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DSP Lab Manual: 332:348 - Digital Signal Processing Laboratory

This document outlines the schedule and contents of the Digital Signal Processing Laboratory course at Rutgers University for the Spring 2012 semester. It provides an introduction to the Texas Instruments TMS320C6713 DSK digital signal processor and Code Composer Studio development environment used in the course. It then describes the topics and experiments to be covered in each of the 6 scheduled labs, including wavetable synthesis, modulation effects, delays and FIR filtering, block processing and the FFT, digital audio effects, and IIR filtering. The document serves as a manual providing background information and code templates to guide students through the hands-on lab assignments.

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Komal Pervaz
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41 views4 pages

DSP Lab Manual: 332:348 - Digital Signal Processing Laboratory

This document outlines the schedule and contents of the Digital Signal Processing Laboratory course at Rutgers University for the Spring 2012 semester. It provides an introduction to the Texas Instruments TMS320C6713 DSK digital signal processor and Code Composer Studio development environment used in the course. It then describes the topics and experiments to be covered in each of the 6 scheduled labs, including wavetable synthesis, modulation effects, delays and FIR filtering, block processing and the FFT, digital audio effects, and IIR filtering. The document serves as a manual providing background information and code templates to guide students through the hands-on lab assignments.

Uploaded by

Komal Pervaz
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 4

RUTGERS UNIVERSITY

The State University of New Jersey


School of Engineering
Department of Electrical and Computer Engineering

332:348 Digital Signal Processing Laboratory

DSP Lab Manual


Sophocles J. Orfanidis

Spring 2012

Lab Schedule Spring 2012


Week

Group

1/30

2/06

2/13

2/20

2/27

3/05

Labs
Lab1 CCS introduction, aliasing, quantization, data transfers, distortion
Lab2 CCS, sinusoids, wavetables, AM/FM, ring modulators, tremolo
Lab3 Delays, circular buffers, FIR filters, voice scrambler

3/12
3/19

3/26

4/02

4/09

4/16

4/23

Lab4 Block processing, real-time FFT/IFFT, overlap-add method


Lab5 Digital audio effects, reverb, multi-delay, strings, flangers, vibrato
Lab6 IIR filters, notch, peaking, wah-wah filters, phasers, equalizers

Notes
1. Labs meet in room ELE-004.
2. The lab sessions have a duration of two periods. Attendance in all labs is required (it is not possible
to get an A in the lab course if one of these sessions is missed.) Due to the limited number of
workstations, missed hardware labs cannot be made up.
3. Each lab section has been split into two groups, A & B, that meet on alternate weeks as shown on
the above schedule. The groups are as follows, divided according to student last names (please
note that these may change until registration is closed):

Section

Group A

Group B

Section1, M 3:206:20 PM

Acquaye Kotikalapudi

Kronberger Yang

Section2, W 3:206:20 PM

Ani Ng

Nolte Zhang

Section3, F 8:4011:40 AM

Agrawal Loki

McCue Youssef

TA

Baruch Har-Lev

Mehrnaz Tavan

Contents
0 Introduction
0.1 Lab Guidelines . . .
0.2 Running C Programs
0.3 Using MATLAB . . .
0.4 References . . . . . .

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1
1
1
3
6

1 TMS320C6713 DSK and Code Composer Studio


1.1 Introduction . . . . . . . . . . . . . . . . . . .
1.2 Lab Tasks . . . . . . . . . . . . . . . . . . . .
1.3 Template Program . . . . . . . . . . . . . . .
1.4 Aliasing . . . . . . . . . . . . . . . . . . . . .
1.5 Quantization . . . . . . . . . . . . . . . . . .
1.6 Data Transfers from/to Codec . . . . . . . .
1.7 Guitar Distortion Effects . . . . . . . . . . . .
1.8 References . . . . . . . . . . . . . . . . . . . .

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7
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12
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16
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2 Wavetable Generators, AM/FM Modulation


2.1 Lab Tasks . . . . . . . . . . . . . . . . .
2.2 Wavetable Generators . . . . . . . . . .
2.3 Sinusoidal Wavetable . . . . . . . . . . .
2.4 AM Modulation . . . . . . . . . . . . . .
2.5 FM Modulation . . . . . . . . . . . . . .
2.6 Ring Modulators and Tremolo . . . . .
2.7 References . . . . . . . . . . . . . . . . .

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19
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25
26

3 Delays and FIR Filtering


3.1 Introduction . . . . . . . . . . . . . . . . . .
3.2 Delays Using Linear and Circular Buffers .
3.3 FIR Comb Filters Using Circular Buffers . .
3.4 FIR Filters with Linear and Circular Buffers
3.5 Voice Scrambler . . . . . . . . . . . . . . . .
3.6 References . . . . . . . . . . . . . . . . . . .

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4 Block Processing Experiments


4.1 Introduction . . . . . . . . . . . . . . . . .
4.2 Double and Triple Buffering . . . . . . . .
4.3 FFT Example . . . . . . . . . . . . . . . . .
4.4 Real-Time FFT/IFFT . . . . . . . . . . . .
4.5 Spectrum Analyzer . . . . . . . . . . . . .
4.6 Notch Filter . . . . . . . . . . . . . . . . .
4.7 Voice Scrambler with FFT . . . . . . . . .
4.8 Block Convolution . . . . . . . . . . . . .
4.9 Overlap-Add Method in the Time Domain
4.10 Overlap-Add Method with the FFT . . . .
4.11 References . . . . . . . . . . . . . . . . . .

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5 Digital Audio Effects


5.1 Plain Reverb . . . . . . . . . . .
5.2 Allpass Reverb . . . . . . . . .
5.3 Lowpass Reverb . . . . . . . . .
5.4 Schroeders Reverb Algorithm
5.5 Stereo Reverb . . . . . . . . . .
5.6 Reverberating Delay . . . . . .

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CONTENTS

5.7 Multi-Delay Effects . . . . . . . .


5.8 Multitap Delay Effects . . . . . .
5.9 Karplus-Strong String Algorithm
5.10 Flangers and Vibrato . . . . . . .
5.11 References . . . . . . . . . . . . .
6 IIR Filtering Experiments
6.1 Periodic Notch Filters . . . .
6.2 Single-Notch Filters . . . . . .
6.3 Double-Notch Filters . . . . .
6.4 Peaking Filters . . . . . . . .
6.5 Wah-Wah Filters and Phasers
6.6 Parametric Equalizer Filters .
6.7 References . . . . . . . . . . .

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