Precision Modelling in Blender

006
Introduction
This guide was created to assist Artists and Engineers, to learn the basics of
mesh modelling of non deformable objects with 'Blender'. It uses a structured
approach to introducing Blenders tools and work-methods. Following the
guide should enable you to become familiar with blender and create models
from the simplest of parts to complex accurate engineering assemblies and
designs.
The guide focuses solely on Blenders Mesh Modelling capabilities, it ignores

the myriad of animation, texturing and photo-realistic rendering tools and
concentrates solely on getting started and producing accurate models suited
for both artistic and engineering purposes.
The guide was originally made as a series of web pages that documented the
design ideas and Blender methods used do design a few of the components I
will be making for a rebuild of my CNC router. It has been ported to this .pdf
book from the web pages, so some references in the guide will still only relate
to the on-line version.
The Small Print
This guide is provided as a free reference to new and existing Blender users. The contents of
the guide are copyright Robert Burke © 2007, but permission is granted for you to store a
copy on your computer or print a hard copy for personal use only. You may not use this guide
for any commercial purposes without written permission. (I have donated my time and knowledge
free to produce the guide, I don't expect people to make money from it)
THIS GUIDE IS PROVIDED "AS IS" AND WITHOUT ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING,
WITHOUT LIMITATION, THE IMPLIED WARRANTIES OF MERCHANTIBILITY AND FITNESS FOR A
PARTICULAR PURPOSE.
Blender - Precision Modelling Guide

By: Robert Burke www.rab3d.com -2-
Contents
Page No
Introduction 2
Contents 3
Getting Started 4
Overview of Controls 5
Blender Units and Precision 9
Modelling in Blender 11
Modelling a 608 Bearing
Part -1 Reference Geometry 13

Part – 2. The Inner and Outer Race 21
Part – 3 Adding the Ball Bearings 30
Part – 4 Modelling the Bearing Cage 35
Part – 5 Detailing the Cage Securing Clasp 46
Part – 6 Modelling the Dust Shield 51
Part – 7 Modelling the Circlip 59
Part – 8 The Low Polygon Bearing 62
Part – 9 Materials and Rendering 68
Part – 10 Constructing a Page Layout 73
Part – 11 The Scale Drawing Layout 79
Modelling a Guide Roller
Part – 1 Modelling the 'V' Roller 89

Part – 2 The Guide Roller Axle 98
Part – 3 Detailed Thread Profile 109
Part – 4 Laying out the Component Drawing 119
Designing a Casting
Part – 1 Positioning the Components 130

Part – 2 The Initial Layout 136
Part – 3 Roller Nut Mounting Brackets 142
Part – 4 Completing the Casting 148

Starting Blender
There is a wealth of information available on the Internet in the form of
manuals, guides and tutorials that cover the full potential of this program. This
Guide is intended as a starter for people interested in the creation of mesh
models and more specifically, dimensionally accurate mesh models. Appendix
1 gives a short list of useful Internet links.
Obtaining and loading Blender
The Open Source and freely available creative package Blender can be
downloaded from www.blender.org. Once on the site, click the download link
to open the download page. Choose the file to suit your operating system and
follow the simple installation instructions at the bottom of the download page
to install the program.
What you see when the program starts
When you run blender for the first time you are presented with the default
screen. It contains the user preference’s window at the top of the screen. The
main 3D work area in the centre of the screen and the buttons window at the
bottom of the screen.

A Quick Overview of the controlls.
Relevant sections of the program
When you first start modelling, the main two screens are already open, the 3D
workspace and the Buttons window. A cube object (1) is in the centre of the
3D view and the window is orientated so you are looking down onto the top of
the cube. There is also a Lamp (2) to illuminate the cube and a Camera (3) to
output a 2D bitmap of the cube.
3D View: Header Bar
At the bottom of the 3D view is blenders View Header Bar. The purpose of
each section within the view header is detailed below.
1) Window Type
Click on the window type button and a menu

will appear showing all the different window
types. Each window has a function within
the process of 3D modelling, image creation
or animation. However our initial interest lies
just with the following windows:
3D View:
Buttons Window:
This contains Blenders control
buttons.
Outliner:
A structured view of objects within the
3D scene and there relationships to
each other.
Script Window:
To run useful add on scripts.
2) Pull up menu
A context sensitive menu showing the operations that can be carried out and
the keyboard shortcut for the operation.

3) Mode:
The operating mode for the window, initially

we will only be using Object mode and Edit
mode.
Object mode is where assemblies of
components are constructed.
Edit mode is where the individual
components are modelled.
4) Draw type
This is the way the model is displayed on

screen. The two useful types we are
interested in for modelling are Wireframe
and Solid.
5) Pivot Point
This gives a choice of centre points for

rotating and scaling the 3D models.
6) Widget control
Click the hand icon to de-select this. It

should show a light grey background
7) Layers
These allow you to organise components in

big assemblies, only showing those that are
needed.
Buttons Window Header Bar
Context Buttons:
These change the control button options in context with the operation you are
performing.

8) Material Context Button
Brings up a choice of material texturing and lighting options.
9) Editing Button
Brings up the modelling tools.
10) Render Button

Controls the output to a 2D-bitmap image.
11) Material Sub-context

Each context button has sub context options.
Understanding 3D co-ordinates and Blenders 3D views
When you first run blender you are presented with a view of the workspace
looking directly down from above. The screen in this position represents the X
and Y-axis. The Z-axis is coming away from the screen directly towards you.
You can change the view direction by either clicking and holding the middle
mouse button whilst dragging the mouse to rotate the view around a point in
3D space, or using one of the pre-set views accessed via the number buttons
on the right of the keyboard. (Num Pad Buttons)
When modelling in blender you draw parallel to the surface of the view at the
depth of the 3D Cursor (small cross hair positioned by clicking the Left Mouse
Button), so the view rotation and position of the cursor is important to the
desired outcome.

Blender uses the right hand co-ordinate
system with the Z-axis pointing upwards. This
is in common with the co-ordinate systems
used by most common 3D CAD packages. Its
worth noting though, that some programs use
a co-ordinate system where the Y axis points
up and it may be necessary to rotate the
model if exporting your model into a program
with this configuration.
Blender displays the co-ordinate as:

DX 0.0000 DY 0.0000 DZ 0.0000 (0.0000)
When moving or extruding a vertex the
bracketed figure denotes the distance from
the start point and DX, DY, DZ will change
relative to the distance along the axis relative
to the start point.
Cartesian Co-ordinates
In object mode The Transform Properties

pane, accessed by pressing the N key,
displays the objects position, relative to the
global co-ordinates. It also gives details of its
rotation, scale and bounding box size. The
object centre co-ordinates of the blue cube in
the Cartesian co-ordinates diagram are
displayed in the Transform properties
window.

Blender units and precision
In order to make blender units represent a real world unit it is necessary to

assign a dimension size to the blender unit. When Blender first opens you are
presented with the default cube measuring 2 blender units wide by 2 blender
units deep by 2 blender units high. When importing a VRML or STL file into a
rapid prototyping machine it is necessary to tell the software what dimension
the units represent. So in order to manufacture an accurate 3D model in
Blender and export it to a 3D printer or CNC machine, you need to know what
the blender unit represents as a real world measurement.
The 3D world within Blender isn’t an unlimited space and there are restrictions
as to how big a model can be. Size is limited by the available power and fall-
off distance of the lights, the maximum clipping distance of the view camera
and the maximum clipping distance of the render (output) camera. Complexity
of a model is limited by the amount of vertices your system can handle. The
more powerful a machine you have the more vertices you will be able to
handle before the computer starts to lag behind the speed you can model at.
So how big should I make a blender unit?

If you were considering modelling a precision component or assembly, being
able to model down to sub micron accuracy would be a distinct advantage. So
if we consider one blender unit to equal one millimetre how accurate can we
get? Blender allows you to numerically input the distance of vertices to the
precision of 4 decimal places (0.0000). Say you extrude a vertex 0.0001mm
along the X-axis you have set its position 1/10th of a micron from the original.
Pretty darn accurate and given that the best CNC machining centres can
position to an accuracy of plus or minus 3 microns, you can model to a much
greater accuracy than you could ever manufacture to. The draw back to this is
your viewable workspace will be limited to a cube with 10 metre sides. This is
due to the clipping limit of the view camera, but unless you are designing a
gantry mill to cut the wing spars for an Air-Bus A380 this shouldn't present a
problem.

Putting Size into Perspective
♦ The human hair is around 76 microns thick.

♦ Most general purpose machine tools in
skilled hands would be able to work within
two thousands of an inch (50 microns)
♦ The best CNC machining centres can
position to an accuracy of plus or minus 3
micron, with repeatability of plus or minus 1
micron.
♦ A 100mm-iron bar will expand 0.012mm with
a rise in temperature of 10 degrees C
Other scales could be chosen for precision work such as 1 blender unit =
10mm giving a work area of 100 cubic metres, however this confuses the
process and you constantly need to be aware of where the decimal point goes
when you are entering extrude lengths etc.
For architectural designs it is common to use a scale of 1 blender unit = 1

metre allowing a viewable design space of 10 cubic kilometres and an
accuracy of 0.1mm

By: Robert Burke www.rab3d.com - 10 -
Modelling in Blender
When blender first opens the view has a cube object in the centre. This is one
of several primitive shapes available to you that can be altered to form your
component. In Object Mode the shape appears as a solid cube and you are
limited to being able to move its position within the global space, rotate it
about a chosen point or scale the whole model. By pressing the Tab key you
enter Edit Mode and the corners of the cube now have a yellow dot on them,
connected by yellow edges. The yellow denotes the vertices are selected. In
edit mode you can move the position of any selected vertices, add, join or
delete vertices, fill the area between any three or four vertices with a face and
much more to construct your model.
Object Mode - Solid View
Cube (1) is selected with focus. If you

press Tab this cube will become
available to edit in edit mode.
Cube (2) is selected.
Cube (3) is not selected
Object Mode - Wire View
Cube (1) is selected with focus.

Cube (2) Is selected.
Cube (3) is not selected.
Edit Mode - Solid View
Cube (1) All vertices selected.
Cube (2) No vertices selected.

Cube (3) One vertex selected. Note the
edges fade from yellow selected end to
black deselected end.
Edit Mode - Wire View
Cube (1) All vertices selected.
Cube (2) No vertices selected.

Cube (3) One vertex selected

Blender has a wealth of tools that allow you to model almost anything and
these will be described in the following tutorials. If you are new to 3D, work
through the tutorials in sequence; drawing methods and the use of tools are
introduced and described as the tutorials progress getting less detailed as
your experience progresses. If you get stuck, simply go back through the
tutorials to where the tool or method you are struggling with was introduced.
The initial description of the process will be the most detailed and helpful.
Modelling a 608 Bearing
Part 1 - Laying out the reference geometry.

Part 2 - Detailing the bearing Race cross section.
Part 3 - Adding the Ball Bearings.
Part 4 - Modelling the Bearing Cage.
Part 5 - Detailing the Bearing Cage Securing Clasp.
Part 6 - Adding the Dust Shield.
Part 7 - Modelling the CirClip
Part 8 - Low vertices version bearing.
Part 9 - Rendering the Bearing.
Part 10 - Creating a Page Template.
Part 11 - Laying out scale drawings
With the experience of modelling the Bearing its time to put the Bearings to
use. The next tutorial constructs a V-roller and Axle that will be used to run on
the Guides of my CNC machine.
Building A V-Roller Guide Assembly
Part 1 - Modelling the V-Roller.

Part 2 - Constructing the axle, washer and nut.
Part 3 - Producing Detailed Threads.
Part 4 - Laying out the Assembly Drawing
If you have completed in sequence all the tutorials above you should now be
comfortable with Blenders way of modelling. This next part looks at
positioning the V-roller's alongside other components and designing a casting
around them. The casting will form the X-axis of my CNC router.
Design Steps for a Casting
Part 1 - Laying out the components

Part 2 - Initial casting design
Part 3 - Support Brackets
Part 4 - Completing the casting

Modelling a 608 Bearing Part-1 Reference Geometry
To introduce you to Blenders modelling tools I will walk through the process of
designing a 608 Bearing, the type used in skateboards and in-line skates. The
geometry from the bearings will later be used in the design of the other
components and castings.
I will use this tutorial to introduce some of the basic modelling techniques that
can be used to build components accurately. Two bearings will be covered in
the tutorial, a detailed model with a large number of vertices and a low
detailed one with substantially fewer vertices for use on slower computers or
for use in large assemblies. The low detailed model will still be dimensionally
accurate.
First of all, I think a brief description of what we

are about to model and how we will go about it
is in order. Its always better to plan what you are
doing before you start, rather than leaving it to
chance as you work through your ideas. This
model won't be used to manufacture the
bearings so I am only concerned with the
internal diameter, external diameter and width of
the bearing being accurate, the rest is open to
some artistic interpretation.
The method to create the shell of the bearing

will be to draw a cross section of the inner and
outer race relative to the centre of the bearing
and then spin this through 360 degrees.
We will work to a scale of one blender unit equals one millimetre. Nothing has
to be set in blender to achieve this, just always remember for this tutorial
every dimension you input is in millimetres.
Keyboard and mouse actions will be shown in bold type
Open blender, you will be presented with the default top view
looking down onto the top of a cube object. In the bottom left
corner the co-ordinates arrows show the directions of the axis.
Press and hold the MMB (middle mouse button) and drag the mouse around
to rotate the viewing direction, the other sides of the cube will then be seen.
You can pan the view by holding down the Shift key whilst pressing the MMB
and moving the mouse The top view can be reset at any time by pressing
NumPad-7 (Top View). If you loose your cube from the view you can retrieve
it by pressing the Home key.
When we draw our bearing we need to orientate the model so the front face of
the bearing is shown when we press the front view. The first part of the

process is to draw a section through the bearing perpendicular to the front
face, therefore we need to draw on the side view.
Press NumPad-3 (Side View). The position of the cameras

and light will change in the view and the co-ordinate arrows
will change to reflect the different axes positions.
If you press N on the keyboard the Transform

Properties window will open. This gives details of
the location of the object within the 3D co-ordinates,
the rotation around its centre point, any scale
applied to the object and the size of its bounding box
(box that encloses the object).
The red green and blue arrows in the centre of the

cube object can get in the way when precision
modelling. Press the hand icon on the Transform
Properties panel of the view header.
The options in the Transform Properties panel will

change and the hand icon will turn white. The arrows
will be removed from the view.
We need an object to build our model on but the cube

isn't very useful for the bearing so we will delete it.
Press the X key to bring up the delete menu and
accept the pop up menu option. The cube will be
removed from the screen leaving the cursor in the
centre of the global co-ordinates. Cursor position X0.0000, Y0.0000, Z0.0000
In order to draw our bearing we need an object with at

least one vertex. For this we will insert a Plane.
Make sure you are still in side view NumPad 3 then

press the Space Bar to bring up the Toolbox, as we are
adding a mesh object, move the mouse over "Add" a
sub menu appears, move the mouse over "Mesh",
another list of options will appear, click on "Plane".
A Plane will be created, centred on the cursor and the view

will have switched to Edit Mode to allow you to edit the
plane.
As we need to work from one vertex centred on the cursor,
press the A key to de-select all the vertices which will turn
them grey and the edges black. Hold the SHIFT key to
multiple select three vertices with the RMB (right mouse
button).
Press the X key to bring up the

delete menu. In edit mode, there
are more options available than
object mode.
Select "Vertices" and the three

selected vertices will be removed
from the view along with the face
and edges of the plane. A single
vertex will remain in the view and
the Planes object centre will
remain centred on the cursor.
In Edit Mode you can undo any changes you make by

pressing Ctrl-Z
With the RMB click on the remaining vertex to select it, it will
now turn yellow. We need to snap this vertex to the cursor
position
Press SHIFT-S together to bring up the snap menu and select,

Selection>Cursor. The vertex will now snap to the cursor position, however it
can't be seen as the object centre hides it.
A 608 bearing has an inside diameter of 8mm

therefore if the object centre is on the centre axis
of the bearing we need to position the inner race
4mm from the object centre.
Press E to extrude the vertex then press Z to

constrain the movement of the vertex to the Z-
axis then press 4 the vertex will extrude 4mm
along the axis. Press Enter to accept the move.
An edge has now appeared coming from the object centre to the mid point of
the inner race.

The width of a 608 bearing is 7mm so from the
centre point we need to extrude an edge 3.5mm
along the Y-axis.
Press E to extrude, Y to constrain it to the axis,

-3.5 to set the position 3.5mm along the negative
Y-axis and Enter to accept.
The second edge will now have appeared.
Repeat the extrude process for the other sides of

the bearing.
The dimension between the inner and outer race

is 7mm so:
Press E to extrude, Z to constrain 7 to position

and Enter to accept.
Extrude the outer diameter 7mm along the Y axis.
Extrude the other side of the bearing -7mm along

the Z axis.
You should now have the shape opposite in your

view.
With the RMB Select the vertex under the cursor

and then SHIFT-RMB the vertex directly above,
so both are selected. These are no longer
needed so press X and delete Vertices

Select the two bottom vertices Shift-RMB and press
F (face) to add an edge between them
We have now created the reference geometry to construct the detailed cross
section of the inner and outer race relative to the centre axis. Blender has the
ability to show the length of any selected edge. To activate it go to the buttons
window at the bottom of the screen.
Click the Editing Context button (1) to bring up the edit buttons.
In Edit mode the buttons panels below will become available spread
horizontally along the bottom of the screen. It may be necessary to drag the
button panels to the left to see all the options. Pressing the MMB and
dragging can do this.
In the Mesh Tools 1 panel (2) select Edge Length and the view will display the
length of any selected edge.

The bearing has a 0.6mm fillet on the edge of the
inner and outer race. As Blender is not primarily a
CAD program it doesn't yet have a dedicated fillet
tool. However it is both quick and simple to add a
fillet using the Spin function (3) in the Mesh Tools
Panel
First we need to add a vertex at the start point of

the fillet and also at the centre of the fillet. The spin
tool works in the clockwise direction so it is
important to take this into account when positioning
the first vertex.
Starting in the bottom left corner, select RMB the

corner vertex. Press E to extrude, Y to constrain to
the Y-axis, 0.6 for the length and Enter to accept.
This has created the fillet start vertex. With the new
vertex still selected, Extrude E, Constrain Z, and
length 0.6 and accept Enter. The fillet centre has
been created.
Repeat this sequence in the other corners.
Select RMB the top left vertex, E, Z, -0.6 and

Enter. Then E, Y, 0.6 and Enter.
Select RMB the top right vertex, E, Y, -0.6 and

Enter. Then E, Z, -0.6 and Enter.
Select RMB the bottom Right vertex, E, Z, 0.6 and

Enter. Then E, Y, -0.6 and Enter.
Your view should now look like the image opposite.
Starting in the bottom left corner select RMB the

vertex on the centre point of the fillet
Press Shift - S to open the Snap menu and select

Cursor -> Selection. The cursor will be positioned on
the fillet centre.

Now select RMB the vertex that will be spun to form the
fillet.
In the Mesh Tools panel make sure in the text box

below the spin button Degr: 90 is displayed.
Change the Steps: 9 to Steps: 7 as we don't need
that many vertices to scribe the fillet. Clicking on the
small arrow either side of the “Steps:” text box, or
pressing Shift and clicking over the number with the
LMB (left mouse button) can alter the number. You
can then use the keyboard to enter the number.
Press the Spin button and the first fillet will be created.
Repeat the process on the other corners
Select RMB centre vertex. Shift-S cursor-

>Selection. Select RMB the vertex to spin.
Press Spin in Mesh Tools panel.
The vertices of the fillets are the first part of the

bearing section that we will keep; the other
edges are only there as drawing aides and will
be removed later.

