it.
• Use: Adjust the HSL or Color, Hue, Saturation,
Luminance, All, or the individual colors using
sliders.
Color Grading
Color Grading lets you apply color tints to the shadows,
mid-tones, and highlights separately. It provides a
creative way to stylize the image's color palette and is
particularly useful for achieving a cinematic look or
specific mood.
• How to Find: Below the "Color Mixer" pane in the Develop module.
• Access: Click the "Color Grading" pane to expand it.
• Use: Apply Mid-tones, shadows, and highlights with Blending and Balance sliders.
Detail
The Detail panel focuses on sharpening and noise reduction. It includes settings for Sharpening to
enhance the details in the image and Noise Reduction to reduce grain and chromatic noise, especially in
high-ISO photos.
• How to Find: Below the "Color Grading" pane in the Develop module.
• Access: Click the "Detail" pane to expand it.
• Use: Adjust sliders for Sharpening (Amount, Radius, Detail, Masking) and Noise Reduction
(Luminance, Detail, Contrast).
Lens Correction
This feature corrects lens-related issues such as distortion, chromatic aberration, and vignetting.
Lightroom can automatically apply corrections based on the lens profile or allow manual adjustments.
• How to Find: Below the "Detail" panel in the Develop module.
• Access: Click the "Lens Corrections" pane to expand it.
• Use: Check "Remove Chromatic Aberration" and "Enable Profile Corrections."
Transform
The Transform panel offers tools to correct perspective distortion, such as tilting buildings or skewed
horizons. It includes options for vertical and horizontal adjustments, rotation, and scaling to straighten
and align the image.
• How to Find: Below the "Lens Correction" pane in the Develop module.
• Access: Click the "Transform" pane to expand it.
125 | P a g e
• Use: Adjust vertical, horizontal, rotate, aspect, and scale sliders to correct perspective and
distortions; use "Constrain Crop" to remove white borders.
Lens Blur
Lightroom doesn't have a specific "Lens Blur" panel, but you can achieve a similar effect using the Effects
panel (for adding vignetting) or the Graduated and
Radial Filters with negative clarity or sharpness. These
techniques simulate depth of field and focus effects.
• How to Find: Below the "Color Mixer" pane in
the Develop module.
• Access: Click the "Lens Blur" pane to expand
it.
• Use: Applies blur effects using Bokeh, Focus
Range, Visualize Depth, and Brush
Refinement.
Effects
The Effects panel allows you to add creative
adjustments like Post-Crop Vignetting and Grain.
Vignetting darkens or lightens the corners of the
image, drawing attention to the center. The Grain
feature simulates film grain for a textured look.
• How to Find: Below the "Lens Corrections"
panel in the Develop module.
• Access: Click the "Effects" pane to expand it.
• Use: Adjust the Vignette (Amount, Midpoint,
Roundness, Feather) and Dehaze sliders.
Calibrations
The Calibration panel provides advanced adjustments
for the primary color channels (red, green, and blue). It's useful for fine-tuning color balance and
correcting color casts. It's often used for color grading and achieving specific color profiles.
• How to Find: Below the "Color Mixer" pane in the Develop module.
• Access: Click the "Calibrations" pane to expand it.
• Use: Fine-tunes overall color by adjusting Shadows Tint and primary colors (Red, Green, Blue) for
hue and saturation adjustments.
Each of these tools and panels plays a crucial role in the photo editing process, offering control over
different aspects of the image to help achieve the desired look and quality.126
126
“Essential Digital Photography Gear”
126 | P a g e
Develop Icons
Edit
The Edit icon doesn't refer to a specific tool
but rather the Develop Module itself, where
you perform most of your editing tasks. In this
module, you have access to all the adjustment panels,
including Basic, Tone Curve, HSL/Color, Detail, and
more. This is where you can make changes to exposure,
color, tone, and more.
• How to Find: In the Develop module, click the icon tool of your choice.
o Keyboard shortcuts Left to Right: Edit (D), Crop (R), Remove (Q), Red-Eye (None).
o Masking Tools: Brush (K), Linear Gradient Tool (M), Radial Gradient Tool (shift +M),
Range Mask (Color/Luminance) available after applying the mask.
• Access: Available on the right panel under the histogram.
• Use: Drag the corners or edges to crop. Rotate by dragging outside the crop box or using the
angle slider.
Crop Overlay
The Crop icon opens the Crop Overlay Tool,
enabling you to adjust the crop, aspect ratio, and
angle of your photo. This tool allows you to remove
unwanted areas, change the composition of the image, and
straighten it by adjusting the rotation slider or dragging it
outside the corner of the crop box.
Remove
The Remove icon refers to the Spot Removal Tool,
used for removing small imperfections, such as
dust spots, blemishes, or unwanted objects. This tool has
two modes: Clone and Heal.
• Clone copies pixels from one area of the photo and
applies them to another.
• Heal blends the sampled area with the surrounding
pixels, making the correction less noticeable. "Crop Overlay Screenshot"
Red-Eye
The Redeye icon activates the Red Eye Correction Tool, specifically designed to remove red-eye
effects caused by camera flashes reflecting off the retina. To use it, you click and drag over the
red-eye area in the photo, and Lightroom automatically corrects the issue by desaturating the red color
in the eyes.
Masking
In Adobe Lightroom Classic, the Masking icon allows you to make selective adjustments to
specific areas of your photo. By using Masking tools, you can apply edits like exposure,
127 | P a g e
contrast, color adjustments, and more to targeted regions without affecting the entire image. Masking
tools include:
• Brush Tool: Paints over areas of the image to apply adjustments selectively.
• Linear Gradient Tool: Applies a gradient effect, transitioning adjustments smoothly across the
image.
• Radial Gradient Tool: Creates circular or elliptical masks for localized adjustments.
• Range Mask: Refines masks based on color or luminance, enabling precise control over the
affected areas.
Before and After Photo Views
• How to Find: In the Develop module.
• Access: Press the backslash key (\) to toggle between before and after views.
• Use: Compare the original photo with the edited version to see changes.
These brief tutorials will help you efficiently navigate and use the basic tools in Adobe Lightroom for your
photo editing projects. 127
Exporting Photos
To export edited photos in Adobe Lightroom Classic, follow these steps:
1. Select Photos: In the Library or Develop module, select the photos you want to export.
2. Open Export Dialog: Click the Export button in the lower-left corner of the Library module or go
to File > Export.
3. Choose Export Location: In the Export dialog, specify the destination folder where you want to
save the exported files.
4. Set File Settings: Choose the file format (e.g., JPEG, TIFF), quality, and color space (e.g., sRGB,
AdobeRGB). You can also set the image size, resolution and apply output sharpening if needed.
5. Metadata and Watermarking: Decide if you want to include metadata and add a watermark to
your images.
6. Export: Click the Export button at the bottom of the dialog box to start the export process.
These steps will export your edited photos with the chosen settings, making them ready for sharing,
printing, or further use. 128
127
“20A Lightroom Photo Editing Assignment” ChatGPT 4.o, Open AI, 25 Mar 2024, URL:
https://chatgpt.com/share/e11d5de7-f856-4878-a95a-ea7604736767
128
“Essential Digital Photography Gear”
128 | P a g e
Layout Style
In the print layout settings pane, you have three layout options to choose from: Single Image/Contact
Sheet, Picture Package, and Custom Package. The
Single Image/Contact Sheet option allows you to
print one or more photos per page in a grid format,
making it perfect for creating a contact sheet or
displaying multiple images uniformly. The Picture
Package layout is ideal for printing multiple copies
of the same image in various sizes on a single page, which is particularly useful for creating prints in
different dimensions from a single image. Lastly, the Custom Package provides the most flexibility,
enabling you to freely arrange multiple photos on a page, allowing for creative layouts and designs. 129
Image Settings
In the Image Settings options pane, you have several features for customizing your photo presentation.
The Zoom to Fill feature enlarges the photo to fill
the cell, which may result in cropping the image.
Rotate to Fit adjusts the image orientation to best fit
the selected cell dimensions, ensuring a proper
layout. Repeat One Photo Per Page ensures that the
same photo is displayed in all cells on a page, which
is useful for consistent presentations. Additionally,
the Stroke Border option allows users to add a
border around each photo with customizable
thickness and color.
Layout
The Layout pane provides controls for adjusting the Margins
(top, bottom, left, right) to set the distance between the
image area and the edge of the paper. The Cell Size settings
define the width and height of each photo-cell on the page,
while the Grid option allows you to specify the number of
rows and columns, as well as adjust cell spacing, to fine-tune
the overall layout.
Guides
In the Guides pane, you can enable rulers, page bleed,
margins, image cells, and dimensions to assist with precise
layout adjustments. These guides are essential for ensuring
proper alignment and sizing of images on the page.
Page
The Page options pane includes features for adding custom
text, file names, or other metadata as captions, which can
provide context or details about the images. Users can also
129
“20A Lightroom Photo Editing Assignment”
129 | P a g e
include an Identity Plate or watermarks for branding or
copyright protection, and they have the option to set the
background color for the page if desired.
Print Job
In the Print Job panel, you can set the Print Resolution to match
the printer's capabilities, typically at 240 or 300 PPI, to ensure
high-quality prints. Print Sharpening options (low, standard,
high) are available to enhance image details. The Color
Management settings allow users to select the appropriate ICC
profile for the printer and paper combination, ensuring
accurate color reproduction. Users can decide to print directly
to a connected printer or save the print layout as a JPEG for lab
printing.130
Printing Photos
1. Open Lightroom and Select Photos: Go to the Library or Develop
module and select the photos you want to print from the Grid View or the Film Stills.
2. Go to the Print Module: Click on the Print tab at the top or press Ctrl + P (Windows) or Cmd + P
(Mac).
3. Choose a Layout Style: Select Single Image/Contact Sheet or another layout style from the right
panel.
4. Adjust Print Settings: In the right panel, adjust Image Settings (Zoom to Fill, Rotate to Fit), Layout
(Margins, Cell Size), and Print Job settings (Print Resolution, Print Sharpening, Color
Management).
5. Print: Scroll down to the Print Job section and click Print to send the photos to your printer.
130
“20A Lightroom Photo Editing Assignment”
130 | P a g e
These steps will help you efficiently print your photos or create a PDF contact sheet in Adobe Lightroom
Classic.131
Additional Resources
• Adobe Creative Cloud – Learn Lightroom Classic
• Adobe - Learn Lightroom
• Lightroom killer-tips
• YouTube: Adobe Lightroom
• PHLEARN: How to Import & Organize Photos in Lightroom Classic
• B&H Photo: Lightroom Classic and Lightroom on the Go
• LinkedIn-Learning – Lightroom Online Training Courses
131
“20A Lightroom Photo Editing Assignment”
131 | P a g e
Practical Application
Learning Objective
The objective of this assignment is to develop proficiency in identifying and applying photo imaging and
editing techniques commonly utilized in digital photography using Adobe Lightroom software.
Complete the photo Shoot and Contact Sheet Instruction steps for each of the following:
1. The Visual Elements of Art
2. The Principles of Design
3. The Purposes and Functions of Art
4. The Themes of Art (Photo Series Project)
Instructions
Part 1 – Photo Shoot & Selection
1. Capture a broad image series visually representing each assigned photo shoot. Aim for multiple
photographs of each key term to ensure a diverse selection. Refer to the terms and definitions
associated with each photo shoot to guide (Chapter the selection process.
2. Review and refine your photo collection, eliminating images that lack focus, are improperly
framed, have bad lighting, or do not meet quality standards.
3. Economize the collection by retaining only those photographs that embody the concepts and
terms for each photo shoot.
4. Preparation and Transfer:
• Transfer your chosen photographs to your OneDrive Course Folder
• Rename the images using a consistent descriptive naming convention
Part 2 - Photo Editing with Lightroom
1. Import the selected photos into Adobe Lightroom
2. Navigate to the Develop tab within Adobe Lightroom to begin editing your images.
3. Utilize a range of editing tools available in Lightroom, such as cropping, adjusting values,
modifying colors, etc., to enhance your photographs' quality and visual appeal.
Part 4- Create a Photo Contact Sheet
1. Within Lightroom, navigate to the Print tab and create a contact sheet.
2. Ensure all images are presented on a single page using an appropriate template for all your
photos.
3. Label the photos clearly to distinguish between edited and unedited versions of your photos.
Part 5 - Project Report
• Discusses the selection process for the photographs, elucidating how each chosen image
embodies the respective Principle of Design.
• Explain the rationale behind the editing choices in Lightroom, detailing how these modifications
enhance or unify the compositions.
• Upload a PDF copy of each contact sheet and Project Report in MLA format.132
132
“20A Lightroom Photo Editing Assignment”
132 | P a g e
Portfolio Project: Digital Photo Series
Learning Outcome
You will create a cohesive digital photo series consisting of three photographs that share a unified theme
and specific purpose or function of art. The project will demonstrate your ability to conceptualize,
execute, and present a thematic art series, applying technical skills and artistic principles learned
throughout the course.
Instructions:
1. Conceptualization:
• Choose a unified theme for your photo series. This theme should be meaningful and
have a clear purpose or function, such as social commentary, personal narrative,
environmental awareness, or cultural representation.
• Write a brief proposal (200-300 words) explaining your chosen theme and your art
series’ specific purpose/function.
2. Photo Shoot (Design & Development):
• Plan and conduct a photo shoot that captures the essence of your chosen theme. Take
multiple photographs to ensure a variety of options for selection.
• Focus on composition, lighting, and subject matter to create visually compelling images
that align with your theme.
3. Photo Selection and Editing:
• Select the three best photographs that cohesively represent your theme
• Edit the selected photographs using Adobe Lightroom or similar software to enhance
their visual quality. Adjustments may include cropping, color correction, exposure,
contrast, and other enhancements.
4. Presentation:
• Print the three edited photographs in high quality on photographic paper
• Mount the printed photographs on foam or mat boards for a professional presentation
• Arrange the photographs logically, reinforcing their narrative or thematic connection.
• Include images in your online Digital Art Portfolio
5. Class Critique:
• Participate in a class critique session where you will present your photo series. Be
prepared to discuss your theme, the purpose/function of your series, and your creative
and technical choices.
