Magdalenian Industry

Download as pptx, pdf, or txt
Download as pptx, pdf, or txt
You are on page 1of 8

HISTORY

• Magdalenian industry OBS dating from the upper paleolithic,


about 15,000-10,000 B.C. And characterized by cave art,
decorative work in bone and ivory, the marker being A barbed
harpoon. Magdalenian culture, toolmaking industry and artistic
tradition of upper paleolithic europe, which followed the
solutrean industry and was succeeded by the simplified azilian;
it represents the culmination of upper paleolithic cultural
development in europe.
• The magdalenians lived some 11,000 to 17,000 years ago, at A time when
reindeer, wild horses, and bison formed large herds; the people appear to
have lived A semisettled life surrounded by abundant food. They killed
animals with spears, snares, and traps and lived in caves, rock shelters, or
substantial dwellings in winter and in tents in summer. The great increase in
art and decorative forms indicates the magdalenians had leisure time. They
also experienced A population explosion, living in riverside villages of 400 to
600 persons; it has been estimated that the population of france increased
from about 15,000 persons in solutrean times to over 50,000 in magdalenian
times. Uniface blade and three end scrapers. Stone age: magdalenian the
rock shelter of la madeleine, near les eyzies (dordogne), is the type
magdalenian locality.
• This magdalenian stone tools include small geometrically shaped
implements (E.G., Triangles, semilunar blades) probably set into bone or
antler handles for use, burins (A sort of chisel), scrapers, borers, backed
bladelets, and shouldered and leaf-shaped projectile points. Bone was
used extensively to make wedges, adzes, hammers, spearheads with link
shafts, barbed points and harpoons, eyed needles, jewelry, and hooked
rods probably used as spear throwers. Bone tools were often engraved
with animal images. The widespread resumption of artistic production in
the early magdalenian period was marked at first by A return to simple
line drawing and A retreat from the aurignacian achievements in modeling
and polychromy.
• Generally, coarse black drawings with little concern for detail or finish
characterized monumental cave art in this early phase. It may be distinguished
as part of A later school by its continuation of solutrean plastic tendencies and
its correct draftsmanship in the treatment of feet and horns and of perspective
in general. Later, however, as the new school consolidated itself, there was an
increasing and striking naturalism in all the arts.
• The small arts, already at a high level in the aurignacian era, reached a climax in
the magdalenian period, with delicate, detailed engravings and carvings in the
round; in engravings two or more animals were often represented together in a
recognizable scene. The outstanding achievement of magdalenian art, however,
was the cave engraving and polychrome painting of its late phase.
• There was little interest in formal composition or relationships between
figures, but the figures themselves, especially in painting, were
remarkably beautiful, with lively realism, excellent rendering of volumes,
subtle expressive poses, and sophisticated design. Some of the finest
examples of this late painting are at altamira (q.V.), A cave in northern
spain. Magdalenian culture disappeared as the cool, near-glacial climate
warmed at the end of the fourth (würm) glacial period (c. 10,000 BC),
and herd animals became scarce. It has been suggested that the
complexity of the later cave art represents an attempt by magdalenian
man using “sympathetic magic” to cause the animals to once more
become abundant.

You might also like