We now have the Inner diameter, outer diameter and width of the bearing
cross section positioned accurately above the centre axis, together with the
corner fillets. The four corner vertices and edges we have created are only
reference points, which we will use to position the detail needed for the inner
and outer race.
This is a good time to save your work. Blender

handles this slightly different to other
programs, a good description of the process
can be found on the Blender Wiki. For now
though press File - Save As. The 3D view will
change to the File window. Choose the folder
where you want to save your file and name it
as 608-Bearing.blend Click Save File and the
screen will change back to the 3D Window.
When you first use blender it may seem this is a slow and cumbersome way
of drawing, but as you get used to the concept and the keyboard short-cuts
become instinctive it is extremely fast. I have timed myself and from clicking
the Blender icon on my desktop to load blender, to reaching this stage takes
less than two minute’s. This is about the same amount of time it takes just to
load the CAD package on my works CAD machine.

Modelling a 608 Bearing Part-2 Inner and Outer Race
With the corner fillets in place it's now time to define the inner and outer race.
The thickness of each race is 1.92mm, so we

need to divide the cross section accordingly.
(You should now know the keyboard

commands to select, extrude and constrain
vertices to a set axis, so from now on I will
only include the commands for these
operations occasionally.)
Select the bottom left vertex and Extrude it on

the Z-axis 1.92mm. Then extrude this vertex
7mm in the Y axis.
Select the top left vertex and extrude it

-1.92mm in the Z-axis. Then extrude this 7mm
in the Y-axis.
The thickness of the Inner and outer race is now defined.
The next stage is to form the grooves that the

ball bearings will run in. To do this we must spin
a circle from the centre point of the two bearing
races.
Hold Shift and Select RMB the four vertices that

are on the ends of the two edges that we have
just created to define the thickness of the inner
and outer race.
Press Shift-S and snap the cursor to the

selection. Because we have selected more than
one vertex the cursor will snap to the centre of
all the vertices.

We now need to snap a vertex to the cursor.
To insert a vertex, ensure nothing is
selected A and holding the Ctrl key click
LMB anywhere near the cursor. A new
vertex will be created.
Snap the vertex to the cursor. Shift-S,

Selection->Cursor.
The Ball Bearings have a diameter of

3.95mm so we need to spin a radius of
1.975mm.
Extrude the vertex -1,975 on the Y-axis.
In the Mesh Tools panel set Degr: to 360 as

we are going to spin a complete circle. Set
Step: to 64. This will give us a sufficiently
detailed circle.
Its worth noting that if possible you should

always choose a number of steps that will
give a vertex on each of the circles
quadrants.
With the vertex we have just extruded still

selected spin the circle.
Excluding the vertices whose edges

intersect the line defining the inner and outer
race, the centre vertices are no longer
required and can be deleted.
Rather than Shift-RMB selecting all the

vertices Blender allows you to box select a
group of vertices. To do this press the B key,
the mouse pointer will change to a cross
hair. Position it above and to the left of the
vertices you need to delete. Press and hold
the LMB and drag the cross hair to the lower
right of the vertices to be deleted, release
the LMB. The vertices within the selection
box will now be selected.
Press X and Delete the vertices.

Until now we have been working with the pivot set to Median. This means that
if you rotate or scale a group of vertices the centre of the rotation or scale will
be the centre of the selected vertices.
To align the end vertices of the bearing grooves we need to rotate individual
vertices around the centre of the ball bearing.
On the view header click on the pivot button and choose

3D Cursor. As the cursor is already positioned on the
centre of the ball bearing we can rotate the end vertices.
Zoom in on one of the end vertices by rotating the

SW (scroll wheel) and panning by pressing Shift
and holding the MMB whilst moving the mouse. To
rotate the vertex press R and drag the vertex until
it is over the line defining the inner portion of the
bearing race. Click the LMB to accept the rotation.
Repeat this on all four vertices
The vertices we have just rotated will be close to

the edge defining the inner surfaces of the
bearing race but not exactly on it. To correct this
we will position the cursor on the inner surface
edge. Select a vertex on the edge and Shift-S
Cursor->Selection.
Then scale the two vertices onto the edge. Press

S to scale Z to constrain the movement to the Z-
axis and 0 to position the vertices in line with the
cursor.
Repeat this on the other edge.

We now have enough detail to complete the inner
race. Select the 6 reference vertices shown
above and X delete them
We are left with the two corner fillets and the

bearing groove.
To reconstruct the face of the bearings inside

diameter select the inner most vertices on the
bottom fillets and press F to insert an edge.
Extrude the end vertex of the bearing groove

and constrain to the Y-axis
To align this to the outer edge of the bearing

snap the cursor to the top vertex of the fillet.
Re-select the extruded vertex and scale S
constrain to the Y-axis and 0 to set its
position in line with the cursor.

The inner edge of the inner race has a 0.05mm
chamfer. To form this press G to grab the vertex
(move), Y to constrain, 0.05 to set its position.
Now extrude this vertex -0.05 in the Y-axis then grab
G, constrain Z, -0.05 to position. The chamfer is now
formed.
Finally join the chamfer to the fillet with an

edge. Select the end vertices on the chamfer
and fillet and F to insert a new edge.
Repeat this on the other end to complete the

section of the inner race.
The outer race is a little mode difficult as it

contains a circlip groove and location for the
dust shield.
The creation of this form is fairly

straightforward. From the top left corner
vertex simply extrude and constrain the
movement to the Z and Y-axis at the
dimensions opposite.
Once completed repeat this on the other

end of the bearing.
Once the edges are in place you can refine the cross section by adding a
0.02mm chamfer on each of the corners. This can be achieved by deleting
one edge, extruding the end vertices 0.02 in the direction of the deleted edge,
reinserting the edge and then moving the corner vertices 0.02 in the
perpendicular axis.
Delete X the six vertices used as reference

points.

The basic shape of the outer race is now
constructed. Select the vertices both ends of
a gap and press F to insert an edge. Do this
one edge at a time until the outer race is
complete.
The section through the bearing is now

complete and we are ready to spin this
through 360 degrees to form the 3D model.
However the spin process rotates around the
cursor and it is currently in the wrong
position. When we started to construct the
section we worked from the Object Centre
which defined the centre axis of the bearing.
To snap the cursor to the object centre press

Tab to go into Object Mode. From here you
can press Shift-S Cursor->Selection The
selection point of an object is the object
centre.

Tab back into Edit Mode and press A to select
all vertices.
As we want to spin the bearing in the front view

press NumPad 1 and the view will change with
the vertices lined up above the cursor.
In the Mesh Tools panel check Degr: is set to

360 and Step: is set to 64. Press spin. The
bearings inner and outer race will be formed.
The last set of vertices created will now be

selected but they aren't yet connected to the
first set of vertices.

To join these press A twice to select all the
vertices then W to bring up the Specials menu,
from this select Remove Doubles, which will
merge any vertices that are sitting on top of
each other.
That's it for modelling the inner and outer race.

Press Tab to go into Object Mode and rotate the
view with the MMB to see the 3D view of the
bearing from any angle. You can pan the view
with Shift-MMB and moving the mouse.
If you loose your model from the view you can
retrieve it by pressing the Home key
You will notice however that all the faces are flat
with faceted edges to correct this in the view we
will smooth the surfaces we need to appear
round and retain edges we need to be sharp.
Tab back into edit mode and select all A. In the Link and Materials panel click
"Set Smooth".
If areas of black appear on the surface of the bearing press Ctrl-N and accept
"Recalculate Normals Outside". This will allow Blender to know which side of
the faces are pointing to the outside of the object and which are on the inside.
In the Modifiers panel press Add Modifier.

From the pop up menu choose Edge Split. In
the Edge Split modifier "From Marked As
Sharp" and "From Edge Angle" will already be
selected. Leave Split Angle:30. Which will
smooth the join between any faces with an
angle of 30 degrees or less. You will notice though that there is not a sharp
edge between the bearing groove and the inner edges of the race because
the angle is less than 30 degrees. This can be corrected by marking these
edges for the Edge Split modifier to recognise as sharp.

Select the edge loops on the outer edges of the
bearing groove. This can be achieved by first
deselecting all vertices A and then selecting each
loop Shift-Alt-RMB
With the four loops selected press Ctrl-E to bring up the Edge
Specials menu.
Select "Mark Sharp". This will tell the Edge Split modifier that
these edges should be viewed as a sharp edge and it won't apply
any smoothing to them.
Before we create the next object we will give this

one a meaningful name. In the Links and Materials
Panel Click in the OB: Plane field
Delete plane and re name the object 608-Race
This is a good point to save your work. Press Ctrl -

W and accept the save menu.

608 Bearing Part-3 Adding the Ball Bearings
In Parts 1 and 2 we created the bearings

inner and outer race, now we need to add
some ball bearings. The 608 bearing has 7
balls so we will create and position one
ball and then use a similar spin process to
position the other six. This time though we
will use "Spin Dup" to duplicate the
selected vertices of the first ball around the
cursor at the required step positions.
In front view Num-Pad 1, go into edit

mode Tab, select wire frame Z, and de-
select all vertices A.
Before we insert a Sphere to use as the ball bearing we need to position the
cursor central to the bearing groves of the inner and outer race. To do this we
will hide all the vertices of the bearing race other than the perpendicular
section directly above the cursor.
Press B (Box Select) and drag a selection

box to select all the vertices to the right of
the vertical centre line. Press B again and
select all the vertices to the left of the
centre line. Repeat this again to select the
remaining vertices below the horizontal
centre line. If you select the wrong vertices
simply press Ctrl-Z to undo the selection.
You should be left with only the vertices

directly above the bearing centre
deselected.
Press the H key to hide the selected

vertices. The vertices haven't been deleted
they are hidden so they don't clutter the
view and cant be edited. You can retrieve
these vertices at any time by pressing Alt-H.
You will now have one row of vertices directly above the bearing
centre.

Press NumPad 3 to go into side view and
select RMB the centre vertex of the inner
race, bearing groove. Now add to the
selection Shift-RMB the vertex directly
above this on the outer race. The centre of
these two vertices is the centre point for the
ball bearing.
Press Shift-S to bring up the snap menu

and select Cursor->Selection. The cursor
will be positioned at the insertion point for
the first ball.
Un-hide the vertices we hid to make

positioning the cursor easy by pressing Alt-
H. Change to front view NumPad 1 and Tab
into Object Mode. You will see the cursor
positioned between the bearing races
directly above the Object Centre.
To form the ball we will use one of Blenders

pre-set objects, the UV Sphere. The sphere
is constructed from a series of latitudinal
and longitudinal edges with poles at the top
and bottom.
We will be using the geometry from the

sphere to construct the bearing cage and it
is important that it is oriented correctly.
When we insert the sphere we need one of
the poles to be pointing towards the bearing
centre.

To achieve this it is necessary to insert the sphere
whilst in the top view, so press Num-Pad 7 for the
top view and then press the Space Bar to open the
Toolbox. select: Add > Mesh > UVsphere.
Accept the default 32 segments and 32 rings, a UV

sphere will be inserted centred on the cursor with a
diameter of 2mm. The mode will have switched to
Edit Mode and all the vertices will be selected. If you
click into front view NumPad 1, You will see the
bearing is hanging in space and too small for the
race. To correct this we need to scale the bearing.
To obtain the correct scale factor, divide the

required size of the ball by the inserted size of the
UV sphere. As the balls are 3.95mm diameter and
the UV sphere is 2mm then: 3.95 / 2 = 1.975.
Press S for scale 1.975 for the amount and Enter to

accept. The ball now correctly fits the race.
Blender 2.44 Update

When you add a UV sphere there is a new
floating panel that allows you to specify the
radius, along with the segments and rings of the
sphere. So you no longer need to calculate the
scale factor when imputing some of the mesh
primitives.
You can now simply hold down Shift and Click LMB over the radius figure and input
the new radius of 1.975 and click OK. The UVsphere will now be inserted at the
correct size.
Its still good to understand how to calculate a scale factor, as it will be needed in
many other modelling situations.

The Object Centre for the ball is currently central to
the UV Sphere and it would be much more useful if
it was positioned central to the Bearing. To achieve
this Tab into Object mode and select RMB the
bearing race. Press Shift-S to bring up the snap
menu and select cursor->Selection. The cursor will
be repositioned to the centre of the bearing. Now
reselect RMB the Ball
In the Mesh Panel there are three options for

moving the cursor.
Centre: moves the object so it is centred over the

Object Centre.
Centre New: Moves the Object Centre to the

centre of the object.
Centre Cursor: moves the Object Centre to the

cursor position, which is the option we require.
With one ball in place we now need to create the other six. As the cursor is on
the bearing centre we can duplicate the first bearing 7 times around the race.
To achieve this Tab into Edit Mode.
In the Mesh Tools panel set the Deg: and Steps:

as shown.
Press Spin Dup to duplicate the vertices seven

times around the cursor. As with the spin
command we have just placed a copy of the
original ball over the top of the first one. To
correct this select all vertices A, you will need to
press it twice, once to de-select the last ball and
then to select all. Press W (Specials Menu) and
then select remove doubles.

To change the appearance from the faceted
surface of the UVsphere to a smooth surface,
with all vertices selected click "Set Smooth" in
the Links and Materials panel.
The balls are now created and positioned

around the bearing. Press Tab to go into
Object Mode, Z for solid view and rotate the
view with the MMB to see the bearing as a 3D
object.
In the Links and Materials panel rename OB:Sphere to OB:608-Balls
If you haven't already done so press Ctrl-W and save your work.
Part 4 modelling the cage becomes a little trickier but as you get used to
panning, rotating and zooming the view, selection of vertices and constructing
models becomes a little easier to achieve.

608 Bearing Part-4 Modelling the Bearing Cage
When we inserted the UVsphere that formed

the ball bearings it was important to ensure
that one of the poles pointed to the centre. By
doing this it has left us with the rings of the
ball running perpendicular to the to the
bearing centre axis and this allows us to
extract the geometry from the surface of the
UVsphere to form the inner profile of the
bearing cage. This will become as little clearer
as we work through this part of the tutorial.
In front view select the balls, as the bearing

race will get in the way of our view select local
view NumPad /. This will remove everything
from view except the selected objects.
With only the balls in view, zoom in and pan on

to the top ball, SW (scroll wheel) to zoom,
Shift MMB to pan.
Tab into Edit Mode and go into solid view Z.
On the view header select the Limit selection to visible

button, so you only select vertices from one side of the
sphere. Without this being checked you would also
select the unseen vertices from the back of the sphere.
Box select B 8 rings of vertices starting from

the centre ring and moving towards the bottom
of the sphere. We will copy these vertices and
turn them into a new object, they will then form
the inner part of the bearing cage.

Press Shift-D to copy the vertices, then press
Esc so they aren't moved from their original
position. A new set of vertices has been created
on top of the sphere. With these still selected
press P (part) to separate them from the 608-
Balls object. A new object has now been
created and removed from the current Edit
Mode selection.
Tab into Object mode and though not visible the

new cage object is on top of the top UVsphere.
RMB click over the cage and its outline will be
highlighted. Tab back into Edit Mode.
Currently the vertices of the cage are sitting on

the surface of the ball which would stop the
bearing from turning, so we need to add some
clearance. To achieve this we will scale the
cage from the centre of the top ball bearing.
First we need to set the cursor at the centre of

the top ball. Tab into Object Mode and select
the 608-Balls Object. Tab into Edit Mode and
de-select all A move the mouse close to a
vertex on the top ball and press L (link select)
this will select all the vertices directly linked by
an edge to the vertex you are closest to. All the vertices of the top ball will
now be selected. Shift-S and snap Cursor->Selection, this will centre the
cursor on the top ball.
Tab back into Object Mode and select the Cage and Tab back into Edit mode.
Make sure the Pivot Point is set to 3D Cursor and scale S the cage 1.02 This
will give you a clearance of 0.0395 between the ball and the cage. ((Diameter
* 1.02) - Diameter) / 2

We have now got the inside profile of the cage
but we need to add thickness to it. We could
simply Extrude a new set of vertices and then
scale them from the centre however we would
need to work out a scale factor. Instead Blender
has the ability to scale all faces in the direction
of the face normals (see Blender Wiki for
explanation of Normals). As we are scaling
individual vertices then we only need to use the
thickness as the scale factor.
With all the vertices selected extrude E select “Region” from the sub menu
and then press Esc so the new vertices don't change position. Press Alt-S to
scale along normals and -0.3 for the thickness then press Enter. The cage is
now 0.3mm thick
As we have created the thickness of the cage

by scaling in the direction of the faces, the new
end vertices are no longer on the centreline of
the bearing. With the cursor still on the centre of
the top ball and Pivot set to 3D cursor, select
the new end vertices (you will need to deselect
the "Limit selection to visible" button or go into
wire view Z) Shift-RMB and scale S in the Y
axis to 0.
It may be easier to select all the end vertices of

the cage as those that are already on the
centreline won't move. Box Select vertices
within the area outlined above then with pivot in
3D Cursor, Scale Y-axis to 0)
We now have the cage form that surrounds the

bearing but if we Spin Dup this we will still be
missing the section that bridges between this
ball surrounds. Therefore before we Spin Dup
this section we need to locate vertices so the
bridging section when formed is 0.3mm thick.
In top view select the outer most vertex and extrude

it -0.3 in the Y axis. This vertex will be the reference
point to cut a new row of vertices.
Select all A and press K (knife) a sub menu will open

select Knife (Exact). The mouse icon will change to a
knife. Move the knife close to the reference vertex
and holding down Ctrl click with the LMB the cut line
will be snapped to the reference Vertex.

Drag the line to the right and click MMB this will
constrain the cut to a line running horizontally
along the view, which is the X-axis. With the line
passing all the edges of the left side of the cage
click LMB to set the line and then Enter to cut
new vertices.
Repeat the cut on the other end of the cage, then delete X the
reference vertex.
We now have a row of vertices running

parallel with the back face of the cage at
0.3mm. We will need to delete the faces and
edges between this new row and the back
edge. To make selection easier go into Edge
Select.
Select Shift-RMB over the 6 edges indicated and delete X

selecting Edges from the delete menu. Repeat this on the other
end.
The cage profile should now have a row of faces missing on either
end. When extruded and joined to the next cage profile, this will
allow us to have a continuous shell without any faces or edges
inside the model.
As the cage has been created from the 608-Balls Object,

its object centre is on the bearings centre axis. Tab into
Object Mode and snap Shift-S the cursor->Selection to
centre the cursor on the bearing axis. Tab back into Edit
Mode and select all vertices A.
In the Mesh Tools panel set Degr: 360 and Step:7 and
Spin Dup the vertices. Select all vertices A and remove
doubles W
Click back into vertex select mode.
We now have 7 cage profiles that need to be joined together.

Zoom in on the top profile and select the loop of vertices
around one of the open ends Alt-RMB
In front view, extrude the selection E and accept Only

Edges from the sub menu. Drag the extruded
vertices towards the next cage profile.
We now need to merge the extruded vertices onto

the next cage profile.
To do this select one vertex on the extruded edge

(1) then Shift select the corresponding vertex on
the next cage profile (2). Press Alt-M to open the
Merge sub menu and select "At Last". This will join
the vertices at the position of the last selected
vertex.
Repeat this for all the vertices around the loops to

be joined.