• Provide constructive feedback to your peers on their work.133
6. Write a Project Report:
133
“20A Lightroom Photo Editing Assignment”
133 | P a g e
• Introduction: Briefly describe the project and its objectives.
• Theme and Purpose: Explain your chosen theme and the purpose/function of your art
series in detail.
• Process: Describe your creative process, including concept development, photo shoot,
and editing.
• Reflection: Reflect on the challenges you faced, the skills you developed, and what you
learned from the project.
7. Online Submission:
• Submit digital copies of the three edited photographs in JPEG format via the course's
online platform.
• Upload a PDF of your project proposal, report, and image files (jpg)of your photographs.
8. Printed Submission:
• Submit a physical copy of your mounted photographs during class.
• Provide a printed version of your project report.
Grading Criteria
• Cohesiveness and clarity of the theme and purpose
• Technical quality of the photographs and editing
• Creativity and originality
• Professionalism of the presentation
• Participation in the critique session134
134
“20A Lightroom Photo Editing Assignment”
134 | P a g e
Lesson 3 - Photo Manipulation
“Big & Small Photo Composites” by Art-020A students are used with persmission.
Learning Objectives
By the end of this lesson, you will be able to:
1. Explore the historical context and ethical considerations of photo manipulation.
2. Explore and apply basic photo manipulation techniques, including sourcing copyright-free
images on the web (see Chapter 3)
3. Create digital photo composites using non-destructive editing techniques in Adobe Photoshop.
4. Develop a portfolio of works demonstrating mastery of digital photo compositing.
Materials List
• Computer with Adobe Photoshop Installed
• Internet Access and/or Digital Camera or high-quality smartphone camera for image sourcing
• Drawing Tablet & Stylus: Used for precise control over drawing and editing vector paths.
• External storage device (e.g., USB drive) or cloud storage
• Color printer for printing final images
• Mounting materials (e.g., foam board, mat board)135
135
“Art-020A Phot Manipulation Lecture Prep” ChatGPT 4.o, Open AI, 23 May 2024, URL:
https://chatgpt.com/share/463a5c47-f759-44a9-b927-eab803c1a2e1
135 | P a g e
What is Photo Manipulation?
Photo manipulation encompasses a broad spectrum of techniques and processes used to alter and
enhance photographs. This art form leverages digital tools, primarily software like Adobe Photoshop, to
modify images beyond mere enhancements, often creating new realities or visual narratives that were
not present in the original capture. The intent can range from artistic expression to commercial appeal or
editorial illustration.
136 | P a g e
Photo manipulation requires understanding key concepts such as non-destructive and destructive
editing, file formats, and achieving realism ethically. Blending technical skills with ethical considerations
enhances artistic expression in this field.136
Summary
Understanding the distinctions between these techniques is crucial for art students and professionals
alike, as each method involves different skills and serves different artistic intents. In photo manipulation,
whether creating a composite, a montage, or a collage, the artist’s ability to blend reality with
imagination becomes paramount, offering endless possibilities for creative expression. These techniques
enhance visual storytelling and challenge viewers' perceptions of reality, urging them to question and
interpret the visual information.138
136
“Photoshop Photo Manipulation Lesson”
137
“Photoshop Photo Manipulation Lesson” Chat GPT 4.o, Open Ai, 20 Jun 2024, URL:
https://chatgpt.com/share/44a32a35-0228-4b5a-89ea-ca1e937bba24
138
“Photoshop Photo Manipulation Lesson”
137 | P a g e
History and Evolution of Photo Manipulation
Photo manipulation existed long before the availability of digital tools. Techniques such as hand painting
over photographs and combining negatives in the darkroom were commonly used. The introduction of
computers and software designed for digital imaging revolutionized the process, enabling greater
precision, repeatability, and creativity in manipulating photos.
139
“Photoshop Photo Manipulation Lesson”
140
“Photoshop Photo Manipulation Lesson”
138 | P a g e
The Ethical Landscape of Photo Manipulation
When discussed ethically, photo manipulation revolves around the intent and context of the altered
images. The ethical implications can vary dramatically depending on whether the manipulation is used
for artistic purposes, journalistic contexts, advertising, or personal amusement.
Artistic Expression: In artistic contexts, photo manipulation is generally more liberally applied, as art
often seeks to explore subjective realities and emotional truths rather than factual accuracy. Artists use
manipulation to evoke feelings, provoke thought, or convey complex themes that transcend literal
interpretations of the elements involved.
Journalism and Media: The ethical stakes are considerably higher in journalistic contexts, where
authenticity and accuracy are paramount. Manipulations that alter the factual content of a news photo
can mislead the public and erode trust in media outlets. Ethical guidelines limit alterations to basic
exposure adjustments, color balance, and sharpness.
Advertising: In advertising, photo manipulation is common, but it still requires ethical consideration,
particularly concerning portraying unrealistic beauty standards or misleading product capabilities.
Consumer deception through digital alterations can lead to legal repercussions and damage to brand
integrity.
Social and Personal Media: With the ubiquity of photo editing tools, personal photographs are
frequently manipulated, affecting personal relationships and social dynamics. While often benign, this
can also perpetuate unattainable ideals of lifestyle and appearance, contributing to broader societal
issues.
Conclusion
The ethical considerations in photo manipulation are complex and depend on the situation. As creators
of the digital arts, it's important to establish a moral framework that encourages creativity, honesty, and
141
“Photoshop Photo Manipulation Lesson”
139 | P a g e
responsibility when using powerful digital tools. This knowledge ensures that as artists or designers, we
positively impact the visual culture of our time by emphasizing the importance of truth and artistic
expression in digital images.142
Destructive Editing
Conversely, destructive editing involves making changes that directly alter or overwrite the original
image file. Once saved, these changes cannot be undone, which can limit flexibility in the editing
process. Key characteristics include:
• Permanence: Any adjustments made to the image (such as cropping, resizing, or applying filters)
permanently change the image pixels, which can be problematic if further adjustments are
needed later.
• Potential for Quality Loss: Each time the image is saved after making changes, it could degrade
in quality, especially in formats like JPEG, which are lossy by nature.
142
“Photoshop Photo Manipulation Lesson”
143
“Photoshop Photo Manipulation Lesson”
140 | P a g e
Examples of destructive editing include directly applying a filter or effect to the original image layer
without the option to adjust or remove the effect afterward.144
144
“Photoshop Photo Manipulation Lesson”
145
“Photoshop Photo Manipulation Lesson”
141 | P a g e
• BMP (Bitmap Image File): Stores color data for each pixel in the image without any compression.
Offers high quality at the cost of very large file sizes, making it less ideal for web use but good for
archival purposes.
• PSD (Photoshop Document): Adobe Photoshop’s native format stores an image with support for
most imaging options available in Photoshop, including layers, masks, and other editable
Photoshop properties.
146
“Photoshop Photo Manipulation Lesson”
142 | P a g e
Quick Tool Tutorial: Photo Composites in Adobe Photoshop
Here's a guide with basic instructions on accessing and using each
essential Adobe Photoshop tool for creating photo composites.
This tutorial will equip beginners with the necessary steps to
effectively utilize these tools in their digital artwork projects.
Image Placement
• Techniques for importing and arranging images.
• Access: Go to File > Place Embedded or Place Linked to
insert an image into your canvas.
• Usage: Navigate to the image file you want to use, select
it, and click "Place". Resize and reposition the image as
needed using the bounding box handles. Press "Enter" to
finalize the placement.
Layers
• Fundamentals of using layers to
build up composites.
• Access: Layers Panel (Window >
Layers if not visible).
• Usage: New layers can be created by
clicking the "New Layer" icon at the
bottom of the panel. You can drag
layers to reorder them, toggle
visibility using the eye icon, or adjust
their opacity and blending modes
using the dropdowns at the top of
the panel.
143 | P a g e
Masking with Selection Tools
• Techniques for precise image adjustments.
• Access: Use tools like the Lasso, Marquee, or Magic Wand from the toolbar to
make selections.
• Usage: After selecting, click the "Add Layer Mask" icon at the bottom of the "Selection Tools"
Layers Panel. This will mask the unselected parts of the layer, allowing you to
apply effects or adjustments to only the
selected area.
Layer Masking
• Non-Destructive Editing-Utilizing masks
and adjustment layers
• Access: Click the "Add Layer Mask" button
in the Layers Panel.
• Usage: With the mask selected (click on the
mask thumbnail in the Layers panel), use
the Brush tool (press B) to paint in black to
hide, white to reveal, and gray to partially
hide parts of the layer. Adjust the brush
opacity and flow for finer control. "Layer Masking Tools and Options"
Cloning
• The clone stamp tool is effective for seamless additions.
• Access: Select the Clone Stamp Tool from the toolbar or press S.
• Usage: Alt-click (Option-click on Mac) on the part of the image you wish to clone. Then
click and drag to paint the cloned area onto another part of the image. Adjust the brush
size, hardness, and opacity to blend the edges.
Blending Modes
• Select a layer in the Layers
panel.
• Click on the drop-down
menu next to "Normal" at
the top of the Layers panel.
• Choose a blending mode
(e.g., Multiply, Screen,
Overlay) to see how it
affects the layer’s
interaction with layers "Blending Modes in Photoshop"
below it.
• Link: Blending Modes Explained
144 | P a g e
Lighting Adjustments
• How to maintain consistent lighting across
composited images.
• Access: Add an Adjustment Layer by clicking the
"New Adjustment Layer" icon at the bottom of
the Layers Panel. Choose an option like
"Brightness/Contrast" or "Levels."
• Usage: Adjust the properties in the new layer to
modify the lighting of the image or selected area.
You can apply these adjustments to the entire
image or use a mask to affect only part of the
image.
These tutorials cover the basic tools and procedures for
creating professional-looking photo composites in Adobe
Photoshop. By mastering these techniques, you can
manipulate images creatively and effectively, achieving
artistic and realistic effects in your digital artwork.147 "Adjustment Layer Too Options"
Additional Resources
• Adobe’s Official Tutorials: Photo Manipulation
• Phlearn: How to Create a Simple Composite in Photoshop
• Phlearn: Welcome to 30 Days of Photoshop!
147
“Photoshop Photo Manipulation Lesson”
145 | P a g e
Practical Application
1. Create a composite of a fictional character, creature, alien, or monster.
2. Create a composite that combines elements of different landmarks into a fictional place.
3. Create a composite that combines steps 1 and 2 above.
148
“Photoshop Photo Manipulation Lesson”
146 | P a g e
Exercise 2: Creating a Composite that Combines Elements of Different
Landmarks into a Fictional Place
Objective: Merge parts of famous landmarks into a new, fictional location, i.e., futuristic, fantasy, realistic
environment, etc.
Materials Needed:
• Photoshop.
• Images of various landmarks.
Instructions:
• Image Collection: Choose images of landmarks that could interestingly be combined (e.g., the
Eiffel Tower with the pyramids).
• Creating a New Canvas: Set up your canvas in Photoshop.
• Placing Images: Import your landmark images.
• Extracting Elements: Use the Pen Tool or Magic Wand Tool to carefully select parts of each
landmark you wish to use.
• Layering and Positioning: Move each selection to a new layer and use the Move Tool and Free
Transform to position each element.
• Blending Techniques: Employ layer masks and the Brush Tool to blend the edges of each
landmark seamlessly.
• Lighting and Shadows: Adjust lighting using Adjustment Layers (Brightness/Contrast, Levels) to
match the lighting across different elements and add shadows for realism.
Learning Outcome: A fantastical place that creatively merges elements from real-world landmarks,
showcasing scale and perspective manipulation skills.149
149
“Photoshop Photo Manipulation Lesson”
147 | P a g e
Exercise 3: Composite that Combines Steps 1 and 2
Objective: Integrate the fictional character created in Exercise 1 into the fictional place from Exercise 2.
Materials Needed:
• Photoshop.
• Composites from Exercises 1 and 2.
Instructions:
1. Integration: Open your fictional place composite. Use File > Place Embedded to import the
creature composite as a new layer.
2. Scaling and Positioning: Position the character within the environment using the Move Tool and
Free Transform.
3. Adjusting Perspective: Ensure the character fits into the landscape by adjusting the perspective
(Edit > Transform > Perspective).
4. Refining Interaction: Use layer masks, the Clone Stamp, and the Brush Tool to blend the
character into the scene, particularly focusing on how the character interacts with its
environment (e.g., shadows, footprints).
5. Environmental Effects: Add environmental effects like fog or lighting to unify the scene using
Adjustment Layers and the Brush Tool on low opacity.
6. Final Adjustments: Review and adjust color balance, saturation, and contrast to ensure the
entire scene is cohesive.
Outcome: A fully integrated scene where the fictional character naturally inhabits the constructed
landmark environment, demonstrating advanced skills in composite creation and environmental
integration. These exercises will bolster your Photoshop skills and encourage creative thinking and
problem-solving in digital art composition.150
150
“Photoshop Photo Manipulation Lesson”
148 | P a g e
Portfolio Project: Thematic Digital Art Series
Learning Outcome:
You will create a cohesive digital composite series of images (3-5) that share a unified theme and a
specific purpose or function of art. This project will assess your ability to conceptualize, execute, and
present a thematic art series, applying technical skills and artistic principles acquired throughout the
course.
Project Purpose and Function:
Each composite should express one of the following purposes or functions of art:
• Delight
• Self-expression
• Commentary
• Persuasion
• Ritual and worship
• Commemoration
Project Theme:
Choose a specific art theme that will unify your series. Themes may include, but are not limited to:
• Transformation
• Conflict and Resolution
• Harmony in Nature
• Technological Impact on Society
Instructions:
Develop 3 photo composites demonstrating various purposes and themes discussed during the course.
Each composite should adhere to a narrative or concept, showcasing skills in authenticity, composition,
and technical execution.
1. Conceptualization:
a. Select your overarching theme and decide on the function of each composite.
b. Sketch preliminary ideas or create mood boards to organize concepts and visual
elements.
c. Research and gather resources, ensuring all images are copyright compliant or your own
photography.