We now have two cage shells joined together
with a connecting bridge all with a thickness of
0.3mm.
Soon we will mirror this cage to form the cage on

the other side. But before this a little more
geometry is needed, as the two half cages are
joined together with a folded tab over the outer
circumference of the cage.
To create the vertices that will eventually form the

joining tab, select all A and cut through the
bridging section K but this time accept Knife
(Multicut) from the Cut Menu. A new sub menu
will open allowing you to choose the number of
cuts. Accept the default 2.
Two new edge loops will be formed on the bridging

section, but not in the position we require them in.
To reposition the vertices we will use Edge Slide to slide the loops
of vertices towards the cage sphere profiles. Alt-RMB select one
loop and turn on "Edge Length" in the Mesh Tools 1 panel.
Press Ctrl-E to open the Edge

Specials menu and choose "Edge
Slide". Slide the loop of vertices until
the top vertices are 0.3mm from the
cage sphere profile as shown above.
Whilst moving the loop you can press
Shift to give finer control of the
movement.
With the two edge loops slid to a position 0.3mm
from the cage spheres select the vertices of the
bridge section. (The two edge slide loops and the
two loops connecting the bridge to the sphere.
Ensure the cursor is still on the bearing centre

axis and Spin Dup the selected vertices. Degr:
360, Step:7.
Select all and remove doubles.
You have now made the basic construction for

one half of the cage. We will chamfer the edges of
this but first we need to copy and mirror this object
to make the other half of the cage.
In the Links and Materials panel change the

Objects name from OB:608-Balls.001 to OB:608-
CageA, the previous name was automatically
assigned by Blender as copy 001 of the 608-Balls
object, from which we copied the cage geometry.
If you have not been doing so at frequent intervals

press Ctrl-W and save your work.
In Object Mode go to the side view NumPad-3 and copy the cage Shift-D
then press Esc so the position of the copy does not move.
We now need to Mirror this copy on the Y-axis. Ensure the cursor is on the
Object Centre (centre of the bearing) and press Ctrl-M (Mirror)
This will bring up the Mirror Axis sub menu choose "Y
Local".
The copy will flip over to be a mirror image of OB:608-

CageA with the name OB:608-CageA.001.

In the Links and Materials panel rename this object OB:608-
CageB.
Our model now consists of four objects. To make selection easier

blender has the ability to show an object layout in the form of a
tree structure. This is seen in the Outliner window.
To enable this we first need to make room on our

screen for a new window. Move the mouse over the
join between the 3D view and Buttons Windows. The
mouse pointer will change to a double arrow
RMB click whilst the arrows

are showing and a sub-menu
will appear, LMB click on
Split Area. A split line will
follow the mouse pointer.
Move the mouse over the 3D
view.
LMB click and a new 3D view will be created.

Click on the Window type button in the lower left corner of
the new window, a Window type menu will appear choose
Outliner.
The view will now show a list of all the objects that are in
our scene (assembly and 3D space). Together with the
default Lamp and Camera.
It may be necessary to increase the width of the Outliner

window to see all the options. To do this move the mouse
pointer over the join between the 3D view and Outliner, the
pointer will change to a double arrow. Hold down the LMB
and drag, the size of windows will change according to the
mouse position.
By clicking on the objects name in the Outliner, the

object will become selected in the 3D view.
Clicking on the eye symbol will show or hide the

object in the 3D view.
Clicking on the arrow will lock the object so it

cant be accidentally edited.
The square camera icon stops the object being

rendered to a bitmap image but still allows you
to see it in the scene.
Now we have both sides to the bearing

cage however there is still one operation
that needs to be performed on OB:608-
CageA. No mechanical parts have a
perfectly square edge especially pressed
parts like the bearing cage. So we need
to add a chamfer to the outer edges of
the object.
This process is greatly simplified by using one of the python scripts, so we

need to open a scripts window. As above with the Outliner, split the 3D view
but this time on the right hand side of the view. From the window type menu
choose scripts window. In the scripts window LMB click on Scripts go to mesh
and choose Bevel Centre. This will be used to add a chamfer to the chosen
edges.

In the outliner window click on 608-
CageA to select it and then click on the
eye icon for the other objects to remove
them from view.
Your screen will become quite cluttered

and with the need to open more and
larger windows the 3D view will become
uncomfortably small, especially if you
are using a small monitor. To make
selecting and modeling easier you can
force any of the windows to full screen by pressing Ctrl-Down Arrow with the
mouse pointer over the window, giving a much better work area, pressing
Ctrl-Down Arrow again will return the screen to the normal layout.
In Edit Mode zoom in on one of the cage spheres and set the
selection to Edge Select.
It’s now a matter of selecting all the edges on the

outer and inner circumference.
Shift-Alt-RMB select the edges indicated and

work your way all around the circumference of
the cage. Check you have four continuous loops
selected. This check may be easier in wire mode
Z.
In the Bevel Centre Shift-LMB over the thickness

figure and change it to 0.05. This will give a
0.05mm chamfer.
Press Bevel and after a few seconds a chamfer will be

created on the selected edges.

To get a smooth appearance on our cage
we will add an Edge Split modifier. In
vertex Select, select all vertices A and in
the Mesh Tools panel press Set Smooth.
In the Modifiers panel press Add Modifier,

From the pop up menu choose Edge
Split. In the Edge Split modifier "From
Marked As Sharp" and "From Edge
Angle" will already be selected. Leave
Split Angle:30. Which will smooth the join
between any faces with an angle of 30
degrees or less.
If black patches appear on the surface this is

because the computer doesn't know what side of the
face is outside. To correct this press Ctrl-N and
recalculate normals outside.
OB:608-CageA is now complete.
Press Ctrl-W and save your work.
In part 5 we will add the clasp that joins the two half
cages to OB:608-CageB.

608 Bearing Part-5 Detailing the Cage Securing Clasp
With 608-CageA now complete its time to go

back to Cage B which we copied and mirrored
from cage A before the chamfers were added.
In the Outliner click on 608-CageB, select the

Eye icon to bring it into view and close the eye
icon of 608-CageA.
When we originally mirrored the cage from 608-CageA, we effectively applied

a scale factor of -1 in the Y axis. Press N to open the Transform Properties
window, You will see ScaleX:-1.000. To clear this back to ScaleX:1.000 we
need to apply the scale to the object. To do this press Ctrl-A and accept
"Apply Scale and Rotation". If you had simply changed the number in the
Transform Properties window to 1 the cage would have flipped back to the
other side of the bearing
In front view select the vertices that make

up the loops we cut in the bridging section
between the ball cups. Shift-Alt-RMB but
leave the vertices of the bottom bridging
section deselected as these are parallel to
the X axis and the easiest to modify.
With the vertex loops selected on all but the

bottom section, press X to delete them
Zoom SW, pan Shift-MMB and rotate the

view MMB, until you obtain a good viewing
angle on the bottom face of the remaining
bridging section. Select the central bottom
face. (Shift-RMB the 4 vertices on the
corner of the face.)
Switch to top view and go into wire view

mode Z. you will see the selected edges are
not square because they were cut from
geometry originally created from the ball
bearing's UVspheer, so we need to square
up the edges.
Select the face vertex on the outer surface of the
cage and Shift-S snap Cursor/>Selection. Select
the vertex on the opposite end of the edge and
Scale S constrain X to a scale point of 0. Repeat
this on the other edge of the face.
Select one of the edges that cross the

bottom face. Go to side view and wire view
mode. You will see that the edge is not
aligned to the Y-axis, this is because of the
same reasons the edge above are not
square.
Extrude E (Only Edges from sub menu) a

face from this edge constrained in the Z-
axis. The length of the face is not important.
We will use this face to see what angle the
edge is at.
In the mesh tools 1 panel select edge angle and then

select the four vertices of the face. The angle of each
face corner will be displayed.
To form the clasp we need to spin the bottom face

92.376 degrees. Select only the bottom two vertices and
delete them X as they were there just to obtain the
required spin angle.
Select one vertex on the inside edge of the bottom

face and snap Shift-S Cursor->Selection to position
the cursor to the centre of the spin radius.
Shift-RMB Select the other vertices of the bottom

face.
Go to side view NumPad-3.
In the Mesh Tools panel set Degr:92.376 and Step:7

and press Spin. Select all A and remove doubles W as
we have also stacked 7 vertices on either end of the
edge below the cursor.
Re-select the newly spun face and Extrude E (Region
from sub menu) and 0.3 for the distance. When you
select region a new face will be extruded constrained
to an axis perpendicular to the original face.
If the face extrudes in the wrong direction press grab

G constrain to Y and distance -0.6 (-0.3 to bring it
back to the cursor and -0.3 for the correct position)
Select one vertex on the

top edge of the new face
and snap the Cursor to the
vertex. This sets the centre
for the next spin. Then
select the remaining
vertices of the face.
In the Mesh Tools panel set Degr:90 and leave Step:7. Go

to side view and press Spin. The next section of the clasp
will be formed.
Select all A and remove doubles W to remove the vertices

stacked under the cursor.
Reselect the newly created face

and extrude (Region) 0.2mm
With the vertices of the face still

selected cut a new edge across
the centre of the face. K Knife
(Midpoints). Two new vertices
will be created.
Select the two new vertices and delete X (Edges). The edge
joining the two vertices and both faces either side will be
deleted.
Select one middle vertex and snap the cursor to it.

Select the two centre vertices and the two on the left
edge. We will spin these in front view to form the
front radius of the clasp.
In the Mesh Tools panel set Degr:180 and Spin:14,

go to front view and then press Spin. As before
select all and remove doubles.
Select the newly formed clasp and the four edge

loops that make up the bridging section.
We are now going to Spin Dup the new bridging

section with the clasp around the cage.
Tab into Object Mode and snap the cursor to the

object centre.
Tab back into Edit Mode.
In the Mesh Tools panel set Degr:360 and Spin:7.
Press Spin Dup to copy the bridging section between

the cage spheres.

Its now time to add the fillet around the
edges of the cage. This time the outer edge
loops will also follow around the clasp.
Follow the details in Part 4 to add the Fillets

but with Edge Select activated make sure
you select continuous loops that also
include the clasp.
Add the 0.05mm Fillets with the bevel

Centre script.
Add the Edge Split Modifier also detailed in

Part 4
This completes OB:608-CageB
In the next section's we will add the dust shield and

circlip to complete the detailed model of the 608
bearing

608 Bearing Part-6 Modelling the Dust Shield
The dust shield will be formed in the same way as we made the
bearing inner and outer race. We will create a section through the
dust shield and spin this around the bearing centre to form the 3D
component.
In the Outliner set the 608-Race to visible and hide all the other
parts. In Object Mode snap the cursor to the 608-Race object to set
the cursor in the centre of the bearing.
We will start this object with a plane, so press the Space Bar to
open the Tools menu and Add>Mesh>Plane. The plane opens in
Edit Mode.
Drag the four vertices of the plane and position them in the
retaining grove of the outer race.
Select the bottom two vertices and delete them X as we will

start the dust shield using only the top two vertices.
Grab G the end vertex and move it along

the Y-axis 1.75mm so the top edge
measures 0.25mm, the thickness of the
dust shield.
Extrude E (Only Vertices) the two end

vertices in the Z axis -0.75.
Grab G the inside bottom vertex and move

it in the Z axis a further -0.144mm to form
an angle between the two vertices of 60
degrees from the vertical.
Set the cursor on the inside lower vertex and then

extrude this -1.5mm in the Y axis.
Rotate R this edge -30 degrees from the cursor.
Repeat this for the outer edge.

The dust shield offsets 0.85mm so
extrude two reference vertices from
the top corner. -0.6 then -0.25 in the
Y axis
Extrude a face from these vertices constrained to the Z-axis

and position the new vertices between the dust shield edges.
Extrude another face along the Z-axis below the dust shield.
We will use the reference edges to accurately cut the angled

dust shield edges to length.
Select all vertices A and open the knife menu K, select Knife
(Exact)
Click LMB below the lower right reference vertex, press Ctrl
and move the knife towards the bottom left vertex the cut line
will snap to the vertex click LMB to set the line then move to
the vertex above Ctrl-LMB this vertex to snap the cut line,
then press Enter to accept the cut.
Repeat this on the outer edge but start the cut line on the top
left vertex and cut to the vertex below.
We now have two new vertices setting the offset width of the
dust shield.
We no longer need the reference vertices or the end vertices

of the dust shield edges.
Select these vertices and delete them X

Select the two end vertices of the dust shield ready to
extrude them.
Before we extrude them we need to set the cursor on the top

of the inner bearing race. Tab into Object mode and select
608-Race. Tab back into Edit Mode for this object. Select a
vertex from the top of the inner race RMB and snap the
cursor to this, Shift-S Cursor->Selection.
Tab back into Object Mode, select the Plane object (dust
shield) and Tab back into Edit Mode for this object.
Extrude the two selected vertices towards the inner race

constrained in the Z-axis.
We will now scale them onto the inner race.
With the pivot point still set to 3D cursor press S for scale Z to
constrain the movement to the Z-axis and 0 to scale the lines level
to the cursor.
The vertices are now touching the inner race so we need to back
them off a little to provide some clearance.
Move the vertices G (grab) Z constrain 0.02 for the

clearance. The vertices will now be clear of the inner race.
To complete the basic shape of the dust shield press F to

put an edge between the vertices.
We now have the basic cross section of the dust shield positioned
accurately against the bearing race. As we no longer need to reference
the bearing race press Num-/ to go into local view for the dust shield.
The last thing to do to the cross section is add some fillet radii to the
offset corners.

Adding Fillets
I will show two methods of accurately positioning the fillets, one using
trigonometry and one using reference geometry that has no need for a
calculator. For both methods you will need to know the angle between the
edges, the fillet radius and have one edge aligned to a known axis.
Fillets - Trigonometry Method
First we need to know the angle between the edges we are going
to fillet. If you haven't been planning the construction of your model
and placing lines arbitrarily you can find the angle by forming a
face from the three vertices and using the edge angle button in the
Mesh Tools 1 panel.
Another requirement is for one of the edges to align with a known

axis.
To work out the centre point of the fillet we simply

construct a right angle triangle with half angle A and
the radius. The hypotenuse is the distance to the
centre point at an angle of half A
Therefore: Sin 1/2A = Radius/ Hypotenuse
Hypotenuse = Radius/ (Sin (A /2))
Once you have determined the hypotenuse simply extrude E this from the
intersect along the known axis and rotate R it 1/2 angle A
Fillets - Reference Geometry Method
Extrude a vertex from the intersect 1.5

times the radius.
Rotate this vertex 1/2 angle A

From the intersect extrude a vertex perpendicular to the
edge on the known axis and the length of the fillet radius.
Extrude another vertices from this parallel to the edge on the

known axis.
Where these two lines cross is the centre point for the fillet.
Using the knife tool K snap a cut line Ctrl-LMB between the
two reference vertices parallel to the known axis line and cut
a new vertex on the centre point of the fillet.
From the centre point extrude a vertex perpendicular to the

edge on the known axis at the length of the fillet radius.
Set the cursor on the centre point and spin the vertex on the
end of the radius edge through an angle of
180° - Angle A
Delete the reference vertices.
Re make the edges between the fillet

and surrounding vertices.

Getting back to the dust shield we will use the reference geometry method to
position the fillets with a small radius of 0.1mm and a large radius of 0.35mm.
The angle between the edges is 120 degrees.
From the intersect on the inside of the angle

extrude E a vertex along the Z axis 0.15mm,
then rotate R the vertex -60 degrees.
Again from the intersect extrude a vertex -0.1 in the Y axis

(distance of radius) and then extrude this above the 60 degree
edge.
Select all A and then K Knife (Exact) a vertex

on the 60 degree angled line snapping the cut
Ctrl-LMB to the edge set at the radius distance

from the dust shield.
Select the new vertex which has been created

on the fillet centre and snap the cursor to it.
From the fillet centre extrude a vertex 0.1 on the Y axis for the front
fillet then extrude this 0.25 on the Y axis for the back fillet.
In the Mesh Tools panel set Degr:60 and Step:7 and spin the two
vertices.
In edge select mode press B twice to bring up the selection painter

reduce the size of the selection circle MW and select LMB the
edges between the fillets. Delete X these edges.
Repeat this procedure to produce the bottom fillet.

Back in Vertex Select mode, select the reference
vertices along with those on the original angle
intersects and delete them. We are now left with the
fillet's and top and bottom edges of the dust shield.
Select a vertex either end of a

missing edge and press F to insert
a new edge.
Repeat this for all the open

sections.
We are now left with a completed cross section through the dust
shield ready to spin into the 3D object, however as before the cursor
is in the wrong position.
Select all A the vertices and Tab into Object Mode.
Snap the cursor onto the object centre. Shift-S Cursor->Selection.
Tab back into Edit Mode and go to front view NumPad-1.
In the Mesh Tools panel set Degr:360 and Step:64 press spin to
form the 3D object.
Select all vertices A and remove

Doubles W.

The dust shield is now almost complete, but chamfers are
required on the corners.
In edge select mode loop select the four edge loops indicated
Shift-Alt-RMB
Using the Bevel Centre script detailed in Part-4, add a

0.05mm chamfer.
Finish the dust shield by adding an Edge Split modifier also

detailed in Part-4.
A Dust shield will also be required on the other side of the

bearing. Rather than repeating the modelling process we will
duplicate this dust shield and Mirror it across the bearing
centre.
Tab into Object Mode and go to the side view NumPad-3.

Check the cursor is still on the object centre.
Press Shift-D to duplicate the object then Esc to leave the

duplicate on top of the original.
Press Ctrl-M to open the Mirror sub menu and select "X Local".
Both Dust shields have now been created so it is time to give them a
meaningful name. Select Plane in the outliner and then in the Links and
Materials panel change its name to OB:608-ShieldA. Repeat this for
Plane.001 naming it OB:608-ShieldB.
The final components for the bearing assembly are the circlips that retain the
dust shields in place. These are covered in the next section.

608 Bearing Part-7 Modelling the Circlip
The circlip is possibly the easiest of the parts to model. We will start by
inserting a Plane object to form the circlip.
Whilst in Object Mode go to the side view NumPad-3 and with the
cursor on the bearing centre insert a Plane (Space to open the
Toolbox then Add>Mesh>Plane).
Move the vertices so the top right vertex

is positioned in the circlip groove of the
outer race.
Select the left vertices, grab G and move them 1.6 in

the Y axis so the width becomes 0.4mm.
Select the bottom vertices grab and move them 1.25 in

the Z axis so the hight becomes 0.75.
Go into front view NumPad-1 and spin the vertices

around the bearing centre. In the Mesh Tools panel Set
Degr:360 Step:64.
Press spin to form the 3D ring.
Select two loops of vertices through the ring and X

delete them to form the opening in the circlip.
Make sure you have selected the vertices on the back

edge as well as those on the front.

To allow the circlip to be prised out with a sharp tool the
cut through the circlip is made at an angle.
To form this select the four vertices on the outer edge of

the break and rotate R them from the centre of the circlip.
Rotate your view and select the 4 vertices on one of the open
ends.
Press F to insert a face.
Do the same on the other open end.
Go into edge select mode and loop select the four

edge loops forming the inner and outer edge Shift-
Alt-RMB.
Select all the edges of the ends.
Using the bevel centre script detailed in part 4 add a

0.05mm fillet.
Select all the vertices A and in the Mesh Tools panel

press "Set Smooth".
Finish the circlip by adding an Edge Split modifier with the

default settings as detailed in part 4
To finish off we will mirror this circlip onto the other side of the
bearing.
In object Mode go into side view.
Copy the circlip Shift-D then Esc to leave it in the same position.
With the cursor still on the object centre Ctrl-M for mirror and
select "X Local". The copied circlip will be mirrored onto the other
side of the bearing.