2. Construction:
a. Create a new Photoshop project for each composite.
b. Begin by placing your background elements and progressively adding layers for the
foreground and focal points.
149 | P a g e
c. Use various selection tools to cleanly isolate elements to be included in your
composites.151
3. Editing:
a. Apply adjustment layers for color correction and lighting to ensure a cohesive look
across all images.
b. Use masking techniques to blend layers seamlessly, focusing on edge refinement and
shadow consistency.
c. Enhance details using the Brush and Clone tools for a polished appearance.
4. Final Cut:
a. Review each composite for artistic impact and alignment with the intended purpose and
theme.
b. Make final adjustments based on feedback or self-assessment.
c. Prepare a presentation of your series, explaining the concept, process, and artistic
choices.
Evaluation Criteria:
1. Creativity and Originality: Innovative approach and unique perspective in the theme and
narrative construction.
2. Technical Proficiency in Using Photoshop Tools: Skilled application of Photoshop tools, including
layers, masks, selection tools, and non-destructive editing techniques.
3. Ability to Convey a Narrative or Theme Through Visual Elements: Effectively communicate the
chosen theme and purpose through the visual composition and elements.
4. Quality of Non-Destructive Editing Techniques Used: Proficiency in applying non-destructive
editing methods to enhance the integrity and flexibility of the digital artwork.
151
“Photoshop Photo Manipulation Lesson”
152
“Photoshop Photo Manipulation Lesson”
150 | P a g e
Lesson 4 – Digital Painting & Drawing
“Raster Graphic Exercises” by Art 20A students are used with permission.
Learning Objectives
By the end of this lesson, you will be able to:
1. Understand the fundamentals of digital painting and drawing, including color theory.
2. Familiarize with basic Adobe Photoshop tools used for painting and drawing.
3. Apply digital tools for painting, drawing, and non-destructive editing.
4. Gain proficiency in saving, exporting, and understanding file formats for digital artwork.
Materials List
• Computer with Adobe Photoshop Installed and Internet Access
• Reference Photograph (from your photo library)
• Drawing Tablet & Styles: Used for precise control of drawing and painting tools
• External Storage Device: USB drive or cloud storage
• Color printer for printing final images
• Mounting Materials (appropriate for the type of artwork needing to be displayed)
151 | P a g e
What is Digital Painting and Drawing?
Digital painting and drawing involve creating artwork using digital tools and software, primarily on a
computer or tablet. Unlike traditional methods, where artists use physical materials like paint, pencils,
and paper, digital art utilizes pixels, brushes, and layers to build images. Adobe Photoshop is one of the
most powerful and widely used tools for digital art, offering a vast array of features that allow artists to
create anything from simple sketches to complex, photorealistic paintings.
Digital Painting
Digital painting mimics traditional techniques using tools that simulate brushes, canvases, and paints.
This fluid and expressive approach focuses on color blending, shading, and texturing. Artists use digital
brushes, smudge tools, and textured brushes, often within software like Adobe Photoshop, Corel Painter,
and Procreate. The result is rich, detailed, and textured artwork ranging from realistic to highly stylized.
Digital painting is ideal for concept art, book illustrations, fine art, and backgrounds for animations and
games. 153
Digital Drawing
Digital drawing emphasizes line work, outlining, and detailed rendering. This approach is structured with
a focus on clean lines, precise shapes, and clear contours. Tools include digital pencils, pens, and vector
drawing tools, typically used in software like Adobe Photoshop/Illustrator, Inkscape, and Procreate. The
style is clean, sharp, and well-defined, making it suitable for cartoons, comics, graphic novels, character
design, storyboarding, and graphic design. Digital drawing is effective for creating clear, impactful images
often used in branding, advertising, and editorial illustrations.154
Kye Differences Summarized
• Technique: Digital painting focuses on color blending and texture, while digital drawing
emphasizes precise line work.
• Tools: Painting uses brushes and blending tools while drawing relies on pencils, pens, and vector
tools.
• Style: Painting is fluid and textured; drawing is clean and defined.
• Applications: Painting suits detailed, expressive works; drawing suits clear, structured
illustrations.
153
“Art 20 LP Dgital Painting” Chat GPT 4.o, Open AI, 23 May 2024, URL: https://chatgpt.com/share/063a050b-
6803-4948-9707-baed26b53bd5
154
“Art 20 LP Digital Painting”
152 | P a g e
Understanding these differences helps you decide which method best fits your artistic needs. Both digital
painting and drawing offer unique creative possibilities, allowing you to explore and develop your artistic
skills in diverse ways.
155
“Art 20 LP Digital Painting”
156
“Art 20 LP Digital Painting”
153 | P a g e
In the digital age, these traditions blend with digital tools. Artists use tablets and software like Adobe
Photoshop to mimic traditional media digitally, offering benefits like unlimited edits and custom brushes.
For example, Craig Mullins combines traditional painting techniques with digital tools to create realistic
concept art for films and games. Digital printmaking allows precise color control and reproducibility, as
seen in Shepard Fairey's iconic "Hope" poster.
Raster Graphics
Raster graphics, or bitmap graphics, are digital images made up of a grid of pixels. Each pixel contains
specific color information, combining to form a cohesive image when viewed from a distance. These
images are resolution-dependent, meaning their clarity and detail depend on the number of pixels per
inch (PPI) or dots per inch (DPI). Raster graphics are essential for creating detailed and realistic digital
paintings and drawings where color accuracy and precise rendering are crucial.
This fusion of traditional craftsmanship with digital innovation expands artistic possibilities, merging
historical techniques with modern technology to shape contemporary art.
Color Harmony
Color harmony involves combining colors in a way that is
pleasing to the eye. Some common harmonious schemes
0"The Color Wheel" by Kristen R. Kennedy is
include:
licensed CC-By 4.0
157
“Art 20 LP Digital Painting”
158
“Art 20 LP Digital Painting”
154 | P a g e
• Analogous Colors: These are next to each other on the color wheel (e.g., blue, blue-green, and
green). They create serene and comfortable designs. For example, a forest scene might use
various shades of green and blue-green.
• Complementary Colors: These are opposite each other on
the color wheel (e.g., red and green, blue and orange). They
provide high contrast and make each other stand out. For
instance, a sunset scene can be enriched with the
complementary colors of orange and blue.
• Triadic Colors: This scheme uses three colors evenly spaced
around the color wheel (e.g., red, yellow, and blue). It offers
a vibrant yet balanced contrast. A carnival scene might
utilize triadic colors to convey excitement and energy.159
Color Temperature:
• Warm Colors: Reds, oranges, and yellows evoke warmth and
energy. An example is a warm, inviting fire. "Complimentary Color Wheel" (Opposite Color
on the Wheel) is licensed CC By-4.0
• Cool Colors: Blues, greens, and purples create a calming and
soothing effect. A calm ocean scene can be enhanced using cool colors.
159
“Art 20 LP Digital Painting”
155 | P a g e
Mixing Techniques in Digital Painting
Using the Color Picker
Photoshop’s Color Picker is a powerful tool that enables
precise color selection and adjustment of hue, saturation,
and brightness (HSB).
To access the Color Picker, simply click on the
foreground color swatch located in the toolbar. This
tool provides a comprehensive way to manipulate
and fine-tune colors for your design needs. Whether you're
creating digital art, editing photos, or working on graphic
design projects, mastering the Color Picker in Photoshop is "Screenshot of Photoshop’s Color Picker"
essential for achieving the perfect color palettes and ensuring visual cohesion across your work.
Brush Settings
The Brush Settings panel in Adobe Photoshop is a powerful
tool that allows artists to customize and control the
behavior of brushes for painting, drawing, and other
creative tasks. It offers a wide range of options to fine-tune
the appearance, texture, and dynamics of brush strokes.
Here are some key features and settings available in the
Brush Settings panel:
• Brush Tip Shape: Adjust the shape, size, and
hardness of the brush tip.
• Spacing: Controls the distance between brush
marks for smooth or dotted strokes.
• Shape Dynamics: Adds variation to size and angle "Brush Settings Panel in Photoshop" Screenshot
based on input like pen pressure.
• Scattering: Spread brush marks randomly for textured effects.
• Texture: Applies a texture to strokes, mimicking different surfaces.
156 | P a g e
• Dual Brush: Combines two brushes for unique patterns.
• Color Dynamics: Varies color properties like hue and brightness during strokes.
• Transfer: Controls opacity and flow for smoother blending.
• Brush Pose: Adjusts brush behavior based on stylus tilt and rotation.
• Brush Presets: Save and use custom brush settings
Brush Tool Options Menu
The Brush Tool Options menu in Adobe Photoshop provides a set of controls and settings specifically for
the Brush tool. Located in the Options bar at the top of the workspace, this menu allows users to fine-
tune the behavior and appearance of their brush strokes. Here's a brief overview of the key options
available in this menu:
• Brush Preset Picker: A dropdown menu that lets users select from saved brush presets, including
custom and default brushes.
• Brush Size: Allows for quick adjustment of the brush size using a slider or by entering a
numerical value.
• Brush Hardness: Controls the sharpness of the brush's edges, ranging from soft (blurred edges)
to hard (sharp edges).
• Opacity: Sets the transparency level of the brush stroke. Lower opacity results in more
transparent strokes.
• Flow: Determines the rate at which paint is applied, affecting the build-up of color. Lower flow
settings allow for more gradual build-up.
• Smoothing: Controls the smoothness of brush strokes. Higher values reduce jitter for cleaner
lines.
• Blending Modes: Offers various modes for blending brush strokes with underlying layers, such as
Normal, Multiply, Screen, etc.
• Pressure Sensitivity (for tablet users): Options like opacity and size can be dynamically
controlled by pen pressure when using a stylus and tablet.
These options provide essential controls for customizing brush behavior, enabling artists to achieve a
wide range of artistic effects and precision in their work.
157 | P a g e
Blending Modes: Overlay enhances the contrast of the colors by blending them in a way that multiplies
dark tones and screens light tones. Multiply darkens the base color by multiplying it with the blend color,
resulting in a darker overall color. Screen lightens the base color by multiplying the inverse of the blend
and base colors. Soft Light and Hard Light add subtle or strong light effects to the base layer, depending
on the blend color.
Opacity and Flow: Adjusting the Opacity of a brush or layer controls the transparency of the color,
allowing underlying colors to show through and blend. Flow controls the rate of color application,
enabling more gradual color build-up and smoother transitions.
Layer Masks: Use layer masks to blend colors smoothly by painting with black or white to reveal or hide
parts of a layer. This technique is often used for seamless transitions and gradient effects.
Gradient Tool: The Gradient Tool creates a gradual transition between two or more colors. This tool can
be customized with different gradient types (linear, radial, angular, etc.) and color stops.
Brush Techniques:
• Soft Brushes: Create smooth color transitions and blend colors naturally by using soft, low-
opacity brushes.
• Smudge Tool: Blurs and smears colors together, mimicking the effect of physically mixing paint
on a canvas.
Color Dynamics: Adjust the settings in the Brush Settings panel to introduce variability in hue, saturation,
and brightness, simulating the mixing of colors as you paint.
Dodge and Burn: The Dodge Tool lightens, and the Burn Tool darkens specific areas, helping to create
highlights and shadows, which can subtly alter the perceived color blending.
Mixer Brush Tool: The Mixer Brush Tool simulates real-life painting techniques, allowing you to blend
colors on the canvas. You can control the wetness, load, and mix of the brush, making it ideal for realistic
color blending and mixing.
These techniques, when used skillfully, can enhance the depth, realism, and visual interest of digital
artwork. They provide artists with the flexibility to experiment with color and achieve the desired effect
in their compositions.160
Gradient Tool
The Gradient Tool is a powerful feature that allows you to create smooth color transitions, making it
ideal for creating backgrounds and skies in your designs. To access the Gradient Tool, you can find it in
the toolbar, and then choose the specific type of gradient you want to use from the options bar. This tool
gives you the ability to add depth and dimension to your designs by seamlessly blending colors.
Color Adjustments
Color adjustments in Adobe Photoshop refer to the various tools and techniques used to modify the
colors in an image. These adjustments can alter the overall tone, contrast, brightness, and color balance,
helping to enhance, correct, or creatively manipulate the visual appearance of an image. Here are some
key color adjustment tools and techniques in Photoshop:
160
“Art 20 LP Digital Painting”
158 | P a g e
• Hue/Saturation: Modify the image's hue, saturation, and lightness or selected areas (Image >
Adjustments > Hue/Saturation).
Brightness/Contrast: Adjusts the lightness (brightness) and the difference between the lightest and
darkest parts (contrast) of an image.
Levels: Alters the tonal range and color balance of an image by adjusting the shadows, midtones, and
highlights. The Levels adjustment has a histogram that represents the distribution of tones.
Curves: Provides more precise control over the tonal range of an image. The Curves tool allows users to
adjust the brightness and contrast of specific tonal ranges by manipulating points on a curve.
Exposure: Adjusts the exposure level, offset, and gamma correction, helping to correct overexposed or
underexposed images.
Hue/Saturation: Modifies the hue (color), saturation (intensity), and lightness of colors in an image. This
tool allows for both global adjustments and targeting specific color ranges.
Color Balance: Adjusts the color balance of shadows, midtones, and highlights to correct color casts or
create a specific mood by shifting colors.
Vibrance: Enhances the saturation of less saturated colors more than already saturated colors, providing
a more natural color boost. It also includes an overall saturation adjustment.
Selective Color: Fine-tunes specific colors in an image by adjusting the percentage of primary colors
(Cyan, Magenta, Yellow, and Black) within those colors.
Black & White: Converts a color image to grayscale while allowing for individual adjustment of how each
color is represented in grayscale.
Photo Filter: Applies color filters to an image to create warming or cooling effects, simulate traditional
photographic filters, or creatively alter the image's color tone.
11. Channel Mixer: Adjusts the color channels (Red, Green, Blue) to create custom mixes, which can be
useful for converting images to black and white or creating specific color effects.
12. Color Lookup: Applies color grading presets (LUTs) to an image, which can be used for cinematic
color grading or consistent color styling.
13. Gradient Map: Maps the tonal values of an image to a gradient, allowing for creative color effects by
replacing the image's tones with colors from the gradient.