In the outliner select Plane and then in the Links
and Materials panel re name it OB:608-CirclipA.
Select Plane.001 and rename it OB:608-CirclipB
That completes the modelling of the components

for the detailed bearing. In the Outliner open the
eye icon for all the parts to bring them into view.
(If the components don't appear you may still be
in local view, try pressing NumPad-/ to close
local view) Rotate the view to see your work.
The Dust Shields cover most of the components

so you may want to hide one of the dust shields
(Outliner eye icon).
To recap: the commands and tools you have covered in this tutorial include.
Short Cut
7 Top E Extrude
1 Front G Move (grab)
3 Right Side S Scale
SW Zoom In/Out (mouse Scroll Wheel) Shift-S Snap
MMB Rotate View (Middle Mouse Button) X - Y - Z Constrain to Axes
Shift MMB Pan View Tab Object/Edit Mode
Home Centre View Space Toolbox
Z Wire/Solid View Ctrl-Z Undo
LMB Set Point (Left Mouse Button) Edge Split Surface (Modifier)
RMB Select Spin Spin vertices around axis
Shift-RMB Select Multiple Vertices Spin Dup Copy Vertices around axis
B Box Select Edge Split Modifier
R Rotate W Remove doubles (Specials menu)
K Knife Ctrl-N Recalculate Normals Outside
Ctrl-E Mark Sharp (Edge Specials menu) Alt-RMB Loop Select
B-B Paint Selection Shift-Alt-RMB Multiple Loop Select
Ctrl-M Mirror Ctrl-D Duplicate (copy)
Alt-S Scale along normals
The completed bearing is ideal for producing visualizations or detailed
drawings but with over 26,000 vertices it will require a lot of you computers
resources if you have many of these in an assembly.
My CNC machines assembly model will require 60 bearings and at this level
of detail that gives over 1.5 million vertices far more than my old PC can
handle, so Part 8 will show how to retain the precision of the design but with
substantially fewer vertices.

608 Bearing Part-8 The Low Polygon Model
With the detailed model now complete its time to concentrate on the low
vertices model that will have far less overhead on the computers resources
when modelling large assemblies. We could start modelling from scratch
repeating Part 1 but with fewer vertices on the fillets, however its a simple
process to import (Append) the already created components into a new file
and modify them. Open a new file and delete X the default cube.
Turn off the transform manipulator (hand icon)
Click File in the top left hand corner and select "Append or Link"
Navigate to the 608-

Bearing.blend and from the
options choose "Object". The
components will now be listed.
RMB on the components
highlighted.
The five components will now be loaded in your file. If

they are not visible open the Outliner and make sure
the eye icon is open.
We need to join these components to make a single

object.
In the outliner select the five components and then

with the mouse cursor over the 3D window press
Ctrl-J. The components will be joined into a single
mesh.
Tab into Edit Mode and press A to select all the

vertices.
We only need a single cross section of vertices

above the centre of the bearing. This cross section
will be modified to reduce the number of vertices
and then spun around the centre to form the
bearing.
In front view press B twice to bring up paint select,
reduce the size of the selection circle with the SW and
pressing the MMB paint over the vertices directly above
the centre.
The vertices will become deselected. Press X and

delete all the remaining selected vertices.
Were now left with a cross section through the bearing

but still with far to many vertices and a lot of
unnecessary internal detail.
We will start stripping out the detail by remaking the

corner fillets with a smaller Step: value.
Select the lowest vertex on the top left corner fillet and extrude it 0.6mm
on the Y-axis. This will give us the fillet centre point.
Snap Ctrl-S, Cursor->Selection onto the fillet

centre. select the existing internal fillet vertices
and delete them.
Select the original lowest fillet vertex and in the

Mesh Tools panel set Degr:90 and Step:4.
Press Spin to create the fillet, this time with three

fewer vertices. Delete X the vertex on the fillet
centre.
Repeat this on the bottom left fillet.

We now need to create a continuous external profile of the
bearing, combining all the outer vertices of the loose parts.
Cut two new vertices through the left circlip snapping the line
to the edge of the circlip groove's chamfer.
K Knife Exact, snap the cut line Ctrl-LMB to the circlip

groove chamfer's.
Add an edge between the groove and the circlip F.
Repeat this and cut a new vertex on the dust shield with the
snap line cut from the lower right chamfer of the circlip
The offset fillet's of the dust shield still have more vertices than are
needed.
From the top vertex of the top fillet extrude an edge -0.1 in the Y
axis.
Snap the cursor to this new vertex which is on the fillet centre.
Select the internal vertices of the fillet and delete them.
Select the top vertex from the original fillet and spin this to form
the new fillet.
In the Mesh Tools panel set Degr:60 Step:4 and press Spin.

A new fillet has been created with three fewer vertices.
Move to the lower dust shield fillet and repeat the

above process.
This time extrude the bottom vertex of the inner fillet

0.1mm on the Y axis to set the centre point. Snap the
cursor to this.
Select the inner vertices of the large outer fillet and

delete them.
Select the bottom outer vertex of

the original fillet and spin this
Degr:60 Step:4
The vertices of the lower dust

shield fillet have been reduced.
Delete the fillet centre vertex.
Cut a new vertex on the inner race from the dust shield
bottom fillet. K Knife Exact, Ctrl-LMB to snap the cut to
the chamfer, MMB to constrain to the vertical
We now have a continuous outer edge of vertices

down the left hand side of the cross section,
rather than repeating this on the right hand side
we can delete all the other vertices and mirror this
line of vertices onto the right hand side.
Box select B all the vertices on the right hand side

of the cross section including the bearing groves.
Delete these X.

Paint Select B-B the remaining inner vertices and delete these.
Tab into Object Mode and snap the cursor to the

object centre. Shift-s Cursor->Selection.
The cursor is now set on the bearing centre so we can

mirror the left hand profile onto the right hand side of
the bearing.
With the pivot point set to "3D Cursor" Tab into Edit
Mode and select all vertices A.
Duplicate (copy) the vertices Shift-D then Esc to

leave the copy over the top of the original.
Press Ctrl-M to open the Mirror menu and choose "X

Local". The copy will now be mirrored to the other side
of the bearing.
Re-make the top and bottom edge by selecting a

vertex either side of the opening and pressing F.
Select all A and remove doubles W to merge any

doubled up vertices.

Go into front view NumPad 1.
In the Mesh Tools panel set Degr:360 and

Step:32. Press Spin to form the 3D Bearing.
Select all A, remove doubles W and in the Link

and Materials panel "Set Smooth".
As the bearing was created from the original

components, an Edge Split modifier will still be
activated on this object.
In the Link and Materials panel rename the

object OB:608-BearingSmall.
Save the .blend file as 608-BearingSmall.
This version of the bearing has 2240 vertices,

far fewer than the 26,000+ vertices of the
detailed bearing. With 60 of these bearings in
the CNC assembly it will still only require the
computer overheads for 134400 vertices.
This completes the modelling of both versions

of the bearing. In the next part we will look at
adding basic materials to the bearing and
rendering a 3D view and an exploded view of
the bearing.

608 Bearing Part-9 Materials and Rendering
At the introduction to this tutorial I said I would not cover materials, textures or
many of the other vast array of features available within Blender. However to
use your model for visualisation or design drawing purposes you do need to
know a little about the process of applying materials and rendering images to
2D bitmaps.
We will use the detailed model for this section so open the
608-Bearing.blend file. When Blender opens it automatically
inserts a Camera and Lamp object into your scene (3D
workspace), in the Outliner select the Camera object
In top view move the camera G and position it to the

front and right of the bearing.
Rotate it R to point at the Bearing, also check it points

at the bearing in side view.
In the Editing Buttons

window the Camera panel gives options for
the camera.
The default lens is 35mm, to wide an angle

for a decent image so change this to 55mm
which will give a less distorted view. For a
full description of the camera controls see
the Blender Wiki.
With the mouse pointer over the 3D window press

NumPad 0 which will open the camera view. Select
the outer rectangle of the camera RMB and move it G
so it is centred on the bearing. If the bearing doesn't
fit in the camera view signified by the dotted rectangle
truck the camera along its view axis G-MMB and
moving the mouse.
When the bearing is positioned in the

camera’s view select the bearing, then select
the Shading button and the materials sub
context button.

This will open the Links and Pipeline panel, click on
add new to open a new material.
A range of material panels

will become available to
you.
In the Material tab change the R, G, B sliders to .560

to give a darker grey.
Click the texture sub context and in the

Texture panel click “Add New”. Select "Image"
from the pop-up list
n the Image panel load the shinyball_ref.jpg image.
This can be downloaded from the Blender Texture Disk.

A link to the Texture Disk is available on the Blender
Web Site, on the resources page.
Go back into the material sub context buttons and in the

“Map Input” tab and click Refl which will make the image
affect the reflection vectors (See Blender Wiki).
In the “Map To” tab leave the default settings.

Currently the 3D space has a dark
blue background and we need to change this to white.
In the World sub context, World panel change HoR,
HoG and HoB to 1.00.
In top view NumPad 7 select the Lamp RMB and move

G it to the left of the camera.
Copy the Lamp Shift-D and move the copy to the right
of the camera.
In front view, select both lamps Shift-RMB and move

them G above the bearing.
Lamp Buttons
The Lamp panel gives the settings for Energy,

distance, colour etc.
The default settings should be OK for this render.
In the context buttons, click on the scene and sub

context Render button.
In the Format Panel change the Size x and Size Y to

800 pixels and change the image format from Jpeg to
PNG.
In the Render panel de-select "Ray", as we don't need

to use Ray Tracing.
Set "OSA" to 16, so we get a good smooth edge to the

render.
Press the Render button, a new window will open and

an image of the bearing will be created.

To save the image go to File>Save Image or Press F3. The active window will
change to a file window allowing you to save the image as a .png file.
This is a pretty basic grey colour material and with a

little time and experimentation with the material
controls, a much more convincing material could be
obtained. Read the blender documentation and look at
examples of materials posted by other users to gain
more experience in creating realistic materials.
As most of the parts we have modelled are hidden

within the dust shields it would improve a drawing
layout if we included an exploded view.
This can be created by simply moving each of the

components along the Y axis.
Go into top view NumPad 7 and select the back

circlip move it constrained to the Y axis away from
the bearing. Repeat this for all the other components
spreading them in order along the axis. They can
easily be reassembled by snapping the cursor to the
bearing race and then snapping the other
components to the cursor.
Reposition the camera to get all the

components in the view.
With all the parts being the same material it

is a little confusing and difficult to separate
the parts where they overlap. To overcome
this we can change the material of the
bearing cage to a brass coloured material.
Select 608-CageA .

In the Links and Pipeline panel after the material name is
the number of objects using the material.
Click on the number and accept "Single User". This will

stop the following material changes affecting any of the
other objects. Rename this material Bronze.
To change the colour of the cage click on the colour

square in the Materials tab. This will open the colour
picker. Choose a bronze colour.
In the "Mirror Trans" tab de-select Ray Mirror and in the

Texture tab click on Clear to remove the reflection
image.
To add this material to the other half of the

Cage, select 608-CageB and in the links and
Pipeline tab click on MA:Steel. Select Brass
from the list.
To output the picture of the exploded view

select the Render Buttons and in the Render
panel press the Render Button.
As before a window will open and the

Exploded View will be produced.
Press F3 and save the image.
With the two images created press Ctrl-W and save your .blend file.
In the next section we will create a page template for a scaled line drawing of
the bearing.

608 Bearing Part-10 Constructing a Page Layout
Camera
Before we go into the process of laying out the drawing view’s, an

understanding of Blenders camera is needed.
Perspective Projection
The two images we have created in Part 9 use the

camera in perspective projection mode and gives
similar results, as you would get if an actual
bearing had been photographed.
The size and shape of the image on the image

plane is a product of the focal length of the
camera, distance of the object from the camera
and the object size. This type of camera will never
give us the flat-scaled 2D drawing required.
Orthographic Projection
Blender includes an orthographic mode for the

camera, which takes a parallel slice, the size of the
image-plane through the 3D workspace. The size
of the image plane can be set to suit the overall
size of the drawing you need to output.
Printer
The next thing we need to consider is the printer. For engineering purposes
we are most likely working to a scale of 1 Blender unit equals 1 millimetre and
the output from the camera is likely to be in 96 DPI (dots per inch) The usual
output from a printer will be 300 DPI. So how do we get a drawing to scale out
accurately onto a printed page?
Setting up the Scale
The way I find easiest is to set the camera scale at a multiple of 25.4 and set
the size X and Size Y in the Format panel of the Render Buttons to an
equivalent multiple but this time of 300. So if you wanted to have a 1:1 scaled
image fit onto an A4 page of 11” by 8” you would need to set the camera
scale to 25.4 x 11 = 279.4, the Format panel Size X: to 8 x 300 = 2400 and
Size Y: to 11 x 300 = 3300. There is one further requirement as the image is
set to print at 96 DPI not 300 DPI. This requires the use of an image-editing
program such as the Gimp or Photo Shop, to change the output size of the
image to 300DPI.
If you want to set your page up to print at an exact size and at a scale other
than 1:1 the correct Camera scale factor and output resolution become a little
more difficult to set up. The easy solution is to scale your model once you
have set the camera to suit the page template.
Page Template
Save anything you currently have open Ctrl W and open a new Blender file
Ctrl X. We will start by making a page template to suit an 8 x 11inch page, in
front view add a Plane SpaceBar Add>Mesh>Plane, select and grab the top
two vertices moving them 277.4mm (25.4 X 11 inches - 2 the original Plane
size) in the Z axis. This sets the height of the page. Grab the two right-hand
vertices and move them 201.2mm (25.4 X 8 inches - 2 the original Plane size)
in the X axis, to set the width of the page. Select all vertices and delete X Only
Faces to remove the face. This rectangle becomes the page boundary we
need to work within. In the Links and Materials panel, rename OB:Plane to
OB:A4pBoundary. (A4p being page size A4 Portrait)
Next we will set the camera to view this rectangle at the

print resolution.
Press N to open the Transform Properties panel. Change

RotX:, Y and Z as indicated.
The Camera will now be parallel to the plane.
In the Camera panel (Editing Context Buttons) press

Orthographic.
Set the scale to 279.4 (11 inches x 25.4mm)
In the Format panel (Render Sub Context buttons) set

sizeX: 240 (8 inches x 300 pixels) and SizeY: 3300 (11
inches x 300 pixels)
Select the camera and in camera view NumPad 0, move

G the camera so that the outer dotted line aligns with the
A4pBoundary.

Select the A4pBoundary object RMB and copy it Shift-D then
press Esc to leave it in its original position.
Tab into Edit Mode and in edge select mode select each edge
individually and move it G 12mm towards the centre of the
rectangle, constrained to the X or Y axis.
This rectangle will form our page border, it could now be rendered
as a wire object but the output will only be one pixel wide, so we
need to thicken the line.
Select the Left hand edge and extrude it -0.5mm on the X axis.
Extrude the Right hand edge 0.5mm on the X axis. Box select the
three edges making up the top of the border and extrude these
0.5mm on the Z axis and repeat this on the bottom edge but -0.5
on the Z axis.
Rename this object A4pBorder
Tab into Object Mode and Add a new Plane SpaceBar

Add>Mesh>Plane. This will be used to create the edge ruler's.
Move the Plane to the bottom left corner of the A4pBorder and
resize to X axis 6mm and Y axis 0.5mm.
Select all vertices A and copy Shift-D the vertices on the Z axis
10mm.
This will form the marks for a ruler that runs along the outer edge
of the border.
Grab G the two Left vertices and move them on the X axis 2mm.
then select all the vertices A.
In the Modifiers panel click Add Modifier and select

Array from the pop up menu.
The Array modifier will copy the selection by the

number set in the Count: field and offset each copy.

Set Count:13, De select Relative Offset, select Constant Offset and
set Y:20. The selected lines will be copied up the side of the
border.
Tab into Object Mode and select A4pBorder object. Tab into Edit
Mode for this object and select one of the long bottom edges. Snap
the cursor to the edge Shift-S Cursor>Selection. The cursor will be
repositioned in the middle of the edge. Tab back into Object Mode.
Select the Plane object and copy it Shift-D then press Esc so it
does not move position. Set the Pivot Point to Cursor select.
Mirror the copied edge ruler Ctrl-M and accept

"X Local".
The Border rules will now be mirrored onto the right hand edge.
Select both border rulers and copy them Shift-D then rotate them 90 degrees
R-90. These will form the top and bottom rulers.
Select the A4pBorder object and snap the cursor to the

object centre Shift-S Cursor>Selection. Select the bottom
ruler and snap this to the cursor Shift-S
Selection>Cursor.
In the Modifier panel, reset the Array count to 9
Repeat this on the top edge but snap the

cursor to the top left vertex of the A4pBorder
object (Edit Mode).
It may be necessary to adjust the position

slightly to ensure the rulers are touching the
A4pBorder object.
It doesn't matter that the rulers overlap the

border slightly, as we will be using a
shadeless texture.
With the top ruler selected press Apply in the

Array Modifier panel. This will convert the
Array into a mesh objects.
Repeat this on the other three ruler's.
Shift-RMB Select all the rulers and the

A4pBorder Object ensuring the A4pBorder
was the last selection and join them into one
mesh Ctrl-J.
All that's left now is the Title Box.
Add a Plane object and move it just inside the

lower right hand corner. Resize the plane to
0.5mm high by around two thirds the width of
the border. The exact size will be dependent
on the text fields you want to put in it.
Copy the plane several times in the Z axis at a

height to suit your text. I have used 7mm for
the small text and 10mm for the larger text.
Form a space for the title box by shortening
one of the lines.
Copy one of the lines Shift-D and Rotate it 90

degrees. Position it on the right hand side of
the Title Box and adjust its length to suit the
horizontal lines.
Copy this edge to form the other vertical edges

and resize them as necessary.
Tab into Object mode and with the Title Box

selected, Shift-RMB select the A4pBorder
object and join the meshes Ctrl-J.
The Border and Title Box are now one object.
We now need to add a colour for the border.
In the Materials tab of the Material sub context buttons, I

have set R, G, B to 0 for a Black colour.
Select the shadeless button so the colour won't be

affected by any lamps in the scene.
In the links and Pipeline panel press the small button with
the car on it. This will give the Material an automatic name
representative of the colour chosen. In this case Black.

We now need to add some test to the Title
Box. LMB click over the Title Box to set the
cursor position. Press the Space Bar to open
the Toolbox and choose Add>Text, a text
object will be placed on the view, but much to
small to see.
In the Font panel of the Editing Context

Buttons change Size: to 10. Backspace to
remove the word Text and type in 608
Bearing. Scale S and move G the text so it fits
in the Title Box.
To add the same Black Material to the text in

the Links and Pipeline tab, click the Arrow box
to the left of Add New and select Black from
the pop up menu. In the Link and Materials tab
of the Editing buttons change the name from
OB:Text to OB:A4pText.
Tab into Object Mode and copy the text Shift-

D to another area of the Title Box and Scale it
to fit. Tab into Edit Mode and Backspace to
clear the text, then type in the new text.
Repeat this for all the fields of the Title Box
One further useful addition is to copy a text object

outside the Boundary object and type in the camera
scale, Format size x and size Y and the printer dpi.
In the Outliner you will now have a grouped list of

A4p objects that can be easily appended into any
.blend file you are working on
The settings needed for the camera will be

appended along with the Border
All that is left for you to do now is make more

templates in different page sizes.
Finally save your work as PageTemplate.blend

608 Bearing Part-11 The Scale Drawing Layout
Layers
Up to now everything has been produced on layer one of the twenty available
layers within Blender. By organising your work onto different layers, Blender
allows you to set different lighting and rendering parameters for objects on
different layers. As we need to combine some of the objects rendered with the
edge render facility of blender, together with others that do not use the edge
setting we will need to organise our layers and render output.
Firstly we will set our scene. If you still have a .blend file open, save your work
Ctrl-W and then open a new file Ctrl-X.
Save the new file Ctrl-W as "608-Layout.blend".
Append all the A4p objects from the PageTemplate.blend

file produced in part 10. Shift-F1 to open the File
Browser window in Append mode and from the
"PageTemplate.blend" file LMB click Object then RMB
select all the A4p objects. Click on Load Library to bring
them into the new file. They will be placed on Layer one,
as this was the layer they were created on.
Now append all the parts of the 608 Bearing into the file.
In front view NumPad 1 select all the components of the
bearing and move them G to the top left corner of the
page template. As the bearing is only 22mm across we
will scale it 2:1. With all the components still selected
press S for scale then 2 for the scale factor. The bearing
will double in size.
Open the Outliner as detailed in Part-4. All the

components of the Border and Bearing will be listed.
Copy the bearing (all bearing components selected) Ctrl-

D and move the copy on the X-axis to the right hand side
of the original. In top view NumPad 7 Rotate the bearing
90 degrees. Go back into front view NumPad 7. We now
have a front and side view, within the page border.
With the side view still selected copy the components and move
them below the original. This will be used to create a part
section through the bearing.

The Front, Side and Part Section view of the bearing
needs to be rendered using Blenders edge render
facility and therefore needs to be rendered separately
from the rest of the layout.
Box select the three bearings and press M which will open the Layer Move
panel click on layer 2 and press OK. The two bearings will disappear from
view until layer 2 is activated. To bring the bearings
back into view, Shift-LMB on layer 2 in the view
header’s layers panel.
If your computer is slowing down due to the amount of detail

in the bearing’s you can delete the components that won’t be
seen. I have removed the balls, both cages the back dust
shield and circlip from the front view and all but the 608-Race
from the side view. The section view needs all the
components.
We now need to set the material to give a line drawing

effect. Select the race of the side view and in the
Material panel of the Material buttons, change Col to
white (click on the grey square next to it and choose
white from the colour picker)
Click Shadeles so the colour isn't affected by any lamps
in the scene.
In the Link and Material panel of the Edit buttons select

"2 Mat 2" to choose the second material and press
Delete to delete it.
In the Links and Pipelines panel click on the small Car

button to auto name the colour.
In the Mirror Trans tab make sure Ray Mirror is not

selected.
In the Texture tab click Clear to remove the texture.
Change the SizeX: and SizeY: to those detailed on the

page template, (text outside the Page Border). Set the
output to PNG and select RGBA.
The RGBA button will save the render with a transparent

background allowing us to overlay the lined drawing over
the standard render.
In the Render Layer tab of the Render Buttons click
Layer 2 which will restrict the render to the objects on
this layer.
On the Output tab click Edge and then Edge

Settings.
In the Edge Settings pop up window change Eint:

to 2.
This will set the line intensity so it predominantly

highlights the main edges.
Click on the Camera and in the Edit buttons Camera panel click on
Orthographic to use the orthographic camera mode.
Set the scale to 279.4 as detailed on the page template.
With the mouse over the 3D view press N to open the Transform Properties
window and set the camera view parallel to the Page Template. RotX:90, Y:0,
Z:0.
Align the Camera with the page boundary.
In the World panel of the Material buttons set the

background colour to white.
The Front and side view's are now set-up to give us a

line render but before we do this we need to section
and scale the Part Section view.
De select All then in wire view Box select the components of the
bearing we are going to use for a section view.
Go into local view NumPad /. Then Shift-RMB the outer race and
join all the components Ctrl-J.
Its easier to cut through the bearing as a single mesh than to

have to repeat the cuts for each component.

In top view NumPad 7 De select All the vertices then Box select all
the vertices to the front of the bearing centre (not the vertices on the
centre line).
Delete X these vertices.
Zoom in SW on the centre of the bearing and delete any

remaining vertices that were missed by the Box select.
In front view NumPad 1 repeat the process of

selecting and deleting vertices. This time though
remove the lower quadrant of the bearing
Not all the edges finish on the horizontal centre
line. As only the inside diameter of the bearing will
be seen at this location, make sure every vertex
below the centre line is removed.
In top view Box select the single row of vertices on the bearing
centre line.
Copy these vertices Shift-D and move them on the Y axis

forward of the bearing.
Separate them from the bearing P.
We will use this slice through the bearing to add the hatch
pattern to the section view.
Tab into Object Mode and go into Global view

NumPad /. select the slice through the bearing
we have just created and go back into Local
view NumPad / for this object. Tab into Edit
Mode.
Link select L each closed area of the slice and fill the area Shift-F with faces.
Beautify the fill Alt-F to give a cleaner mesh.
Press A to de-select the vertices then repeat the process
on the next closed area.
Continue until all the faces of the section are filled.
De-select All vertices.
Link select the two areas that represent

the bearing race and in top view
NumPad 7 move them G forward of the
other areas of the bearing, on the Y axis.
Repeat this for the other areas of the section making sure no two components
touch each other on the same plane.
This is necessary so the Edge Render filter can detect the edge of each
component.
Link select the inner and outer race sections.
We are now going to add a hatch pattern to this area.
In the Link and Materials panel of the Editing buttons press

"New" to add a new material.
Press Assign to assign this material index to the selected

vertices.
In the Texture Buttons

Texture tab click the number
next to the TE:Tex box and
accept single user. Add New
to add a new texture. In the
Texture Type button click
None and then select Image
from the pop up menu.

You will need to either create your own or download the hatch patterns from
www.rab3d.com in Part-11 of the 608 bearing tutorial, download RMB Click
on the hatch patterns and "Save Target As..." to save the images.
In the Image panel load "LineAngle1.png". To make the hatch render smaller,
repeat the texture on the section by changing Xrepeat: and Yrepeat: to 2 in
the Map Image panel.
If you render the image at this stage a hatch pattern

will be created on the bearing race.
To add further hatch patterns Link select the area

to hatch (for this example both halves of the
bearing cage). In the Links and Materials panel of
the Edit Buttons Click "New" then "Assign". Material
3 has been created and assigned to the selected
vertices. In the Texture panel set the texture to
single user. In the Image panel of the Texture
Buttons change the texture to "LineAngle2.png"

Repeat this process until all the section faces are
filled with a hatch pattern.
Change Xrepeat and Y repeat to resize the

textures.
We are now ready to render the line drawing. In the Render Buttons, Render
panel , press "Render". Or use the keyboard shortcut F12.
When complete close the Render window and save the image F3 as 608-
Line.png.
Save you work Ctrl-W
For the rest of the layout we won't

need to use the edge rendering
setup, so on the Render buttons
Output tab de-select edge. In the
Render Layers tab select layer 1
To add dimensions to the layout we will use the Blender

Caliper script. The script doesn't come already loaded with
blender but can be downloaded from alienhelpdesk.com
Follow the instructions on their site to load the script. And

read the user documentation.
In blender split the view and open a script window as

detailed for the Bevel script in part 4. But this time load the
"Blender Caliper" script from the "Wizards" section of the
scripts pop up list.
It may also be necessary to first click "Update Menus" from

the same pop up list to register the script in Blender.
Before we can dimension the bearing we need to add some

points to dimension.
In Edit Mode select Shift-RMB the two vertices at the

widest point of the bearing on the same edge loop.
Copy these Shift-D in the Z axis below the bearing.

Extrude these vertices in the Z axis to the point where you
want the dimension to be.
Then extrude them again so the dimension lines will pass

the dimension arrow.
Shift-RMB select the 6 vertices of the dimension line and
separate P them from the 608-race mesh.
Tab into Object Mode and select the Dimension Lines.

Tab back into Edit Mode for this object. In the Edit Buttons
Link and Materials panel change the objects name to Dim.
Select the two middle vertices of the dimension lines and

with Blender Caliper set as indicated above press
"Measure".
A dimension and arrowed line will be created.
Repeat this process for the other dimensions,

then Tab into Object Mode and select all the
dimension lines and Join them Ctrl-J to the Dim
object.
Tab into Edit Mode for the Dim object and select
all the vertices on the left hand dimension lines.
To thicken these lines for rendering extrude
them -0.2mm on the X axis.
Repeat this on the right hand lines extruding

them 0.2mm on the x axis.
Link select one of the dimension lines and copy it Shift-D.

Move it over the bearing and re shape it to form the section
markers.
In the Material buttons Links and Pipeline panel change the

material to Black.
In Object Mode copy one of the dimensions text objects and Tab into Edit
Mode. Change the text to Z, Tab back into Object Mode. Move Z to the
section marker. Copy this and move it to the other marker.

Select one of the dimension text objects and copy it to
below the section view. Change the text as indicated and
scale the text to a suitable size.
To finish editing text, fill in the fields in the Title

Box.
The final part to the layout is to add the 3D image of the

bearing created in Part 9, along with the exploded view.
to do this add a Plane and Move it G to the top right

corner of the layout. Scale the plane Shift-S to fit in the
area next to the line drawing.
In the Material buttons Links and Pipeline panel add

a new material. In the Material panel set the material
to Shadeless.
In the Texture buttons Texture panel add a new

texture. set the texture type to Image and in the
Image panel load the rendered 3D view created in
Part 9.
The image won't be visible on the plane until it is

rendered.
To ensure the Plain is set at the correct aspect ratio

for the image, in Object Mode select the Plane and
press Alt-V. The planes shape will change to suit the
loaded image. Reposition the plane if necessary.
Add another Plane in the lower right area of the

layout and repeat the above process but this time
load the Exploded View.png from Part 9
If you render the Layout now F12 you will get an

image with all the Layout elements except the line
drawings.

In the Format panel of the Render
Buttons leave the output as PNG
but change the image format to
RGB. We don't need an alpha
channel on this image.
Press F12 to render the image.

Close the render window, press F3
and save the image as 608-
Layout.png
The final stage is to combine the

608-Line.png created above with
the 608-Layout.png.
This can be carried out either using

the Node Editor within Blender or
by using an external image editing
program such as gimp.
The Node Editor is to complex to

cover in this part of the tutorial so,
In the image editor of your choice
open both 608-Layout.png and
608-Line.png. Copy 608-Line.png to the clipboard and paste it into 608-
Layout.png as a new layer. The line drawing will sit over the layout drawings
without obscuring them because it was saves with a transparent background.
Finally in the Image Editing program resize the image to 300 dpi.
The final result gives a good layout drawing, easily capable of communicating
the essential elements of a product design. With sufficient planning and
forethought any component could be created, rendered and dimensioned in
Blender.

Guide Roller Part-1 Modelling the 'V' Roller
Part 1 Guide Roller Design Concept
Linear Guides
Many engineering situations require the movement

of machine parts along set axes. On traditional
machine tools this was historically achieved by
using accurately machined and hand scraped
guides that run on planed or ground slides. This
method of construction when done correctly offers a
great deal of rigidity between the components but
still allowing movement in one axis. The drawback
of this type of slide is the initial high load required to
overcome the starting friction. On a traditional
machine tool this simply meant the operator would Traditional Dovetail Slide
have to exert a little more force on the hand wheel
to start the slide moving.
On Industrial CNC machines overcoming friction

to allow increased speed and or smaller drive
units has brought about the development of linear
bearings. These usually contain re-circulating balls
or rollers that run along hardened and ground
guides. Alternatively larger drive units are fitted to
traditional slide ways. In both situations
overcoming friction can be a costly process.
Re-circulating Ball Guide
As an alternative to recirculating ball races, some

industrial processes use a ‘V’ roller guide running
on a pre formed track. Though not offering the
same rigidity or accuracy of the recirculating ball
races they are perfectly adequate for a light duty
machine.
V-Roller Guide
As a hobby engineer the use of expensive OEM components such as linear

bearings is not affordable, therefore an alternative must be used. The original
router used “Oilite Bushes” running on 18mm Bright drawn steel shafts. The
shafts proved amply strong enough for the job. The problem was the inability
of the stepper motors to overcome the starting friction, especially when the
shafts became slightly contaminated with dust from the machining process.
Though Industrial 'V' rollers are still quite expensive it is a simple process to
machine an alternative that will run on the existing 18mm BDMS slides. The
following tutorial shows how the 608 bearing model was used as a base to
construct the ‘V’ roller and axle.
If you are currently using Blender save your work Ctrl-W and start a new
project Ctrl-X. Delete the default cube X.
This section assumes you have completed and understood the 608-Bearing
tutorial.
As the components will be built from the 608 Bearing geometry

the first step is to append the low vertices 608 bearing into the
scene. Press Shift-F1 and navigate to the folder containing the
608-BearingSmall.blend made in the Bearing tutorial. Click on
Object and select the OB:608-BearingSmall model, Press Load
Library and the Bearing will be loaded into the scene. (A more
detailed description of appending is given in 608-Part 8.)
Split the 3D view and open an Outliner window. (If you cant
remember how this is done it is described in 608-Part 4.)
Some of the design constraints I have are based on the material available to
me. I currently have slides at 18mm diameter so I will reuse these. The ‘V’
Roller will be made the same width as the slide to maintain as small a
footprint as possible. I have some 45mm diameter BDMS that I will use for the
rollers, so I need to make sure the outside diameter is less than this.
In side view NumPad 3 Copy the Bearing Shift-D and move it

in the Y-axis 11mm. This will set the bearings with an external
width of 18mm.
Next we need to add a cylinder to represent the 18mm

diameter slide, centrally to the bearings. Shift-RMB select
both Bearings and snap the cursor to the middle of them
Shift-S Cursor>Selection. Add a Cylinder press Space Bar to
open the Toolbox then select Add > Mesh > Cylinder. From
the popup menu change radius to 9 and length to 20, press
Enter to accept. Tab back into Object Mode and with the
cylinder still selected, move it below the bearings G (move) Z
to constrain it to the Z-axis and drag it to a position below the
bearings.

We will now use the outer profile of the bearings to form
the bore of the V-roller. Shift-RMB select both bearings
and copy them Shift-D then press Esc to leave the copy
over the top of the original bearings. With the two new
bearings still selected join them into one object Ctrl-J. In
the Link and materials panel rename the object OB:V-
Roller. Press NumPad / to go into local view for the V-
Roller and Tab into Edit Mode.
Now is also a good time to save your work. Pres Ctrl-W

and save the file as V-Roller.blend
Shift-Alt-RMB Select the second outer loops of vertices

from the bearing outside diameter and the loops indicated
between the bearings. If you added chamfers to the
bearing choose loop A otherwise choose loop B.
In total 4 loops should be selected.
Delete these 4 loops X

Vertices. This will isolate the
outer section, from the inner
part of the bearing.
RMB select a vertex on the far left side of the bearing and snap
the cursor to it Shift-S Cursor>Selection.
Change the Pivot point to 3D Cursor.
Alt-RMB select the loop of vertices on the

outside diameter of the bearing. Scale
these along the Y-axis to the 0 cursor
position.

Repeat this on the Right hand side of the other bearing.
Press A to deselect all vertices then with the cursor over the inner
portion of a bearing press L to select all linked vertices.
Delete the selected Vertices X.
Repeat this on the other Bearing.
You are now left with two bores

where the bearings sit inside the
V-Roller.
These now need to be joined

together.
Shift-Alt-RMB select the inner loop of both bearings.
Press F to open the Make Faces menu. A new option is

available Skin Faces/Edge-Loops.
Pressing the Skin option will automatically build faces

between the two vertex loops. It works the same as the Loft
function in many 3D CAD packages.
The bore of the V-Roller could be called finished at this stage, but its not really
good engineering practice to have the inner fillet radius of a bore the same
size as the object that is going to fit into it.
To facilitate a better fit for the bearing it is better to
have a bore fillet with a smaller radius than that of the
bearings outer edge. To achieve this we need to delete
the loops making up the fillet and re model them.
Shift-Alt-RB Select the inner loops of the two fillets

and delete them X.
RMB select the inner loop of the left hand bearing

location and move the loop G on the Y-axis 0.3mm. This
will allow us to reconstruct the fillet with a radius of
0.3mm, half the size of the outer fillet on the bearing.
Select the inner loop of the right hand bearing location and move
this -0.3 on the Y-axis.
In front view NumPad 1 press Z for wire frame view then

B-B to open the paint select tool, select the top vertices.
Hide all the other vertices Shift-H.
Go into side view NumPad 3 and RMB select the first

vertex that will be used to spin the new fillet radius (A) and
Extrude it on the Z axis -0.3mm. This gives us the centre
point for the fillet.
Snap the cursor to the extruded vertex Shift-S Cursor>Selection.

Reselect vertex A (the vertex we are going to spin to make the
new radius) and in the Mesh Tools panel set Degr:90 and
Steps:5, Press "Spin" to form the new radius.
Select the vertex on the fillet centre and delete it X.
elect the two vertices shown opposite and add an edge between
them F.
Repeat this for the Right hand side, selecting vertex B, but in the
Mesh Tools panel deselect "Clockwise" so the fillet is spun in
the opposite direction.
Shift-RMB select both sets of fillet vertices including

those that join to the existing V-Roller bore.
Go into front view NumPad 1 and Tab into Object

Mode.
Snap the cursor to the Object Centre Shift-S

Cursor>Selection then Tab back into Edit Mode.
In the Mesh Tools panel set Degr:360 and Steps:32,

press spin to generate the new fillet. Select All and
Remove Doubles W.
The bore fillet will now be at the smaller size.

Go back into Global View NumPad / and you will see
the bearings sitting in the newly created bore. At this
stage we don't need the Bearings in the view. In the
Outliner click on the eye icon for the bearings which
will close, and remove them from view.
In side view NumPad 3 select one vertex that is sitting on the

V-Rollers horizontal centreline. Extrude this vertex in the Z-
axis -22mm, snap the cursor to this vertex. This will be used
as a reference to set the outside diameter.
Select the two bottom vertices on the outer edges of the V-

Roller. We will build the cross section of the V-Roller from
these.
Extrude the two bottom vertices in the Z-axis with a length

similar to the reference vertex.
To position them at the same Z-axis location as the reference

vertex Scale them constrained to Z and to a scale location of
0.
Delete X the reference vertex.

Add an edge between the two new vertices.
Subdivide Multi W the bottom edge with 2 divisions.
This will split the bottom edge into three equal divisions of
6mm each.
In order to cut the angles on the roller we first need to cut a

central groove. On my lathe I will do this with a 3mm parting
tool. To add the groove select the two central vertices.
Change the Pivot to "Median point" and scale them by a
factor of 0.5
To give a small flat at the edge of the V-Roller Extrude the

bottom left corner vertex in the -Z direction then Extrude this
vertex in the Y-axis 1mm, then Extrude this vertically
crossing the bottom edge. This will be used to cut a new
vertex 1mm from the corner of the bottom edge.
Select All the press K for the Knife tool, select Knife (Exact)
from the sub menu and holding down Ctrl snap the cut line
to the reference edge crossing the bottom edge. A new
vertex will be created. Delete X the reference vertices.
Repeat this to cut a vertex from the right hand corner.
Select the two centre vertices and move them G in the Z-

axis 6.5mm. This will create the V profile with an angle of 45
degrees.

To complete the groove Extrude "Only Edges" the central
edge in the Z-axis 2mm, then delete the lower central edge
X "Edges".
The roller profile is now ready to spin around the central

axis. Select all the vertices of the profile, including those
attached to the bore.
Go into front view NumPad 1 and Tab into Object Mode.

Snap the cursor to the object centre Shift-S
Cursor>Selection, then Tab back into Edit Mode.
In the Mesh Tools panel set Degr:360 and Steps:32, then

press Spin.
The profile will be created around the bore. Select All,

Remove Doubles W and Set Smooth W.
In the Modifiers Tab ass an Edge Split modifier and keep the
default settings. (A more detailed description of adding the
Edge Split modifier is contained in 608-Part 4)
The V-Roller is now complete. In the Outliner open the eye

icon for the two bearings to bring them into the view.
Save your work Ctrl-W
This has been a fairly long-winded way to construct the

roller, however I have chosen to do it this way to introduce
the Skin Face/Edge loops tool and methods to accurately
modify a 3D mesh. In practice it would be much Quicker to
simply construct a complete cross section and spin it around
the centre axis.
In the next section we will construct the axle.

Guide Roller Part-2 The Guide Roller Axle
We have now got the V-Roller with two bearings inside it, so the next thing is
to design the axle. I intend to make aluminium castings to hold four rollers and
the lead screw nut and at this stage a casting thickness of 10mm seems
appropriate. One end of the axle needs to fit into the casting the other end
needs to hold the bearings. These are the governing factors for the length and
profile of the axle.
If it is not still open from part one, open V-

Roller.blend.
In the Outliner make sure the eye icon is open

for the two bearings and closed for the V-Roller
and Cylinder.
We only need the bearings in view to position the Object

Centre for the axle and the section of the axle profile that
the bearings sit on.
RMB Select the right hand bearing and Tab into Edit Mode. Alt-
RMB select a loop of vertices on the outer right hand edge of the
bearing and snap the cursor to the centre of this loop of vertices
Shift-S Cursor>Selection. Tab back into Object Mode.
Go into side view NumPad 3.
Press the Space Bar and from the Toolbox menu select
Add>Mesh>Plane. In the Link and Materials panel change the
name to OB:V-RollerAxle.
Shift-RMB the top right hand vertex to deselect it, then press X to
delete the remaining three vertices.
RMB the remaining vertex to select it, then Tab into Object Mode.
(The vertex will be easier to locate when we Tab back into Edit
Mode for the V-RollerAxle).