These tools are essential for photographers, digital artists, and designers, offering a wide range of
possibilities for color correction, enhancement, and creative expression. By mastering these
adjustments, users can significantly improve the visual quality and impact of their images.
Example: Painting a Forest
1. Palette Selection: Choose analogous colors like shades of green and blue-green.
2. Layering: Paint the background trees on a separate layer using darker greens.
3. Blending: Use the Smudge Tool to soften transitions between tree layers.
4. Highlights: Add lighter green highlights where sunlight hits the leaves.
5. Final Adjustments: Apply a slight Gaussian Blur to the background for depth and use the Color
Balance adjustment to unify the color scheme.
159 | P a g e
Mastering these color theory principles and mixing techniques allows you to create vibrant, dynamic
digital paintings that effectively convey mood, depth, and atmosphere. Regular practice in Photoshop
will enhance your skill and confidence as a digital artist.161
Using Layers
• Open the Layers panel by selecting Window > Layers from the top menu.
• Create a new layer by clicking the "New Layer" icon at the bottom of the panel or pressing
Ctrl+Shift+N (Cmd+Shift+N on Mac).
• Drag layers up or down in the layers panel to reorder them.
• Double-click a layer name to rename it for better organization.
• Link: How to Use Layers for Digital Painting
Blending Modes
• Select a layer in the Layers panel.
• Click on the drop-down menu next to "Normal" at the top of the Layers panel.
• Choose a blending mode (e.g., Multiply, Screen, Overlay) to see how it affects the layer’s
interaction with layers below it.
• Link: How To Paint With Blend Modes
• Link: Blending modes explained for digital colorists
• Link: Blending Modes Tutorial
161
“Art 20 LP Digital Painting”
160 | P a g e
• Adjust the flow in the options bar to control the intensity of the brush strokes.
• Link: Opacity vs Flow vs Fill in Photoshop Explained
161 | P a g e
o Link: Clone Stamp Tool
162
“Art 20 LP Digital Painting”
162 | P a g e
Additional Resources
Adobe Help Tutorials
• About Drawing: Understand shapes and paths
• Painting Tools: About painting tools, presets, and options
• Create and Modify Brushes
• Paint with the Mixer Brush
• Brush Presets
• Draw with the Pen tools
• Draw or paint with a graphics tablet
Free Digital Painting Software
Here are some recommended free digital art software options for digital painting and drawing:
• Krita - Krita is a powerful and open-source program suitable for digital painting and sketching. It
offers a variety of brushes and tools designed for artists and illustrators.
• GIMP - GIMP (GNU Image Manipulation Program) is a free and open-source raster graphics
editor. While it's known more for photo editing, it also supports digital painting and offers a
range of painting tools.
• MediBang Paint - MediBang Paint is a free digital painting and comic creation software. It
includes various brushes, textures, and comic templates, making it suitable for creating
illustrations and manga.
• FireAlpaca - FireAlpaca is a free digital painting tool and comic/manga creation software. It's
lightweight and offers essential tools for drawing, painting, and adding effects.
• Inkscape - Inkscape is a free and open-source vector graphics editor. While primarily for vector
graphics, it can be used for digital drawing and illustration, especially for creating scalable
artwork.163
163
“Art 20 LP Digital Painting”
163 | P a g e
Practical Application
Exercise 1: Transforming a Circle into a Sphere in Photoshop
Learning Objective: Learn to use the Brush tool in Photoshop to apply basic shading techniques, turning
a circle into a three-dimensional sphere.
Instructions:
1. Set Up Your Canvas:
o Open Photoshop and create a new document
(800x800 pixels).
o Set Color Mode to CMYK.
o Leave canvas background white.
2. Create a Circle
o Use the ‘Ellipse Tool’ to draw a perfect circle in
mid-tone gray (#808080).
o Adjust the size and space around the circle to
leave enough room for a cast shadow.
"Sphere" DALL-E 4.0, AI-generated Image, by
3. Prepare Layers: Kristen R. Kennedy
164 | P a g e
Exercise 2: Two Value Portrait Using Color Contrast in Photoshop
Learning Objective: You will learn to create a two-value portrait through the distillation technique using
two contrasting colors. This exercise focuses on painting shapes of contrasting colors to define form and
depth without adjusting opacity or flow and without using drawn lines. Materials: Digital photo of a
portrait (you can use a photo of yourself or someone else).
Complete the following Steps:
1. Setup Your Workspace:
o Open Photoshop and import the chosen
portrait into a new document.
o Create two new layers above the original
portrait layer. Name them "Light Value Layer"
and "Dark Value Layer."
2. Cover the Entire Canvas:
o Choose which value will dominate the
background. If using the dark value, fill the
"Dark Value Layer" with a dark, cool color like
blue using the ‘Paint Bucket Tool.’
o Alternatively, if starting with a light value, fill
the "Light Value Layer" with a light color like
light blue or warm amber.
"Two-Value Portrait" by Art-20A student is used
3. Define Positive Space by Painting Shapes: with permission.
o Select the layer opposite your background color. If the background is dark, work on the
"Light Value Layer" and vice versa.
o Use the Brush Tool with contrasting colors to paint shapes that define the light or dark
values on the face. Focus on painting areas where light naturally highlights or shadows
form, such as the forehead, cheekbones, and nose bridge for light values or under the
chin and neck for dark values.
o Avoid drawing lines; instead, build up the form through the accumulation and
interaction of painted shapes.
o Apply the shapes of color without adjusting the brush's opacity or flow, ensuring the
colors are fully opaque.
4. Refine Shapes:
o Use a hard round brush for more precise application in the positive space, adjusting the
size as needed.
o Ensure that transitions between the two colors are clean and deliberate, reflecting the
stark contrast between positive and negative shapes/space necessary for this exercise.
o Smooth transitions where colors meet by using the Eraser Tool.
5. Critique and Reflection: Save your completed portraits and prepare for a class presentation.164
164
“Art 20 LP Digital Painting”
165 | P a g e
Exercise 3: Three Value Distillation of a Landscape in Photoshop
Learning Objective: Learn to simplify a landscape into three values using either two lighter values and
one dark value or two darker values and one light value. This exercise emphasizes the importance of
value contrast and hue choice for creating depth and dimension. Materials: Use the same image
Complete the following Steps:
1. Set Up Your Canvas:
o Open Photoshop and import the chosen
image into a new document,
o Create three new layers above the original
landscape layer, naming them
"Background," "Mid-Ground," and
"Foreground."
2. Choose Your Colors: Decide whether to use two
lighter values and one dark value or two darker
values and one light value. Choose hues that
complement each other.
o Example: Choose a dark brown, a dark
blue, and a light blue.
3. Cover the Entire Canvas with Value 1
o Select the "Background" layer.
o Fill the entire canvas with Value 1 (light "Three-Value Portrait" by Art-020A student is used
blue) using the ‘Paint Bucket Tool.’ with permission.
4. Define Mid-Ground Elements with Value 2
o Select the "Mid-Ground" layer.
o Use the Brush Tool with Value 2 to paint mid-ground shapes in the landscape. Focus on
the areas between the background and the foreground.
o Paint shapes without using lines, allowing the contrast between Value 1 and Value 2 to
define the elements.
5. Define Foreground Elements with Value 3
o Select the "Foreground" layer.
o Use the Brush Tool with Value 3 to paint shapes representing the foreground elements
of the landscape. These should be the elements closest to the viewer.
o Again, do not use lines; use the contrast between Value 2 and Value 3 to define these
elements.
6. Refine Shapes
o Use a hard round brush to apply the colors precisely where needed.
o Ensure transitions between the three values are clean and deliberate, reflecting the
structure of the landscape.
7. Critique and Reflection: Save your completed image and prepare for a class presentation.165
165
“Art 20 LP Digital Painting”
166 | P a g e
Portfolio Project: Digital Painting or Illustration
Learning Objective: The final project aims to demonstrate your mastery of the techniques learned
throughout the course. This includes your ability to use Adobe Photoshop tools effectively, your
understanding of color theory and composition, and your personal creativity in bringing the theme to
life.
Instructions
You will create a digital painting, cartoon, or comic illustration based on a given theme or subject matter,
showcasing your understanding of digital painting basics, utilization of Adobe Photoshop tools, and
creativity in interpreting the assignment theme.
Complete the following steps:
1. Theme Selection: Each student will choose from one of the following themes for their digital
painting, cartoon, or comic illustration:
• Nature Landscape: Create a digital painting that captures the beauty and complexity of a
natural landscape.
• Sci-Fi Concept Art: Design a futuristic or imaginative scene, character, or environment
that fits within the science fiction genre.
• Character Design Study: Develop a detailed character design, including the character's
pose, expression, and background story.
• Political Cartoon: Create a cartoon that comments on a current political issue, using
satire and visual storytelling to convey your message.
• Comic Illustration: Illustrate "A Day in the Life of Me," depicting a personal or fictional
day in a comic strip format (3-5 panels).
2. Project Requirements:
• Canvas Size: Minimum 1920x1080 pixels
• Resolution: 300 dpi
• Color Mode: RGB
3. Techniques to Incorporate:
• Layer Management: Use multiple layers to separate elements of your artwork
(background, midground, foreground).
• Brush Tool: Utilize various brush presets and settings to create different textures and
effects.
• Blending Modes: Apply different blending modes to achieve realistic lighting and
shading.
• Color Adjustments: Use adjustment layers (Hue/Saturation, Color Balance, Curves) to
refine colors and contrast.
• Masking: Employ layer masks for non-destructive editing.
4. Steps to Follow:
1. Research and Inspiration:
o Look at the provided examples and gather additional references related to your chosen
theme.
o Examples created by Digital Painting Artists:
167 | P a g e
▪ "Digital Nature Landscape" by Artist A
▪ "Sci-Fi Concept Art" by Artist B
▪ "Character Design Study" by Artist C
2. Sketch and Composition:
o Start with a rough sketch to plan the composition and layout of your artwork.
o Use basic shapes and guidelines to establish the overall structure.
3. Base Colors and Layers:
o Apply base colors to different parts of your artwork, separating elements into different
layers.
o Focus on creating a cohesive color palette that suits your theme.
4. Details and Texturing:
o Gradually add details and textures to your artwork, refining each layer.
o Use custom brushes and textures to add depth and realism.
5. Lighting and Shading:
o Apply lighting and shading techniques to create a sense of depth and dimension.
o Experiment with blending modes to achieve realistic lighting effects.
6. Final Adjustments and Polishing:
o Make final adjustments to colors, contrast, and overall composition.
o Ensure that all elements are well-integrated, and the artwork looks cohesive.
Evaluation Criteria:
• Technical Skill: Demonstrates proficiency in using Adobe Photoshop tools and techniques.
• Creativity: Shows originality and creativity in interpreting the theme.
• Composition: Effectively organizes elements within the artwork to create a balanced and visually
appealing composition.
• Detail and Texture: Applies details and textures skillfully to enhance the realism and depth of
the artwork.
• Overall Presentation: Presents a polished and professional final piece that meets the project
requirements.
Submission:
• Save the final artwork as a PSD file to preserve layers.
• Export a high-resolution JPEG or PNG file for submission.
• Include a brief artist statement explaining your concept, process, and the techniques used.
Deadline:
• The project is due [Insert Due Date].
By completing this summative portfolio project, you will not only demonstrate their technical skills and
creative abilities but also gain valuable experience in developing a finished digital painting, cartoon, or
comic illustration from concept to completion.
168 | P a g e
Lesson 5 – Time-Based Art
“Imposter Syndrome” by Art-020A student Elizabeth ‘One Day” by Art-020A student Joseph D. is used with
Hines is used with permission. permission.
Learning Objectives
By the end of this lesson, you will be able to:
1. Gain foundational knowledge of Time-Based Media, including its history and impact on
contemporary art.
2. Develop basic technical skills in video editing, animation, and sound editing.
3. Enhance critical thinking and analytical skills to evaluate Time-Based Media works.
4. Experiment with creating Time-Based Media projects using digital tools and techniques.
Time-Based Assignments
Duration: 3 Weeks (6 sessions, 2.5 hours per session)
• Exercises:
o Script & Story Board Design
o Filming/Animating (Live-action, Stop Motion, Video/Photo Montage, Photoshop
Animation, Timelapse)
o Editing (sequencing, music, accessibility)
• Portfolio Project: 60-Second Video
o Example: Video or Photo Montage of Personal Expression
o Animation (stop motion, Photoshop Animate - Delight)
o Live Action Documentary (Commentary)
o Your Choice Combo (TB-style, Purpose/Function, and theme)
Materials List
• Computers with Adobe Premiere Rush
• Digital cameras and tripods
• Smartphones with high-quality cameras
• Basic lighting kits for filming
• Microphones and audio recording devices
• Headphones or speakers for sound editing
• Sketchbooks and art supplies for storyboarding
169 | P a g e
Introduction to Time-Based Media
Definition and Scope
Time-Based Media (TBM) is a type of art that is experienced over time, using dynamic sequences to
engage the audience. It includes video art, digital animation, sound art, and interactive installations.
Unlike traditional static art forms like painting or sculpture, TBM requires viewers to engage with the
artwork over time due to its dependence on the temporal unfolding of content and narrative.
Time-Based Media covers creating and editing videos and sounds using various technologies. It allows
artists to explore narrative, motion, and time in ways that static art forms cannot. This kind of media
often combines video, audio, and interactive elements to create immersive experiences.
166
“Time-Based Media Course Plan” Chat GPT 4.o, Open AI, URL: https://chatgpt.com/share/c7cf29ef-1aa4-42c0-
b8d2-4fbad1880738
170 | P a g e
technologies, setting the stage for a revolutionary way of experiencing visuals. However, it was not until
the 1960s and 70s that artists explicitly started to embrace film and video as art forms, separate from
cinema intended for mass entertainment. This period saw the rise of artists like Nam June Paik and Bill
Viola, who began experimenting with video art, exploring its potential for personal expression and
manipulation of time and space in ways that traditional cinema had not.
Technological Advancements
The development of technology has been crucial in shaping Time-Based Media. Initially, film's limitations
restricted its use to commercial or highly experimental contexts. The introduction of portable video
cameras and later digital cameras democratized the medium, making it easier for artists and amateurs to
create and manipulate video content.