Select the right hand bearing and Tab into Edit Mode for
this object. Select the top right hand vertex of the bearing
bore (the vertex on the bearing bore not one of the fillet
vertices, check you have the correct vertex in front view
NumPad 1), snap the cursor to this vertex Shift-S
Cursor>Selection. Tab back into Object Mode.
In the Outliner select V-RollerAxle and Tab into Edit Mode. The single
vertex is selected so snap it to the cursor Shift-S Selection>Cursor. Tab
back into Object Mode.
Select the Right Hand Bearing and Tab into Edit Mode. Select any
vertex on the outer right hand edge and snap the cursor to it. Tab
back into Object Mode.
In the Outliner select V-RollerAxle and Tab into Edit Mode.
Make sure the pivot point is set to 3D cursor.
With the single vertex still selected Scale the vertex along the Y-axis to
the cursor position 0.
The vertex is now positioned aligned to the bearing

bore and right hand edge. In side view NumPad 3
Extrude the vertex along the Y axis -17.5mm. RMB
select the right hand vertex and Extrude it along the Z-
axis 2mm.
In the Outliner close the eye icon for the two bearings
to remove them from view.
You are left with two edges that when spun around the
Object Centre will form the bearing location area of the
axle.

From the two edges that were positioned on the bearing bore extrude the
following profile constraining the extrusions to the Y or Z-axis and dimensions
indicated. The end chamfers are created by extruding 0.6mm in the Y-axis
then grabbing and moving the vertex -0.6mm in the Z-axis. When complete
this will form the basic profile of the axle.
A little more refinement is required before we spin the axle

around the Object Centre. Fillet radius and chamfers need
to be added.
First we will add a fillet radius of 0.3mm to the inside angle

of the central up-stand.
Select the inner corner vertex indicated and Extrude this in

the Z-axis 0.3mm to point A (vertex to spin), then extrude
this vertex to point B (fillet centre).
Snap the cursor to the vertex on the centre point.
In the Mesh Tools panel set Degr:90 and Steps:5, then

press Spin. The corner fillet will be formed.
Select the corner vertex and the fillet centre vertex (B) and
delete them.
Before connecting the fillet to the rest of the axle we can add a
chamfer to the top edge.

Select the vertex on the top edge
above the fillet and move it G
along the Y-axis 0.2mm. Now
Extrude this vertex Y -0.2, then
Grab this and move it Z -0.2 A 45-
degree chamfer has been added
to the edge.
Reconnect the other end of the

fillet to the end of the bearing
location.
Add a similar fillet and chamfer to

the other side of the central up-
stand.
Tab into Object Mode and snap

the cursor to the Object Centre.
Tab back into Edit mode.
Go into front view NumPad 1 and select All vertices.
In the Mesh Tools panel set Degr:360 and Steps:32,

then press Spin. The axle will be formed.
When fitting the axle into the casting we need to be

able to stop it rotating whilst tightening the retaining
nut. The next step will be to add some spanner flats to
the central flange.
Tab into Object Mode and add a Plane. Select the two
right hand vertices and move them G on the X-axis
3.9mm.
Select the two left hand vertices and move these

-3.9mm on the X-axis.
This will create a guide to cut flats 9.8mm apart for a

10mm spanner.
Select All and Scale the Plane on the Z-axis till it is

larger than the flange.

Tab back into Object Mode and with the Plane still
selected Shift-RMB select the axle. Combine the two
Objects into one Ctrl J.
Tab back into Edit Mode and cut new vertices to form the
two spanner flats Knife (Exact) snapping the cut to the
vertices of the plane Ctrl-LMB.
De-select All, then Box select the vertices that are outside
the spanner flats.
Delete X these vertices.
Shift-Alt-RMB select the loop of vertices around the opening of the

spanner flat.
Add faces to the opening Shift-F, then beautify the fill Alt-F and
then convert the created triangles to quads Alt-J.
Repeat this on the other spanner flat.
To complete the axle select All vertices, Remove

doubles W and Set Smooth W. You may also need to
recalculate the normals to the outside Ctrl-N.
To create a smooth surface with sharp edges, add an

Edge Split modifier with the default settings.
At this stage I have deliberately left the axle with plane ends rather than
generating a threaded profile. In large assemblies the axle will use
substantially less computer overheads than one with a detailed thread profile.
In part 3, I will detail how to set up and use the screw function to create a
detailed thread suitable for producing a realistic render.
Continuing with the V-Roller assembly, in the Outliner
open the eye icon for the two bearings and V-Roller. The
assembly is starting to take shape but still missing a
retaining nut and washer.
The nut should also impart a small amount of pre-load

onto the bearing to remove any side piay. In true
skateboard fashion I am going to use a 6mm nyloc-
locking nut and washer.
To locate the washer and nut we only need the bearings in view, so in the
Outliner close the eye icon for the V-Roller and V-RollerAxle to remove them
from view.
Select the left hand bearing and Tab into Edit Mode.
Alt-RMB select a ring of vertices on the far left side of
the bearing and snap the cursor to the centre of them.
Tab back into Object Mode.
Press the Spacebar to open the Toolbox and select

Add>Mesh>Circle. From the pop-up menu leave
vertices at 32, but change Radius to 3.2 then press OK
to accept. This will form the 6.4mm inside diameter of
the washer.
Extrude (Only Edges) this vertex ring then press Esc to

leave it in place. We will scale the extruded vertices to
form the outside diameter.
The Outside diameter of the washer is 12.5mm so to

find the required scale factor:
12.5 / 6.4 = 1.9531
With the extruded vertices still selected Scale 1.9531 to
form the outside diameter.
The thickness of the washer is 1.6mm so select All and

Extrude (Region) Y -1.6
The basic profile of the washer is formed, we now just

need to add a chamfer on the corners.
Go into edge select mode and Shift-Alt-RMB select the two
outer and two inner edges.
Using the Bevel Centre script and following the details given in
608 Part-4 add a 0.1mm chamfer. Back in vertex select mode
select All and Set Smooth W, in the Modifiers tab add an Edge
Split modifier with the default settings. If Black areas are
present on the surface of the washer press Ctrl-N to
recalculate the normals to the outside.
The washer is complete but before going into Object Mode

we need to set the cursor ready to add the final
component. Alt-RMB select one loop of vertices on the left
hand side of the washer and snap the cursor to the centre
of these. Shift-S Cursor>Selection.
Tab into Object Mode and in the Link and Materials panel
rename the washer OB:6mmWasher.
The next thing needed is to model the M6 nut.

Some consideration should be given to how many
vertices to use for the nut, as the external
hexagonal section will only require 6 vertices and
internal circle will require more.
Some extra detail on the external profile will be

required to form the curves on the top edge of the
nut so it would simplify the modelling to keep the
same number of vertices on the outer and inner
diameter.
Six vertices should be enough to form the curved detail on the top of the nut
so with six sides this equates to an inner circle of 36 vertices.
In front view NumPad 1 press the Spacebar to open

the Toolbox and add a Circle with 36 vertices and a
radius of 3 Add>Mesh>Circle.
Now add a circle with 6 vertices and a radius of

5.7735 This will form a hexagon with 10mm across
the flats. With the 6 outer vertices still selected,
subdivide each edge of the hexagon with 5 vertices,
W Subdivide Multi. Change the number in the popup
menu to 5 and press OK to accept.
Select All and fill the space between both loops of vertices with faces Shift-F.
To improve the fill pattern and remove the long thin triangles press Alt-F
(Beautify Fill). Repeat the beautify fill command several times until the internal
edges no longer change.
To convert the triangular faces into quads press Alt-J.
Blenders beautify fill attempts to produce triangles with the

shortest possible sides and has overcompensated on the
corners of the nut. If left like this the mesh would produce
ugly edges when bevelled. It's worth manually rearranging
these corners to form quads.
In edge select mode Shift-RMB select the two edges

indicated and delete them X (Edges).
In vertex select mode select 4 vertices (A, B, C, & D) and insert a

face F, select the next four vertices (C, D, E & F) and add the
next face. The corner will now have a much better face pattern.
Repeat this until all 6 corners are done.
To make modelling easier we need to rotate the nut so two flats

are parallel to an axis. Select All and Rotate -15 degrees.
To make the side faces of the nut Shift-RMB select the seven
vertices of the top edge and Extrude them Y -4.
To form the radius on the top of the side face we need to spin
a vertex from the faces bottom centre vertex. Select the vertex
indicated and snap the cursor to it.
To determine the angle of the spin, with the centre vertex still
selected Shift-RMB select the two vertices on the corner of the
opposite edge and temporarily form a triangular face. With the
face selected click on the Edge Angle button of the Mesh Tools
1 panel. The corner angles of the triangle will be displayed in
the view. The spin angle is 71.635 degrees. Press Ctrl-Z to
remove (undo) the triangle
In top view NumPad 7 select the bottom right hand vertex
indicated and in the Mesh Tools panel set Degr: 71.635 and
Steps:6.
Press Spin and the ark at the top edge of the face will be
formed.
Shift-RMB select two corresponding vertices and merge them

together Alt-M at the vertex point on the ark. The selection
order will determine whether you choose "at first" or "at last"
from the pop-up menu.
Merge the rest of the vertices on the top edge of the nut face
to the ark using this method.
Shift-RMB select all the vertices on the side face of the nut,
then Tab into Object Mode.
Snap the cursor to the object centre Shift-S Cursor>Selection.

Tab back into Edit Mode.
In the Mesh Tools panel set Degr:360 and Steps:6, press Spin
Dup and the other sides of the nut will be generated.
Select All and Remove Doubles W.
Alt-RMB select the inside diameter of the nut and Extrude it

on the Y-axis -5mm, then extrude it on the Y-axis a further
1mm.
Snap the cursor to the centre of the last loop of vertices.
The extra loop of vertices will allow us to set a different

material for the nylon insert of the nut.

Select the centre vertex of the ark on the top face of the nut and
extrude it on the Y- axis.
Check the Pivot Point is still set to 3D Cursor and Scale the
vertex on the Y-axis to the cursor position 0.
The above scale has set the vertex level to the top edge
of the nut, but this edge needs a 0.5mm fillet radius. Grab
the vertex and move it Y 0.5, then extrude it on the Z-axis
-0.5 to set the centre of the fillet. Snap the cursor to this
vertex, then select the previous vertex.
In the Mesh Tools panel set Degr:90 and Steps:5 and

Spin the fillet radius.
To form the profile of the nylon insert we need to move the

inside diameter back slightly.
Alt-RMB select the inside diameters top loop of vertices

and move it G on the Y-axis 0.5mm.
To complete the top profile of the nut extrude the

top vertex of the inside diameter to the
dimensions shown, constraining to the required
axis and dimensional input.
Form the chamfer by Extruding the vertex Y

-0.25 then Grabbing this vertex and moving it Z
0.25
Shift-RMB select the end of the fillet radius and

join it to the chamfer with an edge F.
Shift-RMB select the 11 vertices of the top

profile.
Go into front view NumPad 1.
In the Mesh Tools panel set Degr:360 and Steps:36

and Spin the top profile.

We are now left with a series of breaks in the mesh
between the top profile and nut sides. To keep the mesh
organised its best to manually fill these areas.
Select 4 vertices (3 on the corners of the openings)

corresponding to where a face should be and press
F to insert a face. Continue around the perimeter of
the nut until all faces are filled.
In Edge Select mode Alt-RMB select the bottom edge of

the nut, then Shift-RMB select the 6 corner edges. We
will add a 0.1mm chamfer to these using the Bevel Centre
script described in 608 Part-4.
To finish add an Edge Split modifier, but because

the edge angles are 30 degrees the same as the
default settings for the modifier, ugly shading
patterns will be created on the corners of the nut.
Change the angle setting to 29 degrees to
overcome this problem.
In the Link and Materials panel change the name

to M6NylocNut
Tab into object mode and in the Outliner bring the

other objects into view.
Save your work Ctrl-W.
I hope you have found this a worthwhile exercise. The intention was to
demonstrate how components can be modelled together in assemblies using
one component to help set the location and surface geometry of the next,
using Blenders Snap tools to accurately locate the new Object.
Part 3 will detail how to use Blenders Screw tool to generate a thread profile

Guide Roller Part-3 Detailed Thread Profile
Before we can model the thread we need to understand the thread form. ISO
Metric threads come with a Standard profile and as the V-Roller axle will use
an M6 thread, I will describe the set-up of this size.
Layout of a Metric Thread
Key:
D Major Diameter
P Pitch
H Thread Height
The ISO Metric thread profile is a fairly simple shape to construct in Blender
and with the screw tool only one instance of the thread profile is required. As
a model engineer I am not going to discuss thread tolerances or fits in any
detail. You should however be aware that the finished male thread profile
(bolt) should be kept below the bold blue line of the diagram above and the
finished female thread profile should be kept above the bold blue line,
otherwise the two won't fit together. If you need them tolerance classes are
defined in ISO 965-1.
For this exercise we will make the thread to the nominal profile above. To
construct the thread only two pieces of information are required the Major
Diameter and the Pitch. A few of the more common sizes are detailed in the
table below.
Major Diameter 3 4 5 6 8 10 12 16
Pitch 0.5 0.7 0.8 1 1.25 1.5 1.75 2
We will build the thread around the V-Roller axle. Open a

new Blender project and go into front view NumPad 1.
Append the V-RollerAxle into the scene Shift-F1 navigate to
V-Roller.blend and select Object>V-RollerAxle. The axle will
appear facing you in the front view.

The screw tool spins a profile around the Z-axis so the profile
needs to be created and the screw operation performed in front
view. The Axle needs to be rotated so it is vertical in the front
view. Rotate X -90.
Tab into edit mode and Shift-RMB select the 7 vertices making
up the left-hand profile of the threaded section.
Copy these vertices Shift-D then Esc to leave them in place.

Separate the copied vertices from the Object P. Its easier to
work on the separated profile rather than the complete axle.
Tab into Object Mode and select the profile. Tab back into
Edit Mode.
We now need to work out the Thread height. It could be done

with trigonometry given that the pitch is 1mm and the thread
angle is 60 degrees. But I find it easier to do in Blender.
De-select All vertices then to the left of the axle Ctrl-LMB click
to add a new vertex. Extrude this vertex on the X-axis 1mm.
The thread form is an equilateral triangle so the sides of the
thread triangle will be the same length as the pitch.
Link select both vertices of the edge and copy them Shift-D
on the Z-axis 1mm (the thread pitch).
Select the top left vertex of the two edges and snap the cursor
to it Shift-s Cursor>selection.
Then select the vertex on the other end of the edge and with
the Pivot set to 3D Cursor Rotate it 30 degrees.
Snap the cursor to the bottom left vertex and Rotate this -30
degrees.
Select All and remove doubles W.
Select the centre vertex and Extrude it on the X-axis then scale
it to the cursor Scale X 0.

In the Mesh Tools 1 panel press Edge Length and select the
centre edge. The Edge Length shown is the Thread Height.
Delete X the vertex on the left-hand side of the central edge.

Select the three vertices of the thread profile and move G
them towards the undercut at the bottom of the thread.
If you haven't already got one open split the 3D view and
open the Outliner. Click the eye icon for the axle to remove it
from view.
Select the vertex on the major diameter of the thread and

Extrude it on the X-axis -0.108mm (1/8 H)
We can now use the snap tool to position the thread V profile.
Click on the magnet Icon on the view header. Select the 3

vertices of the V and move them G, whilst moving hold down
Ctrl and move the cursor towards the end vertex. The V will
snap into position.
We now need to add reference geometry to allow us to cut

new vertices on the major and minor diameters.
Extrude vertex A on the X-axis
Extrude vertex B on the Z-axis as detailed, then Extrude this

X
-0.216mm (1/4 H) then Extrude again on the -Z-axis

ensuring the edge crosses the V.

To finish the reference edges, extrude a vertex from the
major diameter across the v.
Select the three vertices of the V and cut Knife (Exact),

snapping the cut Ctrl-LMB to the vertices of the major
diameter.
Repeat the cut snapping the knife to the vertices of the minor
diameter.
Delete the reference vertices, but ensure the top chamfered

edge of the thread is not deleted, as this will be used to locate
the cursor when we spin the thread.
Add Edges F to the vertices of the major and minor diameter.

Threads usually have a radius at the root of the thread so we
will add a fillet.
Select the vertex at the bottom of the minor diameter and

snap the cursor to it Shift-S Cursor>Selection.

Shift-RMB Select both vertices of the minor diameter and copy
them Shift-D, then Esc to leave them in place. With the Pivot in
3D Cursor Rotate the edge -30 degrees.
Select the vertex at the top of the minor diameter and snap the
cursor to it Shift-S Cursor>Selection.
Again Shift-RMB Select both vertices of the minor diameter and

copy them Shift-D, then Esc to leave them in place. This time
Rotate the edge 30 degrees.
Where the two edges cross is the centre point for the bottom
fillet. Cut a vertex on the intersect Knife (Exact) and using Ctrl-
LMB to snap the cut to the rotated edge.
Snap the cursor to the intersect and Delete the reference

vertices.
Select the vertex at the top of the major

diameter and in the Mesh Tools panel set
Degr:120 and Steps:4 Press Spin and the
profile for one pitch of the thread will be
created.

Select the vertex on the thread centreline
(right hand vertex on the top chamfer
profile) and snap the cursor to it.
De-select All vertices, then Link select the thread profile.
We need the thread to continue past the chamfer so we can later combine the
chamfer detail to the thread. Counting the grid squares we will need 10 turns.
In the Mesh Tools panel set Degr: 360 Steps:32 and Turns:10
Make Sure Clockwise is not selected.
Press Screw and the thread will be formed.
Go into top view NumPad 7. De-select All then Link select

the centre and chamfer vertices. Delete these X.
Tab into Object Mode and in the Outliner open the eye icon
for the axle, bringing it back into view. If necessary move the
thread in the Z-axis to align with the axle. Close the eye for
the thread.
We now need to prepare the axle to accept the thread.
Go back into front view and select the axle. Tab into
Edit Mode and select the top right vertex of the
chamfer and copy it Shift-D moving it to the right of the
axle on the X-axis. Extrude this vertex on the X-axis to
the left of the axle. Repeat this on the bottom vertex
loop of the thread section.

Go into edge select mode and paint a selection B B
across the straight section of the thread.
Delete these X (edges).
Go back into vertex select mode.
Tab into Object Mode and in the Outliner bring the

thread back into view. RMB select the thread then Shift-
RMB select the axle. Press Ctrl-J to join them into one
mesh.
Tab into Edit Mode and De-select All then Link select
the thread. With the Knife tool, cut two rows of vertices
across the thread, Knife (Exact) and snapped Ctrl-LMB
to the reference edges.
De-select All then Box select the vertices below the

bottom reference edge. Zoom in MW to make sure all
the vertices below the edge are selected (not the
vertices on the edge) Delete these vertices X.
Box select the vertices above the top reference edge

and delete these. Select the two reference edges and
delete them.
The thread is now the correct length for the axle but
there is still more to do. We must join the base of the
thread to the under-cut and the top of the thread to the
chamfer.
If you zoom in on the base of the thread you will see the
flange that was originally on the axle sticking out past
the edge of the thread (highlighted in green).