Computer technology and software development have greatly expanded what's possible in Time-Based
Media. Programs like Adobe Premiere and After Effects have made advanced video editing and effects
available to more people. Digital platforms have also changed how Time-Based Media is shared and
consumed, letting artists reach global audiences online.
Educational Implications
For digital arts, understanding the historical and technological evolution of Time-Based Media is
essential. It provides critical insights into how technological innovations can drive artistic innovation and
how artists can leverage these tools to push the boundaries of what art can communicate and how it can
affect its audience.168
167
“Time-Based Media Course Plan”
168
“Time-Based Media Course Plan”
171 | P a g e
Digital Tools and Techniques
Video Art Software
The field of Time-Based Media is greatly influenced by digital tools that enable the creation,
manipulation, and sharing of dynamic content. Key software includes Adobe Premiere Rush for user-
friendly video editing, Adobe After Effects for intricate animations and visual effects, Photoshop with
Animate extension for frame-by-frame animation, and Audacity for audio editing. These tools offer a
complete suite for artists to explore and create advanced multimedia projects.
Key Techniques
The techniques employed in Time-Based Media software are diverse and cater to the varied aspects of
video, sound, and animation production:
• Video Editing: Using Adobe Premiere Rush, you will learn how to cut, splice, alter, and enhance
video clips to create cohesive and visually engaging narratives.
• Animating: With After Effects and Photoshop Animate, you can create detailed animations that
add depth and movement to your artwork.
• Sound Editing: Audacity offers tools to manipulate audio tracks, synchronize sound with visual
elements, and enhance the auditory experience of the media.
Alternative Free Software Programs
For those seeking alternatives to Adobe Premiere Rush, several free software options can also provide
excellent video editing capabilities:
• DaVinci Resolve: Offers professional-grade editing, color correction, and audio post-production.
• HitFilm Express: Combines video editing with visual effects, making it suitable for more complex
projects.
• OpenShot: A straightforward and easy-to-use editor, ideal for simple projects.
• Shotcut: An open-source, cross-platform editor with a variety of features, including audio and
video filters.
172 | P a g e
Integrating Both Processes
Effectively integrating scripting and storyboarding ensures visual elements align with the narrative,
providing a cohesive viewing experience. Constantly refer to your script while developing your
storyboard to keep both components in sync. This practice streamlines production and enriches the
storytelling, making your final project more engaging and impactful. Mastering these foundational
techniques enables you to effectively convey stories that captivate and resonate with audiences.
169
“Time-Based Media Course Plan”
173 | P a g e
animation. Which can be seen in works ranging from simple explainer videos to intricate scenes
in movies like Avatar. 170
Video/Photo Montage Creation
Montages are powerful storytelling tools that combine multiple video clips or photographs to tell a
cohesive story or convey a message.
• Sequencing: Effective montages use images in logical and emotional sequencing to build a
narrative.
• Transitions: Smooth transitions between clips are crucial for maintaining the flow of the
montage and keeping the audience engaged.
• For Example, creating a montage of city life by sequencing clips that transition smoothly from
daytime hustle to the quiet of the night, effectively showcasing the city’s range of emotions and
activities.
Timelapse Photography
Timelapse Photography captures extended events in a condensed timeframe, making it perfect for
showing natural processes or illustrating the progression of a construction project. An example might be
a timelapse of a building being constructed over several months, compressed into a few minutes to
highlight the project’s development stages.
Timelapse is a technique that captures long-term events or processes in a condensed form, ideal for
showing the passage of time.
• Setup: Consistent camera placement and exposure settings are vital to ensure the continuity of
images.
• Interval Settings: Choosing the right interval between shots depends on the event's duration and
the final video's desired length.
Remember to apply these techniques in different projects. For example, you can use live-action filming
and digital animation to enhance scenes in a short film. Additionally, consider using stop motion for
abstract storytelling or to bring inanimate objects to life, and use timelapse photography to document
changes over a semester.
Conclusion
Mastering diverse filming and animating techniques will enhance technical skills and expand creative
storytelling capabilities. Each technique offers unique ways to engage with audiences—whether through
the realism of live-action, the imaginative potential of animation, or the dramatic effect of timelapse. As
proficiency grows, integrating these techniques into time-based media projects will make artistic
expressions more impactful and engaging.
170
“Time-Based Media Course Plan”
174 | P a g e
• Structure: Create a clear structure with an introduction, body, and conclusion.
• Key Points: List the main topics or steps to cover. For example, if demonstrating a painting
technique, outline the materials needed, steps to follow, and tips for success.
Step 2: Storyboard Design
• Visual Layout: Sketch or digitally design a storyboard to plan the visual flow of the video. This
includes camera angles, transitions, and key visual elements.
• Scene Breakdown: Break down the video into scenes, noting important shots and their
corresponding audio or dialogue.
Step 3: Basic Filming Techniques
• Live Action:
o Lighting: Use soft, even lighting to highlight art pieces without causing glare.
o Camera Angles: Experiment with various angles to best showcase the artwork and
artist's process.
• Stop Motion:
o Setup: Use a steady tripod and consistent lighting. Plan incremental movements to
animate a static scene.
o Consistency: Ensure consistent lighting and camera positioning throughout the shoot to
maintain visual continuity.
• Animation (Mini Photoshop Tutorial):
o Basics: Use Adobe Photoshop to create simple animations by manipulating layers and
frames. For example, animate a brushstroke to demonstrate a painting technique.
o Exporting: Export animations as video files or GIFs to integrate them into your Premiere
Rush project.171
Design Process
Editing is a critical phase in the creation of time-based media projects, such as films, animations, and
videos. It involves refining and assembling raw footage to create a cohesive and engaging final product.
The editing process shapes the narrative, sets the pace, and enhances the overall emotional and visual
experience. This section outlines key aspects of the editing process, including sequencing, music
integration, and accessibility features, and culminates with a practical application in a capstone
project.172
Sequencing
Sequencing is the art of arranging video clips in a logical and emotionally resonant order. It involves
carefully selecting and organizing footage to tell a story or convey a message.
171
“Time-Based Media Course Plan”
172
“Editing Art Videos Guide” ChatGPT 4.o, Open Ai, 5 Aug 2024, URL: https://chatgpt.com/share/d576d486-f804-
4900-946b-c2cf7e3284d3
175 | P a g e
Key Elements in Video Editing
• Ordering Clips: Determine the chronological or thematic flow of the narrative. Consider the
progression of events, character development, and thematic arcs.
• Cut Types: Explore different types of cuts, such as straight cuts, jump cuts, and crossfades. Each
type serves a unique purpose, from creating a smooth transition to emphasizing a sudden
change.
• Timing and Rhythm: Control the pacing of the video to maintain viewer interest. Use longer
shots for contemplative moments and quick cuts for dynamic scenes. Rhythm, influenced by the
duration of shots and transitions, plays a vital role in establishing the tone and mood.
List of Definitions for Cut Types in Video Editing
• Straight Cut: A straightforward transition from one shot to the next without any effects or
transitions. It is the most basic and common cut, used to move from one scene to another
seamlessly.
• Jump Cut: A cut that jumps forward in time within the same shot. This abrupt transition creates
a jarring effect, often used to show the passage of time or to add a sense of urgency or
disorientation.
• Cross Cut (Parallel Editing): A technique that cuts between two or more scenes happening
simultaneously in different locations. This cut type is used to build suspense, compare actions, or
show parallel events.
• Match Cut: A cut that matches two visually similar shots, either in composition, motion, or
thematic elements. This technique is often used to create a visual connection between scenes or
to transition smoothly.
• Cutaway: A cut that shifts away from the main action to show related, secondary footage. It
provides additional context or details, often used to avoid continuity errors or emphasize certain
elements.
• L Cut: A cut where the audio from the previous scene continues into the following scene. This
technique helps to create a smooth audio transition, maintaining continuity and connection
between scenes.
• J Cut: The opposite of an L Cut, where the audio from the next scene begins before the visual
transition occurs. It introduces the upcoming scene, providing a seamless audio-visual transition.
• Dissolve: A gradual transition where one shot fades out while the next shot fades in. This
technique can signify the passage of time, a change in location, or a dreamlike state.
• Fade In/Fade Out: A transition where a shot gradually appears (fade in) or disappears (fade out)
to or from a solid color, usually black. Fades are commonly used to open or close scenes,
indicating the start or end of a sequence.
• Wipe: A transition where one shot is replaced by another with a distinct border or shape moving
across the screen. Wipes can be stylized and are often used to signify a change in time, location,
or narrative focus.
176 | P a g e
• Smash Cut: An abrupt and often surprising cut from one scene to another, typically with a
dramatic contrast. Smash cuts are used to shock or jolt the audience, often for comedic or
dramatic effect.
• Iris Cut: A circular transition where the shot gradually closes in (iris out) or opens up (iris in) from
a central point. This technique is often used in classic films and animations to highlight a specific
moment or detail.
The process of sequencing requires thoughtful consideration of how each shot contributes to the overall
narrative. It ensures a seamless and impactful viewer experience. Each type of cut serves a specific
purpose in storytelling, contributing to the pacing, tone, and narrative structure of a video. 173
Music Integration
Music is a powerful tool in video editing, capable of enhancing the emotional depth
and narrative complexity of a project.
The integration of music involves:
• Selection: Choose music that complements the video's mood, theme, and message. Consider
the genre, tempo, and instrumentation, ensuring that it aligns with the intended emotional
impact.
• Placement: Decide where and how to incorporate music. Background music can underscore a
scene's mood, while thematic scores can highlight key moments.
• Volume and Mixing: Balance music levels with dialogue and sound effects. Proper mixing
ensures that music enhances rather than overpowers other audio elements.
The thoughtful integration of music can elevate a project, adding layers of meaning and resonance.
Accessibility Features
Making media accessible to all audiences is both an ethical and legal responsibility.
Incorporating accessibility features ensures that content is inclusive and reachable
by individuals with disabilities. Key features include:
• Captions and Subtitles: Add text to represent spoken dialogue and relevant sounds. This is
essential for viewers who are deaf or hard of hearing.
• Audio Descriptions: Provide verbal descriptions of visual elements for visually impaired
audiences. This can include descriptions of actions, settings, and expressions.
• Considerations: Discuss the legal requirements and ethical considerations for accessibility,
emphasizing the importance of creating inclusive content.
By implementing these features, students can ensure that their projects are accessible to a wider
audience, promoting inclusivity and diversity.174
173
“Editing Art Videos Guide”
174
“Editing Art Videos Guide”
177 | P a g e
Editing with Adobe Rush Premiere
Adobe Premiere Rush is a simplified video editing software from Adobe designed for quick and efficient
content creation. It offers essential editing tools, multi-track audio, and direct publishing capabilities,
making it ideal for creating videos for platforms like YouTube and Instagram. The interface is user-
friendly, supporting workflows on phones, tablets, and desktops, and it integrates well with other Adobe
Creative Cloud applications.
Basic Edits
Timeline Navigation: Drag your media files to the timeline at the bottom of the screen. This area allows
you to organize and rearrange your clips. Click and hold a clip to move it left or right.
Trimming Clips: Click on a clip in the timeline to select it. Move your cursor to the beginning or end of
the clip until you see a red bracket appear, then click and drag to adjust the start or end point.
175
“What is Adobe Rush“ ChatGPT 4.0, Open AI, 8 Aug 2024, URL: https://chatgpt.com/share/1748e2fe-0863-43ee-
80db-4250a11fadf3
178 | P a g e
Splitting Clips: To split a clip, first move the playhead (the blue vertical line) to the desired location on
the clip. Then, click the scissors icon in the toolbar above the timeline to cut the clip into two parts.176
Playhead
Color Correction
Color Adjustments: Select the clip you want to enhance and open the
"Color" tab. Here, you’ll find presets and edit options sliders for
176
“What is Adobe Rush”
179 | P a g e
exposure, contrast, highlights, shadows, temperature, and saturation. Adjust these sliders until you
achieve the desired look for your video, then save your own presets.177
177
“What is Adobe Rush“
178
“What is Adobe Rush“
180 | P a g e
Menu Options in Adobe Premiere Rush
File
• Location: Top menu bar.
• Usage: Contains options to create new projects, open existing projects, save, import media, and
export final videos.
Edit
• Location: Top menu bar.
• Usage: Provides editing commands like undo, redo, cut, copy, paste, and preferences for the
application settings.
Clip
• Location: Top menu bar.
• Usage: Offers options to adjust clip properties such as speed, rotation, scale, and duration
adjustments.
Sequence
• Location: Top menu bar.
• Usage: Contains settings to modify the entire sequence of clips, including adding transitions,
changing time base, and sequence presets.
View
• Location: Top menu bar.
• Usage: Controls the display settings within the interface, such as zoom level in the timeline,
toggling the visibility of guides and grids, and switching workspace layouts.
Track Controls
• Location: Alongside each track in the timeline.
• Usage: Include options like mute, solo, lock, and hide for audio and video tracks, allowing for
intricate control over how tracks are edited and viewed.
Each of these tools and menu options plays a vital role in the video editing process in Adobe Premiere
Rush, providing users with comprehensive control over their media and project settings. These features
help streamline the workflow, making it easier to produce polished video content.179
179
“What is Adobe Rush“
181 | P a g e
Quick Tool Tutorials: Tools in Adobe Premiere Rush
This is an informative guide on the basic tools in Adobe Premiere Rush, complete with explanations on
how to access, use, and navigate the associated menu options:
Duplicate Icon
• Location: This icon appears when you right-click on a clip or in the clip editing options.
• Access: Right-click a clip and select "Duplicate" or use the options menu bar in the Clip edit
panel.
• Usage: Creates an exact copy of the selected clip, including its adjustments and positioning.
Trash Icon
• Location: Typically found in the panel where clips or assets are selected or in the toolbar.
• Access: Select a clip and click the trash icon or press 'Delete' on your keyboard.
• Usage: Deletes the selected clip or asset from the project.
• Location: Usually found in the Sequence Options menu bar or playback window icons (Blue Box
Above).