To correct this we need to manually merge the vertices
of the original axle flange onto the corresponding vertex
of the thread.
RMB Select a vertex on the flange then Shift-RMB select

the corresponding vertex on the thread. Press Alt-M to
merge the vertices and choose "At Last" from the pop-up
menu.
Repeat this around the circumference of the axle.
The intersect between the top chamfer and the thread is a much more
complicated detail. Because the intersect doesn't occur on a set plane there
are no vertices on the line of intersection. Therefore we cannot simply merge
vertices to obtain the correct profile. The first part of combining the thread and
chamfer will be to create a line of vertices on the intersect between the two
sets of faces.
Go into face select mode and box select

the top section of thread and chamfer.
Press Shift-H to hide all the other
vertices.
We can now use another of the python scripts to cut the

vertices on the intersect of the faces. Split the 3D view and
open a Script Window (detailed description in 608-4). With all
the faces still selected, in the Script window click on
Scripts>Mesh>Geom Tool and from the popup menu click on
"intersect: face(s) (cut)". A new loop of vertices will be created
on the intersect between the faces. Go back into vertex select
mode, select All and Remove Doubles W.
The Geom Tool script isn't bundled with Blender but can be
downloaded from the Blender Website.
http://wiki.blender.org/index.php/Scripts/Catalog
A description for loading the script is also available from this
page.
With the new edge created on the intersect its now simply a
matter of deleting the vertices, edges or faces that are not
required. It sounds simple but this will test your patience and
call on many of the editing techniques you have learned.

Only delete X a few vertices at a time, if necessary Ctrl-
Z will undo the change. In places you may need to
merge vertices Alt-M and other places you will need to
add new faces F. Its also worth noting on one side of the
axle the thread intersects the chamfer in two places.
As a new user this may take a fair amount of time, but

as your experience grows this will only take a few
minutes and the end result is well worth the effort.
Once complete press Alt-H to bring back all the hidden

vertices. Select All, Remove Doubles W and Set Smooth
W.
That completes the top thread. Rather than repeating all that work on
the bottom thread we can simply copy the top one and reposition the
copy to complete the axle.
In front view Box select the thread vertices, then loop select
Shift-Alt-RMB the inner loop of vertices on the undercut
next to the main body of the axle.
Copy these Shift-D and move them to the side.
In front view Rotate the copied vertices 180 degrees.
Separate the copied thread from the axle P. Tab into Object
Mode, Select the copied thread and then Tab back into Edit
Mode.
Select the top row of vertices and snap the cursor to them
Shift-S Cursor>Selection.

Tab into Object mode and in the Mesh panel click the Centre
Cursor button. This will move the object centre to the centre of
the top row of vertices.
Select the axle and delete the vertices of the bottom thread.
Alt-RMB select the inner loop of vertices where the under cut
was.
Snap the cursor to the centre of these vertices.
Tab back into Object Mode and select the thread.
Snap the thread to the cursor Shift-S Selection>

Cursor.
With the thread still selected Shift-RMB select the axle and
joine the two objects into one Ctrl-J.
Tab back into Edit Mode, select All and Remove

Doubles W. to complete the axle.
This axle will have 7274 vertices, compared to

1418 vertices of the axle without the detailed
thread.
You may also want to set up a camera and lights

and render an image of the shaft as detailed in
608-9.
Tab into Object Mode and save your work.
In the next section we will do a dimensioned drawing of the V-Roller

components.

Guide Roller Part-4 Laying out The Component Drawing
Most of the techniques necessary to layout an orthographic drawing were

covered in Part 11 of the 608 Bearing Tutorial so rather than just repeating
what's in that section this will be just a brief description of the layout process.
Initially though I thought it would be good to mention the two standard

methods of laying out a drawing. 1st Angle Projection and 3rd Angle
Projection. To see how the views are represented on paper it's easier to fold
the paper into a cube around the component and project the view onto the
cube. When the cube is unfolded it gives the correct layout.
1st Angle Projection
In First Angle projection the view is

projected through the component,
so the front view is projected onto
the back wall and the top view is
projected onto the base.
When the 1st Angle view is folded

out the front view is at the back of
the top view and the side view is on
the opposite side of the front view.
This type of layout often causes
confusion with people who aren't
completely familiar with
orthographic layouts.

3rd Angle Projection
In 3rd Angle projection the side facing the

cube is projected onto the cube, so the
top view is on the top of the box and the
front view is on the front of the box.
In 3rd angle projection the views are

positioned on the same side of the view
next to them, so the top view is on top
of the front view and the side view is on
the side of the front view that it
represents. This is a much easier layout
to understand and my preferred choice.
Hopefully that,s enough for you to appreciate the formal aspects of

orthographic layouts, Its a subject where you can go into ever increasing
detail and this is just a brief primer to get you started. If you want to learn
more about layouts there is a lot of detail on www.technologystudent.com, it's
worth a visit as it contains a lot of in depth advice.
I think that's enough on layouts so let's get back to Blender. In part 10 we

created a page Layout for an A4 Portrait Page. We can start by importing this
and then rotating the border to form an A4 Landscape layout. Start a new
Blender project. If you already have Blender open save your work Ctrl-W then
press Ctrl-X to open a new file. Delete the Cube Object that opens with each
new project X, as we don't need it.

Append all the A4p objects from the PageTemplate.blend
file created in the 608-Bearing tutorial. Shift-F1 to open
the File Browser window in Append mode and from the
"PageTemplate.blend" file LMB click Object then RMB
select all the A4p objects. Click on Load Library to bring
them into the new file. They will be placed on Layer one,
as this was the layer they were created on. Go into front
view to see the layout NumPad 1.
In the outliner select the A4pBorder object then in the Link

and Materials panel change its name from A4p (portrait) to A4L (Landscape).
Repeat this for all the other A4p Objects.
It's now time to rotate the border. The only problem is

that the Title box is part of the Border mesh so we first
need to separate the Title Box from the Border. Either in
the Outliner or 3D view select the A4LBorder Object and
Tab into Edit Mode. Select All vertices, it's easier to deselect the vertices of
the title box than select the vertices of the Border.
To de-select the vertices of the title box press B for box select, but this time
drag a selection box over the vertices you need to de-select using the RMB.
The vertices will no longer be selected. On the 3D View Header press
select>>Inverse, this will invert the selection so the title box is now selected
and the Border isn't. (You could have just de-selected all then box selected
the Title Box, but I wanted to show the Box Deselect feature!)
With the Title Box vertices selected press P (part) to

separate them from the current mesh and choose
"Selection" from the pop-up menu.
Tab back into Object Mode and select A4LBoundary,

Tab back into Edit Mode and select RMB the bottom
Right Hand vertex snap the Cursor onto this Shift-S
Cursor>Selection.
Tab into Object Mode and RMB select the A4LBorder Object and Shift-RMB
select the A4LBoundary Object. In the 3D View Header set the Pivot point to
3D Cursor, then Rotate the Border and Boundary 90 degrees.
The Border is now disjointed from the Title Box so

Grab the Border and move it on the X-axis until the
bottom Right Hand corner sits around the Title Box.
The final thing to do is amend the Camera and output

Format settings detailed in A4LText.007 so Size X
becomes 3300 and Size Y becomes 2400.
You now have an A4 Landscape page template that can be appended back
into the PageTemplate.blend file.
Append the V-Roller Object from V-Roller.blend
onto the scene and position it within the Border.
(If it doesn't appear on the view after appending
check the Eye icon in the Outliner is open or it's
layer is active) Copy this Shift-D and move it
on the X-axis to the right of the original. Rotate
the copied V-Roller on the Z-axis 90 degrees.
Copy the rotated V-Roller and position this to
the right of the original. We will use the second
copy to form a sectioned view.
Append the V-RollerAxle from the same file and position this within the
border. Copy this on the Z-axis and position it above the original. (3rd Angle
projection Top view sits above Front View)
Save the file as V-RollerLayout.blend
We now need to change the material for all the components.

Select the 1st V-Roller and In the Links and Pipeline tab of
the Material Buttons press the X to remove its material, then
click Add New to add a new material.
In the Materials tab set the colour to white and click

Shadeless so it renders as a pure white colour.
In the World Settings change the Background to white.
With the material set on the first V-Roller Shift-RMB select all the other
components, then Shift-RMB select the 1st V-Roller to make it the active
object. Press Ctrl-L (Make Links) and select Materials from the popup menu.
This will copy the material from the active object onto all the other selected
objects.
In the Output tab of the Scene Buttons click Edge to

allow the Edge filter to draw an outline around the
components and then click on Edge Settings and set
Eint (Edge Intensity) to 1 to give lines only on the most
prominent edges.
In the Format tab change size X to 3300 and Sixe Y to 2400. Select the
camera, go into camera view NumPad 0 and align the camera with the
Boundary Object. Set the Camera to Orthographic in the scene buttons
Camera tab

Because we are working with such a large output
size you can select areas of the camera view to
do a test render. In the camera view press Shift-
B and drag a selection box over the area you
would like to test. The render will then be
confined to the area of the selection.
To come out of Border render de-select Border in the Render tab.
In side view NumPad 3 cut the right hand V-Roller in half by

deleting all the vertices forward of the centreline. This is
easier carried out in local view NumPad /.
Alt-Shift-RMB select the vertices on the two open ends and

copy Shift-D them forward of the 1/2 V-Roller on the Y-axis.
Shift-F fill these faces, beautify the fill Alt-F and convert to
Quads Alt-J. The faces have been separated from the V-
Roller to allow the edge filter to detect the edges cleanly.
With the vertices of the disconnected faces still selected we

need to add an image texture with a hatch pattern. If you
haven't already got one available use one of the textures
from the 608-Bearing tutorial Part 11.
In the Link and Materials tab of the Editing Buttons click

New to add a second material to the mesh and then
press Assign to assign the second material to the
selected vertices.
In the Shading Buttons, Texture sub context add a new

image texture and load your hatch pattern.
If you need more detail of how to do this go back to the 608-Bearing tutorial,
Part 11 describes the process in detail.
Because Image textures are stretched to fit the object's bounding box
size the hatch will have been skewed vertically so increase Y repeat
to 2 or 3 in the Map Image tab of the texture buttons. This will repeat
the texture 2 or 3 times in the Y-axis.
If you do a test render you should end up with something like the
image opposite.

Radial Dimensions
To construct a diameter dimension select a vertex

either side of the horizontal centreline and add an
edge F. Click on Edge Length in the Mesh Tools 1
tab of the Editing Context buttons. We can use this
figure for the dimension text.
Separate this edge from the V-Roller P, choose

"Selected" from the pop-up menu. Tab into Object
Mode and select the new edge, which will be used
to form the dimension line. Go into Local view
NumPad / for dimension line, then Tab into Edit
Mode (Note I have removed the material to make the images clearer for this
tutorial).
Select both vertices and Extrude them Z 0.1. Select the bottom two vertices
and Extrude these Z -0.1 This adds thickness to the dimension line.
Select All and cut K through the horizontal edges

choosing Knife (Multicut) from the pop-up menu
and accepting the default 2 cut's.
Select the six new vertices that have been cut and
Scale them along the horizontal edges X until they
are around 4mm from the ends of the dimension
line. Select the two vertices A & B and Extrude them in the Z axis 1mm
Repeat this on the other three edges. You should end up with a dimension
line that has a box on either end.
Select the five left hand vertices and with the Pivot
Point set to Median Point Scale the vertices to 0
then Remove Doubles W. You will end up with an
arrow shaped end.
Repeat this on the other end of the dimension line.
The next requirement is to add a leader line for the

dimension text. Select the three vertices in the
yellow box opposite.
Toggle back into Global View NumPad / and

extrude these vertices on the X-axis out past the
edge of the component.
Add the Black shadeless material from the border to the dimension line.
Tab into Object Mode and in side view NumPad 3 move the dimension line in
front of the V-Roller. With the dimension line selected snap the cursor Shift-S
to its object centre Cursor>Selection.
Insert a Text object and in the Editing buttons
Font tab, increase its size to suit the page scale
(4 on my layout)
Backspace through "Text" to remove it, then

add the dimension size using the number keys
on the main keyboard (not the NumPad keys)
Tab into Object Mode and move G the text

over the leader line.
Finally add the Black material to the text object.
With the cursor snapped to the Object centre copy the the dimension line and
text, then rotate the copy from the horizontal.
The original dimension line can now be modified by moving the arrows on the
X-axis to a new diameter.
This technique can also be used for radius

dimensions by cutting the dimension line on the
centre-point and deleting all the vertices to one
side of the cut.
If you haven't been doing so it's worth

frequently saving your work. Press Ctrl-W and
save the file.

Linear dimensions
Linear dimensions using the Blender Caliper script were

covered in detail in the 608-Bearing tutorial Part 11 along
with scaled views. If you can't remember how to add the
dimensions please revisit Part 11.
As a quick refresher, in Edit Mode select the two vertices

where you want the dimension measurement to be taken
from.
Copy the vertices and move them away from the model
(constrained to an axis). This gives a break between the
extension line and the model. Extrude these vertices to the
point where you want the dimension line, then extrude
again past this point.
To thicken each edge so it will show on the render, select

the three vertices of one edge and extrude it away from the
other edge 0.2mm. Do the same with the other edge.
To add the dimension select the two vertices on the inner

edge of the extension lines. Open Blender Caliper, adjust
the measurement settings for the dimension line and press
measure. (You may need to play with the settings to get a
suitable font size and dimension line scale).
Select the vertices of the extension lines and separate

them from the models mesh P. Go into Object Mode and
join the extension lines to the dimension line created by
Blender Caliper by selecting both objects and pressing
Ctrl-J.
As you progress through your layout join all the dimension

and extension lines into one object. It helps to change the
colour of the dimensions to help differentiate them from the
model.

The models are going to be rendered using the edge
settings so need to be rendered separately to the
drawing border and dimensions. Select all the models
and move them onto layer 2 Move then click the second layer box in the pop-
up.
In the Render Layer tab of the scene

buttons select layer 2 to limit the render
to this layer. In the Output tab make sure
Edge is still selected.
In the Format tab select PNG as the file

format and check the RGBA button.
Render the line drawings of the
components. When you save the render
it will save the component layout onto a
transparent background. Save F3 the
drawing as V-RollerLayout1.png
To combine this drawing with the border and dimensions, we

can use the Node Editor. The Node editor is a complex image
editor and needs a book of its own to describe its full
capabilities. I will just touch on what's needed to combine the
two layers.
In the render Layers tab select layer 1. In the Output tab

deselect Edge to turn off the edge filter. Render the layer and
close the render window.
In the 3D View click the window type button and choose

Node Editor. On the Node Editor Header click on the face
icon to select composite nodes, then click Use Nodes. A
Render Layer Node and Composite node will appear in
the view joined with a curved line.
The nodes will have a thumbnail view of the Border and

Dimensions. We now need to add an input node so we
can load the image with the line drawings.
Press the SpaceBar to open the node menu choose
Add>Input>Image, a new node will appear in the
View. You can move the nodes around by LMB
dragging the Header at the top of the node. Position
the Input Node below the Render Layer Node.
Press Load New and load the drawing V-

RollerLayout1.png. The thumbnail of the image will
appear in the node. Nodes are arranged with inputs
on the left-hand side and outputs on the right-hand
side.
We now need to add a node that can

combine both the Render Layer and Image
nodes together. To do this press the
SpaceBar and choose
Add>Color>AlphaOver. The AlphaOver node
will be placed in the view.
We need to re-wire the nodes to

give us the correct output.
LMB click and drag the cursor

across the link between the
Render Layer Node and the
Composite Node. This will cut the
connection.
LMB click and hold on the yellow

output socket on the Render
Layer node and drag the mouse
to the bottom yellow input socket
on the Alpha Over node. A new
connection will be made.
In the same way connect the output of the image node to the top input of the
Alpha Over node. Then connect the Output socket of the Alpha Over node to
theinput socket of the Composite node. The connections are now complete.

Before rendering the layout you must tell Blender to use the composite output.
In the Scene buttons Anim tab click Do Composite, then render the layout.
If all has gone well you will get a composite layout with a dimensioned line
drawing of the components. In the Scene buttons Format tab Click RGB as
we no longer need alpha in the image and Save the Layout drawing F3. Save
your file Ctrl-W.
The final thing necessary to print the drawing to scale, is to adjust the pixels
per inch to 300 in an image-editing program such as Gimp or PhotoShop.

Designing a Casting Part-1 Positioning the Components
By now you should be fairly familiar with Blenders modelling capabilities. The
608 Bearing and V-roller tutorials have covered most of the commonly used
tools and techniques, so this won’t be so much of a tutorial as a discussion on
the steps needed to use Blender as a tool to help you design a casting. As the
next stage of my CNC router upgrade is to redesign the X-axis slides I will use
this as the motive for designing the casting. We will again reuse the bearing
and V-roller as the building blocks for the casting layout.
There are many casting techniques that could be used for this component
such as sand casting, die-casting and centrifugal casting, but because of my
limited workshop facilities and the availability of a pottery kiln, I have chosen
to use the investment casting technique. This is where a wax model of the
part is fabricated then dipped into a refractory slurry which is dried, the wax is
melted out leaving the refractory casing which when fired becomes the mould
for the molten aluminium. The mould is then broken away from the aluminium
when it has cooled.
The benefit of this method is you can produce an accurate wax model without
worrying too much about withdrawal tapers or undercuts, If you can make the
component in wax you should be able to produce an investment mould from it.
I will go into a little more detail about the mould making and casting process in
the foundry section. Here I will concentrate on using Blenders modelling
capabilities to design the casting.
If you haven’t already got blender running

this is the time to start it up? Delete the
default cube X and then append into the
scene Shift F1 the V-Roller, bearings,
shaft, nut and washer assembly created in
the V-Roller tutorial. They will be placed
into the scene rotated so the roller will run
along the X-axis. Go into side view
NumPad 3 as we need to add a shaft for
the V-Roller to run along. To make sure the
shaft is centred to the V-Roller, select the V-roller and in the Edit Buttons click
“Centre New” this will ensure the object centre is on the centre of the V-Roller.
We can now snap the cursor to the V-Rollers object centre Shift-S
Cursor>Selection.
Add a cylinder to represent the shaft

SpaceBar Add>Mesh>cylinder and in the
pop-up menu set Vertices: 32, Radius: 9,
Depth: 100. In its current position the shaft
penetrates through the V-Roller so we need to
move it down so that the shaft sits below the
‘V’.

Tab into Object Mode then Grab the shaft and
move it on the Z-axis until it sits just below the
V-Roller. Zoom in fully and repeat this if
necessary to get the closest possible alignment.
You can also zoom into a selection box by
pressing Shift-B and dragging a selection box
over the zoom area you require.
In front view NumPad 1, Tab into Edit mode

and Box select the right-hand vertices. Move
these vertices G along the X-axis 300mm. This
will make the shaft 400mm long. Tab back into Object Mode.
It's possible to have the V-Roller rigidly aligned

to the X-axis using just 3 rollers, as I am going
to reuse this set-up on other areas of the
machine I am going to use 4 rollers. In front
view NumPad 1, Box select the V-Roller
assembly and copy it Shift D. Move it along the
X-axis 150mm. Now Box select both V-Roller
assemblies and copy them Shift-D, moving the
copies on the Z-axis until the ‘V’ is below the shaft. In side view NumPad 3
Zoom in close to position them as accurately as possible
Its not feasible in a home workshop to make

components to micron accuracy so some form
of adjustment will be necessary to position the
V-Rollers tight to the shaft. I am going to fix the
top two rollers into the main casting, but allow
the bottom rollers to be adjusted on the Z-axis.
For this I will use a simple rebated block with
elongated bolt holes. This can simply be
located within a rebate in the main casting.
The Adjuster Block

To make the adjustable block, RMB select the
bottom right hand V-Roller axle and go into
Local View NumPad /. Select Shift-Alt-RMB
the loop of vertices at the back of the fillet and
snap the cursor to the centre of them, Shift-S
Cursor>Selection. This gives us the location
point for the adjuster. Go into Object Mode and
in front view Insert a mesh circle, SpaceBar
Add>Mesh>Circle, in the pop-up menu set
Vertices: 32. and Radius: 3.