• Access: Click on the Sequence option settings and look for the aspect ratio or format settings.
182 | P a g e
• Usage: Adjusts the aspect ratio of the video, allowing for outputs like widescreen, square, or
custom dimensions.
180
“What is Adobe Rush “
183 | P a g e
• Usage: Apply artistic or corrective effects to your video clips,
such as vignettes, blurring, or color filters, to enhance the
visual appeal or focus attention.
• Menu Options: Select an effect, apply it, and adjust its
properties like intensity and duration.
Pan and Zoom
• How to Access: Available in the effects or motion settings
when a clip is selected.
" Effects - Pan and Zoom"
• Usage: Create a dynamic look by animating the zoom into or
out of a scene. This can be particularly effective for
highlighting details or creating movement in still images.
• Menu Options: Customize the start and end points of the
zoom and set the motion speed.
Overlay and Blend Modes
• How to Access: Drag an image or video onto the timeline
above another clip. Select the overlay clip and choose a
blend mode from the effects panel.
• Usage: Combine layers using different blend modes to
achieve effects like light leaks, color washes, or double
exposure.
• Menu Options: Choose from various blend modes like
Multiply, Screen, or Overlay to modify how the layers
interact.
Picture in Picture (PiP)
• How to Access: Drag a video or "Overlay Mode"
image clip above another in the timeline. Then, select the smaller clip on
the viewing screen and resize or reposition it over the main video using
the handles (dots).
• Usage: Show two video streams simultaneously, useful for commentary,
reactions, or displaying additional visual information.
• Menu Options: Resize the PiP window, add a border, and adjust its
position on the screen.
Utilizing these advanced features in Adobe Premiere Rush enables more
creative control and professionalism in your video projects, making it
possible to produce polished content right from your mobile device or
desktop.181
"PIP-Picture in Picture"
181
“What is Adobe Rush“
184 | P a g e
Practical Application
These exercises are designed to help students apply practical skills in scripting, storyboard design, and
production planning for a 60-second video. Each exercise encourages creativity and technical proficiency,
preparing students for real-world applications in time-based media.
"Storyboard Template" by Tomas Mitkus is in the Public Doman via Wikimedia Commons.
185 | P a g e
Exercise 2: Writing a Proposal for a 60-Second Video
Learning Objective: Draft a comprehensive proposal that outlines the conceptual and practical aspects
of producing a 60-second video.
Instructions:
1. Project Summary: Write a brief overview of your video concept, including the intended message
or effect.
2. Filming Type: Choose the type of filming technique you wish to use (live-action, stop motion,
video montage, animation, or timelapse) and justify why it is suitable for your concept.
3. Target Audience: Define your target audience and explain how your chosen filming type and
video concept will appeal to them.
4. Budget and Resources: Outline the resources and budget required for the project, including
equipment, props, and any necessary permissions.
5. Timeline: Create a production timeline from pre-production to post-production, including time
for editing and revisions.
Submission: A detailed project proposal ready to be pitched to potential stakeholders or for class
assessment.
Time-Based Artwork Proposal Worksheet
Project Name:
Video Title: __________________________________________________________
Concept Summary:
Briefly describe the concept or theme of your video. Summary: __________________________
Objectives:
What are the key messages or effects you want to achieve with this video? Objectives: ______________
Target Audience:
Who is this video for? Audience: _________________________________________________________
Story Outline:
Outline the main events or scenes in your video. Outline: __________________________
Filming Locations:
186 | P a g e
Where will you film your video? Locations: __________________________
Accessibility Features:
Will you include subtitles or other features? Accessibility: __________________________
Timeline:
Outline your timeline for completing the project. Timeline: __________________________
Reflection:
What do you hope to learn from this project? Reflection: __________________________
This streamlined worksheet focuses on the crucial planning aspects of the 60-second video project,
ensuring students can succinctly articulate their vision and plan their workflow effectively.182
182
“Art 20A Rush Editing Lesson Plan” ChatGPT 4.o, Open AI, 23 May 2024, URL:
https://chatgpt.com/share/d0c2861f-f47f-41ee-8ead-537ef497c31d
187 | P a g e
Exercise 3: Search for Copyright-Free Music/Sounds
Objective: Find appropriate copyright-free music and sound effects to enhance the production quality of
your 60-second video.
Instructions:
1. Research: Use online resources to find copyright-free or royalty-free music and sound effects.
o Real-music websites like:
1. ccMixter
2. Free Music Archive
3. Jamendo
4. Magnatune
5. Fugue Music
6. BeatPick
7. Podsafe Audio
8. AudioFarm
9. Universal Music for Creators
10. Artlist (Copyright Free Music)
11. Bensound
12. Freesound
o AI music generators
1. Beatoven.ai
2. AI Music Generator Free Online
3. Soundraw.io
4. Stability.ai
5. Riffusion
6. Loudly
7. Soundful
8. Boomy
9. MusicStar.AI
10. Suno AI
➢ Example: Hawk Flight
➢ Example: Hawk on My Patio
11. Mubert
2. Selection Criteria: Select music and sounds that match the tone and pace of your video.
Consider how the audio complements the visual elements and supports the overall mood of the
project.
3. Integration Plan: Draft a plan for how you will integrate the music and sound effects into your
video. Specify points in the video where the music will start, change, or stop, and where sound
effects will be placed for maximum impact.
4. Legal Compliance: Ensure that the music and sound effects are truly free for use in your project
or document any licenses and attributions required.
Submission: A list of selected music tracks and sound effects, including links and any necessary
attribution details, plus an integration plan for using them in your video.
188 | P a g e
These exercises not only foster a deeper understanding of the technical and creative aspects of time-
based media but also prepare students for challenges they might face in professional settings.
• Editing with Rush Premiere (sequencing, music, accessibility)
o Sequencing: Techniques for arranging footage to maintain narrative flow.
o Music Integration: Incorporating background music and sound effects.
o Accessibility: Ensuring videos include subtitles, captions, and audio descriptions.183
183
“Art 20A Rush Editing Lesson Plan”
189 | P a g e
Portfolio Project: Time-Based 60-Second Video
Capstone Project: Time-Based Media Editing
Learning Objective: This capstone project is designed to solidify your understanding of the editing
process through practical application. You will create a short film or animation that incorporates
advanced editing techniques, music integration, and accessibility features. This comprehensive exercise
aims to demonstrate your editing skills, creativity, and awareness of ethical considerations in media
production.
Project Overview: The capstone project involves editing a piece of time-based media that communicates
a clear message or story. By integrating various elements such as sequencing, music, and accessibility,
you will produce a professional-level video suitable for diverse audiences. This project will serve as a
culmination of your learning and a showcase of your ability to engage in thoughtful and inclusive media
creation.
Assignment Criteria:
• Duration: The video must be a minimum of 60 seconds long.
• Sound/Music: Must include background music or sound effects that enhance the narrative and
emotional tone of the project.
• Accessibility: The video must include one or more of the following accessibility features:
captions, subtitles in at least one language, or an audio transcript for the visually impaired.
Instructions:
1. Project Scope:
o Selection: Choose one of the following formats for your project:
▪ Video or Photo Montage of Personal Expression: Compile and edit a series of
videos or photos that reflect personal insights or expressions.
▪ Animation: Create an animation using digital tools like Photoshop Animate to
bring a delightful visual story to life.
▪ Live Action Documentary: Produce a documentary that provides commentary
on a relevant social, cultural, or personal topic.
▪ Stop-Motion Animation: Utilize stop-motion techniques to animate physical
objects frame by frame, creating a narrative or abstract piece.
▪ Your Choice Combo: Develop a unique project that combines various techniques
and styles to reflect a specific theme or function.
o Narrative Development: Craft a compelling narrative that utilizes effective sequencing to
ensure smooth flow and engagement.
2. Music Integration:
o Selection: Choose music tracks that complement the emotional tone and narrative arc of
your project. Ensure that the music rights are cleared or use royalty-free tracks to avoid
copyright issues.
o Implementation: Integrate the selected music thoughtfully, adjusting the audio levels to
balance with spoken words and natural sounds within the video.
190 | P a g e
3. Accessibility:
o Captions and Subtitles: Implement captions for all spoken dialogue and key sound
effects. Add subtitles as needed for additional languages.
o Audio Descriptions: Provide audio descriptions for crucial visual elements, ensuring that
the descriptions do not interfere with critical audio information.
4. Review and Feedback:
o Peer and Self-Review: Present your project to peers for preliminary feedback. Use their
insights, along with your self-assessment, to identify areas for improvement.
o Revision: Refine your project based on feedback, focusing on enhancing the narrative
flow, audio-visual balance, and accessibility.
5. Final Submission:
o Export and Submission: Export your final project in the appropriate format and submit it
along with a reflection document. The reflection should discuss your creative process,
the challenges encountered, and how you integrate feedback to enhance the project.
o Presentation: Optionally, present your project to the class or at a student showcase,
explaining your creative choices and the technical aspects of your work.
Evaluation Criteria:
• Narrative Clarity and Engagement: How effectively does the video communicate its intended
message or story?
• Technical Execution: How well are the editing, music integration, and special effects executed?
• Creativity: How creatively do the visual and audio elements come together?
• Accessibility: How accessible is the video to audiences with diverse needs?
• Ethical Considerations: How well does the project adhere to ethical standards in media
production?
The capstone project provides an opportunity for you to demonstrate your editing skills, creativity, and
understanding of ethical considerations. It serves as a comprehensive exercise in refining and finalizing a
time-based media project, preparing you for future endeavors in the field of media production,
emphasizing the importance of thoughtful, inclusive, and creative storytelling.184
184
“Time-Based Media Course Plan” ChatGPT 4.0, Open AI, 9 July 2024, URL: https://chatgpt.com/share/c7cf29ef-
1aa4-42c0-b8d2-4fbad1880738
191 | P a g e
Lesson 6 – Digital Art Portfolio
Learning Objectives
Upon completing this assignment, you will be able to:
1. Define Purpose and Audience: Determine the specific goals and target audience for their digital
portfolio.
2. Curate and Organize Art: Select and organize artworks that best demonstrate their artistic skills
and thematic coherence. Create a professional digital layout that enhances artwork presentation
and is easy to navigate.
3. Apply Digital Tools: Utilize appropriate software to assemble a high-quality digital portfolio,
maintaining standards for image resolution and format.
4. Articulate Artistic Vision: Craft an artist statement and detailed descriptions for artworks that
effectively communicate their creative intent.
5. Evaluate and Improve: Critically assess and refine their portfolio based on feedback,
demonstrating an understanding of professional standards.
Materials List
• Hardware: Computer, Digital Camera, External Storage, USB Drive
• Software: InDesign, PowerPoint, etc.
• PDF software (e.g. Adobe Acrobat)
• Online Platform (i.e. MS Sway, Adobe Portfolio, Wix.com)
• Printing Paper for High-quality photo prints
• Portfolio Binder to protect your print portfolio
192 | P a g e
Digital Artist or Graphic Designer
Digital artists, the skilled creators of our digital world, are empowered to craft compelling and visually
striking imagery using digital painting, drawing, and illustration techniques. Their focus is on expressing
themselves through a diverse range of tools and methods, effectively communicating messages, and
evoking emotional responses through their digital creations. They have the freedom and artistic license
to create digital artwork based on their own creative imagination, inspiring us all to unleash our
creativity.
Graphic designers are highly skilled professionals who use design principles to tackle communication
challenges. They use typography, color theory, and layout design to effectively convey messages through
visual communication for branding, advertising, and digital media. They typically work within specific
client parameters, often having limited creative freedom while striving to meet client expectations and
desires.
It's important to note that while not all digital artists are graphic designers, all graphic designers can be
considered digital artists due to their proficiency in digital mediums.185
185
“Art 20 LP Digital Painting” ChatGPT 4.0, Open AI, 23 May 2024, URL: https://chatgpt.com/share/063a050b-
6803-4948-9707-baed26b53bd5
193 | P a g e
entertainment, advertising, and gaming, providing visually stunning artwork that enhances
storytelling and marketing.
• Digital Photographers have a range of opportunities, including commercial photography, portrait
photography, photojournalism, wedding photography, fine art photography, and freelance work.
• Freelance Illustrator: Freelance illustrators work independently on various projects, providing
custom artwork for various applications. They serve clients in advertising, marketing, publishing,
and more, offering flexibility and creative solutions tailored to specific needs.
• Illustrator: Illustrators create artwork for books, magazines, advertisements, websites, etc. They
work in publishing, advertising, marketing, media, and education, providing visual content that
enhances written material and marketing efforts.
• Storyboard Artist: Storyboard artists visualize and sketch out scenes for films, animations, and
commercials, helping to plan the production. They work in film, television, advertising, and
animation studios, providing a visual blueprint for directors and animators.
• Time-based media artists work with video, motion graphics, film editing, animation, and
broadcast design for various industries such as art, entertainment, TV, and media.
Exploring these career paths empowers digital media artists to discover opportunities that resonate with
their skills and passions, paving the way for fulfilling and dynamic careers across various industries. This
exploration will also aid in crafting a portfolio tailored for a job in a field that truly inspires you. 186
186
“Art 20 LP Digital Painting”
187
“Art 20A Showcase Your Art Portfolio” ChatGPT 4.o, Open Ai, 23 May 2024, URL:
https://chatgpt.com/share/19e1245e-3669-4c83-a8a4-370e7f9d7896
194 | P a g e
• Incorporate an artist's statement to explain your broader artistic practice and inspirations.
• Attach a resume or CV detailing your professional background, including education, exhibitions,
and awards.
• Choose a user-friendly platform that supports high-quality image hosting, such as Adobe
Portfolio or other platforms, and ensure mobile viewing optimization.
• Seek feedback from peers or mentors before finalizing the portfolio and update it regularly with
newer works.
• Back up the digital file in multiple locations to prevent data loss and maintain accessibility.188
188
“Art 20A Showcase Your Art Portfolio”
195 | P a g e
Portfolio Project: Online Artists Website/Portfolio
Instructions for Creating an Artist Presence on the Web
1. Set Up an Initial Online Digital Artist Portfolio
• Sign up or log in to your chosen platform.