Whilst still in Edit Mode add a Plane and Scale it by a
factor of 22 to give a 44mm square. Delete the face
from the plane X “Only Faces” then subdivide the
edges 7 times. W “Subdivide Multi” and set 7 in the
popup menu. This will give our outer square the same
number of vertices as the inner circle. Add faces
between the inner circle and outer square by pressing
F and selecting "Skin Faces/Edge Loops". Select all
and Extrude "Region" along the Y-axis 10mm, to add
thickness to the component.
In order for the adjuster block to be able to be

positioned in the casting it needs some side flanges
that will also incorporate the elongated bolt holes. In
side view NumPad 3 cut a loop of vertices K
"Midpoint". Grab the new loop of vertices and move
them on the Y-axis -2mm, this will give us a 3mm
face to form the flange from.
Select the flange face's, one side at a time and

extrude them 10mm. The top and bottom flange will
shield the components of the slide from dust produced
by the router.
Delete the two corner faces indicated, X "Faces" on

each of the corners. Make sure the edge between the
two faces is also deleted.
Select the vertex indicated and snap the cursor to it.

Shift-S Cursor>Selection. Then select the four vertices
from one of the deleted faces.
In front view spin a corner radius with five vertices.
When all the four corners have been spun Select All
and remove doubles W.

We now need the centre line of the flange to position the
elongated bolt holes. It can't be loop cut because the
corner faces are triangles.
Use the Knife tool (Midpoints) and cut the loop indicated.
To add a chamfer to the edge of the adjuster loop cut

Ctrl-R the outer loop of faces. With the Edge Length
button activated, slide these to 0.5mm from the edge. Do
this on the front and back of the flange.
Now select the front outer edge loop and move it 0.5mm
on the Y-axis. Do the same on the back outer edge but
move this -0.5mm.
Snap the cursor to the middle of the two vertices shown.
In front view add a circle, Vertices: 16, Radius: 2.2 (clearance for
a 4mm bolt).
Copy the vertices from the circles centreline and above and
move the copy 4mm on the Z-axis. Then copy the vertices of the
circle from the centreline and below moving them -4mm on the Z-
axis.
Delete the original circle and the flange vertices closest to it.
This leaves you with the outline of the slot positioned centrally on
the flange.

Alt-RMB select the vertices of the elongated hole, then
Shift-Alt-RMB select the vertices of the flange that
surround it. Shift-F to fill the area with faces. Alt-F to
beautify the fill and Alt-J to convert to quads.
Copy the new faces and move them 3mm on the Y-axis.
Shift-Alt-RMB select the two elongated slots and loft

faces between them F "Skin Face/Edge Loops".
Select the vertices central to where the other three

slots are required and delete them. Copy the slot
faces and surrounding faces. and use Blenders snap
tools to snap the copy to the other locations.
First Rotating the two left-hand copies 180 degrees.
Finally select all and remove doubles to complete the

adjuster.
Once the flange is complete go back into

Global view NumPad / and copy the
adjuster to the other V-Roller
Shift-D X -150

The Lead Screw & Roller-nut
WE have now got the locations for the fixed rollers and the adjuster blocks. A
few other components are needed on the casting because it will also hold the
lead screw roller-nut.
I am using an M16 threaded rod as the

lead screw and have designed a simple
roller-nut based on the V-Roller and axle.
It’s simply a series of slots at 2mm pitch
to marry in to the M16 thread.
To stop the lead screw from flexing away

from the nut a couple of bearings will be
located above the lead screw and offset
slightly to either side of the centreline.
These bearings will use a shortened
version of the V-Roller axle.
The roller-nut and bearings will also need to be adjustable,

so the brackets that hold them back to the main casting will
also need to allow some movement in the Z-axis.
My CNC machine is configured with two X-axis slides, one

either side of the table. The Y-axis runs between them
forming a bridge type layout. The X-axis therefore also has
to locate the mounting points for the Y-axis. If you have a
look at the photos of my old machine on the CNC page at
www.rab3d.com this will make more sense.
At this stage of the design, things are very flexible, none of the component
positions are fixed and it's easy to move things around to optimise their
location.
We have now accounted for all the parts of the X-axis, so in part-2, I will start
constructing the main casting around them.

Designing a Casting Part-2 The Initial Layout
We now have all the components needed for

the X-axis roughly positioned. So it's time to
put a little thought into what shape the casting
needs to be to accommodate the components.
In front view the components are fairly spread

out and could possibly be moved closer to the
centre to reduce the footprint of the X-axis.
In side view its clear that some of the components will penetrate
the front mounting face of the casting. It will be necessary to
provide a recess behind the roller nut and top right hand bearing.
The size and location of the recesses will determine how close
the other components can be to the centre of the casting.
The first part of the casting to model is the

recess behind the Roller-nut. To make modelling
easier you can hide the slide shaft and lead
screw by clicking the eye icon in the Outliner.
Select an adjuster block and in Edit mode snap
the cursor to the front face of one of the adjuster
blocks. Tab into Object mode and in front view
add a plane. In object mode move the plane
central to the Roller nut and resize it so it is
larger than the nut. One side should be aligned
with the back of the axle flange.
Delete X Only Faces to remove the face from the

plane
Extrude the four edges Y 8mm. This will add depth to the
recess.
In side view Grab the top back vertices and move them, Z
-8 mm to give a 45 degree angle. Move the bottom vertices
up 8mm.

In top view move the back side vertices in 1mm to add a
withdrawal taper.
Finally add a face to form the back wall.
I have repeated the process for the top Right-hand

bearing. This time making a little extra room for the axle
and nut which also penetrate the front plane of the
casting.
With the two recesses modelled it's easy to see where

the rest of the components can be repositioned to make
the casting more compact.
Theirs plenty of room to allow me

to move the V-roller centres from
150mm to 110mm. It's also
apparent the Adjuster blocks are
larger than they need to be so I
will reduce their size.

Select one of the adjuster blocks and Tab into edit
mode. It's not possible to just scale everything to a
smaller size because this will also resize the centre
hole, slots and flange widths. So I need to resize it in
stages.
The square centre hub is 44mm and I am going to

reduce it to 36m. Box select the centre hub and
flange vertices directly above and below it. Scale this
on the X-axis by 1.2222 (44 / 36).
Now box select the vertices of the right hand flange

and move G these on the X-axis -4mm (1/2 the 8mm
difference).
Repeat this with the left-hand flange. Moving it 4mm

on the X-axis.
Box select the vertices of the centre boss and the

flange vertices directly to the left and right of it and
again scale this 1.2222 but on the Z-axis. Then grab
and move the top and bottom flanges 4mm.
You should now have a square adjuster block.
In scaling the adjuster on the Z-axis we have also just

scaled the slotted bolt holes. These need to be returned to
their original size. We can do this by scaling the vertices of
the slots by the inverse of the original scale (1 / 1.2222 =
0.81818).
Select the vertices of the first slot and Scale it Z 0.81818

Repeat this on the other three slots.
Finally scale the centre hole on the X and Z-axis

by the same amount to return the hole to the
correct diameter. (Scale Shift-Y 0.81818)
With the adjuster blocks reduced in size I have

been able to further reduce the V-roller centres,
which are now 100mm apart. I have also moved
the bottom V-rollers in 6mm so the edge of the
adjuster blocks are level with the outside of the
top V-roller's.

To form the pockets in the casting where the adjuster blocks sit we
can copy both adjuster blocks Shift-D then press Escape to leave
them in position. We can then cut and adapt the copied adjuster
blocks mesh to form the adjuster locations in the casting.
With the copied blocks still selected go into local view NumPad /.
In side view select the front face of the adjusters. Snap the cursor
to the selection so it's on the same plane as the front face, then
delete the vertices.
Because of the chamfer the front loop of vertices is no longer

aligned on to the front face of the casting. Loop select the front
edge and in cursor select mode Scale the vertices on the Y axis to
0. This will bring the edge back into alignment.
Select and delete the vertices of the central hole, to leave us

with a recess the same shape as the adjuster.
If it were left like this there wouldn't be any room for the
adjuster to slide on the Z-axis. So we need to mover the top
and bottom flange to allow the adjuster to move.
Select the vertices of the top flange and Grab them

moving them on the Z-axis 4.5mm. Move the bottom
flange -4.5mm. This will give us the room for the
adjuster block to move up and down.
The adjusters will be secured with a 4mm bolt, so the casting

needs a 4mm-tapped hole centrally to the slot.
It's not practical to model the thread so it will simply be

represented by a hole at the tapping drill size, which is 3.3mm.
Select the four vertices from the straight edges of the slot and
snap the cursor to their centre. Add a circle with 16 vertices and a
radius of 1.65mm.

Delete the vertices of the slot then rebuild the faces around the
hole.
Using Blenders snap tools, copy and paste the hole and
surrounding faces to the other locations.
At this stage it will also be good to delete unnecessary

vertices and rebuild the faces as larger quads.
Blenders skin Face/Edge Loop feature will be useful for

this.
Once one adjuster recess is complete, copy it and move

it 88mm on the X-axis so it sits behind the other
adjuster.
To position the fixed axle holes, RMB select a fixed axle and go into Local
View NumPad /. Select Shift-Alt-RMB the loop of vertices at the back of the
fillet and snap the cursor to the centre of them, Shift-S Cursor>Selection. This
gives us the location point for the adjuster. Go into Object Mode and in front
view Insert a mesh circle, SpaceBar Add>Mesh>Circle, in the pop-up menu
set Vertices: 32 and Radius: 3. Repeat this for the other axle.

Select the axle location circles, the
pockets behind the roller-nut and
bearing and the adjuster recesses
and combine them into one mesh,
Ctrl-J.
These are the first features of the

casting.
In order to locate the roller-nut and

bearings, three adjuster brackets are
required. I will construct these in Part-
3. This will then allow me to add their
mounting locations to the casting.

Designing a Casting Part-3 The Roller-Nut Mounting Brackets
To finish off all the mounting locations on the

casting, we need three more components, the
mounting brackets for the Roller-nut and
support bearings. Because the design of the
brackets relies on the position of the casting
face from the axle centres and also any
pockets in the casting, it has not been
possible to design the brackets until now.
Hide all the components other than the

Roller-nut assembly, casting and lead screw.
It will be easier to see the available space for
the bracket without the other components.
Tab into Edit Mode for the casting and snap the cursor to the front face. I have
selected the two vertices of the recess, so the cursor is on the edge of the
recess and aligned with the mounting face of the axle.
Back in Object Mode, add a Plane. Scale the left-hand side

vertices to the cursor, its height to 30mm and width to 4mm.
Extrude the right hand vertices on the X-axis 6mm then again on
the X-axis 10mm, the 6mm section will be used to form a
locating key, the 10mm section will become the bolt flange.
Extrude the three faces to give a thickness of 3mm.
Tab into Edit Mode for the axle and snap the cursor to the
vertices on the flange fillet as detailed in Part 1. Tab back
into the adjuster Bracket.
In side view add a circle with 32 vertices and a 3mm radius.
Extrude these vertices then press Escape to leave them in

position. cale the extruded vertices by a factor of 4 to give a
24mm flange.
Delete some of the vertices from the outer circle and add
edges back to the mounting flange. With careful choice you
can get a tangential alignment.
Midpoint cut a row of vertices on the mounting flange and

delete the vertex that would become inside the bracket. This
will remove four faces from the mounting.
Rebuild new faces around the hole.

Select the vertices indicated and Extrude them on the X-
axis 4mm then again 6mm.
In wire view delete the vertex that has been created

internal to the bracket. Select all and remove doubles.
You will also need to rebuild the faces of the original

face, as these will be removed by the extrusion process.
As detailed in Part-1 for the V-roller adjuster brackets

add two elongated holes to the flange and also a fillet to
the outer corners.
Finally the bracket needs to be constrained to a

movement perpendicular to the lead screw.
To achieve this I have purposefully created vertices that

will allow the incorporation of a key, which will be
located in a slot machined into the face of the casting.
Select the two faces indicated and extrude them 2mm.
The support bearing adjusters are modelled in a similar

way to the Roller-nut adjuster bracket. I have slimmed
down the bracket to 6mm and moved the mounting
flange above the bearing.
The right hand adjuster will be set back into the pocket
provided in the casting.

The view from the back shows the 6mm key, which
penetrates the face of the casting.
Some work will be required to provide the mating slot in

the casting and the bolt holes.
The left-hand adjuster stands out further from the casting

to allow support forward of the lead screw centreline.

Transferring Geometry to the Casting
Select an adjuster and Tab into Edit Mode. In top view

NumPad 7 select the vertices on the back face of the
adjuster.
Copy the vertices Shift-D then Escape to

leave the copy in place. Separate the copy
from the adjuster mesh P.
Tab into Object Mode and select the copied

adjuster face, then Shift-RMB select the
casting. Join the copied face to the casting
Ctrl-J.
Repeat this for all three adjuster brackets.
Some work is now needed to modify the

copied geometry to suit the casting.
As with the V-roller adjuster, the lead screw adjusters will be secured with
4mm bolts, so the casting needs 4mm-tapped holes centrally to the slot.
Again these will be represented by a hole at

the tapping drill size, which is 3.3mm.
Alt-RMB Select the vertices from the slot and

snap the cursor to their centre. Add a circle
with 16 vertices and a radius of 1.65mm.
Repeat this for all slots.
Delete the unnecessary vertices, leaving the

key way slot and tapped hole circles.
In order for the adjuster to move in the slot the slot

length needs to be increased by at least the amount
of movement available on the elongated bolt holes.
Grab the top vertices of the slot and move them on

the Z-axis 5mm.

I have also cut the slot lengthways with a mid point cut.
This has enabled me to spin a radius at the top of the
slot, which on the casting will be cut using a 6mm slot
drill, giving the radius on the ends.
A mid point cut has also been made horizontally across

the recess to align vertices with the centre vertices of the
key slot.
The slot on the top right adjuster poses a different problem,

as it has to penetrate the face of the bearing recess.
To add vertices and edges for this penetration use the Geom
tool. Select the intersecting faces and in a script window
choose Scripts>Mesh>Geom Tool
Select Intersect: Face(s) (Cut)
The Geom Tool will cut a new series of edges around the
intersection. It will also triangulate all the selected faces.
Delete all the unnecessary faces and convert the remainder

to quads, Alt-J.
Extend the top of the slot 5mm to allow the adjuster bracket
room to slide.
Cut a vertical row of vertices down the slot and bearing recess,
using the knife with a mid point cut.
Spin the top radius.

The left-hand adjuster slot just needs to be extended 5mm top
and bottom.
A vertical mid point cut will allow the ends to have a radius
spun to match the slot width.
All the mating geometry needed to

complete the casting has been
accurately extracted from the
component assembly.
In the next part I will complete the

casting by building faces between all
the extracted geometry elements.

Designing a Casting Part-4 Completing the Casting
With the location of the bolt holes, Key way slots, adjuster housings and
recesses now positioned all that remains is to build the face of the casting
between the edges already modelled.
However, to keep an organised mesh, it is necessary to

build up a framework of edges, before auto filling
individual areas.
Most of the parts we have created for the casting are

not in horizontal alignment so a little bit of work is
needed to provide vertices in the best location for the
auto fill.
Section off areas of the casting by extruding edges

horizontally or vertically. Snap the cursor to
existing vertices and in cursor select, Scale the
other required vertices along their axis to 0 to align
them.
Use Auto Fill Shift-F in aligned regions. Beautify

the fill Alt-F and convert trie's to quads Alt-J.
By constraining regions vertically and horizontally

you can construct an organised mesh. The
advantage of doing this are that if alterations are
required to the model selection of aligned
rectangles will be much easier than selecting
areas of a mesh made up of disorganised
triangles.

Before completing the face of the casting there is
one other element that needs to be fixed to the
X-axis slide. That is the support for the Y-axis.
As I have already roughed out my design I know the locating

area for this needs to be 38mm wide.
The top section of the X-axis needs an area that the Y-axis
can be bolted on to. To save having a left and right-hand X-
axis casting I will incorporate the mounting on both sides of
the casting.
As part of the casting's inner face I have incorporated a

loop of faces around the outer edge, these will become
a flange to help stiffen the casting and also give the
mounting location for the Y-axis support bracket.

Extrude the holes and the outer edge back to give the casting
thickness.
Once all the elements of the back face are on the correct
alignment build faces between them in a similar manner to the
front face.
Because I haven't done any investment casting

before I am not sure how thin the mould can be
before it won't fill properly. Because of this I have
increased the thickness behind the pockets to 4mm.
Select the loop of faces from around the outer

edge of the inner face. These will be extruded to
provide a mounting point for the Y-axis and also
offer some protection to the components of the X-
axis.
Extrude the faxes 30mm to clear the V-rollers

then cut clearance holes for the lead screw and
guide shaft.

This completes the casting for the X-axis
of my CNC router. All that remains is for
me to make a wax pattern, which will be
fabricated, from templates printed at a
scale of 1 to 1 from the Blender model.
This model is constructed at finished size.

Extra metal will be required on the areas
that are to be machined.
I will detail the progress of the casting in

the Engineering section of my web site.
This is the final part of the Engineers Guide to Blender. Hopefully you have
been able to understand the processes introduced in the Guide and will be
able to build on your experience by producing designs of your own.
If you were new to Blender when you started the guide and have worked
through to this final page, you should now be comfortable with Blenders way
of modelling. Theirs still a lot to learn and many more tools and techniques
available to improve your modelling skill. How you progress from here is up to
you, but the Internet community offers numerous tutorials and guidance, so
you have no excuses for not progressing and becoming a Blender pro.


Precision Modelling in Blender

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006

The guide focuses solely on Blenders Mesh Modelling capabilities, it ignores

The Small Print

Blender - Precision Modelling Guide

Blender Units and Precision 9

Modelling a 608 Bearing

Part -1 Reference Geometry 13

Modelling a Guide Roller

Part – 1 Modelling the 'V' Roller 89

Part – 1 Positioning the Components 130

Blender - Precision Modelling Guide

Obtaining and loading Blender

Blender - Precision Modelling Guide

Relevant sections of the program

3D View: Header Bar

Click on the window type button and a menu

Blender - Precision Modelling Guide

The operating mode for the window, initially

This is the way the model is displayed on

This gives a choice of centre points for

Click the hand icon to de-select this. It

These allow you to organise components in

Buttons Window Header Bar

Blender - Precision Modelling Guide

10) Render Button

11) Material Sub-context

Understanding 3D co-ordinates and Blenders 3D views

Blender - Precision Modelling Guide

Blender displays the co-ordinate as:

In object mode The Transform Properties

Blender - Precision Modelling Guide

In order to make blender units represent a real world unit it is necessary to

So how big should I make a blender unit?

Blender - Precision Modelling Guide

♦ The human hair is around 76 microns thick.

For architectural designs it is common to use a scale of 1 blender unit = 1

Blender - Precision Modelling Guide

Object Mode - Solid View

Cube (1) is selected with focus. If you

Object Mode - Wire View

Cube (1) is selected with focus.

Edit Mode - Solid View

Cube (1) All vertices selected.

Cube (2) No vertices selected.

Edit Mode - Wire View

Cube (1) All vertices selected.

Cube (2) No vertices selected.

Blender - Precision Modelling Guide

Modelling a 608 Bearing

Part 1 - Laying out the reference geometry.

Building A V-Roller Guide Assembly

Part 1 - Modelling the V-Roller.

Design Steps for a Casting

Part 1 - Laying out the components

Blender - Precision Modelling Guide

First of all, I think a brief description of what we

The method to create the shell of the bearing

Keyboard and mouse actions will be shown in bold type

Blender - Precision Modelling Guide

Press NumPad-3 (Side View). The position of the cameras