• Start a new project, often labeled as ‘Create New’ or ‘New Project’.
• Select a template or theme that aligns with your artistic style or the type of work you
will showcase.
2. Adding Content
• Biographical and Contact Information: Start with an introduction or biography card that
provides a snapshot of you as an artist.
• Project Displays: Upload high-quality images or videos of your artwork or design
projects. Ensure each item is accompanied by a brief description or caption that provides
context to the viewer.
• Textual Elements: Include artist statements, project descriptions, and any other relevant
text that enhances the understanding of your work.
3. Customization and Layout
• Customize colors, fonts, and layout structures to reflect your personal or professional
brand.
• Ensure the navigation is intuitive and the overall design does not overshadow the
artwork.
4. Review and Adjust
• Preview your portfolio multiple times across different devices to ensure compatibility
and responsiveness.
• Adjust any elements that do not translate well across platforms or detract from the user
experience.
5. Exporting and Sharing
• Most platforms will allow you to directly share your portfolio online through a link.
• Ensure the option to export to PDF is available if you require a print version of your
portfolio for meetings or interviews.
Do not forget to update your digital portfolio regularly with your latest work and make sure it's easy to
navigate. Pay attention to how your work is presented and represents your professional identity. Seek
out online tutorials and engage with community forums for feedback and tips to effectively showcase
your talent in the art and design industry.189
189
“Art 20A Showcase Your Art Portfolio”
196 | P a g e
Portfolio Project: Digital Artist Portfolio (Print Copy)
Instructions for Creating a Digital Artist Portfolio in a Document File
Step 1: Planning and Conceptualization
• Define Your Goals: Understand the purpose of your portfolio (e.g., job application, exhibition,
educational requirement).
• Identify Your Audience: Tailor your portfolio to suit the preferences and expectations of your
target audience, whether they are potential employers, gallery curators, or academic instructors.
Step 2: Content Curation
• Select Your Artworks: Choose 15-20 pieces that best represent your skills, style, and diversity.
Prioritize quality over quantity.
• Organize by Theme or Medium: Group your works in a way that makes sense for your audience,
either by the medium used, thematic elements, or chronologically.
Step 3: Designing the Layout
• Choose a Software: Use software like Adobe InDesign or Microsoft Publisher for more control
and professional layouts, or Microsoft Word for simplicity.
• Design Template: Create a clean and professional template that includes:
o A cover page with your name and portfolio title.
o A table of contents (if the portfolio is extensive).
o Consistent and uncluttered layout styles for each page.
Step 4: Adding Artwork and Descriptions
• High-Quality Images: Insert high-resolution images of your artwork. Ensure each image is crisp
and accurately represents the colors and details of the original work.
• Artwork Details: Beneath each image, include the title, medium, dimensions, and year of
creation. You may also want to add a brief description or statement about each piece.
Step 5: Incorporating Additional Elements
• Artist Statement: Include a page with your artist statement that discusses your artistic
influences, themes, and techniques.
• Resume/CV: Add your updated resume or CV that includes your education, exhibitions, awards,
and any relevant professional experience.
Step 6: Review and Edit
• Proofread: Carefully proofread the document to correct any typographical or grammatical
errors.
• Feedback: Show your draft to mentors, peers, or professionals to get feedback on both the
presentation and the content of your portfolio.
Step 7: Exporting Your Portfolio
197 | P a g e
• Convert to PDF: Use the export function in your software to convert the document to a PDF
format. Ensure that the conversion retains the layout, fonts, and image qualities.
• Optimize File Size: If the file is too large, consider using tools to compress images or the PDF
itself without significantly compromising image quality.
Step 8: Distribution and Maintenance
• Sharing Your Portfolio: Share your portfolio via email or upload it to your personal website, or
platforms like LinkedIn or Behance.
• Updates: Regularly update your portfolio to remove older works and add new creations. This
keeps your portfolio fresh and relevant.
Step 9: Backup
• Secure Storage: Always keep backup copies of your digital portfolio in multiple locations, such as
on an external hard drive or in cloud storage.
This step-by-step guide provides a structured approach to creating a digital artist portfolio in a document
file, ensuring that it is both professional and effective in showcasing your artistic capabilities.190
190
“Creating PDF Art Portfolio” ChatGPT 4.o, Open AI, 30 Jun 2024, URL: https://chatgpt.com/share/6bc203cb-
bbe7-4d03-8ad6-a96951b81d9b
198 | P a g e
The Art Critique: Evaluating Digital Art
An art critique involves more than just evaluating art; it's a method for artists to enhance their skills by
thinking critically about their own work and that of others. During a Peer Critique Discussion, artists
collaborate to gain insight from each other.
191
“Digital Art Critique Guide” ChatGPT 4.0, Open AI, 8 Aug 2024
199 | P a g e
• Texture: In digital art, texture can be both visual (simulated texture through digital means) and
tactile (if the artwork involves physical output). Discuss how texture contributes to the overall
feel of the artwork.
• Contrast: Consider how differences in colors, shapes, and forms are used to create visual interest
or draw attention to certain parts of the artwork.
• Unity: Discuss how well the various elements of the artwork work together to form a coherent
whole. Unity can be achieved through color schemes, repetitive patterns, or consistent use of
styles.
• Depth: In digital art, depth can be simulated to give the illusion of a three-dimensional space.
Discuss the techniques used to achieve this effect, such as shadowing, perspective, and layering.
• Innovation: Particularly important in digital art, discuss any novel use of technology or original
approaches to traditional subjects.
Encourage students to use these terms in their critiques, providing them with a vocabulary that
promotes a constructive and professional critique environment. This not only enhances their
understanding of the artwork but also prepares them for professional art discussions outside the
academic setting.192
192
“Digital Art Critique Guide”
200 | P a g e
• Symbolism: (Are there symbols that stand out? What might they represent?)
• Context: (Consider the historical, personal, or cultural context of the artwork. How does it
influence your interpretation?)
4. Judgment: Formulate a personal judgment about the artwork. This is where personal taste, aesthetic
preference, and overall impact are considered.
• Effectiveness: (How effectively does the artist convey the intended message or theme?)
• Aesthetic Impact: (What is your personal reaction to the artwork? How does it make you feel or
think?)
• Constructive Criticism: (Provide constructive feedback on what might improve the artwork or its
presentation.)
• Conclude Your Critique by summarizing your overall impressions and the potential impacts or
contributions of the artwork.193
193
“Digital Art Critique Guide”
201 | P a g e
Glossary
This glossary presents a comprehensive list of terms introduced in the textbook, ordered alphabetically
and by art media/type, reinforcing students' understanding of digital art and design concepts
3D Modeling: The process of developing a mathematical representation of any surface of an object
(either inanimate or living) in three dimensions via specialized software.
Abstract Photography: Photography that focuses on shape, color, pattern, and texture rather than
realistic representation.
Adjustment Brush: A tool that allows you to make localized adjustments to specific areas of the photo.
Adjustment Layer: A non-destructive layer that allows you to apply color and tonal adjustments to your
image without permanently changing pixel values.
Adobe Creative Cloud: A subscription-based service offering a collection of software for graphic design,
video editing, web development, photography, and cloud services. Critical applications include
Photoshop, Illustrator, Lightroom, and Premiere Rush.
Adobe Illustrator: A vector graphics editor used for creating logos, icons, illustrations, and other scalable
artworks, offering precise control over shapes, paths, and typography.
Adobe Lightroom: Photo editing and management software used for organizing, editing, and sharing
digital photographs, with non-destructive editing and advanced color correction tools.
Adobe Photoshop: Image editing and graphic design software used for photo retouching, digital
painting, and creating complex graphics with an extensive range of tools and features.
Adobe Premiere Rush: Simplified video editing software designed for quick and efficient video creation
and sharing, featuring an intuitive interface suitable for beginners and professionals.
AI-Generated Art: Art created with the assistance of artificial intelligence algorithms.
Anchor Point: A point on a path that can be adjusted to change the shape of the path.
Aperture: The opening in a camera lens through which light passes to enter the camera. It affects the
depth of field and exposure of the image.
Artboard: The workspace area where vector graphics are created and edited.
Aspect Ratio: The width-to-height ratio of a video screen, such as 16:9 for HD video.
Bezier Curve: A curved line defined by mathematical equations and controlled by anchor points and
direction handles.
Bit Depth: Refers to the number of bits used to represent the color of a single pixel; higher bit depth
allows for more colors and smoother gradients.
Bit Rate: The amount of data processed per second in video, affecting file size and quality.
Blacks: The adjustment of the darkest areas in the photo.
Blending Modes: Options that affect how a layer’s pixels blend with underlying pixels in the image,
determining how they mix based on the color and brightness values.
Blockchain in Art: The use of blockchain technology for secure digital art authentication and trading.
202 | P a g e
Bokeh: The aesthetic quality of the blur produced in the out-of-focus parts of an image, often achieved
with a wide aperture.
Branding: The process of creating a unique name, image, and identity for a product or company in the
consumer's mind.
Chroma Key (Green Screen): A technique to layer two images/videos together based on color, typically
using a green background.
Clarity: A tool that enhances mid-tone contrast, adding depth and detail to an image.
Clone Stamp Tool: A tool used to copy pixels from one part of an image to another, useful for repairing
or duplicating objects within the same image.
Color Management: The process of controlling how colors are represented across different devices,
involving the use of color profiles and calibration tools to ensure consistency and accuracy.
Color Picker: A tool used to select and apply colors to fills and strokes.
Color Spaces: Systems for representing colors, such as sRGB, Adobe RGB, and ProPhoto RGB, each with
a different range of colors (gamut) that it can display.
Color Theory is the study of color and its impact on art and design, focusing on how colors interact and
their combinations.
Composite Image: An image made by combining two or more photographs to create a new image. This is
often used to create surreal or more complex scenes.
Composition: The arrangement of elements within a photograph to create a balanced and aesthetically
pleasing image.
Contrast: The arrangement of opposite elements (e.g., light vs. dark, rough vs. smooth) to create visual
interest and draw attention to certain areas of the design.
Crop Overlay: A tool to trim and straighten images to improve composition.
Crop Tool: A tool that removes parts of an image to create a new focus or composition.
Crossfade: A transition where one shot fades out as another fades in, used to show passing time or link
scenes.
Cut: A direct switch from one shot to another in a video.
Dehaze: A tool to reduce or increase haze or fog in an image.
Depth of Field: The distance between the nearest and farthest objects in a photo that appears
acceptably sharp. Controlled by the aperture setting.
Develop Module: The section in Lightroom where you edit and enhance your photos.
Digital Art: Art created using digital technology as part of the creative or presentation process, including
digital painting, 3D modeling, digital photography, and interactive installations.
Digital Painting: Creating artwork using digital tools like graphics tablets and software, simulating
traditional painting techniques in a digital environment.
Digital Portfolio: A collection of digital documents and artworks compiled to showcase an individual’s
abilities.
Direct Selection Tool: A tool used to select and manipulate individual anchor points or path segments.
203 | P a g e
DPI (Dots Per Inch): A measure of print resolution indicating the number of ink dots per inch; higher DPI
results in finer print quality.
Dynamic Range: The range of light intensities from the darkest shadows to the brightest highlights in a
photograph.
Emblem: A logo design that integrates text and a symbolic image within a single unified form.
Emphasis: A principle of design that refers to using visual elements to draw attention to a particular area
or object. Emphasis can be achieved through contrast, size, color, and placement.
Ergonomics: The study of people's efficiency in their working environment, focusing on designing
workspaces that reduce strain and increase comfort.
Export: The process of saving edited photos to your computer or another device in the desired file
format and quality.
Exposure Triangle: The relationship between aperture, shutter speed, and ISO, which together
determines the exposure of a photograph.
Exposure: The amount of light that reaches the camera sensor affects the image's overall brightness.
Fill: The interior color or pattern of a shape in a vector graphic.
Frame Rate: The number of frames shown each second in a video influences how smooth the video
looks.
Framing: Using elements within the scene to create a ‘frame’ around the subject, drawing attention to it.
Gradient Tool: A tool used to apply and edit gradients, which are smooth transitions between two or
more colors.
Gradient: A gradual transition between two or more colors, often used to create a sense of depth or
volume.
Graphics Tablet: A device used to input hand-drawn graphics and sketches into a computer, typically
including a stylus for drawing directly onto the tablet surface.
Grouping: Combining multiple objects into one grouped object for easier manipulation.
HDR (High Dynamic Range): A technique that combines multiple exposures to capture a broader range
of light and detail.
Healing Brush Tool: Similar to the clone stamp, this tool also copies one area’s pixels to another, but it
also matches the texture, lighting, transparency, and shading of the sampled pixels to the target area.
High Key: A style of photography that uses bright lighting to create a light and airy image with minimal
shadows.
Highlights: The brightest parts of an image.
Histogram: A graphical representation of the tonal values in a photograph, showing the distribution of
light and dark areas.
Hue: The color or shade in an image.
Iconography: Using images and symbols to represent ideas and concepts.
Interactive Art: Art that involves the spectator in a way that allows the artwork to achieve its purpose.
204 | P a g e
Interface Metaphors: Design elements in software that resemble familiar objects or concepts from the
physical world, making the interface more intuitive (e.g., the "trash can" icon for deleting files).
ISO: The sensitivity of the camera sensor to light. Higher ISO values increase sensitivity, allowing for
better performance in low light, but can introduce noise.
JPEG (Joint Photographic Experts Group): A commonly used method of lossy compression for digital
images, particularly those produced by digital photography.
Jump Cut: A sudden, jarring transition typically within the same scene that indicates the passage of time.
Landscape Photography: Photography that captures natural scenes, often showcasing the beauty of the
outdoors.
Lasso Tool: A selection tool that allows you to draw freeform segments of a selection border.
Layer Mask: A feature that lets you hide or reveal parts of the layer without permanently deleting any
portion. Black on a mask hides, while white reveals.
Layer-Based Editing: A feature in software like Photoshop that allows artists to work on different parts
of an image separately, with layers that can be edited, moved, and combined independently.
Layers Panel: A panel used to organize and manage different elements of the artwork on separate
layers.
Layers: The different levels at which you can place an image, text, or effects. Layers can be rearranged,
deleted, hidden, and duplicated, offering flexibility during editing.
Leading Lines: Compositional elements that guide the viewer’s eye through the photograph, often
towards the main subject.
Lens Corrections: Adjustments made to correct distortions and color fringing caused by the camera lens.
Library Module: The section in Lightroom where you import, organize, and manage your photos.
Logo Design: The process of designing a distinctive symbol or design representing a company,
organization, or product. Logos are crucial for branding and identity.
Logotype: A logo design that primarily uses stylized text or typography.
Long Exposure: A technique that uses a slow shutter speed to capture stationary elements while blurring
moving elements.
Looping: Repeating a video or sound clip continuously.
Low Key: A style of photography that uses dark tones and shadows to create a dramatic and moody
image.
Luminance: The brightness or lightness of the color.
Macro Photography: Close-up photography that captures small subjects in great detail.
Magic Wand Tool: A selection tool that selects pixels based on tone and color. It’s useful for quickly
selecting a uniformly colored area.
Marquee Tool: A selection tool that allows you to select rectangles, ellipses, and 1-pixel rows and
columns.
Masking: The process of hiding part of a layer so that you can manipulate only the visible parts of the
layer.
205 | P a g e
Memorability: The ability of a logo to be easily remembered and recalled by the audience.
Metadata: Information embedded in your digital photos, such as camera settings, location, and date
taken.
Montage: A series of shots edited together to condense time and information.
Net Art: Art that uses the internet as its medium and platform for creation and display.
Noise Reduction: Reducing an image's graininess or visual noise, often necessary in low-light conditions.
Non-Destructive Editing: Editing techniques that do not permanently alter the original data of an image.
Opacity: The level of transparency of an object or layer, with 100% opacity being fully opaque and 0%
being fully transparent.
Panorama: A wide-angle view of a scene created by stitching multiple images together.
Path: The line that forms the shape of a vector graphic, defined by anchor points and segments.
Pathfinder Panel: A panel used to combine, subtract, intersect, and exclude shapes in various ways.
Pen Tool: A tool to create custom paths and shapes by placing anchor points.
Perspective: The angle and distance from which the photo is taken affect how the subject and
background appear.
Pixel: The smallest unit of a digital image, typically displayed as a tiny square of color.
Pointillism: A technique of painting in which small, distinct dots of color are applied in patterns to form
an image. This technique is mirrored in using ellipses to create a cohesive design.
Portrait Photography: A type of photography aimed at capturing the personality and mood of an
individual or group.
Positive and Negative Shape and Space: Positive space refers to the main focus of a design, while
negative space refers to the background or surrounding space. Effective use of both can create
compelling visual interest.
PPI (Pixels Per Inch): A measure of digital resolution indicating the number of pixels per inch; higher PPI
results in better image clarity on screens.
Presets: Predefined settings or adjustments that can be applied to photos to achieve a particular look or
effect.
Procreate: A popular digital painting app for iPad, offering a wide array of brushes, advanced layer
capabilities, and an intuitive user interface.
Radial Filter: A tool that applies adjustments in a circular or oval shape, helpful in creating vignettes or
highlighting areas.
Raster Graphics: Pixel-based art, which consists of a dot matrix data structure representing a generally
rectangular grid of pixels, or points of color, viewable via a monitor, paper, or other display medium.
Relevance: The appropriateness of a logo to the business, industry, and target audience it represents.
Repetition: Using the same or similar elements repeatedly throughout a design to create unity and
rhythm.
206 | P a g e
Resolution: The detail an image holds, measured in pixels; higher resolution means more detail and
clarity.
Rule of Thirds: A composition guideline that suggests dividing the image into nine equal parts and
placing the subject along the lines or intersections.
Saturation (HSL): The purity or intensity of the color.
Selection Tools: Tools used to select parts of an image to edit, move, or apply effects without affecting
the rest of the image.
Shadows: The darkest parts of an image.
Shape Tools: Tools used to create geometric shapes such as rectangles, ellipses, polygons, and stars.
Sharpening: Enhancing the details and edges in an image.
Shutter Speed: The length of time the camera's shutter is open, exposing light onto the camera sensor. It
affects motion blur and exposure.
Simplicity: The quality of being easily understood or recognized without unnecessary complexity.
Smart Object: A layer that preserves an image’s source content with all its original characteristics,
allowing for non-destructive editing.
Soft Proofing: A technique used to simulate how colors will appear in the final output, allowing artists to
adjust before printing or displaying on different devices.
Split Toning: Adding a specific color to the highlights and/or shadows of an image.
Spot Removal: A tool to remove unwanted elements or blemishes from an image.
Storyboard: A pre-visualization technique using drawings to outline a video’s story shot by shot.
Street Photography: Candid photography capturing everyday life in public places.
Stroke: The outline or border of a shape or path in a vector graphic.
Swatches Panel: A panel that provides a selection of preset colors that can be applied to fills and strokes.
Sync Settings: A feature that allows you to simultaneously apply the same adjustments to multiple
photos.
Time-Based Media: Art forms with a duration, such as video, animation, and sound art.
Timelessness: The quality of a logo that ensures it remains effective and relevant over a long period.
Tone Curve: A graphical representation of the image’s tonal range, allowing for precise adjustments to
the brightness and contrast.
Transform Tools: Tools used to scale, rotate, and position objects within the workspace.
Type Tool: A tool used to add and manipulate text within the artwork.
Typography: The art and technique of arranging type to make written language legible, readable, and
visually appealing.
Vector Graphics: Images created using mathematical formulas to define shapes and paths; vector
graphics can be scaled to any size without losing quality.
207 | P a g e
Verisimilitude: The quality of realism or believability that a manipulated photo maintains, even after
extensive editing.
Versatility: The ability of a logo to be used in various sizes and contexts while maintaining its integrity.
Vibrance: Adjusts the intensity of more muted colors while leaving well-saturated colors unchanged to
prevent clipping.
Video Art: Art forms using moving images, often shown in galleries or online.
Video Compression: Reducing the file size of video data by removing unnecessary information.
Vignette: A reduction of an image's brightness or saturation at the periphery compared to the image
center, often used for artistic effect.
Virtual Reality (VR) is a simulated experience that can be similar to or completely different from the real
world.
Wacom: A leading brand of graphics tablets known for their high quality and precision, commonly used
by digital artists and designers.
White Balance: Adjust the colors in a photo to match the lighting conditions and ensure that whites
appear white.
Workspaces: Customizable areas within digital art software where tools, panels, and documents are
arranged to create an efficient environment for working.
208 | P a g e
Appendices
The appendices are a comprehensive student resource, offering quick access to additional learning
materials.
Monitor
• Specifications: At least 4K resolution, wide color gamut support (Adobe RGB or DCI-P3).
• Purpose: Ensures accurate color reproduction and detailed display of digital art.
• Sources: Dell UltraSharp, BenQ PD3220U.
Software
• Adobe Creative Cloud: Includes Photoshop, Illustrator, Lightroom, Premiere Rush.
• Procreate: Popular app for iPad.
• Clip Studio Paint: Favored for comic and manga creation.
• Sources: Adobe Creative Cloud, Corel Painter, Procreate, Clip Studio Paint.
209 | P a g e
• Sources: Samsung T7 SSD, Western Digital My Passport.
Stylus Pens
• Brands: Wacom, Huion.
• Purpose: For detailed and precise digital drawing.
• Sources: Wacom Pro Pen 2, Huion Pen PW500.
210 | P a g e
Appendix B The Art Critique
Self-Evaluation Critique Worksheet
Complete the following self-evaluation form for one of your finished works of art. Be honest and critical
when evaluating your artwork.
Name:
Date:
Artwork Title:
Artwork Medium:
Instructions: Reflect on your artwork and answer the following questions honestly and critically. This
self-evaluation worksheet assesses your artistic process, techniques, and conceptual development.
1. Concept and Intent:
• What was the central concept or idea you wanted to convey through this artwork?
• Did you successfully communicate your intended message or theme? Why or why not?
• How did you approach conveying your concept through visual elements and
composition?
2. Composition and Design:
• Evaluate the overall composition of your artwork. Is it balanced, dynamic, or chaotic?
Explain.
• How did you use line, shape, color, texture, and space to enhance the composition?
• Did you consider design principles such as balance, contrast, rhythm, and emphasis?
Provide examples.
3. Technique and Execution:
• Reflect on the technical aspects of your artwork. How proficient were you in handling
the chosen medium?
• What techniques did you use to achieve desired effects or textures?
• Were there any technical challenges you encountered during the creation process? How
did you address them?
4. Evaluate your Artwork:
• Step back and objectively assess your artwork. What are its strengths and weaknesses?
• Consider aspects such as craftsmanship, creativity, originality, and innovation.
• How does your artwork compare to your initial vision or intention? Discuss any
deviations and their significance.
5. Emotional and Intellectual Impact:
• Reflect on the emotional and intellectual response your artwork evokes.
211 | P a g e
• What emotions or thoughts do you hope viewers experience when engaging with your
artwork?
• Did you achieve the intended impact? How do you know?
6. Context and References:
• Did you draw inspiration from specific artists, movements, or cultural references?
Explain their influence on your artwork.
• How does your artwork contribute to or challenge prevailing artistic trends or
conventions?
7. Future Development:
• Based on your self-evaluation, what areas do you want to improve or develop in future
artworks?
• How will you incorporate feedback and lessons from this critique into your artistic
practice?
• What new techniques, concepts, or themes do you wish to explore in your next project?
Conclusion: Reflect on the overall experience of creating this artwork and engaging in self-evaluation.
Consider how this process contributes to your growth as an artist and thinker.
Additional Notes (optional): Jot down any additional reflections, insights, or questions that arise during
the self-evaluation process on a separate sheet of paper.
Summary Questions for Self-Critiquing Artwork:
1. What was my intention or concept behind creating this artwork?
2. How effectively did I execute my ideas through the chosen medium and techniques?
3. What are the artwork's strengths, and how do they contribute to its overall impact?
4. What are the weaknesses or areas for improvement in the artwork?
5. How does the artwork reflect my personal style, interests, or artistic growth?
6. What have I learned from creating this artwork, and how will it inform my future artistic
practice?
7. How will I address any shortcomings identified in this self-critique?194
194
“Chapter 11 Art Evaluation Methods: Analysis & Inquiry” Prompt. ChatGPT, 4.0, OpenAI, 6 May 2024,
https://chat.openai.com/share/439710d8-9902-47e9-813a-539775f34caf
212 | P a g e
Group Critique Worksheet
Complete the following group critique worksheet for one of your peer’s finished works of art. Provide
constructive criticism when evaluating their artwork.
Artwork Title:
Artist:
Date:
Subject Matter:
1. Describe the subject matter of the artwork. What is depicted?
2. What themes or narratives are present in the artwork?
3. How does the subject matter contribute to the overall message or intention of the artwork?
Media:
4. Identify the medium(s) used in the artwork.
5. How does the choice of medium(s) impact the visual qualities of the artwork?
6. Discuss the technical aspects of the medium(s) and their execution in the artwork.
Visual Elements:
7. Analyze the visual elements present in the artwork, such as line, shape, color, texture, and space.
8. How do these elements interact with each other to create visual interest or convey meaning?
9. Discuss any notable use of contrast, balance, rhythm, or emphasis in the composition.
Composition and Principles Used:
10. Evaluate the composition of the artwork. Is it balanced, dynamic, or asymmetrical?
11. How are design principles, such as balance, contrast, rhythm, and unity, utilized in the artwork?
12. Discuss the effectiveness of the composition in guiding the viewer's eye and conveying the
intended message.
Meaning of the Work:
13. Interpret the meaning or message conveyed by the artwork.
14. How do the subject matter, visual elements, and composition contribute to the meaning?
15. Discuss any personal or cultural associations that may influence the interpretation of the
artwork.
Learning Objectives of an Art Critique:
16. Develop critical thinking skills in analyzing and evaluating artworks.
17. Enhance understanding of artistic techniques, processes, and concepts.
18. Foster communication and collaboration through constructive feedback and discussion.
19. Cultivate an appreciation for diverse perspectives and interpretations in art.
213 | P a g e
20. Encourage reflection on one's artistic practice and growth.
Determining if Objectives Have Been Met:
21. Assess the depth and breadth of analysis provided by participants.
22. Evaluate the level of engagement and participation in discussion.
23. Reflect on the quality of feedback given, including its specificity, relevance, and constructiveness.
24. Consider how participants apply critique feedback to their artistic practice and development.
Questions for Group Art Critique:
25. What are your initial impressions of the artwork?
26. How does the artwork make you feel, and why?
27. What elements of the artwork draw your attention the most?
28. What techniques or approaches do you admire in the artwork?
29. Do you find any areas of the artwork particularly effective or ineffective?
30. How does the artwork relate to broader artistic or cultural contexts?
31. What suggestions or recommendations would you offer the artist for further improvement or
exploration?195
195
“Chapter 11 Art Evaluation Methods: Analysis & Inquiry”
214 | P a g e
Appendix C: Further Reading and Digital Art Resources
Adobe Art Media Tutorials:
• Adobe Creative Cloud Tutorials: Official tutorials covering a range of Adobe software, from
beginner to advanced techniques.
• Behance: A platform where artists showcase their work and often share their creative processes
and tutorials.
215 | P a g e
5. Online Articles and Tutorials
o Adobe Blog: Provides a wealth of tutorials and articles on using Adobe Creative Cloud
tools effectively.
▪ Visit: Adobe Blog
o Corel Painter Blog: Offers insights, tips, and techniques for using Corel Painter software.
▪ Visit: Corel Discovery Center
o Procreate Community: A hub for tutorials, tips, and discussions about using Procreate.
▪ Visit: Procreate Insights
By utilizing these resources, you can deepen your understanding of digital art techniques and tools,
enhancing your creative capabilities and technical proficiency.196
196
“Digital Art Interfaces Overview” ChatGPT 4.o, Open AI, 16 June 2024, URL:
https://chatgpt.com/share/94e6aa2c-2021-4034-8172-945978725115
216 | P a g e
217 | P a g e